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  • Watch Exclusive Film Clip + Poster for Climate Change Documentary THE AGE OF CONSEQUENCES

    The Age of Consequences Here is the poster and exclusive video clip from the The Age of Consequences. Described as The Hurt Locker meets An Inconvenient Truth, the film investigates the impacts of climate change on increased resource scarcity, migration, and conflict through the lens of US national security and global stability. The Age of Consequences directed by Jared P. Scott will be theatrically released in New York and Los Angeles and will be available digitally today, April 4, 2017. The film will also screen for NASA at the AmesResearch Center south of San Francisco on April 20th. Jared P. Scott, The Age of Consequences Poster Through unflinching case-study analysis, distinguished admirals, generals and military veterans take us beyond the headlines of the conflict in Syria, the social unrest of the Arab Spring, the rise of radicalized groups like ISIS, and the European refugee crisis – and lay bare how climate change stressors interact with societal tensions, sparking conflict. Whether a long-term vulnerability or sudden shock, the film unpacks how water and food shortages, drought, extreme weather, and sea-level rise function as ‘accelerants of instability’ and ‘catalysts for conflict’ in volatile regions of the world. These Pentagon insiders make the compelling case that if we go on with business as usual, the consequences of climate change – waves of refugees, failed states, terrorism – will continue to grow in scale and frequency, with grave implications for peace and security in the 21st century. The film’s unnerving assessment is by no means reason for fatalism – but instead a call to action to rethink how we use and produce energy. As in any military defense and security strategy, time is our most precious resource.

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  • ‘8 BORDERS, 8 DAYS’ and ‘SWEETHEART DEAL’ Win True Productions + SIFF Documentary Filmmakers Grants

    [caption id="attachment_21780" align="aligncenter" width="1200"]8 BORDERS, 8 DAYS - Amanda Bailly Sham, Yaman and Lulu in Lesbos, Greece, September 2015 (Amanda Bailly) (8 BORDERS, 8 DAYS – Amanda Bailly)[/caption] Amanda Bailly’s film 8 BORDERS, 8 DAYS and co-directors Elisa Levine and Gabriel Miller’s film SWEETHEART DEAL have been awarded filmmaking grants  in the 2016 True Productions + SIFF $50,000 Documentary Filmmakers Grant program. True Productions founder Dwayne Clark, and his wife Terese Clark, have generously pledged to underwrite an annual $50,0000 grant for three years, this being the second year. “We are committed to producing true stories and both these documentaries touch our hearts. Both my wife and I are children of immigrants and we understand the plight of the immigrant. But we are especially touched by those seeking refuge from violence. In addition, when it comes to the topic of heroin addiction, we see Seattle and nearby communities struggling with solutions. We hope by supporting SWEETHEART DEAL, that we can keep the problem top of mind and perhaps spark more conversations around prevention,” said Dwayne Clark. “I am so grateful to True Productions + SIFF for investing in the story of this single Syrian mother and her children, who had no other option but to travel in a raft across the sea with smugglers,” director Amanda Bailly said. “It is through human stories like this one that I hope our country can understand what it means to close our doors to the millions of people in need of refuge.” 8 BORDERS, 8 DAYS is the story of one woman’s personal revolution in the context of one of the greatest human rights crises of our time. The film weaves between the intimate story of a fierce single mother of two from Syria, and an immersive experience of their eight-day journey to safety. Elisa Levine and Gabriel Miller’s film SWEETHEART DEAL, produced by Peggy Case, follows the lives of four women whose lives are ruled by heroin, and there is no help in sight – except from a ponytailed eccentric living in a Winnebago parked on Seattle’s notorious Aurora Avenue. “When Mary Ellen Mark and Martin Bell made STREETWISE back in 1984, they chose Seattle because it was considered America’s most livable city. They wanted to show that if the issue of homeless kids could be a problem in wholesome Seattle, it had to be a problem everywhere. The same holds true today for heroin addiction,” director Elisa Levine said. “This incredible support from True Productions + SIFF comes at a crucial point in our post-production process. We so look forward to sharing SWEETHEART DEAL with SIFF audiences when it is completed.” “Continuing with our second consecutive year, we are thrilled to have selected two powerful documentaries for the True Productions + SIFF Documentary Filmmaking Grant,” said Interim Artistic Director Beth Barrett. “8 BORDERS, 8 DAYS and SWEETHEART DEAL have tackled the issues of immigration and heroin addiction with such grace and thoughtfulness, and thanks to the dedication of Dwayne and Teresa Clark and True Productions, both films will be equipped with the necessary tools for launching into the festival and exhibition world.”

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  • Sundance Award Winning Documentary LAST MEN IN ALEPPO​ to Be Released in U.S. | Trailer

    [caption id="attachment_19914" align="aligncenter" width="1200"]Last Men in Aleppo Last Men in Aleppo[/caption] The award-winning documentary film Last Men in Aleppo, directed by Feras Fayyad and Steen Johannesen will be released in the U.S. by Grasshopper Film. The film had its world premiere at the Sundance Film Festival, where it won the World Documentary Grand Jury Prize, then went on to screen as the Opening Night selection of CPH:DOX where it won the DOX:AWARD. After five years of war in Syria, the remaining citizens of Aleppo are getting ready for a siege. From September 2015 to the fall of 2016, the filmmakers follow the volunteers from The White Helmets as they experience the daily life of death and struggle in the streets of the city. They fight for sanity in a place where war has become the norm. Khalid, Subhi and Mahmoud are among the first to enter the destroyed buildings, scouring through the rubble in search of bodies and signs of life. They now live more or less under siege and constant bombings, together with the remaining 350,000 civilians in Aleppo. They all struggle with the same dilemma: Should they flee and bring their families to safety, or should they stay and fight for their city? “For six years, I witnessed the ugliest of human brutality; secret prisons, destroyed cities and streets littered with human remains,” said director Feras Fiyyad, “I wanted to find a glimmer of hope and humanity under all this hell. War brings out the worst in human beings, but it also brings out the best in us. The White Helmets are indeed a living example of that, and their voices deserve to be heard.” “’Last Men in Aleppo’ is bold, courageous, immersive filmmaking,” commented Ryan Krivoshey. “By embedding us among these extraordinary individuals, allowing us to experience their reality, it illuminates in a way that I haven’t seen before a conflict that is reshaping our world. We’re honored to be working with director Feras Fayyad and co-director Steen Johannesen on the release of this film.” Grasshopper plans to release the film theatrically in May, followed by a non-theatrical and VOD release. The film will have an exclusive New York run starting May 3rd at the Metrograph and May 18 th at Laemmle’s Music Hall in Los Angeles with a nationwide rollout thereafter. The film has also been acquired for US broadcast by POV which will air the film later in the year. Grasshopper Film is a new distribution company dedicated to the release of acclaimed and award-winning independent cinema. Upcoming releases include Bertrand Bonello’s “Nocturama,” Michael Almereyda’s “Escapes,” Andrew Rossi’s “Bronx Gothic” and Oliver Laxe’s Cannes Critics Week winner “Mimosas.” https://www.youtube.com/watch?v=qT6IagQ7xos

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  • Bette Gordon’s Psychological Thriller THE DROWNING Starring Julia Stiles, to Open in Theaters on May 10th | Trailer

    [caption id="attachment_21751" align="aligncenter" width="1200"]The Drowning The Drowning[/caption] Bette Gordon’s psychological thriller, The Drowning, based on Border Crossing, the controversial novel about violence in children by noted Booker Prize-winning author Pat Barker will open in theaters on May 10th, 2017.  The Drowning, starring Julia Stiles, Josh Charles, Avan Jogia, Tracie Thoms and Leo Fitzpatrick, is the story of a forensic psychologist who is haunted by his expert witness testimony that sent a young boy to prison for a chilling murder.  When the boy later reappears in his life, he is drawn into a destructive, soul-searching reinvestigation of the case. An erotic thriller with no let up in tension, The Drowning celebrates the genre with electrifying performances. Complex, riveting and unafraid to tread deep, murky psychological waters, this is a story of shifting identities that will keep you guessing until the very end. The Drowning premiered at the most recent Woodstock Film Festival and went on to screen at film festivals around the world including Warsaw, Sao Paulo, Napa Valley and Savannah. The Drowning marks Gordon’s second collaboration with producer Jamin O’Brien and Paladin which also released her film Handsome Harry featuring Jamey Sheridan, Steve Buscemi, Aidan Quinn and Campbell Scott in 2010. A pioneer in American Independent Cinema, Bette Gordon is known for her bold explorations of themes related to sexuality, violence and power including her feature length debut from her own original screenplay, Variety (1984), a beautifully seductive film about voyeurism and pornography, that Film Comment calls “a unique feminist thought experiment that doubles as a love letter to Fear City-era New York.”  Luminous Motion (2000) was produced by Ted Hope and Anthony Bregman and stars Deborah Kara Unger in a breathtaking performance. Gordon’s film Handsome Harry  premiered in competition at the Tribeca Film Festival (2009) and was released theatrically by Paladin to rave reviews. The film features a stellar ensemble cast including Steve Buscemi, Aidan Quinn, Campbell Scott, Jamey Sheridan. The film critic John Powers has said, “Gordon’s willingness to explore dangerous territory puts her miles ahead of most filmmakers.” Gordon is a film professor at Columbia University.  The Drowning was adapted for the screen by Stephen Molton and House of Cards showrunner Frank Pugliese, and is being released by Paladin and Electric Entertainment. https://www.youtube.com/watch?v=Waqa7wbTpMM

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  • Brazilian Drama NISE: THE HEART OF MADNESS Opens in US on April 28 | Trailer

    [caption id="attachment_21736" align="aligncenter" width="1200"]Nise: The Heart of Madness Nise: The Heart of Madness[/caption] Nise: The Heart of Madness is a Brazilian film based on the true life story of psychiatrist, Nise Da Silveira, who refused to treat schizophrenia patients with electroshock therapy and instead used art and painting.  The film directed by Roberto Berliner won the Best Film-Audience Award at the Rio de Janeiro International Film Festival, and the Grand Prix along with the Best Actress Award at the Tokyo International Film Festival. Nise: The Heart of Madness will open theatrically on Friday, April 28, 2017 in New York (Village East) and Chicago (Gene Siskel Film Center) with a wider national release to follow. 1940’s, Brazil- Dr. Nise da Silveira (played by award-winning actress Gloria Pires) is at work in a psychiatric hospital on the outskirts of Rio de Janeiro and refuses to employ the new and violent electroshock for the treatment of schizophrenics. Ridiculed by doctors, she is forced to take the abandoned Sector for Occupational Therapy, where she starts a revolution through paints, dogs and love. Through her efforts, renowned modern art museums opened their doors to artists nobody ever heard of. Many critics pointed out that these exhibitions revealed painters that went on to be ranked amongst the best Brazillian artists of the century. Behind this miracle there was no art academy, patron or dealer. The artists were schizophrenic, poor, hospitalized for several decades, abandoned by their families and hopeless to all but da Silveira. NISE:THE HEART OF MADNESS tells the real life story of this “miracle” and the life of this rebellious, frail and engaging psychiatrist.

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  • Watch Trailer for Polish Filmmaker Michal Marczak’s ALL THESE SLEEPLESS NIGHTS

    [caption id="attachment_17816" align="aligncenter" width="1200"]All These Sleepless Nights (Wszystkie nieprzespane noce) All These Sleepless Nights (Wszystkie nieprzespane noce)[/caption] ALL THESE SLEEPLESS NIGHTS, Polish filmmaker Michal Marczak’s boundary-pushing portrait of youthful adventure will open theatrically on Friday, April 7 at New York’s IFC Center as well as in theaters in Los Angeles and San Francisco. The film won the award for Best Director in the World Cinema Documentary competition at 2016 Sundance Film Festival. Rising young director Michal Marczak defies the fly-on-the-wall traditions of observational cinema by carefully “casting” his subjects and embedding himself in their lives. Here, he invites us into the world of Kris, an awkward 24-year-old who, after breaking up with his longtime girlfriend, is suddenly filled with a boundless sense of possibility. With his suave friend Michal leading the way, Kris embarks upon a nightly walkabout, experiencing Warsaw’s subway tunnels and manors, raves and house parties, beaches and industrial wastelands. As the two smoke, drink and dance with abandon, big ideas are as palpable as the romance and sex in the air. The arrival of the beautiful Eva opens Kris up to an even more intense and high-stakes emotional and physical adventure. Marczak captures each crystalline moment as Kris and Michal push each experience to the limit, adrift in the uncertainty and euphoria of youth. https://www.youtube.com/watch?v=I_oSKWFGYlk

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  • Watch Alex Karpovsky as a Struggling Stand-up Comic in Trailer for FOLK HERO & FUNNY GUY

    [caption id="attachment_21696" align="aligncenter" width="1200"]Folk Hero & Funny Guy Folk Hero & Funny Guy[/caption] Here is the new trailer and poster for Jeff Grace‘s upcoming comedy Folk Hero & Funny Guy starring Alex Karpovsky as a struggling stand-up comic. The film which also stars Wyatt Russell, Meredith Hagner, Michael Ian Black, Hannah Simone, Heather Morris, Melanie Lynskey, and David Cross, will be released in select cities and on digital/VOD on May 12th, 2017. Folk Hero & Funny Guy Poster Recently dumped by his fiancée and with a stagnating standup routine, aspiring comedian-slash-copywriter Paul (Alex Karpovsky) is stuck. The manager of the club where he performs suggests he take some time off to update his comedy material, and in waltzes his childhood friend Jason Black (Wyatt Russell), an acclaimed folk-rock musician about to embark on a solo acoustic tour of the east coast. Jason suggests Paul needs to get his mojo back—and he should start by opening for Jason on tour. They set off on the road together, picking up a new act (folk singer Bryn, played by Meredith Hagner) on the way. But when Jason reveals an ulterior motive behind the tour, rifts are exposed in their otherwise affable camaraderie. Folk Hero & Funny Guy is a music-infused spin on the road-trip buddy comedy. https://www.youtube.com/watch?v=hdBCp60TpN0  

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  • “King of Bollywood” Shah Rukh Khan to Receive Special Tribute at San Francisco International Film Festival

    [caption id="attachment_21683" align="aligncenter" width="1200"]"King of Bollywood" Shah Rukh Khan “King of Bollywood” Shah Rukh Khan[/caption] “King of Bollywood” Shah Rukh Khan will be honored at the 60th San Francisco International Film Festival with a special onstage tribute and screening of “My Name Is Khan”. An intimate conversation with the actor, producer, and humanitarian exploring his unique balance between commercially-minded cinema and artistic values will be moderated by famed director and producer Brett Ratner. The onstage tribute will take place Friday, April 14, 8:30 pm at the Castro Theatre, and will be followed by a screening of Karan Johar’s 2013 film My Name is Khan in which Khan offers an unforgettable performance. Often referred to as the “King of Bollywood,” Shah Rukh Khan is an internationally renowned actor and producer. In a career spanning over 30 years, Khan has acted in over 70 Hindi films and won 14 Filmfare Awards—for excellence in cinematic achievements in the Hindi language film industry—from 30 nominations. In 2005 he was the recipient of India’s second highest civilian award, the Padma Shri, in recognition of his distinguished contributions to Indian cinema, and in 2014 he was the recipient of France’s highest civilian award, the Knight of the Legion of Honour, in recognition of his outstanding contribution to cultural diversity across the world. One of India’s most successful movie stars, Khan’s cultural influence extends far beyond his home country. Eleven of the films he has starred in have accumulated worldwide gross earnings of over one billion dollars. His 2013 Bollywood-English-language crossover film, My Name Is Khan, earned enough in its opening weekend to become the highest-grossing Bollywood film in North America, a record previously set in 2007 by the film Om Shanti Om—which also featured Khan in the leading role. In 2011, Khan was the first Indian citizen to be honored by the United Nations Educational, Scientific, and Cultural Organization with a special award—the Pyramide con Marni—for his charitable and social commitment towards providing education for children. Later that same year, Khan was appointed by the United Nations Office for Project Services as the first global ambassador to the Water Supply and Sanitation Collaborative Council, which advocates for improved sanitation and hygiene for the most vulnerable and marginalized people around the world. In 2008, Newsweek named Khan one of the 50 most powerful people in the world. Brett Ratner, moderating the onstage conversation, is one of Hollywood’s most successful filmmakers and producers, whose films have grossed over $2 billion at the global box office. Ratner made his feature directorial debut with the action comedy hit Money Talks (1997) followed by the blockbuster hit Rush Hour (1998) and its successful sequels. Additional film directing credits include The Family Man (2000), Red Dragon (2002), After the Sunset (2004), X-Men: The Last Stand (2006), Tower Heist (2011), and Hercules (2014). In 2013, Ratner co-founded RatPac Entertainment—a film finance, production, and media company—which has co-financed over 75 films, including Gravity (2013), The Lego Movie (2014), American Sniper (2014), Batman v Superman: Dawn of Justice (2016), The Revenant (2015), and Birdman or (The Unexpected Virtue of Ignorance) (2014). RatPac’s co-financed films have been nominated for 51 Academy Awards®, 20 Golden Globes® and 39 BAFTAs® and have won 21 Academy Awards®, 7 Golden Globes®, and 17 BAFTAs®. This epic 2010 melodrama “My Name Is Khan” tackles the subject of post-9/11 prejudice in America, as seen through the eyes of Rizwan Khan (Shah Rukh Khan), a devout Muslim who ends up on a cross-country quest to meet the President after a devastating family tragedy. Adding a wrinkle to this story, which is told mostly in flashbacks, is the fact that Khan has Asperger’s syndrome, which means he has a unique way of looking at the world that colors his interactions with others. One person who’s able to see past his mannerisms is lovely single mother Mandira (Kajol), who happens to be Hindu, which causes some strife in Khan’s family. Nevertheless, they fall in love against the backdrop of a lovingly photographed San Francisco, complete with a sparkling wedding at the Palace of Fine Arts, although their road to happily-ever-after is a supremely bumpy one. My Name Is Khan’s bouncy musical numbers and underlying messages of tolerance, unconditional love, and truth-seeking are worth celebrating in these challenging times.

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  • Film Independent Selects 10 Indie Filmmakers for 2017 Documentary Lab + Launches Fiscal Sponsorship Program

    [caption id="attachment_21677" align="aligncenter" width="1200"]Brooklyn/Alaska, Erica Sterne Brooklyn/Alaska, Erica Sterne[/caption] 10 filmmakers and six projects have been selected for Film Independent’s 2017 Documentary Lab.  The 2017 Doc Lab is a five-week intensive program designed to support filmmakers who are currently in post-production on their feature-length documentaries. “We’re thrilled to bring together this group of talented filmmakers for the seventh year of our Documentary Lab and provide them with career support and mentorship that will help elevate their unique visions and fully realize the potential of their stories,” said Kushner. This year’s Documentary Lab Advisors and Guest Speakers include Jennifer Arnold (Tig, A Small Act); Nels Bangerter (Editor, Cameraperson); Peter Broderick (President, Paradigm Consulting); Greg Finton (Editor, He Named Me Malala); Keith Fulton (The Bad Kids); Simon Kilmurry (Executive Director, International Documentary Association); Peter Nicks (The Force); Lou Pepe (The Bad Kids); and Chris Perez (Partner, Donaldson + Callif LLP). The organization also launched its new Fiscal Sponsorship Program, open to all types of eligible projects at every stage including documentary and fiction films and interactive media. Fiscal sponsorship is a legal arrangement between a 501(c)3 and an independent artist that gives them the eligibility to apply for grants and solicit tax-deductible donations for their project. “In response to what our members have told us they need, we’re happy to deepen our support by offering Fiscal Sponsorship, helping filmmakers gain access to new sources of project funding,” said Jennifer Kushner, Director of Artist Development. The 2017 Documentary Lab projects and Fellows are: Brooklyn/Alaska, Erica Sterne – director/producer Teenage boys from tough Brooklyn neighborhoods discover the natural world on an unlikely adventure through the remote Alaskan wilderness and are transformed by the physical and emotional challenges encountered along the way. Minding the Gap, Bing Liu – director/producer, Diane Quon – producer Bing, a 25-year-old Chinese-American skateboarder and filmmaker, returns to his hometown and reconnects with two skateboarders: Keire, an African-American 17-year-old and Zack, a white 23-year-old, who all share a history of childhood trauma. Over the next three years, their freewheeling lives unravel as they figure out who they hope to be. Shadow of His Wings, Lucas Habte – director/producer, Isidore Bethel – producer/editor Hoping to understand his Ethiopian father’s history of forced migration, an American filmmaker moves to Addis Ababa and falls in love with a young man who soon must flee homophobic death threats at home to become France’s first LGBT refugee from Ethiopia. A Taste of Sky, Michael Lei – director/producer In the dizzying heights of Bolivia’s capital of La Paz a gastronomical revolution is offering the possibility of hope to the country’s impoverished youth. We follow the trials and tribulations of GUSTU, the innovative cooking school and world-class restaurant of South America’s poorest country. A Woman’s Work, Yu Gu – director, Elizabeth Ai – producer Football and feminism collide in this feature documentary that follows three former NFL cheerleaders as they battle against their former teams and the NFL to reverse 50 years of illegal employment practices. Waiting for Kate…(female is not a genre) Amy Goldstein – director/producer, Anouchka van Riel –producer Waiting for Kate…(female is not a genre) takes us on the roller coaster of contemporary pop stardom, with an unprecedented inside look at the euphoric highs and destructive lows on the cutting edge of today’s music industry. image via Brooklyn/Alaska, Erica Sterne

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  • Angkor Awakens: A Portrait of Cambodia is “A Fascinating Portrait of a Nation Struggling to Come to Terms with its Past”

    [caption id="attachment_21671" align="aligncenter" width="1200"]Angkor Awakens: A Portrait of Cambodia Angkor Awakens: A Portrait of Cambodia[/caption] Angkor Awakens: A Portrait of Cambodia is a fascinating portrait of a growing nation struggling to come to terms with its past.  The follows the people of Cambodia as they fight to recover their culture and history in the wake of the Khmer Rouge genocide (1975-1979). The documentary film includes an unprecedented appearance by Cambodia’s Strongman/Prime Minister Hun Sen, who seems to align himself here with President Trump. Directed by Robert H Lieberman, Angkor Awakens: A Portrait of Cambodia will open on May 5th, 2017 in New York at Landmarks Sunshine Cinema and in DC at the E Street Theater, in LA on May 12th at Laemmle’s Monica Theater and at Playhouse 7 in Pasadena and Claremont 5. Additional cities to follow “Angkor Awakens” is a sweeping and eye-opening portrait of a nation now poised at the tipping point. The film documents the process and collective efforts of the Khmer people as they work to recover their culture and history in the aftermath of the Khmer Rouge regime. It views the present through the lens of the country’s tangled history. Though the legacy of past violence and present-day repression lives on, it is counterbalanced by the hope and aspirations of the new generation of Cambodians. Built around intimate interviews and stunning footage of the country, this is the film for anyone desiring to learn more about one of Asia’s youngest populations as it seeks to leave behind its brutal past. “”Angkor Awakens: A Portrait of Cambodia” is directed by Robert H. Lieberman, a best-selling novelist, award winning filmmaker and long-time member of Cornell University Physics faculty. It is Lieberman’s background as a child of the holocaust that has led him to explore the effects of the genocide on the mentality of today’s young Cambodian. The film opens with a rush of motion, the camera speeding up a flight of stairs with increasing momentum, panning out to reveal lush hills, stone steps and a vibrant earth that stretches on and on. Ambient music fills the theatre; the screen slips to a red backdrop, with the shadows of traditional dancers gliding about; a voiceover extracted from one of the many interviews speaks, introducing us to an eighty-minute documentary probe into Cambodia. Following independence from France, the Cambodia of the ’60s and ’70s was sucked into the Cold War when its neighbor Vietnam fell into civil chaos, despite efforts to stay neutral. What eventually emerged from the din and struggle for national survival was the brutal rule of the Khmer Rouge, an extremist Communist group led by Pol Pot, which proceeded to commit one of the worst mass killings of the 20th century, claiming up to an estimated two million lives. Angkor Awakens is a poignant, revealing documentary in how it chooses to look at this highly volatile and violent time.” – Cornell Daily Sun

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  • ABORTION: STORIES WOMEN TELL Spotlighting Voices on Both Sides of The Polarizing Issue, will Debut April 3 on HBO | Trailer

    [caption id="attachment_21645" align="aligncenter" width="1200"]ABORTION: STORIES WOMEN TELL ABORTION: STORIES WOMEN TELL[/caption] ABORTION: STORIES WOMEN TELL, a documentary film that presents a candid dialogue about one of the most divisive and timely issues facing America today, will debut Monday, April 3 on HBO. Although 44 years have passed since the U.S. Supreme Court decision in Roe v. Wade recognized a woman’s right to choose, abortion remains one of the most polarizing issues in America. Since 2011, more than half of the states have imposed significant restrictions on abortion, including in Missouri, where only one abortion clinic remains open in the entire state, and patients and their doctors must navigate a 72-hour waiting period. ABORTION: STORIES WOMEN TELL offers an intimate window into the lives of women living in Missouri. Tracy Droz Tragos (winner of the Sundance Film Festival Grand Jury Prize for U.S. Documentary for “Rich Hill”), a native of the state, sheds new light on the issue, focusing not on the debate, which is typically dominated by legislators and advocates, but on women’s personal stories. Presenting a candid dialogue about one of the most divisive and timely issues facing America today, the film debuts MONDAY, APRIL 3 (8:00-9:35 p.m. ET/PT) on HBO. Wherever they stand the issue, the women in the film base their choices on individual circumstances and beliefs. ABORTION: STORIES WOMEN TELL underscores their strength and capacity to overcome and persevere through complicated and unexpected circumstances. As a result of the state’s restrictions and the availability of just one operating clinic, many women in Missouri travel across the state line, to Hope Clinic for Women in Granite City, Ill., just 15 minutes from downtown St. Louis, but more than 100 miles from rural Missouri. Drawing on access to the clinic, the film features interviews with a range of women of all ages, backgrounds and faiths, as well as doctors, nurses and staff who face protestors on a daily basis, and activists on both sides, hoping to sway decisions and lives. The film provides a balanced looks at abortion through women’s own words and experiences. Among the subjects: Amie, a 30-year-old single mom who splits custody of her two children with her ex and works 70 hours a week as a waitress and bartender to make ends meet. She drives 400 miles round-trip to get to Hope Clinic, where she’s given a prescription for an abortion pill. Crying, Amie thinks of her kids and says, “I’m not just doing this for me.” Chi Chi, a guard at Hope Clinic, who shields women daily from the anti-choice protesters in the clinic’s parking lot. Challenging a particularly vocal protestor, Chi Chi demands, “Are you gonna take care of these babies?” Reflecting on her own abortion years ago – her son was only six months old at the time – Chi Chi says it was the right decision because she didn’t want to end up on public assistance. Erin, a doctor at Hope Clinic who says she had no problems when she worked at Planned Parenthood in Chicago, but has had protestors show up at her house since moving to the St. Louis area. “They identified me as an abortion provider, where I just think of myself as a gynecologist,” she says. When she feels worn down, Erin looks at a book with messages left by clinic patients, but warns that access to abortion keeps shrinking. Kathy, a pro-life activist, who says that her dad once told her that she was almost aborted, and that she always felt “a kinship with the baby in the womb.” Kathy hosts a local event featuring Susan, a prominent pro-life speaker who has had three abortions and sees herself as protecting women from the shame and guilt that she felt. Chelsea, a young woman who learned that her baby had a genetic defect and would not survive past birth. She and her husband consulted their pastor, who they say was supportive of their decision to terminate. As Christians, the couple says it was a tough choice, but knowing that they are not alone is the reason they want to share their story. Reagan, an anti-abortion activist for Students for Life of America. Reagan says there’s a stereotype of pro-life people as old men and women holding up graphic signs of aborted fetuses, but insists that is changing. She and other members of her group hand out anti-Planned Parenthood information on campus, and are challenged by a pro-choice student, who points out that Planned Parenthood provides many other services for women besides abortion. Te’Aundra, a young mother who was set to go to college on a basketball scholarship when she got pregnant. She wanted to give the baby up for adoption, but the father disagreed, though he didn’t want to be involved in raising the child. With a baby daughter now in her care and her college dreams dashed, Te’Aundra says, “I’d hate to say… I probably would have just had an abortion and just been on my way.” Interspersed throughout the film are short stories of women who have had an abortion in the recent or distant past. A few regret the decision, while others say they would not be where they are now if they hadn’t made that choice. The documentary had its world premiere at the 2016 Tribeca Film Festival. https://www.youtube.com/watch?v=-X94ZaE7pso

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  • Restored Version of Marcel Ophuls’ THE MEMORY OF JUSTICE to Air April 24, Holocaust Remembrance Day, on HBO

    [caption id="attachment_21634" align="aligncenter" width="1200"]Marcel Ophuls' THE MEMORY OF JUSTICE Marcel Ophuls’ THE MEMORY OF JUSTICE[/caption] Following the film’s restoration by the Academy Film Archive and The Film Foundation, the newly restored version of Oscar(R)-winner Marcel Ophüls’ 1976 documentary THE MEMORY OF JUSTICE will be debut on HBO2 on Holocaust Remembrance Day, Monday, April 24.  The rarely seen epic was presented at the Berlin, Toronto and New York film festivals in 2015. THE MEMORY OF JUSTICE explores the relationship between individual and collective responsibility, as Ophüls investigates then-recent alleged war crimes committed by France in Algeria and by the U.S. in Vietnam in light of atrocities committed by the Nazis. The director was inspired by the 1970 book “Nuremberg and Vietnam: An American Tragedy,” by Telford Taylor, a counsel for the prosecution at the Nuremberg trials, who became a harsh critic of America’s escalating involvement in Vietnam. Filmed 30 years after the end of World War II and the Nuremberg trials, the film draws on the unique perspectives of those who lived through the conflict and those who came of age afterward. THE MEMORY OF JUSTICE features rare archival footage and interviews with both victims and architects of atrocities, raising essential questions about the moral choices made by individuals and governments in the latter half of the 20th century that are equally relevant today. “It seems to me that THE MEMORY OF JUSTICE, which flopped pretty badly when it first came out, is the best work I ever did in my life, or at any rate the most personal and the most sincere of my films,” says Marcel Ophüls. “Now, thanks to Martin Scorsese and The Film Foundation, and with the help of my favorite studio, my favorite child has been put back into circulation as an adult. Needless to say, I’m immensely grateful!” “THE MEMORY OF JUSTICE is a monumental documentary achievement; an essential work of historic and intellectual importance,” notes Martin Scorsese, founder and chair of The Film Foundation. “The film was unavailable for decades and, strongly encouraged by my friend Jay Cocks, the Academy and The Film Foundation undertook the nearly ten-year process of restoration. We were incredibly fortunate to have support for this project from Olivia Harrison’s Material World Charitable Foundation and Steven Spielberg’s Righteous Persons Foundation.” After years of research, The Film Foundation and the Academy Film Archive discovered an original, unlabeled, 16mm camera negative of THE MEMORY OF JUSTICE in a studio vault, and worked closely with Ophüls and producer Hamilton Fish on its restoration. Newly discovered original recordings of Ophüls’ interviews with French and German speaking interview subjects were restored and substituted for the existing English-language voiceover tracks. New subtitles in English, French and German were created for the restoration so that the participants’ own voices can now be heard, along with Ophüls’ questions. The original film screened at the 1976 Cannes and New York Film Festivals, and was hailed by Vincent Canby as “a standard against which all other non-fiction cinema must be measured.”  

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