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  • VIDEO: Watch Trailer for LGBT Romantic Drama SEBASTIAN

    Sebastian LGBT romantic drama Sebastian releases on February 6, 2018 worldwide on DVD & VOD via Wolfe.  In this urban gay love story, sexy Argentinian hunk Sebastian (Alex House) arrives in Toronto on a one week visit and meets his cousin’s boyfriend, Alex (writer-director, James Fanizza). Instant attraction leads Alex to question his rocky relationship with his boyfriend. As he and Sebastian decide to explore their forbidden passion, they connect deep in emotion. Alex must confront his conflicted feelings for his boyfriend and Sebastian, as well as some surprising, long buried secrets from his past. Sebastian is a uniquely modern story – exploring the search for love in an age of instant gratification, online hookups, and the yearning for connection in an age of convenience and superficiality. It paints a nuanced portrait of 20-something queerness; that perpetual feeling of having what you want at the tip of your fingers, but not being sure if you really want to grab it. This intimate feature debut from filmmaker / actor James Fanizza features Brian “Katya” McCook from The Trixie and Katya Show & RuPaul’s Drag Race, Alex House, and acclaimed Mexican/South African actress-singer Amanda Martinez.

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  • VIDEO: Watch Trailer for HUMOR ME, Sam Hoffman’s Heartfelt Father-Son Comedy

    Humor Me Here is the trailer for Humor Me, Sam Hoffman’s heartfelt father-son comedy inspired by his acclaimed web series, off-Broadway play, and book series “Old Jews Telling Jokes” that tells the story of a struggling playwright who is forced to move in with his dad in a retirement community. The film opens on Friday, January 12th in New York at the Village East Cinema and Los Angeles on January 19th with rollout to follow. Humor Me is a heartfelt father-son comedy about a struggling playwright who is forced to move in with his joke-telling dad in a New Jersey retirement community and learns, as his father often says, “life’s going to happen, whether you smile or not.” Written and directed by Sam Hoffman, producer of Wes Anderson’s Moonrise Kingdom, John Carney’s Begin Again and Richard Loncraine’s 5 Flights Up, the film stars Jemaine Clement, Legion, Moana, What We Do In The Shadows, People, Places, Things, Flight of the Conchords, and Elliot Gould, The Ocean’s Series, M*A*S*H, The Long Goodbye, Bugsy. Currently, Hoffman produces and directs CBS’ critically acclaimed series “Madam Secretary” & also writing a screen adaptation of Michael Pollan’s best-seller The Omnivore’s Dilemma with producing partner Frances McDormand!

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  • VIDEO: Watch Trailer for Sundance 2018 Doc ANOTE’S ARK Directed by Matthieu Rytz

    Anote's Ark by Matthieu Rytz The trailer and poster premiered for Sundance 2018 doc Anote’s Ark directed by Matthieu Rytz. Anote’s Ark is the first feature doc to be shot in the Republic of Kiribati, an island nation in the Pacific Ocean that will gradually disappear with rising sea levels, which may grant it’s citizens the unfortunate title of first climate refugees in history. Anote's Ark Poster Anote’s Ark is the first feature film directed by Matthieu Rytz, filmmaker and photographer specialized in visual anthropology. After initially being exposed to the plight of a people about to see their very land disappear during a visit to the Kuna Yala archipelago in 2012, Matthieu Rytz decided to document the lives of the citizens of Kiribati. He thus follows the country’s president, Anote Tong, on his journey through international halls of power and climate conferences leading up to COP21. He attempts to get his message heard loud and clear by political and economic leaders while fighting to protect his people, as numerous people in Kiribati are already seeking refuge abroad. Anote’s fight is thus intertwined with the extraordinary fate of Tiemeri Tiare, a young mother of six who decides to relocate to New Zealand with her family. Through both of these portraits, Matthieu Rytz explores issues related to the survival of Tiemeri Tiare’s family, of the population of Kiribati as a whole and of 4,000 years of Kiribati culture. https://www.youtube.com/watch?v=UE2_maYEqF8

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  • Watch Trailer for Brett Favre’s New Concussion Documentary “Shocked: A Hidden Factor in the Sports Concussion Crisis”

    [caption id="attachment_26364" align="aligncenter" width="1024"]Brett Favre, documentary "Shocked: A Hidden Factor in the Sports Concussion Crisis" Brett Favre[/caption] “Shocked: A Hidden Factor in the Sports Concussion Crisis” a new documentary short, Executive Produced by Brett Favre, in partnership with KMG Media, will premiere on the new 24/7 multiplatform sports network, Stadium, on January 11, 2018, at 6:30 p.m. ET. “Shocked” sheds light on Favre’s career-ending head-to-turf concussion and explores what preventative measures can be taken to make the playing environment safer for all athletes at all skill levels. “Shocked” takes an intimate look at Brett’s career and his concerns for the future, and parallels the experience with Gracie Hussey – a 17-year-old girl living with Post Concussion Syndrome from head-to-turf injuries suffered when she was thirteen. Shocked unveils deeply personal stories, supported by interviews with leading researcher, John Sorochan, Ph. D. of the University of Tennessee – Turfgrass Research Center, the President of the Concussion Legacy Foundation, Chris Nowinski, Ph.D., and others. There are between an estimated 1.6 and 3.8 million sports-related concussions in the United States every year, leading The Centers for Disease Control (CDC) to conclude that sports concussions in the United States have reached an epidemic level. One in every five of those concussions is directly a result from a head-to-turf collision. Immediately preceding the debut of “Shocked” on January 11, Brett Favre will appear on Stadium’s signature studio show, “The Rally,” at 6:00 p.m. ET, discussing his involvement in the documentary. Shocked will re-air several times throughout the month of January on the Stadium network. https://www.youtube.com/watch?v=9prordVz3nY

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  • 2018 Berlinale Shorts Program to Feature 22 Films in Competition + Special Program “1968 – Red Flags for Everyone”

    [caption id="attachment_26340" align="aligncenter" width="1200"]Kushbu Devi. Circle. Regie/director: Jayisha Patel Circle[/caption] This year’s 2018 Berlinale Shorts competition includes 22 films from 18 countries competing for the Golden and the Silver Bear, as well as the Audi Short Film Award, worth € 20,000, and a nomination for the European Film Awards.   The Nigerian film Besida by Chuko Esiri and the Austrian film The Shadow of Utopia by Antoinette Zwirchmayr will be screened out of competition. The competition includes films by João Salaviza, Réka Bucsi, Bárbara Wagner & Benjamin de Burca, Manque La Banca, Sylvia Schedelbauer, Ulu Braun, Arash Nassir, João Viana, among others. In addition the Berlinale Shorts will present a special programme about 1968. In City of Tales by Arash Nassiri, a polyphony of Persian dialects can be heard that turns Los Angeles into Teheran. The sites of memory are the cities of others. In Onde o Verão Vai (episódios da juventude), Portuguese director David Pinheiro Vicente stages a queer exodus from the Garden of Eden and so rethinks the beginnings of humankind. In her documentary Circle, Jayisha Patel shows how the family can be a breeding ground for the trafficking of women. It is the grandmother who accepts money for her granddaughter’s rape. For the first time, a film from Rwanda will be shown in the competition, the co-production Imfura by Samuel Ishimwe. The members of the International Short Film Jury are Portuguese filmmaker and winner of the Golden Bear for Best Short Film at the Berlinale 2017, Diogo Costa Amarante; US filmmaker and curator Mark Toscano; and South African filmmaker and academic Jyoti Mistry. 50 years since 1968: The Berlinale Shorts special programme “1968 – Red Flags for Everyone” will present aesthetic strategies that are still relevant to this day. “Without raising the question of social unrest, it would be impossible to examine 1968 – the subjective gaze in its aesthetic diversity is the kaleidoscope that makes the conditions then accessible today. By radically reducing everything to the material itself, the artists free film from any sort of narrative and allow a new reality to become apparent,” states Berlinale Shorts curator Maike Mia Höhne. In Programmhinweise, Christiane Gehner ponders gender roles: “I’m not sure, but sometimes it feels like it might be better to just comply with men’s demands – for isolation is even worse than suppression.” In Antigone, Ula Stöckl discloses the structures involved in imbalances of power. In Na und…?, Marquard Bohm and Helmut Herbst reveal – at the home of Bohm’s own family in Hamburg – the often-depicted fustiness hidden beneath the academic gown. Dore O. describes her film Alaska as a dream about herself, as a consequence of interacting with society. In 1968, Helmut Herbst and Dore O. were founding members of the first Hamburg Filmmakers’ Cooperative, which radically influenced contemporary social discourse with their films.

    Films screening in the Berlinale Shorts 2018:

    After/Life, Puck Lo, USA, 15’ (WP) Alma Bandida, Marco Antônio Pereira, Brazil, 15’ (WP) And What Is the Summer Saying, Payal Kapadia, India, 23’ (WP) Babylon, Keith Deligero, Philippines, 20’ (IP) Besida, Chuko Esiri, Nigeria, 12’ (WP) – out of competition Blau, David Jansen, Germany, 15’ (WP) Burkina Brandenburg Komplex, Ulu Braun, Germany, 19’ (WP) Circle, Jayisha Patel, Great Britain / India / Canada, 14’ (WP) City of Tales, Arash Nassiri, France, 21’ (WP) Coyote, Lorenz Wunderle, Switzerland, 10’ (WP) Imfura, Samuel Ishimwe, Switzerland / Rwanda, 36’ (IP) Imperial Valley (Cultivated Run-Off), Lukas Marxt, Germany / Austria, 14’ (WP) Des jeunes filles disparaissent, Clément Pinteaux, France, 16’ (IP) Madness, João Viana, Mozambique / Guinea-Bissau / Qatar / Portugal / France, 13‘ (WP) The Men Behind the Wall, Ines Moldavsky, Israel, 28’ (WP) Onde o Verão Vai (episódios da juventude), David Pinheiro Vicente, Portugal, 20’ (WP) Russa, João Salaviza & Ricardo Alves Jr., Portugal / Brazil, 20’ (WP) The Shadow of Utopia, Antoinette Zwirchmayr, Austria, 23’ (IP) – out of competition Solar Walk, Réka Bucsi, Denmark, 21’ (WP) Terremoto Santo, Bárbara Wagner & Benjamin de Burca, Brazil, 20’ (IP) Le Tigre de Tasmanie, Vergine Keaton, France, 14’ (WP) T.R.A.P, Manque La Banca, Argentina, 16’ (WP) While I Yet Live, Maris Curran, USA, 15’ (IP) Wishing Well, Sylvia Schedelbauer, Germany, 13‘ (WP)

    Berlinale Shorts Special Program “1968 – Red Flags for Everyone”

    Alaska, Dore O., Federal Republic of Germany, 18‘, 1968 Antigone, Ula Stöckl, Federal Republic of Germany, 9‘, 1964 Farbtest Rote Fahne, Gerd Conradt, Federal Republic of Germany, 12‘, 1968 Fundevogel, Claudia von Alemann, Federal Republic of Germany, 22‘, 1967 I Ruhrområdet, Peter Nestler, Sweden, 34‘, 1967 Ja/Nein, Ernst Schmidt jr., Austria, 3‘, 1968 Kunst & Revolution, Ernst Schmidt jr., Austria, 2‘, 1968 My Name is Oona, Gunvor Nelson, USA, 10‘, 1969 Na und…?, Marquard Bohm & Helmut Herbst, Federal Republic of Germany, 33‘, 1966 Programmhinweise, Christiane Gehner, Federal Republic of Germany, 10‘, 1970 Rohfilm, Birgit & Wilhelm Hein, Federal Republic of Germany, 20‘, Tapp und Tastkino, VALIE EXPORT, Austria, 2‘, 1968

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  • MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS, Produced and Directed by Judd Apatow and Michael Bonfiglio, sets HBO Premiere Date

    May It Last A Portrait of the Avett Brothers The documentary “May It Last: A Portrait of the Avett Brothers,” an inside look at the North Carolina band, produced and directed by Judd Apatow and Michael Bonfiglio, will debut Monday, January 29, 2018, on HBO. Founded by Scott and Seth Avett and Bob Crawford in 2001, The Avett Brothers have gone from obscurity to critical acclaim and sold-out tours, experiencing profound heartbreak and exceptional joy along the way. Filmed with extensive access over more than two years, May It Last: A Portrait of the Avett Brothers is an inside look at the North Carolina band, from its origins to a recent collaboration with legendary record producer Rick Rubin (Johnny Cash, Jay Z, Beastie Boys, Dixie Chicks) on the Grammy-nominated album “True Sadness.” The film depicts a lifelong bond and unique creative partnership, as band members experience marriage, divorce, parenthood, illness and the challenges of the music business, offering a meditation on family, love and the passage of time. Featuring a wealth of original footage of the Avetts in the studio, on the road and at home, previously unseen family photographs and home movies, never-before-heard original songs and rousing concert performances, the intimate film includes revealing interviews with Scott (banjo, lead vocals) and Seth (guitar, lead vocals) Avett, band members Bob Crawford (bass), Joe Kwon (cello), Tania Elizabeth (fiddle), Paul Defiglia (keyboards) and Mike Marsh (drums), Rick Rubin and friends and family. MAY IT LAST shows how the ties between Scott and Seth help shape their creative process as musicians and songwriters. In 2008, after several independent releases, the band signed with Rubin, who says he recognized something special about the Avetts at their very first encounter. “In the first 30 seconds of meeting them, I knew they were people that I wanted to work with, and it seemed like being around them would make life better,” he recalls, noting they differ from other sibling musical acts because “they actually like each other” and have the ability to collaborate on deeply personal lyrics. Between touring constantly and selling out arenas around the world, MAY IT LAST finds the brothers working on new songs at Echo Mountain Studios in Asheville, NC and Rubin’s Shangri La Studio in Malibu, Calif. for their latest album, “True Sadness.” The grandsons of a minister, Scott and Seth live down the road from each other in their Concord, NC hometown, not far from their parents’ house. Four years Scott’s junior, Seth took up guitar as a kid to back up his brother, who showed an early enthusiasm for singing and performing. As teens, they rejected country music and the “country things” of their surroundings like cowboy boots and tractors, gravitating instead to artists like Hall & Oates, Prince and Nirvana. Seth says he “came back to a rural-based country music” after meeting bluegrass legend Doc Watson. Still, the brothers’ first band, NEMO, was devoted to heavy rock. They soon started playing acoustic jams, and added stand-up bass player Bob Crawford, a New Jersey native, who had only recently taken up the instrument. MAY IT LAST shows Scott returning from the road to spend time with his wife, Sarah, and two young children, admitting he dislikes being away from home more and more. But it’s this time at home with their parents, sister, Scott’s family and Seth’s girlfriend (actress Jennifer Carpenter) that fuels the brothers’ creativity. Soon, Scott and Seth travel to Malibu to record what will be the hit album “True Sadness,” marking the first time the full touring band has recorded together. The band’s struggles with illness and divorce have strengthened their bond and greatly influenced their lyrics. When Crawford’s two-year-old daughter was diagnosed with a brain tumor, band members rallied around his family in support. Crawford discusses his daughter’s struggles with cancer, noting how the shared ordeal has pulled the band even closer together. The recording of “True Sadness” reveals how the band’s personal lives are mined for their music, as Seth opens up about songs like “Divorce Separation Blues” (on the end of his first marriage), underscoring the honest vulnerability that has cemented their success. Five years after its release, “I and Love and You,” the Avetts’ major label debut (produced by Rubin), is certified gold, and “True Sadness,” released on American Recordings/Republic Records, receives critical raves, earning two Grammy nominations and fueling the band’s debut at Madison Square Garden. The band is already working on songs for the next album. In a quiet moment with Scott, Bob and Rick Rubin, Seth debuts a song he’s been writing – “C-Sections and Railway Trestles” – about becoming a father for the first time. MAY IT LAST had its world premiere at the 2017 SXSW Film Festival, where it received the 24 Beats Per Second Audience Award. https://www.youtube.com/watch?v=d4dcxt6DUM0 MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS is an Apatow Production in association with RadicalMedia; produced and directed by Judd Apatow and Michael Bonfiglio; executive producers, Jon Kamen, Dave O’Connor, Justin Wilkes; cinematographer, Jonathan Furmanski; additional photography, Michael Richard Martin; sound, Brad Bergbom; editor, Paul Little.  

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  • VIDEO: Watch Brooklyn Hipsters Stalked and Murdered in Slasher PSYCHOTIC! Trailer

    PSYCHOTIC New York filmmakers Derek Gibbons and Maxwell Frey released the trailer for PSYCHOTIC!, the suspenseful psychedelic slasher that follows a group of hard-partying Brooklyn hipsters as they’re stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer. PSYCHOTIC! will be released on iTunes, Amazon, Google Play, Vudu, Sony PSN, Xbox, as well as special screenings at the Nitehawk Theater in Williamsburg on the 25th, Film Noir Cinema in Greenpoint on the 26th, and Videology on the 27th. It’s up to struggling artists Tim and Stuart to figure out who keeps killing the life of the party. Blood-soaked mayhem ensues as our heroes barely make the rent on time, search for love (in all the wrong places), and try to salvage their friendship – all while trying to unravel the mystery and stay one step ahead of the next massacre. On the tail end of its impressive festival run PSYCHOTIC! has been lauded for its visually striking Giallo style and its blood-soaked practical effects. Winner of Best Feature at the Cannabis Film Festival, Best NY Feature at the Upstate NY Horror Film Festival and Best Actress at The Lost Sanity & Sci-Fi Film Fest. PSYCHOTIC! was written and directed by Derek Gibbons and Maxwell Frey. The film was shot and produced on location in Brooklyn, NY by Destruction Inc Productions. The film stars Kristen Martin, Clint Keepin, Cirocco Dunlap, Maria Wojciechowski, Dani Grace, Adam Maid, Rafael Cruz, Chris Prine, Aldous Davidson and Rachel Laforest. Gibbons, Frey and Keepin also produced alongside Elizabeth Koe, and Brian Stansfield did cinematography. The film features an original score by Brooklyn-based synth duo Blazing Galaxies.

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  • Showtime Documentary Series THE FOURTH ESTATE to Follow NY Times as it Covers Trump Administration

    New York Times A revealing multi-part documentary series The Fourth Estate (wt), exploring the process and progress of The New York Times and its journalists in covering the Trump administration, is set to debut later this year – Sunday, May 27 at 8 PM ET/PT – on Showtime. Produced and directed by Emmy(R) Award winning and Oscar(R) nominated filmmaker Liz Garbus (What Happened, Miss Simone?), the project illuminates critical issues facing journalism today – including the challenge to the bedrock concept of truth, the changing role of the media, and the Times’ response to President Trump’s war of words – through extraordinary access, on-the-scene filmmaking and exclusive sit-down interviews. From the first time President Trump called The New York Times “highly inaccurate” in its coverage of his administration, through his false claim that the paper is “failing” and losing thousands of subscribers, to ultimately declaring the majority of the nation’s major news outlets “fake news,” a chief task for the Times, long considered the “newspaper of record,” has been to find the best way to accurately and honestly cover this new and unconventional president. With unprecedented access to the inner workings of the Times, including filming inside closed-door meetings, rare interviews with the editors and reporters who cover the President and the tumult around him, as well as an insider’s view of the Sulzberger family publisher transition, Garbus intimately chronicles the tenacious men and women in the trenches who are fighting for the freedom of the press and America’s right to know. “The Times is an odd and confounding muse for the current president. Trump craves the positive coverage of his hometown paper while simultaneously denigrating the ‘failing New York Times’ on what seems to be a daily basis,” says Garbus. “We’ve been given unprecedented access to capture the challenges, triumphs and pitfalls of covering a president who has declared war on the free press, from the point of view of those on the front line – the White House correspondents, investigative journalists and editors at The New York Times. It’s the story of a lifetime, but what kind of story is it? Is it the story of a new era of the American presidency, or is it a reality show debacle? This series explores these questions as we take a front row seat to those writing the first draft of this moment in history.” Garbus is an Oscar, Grammy(R) and DGA nominated and an Emmy and Peabody Award winning director. Her most recent film, Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, had its world premiere at the 2016 Sundance Film Festival. Her previous film, What Happened, Miss Simone?, was the opening film at the 2015 Sundance Film Festival, was nominated for a 2016 Oscar for Best Documentary Feature, and received a Peabody Award and four Primetime Emmy nominations (including Best Directing for Garbus), winning the Emmy for Outstanding Documentary or Nonfiction Special. Garbus’ past work includes Love, Marilyn and Bobby Fischer Against the World. Garbus produced the documentary short Killing in the Name, directed by her partner Rory Kennedy and nominated for an Academy Award. Garbus received her first Emmy and Oscar nominations in 1998 when she won international public and critical acclaim for her film about prison life in America, The Farm: Angola, USA. Her directing credits include Girlhood, The Execution of Wanda Jean, The Nazi Officer’s Wife, Coma, Shouting Fire: Stories from the Edge of Free Speech and There’s Something Wrong with Aunt Diane. Producing credits include Street Fight and Ghosts of Abu Ghraib.

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  • Chelsea Manning Documentary XY CHELSEA Set for Release in Late 2018

    Chelsea Manning Whistle-blower Chelsea Manning, whose 35-year sentence in an all-male maximum security prison was commuted by President Obama in 2017, will be the subject of the upcoming Showtime documentary “XY Chelsea.” Shot over two years and featuring exclusive interviews and behind-the-scenes verité with Manning, the film picks up on the momentous day in May when she leaves prison and follows her through her journey of discovery, while also examining her place in the conversation on national security and the fight of the transgender community for rights and visibility. The feature film, currently in post-production, will premiere at an upcoming film festival, followed by theatrical run and a subsequent premiere on the Showtime network. Since 2014, filmmaker Tim Travers Hawkins has followed Manning and her legal team as they fought to get her out of prison, and for her to receive the necessary medical treatment for her gender dysphoria. Following two suicide attempts in 2016, Chelsea and her team tried to save her life with a long-shot request to President Obama for a commutation of her sentence before he left office. Cameras follow Manning’s fight for release and witness as she reveals herself to the world for the first time. XY CHELSEA is the journey of her fight for survival and dignity, and her transition from prisoner to a free woman. XY Chelsea was directed by Tim Travers Hawkins and produced by Pulse Films in association with First Look Media’s Topic Studios, Field of Vision and British Film Institute. Thomas Benski, Julia Nottingham and Lucas Ochoa of Pulse Films are producers. Academy Award(R) winner Laura Poitras (RISK, Citizenfour), Mary Burke, Michael Bloom, Adam Pincus, Charlotte Cook, Sharon Chang, Blaine Vess and Christos V. Konstantakopoulos serve as executive producers.

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  • VIDEO: Watch Action-Packed Biblical Epic SAMSON Trailer Starring Billy Zane, Taylor James

    Samson Billy Zane Pure Flix, the independent faith-and-family studio, has released the official trailer for the biblical epic Samson, described as the thrilling retelling of a champion’s calling, betrayal and redemption. “If you’ve ever faced adversity and wondered if God was big enough to see you through it, this is your film,” says Pure Flix CEO Michael Scott. The action-packed film stars Billy Zane, Golden Globe® winner Rutger Hauer, Jackson Rathbone, Lindsay Wagner, Caitlin Leahy and Taylor James in the title role of Samson. Premiering nationwide February 16, Samson is based on the powerful, biblical epic of a champion chosen by God to deliver Israel. His supernatural strength and impulsive decisions quickly pit him against the oppressive Philistine empire. After being betrayed by a wicked prince and a beautiful temptress, Samson is captured and blinded by his enemies. Samson calls upon his God once more for supernatural strength and turns imprisonment and blindness into final victory. Samson was shot on location in South Africa, directed by Bruce Macdonald and written by Zachary Warren Smith, Jason Baumgardner, Galen Gilbert and Timothy Ratajczak. https://www.youtube.com/watch?v=mSolF3QBVBY

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  • Trans Teen Drama JUST CHARLIE Sets Release Date | Trailer

    Just Charlie Powerful working-class trans teen drama Just Charlie traces with nuance and sensitivity one young person’s struggle with gender identity through the lens of a gritty, sports loving blue-collar community and a tough family struggling to accept it. The film will be released on January 30th in the U.S. and Canada on DVD & VOD via Wolfe. Set in Tamworth, a gritty, small working class Midland town in the UK, teenage soccer star Charlie and his family see soccer as a way out of a dead end factory life for him. But Charlie is struggling with gender dysphoria, and is torn between his father’s expectations and shedding his male identity. With dramatic yet surprising results for himself, his family, and his community, Charlie begins a gender transition while continuing to pursue the dream of becoming a soccer star. Just Charlie is the feature film directorial debut of theatre & TV actress / director Rebekah Fortune. Inspired by emotional real life accounts from transgender communities, Fortune was inspired by these resonant stories to create a poignant account of one young teen’s identity transition in a small, gritty British town. Said Fortune, “Just Charlie is a film about chasing your dreams, and accepting those who are different because – sometimes – the rules on how to love, what you can do, and who you should be, are meant to be broken. This is a story about identity, who we think we are and who we really are. About being true to ones self in the face of terrible adversity.” Featuring a breakout lead performance from theatre / TV actor Harry Gilby (star of the play version of The Full Monty). This film marks his cinema debut, and he was nominated for Most Promising Newcomer at the British Film Awards.

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  • BELIEVER, Documentary on Mormon Church Treatment of LGBTQ Members, Heads to HBO

     Believer, directed by Don Argott The powerful documentary Believer, directed by Don Argott, follows Mormon Dan Reynolds, frontman for the Grammy Award-winning band Imagine Dragons, as he takes on a new mission to explore how the Mormon Church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path of acceptance and change. Believer, from Live Nation Productions, will have its world premiere in the Documentary Premieres section of the 2018 Sundance Film Festival, and will debut this summer on HBO. The film documents this past year of Reynolds’ life during the process of organizing the first-ever LoveLoud Festival concert in Orem, Utah, to benefit such gay rights organizations as GLAAD and the Trevor Project, among others. While Believer takes a broader look at The Church of Jesus Christ of Latter-day Saints’ treatment of LGBTQ members, it also focuses on the suicide rate in the community, which has skyrocketed in the last decade. Reynolds hopes Believer will continue to force discussion of gay rights within Mormonism on a larger scale. “LoveLoud reached 20,000 people in Utah, which is really small compared to the number of people who need to be reached,” he notes. “I think the reason the film needs to happen is because I feel like this is a way that nobody can turn their heads away.” Believer centers on Reynolds, Aja Volkman, his wife and fellow musician, and Tyler Glenn, frontman for Neon Trees, among others. Hans Zimmer composed the score for Believer and contributed to one of the two original songs Reynolds wrote for the film, giving music an integral role in the documentary. Image: Dan Reynolds appears in Believer by Don Argott, an official selection of the Documentary Premieres program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Don Argott.

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