Filmmaking

  • 7 Narrative Feature Film Projects Win Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation Filmmaking Grants

    San Francisco Film Society Seven filmmaking teams will receive a total of $270,000 to help with the next stage of their creative process, from screenwriting to postproduction in the latest round of Fall 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation (KRF) Filmmaking Grants. The SFFS / KRF program has funded more than 50 projects since its inception, including Jonas Carpignano’s Mediterranea, which premiered at the 2015 Cannes Film Festival and has created buzz all over the international festival circuit; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes and will be released in theaters this fall; Kat Candler’s Hellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). FALL 2015 SFFS / KRF FILMMAKING GRANT WINNERS The Fixer Ian Olds, writer/director; Paul Felten, co-writer; Caroline von Kuhn, producer – $75,000 for postproduction An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime, he gets drawn into the backwoods of this small town — a shadow Northern California where sex is casual, true friendship is hard to come by and an unfamiliar form of violence burbles up all around him. Freeland Mario Furloni and Kate McLean, cowriter/directors; Laura Heberton, producer — $25,000 for packaging In the last season of black market marijuana growing before legalization, a mother and daughter must reconcile their differences in order to survive in an increasingly inhospitable world. Little Woods Nia DaCosta, writer/director/producer; Rachael Fung, producer — $25,000 for packaging Ollie sneaks into Canada to get medication for her terminally ill mother and other residents in her overwhelmed oil boomtown. She is caught and forced to stop her illegal business, even though it means leaving the people she aids with no better options. When her estranged sister Deb asks for her help, Ollie has to decide whether or not it’s worth it to help her when it will put both of their lives at risk. The Lusty (working title) Silas Howard, writer/director; Antonia Crane, cowriter; L.A. Teodosio, producer — $35,000 for screenwriting In San Francisco in the late 1990s, an army of strippers at the Lusty Lady confront dangerous labor practices and go on to create the first exotic dancers’ union in the world. Based on a true story. Ma/ddy Devon Kirkpatrick, writer/director — $35,000 for screenwriting In this dark comedy, life after death takes on a whole new meaning for a genderqueer widow following the loss of their wife. Over The Eaves Brent Green, writer/director; Thyra Heder, cowriter; Carly Hugo, Matt Parker and Alexandra Pitz, producers — $50,000 for preproduction A young boy living on a farm begins inventing strange, hand-made machines to ease the family’s hard labor, but his ambitions quickly grow. When his most daring invention backfires and changes life on Earth forever, the townspeople struggle to understand whether he has done them harm or shown them what they have been missing. Reza and the Refugees Aaron Douglass Johnston, writer/director/producer; Laura Wagner, producer — $25,000 for packaging A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death.

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  • 33 Independent Documentary Films Selected for 2015 Sundance Institute Documentary Film Program Support

    The Acali Experiment (Sweden), Marcus Lindeen Thirty-three independent documentary films have been selected for 2015 Sundance Institute Documentary Film Program support. The Sundance Documentary Fund moved to a limited rolling open call in 2015, encouraging filmmakers to submit applications only when they feel their film is ready to share. Rahdi Taylor, Film Fund Director, said, “This past year was one of experimentation and change. We eliminated deadlines, embraced risk taking in form, filmmaker and subject matter, but we stayed true to our core purpose of discovering contemporary stories of meaning and moral purpose. Overall the selections are characterized by risk, inclusion and innovation as well as addressing the most vital conversations of our time.” DEVELOPMENT The Acali Experiment (Sweden) (pictured above) Director: Marcus Lindeen Producer: Erik Gandini In 1973 five men and six women went on a dramatic raft expedition across the Atlantic Ocean for 101 days to study human aggression and sexuality. This documentary reunites them forty years later to reveal what actually happened during one of history’s strangest group experiments. Afterglow (Hungary) Director: Noémi Veronika Szakonyi Producer: Julianna Ugrin The filmmaker found her missing brother, who was kidnapped at age six by his father, a man with extraordinary connections in communist Hungary. Casting JonBenet (Australia/U.S.) Director: Kitty Green Producer: Scott Macaulay and Kitty Green An artful exploration of the legacy of the world’s most sensational child-murder case, the unsolved death of six-year-old American beauty queen JonBenet Ramsey. Shirkers (U.S.-Singapore) Writer-Director-Producer: Sandi Tan In 1992, an enigmatic American named Georges shot Singapore’s first indie film with a group of female teenage film-buffs, then absconded with all the footage. Nearly twenty years later, his widow uncovers the 16mm cans in New Orleans—and ships them to the film’s screenwriter-actress, who embarks on a new voyage to Singapore, Cambridge, New Orleans, and into the past. Three Identical Strangers (U.K.) Director: Tim Wardle Producer: Grace Hughes-Hallett There’s no-one else on Earth quite like you. Or is there…? Untitled Kronos Project (U.S.) Director: Sam Green Untitled Kronos Project is an experimental, live documentary that will tell the story of legendary classical group the Kronos Quartet and its 40 year career. Untitled Prison Project (U.S.) Director: Roger Ross Williams Producer: Femke Wolting, Bruno Felix, Roger Ross Williams Filmmaker Roger Ross Williams sets out on a deeply personal journey to understand why so many friends from his childhood town of Easton, Pennsylvania are in prison. Yoghurt Utopia (U.K./Spain) Directors: Anna Thomson, David Baksh Producer: Adrian Pennink Christopher Columbus gives 200 mental patients an opportunity to live, work and lead productive lives producing La Fageda, a top yogurt brand from Catalonia, Spain. Can this Yoghurt Utopia survive the mounting internal and external pressures? Young Men and Fire (US) Director: Kahlil Hudson and Alex Jablonski Producer: Kyle Dickman Young Men and Fire tells the story of working class men in a single wildland firefighting crew as they struggle with fear, loyalty, love, and defeat all over the course of a single fire season. When God Sleeps Director: Till Schauder (U.S/ Germany) Producer: Sara Nodjoumi & Till Schauder (U.S./Germany) When God Sleeps depicts the journey of an Iranian musician who is forced into hiding after hardline clerics offer a $100,000 reward for his murder Whose Streets? (U.S.) Director: Sabaah Jordan and Damon Davis Producer: Flannery Miller The murder of a teenage boy became the last straw for a community under siege. Whose Streets? follows the journey of everyday people turned freedom fighters, whose lives intertwine with a burgeoning national movement for black liberation. PRODUCTION All These Sleepless Nights (Poland/UK) Director: Michal Marczak Producer: Marta Golba, Michal Marczak, Julia Nottingham, Thomas Benski and Lucas Ochoa A new era is coming, and Warsaw stands uncomfortably at its edge. Christopher and Michal, on the precipice of their own coming of age, restlessly roam their city’s streets in search of living forever inside the beautiful moment. Never content with answers, they push each experience to its breaking point, testing what it might mean to be truly awake in a world that seems satisfied to be asleep. Audrie & Daisy (U.S.) Director: Bonni Cohen, Jon Shenk Producers: Richard Berge and Sara Dosa Two teenage girls are sexually assaulted while unconscious by boys who they thought were their friends. Each girl is harassed relentlessly online, both attempt suicide, and tragically, one girl dies. High school assault in the age of social media is explored from the perspective of the girls –and the boys –involved in the assaults. Cecilia (India) Director/Producer: Pankaj Johar When Cecilia Hasda’s 14 year old daughter is trafficked and found dead in Delhi, the filmmaker and his wife decide to help her seek justice. As they battle a web of corruption at all levels, they find themselves navigating a complex network of cops, traffickers, judges, lawyers, villagers and family members. Eagle Huntress (UK/Mongolia) Director: Otto Bell Producer: Stacey Reiss and Sharon Chang This spellbinding documentary follows Aisholpan, a 13-year-old nomadic Mongolian girl as she battles a culture of misogyny to become the first female Eagle Hunter in 2,000 years of male-dominated history. Forgiveness (U.K.) Director: Elizabeth Stopford Producer: Nicole Stott A modern American ghost story and a house that vanished. In the wake of two seemingly inexplicable shooting sprees, can a community forgive the teenage boy at the heart of its tragic past? . Greywater (U.S.) Director: Jeff Unay Greywater is the story of Joe, a blue-collar family man who breaks the promise he made years ago to never fight again. Now forty years old, with a wife and four children who depend on him, he risks everything—his marriage, his family, his financial security— to go back into the fighting cage for one last time and come to terms with his past. The Keepers (U.S.) Director: Ryan White Producer: Jessica Lawson A documentary thriller unraveling a longstanding mystery in Baltimore. Untitled Newtown Documentary (U.S.) Director: Kim A. Snyder Producer: Maria Cuomo Cole, Kim A. Snyder We witness residents of Newtown, CT navigate the aftermath of the deadliest mass shooting of schoolchildren in American history. Untitled Reef Project (U.S.) Director: Jeff Orlowski Producer: Larissa Rhodes Richard Vevers quit his job at a top London ad agency and sets out to become an underwater photographer. Face-to-face with stunning evidence of the human caused destruction of vibrant underwater ecosystems, Richard races the clock to save the oceans. POST-PRODUCTION Almost Sunrise (U.S.) Director: Michael Collins Producer: Marty Syjuco Two friends, ex-soldiers, embark on an epic journey to heal from their time in combat. Filled with hope for veterans who’ve left the battlefield behind and are now seeking peace on the home front, Almost Sunrise follows Tom and Anthony as they walk 2,700 miles across America. The Event (Ukraine/Russia) Director: Sergei Loznitsa Producers: Sergei Loznitsa & Maria Choustova Three days that shook the world or much ado about nothing? Holy Cow (Azerbaijan/Germany/Romania) Director: Imam Hasanov Producer: Andra Popescu, Veronika Janatkova, Stefan Kloos One man’s dream of bringing a European cow in his remote village in Azerbaijan unsettles the conservative community that wants to keep their secular traditions intact. Maman Colonelle (France/DR Congo) Director: Dieudo Hamadi Producer: Christian Lelong Colonel Honorine works for the Congolese police force and heads the unit for the protection of minors and the fight against sexual violence. Having worked for 15 years in Bukavu, in the east of the Democratic Republic of the Congo, she learned she was being transferred to Kisangani. There, she found herself faced with new challenges. Markie in Milwaukee (U.S.) Director: Matt Kliegman Producer: Matt Kliegman and Zac Stuart-Pontier Markie dreams of completing her gender transition, but can she overcome the ghosts of her past as a Fundamentalist Baptist preacher? The Pearl Button (El Boton de Nacar) Director: Patricio Guzmán Producer: Renate Sachse The Pearl Button is a story about water, Cosmos and us. It all starts with the discovery of two mysterious buttons deep in the Pacific Ocean, off the Chilean coast. Proposition for a Revolution (India) Directors: Khushboo Ranka, Vinay Shukla Producer: Anand Gandhi Co-Producer: Ruchi Bhimani Exec. Producer: Joris van Wijk What happens when an insider challenges corruption in the world’s largest democracy? Proposition for a Revolution tells the extraordinary story of the 2013 New Delhi elections, which catapulted bureaucrat-turned-activist-turned-politician Arvind Kejriwal into power within a year of forming a new anti-corruption political party. A ground-level verite portrait depicting the transformation of a people’s movement into a political party, the film follows Arvind Kejriwal with unprecedented access as he takes on the oldest political party in India–The Congress Party. The Reagan Years (U.S.) Director: Pacho Velez Producer: Sierra Pettengill The Reagan Years is about a prolific actor’s defining role: Leader of the Free World. It uses the Reagan administration’s internal documentation to capture the spectacle of American might at its acme. Teatro (U.S./Italy) Director: Jeff Malmberg Producer: Chris Shellen For the past 50 years, the villagers of Monticchiello have confronted their communal issues through art in the form of a play that the entire town writes and performs. Teatro is a portrait of this tradition seen through the lens of the last man trying to keep it alive. They Call Us Monsters (U.S.) Director: Ben Lear Producer: Sasha Alpert and Gabriel Cowan They Call Us Monsters takes us behind the walls of The Compound, where Los Angeles houses its most violent juvenile offenders. To their advocates, they’re kids. To the system, they’re adults and to their victims they’re monsters. This film asks us to decide for ourselves. AUDIENCE ENGAGEMENT 1971 (U.S.) Director: Johanna Hamilton Producer: Marilyn Ness On March 8, 1971 a group of citizens broke into an FBI office in Media, PA near Philadelphia and raided thousands of secret files that revealed an illegal government program known as COINTELPRO. Never caught, they have remained anonymous. Until now. Enter the Faun (U.S.) Director & Producer: Tamar Rogoff and Daisy Wright Executive Producer: Véronique Bernard Art and science collide as a young actor with cerebral palsy and a dancer embark on a journey that leads to unprecedented physical transformation and challenges the limitations associated with disability. SUNDANCE | ESPN FILMS FELLOW Shot in the Dark (U.S.) Director: Dustin Nakao Haider Producers: Daniel Poneman, Daniel Dewes, Derek Doneen, and Ben Vogel For the players on Orr Academy’s basketball team, the court is a haven. Outside, it’s the Westside of Chicago – a n​​eighborhood racked with gangs, gun trafficking, and violence. Within those walls, each player has his own struggle. But they’ll need to fight together if they ever want to break out.

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  • Brent Green and Thyra Heder Win SFFS / Hearst Screenwriting Grant for “Over the Eaves”

    Brent Green and Thyra Heder, 2015 San Francisco Film Society / Hearst Screenwriting Grant Brent Green and Thyra Heder have been selected to receive this year’s $15,000 2015 San Francisco Film Society / Hearst Screenwriting Grant for development of their script Over the Eaves. “Man, it takes a long time to write a screenplay! Way longer than you’d think,” said Green. “Or at least longer than I’d have thought. I’m so very grateful to the San Francisco Film Society and William Hearst III for their generosity, which will allow Thyra and I to set aside the necessary time to finish up writing what we hope to be a stellar movie.” Working in the hills of rural Pennsylvania, Brent Green is a self-taught filmmaker, storyteller and visual artist whose films have screened at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, the J. Paul Getty Museum, the Walker Art Center and the Hammer Museum. He serves on the board of Rooftop Films, is a 2005 Creative Capital grantee, and the recipient of 2014 MAPfund grant. Green’s work is in permanent collections including the Progressive Collection, the Hammer Museum and MoMA. Green is an alum of the January 2015 Sundance Screenwriters Lab and the 2015 Sundance Directors Lab. Thyra Heder is an author, illustrator and artist who got her start studying film. She graduated from Brown University with a BA in Art Semiotics and put it to use storyboarding for television, feature films and advertising campaigns. Over the last decade her clients have expanded to include major restaurant groups, design companies and hotels, and her work has been regularly featured in Vogue. Her debut picture book, Fraidyzoo, garnered numerous starred reviews and was one of the ALSC Notable Children’s Books of 2014. Her second book, The Bear Report, will be released this fall. She is an alum of the June 2015 Sundance Screenwriters Lab. In the stop-motion animated film, OVER THE EAVES, a young boy begins inventing strange, hand-made machines to ease his mother’s hard labor and bring joy to her monotonous life. When his most daring invention backfires and changes life on Earth forever, his neighbors struggle to understand whether he has done them harm or shown them what they have been missing.

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  • Rodrigo Bellott, Erin Greenwell and Mylo Mendez Win Queer/Art/Mentorship Fellowships in Film

    2015 2016 Queer/Art/Mentorship Queer/Art/Mentorship, the multi-disciplinary, inter-generational arts program that pairs and supports mentorship between emerging and established LGBTQI artists in NYC, has announced the eleven Fellows accepted for its 2015-2016 annual mentorship cycle. The Fellows chosen in five artistic disciplines are Monstah Black, Eva Peskin and Justine Williams in Performance; Jacob Matkov and Brendan Williams-Childs in Literary; Rodrigo Bellott, Erin Greenwell and Mylo Mendez in Film; Caroline Wells Chandler and Doron Langberg in Visual Arts; and Hugh Ryan in Curatorial. The 2015-2016 Queer/Art/Mentorship Fellows in Film are Rodrigo Bellott was born in Santa Cruz, Bolivia. His breakout film, Sexual Dependency won over 15 awards in over 65 film festivals around the world and was also Bolivia’s first film competing for “Best Foreign Language Film” at the 2004 Academy Awards. VARIETY magazine named Bellott as one of the “TOP TEN Latin American Talents to Watch”. Bellott will be working with Mentor, filmmaker Silas Howard on the film adaptation of his play Tu Me Manques, that explores contemporary queer identity in the moment of historical change in contrast with the current situations in other parts of the world. Erin Greenwell wrote and directed the feature film My Best Day, which premiered at the Sundance Film Festival in 2012. Her other directing endeavors include Oh Come On, a punk DIY performance video for Kathleen Hanna’s band The Julie Ruin and The Golden Age of Hustlers, featuring Justin Vivian Bond’s remake of the iconic song written by legendary punk chanteuse Bambi Lake. In 2006, Greenwell formed Smithy Productions, a production company, with the aim of cultivating talents from the queer/independent art community under the umbrella of narrative and documentary storytelling. Greenwell will be working with Mentor, director and screenwriter Stacie Passon to develop her narrative feature length script, The Flight Deck, based on the butch/femme lesbian bar scene in Buffalo, NY during the 1950s. Mylo Mendez is a Texas-born video artist currently based in Brooklyn. Hir work uses humor, narrative, and characters with aberrant bodies to navigate identity, social and geographical borders, and history. Mendez has been featured in group shows in New York City and Austin. Ze received hir MFA from Parsons The New School for Design. Mendez will be working with Mentor, filmmaker Thomas Allen Harris on a film about the intersection of trans and punk identities and communities in New York City.

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  • African Filmmakers Selected for Talents Durban 2015 at Durban International Film Festival

    Talents Durban 2015 Participants Announced for Durban International Film Festival The 36th Durban International Film Festival (DIFF) announced the participants of the 8th edition of Talents Durban, presented in cooperation with the Berlinale Talents an initiative of the Berlin International Film Festival. Talents Durban is a five day development programme made up of workshops and seminars for African filmmakers delivered by film professionals, academics and intellectuals. The Talents, who are selected through a rigorous application process, will also have the opportunity to attend screenings and events at the Festival. Talents Durban 2015 is one of the 6 Talents International programs formed by Berlinale Talents in Africa and around the world including Talents Beirut in Lebanon, Talents Buenos Aires in Argentina, Talents Sarajevo in Bosnia-Herzegovina, Talents Tokyo in Japan and Talents Guadalajara in Mexico. 40 filmmakers from 10 countries across the continent including South Africa, Kenya, Ghana, Uganda, Nigeria, Tunisia, Zimbabwe, Rwanda, Zambia and Cameron will be in attendance. The following are the selected participants of Talents: Oluwakemi Adesoye (Nigeria), Ssenkumba Adnan (Uganda), Lawrence Agbetsise (Ghana), Isabella Akinseye (Nigeria), Kassim Braimah (Nigeria), Bentley Brown (Tunisia), Lucky Nhlanhla Cele (South Africa), Karien Cherry (South Africa), Joanne Corrigall (South Africa), Angeline Dimingo (Zimbabwe), Daniel Ecwalu (Uganda), Daniella Esua (Nigeria), Polani Fourie (South Africa), Mehluli Hikwa (Zimbabwe), Benjamin Johnson (South Africa), Njata Joseph (Rwanda), Andrew Kaggwa (Uganda), Joel Kapungwe (Zambia) Godisamang Khunou (South Africa), Trent Kok (South Africa), Makundi Lambani (South Africa), Sheetal Megan (South Africa), Theoline Maphutha (South Africa), Francisca Meyer (South Africa), Ali Mwangola (Kenya), Samantha Nell (South Africa), Simphiwe Ngcobo (South Africa), John Nyoka (South Africa), Roselidah Obala (Kenya), Agbor Obed (Cameroon), Temotope Ogun (Nigeria), Olawale Oluwadahunsi (Nigeria), Kennedy Omoro (Kenya),Osei Owusu Banahene (Ghana), Davashni Rajoo (South Africa), Charne Simpson (South Africa), Samson Ssenkaaba (Unganda), Tendai Charles Tshuma (South Africa), Amy Van Den Houten (South Africa), Mark Wambui (Kenya). Presented under the theme Start Motion, Talents Durban 2015 aims to boost the already rising flow of current filmmaking in Africa, and to encourage filmmakers on the continent to share their stories through their own cultured lens. Participants interact with over 600 delegates of DIFF and Durban FilmMart, the co-production and finance forum which takes place from July 17 to 20 at the festival. Selected participants get to be part of numerous project-oriented, hands on skills development programs. Practical development programmes within Talents Durban include Talent Press, Script Station and Doc Station. Script station is a script development programme for short films which pairs four writers with script editors who assist in clarifying story and getting to an advanced draft of their script. Our participants this year are John Nyoka, Mark Wambui, Quwakemi Adesoye and Polani Fourie. The mentors for the programme are Tracey Dearham-Rainers and Karima Effendi. Talent Press is presented in cooperation with Fipresci, an association of national organizations of professional film critics and film journalists from around the world which lobbies for the promotion and development of film culture. The programme invites four critics to cover the films and events of the Durban International Film festival for online and print publication. Talent press has four participants and they are Andrew Kaggwa, Oluwale Oluwadahunsi, Isabella Akinseye and Kennedy Omoro. They will be mentored by film writers/reviewers Sarah Dawson, Oris Aigbokhaevbolo, Debashine Thangevelo and Shaibu Hussein. DOC station selects three documentary projects in development for coaching and mentoring towards participation in a public pitch at the DFM’s pitching forum, The African Pitch. Participants are given mentoring prior to the pitching and during preparations at the festival. Doc Station participants are Bentley Brown, Sheetal Megan and Tendayi Tshuma and the producer mentor is Odette Geldenhuys. They will receive additional mentorship from Andy Jones, Jihan El Tahri and Khalo Matabane.

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  • Ten Narratives Selected for 2015 Independent Filmmaker Labs

    Made in NY Media Center by IFP. Ten narratives have been selected for the 2015 Independent Filmmaker Labs, IFP’s annual year-long fellowship for first-time feature directors. The creative teams of the selected films are currently attending the first week’s sessions – The Time Warner Foundation Completion Labs – taking place June 8-12 at the Made in NY Media Center by IFP (pictured above). Featuring a stylistically diverse slate of sci-fi, fantasy, drama, young adult, comedy, hybrid and horror, this year showcases films from filmmakers across the nation. 70% of the creative teams hail from outside of New York and Los Angeles. 90% films were shot outside of these hubs, in locations such as the Bahamas, Iceland, Mexico and the Amazon, as well as Georgia, Rhode Island and Florida. “The selected projects in year’s Narrative Labs reflect IFP’s commitment to all-inclusive content and is emblematic of the growing presence of personal stories told and made outside the two major U.S. hubs for filmmaking,” said Joana Vicente, Executive Director of IFP. “We look forward to helping these talented filmmakers bring their visions to life.” Amy Dotson, IFP’s Head of Programming, added: “This year’s films are helmed by risk-takers pushing the boundaries of film and storytelling in exciting new directions. We are delighted to a take risk on them as well and assist in introducing their extraordinary and unique new voices to industry and audiences alike.” The selected projects for the 2015 IFP Narrative Lab and Lab Fellows are: Albion: Rise of the Danaan A twelve-year-old girl who has had to take care of her father is transported to the mystical world of Albion, where she discovers that she alone is the key to saving an entire race of people. Fellows: Castille Landon (Director, Writer), Dori Sperko (Producer) The Arbalest A famous, eccentric, recluse toy inventor agrees to his first interview after years of a self-imposed vow of silence to unveil his new invention. Fellows: Adam Pinney (Director, Writer, Editor), Alex Orr (Producer) Bokeh On a romantic getaway to Iceland, Riley and Jenai, a young American couple, suddenly discover everyone on earth has disappeared. As Riley struggles to survive and Jenai attempts to reconcile the mysterious event, they must reconsider everything they know about themselves and the world. Fellows: Andrew Sullivan (Director, Writer), Geoffrey Orthwein(Director, Writer), Kent Genzlinger (Producer) Donald Cried After Peter LaTang’s last living relative passes away, he returns to a small New England town where he grew up. When the bus arrives, he can’t find his wallet so he calls his childhood friend Donald Treeback for some help. What was supposed to be just a ride turns into a long day’s journey through their awkward past. Fellows: Kris Avedisian (Director, Writer), Jesse Wakeman (Writer, Producer), Kyle Martin (Producer) Hunky Dory A dive bar drag queen’s life takes a dramatic turn when his ex drops their 11-year-old son off at his apartment and vanishes. Fellows: Michael Curtis Johnson (Director, Co-Writer, Producer), Tomas Pais (Co-Writer, Producer, Lead Actor), Magela Crosignani (Director of Photography) Icaros: a vision By Matteo Norzi and Leonor Caraballo. An American woman with breast cancer travels to the Amazon in search of a miracle. Thanks to a young shaman who is losing his eyesight, she learns instead to confront her ‘susto’: the disease of fear. With the help of Ayahuasca, a hallucinogenic plant medicine, and the Icaros, magical healing songs, they both gain a new vision of their destiny. Fellows: Matteo Norzi (Co-director, co- writer), Abou Farman (Producer), Elia Gasull Balada (Editor), Adella Ladjevardi (Co-Producer) Katie Says Goodbye Katie Says Goodbye is the story of a seventeen-year-old waitress who prostitutes herself to support her deadbeat mother, while saving for her dream of escaping to San Francisco. When she falls in love with an ex-convict, things quickly turn south, testing her determination for a better life. Fellows: Wayne Roberts (Director, Writer, Producer), Eric Schultz(Producer), Carlo Sirtori (Producer) Live Cargo A young couple mourning the death of their baby retreat to a remote Bahamian island where they become entangled in a turf war between a dangerous human trafficker, an aging island patriarch and an obsessive homeless youth. Fellows: Logan Sandler (Director, Writer), Thymaya Payne (Writer, Producer), Lauren Brady (Producer), Randolph Hearst Harris (Producer) Lupe Under the Sun Blurring the line between narrative and documentary, with a cast of non-actors, and set in the agricultural heartland of California’s Central Valley,Lupe Under the Sun takes inspiration from the director’s own grandfather to tell the story of an aging Mexican immigrant. Estranged from his family in Mexico, crushed by backbreaking work and poverty, Lupe struggles to come to terms with his life choices. Fellows: Rodrigo Reyes (Director, Writer), Su Kim (Producer), Manuel Tsingaris (Editor) Seeds When his increasingly depraved behavior spirals out of control, reclusive inventor Marcus Milton retreats to his family home along the New England coast. But instead of finding solace, Marcus is haunted by his darkest fears and deepest desires. Is he losing his mind or has something terrible burrowed deep within him? Incubating. Waiting until the climate is right. Fellows: Owen Long (Director, Writer), Steven Weisman (Writer, Producer), Chris Haney (Producer)

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  • Eight Indie Filmmakers Win Spring 2015 San Francisco Film Society Grants

    San Francisco Film Society Eight independent filmmakers are winners in the latest round of Spring 2015 San Francisco Film Society (SFFS) / Kenneth Rainin Foundation (KRF) Filmmaking Grants awards, and will receive funding to help with their next stage of their creative process, from screenwriting to production. The projects will receive a total of $300,000. The Film Society’s flagship SFFS / KRF Filmmaking Grants are awarded twice annually to filmmakers for narrative feature films that will have significant economic or professional impact on the San Francisco Bay Area filmmaking community.  The SFFS / KRF program has funded more than 50 projects since its inception, including such success stories as Kat Candler’s Hellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). SPRING 2015 SFFS / KRF FILMMAKING GRANT WINNERS The Fixer Ian Olds, writer/director; Caroline von Kuhn and Lily Whitsitt, producers — $75,000 for production An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime he gets drawn into the backwoods of this small town-a shadow Northern California where sex is casual, true friendship is hard to come by, and an unfamiliar form of violence burbles up all around him. Jones Sally El Hosaini, writer/director — $25,000 for screenwriting When his father abandons him deep in the Guyanese jungle, the rebellious son of a narcissistic church leader discovers a new life of freedom. His utopia is soon shattered when “Dad” arrives with hundreds of followers. Driven by the universal need for a father’s love he becomes complicit in the depravity he previously rejected. Based on Stephan Jones’s true-life story. Mustang Laure de Clermont Tonnerre, writer/director — $25,000 for screenwriting Roman Coleman is halfway through serving an 11-year sentence for attempted murder when he is offered the chance to participate in an ongoing rehabilitation therapy program involving the training of recently captured wild mustangs. Through his struggle to communicate with the animals, trainers, and other inmates he is forced to face his past and must learn confront his inner demons. Oscillate Wildly Travis Mathews, writer/director; Andrew Carlberg, Jonathan Duffy and Kelly Williams, producers — $75,000 for production When a first love challenges his guarded sense of what’s possible, a hot-headed young gay man with mild cerebral palsy is forced to confront the disability he’s let consume and define him. travisdmathews.com Reza and the Refugees Aaron Douglas Johnston, writer/director; Charlotte Scott-Wilson, Trent Scott-Wilson and Laura Wagner, producers — $25,000 for screenwriting A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death. Sorry To Bother You Boots Riley, writer/director; Jonathan Duffy, George Rush and Kelly Williams, producers — $25,000 for screenwriting A Black telemarketer discovers a magical way to make his voice overdubbed by a White actor, propelling him into the upper echelon of a macabre universe where he is selected to lead a species of genetically manipulated horse-people, called the Equisapiens. thisisthecoup.com Staring at the Sun Ryan Piers Williams, writer/director; Jason Michael Berman, America Ferrera and Caroline Kaplan, producers — $25,000 for screenwriting After a massive solar event knocks out the world’s technological infrastructure, healthcare becomes a vital commodity. An elite group of United Nations aid workers given access to the best healthcare are tasked to isolate the sick from the healthy and privileged. When a young aid worker finds himself in a forbidden love, he must choose between a life of solitude or an uncertain fate with the woman he loves. What Waits For Them In Darkness Stephen Dunn, writer/director — $25,000 for screenwriting 11-year-old Skipper gets separated from her family during the Newfoundland resettlement and stranded alone in her floating house on the high seas of the Atlantic where reality mixes with the rich folklore of Newfoundland for a dark fantasy adventure.

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  • Nikole Beckwith, Jennifer Phang, Stewart Thorndike Win Inaugural SFFS Women Filmmaker Fellowships

    Advantageous_Jennifer Phang The San Francisco Film Society yesterday announced the inaugural recipients of its SFFS Women Filmmaker Fellowships, a brand new suite of services designed to support female writer/directors working on their second or third narrative feature through a combination of financial backing, innovative programs and events, mentorship services, industry connections and a growing community of fellow filmmakers. Supported by the Kenneth Rainin Foundation and facilitated by Filmmaker360, the Film Society’s filmmaker services department, these fellowships provide direct assistance to an under-served group of storytellers and help to build sustainable careers for women filmmakers all over the world. Participants in the SFFS Women Filmmaker Fellowship must be working on a second or third English-language narrative feature screenplay. They must have had a previous film premiere at a major international festival and priority is given to women working in the genres of science fiction, comedy, action, thriller and horror, which are traditionally under-represented for women filmmakers. “We’re thrilled to be kicking off this new initiative with such talented individuals, and to help bridge the support gap we have seen for many women in finding the resources they need, especially on their second or third feature film projects,” said Michele Turnure-Salleo, director of Filmmaker360. “It’s also very satisfying to support kick-ass women making edgy sci-fi, horror and comedies, and we hope this initiative contributes to leveling the playing field in those areas. Like our SFFS Producers Initiative, this program focuses on backing people rather than individual projects, and we are committed to helping these amazing folks realize their creative visions.” In 2013 and 2014, academic institutions such as the Annenberg School for Communication and Journalism at the University of Southern California and the Center for Study of Women in Television and Film at San Diego State produced substantive reports on the state of women in the film industry, revealing startling statistics that point to drastic gender inequality. The latter group, for example, reports that in 2013, women accounted for just 6% of directors, 10% of writers, 15% of executive producers, 17% of editors and 3% of cinematographers. Additionally, women were found more likely to be working on romantic comedies, dramas or documentaries than the top-grossing genres of animation, sci-fi, action and horror. “We all benefit from a more accurate and diverse portrayal of society on film,” said Jennifer Rainin, CEO of the Kenneth Rainin Foundation. “As more than 50% of the population, it’s imperative that women have opportunities to share their stories on screen and that we see female characters valued as much as males, yet there’s a lack of progress on these issues and little funding for female filmmakers working in narrative. Recognizing this gap, we’ve created the Women Filmmaker Fellowships as a way to build a critical mass of female filmmakers enjoying sustainable and thriving careers. I hope it inspires other film organizations and philanthropists to join us in building out this initiative, and to replicate this model.” Designed to grow organically over time to include additional programs and events, the SFFS Women Filmmaker Fellowship is currently seeking additional funding partners. For more information, visit sffs.org/filmmaker360. 2015 SFFS WOMEN FILMMAKER FELLOWS Nikole Beckwith Nikole Beckwith is from Newburyport, Massachusetts. Her plays have been developed and performed with the Public Theater, Playwrights Horizons, Clubbed Thumb, HERE Arts Center, Colt Coeur, Lesser America, 3LD and Rattlestick Playwrights Theater among others. Her newest play Untitled Matriarch Play (or Seven Sisters) was written at the National Theatre of London’s Studio and premiered in rep at the Royal Court under the direction of Artistic Director Vicky Featherstone. Also a pen and ink artist, Beckwith’s comics have been featured on NPR, WNYC, the Huffington Post and the Hairpin, among others. Her first film Stockholm, Pennsylvania (2012 Nicholl Fellowship, 2012 Black List, 2013 Sundance Screenwriters Lab), which was adapted from her stage play of the same name, premiered at the 2015 Sundance Film Festival in the US Dramatic Competition. She lives in Brooklyn. Jennifer Phang Jennifer Phang’s sophomore feature Advantageous (pictured above) won the US Dramatic Competition Special Jury Prize in Collaborative Vision at Sundance 2015. The film will play at the San Francisco International Film Festival and BAM Cinemafest, and is expected to see a release in June. Her award-winning debut feature Half-Life premiered in 2008 at the Tokyo International and Sundance film festivals. It screened at SXSW and was distributed by Sundance Channel. She was invited to Sundance Institute Screenwriters Lab and was awarded a SFFS FilmHouse Residency and Sundance Institute Feature Film Grants in support of Advantageous. Phang was originally commissioned to create Advantageous as a short film for the ITVS Futurestates Program. A Berkeley-born daughter of a Chinese-Malaysian father and Vietnamese mother, Phang graduated from the MFA directing program at the American Film Institute. Stewart Thorndike Stewart Thorndike is a writer/director from Tacoma, Washington. She makes female-driven genre films and her first film, Lyle, was hailed as a “lesbianRosemary’s Baby” after its premiere at Outfest, where star Gaby Hoffmann won the Grand Jury Award for Best Actress. Thorndike attended NYU’s graduate film program and her thesis short film, Tess and Nana, premiered at SXSW. Stewart’s next film, The Stay, is about a group of women at a hotel who are told to do bad things by a haunted TED Talk, with Chloe Sevigny attached to star in the 2015 production. She is currently developing her second horror feature, Daughter, about a love triangle between a single mother, her troubled teenage daughter and the witch who moves in next door. Thorndike plans to shoot Daughter in 2016. SFFS Women Filmmaker Fellowships will take place from April to October each year, overlapping with the Film Society’s previously announced Producers Fellowship programs and the San Francisco International Film Festival (April 23 – May 7). Program support includes: *  A $25,000 – $40,000 cash grant, which must be used for living expenses. Individual amounts depend on place of residence and estimated travel costs to participate in Bay Area fellowship components. *  Placement in FilmHouse Residency program and access to all FilmHouse programs and activities. *  One-on-one consultation with film industry experts from the Bay Area and beyond regarding casting, financing, budgeting, legal issues, distribution and other relevant topics. *  Weekly one-on-one consultation services provided by Filmmaker360 staff, with feedback on screenplays, verbal pitch strategies and written materials such as synopsis and treatment. *  Presentations and networking opportunities with Bay Area narrative filmmakers. *  Expenses covered for one 3-day networking trip with a Filmmaker360 staff member from San Francisco to Los Angeles, for meetings with established industry professionals.

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  • Call for Entries for 2015 Telluride Film Festival

    Call for Entries for 2015 Telluride Film Festival Telluride Film Festival, to be held September 4-7, 2015,  announces its Call for Entries in all categories including student, short and feature length films. Submission period begins April 15, 2015. Film Entry Form is available for download at www.telluridefilmfestival.org. Shorts and student film submissions must be received no later than 5:00 pm, July 1, 2015. Feature film submissions must be received no later than 5:00 pm, July 15, 2015. All submissions must have been completed after July 15, 2014 and no works in progress will be accepted. Feature-length films (60 minutes or longer) will only be considered if they are to have their first North American screening at Telluride Film Festival. Final program determinations will be made by August 1, 2015. No early or late entries will be accepted. Professional and amateur filmmakers working in all aesthetic disciplines and genres including narrative, documentary, animation and experimental are welcome. Each year Telluride Film Festival plays host to an average of 25 feature films and 25 shorts and student films. Films selected to screen at Telluride Film Festival will be shown out-of-competition. TFF is not a competitive festival. For more information visit www.telluridefilmfestival.org

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  • Call for Entries for 2015 Cucalorus Film Festival

    Call for Entries for 2015 Cucalorus Film Festival Cucalorus announces its call for entries!!  Cucalorus seeks submissions for features, documentaries, shorts, music videos, media installations and performances ranging from slam poetry to dance for the 21st annual Cucalorus Film Festival, to be held November 11-15, 2015. The festival takes place in a walkable nine-block radius of historic downtown Wilmington, North Carolina. During the five-day celebration, film freaks and community members choose from a diverse lineup buoyed by cleverly crafted special programs, including the opening night live performance Dance-a-lorus and an interactive installation inspired by David Lynch’s Blue Velvet called “The Bus to Lumberton”. Cucalorus is organized into a slate of thematic programs dedicated to social justice, emerging artists, works-in-progress, shorts, dance, festival hits, international cinema, music videos, and North Carolina. New programmatic focuses specifically support American female directors (the Vanguard program), directors from the US South (Southern Voices), and African American directors (Works-in-Progress). CIO Dan Brawley notes, “I’m on the circuit all year and I continue to notice that festivals are trying to embrace diverse voices, but the aesthetic is always the same. So we have to push aesthetic boundaries and create a strong space for exploring new cultures and new stories.” Cucalorus’ general call for entries extends through late July, with separate deadlines for Dance-a-lorus performance pieces and Works-in-Progress.
    Submission Deadline Date Fee
    Early June 3 $25
    Regular June 24 $35
    Late July 15 $45
    Extended July 29 $55
    All film submissions must include an entry form, submission fee and a poetic recipe for the perfect 21st birthday (drawings encouraged). Filmmakers living in the City of Wilmington are FREE and do not have to pay entry fees. www.cucalorus.org/submit_a_film.asp Cucalorus is also currently accepting applications for the Artist Residency program’s fall session, Surfalorus and 10×10.

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  • Finalists Announced for Spring 2015 San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grants

    san_francisco_film_society The San Francisco Film Society (SFFS) and Kenneth Rainin Foundation (KRF) have selected 15 finalists for the latest round of SFFS / KRF Filmmaking Grants; up to $300,000 will be awarded to one or more narrative feature film projects at various stages of production. SFFS / KRF Filmmaking Grants are awarded twice annually to narrative feature films that will have significant economic or professional impact on the Bay Area filmmaking community. More than $2.8 million has been awarded since the launch of the Film Society’s flagship grant program in 2009. Winners of the spring 2015 SFFS / KRF Filmmaking Grants will be announced in May. The San Francisco Film Society, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFS / KRF program has funded more than 50 projects since its inception, including such success stories as Kat Candler’sHellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture). “This was a bitterly fought review round, and we encountered so many excellent projects deserving of funding that it really put into focus the importance of support initiatives like the SFFS / KRF Filmmaking Grant and the need for more,” said Michele Turnure-Salleo, director of Filmmaker360. “We wish we could fund every single project on this list, and we have a difficult task ahead of us in selecting winners. From the filmmakers we’ve worked with before, to the exciting newcomers to the Film Society family, we can’t wait to see these all of these films take their next steps towards completion.” SFFS / KRF Filmmaking Grants are made possible by the vision and generosity of the Kenneth Rainin Foundation. In addition to being awarded funds from the country’s leading granting organization, recipients will receive various benefits through Filmmaker360, the San Francisco Film Society’s comprehensive and dynamic filmmaker services program. These benefits, customized to every individual production, can include one-on-one project consultations and project feedback, additional fundraising assistance, resource and service recommendations, and networking opportunities, among many others. For more information visit sffs.org/Filmmaker360/Grants. SPRING 2015 SFFS / KRF FILMMAKING GRANT FINALISTS Blustar Stella Kyriakopoulos, cowriter/director and Margaret Shin, cowriter — screenwriting Two lovelorn cleaning ladies become friends and find hope while working on the Blue Star Ithaki, one of the fleet of ferries that shuttle myth-seeking tourists to the Greek islands. When the friends learn their Blue Star will be sold to Canada, they are forced to confront their own myths about Greece and each other. Chickenshit Jessica dela Merced, writer/director — screenwriting 11-year-old Phoe enlists the help of a group of neighborhood boys to track down the culprits behind a recent string of fires in Detroit, including the one that claimed her father’s life. jessdelamerced.com The Fixer Ian Olds, writer/director and Caroline von Kuhn, producer — production An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime he gets drawn into the backwoods of this small town-a shadow Northern California where sex is casual, true friendship is hard to come by, and an unfamiliar form of violence burbles up all around him. Freeland Mario Furloni and Kate McLean, co-writer/directors — screenwriting In the last season of black market marijuana growing before legalization, a mother and a daughter must reconcile their differences in order to survive in an increasingly inhospitable world. Jones Sally El Hosaini, writer/director — screenwriting When his father abandons him deep in the Guyanese jungle, the rebellious son of a narcissistic church leader discovers a new life of freedom. His utopia is soon shattered when “Dad” arrives with hundreds of followers. Driven by the universal need for a father’s love he becomes complicit in the depravity he previously rejected. Based on Stephan Jones’s true-life story. The Last Black Man in San Francisco Joseph Talbot, writer/director and Rolla Selbak, producer — preproduction Jimmie Fails is a young African American who dreams of buying back the Victorian home his grandfather built in the heart of San Francisco. Now living in the city’s last, dwindling black neighborhood with his oddball best friend, Prentice, they search for belonging in the rapidly changing city that seems to have left them behind. vimeo.com/97971791 The Last Prairie Chloé Zhao, writer/director — screenwriting A young ecologist moves to the Sandhills of Nebraska trying to stop the building of the Keystone Pipeline XL and soon finds herself caught between a small town’s fight for survival and the debate over the future habitability of our planet. Mustang Laure de Clermont Tonnerre, writer/director — screenwriting Roman Coleman is halfway through serving an 11-year sentence for attempted murder when he is offered the chance to participate in an ongoing rehabilitation therapy program involving the training of recently captured wild mustangs. Through his struggle to communicate with the animals, trainers, and other inmates he is forced to face his past and must learn confront his inner demons. Oscillate Wildly Travis Mathews, writer/director — production When a first love challenges his guarded sense of what’s possible, a hot-headed young gay man with mild cerebral palsy is forced to confront the disability he’s let consume and define him. travisdmathews.com Patti Cake$ Geremy Jasper, writer/director and Michael Gottwald, producer — preproduction Patti Dombrowski, a heavy-set white girl, struggles to break out of her blue collar New Jersey town and become a legitimate rap superstar, all on her own terms. welcometolegs.com Reza and the Refugee Aaron Douglas Johnston, writer/director — screenwriting A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death. Sorry To Bother You Boots Riley, writer/director and George Rush, producer — screenwriting A Black telemarketer discovers a magical way to make his voice overdubbed by a White actor, propelling him into the upper echelon of a macabre universe where he is selected to lead a species of genetically manipulated horse-people, called the Equisapiens. thisisthecoup.com Staring at the Sun Ryan Piers Williams, writer/director — screenwriting After a massive solar event knocks out the world’s technological infrastructure, healthcare becomes a vital commodity. An elite group of United Nations aid workers given access to the best healthcare are tasked to isolate the sick from the healthy and privileged. When a young aid worker finds himself in a forbidden love, he must choose between a life of solitude or an uncertain fate with the woman he loves. Untitled Whaling Project Jesse Moss, writer/director — screenwriting A feature-length fiction film, based on a true story, about America’s last commercial whaling vessel and its final, fateful voyage in 1971. What Waits For Them In Darkness Stephen Dunn, writer/director — screenwriting 11-year-old Skipper gets separated from her family during the Newfoundland resettlement and stranded alone in her floating house on the high seas of the Atlantic where reality mixes with the rich folklore of Newfoundland for a dark fantasy adventure.

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  • Deadline Approaching for 2015 Academy Nicholl Fellowships in Screenwriting Competition

    [caption id="attachment_7829" align="alignnone" width="960"]Academy Nicholl Fellowships in Screenwriting 2014 Academy Nicholl Fellowships in Screenwriting Winners[/caption] The regular deadline to submit entries for the 2015 Academy Nicholl Fellowships in Screenwriting competition is Friday, April 10, at 11:59 p.m. PT.  In November, as many as five $35,000 fellowships will be awarded to amateur screenwriters. Deadlines and entry fees are as follows: Regular deadline: April 10, at 11:59 p.m. PT; entry fee US$55 Final deadline: May 1, at 11:59 p.m. PT; entry fee US$75 Online applications and complete rules are available at www.oscars.org/nicholl. For the first time, current entrants also may purchase, for an additional $40, review comments from at least two Nicholl readers for each submitted script.  For details, visit www.oscars.org/nicholl. Since 1986, 137 Nicholl fellowships have been awarded.  Past fellows include writer-director Nikole Beckwith, whose feature “Stockholm, Pennsylvania” premiered at the 2015 Sundance Film Festival; Pat Gilfillan, who wrote “Lila & Eve,” which also premiered at Sundance; Kurt Kuenne, who co-wrote and edited the documentary “Batkid Begins: The Wish Heard around the World,” which premiered at the 2015 Slamdance Film Festival; and Robert Edwards, the writer and director of “When I Live My Life Over Again,” which will debut this month at the Tribeca Film Festival.  In addition, “Dear Eleanor,” written by Nicholl fellows Cecilia Contreras and Amy Garcia, and “London Has Fallen,” co-written by Nicholl fellow Creighton Rothenberger, are slated to be released later this year. Former Nicholl fellows currently working in television include Andrew Marlowe, who created and executive produces the series “Castle,” and Terri Miller, a writer and executive producer on the show.  Rebecca Sonnenshine is a writer and producer on “The Vampire Diaries.”  Annmarie Morais is a writer and story editor on the Syfy series “Killjoys.” Other notable fellows include Doug Atchison (“Akeelah and the Bee”), Destin Daniel Cretton (“Short Term 12”), Jeffrey Eugenides (Middlesex), Susannah Grant (“Erin Brockovich”) and Ehren Kruger (“Transformers: Age of Extinction”). The Academy Nicholl Fellowships in Screenwriting competition is open to any individual who has not earned a total of more than $25,000 from the sale or option of screenplays or teleplays, or received fellowships or prizes of more than $25,000 that include a “first look” clause, an option or any other quid pro quo involving the writer’s work.  To enter, writers must submit a completed application online, upload one PDF copy of their original screenplay in English, and pay the required entry fee before the regular deadline at 11:59 p.m. PT on April 10, or the final deadline at 11:59 p.m. PT on May 1. Fellowships are awarded with the understanding that the recipients will each complete a new feature-length screenplay during the fellowship year. Last year’s competition drew a record 7,511 submissions.

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