HENRY GAMBLE’S BIRTHDAY PARTY, the new film from writer/director Stephen Cone (The Wise Kids), focuses on a young boy coming to terms with his sexuality during his emotionally charged birthday party. Marking his feature film debut, Cole Doman plays Henry; Henry is turning 17, and Henry might be gay. But he’s not telling his pastor father (Pat Healy, Cheap Thrills, Compliance)—not during his pool party, where school and church collide in a sunny, hormonal afternoon.
The film will open in New York at the IFP’s Made in NY Media Center on January 8th, before expanding to additional markets and VOD platforms.
HENRY GAMBLE’S BIRTHDAY PARTY spans the 24 hours containing the birthday pool party of 17-year-old preacher’s kid Henry Gamble (Cole Doman).
The night before the party, Henry and his friend Gabe (Joe Keery), have a sleepover. Typical teenage boy chat quickly turns sexual, and it’s silently implied that Henry, on a search for identity, has a crush on Gabe.
As dawn arrives on the day of the party, Henry’s mom Kat (Elizabeth Laidlaw) wakes in a state of limbo, middle-aged, with a secret. A little while later, Pastor Bob (Pat Healy) is making breakfast, and they are joined by Henry’s 19-year-old sister Autumn (Nina Ganet), home from college for the party. Later that afternoon, guests begin to arrive – the assistant pastor, youth minister, husbands and wives; sons and daughters trapped between youth and adulthood, as well as Henry’s own teenaged church and “secular” friends, including the closeted young Logan (Daniel Kyri), who has eyes for Henry.
As day turns to night and clothes come off, Henry & Co. carefully navigate the religious strictures and sexual secrets held within the community, all struggling to tread the public and private, and their longing, despite themselves and their faith, for earthly love.
https://www.youtube.com/watch?v=lptlZe5EYDUFilms
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17 Year Old Harry Comes to Terms With His Sexuality in HENRY GAMBLE’S BIRTHDAY PARTY | TRAILER
HENRY GAMBLE’S BIRTHDAY PARTY, the new film from writer/director Stephen Cone (The Wise Kids), focuses on a young boy coming to terms with his sexuality during his emotionally charged birthday party. Marking his feature film debut, Cole Doman plays Henry; Henry is turning 17, and Henry might be gay. But he’s not telling his pastor father (Pat Healy, Cheap Thrills, Compliance)—not during his pool party, where school and church collide in a sunny, hormonal afternoon.
The film will open in New York at the IFP’s Made in NY Media Center on January 8th, before expanding to additional markets and VOD platforms.
HENRY GAMBLE’S BIRTHDAY PARTY spans the 24 hours containing the birthday pool party of 17-year-old preacher’s kid Henry Gamble (Cole Doman).
The night before the party, Henry and his friend Gabe (Joe Keery), have a sleepover. Typical teenage boy chat quickly turns sexual, and it’s silently implied that Henry, on a search for identity, has a crush on Gabe.
As dawn arrives on the day of the party, Henry’s mom Kat (Elizabeth Laidlaw) wakes in a state of limbo, middle-aged, with a secret. A little while later, Pastor Bob (Pat Healy) is making breakfast, and they are joined by Henry’s 19-year-old sister Autumn (Nina Ganet), home from college for the party. Later that afternoon, guests begin to arrive – the assistant pastor, youth minister, husbands and wives; sons and daughters trapped between youth and adulthood, as well as Henry’s own teenaged church and “secular” friends, including the closeted young Logan (Daniel Kyri), who has eyes for Henry.
As day turns to night and clothes come off, Henry & Co. carefully navigate the religious strictures and sexual secrets held within the community, all struggling to tread the public and private, and their longing, despite themselves and their faith, for earthly love.
https://www.youtube.com/watch?v=lptlZe5EYDU
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72 Short Films on Lineup for 2016 Sundance Film Festival

The 2016 Sundance Film Festival, taking place January 21 to 31 in Park City, Salt Lake City, Sundance and Ogden, Utah, announced its full lineup of 72 short films. Among the short films the Festival has shown in recent years are World of Tomorrow, Whiplash, The Tsunami and the Cherry Blossom and Fishing Without Nets. This year’s short film lineup will include both a Midnight and a New Frontier section, tying into the Festival’s other programmatic strands.
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Documentary MAPPLETHORPE: LOOK AT THE PICTURES on Controversial Artist Robert Mapplethorpe to Debut on HBO
“Look at the pictures,” said Senator Jesse Helms, denouncing the controversial art of Robert Mapplethorpe, whose photographs pushed boundaries with frank depictions of nudity, sexuality and fetishism, igniting a culture war that rages to this day.
More than 25 years later, the HBO Documentary Films presentation MAPPLETHORPE: LOOK AT THE PICTURES does just that, taking an unflinching, unprecedented look at his most provocative work. From acclaimed filmmakers Fenton Bailey and Randy Barbato (“Inside Deep Throat”; HBO’s “Wishful Drinking” and “The Eyes of Tammy Faye”), and produced by Katharina Otto-Bernstein (“Absolute Wilson”), the first feature-length documentary about the artist since his death, and the most comprehensive film on Mapplethorpe ever, debuts in April 2016 on HBO.
As The J. Paul Getty Museum and The Los Angeles County Museum of Art prepare landmark Mapplethorpe retrospectives (both opening in March), the film goes inside the preparation for the exhibitions as a jumping-off point to tell the complete story of his life and work for the first time, and explore the interplay between his personal and professional lives. MAPPLETHORPE: LOOK AT THE PICTURES reveals a controversial artist who turned contemporary photography into a fine art.
With complete and unprecedented access to The Robert Mapplethorpe Foundation, the documentary draws upon archival materials and features never-before-seen photographs and footage. “Even his most shocking and forbidden images are included without blurs, without snickers – in other words, exactly as the artist intended,” say Fenton Bailey and Randy Barbato. Mapplethorpe himself is a strong presence, telling his story in his own words with complete honesty and often shocking candor through rediscovered audio interviews.
MAPPLETHORPE: LOOK AT THE PICTURES follows his early beginnings as a young artist in New York City through his meteoric rise in the art world to his untimely death. In 1963, he enrolled at the Pratt Institute in Brooklyn, where he studied drawing, painting and sculpture, and soon met his first girlfriend, Patti Smith, one in a string of profoundly influential lovers. By the late 1960s and early 1970s he was taking Polaroid photographs of friends and acquaintances, and was determined to make it, which meant being recognized as an artist and becoming famous.
Almost all of the people from key relationships in his life are present in the film, including Sam Wagstaff, David Croland, Lisa Lyon, Marcus Leatherdale and Jack Walls. The documentary also features almost 50 original interviews with family, friends, co-workers and colleagues, including Mary Boone, Carolina Herrera, Brooke Shields, Helen and Brice Marden, Fran Lebowitz, Bob Colacello and Debbie Harry.
Rounding out this portrait are the recollections of Mapplethorpe’s older sister, Nancy, and youngest brother, Edward. An artist himself, Edward assisted his brother for many years and was responsible for much of the technical excellence of his photography.
The duality of black-and-white work reverberated in his life. He often mounted two shows simultaneously: An uptown exhibition might include society portraits and delicate flower still-lifes, while his sexually explicit photographs were on view downtown. Mapplethorpe’s most controversial work – which he considered his most important – chronicled the underground BDSM (bondage, dominance and submission, sadomasochism) scene of late 1970s New York City, sparking a national debate over public funding of art some deemed offensive or obscene.
Mapplethorpe was diagnosed with AIDS in 1986, when the illness was still a death sentence. He spent the remainder of his life working more feverishly than ever before, not only pursuing perfection, but also striving to secure his legacy after his death. In 1988, a few months before Mapplethorpe’s passing, The Whitney Museum of American Art mounted his first major American museum retrospective.
The man who lived to be famous became even more famous after he died. Before his death, he designed one final show, The Perfect Moment, which bought images of flowers, S&M pictures and male African-American nudes together in a museum setting for the first time. As he himself predicted, the combination proved to be too much. In 1989, the Corcoran Gallery of Art in Washington, D.C. canceled The Perfect Moment after Senator Helms took aim at Mapplethorpe. Later that year, protests were held when the traveling exhibition arrived at the Contemporary Arts Center (CAC) in Cincinnati, resulting in obscenity charges against the CAC and its director, Dennis Barrie. After a dramatic court battle, both were ultimately found not guilty.
MAPPLETHORPE: LOOK AT THE PICTURES is a revealing look at one of the most important artists of the 20th century, whose name remains a byword for something illicit, dangerous and dark.
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‘Sonita” “Boudewijn de Groot – Come Closer ” Win Audience Awards at IDFA
Sonita by Rokhsareh Ghaem Maghami is the winner of the IDFA Audience Award at the 2015 International Documentary Film Festival Amsterdam. Sonita – which was made with support from the IDFA Bertha Fund – also won the IDFA DOC U Award. Boudewijn de Groot – Come Closer by Suzanne Raes took the IDFA Music Audience Award.
Sonita, tells the story of 18-year-old Afghan Sonita Alizadeh, who lives illegally in Iran and dreams of a career as a rapper.
https://www.youtube.com/watch?v=B47MbpPuz7A
Boudewijn de Groot – Come Closer by Suzanne Raes follows singer Boudewijn de Groot as he prepares for a concert in which bids farewell to his biggest hits.
https://www.youtube.com/watch?v=lRuVvNZtIyU
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Kenji Mizoguchi’s First Masterpiece, THE STORY OF THE LAST CHRYSANTHEMUM, to NY Premiere on Christmas Day
Kenji Mizoguchi’s first masterpiece, THE STORY OF THE LAST CHRYSANTHEMUM, will make its New York theatrical premiere on Friday, December 25 in a two-week exclusive engagement at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center.
The Story of the Last Chrysanthemum is Japanese master Kenji Mizoguchi’s hauntingly beautiful adaptation of Shofu Muramatsu’s popular novel, starring Shotaro Hanayagi as Kikunosuke Onoe, a young actor and the adopted son of a Kabuki star in late-19th-century Tokyo. Failing to meet the standards set by his father, Onoe estranges himself from his family by entering into a relationship with Otoku (Kakuko Mori), his newborn brother’s nurse who makes agonizing self-sacrifices to advance her beloved Onoe’s career.
Mizoguchi thoughtfully conveys a culture’s social limitations and repressive gender roles while maintaining a pitch-perfect balance of tragedy and romance. With its flowing camera movements, delicate long takes, and measured choreography of actors, this masterpiece is marked by splendorous interplay of movement and space, and is a poignant tale of conflict between generations and female sacrifice.
The Story of the Last Chrysanthemum premiered at the 2015 Cannes Film Festival in a new digital restoration—made from a 4K film transfer by Shochiku and presented by Janus Films—and the Film Society of Lincoln Center is pleased to host this long-overdue revival of one of Mizoguchi’s defining achievements, never before released in New York.
A Janus Films release | 1939 | 143m | Japanese with English subtitles | B&W | 1.37:1
Here is a clip (not digitally restored)
https://www.youtube.com/watch?v=B75FVJ18sFg
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Official Poster + KRISHA is home for Thanksgiving in TRAILER for SXSW Award Winning Family Drama
A24 has released the official trailer and poster for KRISHA, written and directed by Trey Edward Shults, and the winner of the Grand Jury and Audience Awards at SXSW 2015. A24 will release KRISHA in select cities in March 2016.
When Krisha shows up at her sister’s Texas home on Thanksgiving morning, her close and extended family greet her with a mixture of warmth and wariness. Almost immediately, a palpable unease permeates the air, one which only grows in force as Krisha gets to work cooking the turkey and trying to make up for lost time by catching up with her various relatives, chief among them her nephew, Trey. As Krisha’s attempts at reconciliation become increasingly rebuffed, tension and suspicion reach their peak, with long-buried secrets and deep-seated resentments coming to the fore as everyone becomes immersed in an emotionally charged familial reckoning.
https://www.youtube.com/watch?v=wnX_lLuENfI
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Documentary VERY SEMI-SERIOUS: A PARTIALLY THOROUGH PORTRAIT OF NEW YORKER CARTOONISTS to Debut on HBO
The feature-length documentary VERY SEMI-SERIOUS: A PARTIALLY THOROUGH PORTRAIT OF NEW YORKER CARTOONISTS, directed by Leah Wolchok and produced by Davina Pardo will debut in December on HBO following a limited theatrical run. An offbeat meditation on humor, art and the genius of the single panel, debuts MONDAY, DEC. 714th 9:00-11:00 p.m. ET/PT) exclusively on HBO, following a limited theatrical run Nov. 20-Dec. 3) in New York at Lincoln Plaza, in San Francisco at the Roxie Theater, and in Los Angeles. Leah Wolchok’s light-hearted yet poignant debut film, which had its world premiere at the 2015 Tribeca Film Festival, offers a window into The New Yorker, the undisputed standard bearer of the single-panel cartoon. Whether they leave readers amused, inspired or even a little baffled, the iconic cartoons have been an instantly recognizable cultural touchstone over the past 90 years. VERY SEMI-SERIOUS is an unprecedented glimpse into the process behind the cartoons. The film follows cartoon editor Bob Mankoff as he sifts through hundreds of submissions and pitches every week to bring readers a carefully curated selection of insightful and humorous work. In addition to interviews with New Yorker staffers, including editor David Remnick, VERY SEMI-SERIOUS includes interviews with legends Roz Chast and Mort Gerberg and young hopefuls like graphic novelist Liana Finck as they discuss their cartoons and go through the process of submitting them each week to the magazine. The documentary observes Mankoff as he strives to nurture new talent and represent the magazine’s old guard, while also considering how his industry must evolve to stay relevant. “We are thrilled VERY-SEMI SERIOUS has found a home at HBO,” says Wolchok. “The New Yorker cartoons bring insightful humor to the magazine weekly, and we hope the HBO audience enjoys meeting and spending some time with their creators.” Updated Premiere Date: VERY SEMI-SERIOUS Premieres on HBO on December 14th
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Award-Winning Israeli Point-of-View Horror Film “JeruZalem” Sets January 2016 Release Date | TRAILER
The award-winning Israeli horror film JeruZalem will be released in the US on January 22nd, 2016 via Epic Pictures Releasing. The film world premiered at the 2015 Fantasia International Film Festival and, among other awards, was recognized with the Audience Award and Best Editing Award at the 2015 Jerusalem Film Festival.
A unique, point-of-view style horror film directed by Doron and Yoav Paz, JeruZalem follows Rachel (played by Jane the Virgin star Yael Grobglas), and her friend Sarah (Danielle Jadelyn), two American girls on vacation in Jerusalem. The two follow Kevin (Yon Tumarkin), a mysterious and handsome anthropology student, into the heart of the Old City. The party is cut short when a biblical prophecy comes to pass on the night of Yom Kippur and Jerusalem’s gate to hell is opened, releasing an epic apocalypse. Trapped between the ancient walls of the holy city, the trio must survive long enough to find a way out as the fury of hell is unleashed upon them.
Shooting on location amongst the monuments of Jerusalem’s Old City, The Paz Brothers directed the film utilizing a custom-made camera mount to capture some of the holy’s city’s ancient architecture, religious landmarks and historical sites. The film features extensive point-of-view footage, shown from the perspective of Sarah’s Google Glass-type smart eyewear, as she uses the glasses’ GPS, facial recognition and other apps to navigate the city and identify potentially threatening strangers.
https://www.youtube.com/watch?v=8EhqqJpDNSw
“The Paz Brothers first feature, Phobidilia, premiered at the Toronto Film Festival and was the Israeli film that ignited the genre wave from that country. With their second feature, JeruZalem, they have created a remarkable, cinematic film that demands to be seen in theaters,” commented Epic Pictures CEO Patrick Ewald. “We’re thrilled to bring the film to audiences across the country.”
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The Look of Silence, Joshua Oppenheimer’s companion piece to the Oscar-nominated film The Act Of Killing, is the winner of the (
The Academy of Motion Picture Arts and Sciences announced that 15 films in the Documentary Feature category will advance in the voting process for the
Barney Thomson, described as “a uniquely twisted comedic thriller” written by Richard Cowan and Colin McLaren and directed by “Once Upon a Time” star Robert Carlyle – his first feature film directorial effort,