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  • Film Society of Lincoln Center Announces Lineup for 23rd Rendez-Vous with French Cinema

    Barbara - Mathieu Amalric
    Barbara

    Rendez-Vous with French Cinema, the celebrated annual series showcasing the variety and vitality of contemporary French filmmaking, returns to the Film Society of Lincoln Center for the 23rd edition, from March 8 to 18, 2018, with 24 diverse films on display.

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  • See Trailer and Poster for Tunisian Film BEAUTY AND THE DOGS. Opens in Theaters on March 23rd

    Beauty and the Dogs Movie Poster Oscilloscope Laboratories has dropped the trailer and poster for BEAUTY AND THE DOGS from Tunisian director and screenwriter, Kaouther Ben Hania. The film which world premiered at the 2017 Cannes Film Festival will open theatrically on March 23rd, in NYC at Landmark 57 West; in LA at the Nuart. When Mariam, a young Tunisian woman, is raped by police officers after leaving a party, she is propelled into a harrowing night in which she must fight for her rights even though justice lies on the side of her tormentors. Employing impressive cinematic techniques and anchored by a tour-de-force performance from newcomer Mariam Al Ferjani, Kaouther Ben Hania’s BEAUTY AND THE DOGS tells an urgent, unapologetic, and important story head-on. A rare, startling film from a female Tunisian director, it’s a striking critique on a repressive society and a forcefully feminist rallying cry. Director and screenwriter Kaouther Ben Hania was born in Sidi Bouzid (Tunisia). Following film studies at the Ecole des Arts et du Cinéma in Tunis, she studied scriptwriting at La Fémis in Paris. She has a Research Masters in Film and Audiovisual Studies from the Sorbonne Nouvelle-Paris 3. https://www.youtube.com/watch?v=fdAGBnOyGyo

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  • See the Stunning Trailer and Poster for Tribeca-Winning Medieval Fantasy NOVEMBER

    November directed by Rainer Sarnet November, the black metal-inspired medieval fantasy and Estonia’s official entry to the 90th Academy Awards, has released the stunning surreal trailer and poster.  The film which won the award for Best Cinematography at the 2017 Tribeca Film Festival will open theatrically in New York City on February 23rd, and in Los Angeles on March 2nd. In this tale of love and survival in 19th century Estonia, peasant girl Liina longs for village boy Hans, but Hans is inexplicably infatuated by the visiting German baroness that possesses all that he longs for. For Liina, winning Hans’ requited love proves incredibly complicated in this dark, harsh landscape where spirits, werewolves, plagues, and the devil himself converge, where thievery is rampant, and where souls are highly regarded, but come quite cheap. With alluring black and white cinematography, director Rainer Sarnet vividly captures these motley lives as they toil to exist – but is existence worth anything if it lacks a soul? https://www.youtube.com/watch?v=19QZy1YHL50

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  • See Trailer + Poster for LA Set Neo-Noir Thriller LOS ANGELES OVERNIGHT

    Los Angeles Overnight Movie Poster Here is the the trailer and poster for Los Angeles Overnight, the directorial debut of filmmaker Michael Chrisoulakis which will launch a limited national, theatrical release on March 9 driven by Arena Cinelounge to be followed by a digital release through Freestyle Digital Media on March 20, 2018. Inspired by the L.A. Modern Noir genre and populated with distinct and dynamic characters, Arielle Brachfeld (Consumption) stars in Los Angeles Overnight as Priscilla, a struggling actress who inherits a bevy of colorful villains after desperation drives her and her gullible boyfriend, a lovelorn mechanic (Azim Rizk, Billy Lynn’s Long Halftime Walk), to steal big from the Los Angeles underworld. No amount of preparation could ever prepare this actress for a blood-soaked role filled with seedy criminals and “hot loot.” Entirely shot in Los Angeles, the cast is appropriately peppered with titans of the Hollywood scene including Peter Bogdanovich, Sally Kirkland and recent CineAsia Lifetime Achievement Award recipient Lin Shaye.

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  • Tsai Ming-Liang’s VR Film THE DESERTED to Hong Kong Premiere at 2018 Hong Kong International Film Festival

    The Deserted - Tsai Ming-Liang The Hong Kong International Film Festival (HKIFF) will introduce the future of cinema to audiences – the Hong Kong premiere of Tsai Ming-Liang’s The Deserted, HTC’s first virtual reality (VR) Chinese language film. World-renowned Taiwanese master TSAI Ming-Liang and Golden Horse Award Best Leading Actor LEE Kang-Sheng will lead the Hong Kong audience through an unparalleled eye-opening VR experience, and share their thoughts and visions of this cinematic innovation in a Master Class. Winner of the Golden Lion Award at the Venice Film Festival with Vive L’amour (1994), TSAI Ming-Liang has established himself as one of contemporary cinema’s most accomplished auteurs. In addition to bringing films into the art world, he has been constantly exploring multi-media and new technology in filmmaking. The Deserted, his debut VR work, is an attempt to break the established dichotomy of traditional cinema, and create an interactive film experience that blurs the lines between reality and creative expression. The work is an elliptical tale of love, death and memory, starring LEE Kang-Sheng as a man recuperating from an illness in the mountains. Unable to communicate with his late mother or the female ghost next door, his only companion is a lone fish who swims with him in the bathtub. The Deserted offers a dreamlike 3D experience which immerses viewers in the construction of the scenes, and the characters’ personal journeys. The 55-min piece is a milestone in Chinese language cinema and selected for the first-ever Virtual Reality competition at the Venice Film Festival. It received overwhelming response at the Golden Horse Festival, selling out all 13 sessions within seconds. The Deserted is supported by HTC VIVE, ZOTAC and the Academy of Film of Hong Kong Baptist University.

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  • See Trailer and Poster for OUTSIDE IN Starring Edie Falco and Jay Duplass

    Lynn Shelton OUTSIDE IN Movie Poster Here is the new trailer and poster for Lynn Shelton’s Outside In, starring Edie Falco, Jay Duplass, Kaitlyn Dever and Ben Schwartz, and written by Lynn Shelton and Jay Duplass. The Orchard will release Outside In theatrically on Friday, March 30th, and on all digital platforms on Tuesday, April 3rd. The film premiered at the Toronto International Film Festival and will screen at the 2018 South by Southwest Film Festival next month. After serving 20 years for the crime of essentially being in the wrong place at the wrong time, 38-year-old Chris (Jay Duplass) is granted early parole thanks largely to the tireless advocacy of Carol (Edie Falco), his former high-school teacher. As he struggles with the challenges of navigating the modern world as an ex-con, and with a fraught relationship with his brother Ted (Ben Schwartz), Chris ends up confessing his romantic love for Carol — a love that, given her marital status, Carol cannot reciprocate. Or can she? Carol longs for something her husband no longer provides. Meanwhile, Carol’s daughter Hildy (Kaitlyn Dever) befriends Chris, finding a kindred spirit in this awkward, tormented older guy.

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  • Moving Documentary A BOND UNBROKEN Sets February 13th Release Date | Trailer

    [caption id="attachment_26915" align="aligncenter" width="1200"]A Bond Unbroken. Nguyen Hoang Minh, at his home in My Tho. A Bond Unbroken. Nguyen Hoang Minh, at his home in My Tho.[/caption] The moving documentary A Bond Unbroken narrated by Renowned Broadcast Journalist Bob Woodruff which traces the emotional 40-Year journey of Navy SEALs to reunite with their Vietnamese combat interpreter will be released starting February 13, 2018, across digital, On-Demand and DVD via Cinedigm. In the deadly jungles of Vietnam over 40 years ago, the Navy SEALs forged an enduring bond of friendship with their Vietnamese combat interpreter. Through brutal fire-fights and night-time ambushes, Nguyen Hoang Minh fought as a member of the SEAL platoons in the Mekong Delta and helped keep them alive. Though wounded numerous times, he never backed down or gave up the fight, and the SEALs began to feel that Minh was “one of us.” When the Communists overran Vietnam, Minh could not get out, and the SEALs’ brave comrade was lost to them forever. Or so they thought. Until one Navy lieutenant’s relentless search found him and the SEALs brought him to America for a reunion. A Bond Unbroken captures that remarkable reunion decades in the making, and presents another side of the battle-tough, covert warrior SEALs. Their actions change Minh’s life and dramatically impacted his family and the Vietnamese-American community. “A Bond Unbroken” is narrated by veteran broadcast journalist Bob Woodruff and features the song “The Great Unknown,” written and performed by three-time Grammy Award® winner Rob Thomas (“Smooth”), who in addition to his solo career is also the lead vocalist for Matchbox Twenty. “The emotional threads in this story were just so compelling that I knew it needed to be told,” says director Mary Ann Koenig. “We wanted to demonstrate intrinsic parts of the SEAL credo that we had come to understand, those of honor and integrity and fidelity. Along the way it became clear that these SEALs have hearts of gold, and that was an element I didn’t anticipate. Their ongoing efforts to raise money to support their old colleague and his family in Vietnam and to bring him to America for a reunion, have made it a privilege to take the four-year journey and make the world aware of this story.”

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  • VIDEO: Watch Daniel Brühl and Rosamund Pike in Brand New Clip from 7 DAYS IN ENTEBBE

    7 Days In Entebbe Watch Daniel Brühl and Rosamund Pike star in a brand new video clip from the hijacking thriller 7 Days In Entebbe, which opens in select theaters on March 16, 2018. 7 Days In Entebbe directed by José Padilha (“Narcos,” “Elite Squad”) and starring Rosamund Pike, Daniel Brühl, Eddie Marsan, Ben Schnetzer, Lior Ashkenazi, and Denis Ménochet, is a gripping thriller inspired by the true events of the 1976 hijacking of an Air France flight en route from Tel Aviv to Paris, the film depicts the most daring rescue mission ever attempted.

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  • Documentary LIVES WELL LIVED Celebrates Wit, Wisdom and Experiences of Seniors | Trailer

    Lives Well Lived Lives Well Lived, the award-winning documentary by Sky Bergman that celebrates the incredible wit, wisdom and experiences of people aged 75 to 100 years old, will open on April 20th at the Laemmle Monica Film Center, Town Center in Encino and Playhouse 7 in Pasadena, California; other cities will follow. Through their intimate memories and inspiring personal histories encompassing over 3000 years of experience, forty people share their secrets and insights to living a meaningful life. These men and women open the vault on their journey into old age through family histories, personal triumph and tragedies, loves and losses – seeing the best and worst of humanity along the way. Their thoughtful perspectives reveal a treasure of life lessons and a reminder of the greatest role models in our own families. “My inspiration for the Lives Well Lived project was my 103 year old grandmother who enjoyed exercise, making the best lasagna you’ve ever tasted and being with family. She showed me by example, that age is truly just a number. In our society, the elderly are often overlooked and I wanted to bring that generation to the forefront. Our greatest role models are those living full and meaningful lives in their later years. It has been a six-year long labor of love to see this film to fruition: from the first days filming in my grandmother’s kitchen, to the moment of the final edits, it is a great honor to share the stories of the amazing people featured in the film.” – filmmaker Sky Bergman.

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  • MarVista Entertainment to Release Lea Thompson’s THE YEAR OF SPECTACULAR MEN

    The Year Of Spectacular Men Actor/director Lea Thompson’s debut feature The Year of Spectacular Men, which premiered at the 2017 Los Angeles Film Festival has been acquired by MarVista Entertainment for a mid-June 2018 theatrical release date.  Thompson directed from a script by daughter Madelyn Deutch and plays a supporting role opposite both Deutch and her other daughter Zoey Deutch (Before I Fall, Why Him?). In the year after graduating college, Izzy (Madelyn Deutch) struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable. In a charming feature debut, established comedic actor Lea Thompson directs her real-life daughters Madelyn and Zoey Deutch, creating a palpable sense of intimacy in this story of connectedness and familial love. “From our inception, MarVista has taken pride in supporting female filmmakers and voices”, said MarVista CEO Fernando Szew. “When the team saw The Year of Spectacular Men , we immediately connected with the authenticity of the story and performances and felt that it is a multilayered film that would have strong appeal across generations. We are honored to be working with such a talented, creative and passionate group of women like Lea, Maddie, and Zoey, who also bring amazing dynamism as an inspiring family.” For her part, Thompson said, “This has been such a joyous passion project for me and my whole family. We feel incredibly lucky that our vigor and energy for “The Year of Spectacular Men” has been so genuinely matched by MarVista. We can’t wait to release our film with a company who truly believes in and sees the value in telling an authentic millennial woman’s story.” The Year of Spectacular Men also stars Avan Jogia, Melissa Bolona, Jesse Bradford, Brandon T. Jackson, Cameron Monaghan, Zach Roerig, and Nicholas Braun.

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  • 2018 Portland International Film Festival Unveils Oregon Shorts Programs Lineup

    [caption id="attachment_26881" align="aligncenter" width="1200"]We Have Our Ways We Have Our Ways[/caption] This year’s 2018 Portland International Film Festival’s will present two programs of short films by Oregon-based makers highlighting 14 new projects, including films by local movers and shakers like Mark Smith (Two Balloons), Portland film archivist Greg Hamilton (Thou Shall Not Tailgate), Scott Ballard (North & Nowhere), Dawn Jones Redstone (We Have Our Ways), and Sean Whiteman (Bramble On), but also drawing attention to work by emerging talents like Abby Thompson (Lovely Legs), Daniela Repas (Mnemonics), and Nesto (Gut Feeling).

    Made in Oregon 1: Confluences:

    LOVELY LEGS (Dir. Abby Thompson) – Portland After running her over with his car, a man attempts to part ways with his secret, robot girlfriend in the middle of the forest. (10 mins., narrative) MR. PETERSON (Dir. Josh Young) – Portland High school students reel when they learn of a popular teacher’s suicide. One student in particular feels the weight of this loss as he searches for answers to his own identity. (20 mins., narrative) TWO BALLOONS (Dir. Mark Smith) – Portland Two lemurs who live in floating airships attempt to make contact with one another. (9 mins., stop-motion animation) NORTH & NOWHERE (Dir. Scott Ballard) – Portland Devan moves back to the country to help care for her ailing father. When her sister checks him into an assisted care facility against her wishes, she devises a plan to break him out. (12 mins., narrative) MNEMONICS (Dir. Daniela Repas) – Portland Using hand-drawn animation, a Bosnian refugee tells a story of her home, which has been logged and kept as drawings carefully stored in boxes on a shelf in her room. (12 mins., documentary/animation) BRAMBLE ON (Dir. Sean Whiteman) – Portland A young man wakes to find a mysterious creature hiding in the bushes outside of his window. Is it a traveler from another world or memories of his past manifested in a plant being? Shot on VHS. (9 mins., narrative) BLACK CLOUD (Dir. Derek Sitter) – Bend Moments after deciding to give life one more shot, a man wanders into a chance encounter with a couple of armed thieves. (5 mins., narrative)

    Made in Oregon 2: Wilderness:

    THOU SHALL NOT TAILGATE (Dir. Greg Hamilton) – Portland Art car creator, retired postman, minister, and founding member of the Portland Cacophony Society, the Rev. Charles “Chuck” Linville’s life as an outsider artist is chronicled using archived 16mm footage and music from Linville’s vast record collection. (26 mins., documentary) WE HAVE OUR WAYS (Dir. Dawn Jones Redstone) – Portland In a dystopian future that severely clamps down on women’s health rights and corporations act as singular gateways for access to clinics and procedures, two young women risk their lives to help those who have been cast aside or deemed not worth the cost. (16 mins., narrative) BREAKFAST (Dir. Sijia Huang) – Portland What came first, the chicken or the egg? Or was it neither and just the imagination of a child? (4 mins., animation) CONCRETE CANVASS (Dir. Gary Lundgren) – Ashland Retired boxer Evan Sanchez is haunted by headaches, failure, and living on the streets until he finds himself back in the ring after a run in with an ex-girlfriend. (18 mins., narrative) REDEMPTION (Dir. Sam Neff) – Portland A young woman seeks to find a spiritual place of renewal after a traumatizing event. (5 mins., experimental) UNBUCKLED (Dir. Tessa Ribitsch) – Portland A young woman chooses to undergo a minor procedure, an insertion of an IUD for birth control. The procedure takes a turn for the worse, and medical sensitivity disappears right on the table. Based on a true story. (10 mins., narrative) GUT FEELING (Dir. Nesto) – Portland Two scientists toss logic, reason, and the scientific method to the wind in favor of a “gut feeling” that their seemingly dangerous experiment will work. What could go wrong? (6 mins., narrative)

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  • Film Society of Lincoln Center’s 3rd Neighboring Scenes to Showcase Latin American Cinema

    [caption id="attachment_24570" align="aligncenter" width="1200"]ALANIS ALANIS[/caption] The Film Society of Lincoln Center and Cinema Tropical will present the third annual Neighboring Scenes, a 17-film showcase of contemporary Latin American cinema from February 28 to March 4, 2018 at the Walter Reade Theater in New York City. Opening night is the U.S. premiere of Anahí Berneri’s award-winning Alanis, an unflinching portrait of a young mother eking out a living as a prostitute in Buenos Aires. Unfolding over the course of three days, Berneri’s fifth film explores the challenges of urban life as an immigrant woman, and is anchored by Sofía Gala’s fearless performance. Closing out the weekend is the world premiere of a new restoration of Pizza, Beer, and Cigarettes (1998), celebrating its 20th anniversary. Bruno Stagnaro and Adrián Caetano’s landmark film, which follows a pair of less than talented thieves, launched the New Argentine Cinema movement and has continued inspiring Latin American filmmakers for generations. Other highlights in this year’s lineup include such festival favorites as Niles Atallah’s formally daring Rey, which won the Special Jury Prize at Rotterdam; Santiago Mitre’s political thriller The Summit, an Un Certain Regard selection from Cannes, featuring an impressive international cast; and Fellipe Barbosa’s around-the-world travelogue Gabriel and the Mountain, a two-time prizewinner at Cannes Critics’ Week. The festival also features documentaries about Mexican fishermen, showgirls of the ’70s and ’80s, and the colonialist history of Easter Island; adaptations of Dostoevsky (António, One, Two, Three) and Hans Christian Andersen (The Little Match Girl); and a number of debut features including visual artist Adrián Villar Rojas’s The Theater of Disappearance, a cinematic reimagining of his acclaimed Met rooftop installation.

    FILMS & DESCRIPTIONS

    Opening Night Alanis Anahí Berneri, Argentina, 2017, 82m U.S. Premiere Winner of the Best Director and Best Actress awards at the San Sebastian Film Festival, the fifth feature by Argentinian filmmaker Anahí Berneri is a poignant and compelling drama that portrays three days in the life of a young Buenos Aires mother and sex worker struggling to survive. Featuring a potent performance by Sofía Gala Castaglione in the title role (alongside her real-life son Dante), the film offers an unsentimental and non-moralizing take on a self-determined woman trying to live her unapologetic life while facing contradictory prostitution laws that are intended to protect her but often do the opposite. António, One, Two, Three / António um dois três Leonardo Mouramateus, Portugal/Brazil, 2017, 95m Portuguese with English subtitles U.S. Premiere Reminiscent of the films of Hong Sangsoo and Matías Piñeiro, Mouramateus’s debut offers a simple yet scrambled tale of love, longing, and the theater. After angering his father, António seeks refuge in his ex-girlfriend Mariana’s Lisbon apartment, where he meets Débora, a Brazilian woman on her way to Russia. Inevitably, he ends up romantically involved in different ways with each of them. Meanwhile, António’s autobiographical play—which borrows from Dostoevsky’s White Nights—complicates our understanding of his motivations and our own relationship to the film (which is also based on White Nights). As the film goes on, repetitions of scenes (with slight alterations) further speak to the ambivalence of young love. Beauties of the Night / Bellas de noche María José Cuevas, Mexico, 2016, 91m Spanish with English subtitles New York premiere María José Cuevas’s engrossing and captivating debut feature, winner of the Best Documentary award at the Morelia Film Festival, is a moving portrait of five of Mexico’s most popular and iconic showgirls of the late 1970s and ’80s, almost 40 years after they ruled Mexico’s entertainment world. Eight years in the making, with a keen eye and devoid of any sensationalism, the documentary enters the fascinating world of these women, who have struggled to reinvent themselves after the decline of the burlesque heyday. Fuera del campo Marcelo Guzmán and Mauricio Durán, Bolivia, 2017, 60m Spanish, Aymara with English subtitles U.S. Premiere On November 2, 1972, 67 Bolivian political prisoners executed a daring escape from a makeshift jail in the middle of Lake Titicaca during a soccer game; the prisoners then sought asylum in Peru. Their stand against the brutality of Hugo Banzer’s dictatorship was a watershed moment, but interviews with locals who were forced to assist the dissidents reveal the cruel and complicated legacy of this “heroic” tale. The directors of this film admit their inability (personal and creative) to fully deal with history and memory, relying on a series of narrative devices, sometimes controversial, but always cinematic, to tell the story. Screening with: Las nubes Juan Pablo González, 2018, Mexico/USA, 20m Spanish with English subtitles New York Premiere Affected by violence and broken family relationships, a man goes on a journey through memory and time. Gabriel and the Mountain / Gabriel e a Montanha Fellipe Barbosa, Brazil/France, 2017, 131m Portuguese, English, and French with English subtitles New York Premiere Winner of two prizes at Cannes’ Critics’ Week in 2017, Fellipe Barbosa’s follow-up to his acclaimed debut, Casa Grande, follows Gabriel Buchmann (Joao Pedro Zappa) as he travels the world for one year before entering a prestigious American university. After ten months on the road, he arrives in Kenya determined to discover the African continent. Everything changes, however, when he reaches the top of Mount Mulanje, Malawi. The film is based on the true story of Barbosa’s friend from school. Lightning Falls Behind / Atrás hay relámpagos Julio Hernández Cordón, Costa Rica/Mexico, 2017, 82m Spanish with English subtitles New York Premiere The sixth film by Mexican-Guatemalan filmmaker Julio Hernández Cordón (I Promise You Anarchy, ND/NF 2016), and his first shot in Costa Rica, is a rakish slacker movie that follows rebellious girls Sole (Adriana Alvarez) and Ana (Natalia Arias). While biking around San José, and planning to create a vintage cab company, they find something inside the trunk of a car that they’d rather forget. Lightning Falls Behind, featuring playful and fluid camerawork, is a prime example of the kind of recent Central American cinema that has delighted viewers on the international film circuit. The Little Match Girl / La vendedora de fósforos Alejo Moguillansky, Argentina, 2017, 71m Spanish with English subtitles U.S. Premiere Moguillansky’s follow-up to The Gold Beetle is a fantasia that elegantly weaves together disparate elements: Hans Christian Andersen’s tale of the title, Bresson’s saintly abused donkey Balthazar, a Red Army Faction member’s correspondence with an Argentine pianist, and a composer trying to mount an opera at the Teatro Colón. Winner of Best Argentine Film at last year’s BAFICI, The Little Match Girl is infused with emotion, and never devolves into the obscure or didactic, despite its many literary and cinematic references. Featuring exquisite cinematography from Inés Duacastella, this spectacular work is not to be missed. Mariana Chris Gude, Colombia, 2017, 64m Spanish with English subtitles U.S. Premiere In this experimental road movie, director Chris Gude (Mambo Cool) follows two smugglers attempting to cross into Colombia from Venezuela. As the men drive across the sun-soaked terrain of the Guajira Peninsula, occasionally stopping off to wander or play pool in the lonely ruins of abandoned buildings, their journey comes to symbolize a search for an idealized land. Gesturing toward Colombia’s colonial legacy (such as when the pair listen to a Hugo Chávez radio broadcast about Simón Bolívar), this beautifully photographed film gives the viewer ample room to ponder questions of space and identity. Screening with: The Mouth / La Bouche Camilo Restrepo, France, 2017, 19m Susu with English subtitles U.S. Premiere Following his 2016 film Cilaos, Restrepo again experiments with the musical genre in a film that uses radical aesthetics as a means of standing up to social injustice. Rey / King Niles Atallah, France/Chile/The Netherlands/Germany/Italy/Qatar, 2017, 90m Spanish and Mapuche with English subtitles U.S. Premiere Recipient of the Special Jury Prize at Rotterdam, Rey tells the curious story of Orélie-Antoine de Tounens, a French lawyer who attempted to create an independent state for the indigenous peoples of Araucanía (part of present-day Chile) and Patagonia (Argentina) in 1860 and claimed he was its king. Honoring the ambiguous nature of Tounens’s life—it’s unclear if he was a spy, a huckster, an above-average colonial exploiter, or actually summoned by a Mapuche deity—Rey uses a variety of formal techniques and visual styles, including papier-mâché masks, battered 16mm stock, and educational film aesthetics. Ruinas tu reino / Ruins, Your Realm Pablo Escoto, Mexico, 2016, 64m Spanish with English subtitles U.S. Premiere This lyrical and immersive documentary, reminiscent of films by Peter Hutton and Kazuhiro Soda, follows the rhythms of Mexican fishermen in extreme, minute detail. Fish are glimpsed underneath the water and gasping on the deck of a ship; men hoist their nets and sails. Interspersed with these quotidian images are snippets of text and poetry, juxtaposed against a black background. Screening with: Amundsen’s Dogs / Los perros de Amundsen Rafael Ramírez, Cuba 2017, 27m Spanish and English with English subtitles Rafael Ramírez connects the avant-garde and the political in this intertwining of fiction and documentary that tells the story of an industrial accidents inspector. Solitary Land / Tierra Sola Tiziana Panizza, Chile, 2017, 107m Spanish, Rapa Nui, and English with English subtitles U.S. Premiere Easter Island (Rapa Nui) has long been a grand mystery of archeology—how did such a large civilization fall, and does it foreshadow our own ruin? For the indigenous people who currently live there, the island’s past carries a very different legacy: one of colonial abuse and inescapable remoteness. Panizza’s film shows the legacy of this exploitation, as well as the daily rhythms of the small prison on the island, in a film constructed from pieces of 32 documentaries (many of which include similar voiceovers and framing, despite being shot by crews from different countries) and original present-day footage. Winner of Best Chilean Film at the Valdivia Film Festival. The Summit / La cordillera Santiago Mitre, Argentina/France/Spain, 2017, 114m Spanish with English subtitles New York premiere Santiago Mitre (The Student) continues his ongoing cinematic investigation into politics with his third feature, set at a summit of Latin American presidents in Chile. Here, the Argentine president—played by acclaimed actor Ricardo Darín—endures a political and familial drama that will force him to face his own demons. This high-profile thriller, an official selection at the Cannes Film Festival’s Un Certain Regard section, boasts an impressive international cast including Dolores Fonzi, Erica Rivas (Wild Tales), Elena Anaya (The Skin I Live In), Paulina García (Gloria), Daniel Giménez Cacho (Zama), Alfredo Castro (The Club), and Christian Slater. The Theater of Disappearance / El teatro de la desaparición Adrián Villar Rojas, Argentina/South Korea, 2017, 120m U.S. Premiere Sharing the same title as his 2017 installation from the Metropolitan Museum of Art’s rooftop, acclaimed Argentine visual artist Adrián Villar Rojas’s The Theater of Disappearance is a hypnotic triptych portraying the current state of latent war on different continents. Using disparate styles and sensual, sometimes randomly connected imagery, Villar Rojas searches for beauty through a wordless portrait of a Moroccan pottery workshop, an almost surreal study of the demilitarized zone between North and South Korea, and a camera tour of different locations around the world. 20th Anniversary Screening—New restoration! Pizza, Beer, and Cigarettes / Pizza, birra, faso Bruno Stagnaro & Adrián Caetano, Argentina, 1998, 80m Spanish with English subtitles Restoration World Premiere Bruno Stagnaro and Adrián Caetano’s milestone debut feature heralded the deeply influential New Argentine Cinema, fostered the careers of a vast generation of international filmmakers, and fueled the Latin American cinema renaissance of the past two decades. Rarely seen in the United States, Pizza, Beer, and Cigarettes is set in the Buenos Aires criminal underworld, and follows two impoverished teens who graduate from petty theft to armed robbery, though they’re incompetent at both. This restoration, by the Action Program to rescue the Argentine cinema, a joint initiative between CINAIN (Cinematheque and National Image Archive of Argentina) and the DAC (Argentine Cinematographic Directors), was carried out in 4K from the original negative in the framework of the Plan Recuperar DAC / Gótika, in Buenos Aires, Argentina, under the supervision of Bruno Stagnaro, Adrián Caetano and cinematographer Marcelo Lavintman.

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