Check out the first 3 minutes of Kuso, the ‘weird’ ‘gross’ movie that reportedly had audience members walking out of the theater, when it premiered earlier this year at the Sundance Film Festival.
Broadcasting through a makeshift network of discarded televisions, KUSO depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that is half-Cronenberg, half-Ren & Stimpy.
The debut film from acclaimed producer and rapper Flying Lotus, KUSO is a blistering, fever dream of filmmaking that uses music, special effects and animation to take a unique look at the dark history of America.
KUSO marks the feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as music producer, DJ and rapper Flying Lotus. Ellison’s name has become synonymous with creative innovation, having released five seminal studio albums, a slew of audio-visual marvels and, in the process, gaining two Grammy nominations including one for his work on Kendrick Lamar’s “To Pimp A Butterfly”.
Produced by Eddie Alcazar, and featuring Hannibal Buress (NEIGHBORS, Broad City), Anders Holm (Workaholics, The Mindy Project), Tim Heidecker (Tim and Eric Awesome Show, Eastbound and Down), and iconic Funk musician George Clinton, the film also includes an original score and musical collaborations with Aphex Twin and Akira Yamaoka.
The film is now playing in theaters in Los Angeles and on SHUDDER.
https://www.youtube.com/watch?v=yodbDPX0DO0Films
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VIDEO: Watch The First 3 Minutes of Flying Lotus’ ‘Weird’ ‘Gross’ KUSO
Check out the first 3 minutes of Kuso, the ‘weird’ ‘gross’ movie that reportedly had audience members walking out of the theater, when it premiered earlier this year at the Sundance Film Festival.
Broadcasting through a makeshift network of discarded televisions, KUSO depicts the aftermath of Los Angeles’s worst earthquake nightmare. Viewers travel between screens and aftershocks into the twisted lives of the survived, experiencing a hallucination that is half-Cronenberg, half-Ren & Stimpy.
The debut film from acclaimed producer and rapper Flying Lotus, KUSO is a blistering, fever dream of filmmaking that uses music, special effects and animation to take a unique look at the dark history of America.
KUSO marks the feature directorial debut from Steve, the filmmaking alter-ego of Steve Ellison, better known as music producer, DJ and rapper Flying Lotus. Ellison’s name has become synonymous with creative innovation, having released five seminal studio albums, a slew of audio-visual marvels and, in the process, gaining two Grammy nominations including one for his work on Kendrick Lamar’s “To Pimp A Butterfly”.
Produced by Eddie Alcazar, and featuring Hannibal Buress (NEIGHBORS, Broad City), Anders Holm (Workaholics, The Mindy Project), Tim Heidecker (Tim and Eric Awesome Show, Eastbound and Down), and iconic Funk musician George Clinton, the film also includes an original score and musical collaborations with Aphex Twin and Akira Yamaoka.
The film is now playing in theaters in Los Angeles and on SHUDDER.
https://www.youtube.com/watch?v=yodbDPX0DO0
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Mickey Lemle’s THE LAST DALAI LAMA? Takes a Fresh Look at the 14th Dalai Lama at 80 | Trailer
THE LAST DALAI LAMA? from filmmaker Mickey Lemle grants viewers intimate access to the Dalai Lama and those who have been touched by his vast influence from George W. Bush to the film’s accomplished composer, Philip Glass. The film will open at IFC Center in New York City on Friday, July 28.
THE LAST DALAI LAMA? takes a fresh look at what is truly important for the 14th Dalai Lama at 80: The ongoing confrontation between Tibetans and China; His Holiness’s influence in political and spiritual spheres; his work with educators and neuropsychologists; and his personal feelings on aging, dying and the question: Will there be a fifteenth Dalai Lama, or will he be the last Dalai Lama?
The film artfully weaves sequences from director Mickey Lemle’s groundbreaking film COMPASSION IN EXILE: The Story of The 14th Dalai Lama (1992), with contemporary footage including intimate interviews with His Holiness and follow up questions shot decades apart; accounts from The Dalai Lama’s family and close friends; and conversations with those he’s inspired since his exile from Tibet in 1959.
The Dalai Lama’s impact on the West has grown over the 25 years since Lemle’s earlier film. In THE LAST DALAI LAMA? we see teachers in British Columbia incorporating “Emotional Intelligence” and non-violent conflict resolution in grade school classes, and neuropsychologists and behavioral therapists who have begun using cutting edge technology to research how to overcome negative afflictive emotions like anger and hatred.
Original music score composed and performed by Philip Glass and Tibetan music phenom, Tenzin Choegyal.
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South African Film THE WOUND (INXEDBA) Wins Awards at Durban Film Festival
The Wound (Inxeba), which had its African premiere in competition at the Durban International Film Festival, won both Best Director for John Trengrove and Best Actor for Nakhane Touré at the festival. This is a latest in the film’s award-winning streak, which has seen it pick up a number of accolades from all around the world.
“From the very beginning, the process of making Inxeba was characterized by intense collaboration and risk taking. This film demanded everything from those who came on board”, says director John Trengrove. “I am so grateful to the incredible cast and crew who put their faith and trust in this journey. This film is a testament to their efforts. I want to dedicate this award to the silent and faceless queers throughout the African continent who face insurmountable obstacles every day in a struggle for identity and dignity”.
‘The Wound’, which premiered internationally at this year’s Sundance Film Festival and later opened Berlinale Panorama, was a 2014 Durban FilmMart project.
‘The Wound’ will open nationwide in South Africa on February 2, 2018.
https://www.youtube.com/watch?v=ubSlj-G4P6I&t=3s
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MACHINES, Rahul Jain Sundance Award Winning Debut Film, Sets U.S. Release Date | Trailer
Machines, the debut documentary film from director Rahul Jain, and winner of the Special Jury Award for Cinematography at the 2017 Sundance Film Festival will be released in the U.S. beginning Wednesday, August 9, at New York’s Film Forum. The film is set to expand nationwide in September, 2017.
Returning to his childhood home of Sachin in India’s Gujarat state, Rahul Jain documents a striking visual paradox: intensely sensual images of colorful fabrics produced in a Dickensian factory in which men and children work tirelessly for a pittance, some barefoot. They are some of the 45 million workers that support the $40 billion Indian textile and garment industries.
Punctuating stunning Steadicam shots, where Mr. Jain’s camera takes viewers into dark, damp and sometimes fiery working spaces, are sparse and sharp testimonials from the workers describing their own experiences – as well as their failed efforts at improving working conditions. One man asks rhetorically: “But what is poverty anyway? Poverty is harassment, Sir.”
Uniquely combining ravishing visuals with social advocacy, Machines weaves a moving portrait of people toiling amid pulsating machines, bubbling vats of dye, and colorful, billowing cascades of textiles.
https://www.youtube.com/watch?v=kkV-eeXrlUg
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9 Short Films by Italian Directors in Venice Intl. Film Critics’ Week SIC@SIC Short Films Program
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The Last Miracle (L’ultimo miracolo) by Enrico Pau[/caption]
Nine short films by Italian directors, who have not yet directed a feature film, will have their world premiere at the 2nd SIC@SIC (Short Italian Cinema @ Settimana Internazionale della Critica).
The short films program is part of the 32nd Venice International Film Critics’ Week, an independent and parallel section organized by the National Union of Italian Film Critics’ (SNCCI) during the 74th Venice International Film Festival (August 30 – September 9, 2017).
After premiering in Venice, the short films presented at SIC@SIC will be promoted at an international level by the Department for International Promotion of Contemporary Cinema of the Istituto Luce-Cinecittà through a series of initiatives and festivals, such as, the Mostra de Cinema Italià de Barcelona (Short Films Competition section) programmed in Spain in December 2017. Furthermore, the short films will be made available for industry professionals through the online platforms Festival Scope Pro and Italian Short Film Video Library – a tool for the promotion of Italian short films realized by the Centro Nazionale del Cortometraggio (Italian Short Film Center) in collaboration with Istituto Luce-Cinecittà. Last but not least, at the end of November 2017 they will attend the TSFM – Torino Short Film Market, organized by the Italian Short Film Center.
After screening at the first edition of SIC@SIC, the seven short films selected in 2016 have been traveling the world. In less than nine months, they have already attended almost fifty festivals and cinematic events, including, Film Festival Rotterdam, DocLisboa, BFI Flare, London LGBT Film Festival, Lima Independeiente – Festival Internacional de Cine, Lovers Film Festival – Torino LGBTQI Visions and Mostra Internazionale del Nuovo Cinema di Pesaro. Some of the directors of the “class” of 2016 are now working on their first feature film.
SIC@SIC 2017 – THE LINEUP
Adavede by Alain Parroni Due (Two) by Riccardo Giacconi Les fantômes de la veille (Ghosts of Yesterday) by Manuel BilliI l legionario (The Legionnaire) by Hleb Papou MalaMènti (MeanMinds) by Francesco Di Leva Piccole italiane (Little Italian Girls) by Letizia Lamartire Le visite (Visiting Day) by Elio Di Pace Special event – Opening short film Nausicaa – L’altra Odissea (Nausicaa – The Other Odyssey) by Bepi Vigna Special event – Closing short film L’ultimo miracolo (The Last Miracle) by Enrico Pau
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Jennifer Brea’s Sundance Award-Winning Documentary UNREST Gets a Fall Release
The Sundance award-winning film Unrest in which Jennifer Brea documents her fight to overcome Myalgic Encephalomyelitis aka Chronic Fatigue Syndrome, will be released in the US in the Fall. The will open in New York on September 22, followed by Los Angeles and San Francisco on September 29, with a nationwide release to select cities to follow. Unrest will open in theaters in the U.K. on October 20. This was first exclusively reported by Variety.
Unrest world premiered in the documentary competition at the 2017 Sundance Film Festival, where it won a Special Jury Prize for editing. It has since screened at SxSW, CPH:DOX, HotDocs, River Run (Audience Award for Best Documentary Feature), Nashville Film Festival (Grand Jury Award for Best Documentary Feature), and the Sheffield Doc/Fest (Illuminate Award), among other festivals.
Jennifer Brea is an active Harvard PhD student about to marry the love of her life when suddenly her body starts failing her. Hoping to shed light on her strange symptoms, Jennifer grabs a camera and films the darkest moments unfolding before her eyes as she is derailed by M.E. (commonly known as Chronic Fatigue Syndrome), a mysterious illness some still believe is “all in your head.”
In this story of love and loss, newlyweds Jennifer and Omar search for answers as they face unexpected obstacles with great heart. Often confined by her illness to the private space of her bed, Jen is moved to connect with others around the globe. Utilizing Skype, she unlocks a forgotten community with intimate portraits of four other families suffering similarly.
Jennifer Brea’s wonderfully honest portrayal asks us to rethink the stigma around an illness that affects millions of people. Unrest is a vulnerable and eloquent personal documentary that is sure to hit closer to home than many could imagine.
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13 Film Projects to Receive Funding from Berlinale’s World Cinema Fund
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Félicité[/caption]
13 film projects including Berlin Film Festival award winning Felicité by Alain Gomis, have been recommended for funding at the 26th jury session of the Berlinale’s World Cinema Fund (WCF).
Five film projects from Bangladesh, Palestine, Brazil, Afghanistan and Uruguay were nominated for production funding. In the additional WCF Europe funding program, four projects from Tunisia, Brazil, Argentina and Egypt were nominated for production funding. In the special program WCF Africa, two projects from South Africa and Sudan / South Africa were nominated for funding.
Two films were nominated for distribution funding in Germany, including Felicité by Alain Gomis, which was awarded the Silver Bear Grand Jury Prix at the Berlinale 2017.
The latest funding recommendations also include projects by Berlinale Talents alumni, as well as projects that were once in search of co-producers and so participated in the Berlinale Co-Production Market.
Production Funding WCF
The Reports on Sarah and Saleem, director: Muayad Alayan (Palestine), Production: PalCine Productions (Palestine) and Manderley Films GmbH (Germany). Feature film. Funding: 50.000 euros. Director Muayad Alayan is an alumnus of Berlinale Talents (2016). Iron Stream, director: Kamar Ahmad Simon (Bangladesh), Production: Beginning Film (Bangladesh) and Weydemann Bros. (Germany). Feature Film. Funding: 40.000 euros. Director Kamar Ahmad Simon is an alumnus of Berlinale Talents (2012). The Fever, director: Maya da Rin (Brazil). Production: Enquadramento Produçoes (Brazil), Still Moving (France) and Komplizen Film (Germany). Feature film. Funding: 40.000 euros. Thus Spoke the Money Changer, director: Federico Veiroj (Uruguay). Production: Oriental Features (Uruguay) Pandora Filmproduktion GmbH (Germany). Feature film. Funding: 48.500 euros. The Orphanage, director: Shahrbanoo Sadat (Afghanistan). Production: Wolf Pictures (Afghanistan) and Adomeit Films (Germany / Denmark). Feature Film. Funding: 60.000 euros.WCF Europe
Weldi, director: Mohamed Ben Attia (Tunisia), Production: Nomadis Images (Tunisia) and Les Films du Fleuve (Belgium). Feature film. Funding: 40.000 euros. Director Mohamed Ben Attia received the GWFF Best First Feature Award for his feature debut Inhebbek Hedi which was shown in competition at the Berlinale 2016. Overgod, director: Gabriel Mascaro (Brazil). Production: Desvia (Brazil) and Snowglobe (Denmark). Feature film. Funding: 60.000 euros. The project was chosen for Berlinale Co-Production Market (2015). Muere, Monstruo, Muere!, director: Alejandro Fadel (Argentina). Production: La Unión de los Ríos (Argentina) and Rouge International (France). Feature film. Funding: 40.000 euros. The project was chosen for Berlinale Co-Production Market (2017). Amal, director: Mohamed Siam (Egypt), Production: Artkhana (Egypt) and Andolfi Films (France). Documentary. Funding: 30.000 €. Director Mohamed Siam is an alumnus of Berlinale Talents (2012).WCF Africa
A Kasha, director: Hajooj Kuka (Sudan) Production: Big World Cinema (South Africa). Feature film. Funding: 40.000 €. Director Hajooj Kuka is an alumnus of Berlinale Talents (2016). Sew the Winter to my Skin, director: Jahmil X.T (South Africa). Production: Spier Moving (South Africa). Feature film. Funding: 60.000 €.WCF Distribution Funding in Germany
Felicité Director: Alain Gomis (Senegal / France). Distribution: Grandfilm (Germany). Feature film. Funding: 10.000 €. Silver Bear Grand Jury Prix at Berlinale 2017 German release: August 31, 2017 Frenzy (original title: Abluka) Director: Emin Alper (Turkey). Distribution: Grandfilm (Germany). Feature film. Funding: 5.500 €. German release: October 18, 2017
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Singer Morrissey Biopic ENGLAND IS MINE to Be Released in The US | Trailer
England Is Mine, the biopic about the early life of singer Morrissey, the outspoken former lead singer of seminal British band The Smiths, will be released in the US via Cleopatra Entertainment. The film will open August 25 at the IFC Center in New York, then expand nationwide throughout the fall. This was first exclusively reportedly by Deadline.
England Is Mine is directed by Academy Award® and BAFTA Award nominee Mark Gill (The Voorman Problem), and stars Jack Lowden (Dunkirk) and Jessica Brown Findlay (Downton Abbey).
Set in Margaret Thatcher’s Britain of the 1970s and ’80s, a time when working-class Manchester was beset by unemployment and riots, the film tells the story of 17-year-old Steven (Lowden), a painfully shy, intellectually precocious loner who lives for, and writes about, the burgeoning local music scene — a surprisingly vibrant subculture in an otherwise drab industrial city. Too intimidated to join that scene, he writes reviews from the sidelines, imagining what he would do if he were onstage. When one of his write-ups is noticed by kindred spirit Sterling, an aspiring painter, the two become fast friends, and she pushes him to form a band and take to the stage. Steven finally works up the courage to book a club date and performs a dazzling cover of an old girl-group standard. This is the first time the world gets to hear the distinctive, emotion-filled voice that eventually would propel him to stardom.
That very night, a manager reaches out with an offer. Unfortunately, it’s only for the musicians, not the lead singer, meaning Steven will be left behind. His dreams of a musical career vanishes, and he’s left with nothing but wasted days at a soul-crushing civil servant job and lonely nights holed up in the same bedroom he’s slept in his whole life. Only his mother’s unwavering belief in his talent, and Linder’s constant reminder — “Be yourself, everyone else is taken” — give him the strength to keep trying to become the artist he was always meant to be.
https://www.youtube.com/watch?v=6A_orGeFFhk
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Watch First Trailer + Poster for James Franco’s THE DISASTER ARTIST
A24 has released the first poster and teaser trailer for James Franco’s The Disaster Artist, opening in theaters on December 1, 2017. The film directed by and starring James Franco, also stars Dave Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Josh Hutcherson.
Based on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau’s cult–classic disaster piece The Room (“The Greatest Bad Movie Ever Made”),The Disaster Artist is a hilarious and welcome reminder that there is more than one way to become a legend– and no limit to what you can achieve when you have absolutely no idea what you’re doing.
https://www.youtube.com/watch?v=4qab3TMg42k
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BRILLO BOX (3 CENTS OFF) on Journey of Andy Warhol Sculpture Makes HBO Debut | Trailer
Brillo Box (3 Cents Off), tracks the remarkable journey of an Iconic Andy Warhol sculpture from one family’s living room through the global art market.
In 1969, Lisanne Skyler’s parents bought an Andy Warhol “Brillo Box (3 Cents Off)” sculpture for $1,000. An exact replica of a shipping carton for Brillo soap pads, Warhol’s Brillo Boxes were at first dismissed by the art world. But 40 years later, with Warhol’s reputation as a contemporary-art visionary long secured, the same piece sold for more than $3 million at a record-breaking Christie’s auction.
Blending a humorous family narrative with Pop Art history, and debuting the week of Warhol’s 89th birthday, Brillo Box (3 Cents OFF) follows this iconic work as it makes its way from a New York family’s living room to the contemporary global art market, exploring the ephemeral nature of art and value, and the decisions that shape a family’s history. An official selection of the 54th New York Film Festival, the documentary debuts Monday, August 7 (10:00-10:40 p.m. ET/PT), exclusively on HBO.
In 1964, Andy Warhol shocked the art world by making hundreds of replicas of supermarket shipping cartons and presenting them as art. His most notorious were the Brillo Boxes, which he created by silk-screening the original Brillo packaging art, designed by abstract impressionist James Harvey, onto wooden boxes that were the exact same sizes as the supermarket originals. It is believed Warhol made 93 large white boxes and 17 smaller yellow ones.
Originally selling for $200, a yellow Brillo Box emblazoned with a “3 Cents OFF” burst was purchased for $1,000 from the OK Harris Gallery in New York in 1969 by Martin and Rita Skyler. Looking to add value to his acquisition, Martin Skyler persuaded gallery owner Ivan Karp to get Warhol to sign the bottom of the piece, which was not Warhol’s customary practice at the time.
Parents of an infant daughter, Lisanne, the Skylers spent two years with the Brillo Box, which Martin placed inside Plexiglas to prevent damage. Looking for fresh art to augment their collection, he decided to trade the Brillo Box for a drawing by abstract artist Peter Young in 1971. Forty years after the Skylers sold their Brillo Box, Lisanne Skyler, now a filmmaker, learned it was going to be auctioned in New York at Christie’s. She filmed the auction, and, combining that footage with archival video, reenactments and interviews with her parents and contemporary art world figures, began to reconstruct her family’s Brillo Box history.
After Warhol’s death in 1987, interest in his work started to build; starting in 1995, prices for his art doubled annually for more than a decade. In 1988, London advertising magnate Charles Saatchi bought the Skylers’ Brillo Box for $35,200; five years later, the piece was sold to a private collector for $43,700 and returned to New York. Two years later, in a soft art market, Robert Shapazian, one of the world’s foremost collectors of modern art and the founding director of the Gagosian Gallery in Los Angeles, bought the piece for the same price, and kept it until his death in 2010.
When the Brillo Box went on sale again that year, Christie’s estimated it would fetch between $600,000 to $800,000, its value enhanced by the condition and provenance, including Warhol’s signature and the ownership of Saatchi and Shapazian. Following an international bidding war, however, the Skylers’ Brillo Box sold to a private collector for $2,650,000. The addition of a $400,500 buyer’s premium brought the final price tag to a staggering $3,050,500. While Martin maintains a stoic front about the loss of such a treasure, a more regretful Rita recalls the personal memories it evokes.
In addition to interviews with Martin and Rita Skyler, BRILLO BOX (3 Cents OFF) includes insights from several high-profile names in the contemporary art world, including: Laura Paulson, chairman, Americas at Christie’s; Jessica Todd Smith, the Susan Gray Detweiler Curator of American Art and Manager of the Center for American Art at the Philadelphia Museum of Art; art critic and historian Irving Sandler; Eric Shiner, former director of the Andy Warhol Museum in Pittsburgh; writer, curator and dealer Kenny Schachter; artist Nancy Mozur; artist and teacher Phung Huynh; Daniel Wolf, producer of “Andy Warhol: A Documentary Film”; John Armaly, president and CEO of Armaly Brands, owner of the Brillo brand; and Peter Young, the artist whose work replaced the Brillo Box in the Skyler home.
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Watch Prince Harry and Prince William Talk About Their Mom in Trailer for DIANA, OUR MOTHER: HER LIFE AND LEGACY
HBO has released a new trailer for the documentary DIANA, OUR MOTHER: HER LIFE AND LEGACY. The documentary debuts on Monday, July 24 (10:00-11:10 p.m. ET/PT) on HBO. to celebrate the life and work of Diana, Princess of Wales, in the 20th year since her tragic death.
DIANA, OUR MOTHER features interviews with HRH The Duke of Cambridge and HRH Prince Harry, both of whom talk openly about their mother and pay tribute to the many ways her influence has shaped their lives. The film offers a fresh and revealing insight into Princess Diana through the personal and intimate reflections of her two sons and her friends and family, many of whom have never spoken publicly before, to bring together a unique portrait of an iconic person who touched the lives of millions.
The 65-minute film includes never-before-seen photographs of Diana, taken from an album that she had assembled. The brothers look through the private family album and recall some of the most joyful and touching moments from their childhood.
Studying a photo of The Princess holding him while pregnant with Prince Harry, Prince William says, “Believe it or not, you and I are both in this photograph, you’re in the tummy!”
Prince Harry says, “This is the first time that the two of us have ever spoken about her as a mother.”
Prince William says, “She was very informal and really enjoyed the laughter and the fun.”
Prince William and Prince Harry share some of their earliest memories of their mother, recall the final conversation they had with her before her tragic death in August 1997, and discuss their feelings in the aftermath of losing her. Prince William explains how he keeps her memory alive for his own children.
The documentary also celebrates the achievements of Diana’s work and her sons’ determination to continue the campaigns that were closest to her heart.
https://www.youtube.com/watch?v=-9AFcZgGCNw
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Watch: Kristen Bell Premieres Music Video for “Tell Me How Long” from CHASING CORAL
Kristen Bell today premiered the music video for “Tell Me How Long” from Netflix original documentary Chasing Coral. The film is now streaming on Netflix.
Kristen commented, “I was moved and inspired by Chasing Coral and its message of hope for our planet’s future. I feel a responsibility to care for the Earth in whatever way I can and I was honored to lend my voice to the original song. As we strive to make a better world for our children, I hope this film will ignite real action in advancing climate solutions in our global communities.”
https://www.youtube.com/watch?v=I7vOQ3M_FJY
Directed by Jeff Orlowski, Chasing Coral taps into the collective will and wisdom of an ad man, a self-proclaimed coral nerd, top-notch camera designers, and renowned marine biologists as they invent the first time-lapse camera to record bleaching events as they happen. Unfortunately, the effort is anything but simple, and the team doggedly battles technical malfunctions and the force of nature in pursuit of their golden fleece: documenting the indisputable and tragic transformation below the waves. With its breathtaking photography, nail-biting suspense, and startling emotion, Chasing Coral is a dramatic revelation that won’t have audiences sitting idle for long.
https://www.youtube.com/watch?v=b6fHA9R2cKI
