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  • Colin McIvor’s Unforgettable True Story ZOO Sets Release Date [Trailer]

    Zoo by Colin McIvor Written and directed by Colin McIvor, ZOO has been a crowd favorite on the festival circuit and will now be released in theaters and on demand on June 8, 2018 by Samuel Goldwyn Films. Based on a true story, Tom (Art Parkinson) and his misfit friends fight to save Buster the baby elephant during the air raids on Belfast in 1941. The film stars Art Parkinson (San Andreas and TV’s Game of Thrones), Penelope Wilton (The BFG), and Toby Jones (Captain America: The First Avenger); and is rated PG for thematic elements, some war action and language. Director Colin McIvor said: “Such an amazing true story from our own hometown really had to be told on screen. It was a fabulous experience to work with such a talented cast and crew and to know that ZOO will be seen in America is fantastic.” https://www.youtube.com/watch?v=uMhc0MNWdRU Release Date: June 8, 2018 – Opening in the theaters below as well as on digital/VOD Los Angeles – Playhouse Boston – Apple Cinema Cambridge Rancho Niguel – Regency Rancho Niguel Palm Desert – Palm Desert 10 The Villages, FL – Rialto Chicago (Skokie) – Village Crossing 18 New York (Hanover, NJ) – East Hanover 12 **Additional cities to follow

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  • Ground Breaking Immersive Documentary FACE TO FACE to World Premiere at Sheffield Doc/Fest

    FACE TO FACE FACE TO FACE, the ground breaking immersive story/documentary/installation directed by the award-winning photo journalist, Michelle Gabel and co-directed by immersive storyteller/filmmaker Michaela Holland will world premiere at the Sheffield Doc/Fest beginning June 7 to 12, 2018. Imagine if a shotgun blast took away your eyes, nose and upper palate leaving you permanently blind and unable to smell. FACE TO FACE is the true story of Michelle, who was the victim of this accidental shooting and is currently raising her two daughters. A shotgun blast took away Michelle Fox’s eyes, nose, and upper palate, leaving her permanently blind and unable to smell. Years of photojournalism and audio interviews work in tandem with a virtual reality piece as viewers explore an immersive, three-act installation. FACE TO FACE is an intimate look at gun injury and human resilience. The film is an immersive documentary that blends years of photojournalism with virtual reality to create a three-act installation. This intimate look at gun injury and human resilience is based on the life of a woman who wears a facial prosthesis after a near fatal shooting accident. The installation will bring the viewer up close and personal, as we experience only a fraction of a day in the life of the main character. Years of photojournalism and interview audio is the foundation and cornerstone of this project. These traditional mediums work in tandem with a virtual reality piece as guests explore the film/installation. FACE TO FACE was chosen from a record number of highest quality entries to be awarded the 2018 Alternate Realities Commission . It was awarded due to the project’s ability to push the boundaries of what is possible within factual storytelling and its strong commitment to innovation in the realm of non-fiction. FACE TO FACE is a part of Sheffield Doc/Fest’s Alternate Realities programme, which is a leading forum for interactive, augmented reality, and virtual reality projects. Here, the festival explores game-changing forms of storytelling through experimenting with technology, for fully immersive experiences. Image: Michelle in her daily ritual just before she puts her face on – in a scene from FACE TO FACE – an immersive documentary directed by Michelle Gabel and co-directed by Michaela Holland.

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  • COMING SOON: Production Wraps on Martha Stephens’ TO THE STARS, Starring Kara Hayward, Liana Liberato

    Martha Stephens’ TO THE STARS, Starring Kara Hayward and Liana Liberato, with Tony Hale, Malin Akerman, Shea Whigham, Jordana Spiro, Lucas Zumann, and Adelaide Clemens Production has wrapped in Oklahoma for TO THE STARS, the latest feature film from director Martha Stephens (LAND HO!, PILGRIM SONG). Written by Shannon Bradley-Colleary, the 1960s coming-of-age story centers on the powerful friendship forged between a shy farmer’s daughter (Kara Hayward, MOONRISE KINGDOM) and a reckless new girl in town (Liana Liberato, IF I STAY). Shea Whigham (TAKE SHELTER), Malin Akerman (“Billions”), Tony Hale (“Veep”), Lucas Zumann (20TH CENTURY WOMEN), Jordana Spiro (“Ozark”), and Adelaide Clemens (“Rectify”) round out the cast. Stephens’ last film LAND HO!, which she co-wrote and co-directed, premiered at Sundance, was distributed by Sony Pictures Classics, and won the John Cassavetes Award at the Film Independent Spirit Awards. The film is produced by Kristin Mann (MIDNIGHT SPECIAL) and Laura D. Smith (IT FOLLOWS) in partnership with Erik Rommesmo of Northern Lights Films (THE HERO), Carlos Cuscó and Emerson Machtus of Foton Pictures (THE LITTLE HOURS) and Kerri Elder and Blake Elder of Rockhill Media (ALL THE BIRDS HAVE FLOWN SOUTH). Image: Left to Right: Kara Hayward, Liana Liberato, Tony Hale, Malin Akerman, Shea Whigham, Jordana Spiro, Lucas Zumann, Adelaide Clemens

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  • Documentary AFGHAN CYCLES to East Coast Premiere at Brooklyn Film Festival [Trailer]

    Afghan Cycles Following a new generation of young Afghan women cyclists, the documentary Afghan Cycles uses the bicycle to tell a story of women’s rights – human rights – and the struggles faced by Afghan women on a daily basis, from discrimination to abuse, to the oppressive silencing of their voices in all aspects of contemporary society. These women ride despite cultural barriers, despite infrastructure, and despite death threats, embracing the power and freedom that comes with the sport.  Afghan Cycles will have its East Coast premiere at the Brooklyn Film Festival, screening on June 7 and 8, 2018. Focusing on local impact, Afghan Cycles is partnering with local organizations Women for Afghan Women, Get Women Cycling, Bicycle Habitat, BikeStyle and Girls on Bikes. On Thursday, June 7, Get Women Cycling will be hosting a group ride to the screening, and following the screening on Friday June 8, the partner organizations will join Afghan Cycles Director Sarah Menzies for a panel discussion following the film. AFGHAN CYCLES “The women in this film represent the positive impact that sports can have in oppressive societies. Cycling has empowered these women to get around more freely and independently when they would otherwise have to rely on a man. This is not unique to Afghanistan. In fact, in many countries women do not have the freedom of mobility and are dependent on men to travel safely,” says Menzies. “This brave group of Afghan women are challenging that type of traditional thinking that is quite prevalent throughout the world, and by telling their story, we hope that it inspires more women to get on bicycles internationally.”

    Panel participants:

    Fatima Rahmati, Women for Afghan Women

    Fatima was born in Kabul, Afghanistan and at the age of four, she and her family fled as refugees from Afghanistan to Australia. Fatima traces back her experiences of being raised in the projects of Australia and her father’s legacy of educator and social activism as the path which paved the way to philanthropy. Moving to New York City 13 years ago, Fatima found herself naturally gravitating towards education, social justice, and philanthropy. When deciding on how to best serve her father’s legacy and her own passions, Fatima decided a school bearing his name in the country he loved would be fitting – a project she is currently working on. She joined Women for Afghan Women in 2015 as the Program Assistant for a brief period, she then took on a leading role in WAW’s Junior Board. Starting January 2018 she took on the role of Coalition and Outreach Coordinator at WAW. Fatima is fluent in Dari and English

    Lydia Moore, Bicycle Habitat/BikeStyle

    Lydia works as a bicycle mechanic in brooklyn, with a belief in the need to redistribute resources, knowledge and access to bicycles. In the white cis male dominated bike industry she has created a workshop and ride series called BikStyle. Sharing the resources and space of Bicycle Habitat, BikeStyle centers queer and trans cyclist of color. Lydia is passionate about the bicycle as a tool for change. She is a founding board member of the Bike Worker Advocacy Project. A worker Center with a mission to organize the work force of bike messengers and bike shop workers in NYC.

    Kala La Fortune, Girls on Bikes

    Kala grew up and currently resides in Newark, NJ. A graduate of Rutger’s University Newark with a Bachelor’s Degree in Business, Kala founded Girls On Bikes as a Senior in college while pursuing a career in Fashion. Her initial goal was to get more girls in her community to cycle as a way to get connected, have fun, and exercise. Now the organization has worked with over 150 students in the Newark Public Schools teaching them how to build bicycles from scratch and discussing the negative stigmas they may encounter while cycling in the urban community.

    Screening times:

    Thursday June 7, 2018 @ 7:30 pm, Wythe Hotel Friday June 8, 2018 @ 6:30pm, Windmill Studios NYC, panel discussion to follow

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  • MAYNARD, Powerful and Inspiring Story of the First Black Mayor of a Major Southern City, Sets Digital Release Date [Trailer]

    Atlanta. Mayor Maynard Jackson , Coretta Scott King and Nelson Mandela The remarkable story of the unparalleled success of Maynard Jackson Jr., Atlanta’s beloved longtime leader, is told in the compelling new documentary Maynard which will be released by Virgil Films on iTunes and digital platforms on Tuesday, July 3, 2018. He was Obama before Obama, Maynard Holbrook Jackson became first black Mayor of Atlanta, Georgia in 1973 and this film is an exploration into a man who had dreams and ambitions to be a public servant for his people seeing that it was the next logical step in the journey that had been started by Dr. King, and so many others who had blazed the trail during the years of horrific segregation. Maynard interviews include President Bill Clinton, Al Sharpton, Vernon Jordan, Ambassador Andrew Young, Rev. Joseph Lowery, Jesse Jackson, former Atlanta Mayor’s Sam Massell and Shirley Franklin, and current Mayor Kasim Reed to name a few. Directed by Academy Award nominee, Emmy winner and 4 time Peabody Award winner Sam Pollard (“Slavery by Another Name”, “Sammy Davis, Jr.: I’ve Gotta Be Me”, “Two Trains Runnin’”), Maynard is produced by Maynard Jackson III, Wendy Eley Jackson, Dolly Turner, Winsome Sinclair, Daphne McWilliams, Jason Orr, and Donald Jarmond with cinematography by Henry Adebonojo who worked on the Academy Award nominated documentary “I Am Not Your Negro”.

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  • Paul Guilfoyle and Lainie Kazan to Star in New Indie Film, TURNOVER [Video]

    [caption id="attachment_29798" align="aligncenter" width="1204"]Paul Guilfoyle and Lainie Kazan to Star in New Indie Film, TURNOVER Paul Guilfoyle and Lainie Kazan[/caption] Veteran actors, Paul Guilfoyle (CSI, LA Confidential) and Lainie Kazan (My Big Fat Greek Wedding) star opposite each other in a new dramedy Turnover by award-winning writer/director/producer, Linda Palmer. “Turnover” is the story of cafe owner, Peter who leaves his disgruntled manager, Henry, in charge of the business. Henry instead fires the staff and replaces them with an eclectic crew of misfits. Peter returns to an unrecognizable café, and eventually learns the value of camaraderie. He bonds with the new team, and only through their help is he able to save the business, his life, and ultimately find love. Guilfoyle plays the role of “Peter” opposite Kazan who plays the role of the feisty head waitress, “Gladys.” “Henry” is played by Riker Lynch (Glee and the band R5), and veteran actor, Carlos Carrasco (Blood In, Blood Out), takes on the hardened ex-criminal role of “Miguel”, a savant chef with a heart of gold and the cooking chops to heal. Ms. Kazan stated, “It was the first positive project I had read in quite a while. I found it extremely inspirational and decided I must play the part of Gladys. I’m so happy to be part of this project.” The remaining ‘misfits’ include, Adwin Brown (Heathers, The Fosters), Blair Williamson (Scrubs, Nip Tuck) and newcomer, Madison McCarthy. They are joined by a stellar cast of all-stars including, icon, Beverly Todd (Lean On Me, Bucket List), Elina Madison (Last Call at Murray’s), Kat Kramer (Child of the 70’s), Julia Silverman (American Pastoral), Jamie Brewer (American Horror Story) and Karen Sharpe Kramer (Johnny Ringo) among others. Mrs. Sharpe-Kramer has come out of retirement to join her daughter in the cast. Sharpe-Kramer stated, “I had basically retired from acting, but after reading ‘Turnover’ I fell in love with the story, the role of Pat, and decided to come on board. I’m dedicated to being involved with projects that focus on inclusion, diversity and family values. I’m thrilled to be joining my daughter Kat Kramer as a cast member, and working with the talented team, especially Linda Palmer, and so many gifted women behind, and in front of, the camera.” The film will shoot in Long Beach, late this summer at a few select local businesses, primarily the Mediterranean favorite, Open Sesame, in Belmont Shore. “Turnover,” produced by Palmer, Marvin Glover, and Rae Davis, aims to educate and break down barriers for people with disabilities. Working with Activities Recreation and Care (ARC) and National Down Syndrome Society (NDSS), the “Turnover” creative and production teams’ mission is to challenge the stigmas that people with disabilities face by using entertainment to showcase their talent and bring attention to the public. Once the film is complete, ARC and NDSS will have the opportunity to promote awareness through private screenings arranged via Tugg.com, prior to its domestic release. Turnover, LLC, the film’s parent company, will then share the screening profits with these organizations. The film will be produced by Palmer’s production company, Runaway Productions, and Glover’s company, Sea Sand Entertainment. https://www.youtube.com/watch?v=jjVHTomfBRs

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  • Hulu to Release Sundance Award-Winning Documentary MINDING THE GAP

    Minding the Gap Minding the Gap, is a moving documentary from director Bing Liu about three young men who bond across racial lines to escape volatile families in their Rust Belt hometown. Ten years later, while facing adult responsibilities, unsettling revelations force them to reckon with their fathers, their mothers, and each other. The documentary film has been acquired Hulu, and will be released as a Hulu Documentary both theatrically across key markets in the US and on Hulu on August 17th. Minding the Gap was shot by Bing Liu and marks the director’s feature debut. The film made its world premiere earlier this year at the 2018 Sundance Film Festival, where it went on to win the U.S. Documentary Special Jury Award for Breakthrough Filmmaking. Since Sundance it has received over twenty-five awards and distinctions at festivals, including nine Jury Awards for Best Documentary and five Audience Awards. Compiling over 12 years of footage shot in his hometown of Rockford, IL, in Minding the Gap Bing Liu searches for correlations between his skateboarder friends’ turbulent upbringings and the complexities of modern-day masculinity. As the film unfolds, Bing captures 23-year-old Zack’s tumultuous relationship with his girlfriend deteriorate after the birth of their son and 17-year-old Keire struggling with his racial identity as he faces new responsibilities following the death of his father. While navigating a difficult relationship between his camera, his friends, and his own past, Bing ultimately weaves a story of generational forgiveness while exploring the precarious gap between childhood and adulthood. “When I first started developing Minding the Gap, I knew I wanted it to be accessible to young audiences, so I’m enthused with the reach the film will have as a Hulu Original,” said Bing Liu. “The film has elicited strong emotional responses with festival viewers around the world, so I’m happy with Hulu’s plans for a theatrical release and an outreach campaign to engage audiences in discussing the issues the film explores. I’m infinitely grateful for the friends and collaborators who’ve made the film possible, especially the brave participants of the film.” The film is produced by Liu and Diane Quon through Kartemquin Films, and edited by Liu and Joshua Altman. Executive producers are Steve James, Gordon Quinn, Betsy Steinberg, Sally Jo Fifer, Justine Nagan, and Chris White. Minding the Gap is a co-production of Kartemquin Films, American Documentary |POV, and Independent Television Service (ITVS), with funding provided by the Corporation for Public Broadcasting (CPB) and Sundance Institute Documentary Film Program. Magnolia Pictures will handle the theatrical distribution. Minding the Gap will join Hulu’s growing list of award-winning and critically acclaimed documentaries, including TINY SHOULDERS: RETHINKING BARBIE, THE BEATLES: 8 DAYS A WEEK – THE TOURING YEARS, TOO FUNNY TO FAIL, OBEY GIANT, BECOMING BOND, DUMB, BATMAN AND BILL and MARCH OF THE PENGUINS 2: THE NEXT STEP.  

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  • Alex Gibney Directing New HBO Documentary on the Rise and Fall of Healthcare Company Theranos

    [caption id="attachment_29735" align="aligncenter" width="1200"]Alex Gibney Alex Gibney[/caption] Academy Award winner Alex Gibney is working on a new documentary for HBO, investigating the rise and fall of Theranos, the one-time multibillion-dollar healthcare company founded by Elizabeth Holmes.  In 2004, Elizabeth Holmes dropped out of Stanford to start a company that was going to revolutionize healthcare. In 2014, Theranos was valued at $9 billion, making Holmes, who was touted as “the next Steve Jobs,” the youngest self-made female billionaire in the world. Just two years later, Theranos was cited as a “massive fraud” by the SEC, and its value was less than zero. Drawing on extraordinary access to never-before-seen footage and testimony from key insiders, director Alex Gibney will tell a Silicon Valley tale that was too good to be true. With all the drama of a real-life heist film, the untitled documentary will examine how this could have happened and who is responsible, while exploring the psychology of deception. “This story is a classic example of truth is more dramatic than fiction,” says Gibney. “The characters are at once larger-than-life and real.” A Jigsaw Production for HBO Documentary Films; directed and written by Alex Gibney (“Enron: The Smartest Guys in the Room,” HBO’s Emmy-winning “Going Clear: Scientology and the Prison of Belief“); producers, Alex Gibney, Erin Edeiken, Jessie Deeter; editor, Andy Grieve; co-editor, Alexis Johnson; associate producer, Ophelia Harutyunyan; executive producer Graydon Carter. For HBO: executive producers, Sara Bernstein, Nancy Abraham.

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  • Leonardo DiCaprio to Produce TV Documentary Series on President Ulysses S. Grant for History

    [caption id="attachment_15285" align="aligncenter" width="1200"]Leonardo DiCaprio Leonardo DiCaprio[/caption] History network has greenlit “Grant,” a six-part television documentary based on Pulitzer Prize-winning author Ron Chernow’s #1 New York Times bestselling biography, produced by Academy Award-winner Leonardo DiCaprio. The documentary will portray one of the most complex and under-appreciated generals and presidents in U.S. History – Ulysses S. Grant. Chernow will also serve as executive producer. “Grant is one of the most brilliant, yet flawed figures in U.S. History and Chernow’s extraordinary biography has transformed our understanding of him at the deepest level,” said Eli Lehrer, Executive Vice President of Programming, History. “This documentary will look at the Civil War and Reconstruction through the intriguing lens of Grant and we look forward to bringing Chernow’s fascinating portrait of this president to life.” The six-part documentary examines Grant’s life story using his perspective and experiences to explore a turbulent time in History – the Civil War and Reconstruction. Grant is known for his role as U.S. Army General and Commanding General during the Civil War, but few recognize his struggles during his youth, his time at West Point, his service in the Mexican War alongside some of the greatest names from U.S. military History or his several failed business ventures before the Civil War. Criticized for a scandal ridden Presidency and with a reputation for being a drunk, Grant was often dismissed by scholars, even after he distinguished himself as an extraordinary military strategist and leader during the Civil War. However, a primary focus of his Administration was Reconstruction and the herculean task to reconcile the North and the South. One of the most courageous and unexpected initiatives of Grant’s Presidency was protecting the four million freed slaves who had become U.S. citizens with the right to vote – despite the enormous resistance he faced. Most notably after his presidency, Grant embarked on a world tour in hopes Americans would forget the scandals during his term and negotiated a contract with a friend – famed novelist Mark Twain – to publish his now famous memoirs. History has seen continued success with mega-docs such as Emmy Award winner “The Men Who Built America,” Emmy Award winner “America: The Story of Us,” Emmy Award nominee “The World Wars,” and “Vietnam in HD.” Most recently, “The Men Who Built America: Frontiersmen” reached 26 million viewers on a Live+7 basis. “Grant” is produced for History by Appian Way Productions and RadicalMedia in association with Lionsgate Television. Leonardo DiCaprio and Jennifer Davisson are executive producers for Appian Way Productions who are also producers on Lionsgate’s feature film based on the same property. Dave Sirulnick, Justin Wilkes and Fisher Stevens are executive producers for RadicalMedia. Ron Chernow is executive producer. Eli Lehrer, Mary E. Donahue and Jennifer Wagman are executive producers for History. Brian Volk-Weiss also serves as executive producer.

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  • Rooftop Films to US Premiere EXIT MUSIC Cameron Mullenneaux’s Docu-Portrait of Ethan Rice Dying with Cystic Fibrosis

    [caption id="attachment_29729" align="aligncenter" width="1200"]Ethan Rice, Subject of Exit Music Ethan Rice, Subject of Exit Music[/caption] On Saturday, June 16, Rooftop Films will present the U.S. Premiere of Exit Music, Cameron Mullenneaux’s intimate and emotional docu-portrait of Ethan Rice, a 28 year old with Cystic Fibrosis, during the final months of his life.  Filmmaker Cameron Mullenneaux will be in attendance and will participate in a special conversation along with Green-Wood Cemetery’s Death Educator Amy Cunningham after the film.’ The event will take place at Green-Wood Cemetery, in Brooklyn and will feature a live musical performance by Samuel R Saffery.

    Exit Music

    Born with cystic fibrosis, 28-year-old Ethan Rice has been preparing to die his entire life. His father Ed, a Vietnam veteran with PTSD, immersed him in a world of imagination and documented it on camera, a hobby that provided relief from the fear of his son’s prognosis and his own painful past. Equal parts comedy and darkness, Exit Music is the last year, last breath, and final creative act of Ethan as he awaits the inevitable. Interweaving home movies with Ethan’s original music and animation, his story is an unflinching meditation on mortality and invites the viewer to experience Ethan’s transition from reality to memory. In a culture that often looks away from death, this film demystifies the dying process, a universal cornerstone of the human experience.

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  • Rob Tregenza’s GAVAGAI, Adapted from the Poetry of Tarjei Vesaas, Opens August 3 [Trailer]

    Shadow Distribution has released the official trailer for Rob Tregenza’s GAVAGAI, adapted from the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers. The film will open at Cinema Village in New York on August 3rd, and at the Music Hall in Los Angeles on August 10. Other select cities will follow. Rob Tregenza’s uncompromising cinematic vision and devotion has, among other things, led him to direct such celebrated Independent films as Talking to Strangers, The Arc and Inside Out and to work with Jean-Luc Godard and, as a cinematographer with particular belief in long takes, for Alex Cox and Bela Tarr. In GAVAGAI, director Rob Tregenza and screenwriter Kirk Kjeldsen have adapted the poetry of Tarjei Vesaas, considered to be one of Norway’s greatest writers (1897-1970) to the screen. German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet’s home and places of inspiration to stimulate his own translation. On the road, the ghost of Carsten’s wife appears to him, while Niko struggles with the sudden consequences of his girlfriend’s pregnancy. On this journey, two very different men come to realize the transforming power of love, the limits of language, and the human need for friendship. Shot entirely in Telemark, Norway on 35mm, the film stars Andreas Lust (from the Golden Bear-nominated film Der Räuber, The King’s Choice, and the Oscar-nominated film Revanche), Anni-Kristiina Juuso (from The Cuckoo and The Kautokeino Rebellion), and Mikkel Gaup (from Tregenza’s Inside/Out and the Oscar-nominated films Pathfinder and Breaking The Waves). https://www.youtube.com/watch?v=QNOH5AagobM

    Director

    Rob Tregenza (born November 14, 1950) is a North American cinematographer, film director, and producer. Besides shooting his own projects, Tregenza also worked as a director of photography with other directors, including Béla Tarr (Werckmeister Harmonies), Claude Miller (Marching Band), Pierre William Glenn (The Sad and Lonely Death of Edgar Allan Poe), and Alex Cox (Three Businessmen). Tregenza earned his PhD from UCLA in 1982. He has produced, directed and photographed four feature films: Talking to Strangers (1987), which appeared at the Berlin International Film Festival, Edinburgh International Film Festival, Toronto International Film Festival; The Arc (1991), a co-production with Film Four International which showed in Berlin, Edinburgh, Toronto, and Chicago; Inside/Out (1997), which screened at Cannes, Toronto, Rotterdam, and Sundance; and Gavagai (2016). Tregenza’s first feature, Talking to Strangers, won him acclaim and the eye and praise of Jean-Luc Godard, who personally selected the film in 1996 to be showcased at the Toronto Film Festival. Richard Brody, of The New Yorker, wrote of the main character, Jesse, in the film: “The drive for [his] purity extends through all domains—intimate, intellectual, artistic, and, for that matter, religious—as the quest for experience comes into conflict with the yearning for the realization of a higher, even transcendently great, ideal.” Tregenza’s third feature, Inside/Out, premiered at the 1997 Cannes Film Festival in the Un Certain Regard section. Tregenza’s fourth feature film, GAVAGAI (2016) was shot in 35mm, in Telemark,Norway. It stars Andreas Lust (The Robber 2010, Revanche 2008), Anni-Kristiina Juuso (The Cuckoo 2009) and Mikkel Gaup (Kautokeino Rebellion 2008) GAVAGAI was based on 15 poems by Tarjei Vesaas.

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  • THE SILENCE OF OTHERS To Have NY Premiere At Human Rights Watch Film Festival

    The Silence of Others The award-winning documentary The Silence of Others is a beautiful, cinematic, and poetic film about the  people who are fighting for justice and a reckoning in Spain on crimes committed by the Franco regime during its brutal 40 year rule.  It won the two prizes – Audience Award (Panorama) and Peace Prize at the Berlinale – 2018 Berlin International Film Festival. The Silence of Others will have its NY premiere at the 2018 Human Rights Watch Film Festival in New York City this month The Silence of Others reveals the epic struggle of victims of Spain’s 40-year dictatorship under General Franco, who continue to seek justice to this day. Filmed over six years, the film follows victims and survivors as they organize the groundbreaking “Argentine Lawsuit” and fight a state-imposed amnesia of crimes against humanity, in a country still divided four decades into democracy. Synopsis: The Silence of Others offers a cinematic portrait of the first attempt in history to prosecute crimes of Franco’s 40-year dictatorship in Spain (1939-1975), whose perpetrators have enjoyed impunity for decades due to a 1977 amnesty law. It brings to light a painful past that Spain is reluctant to face, even today, decades after the dictator’s death. Filmed with intimate access over six years, the story unfolds on two continents: in Spain, where survivors and human rights lawyers are building a case that Spanish courts refuse to admit, and in Argentina, where a judge has taken it on using the principle of universal jurisdiction, which allows foreign courts to investigate crimes against humanity if the country where they occurred refuses to do so. The implications of the case are global, as Spain’s transition from dictatorship to democracy continues to be hailed as a model to this day. The case also marks an astonishing reversal, for it was Spain that pioneered universal jurisdiction to bring down former Chilean dictator Augusto Pinochet, and yet now it is an Argentine judge who must bring Spain’s own past to light. The Silence of Others tells the story of this groundbreaking international lawsuit through the voices of five survivors who have broken Spain’s “pact of silence” and become plaintiffs in the case, including victims of torture, parents of stolen children, and family members who are fighting to recover loved ones’ bodies from mass graves across Spain. Guiding this monumental effort are Carlos Slepoy, the human rights lawyer who co-led the case against Pinochet, and Ana Messuti, a philosopher of law. The case is making history: what started as a small, grassroots effort has yielded the first-ever arrest warrants for perpetrators, including torturers, cabinet ministers, and doctors implicated in cases of stolen children. It has brought the nearly forgotten case to the front page of The New York Times and has stirred a flurry of international attention. Through this dramatic, contemporary story, The Silence of Others speaks to universal questions of how societies transition from dictatorship to democracy and how individuals confront silence and fight for justice. What happens when a country is forced to reckon with its past after so many years of silence? Can justice be done after so long? [caption id="" align="alignnone" width="1200"]Almudena Carracedo and Robert Bahar The Silence of Others Almudena Carracedo and Robert Bahar[/caption] Directors’ Statement: In 2010, the story of Spain’s “stolen children” began to come out. The story of these crimes, with roots in the early days of Franco’s rule, led us to explore the marginalization and silencing of victims of many Franco-era crimes, ranging from extrajudicial killings at the end of the Spanish Civil War to torture that took place as recently as 1975. As we began to learn more, we were baffled by basic questions: how could it be that Spain, unlike other countries emerging from repressive regimes, had had no Nuremberg Trials, no Truth and Reconciliation Commission, no national reckoning? Why, instead, was a “pact of forgetting” forged in Spain? And what were the consequences of that pact, 40 years into democracy, for the still-living victims of Franco’s dictatorship? When we began filming the process of the “Argentine lawsuit” in 2012, which challenged this status quo, few thought that it would amount to much. But as we filmed those early meetings, we could see that the lawsuit was stirring up something vital, transforming victims and survivors into organizers and plaintiffs and bringing out dozens, and then hundreds, of testimonies from all over Spain. As the number of testimonies snowballed, the case was building into a persuasive argument about crimes against humanity that demanded international justice. We thus discovered that The Silence of Others was going to be a story about possibilities, about trying to breach a wall, and that, rather than focusing on what had happened in the past, it would be all about what would happen in the future. We also saw that the film would embody great passion and urgency because, for many of the plaintiffs, this case would offer the last opportunity in their lifetimes to be heard. Even so, as we set out filming those early meetings, we could scarcely have imagined that we would follow this story for six years and film over 450 hours of footage. Screenings at HRWFF-NY Tuesday, June 19, 2018 at 6:30 PM Film Society of Lincoln Center Elinor Bunin Munroe Film Center Wednesday, June 20, 2018 at 9:00 PM IFC Center

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The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
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