Films

 

CARDBOARD, the latest work by Seattle-based filmmaker Matt Longmire will get a well deserved screening at Portland Oregon’s Northwest Film Center on July 3rd. Director Matt Longmire will be in attendance to introduce his film.

Encountering panhandlers with their rumpled cardboard signs asking for help is an everyday occurrence in Seattle. Many are veterans, many have issues with mental illness, and most make between $10 and $60 a day. Longmire was inspired to interview many of them to understand the corrugated trails that led to these street corners. What is their background? How do they survive? Seattle’s mayor, Mike McGinn, who made the highly controversial decision to veto the city’s ban on panhandling, offers political context balanced with countless other outlooks from Seattle’s citizens. (89 mins.)

http://youtu.be/zDVprC9ET3U

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Sundance Selects will open the new documentary BOUND BY FLESH, about conjoined twin superstars Daisy and Violet Hilton theatrically in New York (IFC Center) and select theaters, VOD, and iTunes on June 27.  The award-winning film was directed by Leslie Zemeckis (BEHIND THE BURLY Q).

American sideshows were in fairs, circuses and carnivals. There were acts such as glass blowers, musicians, and also the freaks. Most freaks just stood there while the audience wandered past. The Hilton sisters however were trained to put on a winning performance. They sang, they danced and played a variety of musical instruments. Once they quit the carnival world and started playing vaudeville houses they made tens of thousands of dollars, setting box office records. They were soon considered “the royalty of vaudeville,” but the exploited twins would see little of their fortunes after the money was pocketed by unscrupulous managers.

BOUND BY FLESH explores the American sideshow, its origins and its heyday when the Hilton sisters were on display for huge streams of crowds pouring into tents to get a glimpse of these gorgeous multi-talented sisters.

The film includes interviews with Ward Hall, known as the “King of the Sideshow.” He is the last of the sideshow promoters in the style of a P.T. Barnum.

In June, at the Kennedy Center in Washington, D.C., Academy Award-winning director Bill Condon will stage a reimagining of the hit musical show SIDE SHOW about the famous sisters as they grow from circus attraction to famous stage performers. 

AMC recently renewed its popular series FREAKSHOW.

BOUND BY FLESH is produced, directed and written by Leslie Zemeckis, produced by Jackie Levine and executive produced by Robert Zemeckis.

http://youtu.be/kVwhd-ORjSQ

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The trailer is released for the newly restored documentary Stations Of The Elevated.  Stations Of The Elevated premiered at the 1981 New York Film Festival, but lacking appropriate music licenses, was never theatrically released in the United States. In the 30 years since its completion it has been rarely screened, developing a cult amongst cinephiles and jazz and graffiti lovers. After two years of working to secure appropriate licenses for its soundtrack, APD’s Cinema Conservancy program will finally make this crucial cultural document and cinematic experience available to the public in 2014 with a theatrical run. 

Preceeding the theatrical run, APD/Cinema Conservancy’s new restoration of Stations Of The Elevated will premiere on Friday, June 27 as part of BAMcinemaFest on the Steinberg Screen at the BAM Harvey Theater. The event begins with a live performance by legendary jazz ensemble the Mingus Dynasty, the original Charles Mingus legacy band. The first band Sue Mingus organized after Charles’ death in 1979, this acclaimed orchestra continues to interpret Charles Mingus’ more than 300 compositions, and will perform as a prelude to Kirchheimer’s jazz-inflected documentary. 

STATIONS is a 45-minute city symphony directed, produced and edited by Manfred Kirchheimer. Shot on lush 16mm color reversal stock, the film weaves together vivid images of graffiti-covered elevated subway trains crisscrossing the gritty urban landscape of 1970s New York, to a commentary-free soundtrack that combines ambient city noise with jazz and gospel by Charles Mingus and Aretha Franklin. Gliding through the South Bronx, Brooklyn, Queens and Manhattan – making a rural detour past a correctional facility upstate – STATIONS is an impressionistic portrait of and tribute to a New York that has long since disappeared.

The first-ever documentations of graffiti on film, STATIONS captures the height of the 1970s graffiti movement in New York, featuring the work of early legends including Lee, Fab 5 Freddy, Shadow, Daze, Kase, Butch, Blade, Slave, 12 T2B, Ree, and Pusher. Juxtaposing the colorful imagery of ‘tagged’ cars with shots of carefully hand-painted billboards depicting hamburgers and bikini-clad women, STATIONS forces audiences to ask: “What is urban art, and what role does it play in the daily life of a city?”

 http://youtu.be/J0iqF6A4vRI

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Frédéric Tcheng’s fashion documentary “Dior and I” which premiered to strong reviews earlier this year at the 2014 Tribeca Film Festival, will be released in the US later this year, by Entertainment One Films (eOne).  Filmmaker Frédéric Tcheng follows up his work on fashion films, including Diana Vreeland: The Eye Has to Travel and Valentino: The Last Emperor, with another masterful exploration of a towering fashion institution.

In Dior and I, one enters the storied world that is the House of Christian Dior with a privileged, behind-the-scenes look at the creation of Raf Simons’ highly anticipated first Haute Couture collection as the iconic brand’s new Artistic Director. From conception through its ultimate exhibition, the process is shown to be a true labor of love by the stoic Simons and a dedicated, charming, and often humorous team of collaborators. Beautifully melding the everyday, pressure-filled components of fashion with an elegant reverence for the history of Dior, Tcheng’s colorful homage to the seamstresses of the atelier is nothing short of magical.

Frédéric Tcheng

Director Frédéric Tcheng is a French-born filmmaker who co-produced, co-edited, and shot Valentino: The Last Emperor, the 2009 hit documentary shortlisted for a Best Documentary Academy Award. He co-directed Diana Vreeland: The Eye Has to Travel (2011), and has collaborated on films with such varied personalities as the poet Sarah Riggs, the fashion brand H&M, Jimmy Choo, Ferragamo and Vogue, among others.

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The official trailer is released for the documentary WE COULD BE KING from two-time Emmy® nominated director Judd Ehrlich.  WE COULD BE KING follows the riveting true story of two rival Philadelphia high schools forced to merge due to budget cuts. Their football team’s young, rookie coach and the school’s new principal fight to overcome insurmountable odds and inspire their young players to come together and lift each other toward a better future. WE COULD BE KING will open theatrically in New York and Los Angeles on April 25th and be broadcast on ESPN2 on April 26th at 8pm.

Germantown and Martin Luther King High Schools were bitter rivals for over 40 years. This past year, a budget crisis caused Philadelphia to lay off over 4000 employees and close 37 schools, including Germantown High. Now Germantown must merge with their former rival, King. Against overwhelming odds, a 27-year old first time head coach and a new principal fight to inspire young men from difficult circumstances to come together and lift each other toward a better future.

Two-time Emmy® nominated director Judd Ehrlich uses an intimate, unflinching lens to tell a story much larger than the Martin Luther King Cougars. As the threat of more drastic budget cuts and the loss of funding for athletics looms large, WE COULD BE KING examines the crisis of education in urban America, and celebrates the power of sports to bring young people, neighborhoods, and a city together.

http://youtu.be/i1jgu9JG6qo

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The poster and official trailer is released for documentary Fed Up, directed by Stephanie Soechtig and executive produced by Katie Couric, that premiered earlier this year at the 2014 Sundance Film Festival. Fed Up will open in theaters on May 9, 2014.  In the film, filmmaker Stephanie Soechtig and TV journalist Katie Couric lead us through this potent exposé that uncovers why—despite media attention, the public’s fascination with appearance, and government policies to combat childhood obesity—generations of American children will now live shorter lives than their parents did.

http://youtu.be/aCUbvOwwfWM

Thirty years ago the U.S. Government issued its first ever dietary guidelines and with it one of the greatest health epidemics of our time ensued. In her documentary feature debut, executive producer and narrator Katie Couric joins Laurie David (An Inconvenient Truth), Regina Scully (The Invisible War) and Stephanie Soechtig (Tapped) to explore why, despite media attention and government policies to combat childhood obesity, generations of kids will now live shorter lives than their parents.

Upending the conventional wisdom of why we gain weight and how to lose it, Fed Up unearths the dirty little secret the food industry doesn’t want you to know — far more of us are sick from what we are eating than anyone has ever realized. The truth is, only 30% of people suffering from diet-related diseases are actually obese; while 70% of us — even those of us who look thin and trim on the outside — are facing the same consequences, fighting the same medical battles as the obese among us.

Following a group of children for more than two years, director Stephanie Soechtig achieves a profound intimacy with them as they document their uphill battles to follow the conventional wisdom, ‘diet and exercise’, in order to live healthier, fuller lives. They are undertaking a mission impossible. In riveting interviews with the country’s leading experts, Fed Up lays bare a decades-long misinformation campaign orchestrated by Big Food and aided and abetted by the U.S. Government. via official film site

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Oscilloscope Laboratories has acquired worldwide rights to Jason Miller’s THE PAST IS A GROTESQUE ANIMAL, described as an intimate, enlightening portrait of the endlessly versatile indie pop band of Montreal. The film, which is currently in post-production and is set to bow later this year, is the result of a passionate fanbase that brought the project to life through a successful Kickstarter campaign that resulted in nearly $100,000 in pledges.

THE PAST IS A GROTESQUE ANIMAL is a personal, accessible look at an artist – frontman Kevin Barnes – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?

About the acquisition, O-scope’s Dan Berger and David Laub said, “As fans of of Montreal, we have been excited by this project since we first became aware of it via Kickstarter. We were exceptionally pleased when THE PAST IS A GROTESQUE ANIMAL turned out to be an incredibly well-made, relatable film and are extremely excited to come on board at this early stage to unleash it upon the masses.”

Filmmaker Jason Miller said, “I’m not sure if they actually liked the whole film, or just the scene with Kevin Barnes’ penis flapping around, but either way, I’m thrilled to release my first film with the infamous Oscilloscope Laboratories!”

of Montreal frontman Kevin Barnes said, “It is difficult for me to be totally objective about the documentary, but I feel that it is a fairly unflinching and honest portrait of my life in music over the last twenty years.”

‘THE PAST IS A GROTESQUE ANIMAL’ was produced and edited by Jason Miller and Andrew Napier (producer of the 2013 Academy Award®-winning short film ‘Curfew’), executive produced by Matt Lunsford and Seth Hubbard of Polyvinyl Records and is a production of Shrine. 

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Watch the trailer for the Matthew Shepard documentary, MATT SHEPARD IS A FRIEND OF MINE, winner of the Audience Choice Award For Best Film at the 38th Cleveland International Film Festival (CIFF).  MATT SHEPARD IS A FRIEND OF MINE follows director Michele Josue, a close friend of Matt’s, as she travels to pivotal locations in Shepard’s life, interviewing other friends and family members, and gaining insight into the beautiful life and devastating loss of Matthew Shepard.

Fifteen years ago, on the night of October 6, 1998, two men lured Matthew Shepard, a gay freshman at the University of Wyoming, from a bar in Laramie, WY. He was kidnapped and driven to a field where he was tortured and tethered to a fence and left to die. Never regaining consciousness, Matthew succumbed to the severe injuries from the attack and died on October 12, 1998.

The murder of Matthew Shepard was a devastating tragedy that made countless headlines around the world. As people denounced the hatred and senseless violence that caused Matthew’s death, a much-needed dialogue about hate crimes and intolerance against the LGBT community began and continues to this day. His tragic story brought the reality of inequality and vicious, irrational contempt into the public consciousness and set the stage for the landmark Matthew Shepard and James Byrd Jr. Hate Crimes Prevention Act, which President Barack Obama signed into law in 2009. via official film site

http://youtu.be/aVe1mP0qugk

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Netflix has acquired the rights to 3D printing film “Print The Legend,” that premiered at the 2014 SXSW Film Festival and won the Special Jury Recognition Award for Editing & Storytelling in the Documentary Feature Competition. The Netflix original documentary goes behind-the-scenes of the top American 3D printing brands as they fight for dominance in the rapidly developing, groundbreaking field of 3D printing. The film will premiere exclusively on Netflix in 2014 and will be available to stream in all territories where Netflix is available.

3D printing is changing the world – from printing human organs to guns, to dismantling the world’s industrial infrastructure by enabling home manufacturing. It’s “the next Industrial Revolution.” “Print the Legend” follows the people racing to bring 3D printing to your desktop and into your life. For the winners, there are fortunes – and history – to be made. “Print the Legend” is both a 3D Printing Documentary, capturing a tech in the midst of its “Macintosh Moment,” and, even more so, a compelling tale about what it takes to live the American Dream.

“It’s so rare for a film to capture history in the making, and Luis Lopez and Clay Tweel have done just that in their skillful presentation of the elation and betrayals experienced by young entrepreneurs detailing the groundbreaking technology of 3D printing,” said Lisa Nishimura, Netflix VP of Original Documentary and Comedy. “This is a compelling glimpse into a game changing technology as it nears an inflection point going from the fantasy world of a few obsessed visionaries to a must-have technology that may enter every home.”

“From the day we knew the 3D printing world would be our focus, we set our sights on a SXSW premiere,” said Luis Lopez, Clay Tweel, and producer Steven Klein. “To premiere in front of the most tech savvy and entrepreneurial festival crowd in the world and partner with the Netflix documentary team – who work brilliantly at the cutting edge of distribution – is truly a dream come true.”

The film delves into the people behind the machines and asks tough questions about the industry’s creative drive to enable consumers to produce anything from trinkets to handguns, including being there with provocateur Cody Wilson as he uploads his printable-gun files to the internet, setting off a worldwide media firestorm. The film roots its core story in the rise and challenges of start-ups MakerBot and Formlabs as they vie to release consumer models and control the narrative of their market to compete with established industrial players Stratasys and 3D Systems.

“Print the Legend” was directed, shot, and edited by Luis Lopez & Clay Tweel (“Make Believe” and “The King of Kong”) and produced by Steven Klein (“Make Believe”). The project was developed, produced, and financed by Chad Troutwine (“Freakonomics”) and Audax Films, led by Co-Producer Andrew Kortschak (“Gore Vidal: The United States of Amnesia”) and Executive Producer Walter Kortschak. The film was also produced by Dan O’Meara (“By The People: The Election of Barack Obama”). Exhibit A Films, including producer Seth Gordon (“Undefeated,” “Mitt,” “The King of Kong”) and Executive Producer Mary Rohlich (“Make Believe”), led the filmmaking team throughout and brought on longtime collaborators Clay, Luis, and Steven.

http://youtu.be/V7uht6MUvOc

 

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Academy Award nominated director Joe Berlinger’s “WHITEY: The United States of America V. James J Bulger,” the documentary about the notorious Irish gangster James “Whitey” Bulger, that premiered earlier this year at Sundance Film Festival, has been acquired by Magnolia Pictures for release in the US. Magnolia will be giving the film a day and date theatrical and on demand release this June, followed by a broadcast on CNN later this year. 

Infamous gangster James “Whitey” Bulger wielded a mystique as the Robin Hood of South Boston. Fabricated in his hometown, Bulger’s legend captured the imagination of the entire country. Separating the man from the myth, this riveting documentary challenges conventional wisdom by detailing shocking new allegations. 

With unprecedented access, filmmaker Joe Berlinger utilizes this past summer’s sensational trial against Bulger as a springboard to explore corruption within the highest levels of law enforcement. Embedded for months with retired FBI agents, Massachusetts state police, victims, lawyers, gangsters, journalists, and federal prosecutors, Berlinger scrutinizes Bulger’s relationship with the FBI and Department of Justice—an interaction that allowed him to reign over a criminal empire for decades.Sundance Film Festival

“The filmmaking team worked very hard to gain unprecedented access, including to Bulger himself who has never before agreed to appear in any media, so we are especially delighted to be partnering with the two companies — Magnolia and CNN — that know how to reach the widest possible audience,” said filmmaker Joe Berlinger.

Joe Berlinger interviews Pat Donahue in “WHITEY: The United States of America V. James J Bulger”

Bulger extortion victim Stephen Rakes in “WHITEY: The United States of America V. James J Bulger”

Joe Berlinger and Hank Brennan in “WHITEY: The United States of America V. James J Bulger”

Steve Davis brother of murder victim Debra Davis in “WHITEY: The United States of America V. James J Bulger”

Joe Berlinger and Robert Fitzpatrick in “WHITEY: The United States of America V. James J Bulger”

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 Mark Landis at home, showing off recent works in ART AND CRAFT

ART AND CRAFT, Sam Cullman and Jennifer Grausman’s “deft, richly entertaining art caper doc” which will have its world premiere at the Tribeca Film Festival next month has already been snapped up by Oscilloscope Laboratories for release in the US. O-scope is planning a theatrical release in late summer/early fall.

Mark Landis at home and at work on a “Picasso” in ART AND CRAFT

ART AND CRAFT is the story of the charismatic, complex Mark Landis, perhaps the most prolific art forger in US history. For over 30 years, he’s duped curators throughout the country with precise imitations of a vast range of works, from fifteenth century masterpieces to Picasso. His actions are mysterious to many — while he could fetch millions on the open market, he donates his counterfeits for free, going so far as to pose in such guises as a Jesuit priest or a philanthropic donor. Enter Matthew Leininger, a registrar from Cincinnati who was conned by Landis years ago and who has been pursuing him obsessively ever since. What begins as a game of cat-and-mouse between Leininger and Landis eventually turns into something more surprising and complicated, proving once again that truth can be stranger than fiction.

Mark Landis on a “philanthropic” visit in ART AND CRAFT

About the acquisition, O-scope’s Dan Berger and David Laub said, “We’ve been discussing Art and Craft for some time and as excited as we were to see it, nothing could have prepared us for how blown away we’d be. Sam and Jennifer, along with co-director Mark Becker, capture these amazing characters with the perfect mixture of humor and heart, resulting in one of the most entertaining and moving documentaries we’ve seen in years. We’re honored that they have chosen to work with us on it.”

Jennifer Grausman

Filmmakers Sam Cullman and Jennifer Grausman said, “We couldn’t have dreamed of a better home for this film. O-Scope embodies the perfect mix of mensch and mischievous; like our main subject — they are art and craft.”

Sam Cullman

Cullman previously co-directed the Academy Award® nominated documentary If A Tree Falls: A Story of the Earth Liberation Front, which was also released by O-Scope. Grausman is the director of the acclaimed documentary Pressure Cooker, which won awards at several film festivals and was nominated for a Primetime Emmy Award. Rounding out the filmmaking team is co-director Mark Becker, the director of Romantico (nominated for two independent Spirit Awards), Executive Producers Lisa Kleiner Chanoff and Bonni Cohen of Catapult Film Fund and Christopher Clements, Julie Goldman and Carolyn Hepburn of Motto Pictures. Marc H. 

 

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Mad Dog:  Inside the Secret World of Muammar Gaddafi

Mad Dog:  Inside the Secret World of Muammar Gaddafi premieres April 11th on Showtime.  The film pulls back the curtain on the eccentricities and horrors of Muammar Gaddafi which will undoubtedly be back in the news as the trials of his sons and his intelligence chief begins.    Among Gaddafi’s top henchmen being tried in Tripoli are his two sons – Saif and Saadi – who are seen in MAD DOG.  According to Middle East Online,  the trials begin on April 14.

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