
The Shipment, a $1 million dollar father/daughter science fiction short, written, executive produced and directed by VFX artist and 3D animator Bobby Bala will premiere at the 2019 Tribeca Film Festival

The Shipment, a $1 million dollar father/daughter science fiction short, written, executive produced and directed by VFX artist and 3D animator Bobby Bala will premiere at the 2019 Tribeca Film Festival

Tribeca Immersive, at the 2019 Tribeca Film Festival, where top VR creators choose to debut their latest work, will showcase more than 30 cinematic and cutting-edge virtual reality, augmented reality and mixed reality experiences by top artists who push the boundaries of storytelling with technology. Tribeca Immersive encompasses two events that run the duration of the Festival, Virtual Arcade, presented by AT&T, and Tribeca Cinema360. The Tribeca Film Festival takes place from April 24 to May 5.
Esperpento[/caption]
The New Frontier lineup of the 2019 Sundance Film Festival will spotlight a curated collection of cutting-edge independent and experimental media works by creators who are pushing artistic innovation across new mediums that include VR, AR, mixed reality (MR) and AI.
This year, New Frontier programming encompasses two venues: New Frontier at The Ray and New Frontier Central, each of which will play host to a wide variety of media installations, a VR Cinema and panel discussions. New Frontier Central, a new venue located near The Ray, at 950 Iron Horse Drive, will additionally feature lounge space for Festival goers to meet and relax before and after experiencing the New Frontier program.
Robert Redford, President and Founder of Sundance Institute, said, “For over a decade, New Frontier has pushed the boundaries of the possible, illuminating the potential of technology and storytelling. These independent cross-media artists create new realities for, and with, their work — and the results inspire.”
Of the projects announced today, 48% are directed or led by one or more women, 39% were directed or led by one or more artist of color, and 9% by one or more people who identify as LGBTQIA. 6 were supported by Sundance Institute in development, whether through direct granting or residency Labs. The 33 projects announced today include work from 10 countries.
New Frontier alumni include Doug Aitken, Joseph Gordon-Levitt, Chris Milk, Nonny de la Peña, Pipilotti Rist and Jennifer Steinkamp.
Age of Sail, John Kahrs[/caption]
The LA Film Festival announced the lineup of The Portal, the Festival’s inaugural VR and Immersive Story Telling showcase to be held at Loyola Marymount University’s new Playa Vista Campus. The Portal is a two-year partnership with Loyola Marymount University’s School Film and Television.
“It’s exciting, and a testament to the storytelling, that virtual reality is now attracting talent like Rosario Dawson, Brie Larson, Diego Luna, Ian McShane, Alicia Vikander and Oprah Winfrey,” said Jacqueline Lyanga, Guest Director VR & Immersive Storytelling. “Immersive storytelling is venturing into exciting new territory with adventurous mixed reality, social interactivity, guided motion and haptics, all of which LA audiences will be able to experience for free at The Portal this fall as part of LA Film Festival.”
“It’s fitting that, as we open the doors to our new Playa Vista campus, we also welcome Film Independent’s first-ever VR and Immersive storytelling showcase,” said Peggy Rajski, new Dean of LMU’s School of Film and Television. “Jacqueline’s thoughtful program provides audiences with ample opportunities to immerse themselves into the experiences and stories of others, including many whose voices are typically unheard. At LMU SFTV we deeply value storytelling that shines a light into the places we rarely traverse, but which enrich us when given the opportunity to do so.”
The Portal features some of the most exciting new animated, documentary and fictional narratives from virtual reality exhibitions at film festivals around the world, including Cannes, Rotterdam, Sundance, SXSW, Tribeca and Venice.
The Portal will be located at the new LMU Playa Vista Campus 12105 W. Waterfront Drive, in the heart of Silicon Beach and is free to the public.
Vestige[/caption]
The 2018 Sheffield Doc/Fest Alternate Realities Exhibition, supported by Arts Council England, features 27 interactive and immersive projects; including 1 game, 1 augmented reality, 3 interactive documentaries, 3 installations, 9 virtual reality installations and 10 mobile VR projects; plus special events, talks and industry sessions. 2018 audiences will be treated to 9 World, 5 International, 6 European and 6 UK premieres, as well as 1 festival premiere.
Spread over two floors at Trafalgar Warehouse, the exhibition comprises a lower ground space entitled The World Unknown to You which will feature virtual and augmented reality, video games and digital installations that take the audience into the lives of others. The floor above entitled Better Known Truths, supported by the DDD60 project, is a communal space in which synchronous virtual reality shows will bring audiences together to experience 360º documentaries from around the world. Doc/Fest 2018 also features four Alternate Realities Special Live events: The Dark Room, The Incredible Playable Show, Reeps One: We Speak Live Music and DOUBLETHINK.
All Alternate Realities projects, except Special Live events, are competing across three award categories: the Virtual Reality award, Alternate Realities Interactive award and Audience Award. All award winners will be announced at the Sheffield Doc/Fest Awards Ceremony on Tuesday 12 June.
In addition to the Alternative Realities exhibition, The Alternate Realities Summit (supported by Arts Council England) is taking place on Sunday 10 June. The morning session will explore the theme of Portrayals, whilst the afternoon will focus on the topic of Union. Three keynote speakers taking part in the summit are: William Uricchio who leads the MiT open Doc lab, Ruthie Doyle from the Sundance Institute and Zahra Rasool, the lead of Al Jazeera’s Contrast VR team (based in Doha/Washington/NYC). Artists featured in Better Known Truths in the Alternate Realities Exhibition will examine how we reflect the culture, identity and history of a diverse selection of contributors within 360º documentary; while those in The World Unknown to You will debate how different types of interactive and immersive artists use different interfaces/media to bring us together to celebrate our collective humanity. Compared by Sharna Jackson (Arts & Digital Consultant) and Emma Cooper (Creative Digital Consultant).
The festival opens on Thursday June 7, the Alternate Realities exhibition will be open to audiences for the duration of the festival.
Alternate Realities Special Live events will take place on the following dates: June 8th: Reeps One: We Speak Live Music, June 9th: The Dark Room, June 11th: The Incredible Playable Show and June 8th/9th/10th/11th/12th: DOUBLETHINK.
Yemen’s Skies of Terror[/caption]
Yemen’s Skies of Terror (World premiere; Yemen, 2018, 6 mins, creator. Viktorija Mickute, Joi Lee, Zahra Rasool, prod. Viktorija Mickute, Joi Lee, Zahra Rasool, Zahra Rasool, Mobile VR)
Witness a rare glimpse of life inside Yemen and learn about the reality of childhood in a country that has suffered three years of devastating air raids falling from the skies.
The Caretaker[/caption]
Filmmakers Jacob Wasserman, Adam Donald and Ant Gentile announced the formation of Hidden Content, a full-service virtual reality. Their first project was unveiled yesterday at the Tribeca Film Festival with the world premiere of their narrative 360 Cinema project The Caretaker, the first installment of an original horror anthology series.
Created by Wasserman and Donald as well as filmmaker Nicolas Pesce (The Eyes Of My Mother, Piercing), The Caretaker stars Adelaide Clemens, Tom Lipinski, Clara Wong and Diana Agostini, was produced by Max Born and Schuyler Weiss and executive produced by Gentile and Kimberly Parker. The pilot was a co-production with RealMotion Inc. and audio services were provided by Hobo Audio.
Hidden Content has also teamed with film producer and financier Max Born to produce and acquire a slate of VR films and series, as well as develop a VR/AR distribution platform.
Wasserman, Donald and Gentile have been working in the virtual reality and 360 cinema space for some time, having produced high profile VR commercials and branded content experiences, including Samsung’s “Anatomy of Ski” 4D VR Experience for the 2018 Winter Olympics, featuring Olympic gold medalist downhill skier Bode Miller and “360 Meals,” a journey inside celebrity chef Daniel Boulud’s Michelin-starred flagship restaurant, Daniel.
The trio’s first narrative effort, the interactive VR thriller Broken Night starring Emily Mortimer and Alessandro Nivola, premiered at Tribeca Film Festival 2017 and was also featured at Cannes NEXT 2017.
Hidden Content and Max Born are currently in development on three additional VR genre series, and are in talks with outside creators to acquire new content to build out their 2018 project slate.
“Fractured memories within the black abyss.” From Vestige. Photo credit: Aaron Bradbury.[/caption]
VESTIGE, an emotional, complex, virtual reality documentary, that is set to world premiere at the 2018 Tribeca Film Festival, has been acquired by UK-based VR distributor and sales agent Other Set. The deal marks the second VR acquisition for the company who picked up ZIKR: A SUFI REVIVAL in a historic deal earlier this year at the Sundance Film Festival. It is the third-ever sale of a virtual reality experience at a major film festival.
Other Set is Andy Whittaker’s latest venture and is a sales and distribution company, specializing in director-driven VR and immersive content from around the world. Other Set is focused on changing how users engage with crucial stories centered on social impact. Prior to Other Set, Andy founded Dogwoof the UK’s documentary powerhouse.
“VESTIGE allows the viewer to experience the healing that can be discovered on the other side of grief and loss. The experience showcases the unique power of the VR medium to connect audiences to Lisa’s very human story on a visceral, emotional level” said Andy Whittaker, founder Other Set.
Antoine Cayrol, producer of the experience and co-founder of AtlasV, said, “As a newly formed company, we’re working to re-focus VR storytelling towards a sustainable indie film production model. With the support of Other Set and our joint mission to share outstanding content we’re thrilled to be able to dive further into the future of distribution and bring the powerful story that is VESTIGE to a wider audience.”
VESTIGE is a 10 minute room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together. As we navigate the space to explore these moments, new memories are triggered revealing new pathways through the story. Over time the memories become entangled with a haunting vision and eventually lead us to the shocking moment of Erik’s death. Every viewing will reveal a different journey towards this moment, revealing the complex world of memory and grief.
Paul Mowbray, producer of the experience and director of NSC Creative, said, “Our studio has been creating immersive experiences across the globe for 18 years but this is our first room-scale VR piece. VESTIGE is really pushing the limits of what can be done with volumetric capture and multi-narrative storytelling right now. Aaron’s success as a leading VR Creator comes from a deep technical knowledge across multiple disciplines combined with a passion to connect with the audience in a profoundly emotional way.”
VESTIGE is directed by Aaron Bradbury and produced by Paul Mowbray, Antoine Cayrol and Jill Klekas Basmajian. The project was created in collaboration with NSC Creative, AtlasV, RYOT and funded through Kaleidoscope’s platform, and was supported by the French CNC. The film also features original music by Starkey.
The film is set for a Spring 2019 release and will be available for the Rift, Vive and Microsoft VR headsets through streaming platforms, Steam, Oculus, VivePort and Microsoft.
“Survivor testimonial projected on the burned out walls of the Hiroshima Dome.” From The Day the World Changed. Photo credit: Tomorrow Never Knows.[/caption]
The virtual reality experience, The Day the World Changed, co-created by award-winning filmmakers and virtual reality pioneers, Gabo Arora and Saschka Unseld, will premiere in the Virtual Arcade that runs April 20 to 29, at the 2018 Tribeca Film Festival. Produced by Jennifer Tiexiera, the social, interactive experience pairs ground-breaking technologies with rare survivor testimonies from Hiroshima to bring the terror of nuclear war to vivid life.
“Over the years, we have been desensitized to the consequences of nuclear war,” said Arora. “We are living in a time when our Commander-in-Chief and leaders of other nations are openly calling for more nuclear weapons, taunting each other over their capabilities. Our intention with this work is to give voice to those victims of nuclear war asking the world to face this shared history and to recognize the true horror of these weapons.”
Added Saschka Unseld, “We want this to be an unwavering, uncomfortable experience for people. We want to turn on its head our obsessions and fetishizing of nuclear superiority as a symbol of pride in one’s country, but also to recognize the power of the virtual reality medium. By placing the general public inside the ruins of a tragic event like Hiroshima, we hope to activate a groundswell of support for the abolition of nuclear weapons, and to help ICAN generate momentum in their mission towards elimination.”
The Day the World Changed began as an original commission by Nobel Media to showcase the work of the 2017 Nobel Peace Prize-winning organization ICAN, a campaign coalition that works to prohibit and eliminate nuclear weapons.
“We find ourselves at one of the most dangerous moments since the dawn of the Atomic Age. It’s at moments like this that we must collectively look back and understand that nuclear weapons are quite simply indiscriminate weapons of mass murder,” said ICAN executive director, Beatrice Fihn. “The Day the World Changed isn’t just a story about the past, it is also about our future—it reminds us that these weapons are still here, threatening us, but we can do something about it.”
With that goal in mind, the experience presents a powerful historical record reimagined through new technology via three interactive chapters.
The first explores what led the United States government to develop and drop the world’s first atom bomb on Hiroshima, Japan on August 6, 1945, a catastrophic event that ultimately killed more than 90,000 people. The second chapter examines the aftermath of the bombing as users walk through the ruins of Hiroshima’s only remaining building, and view authentic artifacts left over from that day.
The third chapter advances to the present day as viewers delve into the madness that ensued as the world raced to develop ever-more nuclear weapons.
The experience seeks to pay tribute to the victims of Hiroshima, while recognizing those currently affected by nuclear weapons testing in today’s fraught geo-political climate, proving that change is possible with the right tools and information.
“The Saul Zaentz Innovation Fund prides itself on elevating and empowering voices that have been ignored, voices that aren’t afraid to push the envelope and explore the complexities of what drives us as a society and as individual beings,” said executive producer and director of the Saul Zaentz Innovation Fund in Film and Media Studies at Johns Hopkins University Annette Porter. “We are honored to support and participate in this monumental project.”
Tomorrow Never Knows CEO and Executive Producer on the project, Nathan Brown, is quick to note the impact The Day the World Changed will have in bridging the gap between art, education and location-based distribution. “This project goes far beyond mere technology or storytelling,” he says. “It is important experiences like this that have the potential to open up new markets and audiences to the power of immersive storytelling around the world.”
The Day the World Changed was made in partnership with International Campaign to Abolish Nuclear Weapons (ICAN), Nobel Media, Sisu Films and Ntropic+Tactic and produced by Tomorrow Never Knows, Jennifer Tiexiera, Tom Lofthouse and Fifer Garbesi, and executive produced by Nathan Brown, Executive Director of ICAN and current Nobel Peace Prize Nobel Laureate, Beatrice Fihn, Mattias Fryenius, Karen Lorenzo, Annette Porter and features original sound design by AntFood.
Tomorrow Never Knows’ inaugural feature, the critically-acclaimed ZIKR: A Sufi Revival, premiered at the 2018 Sundance Film Festival, and was later acquired by UK-based distribution company, Dogwoof, becoming the first ever VR documentary to be acquired at a major film festival.
My Africa[/caption]
The Tribeca Immersive program at the upcoming 2018 Tribeca Film Festival showcases works by artists who are pushing boundaries, using technology to tell stories and create new experiences. The Virtual Arcade lineup includes 21 world premiere VR/AR exhibits as well as five Storyscapes experiences in competition. The program takes place at the Tribeca Festival Hub from April 20 to 28. A new addition to Tribeca Immersive is Tribeca Cinema360, a VR theater featuring four curated screening programs of 360° mobile content, running April 21-28. The 17th annual Tribeca Film Festival takes place April 18 to 29, 2018.
As one of the first festivals to champion VR as a dynamic form of storytelling, this year’s offerings include 33 virtual reality (VR) innovative exhibitions and experiences from top creators such as Jeremy Bailenson, Chris Milk, Eliza McNitt, Eugene YK Chung, Gabo Arora, and Saschka Unseld, and emerging artists Asad J. Malik, Gabriela Arp, and Lucas Rizzotto. Other acclaimed creators include: Angel Manuel Soto, Lindsay Branham, and Navid Khonsari. Established directors, actors, and musicians with projects this year include: directors Terrence Malick (Together), Laurie Anderson (Chalkroom); actors Rosario Dawson (BattleScar), Lupita Nyong’o (My Africa), Alicia Vikander (Arden’s Wake: Tide’s Fall); and GRAMMY® award winning band OK Go (Untitled OK Go & WITHIN Project).
Several Immersive projects featured in the program tackle timely cultural issues, including racism (1,000 Cut Journey), climate change (This is Climate Change), immigration and xenophobia (Terminal 3), nuclear war (The Day The World Changed) and HIV/AIDS (Queerskins: a love story). In addition, the lineup includes programming that allows visitors to become active participants in astonishing experiences, such as swimming with sharks (Into the Now), caring for a baby elephant (My Africa), being caught in the bombing raid of a town square (Hero), and participating in a groundbreaking collaboration of AR and Immersive Theater from creators Graham Sack, Sensorium Works and NY Theater Workshop (objects in mirror AR closer than they appear).
Tribeca Cinema360 spotlights four immersive screening programs: VR for Good Creators Lab, This is Climate Change, horror themed It’s Right Behind You, and the breathtaking experimental visions of Horizons.
objects in mirror AR closer than they appear[/caption]
objects in mirror AR closer than they appear (World Premiere) – USA
Project Creator: Graham Sack, Geoff Sobelle, John Fitzgerald, Matthew Niederhauser
Key Collaborators: Sarah Hughes, Steven Dufala, Steve Cuiffo, Jecca Barry, The Molecule, New York Theatre Workshop, SilVR
Based on the critically acclaimed theatrical performance The Object Lesson, objects in mirror AR closer than they appear fuses augmented reality technology with an immersive theater installation, inviting audiences to reflect on the relationship between new media and archaic objects; 21st-century technology and 19th-century magic; and memory and optical illusion. The piece creates a philosophical playground to explore the shifting relationship between images, memories, and things.
Cast: Geoff Sobelle
Queerskins: a love story (World Premiere) – USA
Project Creator: Illya Szilak, Cyril Tsiboulski
In Missouri in the early ’90s, a diary and a box of belongings offers a devoutly Catholic mother—and participants of this haptic virtual-reality experience—a chance to know Sebastian, the estranged son she has lost to AIDS. Sitting in the back seat of a car, behind Sebastian’s parents, you take an emotionally charged journey down a country road, a memory lane populated with scrapbook artifacts that present an archive of Sebastian’s life.
Cast: Hadley Boyd, Drew Moore, Michael DeBartolo
Terminal 3 (World Premiere) – USA, Pakistan
Project Creator: Asad J. Malik
Key Collaborators: Kaleidoscope VR, Anita Gou, RYOT, Philipp Schaeffer, Viva Wittman, Jack Daniel Gerrard, Musa Ghaznavi
Terminal 3 is an interactive, augmented-reality documentary that explores contemporary Muslim identities in the U.S. through the lens of an airport interrogation. As viewers put on the Hololens, they step into the uncanny to directly interrogate, and determine the fate of, the hologram passenger before them. These interrogations become strikingly personal encounters that only end when the participant decides if the hologram should be let into the country or not—but there is a twist.
Cast: Aisha Yousaf, Ahmad Cory Jubran, Fereydoun Vakhshoury, Ani Zonneveld, Helya Salarvand
The Caretaker[/caption]
The Caretaker (World Premiere) – USA
Project Creator: Jacob Wasserman, Nicolas Pesce, Adam Donald
Key Collaborators: Hidden Content, RealMotion VFX
After their car breaks down on the side of the road on a cold winter night, a couple checks into a strange hotel while they wait for a mechanic to arrive. When the woman’s boyfriend suddenly goes missing—the latest in a series of unsettling occurrences within the hotel—she begins to suspect that something more sinister is at work.
An Obituary (boogo) (US Premiere) – South Korea
Project Creator: Jean Yoon
Key Collaborators: Kuk- seok Yang, Jin-hee Kim
A young man travels alone deep into the countryside to pay his respects after hearing of a friend’s untimely death. Upon his arrival, he finds himself to be the sole mourner at the funeral. Alone in the country, save for the elderly mother of his deceased friend, he begins to wonder why they seem to be the only two people left in the village.
Cast: Tae-kyung Oh, Yong-nyeo Lee.
The Hong Kong International Film Festival (HKIFF) will introduce the future of cinema to audiences – the Hong Kong premiere of Tsai Ming-Liang’s The Deserted, HTC’s first virtual reality (VR) Chinese language film. World-renowned Taiwanese master TSAI Ming-Liang and Golden Horse Award Best Leading Actor LEE Kang-Sheng will lead the Hong Kong audience through an unparalleled eye-opening VR experience, and share their thoughts and visions of this cinematic innovation in a Master Class.
Winner of the Golden Lion Award at the Venice Film Festival with Vive L’amour (1994), TSAI Ming-Liang has established himself as one of contemporary cinema’s most accomplished auteurs. In addition to bringing films into the art world, he has been constantly exploring multi-media and new technology in filmmaking. The Deserted, his debut VR work, is an attempt to break the established dichotomy of traditional cinema, and create an interactive film experience that blurs the lines between reality and creative expression.
The work is an elliptical tale of love, death and memory, starring LEE Kang-Sheng as a man recuperating from an illness in the mountains. Unable to communicate with his late mother or the female ghost next door, his only companion is a lone fish who swims with him in the bathtub. The Deserted offers a dreamlike 3D experience which immerses viewers in the construction of the scenes, and the characters’ personal journeys.
The 55-min piece is a milestone in Chinese language cinema and selected for the first-ever Virtual Reality competition at the Venice Film Festival. It received overwhelming response at the Golden Horse Festival, selling out all 13 sessions within seconds. The Deserted is supported by HTC VIVE, ZOTAC and the Academy of Film of Hong Kong Baptist University.
Clockwise: Lu Over the Wall, White Fang, Wolves in the Walls, A Series of Unfortunate Events: Season 2[/caption]
This year’s 2018 New York International Children’s Film Festival opens on Friday, February 23rd, with the East Coast premiere of anime auteur Masaaki Yuasa’s Lu Over the Wall. Boasting a distinctive, off-kilter animation style, eye-popping color palette, and outrageous music, Yuasa’s latest gem is, at its core, a captivating coming of age story. The eponymous Lu is a manic mermaid with a show-stopping voice who helps Kai, a gifted teenager unfulfilled by small-town life, discover his own. Winner of the Grand Prize Cristal Award at Annecy 2017, Lu evokes charming hints of Miyazaki, but claims a frenetic energy and surreal, freewheeling structure all its own.
Rounding out Opening Weekend is the Saturday, February 24th, Opening Spotlight screening of Academy Award®-winning director and NYICFF alum Alexandre Espigares’ debut feature, White Fang. An ambitious animated retelling of the classic Jack London novel, White Fang employs the voice work of Rashida Jones, Nick Offerman, Eddie Spears, and Paul Giamatti to tell the epic journey of White Fang’s life from pup to sled-dog to abused prizefighter and beyond, set in the gorgeously rendered landscape of the Pacific Northwest frontier.
On Saturday, March 10, NYICFF presents a special sneak peek Centerpiece screening of The Austere Academy: Parts 1 & 2, the highly-anticipated first episodes of Netflix’s original program A Series of Unfortunate Events: Season 2. Directed by Barry Sonnenfeld and based on the Lemony Snicket series by Daniel Handler, this lauded adaptation is hailed as having “a respect for the ability of young minds to perceive offbeat, incongruous humor, the very quality that made the books so successful in the first place” (The New York Times). The new season returns with an all-star cast, including the brilliant Neil Patrick Harris as Count Olaf, and plenty of nefarious schemes to catch the Baudelaire orphans. Season 2 releases March 30 only on Netflix.
The 2018 Festival will also showcase the inaugural edition of VR JR., a full weekend of Virtual Reality experiences, a special VR creators’ talk, and demos uniquely curated to provide a thoughtful point of entry for children and families to explore this new medium. Taking place Saturday and Sunday, March 3 and 4, the pioneering program showcases the latest VR projects that place kids at the helm of their own immersive story world. Projects include the East Coast premiere of the Neil Gaiman picture book adaptation Wolves in the Walls, directed by Pete Billington, and Golden Globe-nominated director Jorge Gutiérrez’s Son of Jaguar, a new Google Spotlight Story placing viewers into the story of a family of Mexican wrestlers.
The 21st anniversary of the Oscar qualifying Festival will run from February 23rd to March 18th, 2018
The Sun Ladies VR[/caption]
The 2018 edition of New Frontier at the Sundance Film Festival will showcase a curated collection of cutting-edge independent experimental media works by creators who are pushing the artistic development of the new mediums of VR, AR, mixed reality (MR) and AI.
Robert Redford, President and Founder of Sundance Institute, said, “Technology-enabled storytelling continues to develop into a thriving industry. It’s essential to protect the creative spaces where creators can develop work and reach audiences independent of commercial pressures. The work that we showcase at New Frontier sets the agenda for the year in creative cross-media storytelling.”