Films

  • Colombian Drama “LA PLAYA DC” Open in New York Theater on Friday July 19

    LA Playa DC

    The Colombian film “LA PLAYA DC“, an official selection at 2012 Cannes Film Festival, will open in NY on Friday July 19 for a one week run at reRun Theater in Brooklyn, NY. Directed by Juan Andres Arango, the film tells the story of Tomas (Luis Carlos GUEVARA), an Afro-Colombian teenager who fled the country’s Pacific coast pushed out by the war, faces difficulties of growing up in a city of exclusion and racism. When Jairo (Andrés MURILLO), his younger brother and closer friend disappear, Tomas is forced to leave his home to look for him.

    LA Playa DC

    With the help from his older brother Chaco (James SOLIS), Tomas plunges in the streets of the city. His search becomes an initiatory journey that compels him to face his past and to leave aside the influence of his brothers in order to find his own identity. Through this journey, Tomas reveals a unique perspective of a vibrant and unstable city that, like Tomas, stands on the threshold between what once was and what might be.

    http://youtu.be/nJWLSGikowU

    Read more


  • The Good, The Bad, and the Horrific: Indie Horror Movies at Film Festivals

    The Blair Witch ProjectThe Blair Witch Project

    We can probably all recall the first time we ever watched a horror film that truly scared us. There’s something so oddly enjoyable about watching scary movies, and though films in the horror genre are not often critical favorites they have started to turn up more often in a surprising place: film festivals.

    Truly, this really isn’t surprising from a business standpoint. First, horror is a genre that has one of the most dedicated fanbases. There aren’t many websites out there solely devoted to Westerns or comedies, but there are hundreds of websites strictly devoted to all things horror.

    Horror films are also popular with first time directors because they tend to be cheaper to make than nearly any other genre. Because of dark lightning, limited casts, and other factors, horror films can be made cheaply – and even more cheaply if made using affordable digital cameras to produce the “found footage” effect. While indie dramas might boost one or two perhaps expensive familiar faces to draw audiences, horror filmmakers know that the scares are the true “stars” of the film and have no issue with hiring amateur or rookie actors for little or no money.

    Many don’t immediately associate horror films with independent film festivals, but all one has to do to gauge the significant role that horror plays in film festivals is to look at the most well-known U.S. film festival, Sundance. Three of the most successful movies in the U.S. box office to make their U.S. premieres at Sundance were not indie dramas but 28 Days Later, Saw, and The Blair Witch Project. In fact, despite other Sundance films garnering immense critical praise and countless prestigious awards, it’s hard to argue against the nearly $900 million Saw and its six sequels collectively made at the worldwide box office.

    As a result, film festivals have recently increased their horror film programming, with an increasing amount hosting midnight screenings for devoted horror film fans. These are certainly a good idea from a festival promotional standpoint, as it draws fans of horror films to festivals who might not normally attend a film festival with more traditional indie dramas and experimental films.

    However, one problem with this is the issue of quality. Again, horror films can be made on extremely low budgets (very often less than $100,000), and the popular found footage style keeps costs down even more. While some talented filmmakers can produce brilliant low budget horror films, it’s not something that anyone with a camera can do. In particular, the once-groundbreaking found footage style that The Blair Witch Project helped pioneer in 1999 has been… well, overdone over the last decade and a half. I’ve seen enough bad found footage horror movies at recent film festivals and on DVD to know that few filmmakers are doing anything new with the style. I’m not alone in this assessment – many such films have scored extremely low with even critics who write for websites devoted to horror films, and several haven’t even gotten any sort of release meaning that they haven’t even made back the low budget invested in them.

    Obviously I’m a huge supporter of indie filmmaking, but I feel that the increased acceptance of horror films shouldn’t be taken as encouragement for indie filmmakers to ALWAYS go the cheap route when making their first horror feature knowing that their film could be accepted regardless of budget.

    Of course filmmaking is expensive – that goes without saying – but just because the “found footage” style means one can shoot a film at low cost doesn’t mean that it’s right for every indie horror film. Filmmakers should take a cue from The Blair Witch directors, who attempted to do something that seemed totally original back in the late 1990s and try to break new ground in horror filmmaking. There’s a reason horror remains so popular with audiences, but it is truly groundbreaking horror films like Psycho, The Exorcist, Halloween, Night of the Living Dead and those mentioned about that remain enduring classics.

    After all, I still love seeing good movies that scares me.

    Read more


  • Documentary THE WAITING ROOM An Inside Look Behind the Doors of an Oakland Public Hospital, to Premiere on PBS

    the-waiting-room

    The documentary THE WAITING ROOM, directed by Emmy Award-winning documentary filmmaker Peter Nicks, that goes behind the doors of Oakland’s Highland Hospital, a safety-net hospital fighting for survival while weathering the storm of a persistent economic downturn, premieres on Independent Lens on Monday, October 21, 2013 as part of the first PBS Independent Film Showcase. 

    Highland is the primary care facility for 250,000 patients of nearly every nationality, race, and religion, with 250 patients — most of them uninsured — crowding its emergency room every day.The film weaves together several stories from the hundreds being played out in the waiting room: a frightened child with a dangerous case of strep throat, a young man with a testicular tumor in desperate need of surgery, as well as those suffering from chronic conditions such as alcohol and drug abuse, heart disease, and diabetes. Young victims of gun violence take their turn alongside artists and uninsured small business owners. Steel workers, cab drivers and international asylum seekers crowd the halls.

    We also meet the overwhelmed hospital staff who cope with under-staffing, insufficient beds, and a never-ending stream of ER patients who jump to the head of the line of those sitting in the waiting room. As one doctor says, Highland is “the institution of last resort for so many people.”

     http://youtu.be/15Fn32l_At8

    Read more


  • Calvin & Hobbes Documentary “DEAR MR. WATTERSON” Gets A November 15 Release Date

    Dear Mr. Watterson

    The documentary “DEAR MR. WATTERSON,” directed by Joel Allen Schroeder, which explores the phenomenon of Bill Watterson’s popular 1980s and 1990s comic strip Calvin & Hobbes, will be released in theaters and VOD on November 15, 2013 by Gravitas Ventures.

    As described by the filmmakers:

    Calvin & Hobbes dominated the Sunday comics in thousands of newspapers for over 10 years, having a profound effect on millions of readers across the globe. When the strip’s creator, Bill Watterson, retired the strip on New Year’s Eve in 1995, devoted readers everywhere felt the void left by the departure of Calvin, Hobbes, and Watterson’s other cast of characters, and many fans would never find a satisfactory replacement.

    It has now been more than a decade since the end of the Calvin & Hobbes era. Bill Watterson has kept an extremely low profile during this time, living a very private life outside of Cleveland, Ohio. Despite his quiet lifestyle, Mr. Watterson is remembered and appreciated daily by fans who still enjoy his amazing collection of work.

    Mr. Watterson has inspired and influenced millions of people through Calvin & Hobbes. Newspaper readership and book sales can be tracked and recorded, but the human impact he has had and the value of his art are perhaps impossible to measure.

    This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his ‘simple’ comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.

    http://youtu.be/sRnnGfuS4vU

    Read more


  • Documentary ZIPPER Gets A Release Date

    zipper

    ZIPPER a documentary about “greed, politics, land use and public policy’ and the battle over the Coney Island amusement district in New York City will be in theaters this Summer. The film will open at the IFC Center in New York City on August 9th, 2013.

    Directed by Amy Nicholson, ZIPPER is described as a story about greed, politics and the land grab of the century, – chronicling the battle over an American cultural icon. On a small rented lot in the heart of Coney Island’s gritty amusement district, Eddie Miranda proudly operates a 38-year-old carnival contraption called the Zipper. When an opportunistic real estate mogul sets his sights on the property, Eddie and his ride – along with many of Coney Island’s eclectic small businesses – are forced to leave. 

    Behind the scenes, a high-stakes power struggle brews between the developer and the City of New York. Both see the redevelopment of Coney Island’s waterfront real estate as a lucrative opportunity. They lock horns when the City denounces the developer’s glitzy vision of condos and shopping, and ironically, hatches its own grand scheme to transform the area with the promise of housing and retail. The resulting standoff is a scary ride that leaves the future of the world-famous amusement park up in the air.
     
    Can a reinvented Coney Island remain the “People’s Playground?” Will the zeal to capitalize on Coney Island as a brand ultimately sanitize its unfettered spirit? Be it an affront to history or simply the path of progress, ZIPPER examines the high cost of economic development. In an increasingly corporate landscape where authenticity is often sacrificed in the interest of economic growth, the Zipper may be just the beginning of what is lost.
     
    http://youtu.be/nwqg_QAQUJs
     
    image via facebook

    Read more


  • THE ROMEOWS (Retired Old Men Eating Out Wednesdays) Documentary Gets A Release Date

    romeows movie still

     THE ROMEOWS (Retired Old Men Eating Out Wednesdays), a feature documentary directed by Kevin Raman and Robert Sarnoff about a “Band of Brooklyn Buddies” who break bread, and each other’s chops, every Wednesday evening, will open in theaters on July 19, 2013. 

    What is the THE ROMEOWS?

    Older people are using little blue pills, hooking up on Match.com, running marathons, flying planes and safely ditching them in the Hudson. Pull up a chair at this movable feast, break bread with this Brooklyn Band of Buddies who know each other for more than half a century as they break each other’s chops. Their generational perspective connects with “No Country for Old Men” and “Gran Torino” while repelling notions of “Grumpy Old Men” and “Bucket List”.

    “When We Get Together We Get Younger” is the theme song playing in the background, highlighting the fun, affection and intensity of this weathered, vibrant group continuing to continue their affirmation of life on Wednesday evenings.

    No avatars, cyborgs, no Facebook, nothing virtual about this half century friendship. It’s the real deal.

    http://youtu.be/7NF0eaqVHOI

    Read more


  • Documentary LEWD & LASCIVIOUS World Premiere to Sold Out Audience at 2013 Frameline

    Lewd & Lascivious

    The documentary LEWD & LASCIVIOUS had its sold out World Premiere at the 2013 FRAMELINE LGBT Film Festival in San Francisco. LEWD & LASCIVIOUS directed by Dr. Jallen Rix documents police harassment and public abuse on New Year’s Day 1965 of a gay and lesbian Mardi Gras Costume Ball attendees and how it changed the Gay civil rights landscape in San Francisco.

    According to the filmmakers, long before the rainbow flag, gay pride parades and even before “Stonewall” there was an incident in 1965 San Francisco that very few people know about. This critical event spotlighted in the film was actually what helped turned the tide on police brutality and gay bashing in the City By The Bay.

    The filmmakers are seeking major distribution of the documentary so they can bring this timely piece about the LGBT struggle for equality, to the broadest audience possible. “Hopefully soon, we will be picked up by one of the giants like HBO, LOGOS, or BRAVO,” added Director Dr. Rix.

    But first, the filmmakers are running a Kickstarter campaign to complete the production of the film. “Our friends and families have supported us in substantial ways up to this point,” said Director Rix. “We are confident with the exposure of Kickstarter and the ability it gives us to reach multitudes of people who understand how important our history is and what part this story played in the freedoms we enjoy today, we will raise the remainder of the funds we need by our deadline on July 23rd.”

    Lewd & Lascivious plan is to be in as many festivals as possible and to share the story with as many people as possible.

    http://youtu.be/ISmuXFsKSEM

    via press release

    Read more


  • TRAILER: Bobcat Goldthwait’s BigFoot Horror Film “WILLOW CREEK” Releases Trailer

    WILLOW CREEK

    A trailer has been released for horror film WILLOW CREEK which premiered earlier this year at Boston Independent Film Festival.  Bobcat Goldthwait, known for his “gruff but high-pitched voice” who has also directed WORLD’S GREATEST DAD, 2009; GOD BLESS AMERICA, 2012, wrote and directed the BIg Foot “found-footage” horror film.

    willow-creek-poster

    Jim and his girlfriend Kelly are in Willow Creek, California, to retrace the steps of Bigfoot researchers Patterson and Gimlin, who, in 1967, recorded the most famous film of the legendary monster. Kelly is a skeptic, along for the ride to spend time with her boyfriend between acting gigs. Jim, a believer, hopes to capture footage of his own, so his camera is constantly rolling.

    The small town is a mecca to the Bigfoot community; sasquatch statues guard the local businesses, murals of the missing link line the roads, and Bigfoot burgers are the town delicacy. The couple interview locals who range from skeptic to believer and from manic to completely menacing. Some of the stories they hear are of chance encounters with a gentle creature, while others are tales of mysterious eviscerations.

    On the day that Jim and Kelly plan on hiking into the woods to look for proof, they are given a simple warning: “It’s not a joke. You shouldn’t go there.” Despite the ominous message and Kelly’s own reservations, they head deep into the forest to set up camp. The events that follow will make them wish they had simply spent the night at the Bigfoot Motel. [IFFB]

    http://youtu.be/eHcqBIPecRE

    Read more


  • Kathleen Hanna Documentary “THE PUNK SINGER” to Get a Fall 2013 Release

    Kathleen Hanna The Punk Singer

    The punk roc documentary THE PUNK SINGER directed by Sini Anderson will be released in the Fall 2013 by Sundance Selects. The Punk Singer: The Documentary about Kathleen Hanna focuses on Kathleen Hanna credited as a founder of the third wave of feminism and Riot Grrrl movement.

    Kathleen Hanna, lead singer of the punk band Bikini Kill and dance-punk trio Le Tigre, rose to national attention as the reluctant but never shy voice of the riot grrrl movement. She became one of the most famously outspoken feminist icons, a cultural lightning rod. Her critics wished she would just shut-up, and her fans hoped she never would. So in 2005, when Hanna stopped shouting, many wondered why. Through 20 years of archival footage and intimate interviews with Hanna, “THE PUNK SINGER” takes viewers on a fascinating tour of contemporary music and offers a never-before-seen view into the life of this fearless leader. SXSW

    http://youtu.be/xuhtI_Kgn3E

    Read more


  • Dance Documentary “DANCING IN JAFFA” to be Released in the U.S.

    Dancing In Jaffa Documentary

    Sundance Selects will release in the U.S., Hilla Medalia’s dance documentary “DANCING IN JAFFA,” which premiered earlier this year at the 2013 Tribeca Film Festival. Sundance Selects did not announce a release date, but a Fall 2013 date is expected.

    DANCING IN JAFFA follows ballroom dancer Pierre Dulaine as he returns to his hometown Jaffa, Israel expecting his old home but greeted by new racial animosity. A firm believer that dance can build self-esteem and social awareness, Dulaine brings his popular Dancing Classrooms program to 5 ethnically diverse Jaffa schools. Dulaine sends the best children to a dance competition, boldly pairing Palestinian and Jewish children and challenging the children’s and their family’s beliefs.

    Executive producers of DANCING IN JAFFA include Morgan Spurlock & Jeremy Chilnick, La Toya Jackson & Jeffré Phillips and Nigel Lythgoe. 

    http://youtu.be/DDBkUTHykoQ

    Read more


  • Documentary “MISS YOU CAN DO IT” To Premiere on HBO on June 24th

    MISS YOU CAN DO IT Documentary

    MISS YOU CAN DO IT directed by award-winning documentary director Ron Davis will premeire on HBO on June 24th. MISS YOU CAN DO IT chronicles Abbey Curran, Miss Iowa USA 2008 and the first woman with a disability to compete at the Miss USA Pageant, and eight girls with various physical and intellectual disabilities as the girls participate in Abbey’s Miss You Can Do It Pageant. Abbey founded the annual Miss You Can Do It Pageant in 2004 and girls and their families travel from all around the country to participate in this one night where their inner beauty and abilities reign.

    Diagnosed with cerebral palsy at age two, Abbey Curran never accepted her physical limitations. She admits her disability comes with lifelong challenges, but none that hold her back, playing sports (she “just falls more”) and driving a car with a special steering wheel and brake. Curran’s resilience and determination to pursue her dreams led her to become the first woman with disabilities to compete in the Miss USA Pageant in 2008.

    Miss You Can Do It highlights the extraordinary work Curran is doing with the pageant she founded. Curran and a team of enthusiastic volunteers give participants a chance to be celebrated for all they are inside, not just defined by what the world sees on the outside. For one special weekend the young girls, along with family and friends, some who have traveled far distances, spend time in an oasis of fun, femininity and celebration.

    No one leaves the pageant empty-handed, with each girl receiving a special award. The real winners of the pageant might be the families and friends, who proudly cheer them on from the audience.

    Among the girls and families profiled are:

    – Five-year-old Tierney, who gleefully zips around in a powered wheelchair in excited anticipation of the pageant, while her mom explains that she’s never walked and will progressively lose movement throughout her body. Tierney has spinal muscular atrophy type II, a slow deterioration of all muscles.

    – Natasha, 14, who was born with cerebral palsy and suffers from seizures, and Kenna, her younger sister, who has intellectual disabilities. Despite these challenges, “they are a happy-go-lucky family,” according to their proud parents.

    – Precocious six-year-old Ali, who has four best friends, one mischievous and imaginary, and three in their 60s: Judy, Judy and Rock, who enjoy watching Ali’s physical therapy sessions on a horse, which helps with her balance. Ali was born with spina bifida, a hole in the spine that caused paralysis of her lower body.

    – Teyanna, a smart and creative preteen, whose mother says that after she was born, a nurse suggested they put her in an institution, but they refused and raised her at home. Teyanna has speech difficulty due to cerebral palsy.

    – Seven-year-old Daleney, whose parents say her biggest frustration is her lack of independence. Still, she never shows it, even if she takes 15 minutes to tie her shoelaces. Daleney is a quadriplegic with a spastic form of cerebral palsy, causing her to have too much muscle tone and making her limbs cross her midline when she walks.

    – Tiny Meg, who is shy, except when she’s with her brothers. Wanting Meg to have a sister to connect with, her parents adopted Alina, a girl from Ukraine. Both Meg and Alina have Down syndrome.

    http://youtu.be/LeKQRcyNuO8

    via HBO Docs

    Read more


  • USTA calls fault against VENUS AND SERENA Documentary

    Venus and Serena Documentary

    The filmmakers of a documentary about Venus and Serena Williams face a lawsuit filed by the U.S. Tennis Association. In the lawsuit filed Friday, the USTA claims copyright infringement after the filmmakers of VENUS AND SERENA allegedly used unlicensed video footage from the U.S. Open without permission.

    The lawsuit states that because the filmmakers never signed the standard agreement or made any payment, the USTA was led to believe the “project had been abandoned..”

    According to The New York Times, the unlicensed video footage included an outburst by Serena Williams in the 2009 Open when she yelled obscenities and used threatening language against a line judge.

    The documentary was originally released on iTunes in April and in theaters in May. The film is also scheduled to begin airing on Showtime on July 1.

    Filmmakers Maiken Baird and Michelle Major have dismissed the accusations, calling the lawsuit a shameful effort to interfere. “In trying to censor this film about the Williams sisters,” they told The New York Times, “the U.S.T.A. is simply making up an agreement that never existed — we shot footage at the U.S. Open with the U.S.T.A.’s permission and of course never agreed to pay them for our own work.”

    http://youtu.be/YvMWjtQN5HU

    Read more