Kedi[/caption]
Kedi, a beautiful documentary about the street cats of Istanbul, leads the nominations for the second annual Critics’ Choice Documentary Awards, with nominations for Best Documentary, Best First Documentary, Most Innovative Documentary, Best Director for Ceyda Torun, and Most Compelling Living Subject of a Documentary for The Cats of Istanbul.
https://www.youtube.com/watch?v=lKq7UqplcL8
California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria, and Dawson City: Frozen Time, followed with three nominations each; and Abacus: Small Enough to Jail and An Inconvenient Sequel: Truth to Power receiving two nominations each.
The second annual awards ceremony takes place November 2 in Brooklyn. Academy Award and seven-time Emmy nominated filmmaker Joe Berlinger will receive the Critics’ Choice Impact Award.
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Street Cats of Istanbul Documentary KEDI, Leads 2nd Critics’ Choice Documentary Awards Nominations
[caption id="attachment_20047" align="aligncenter" width="1200"] Kedi[/caption]
Kedi, a beautiful documentary about the street cats of Istanbul, leads the nominations for the second annual Critics’ Choice Documentary Awards, with nominations for Best Documentary, Best First Documentary, Most Innovative Documentary, Best Director for Ceyda Torun, and Most Compelling Living Subject of a Documentary for The Cats of Istanbul.
https://www.youtube.com/watch?v=lKq7UqplcL8
California Typewriter, Chasing Coral, City of Ghosts, Cries From Syria, and Dawson City: Frozen Time, followed with three nominations each; and Abacus: Small Enough to Jail and An Inconvenient Sequel: Truth to Power receiving two nominations each.
The second annual awards ceremony takes place November 2 in Brooklyn. Academy Award and seven-time Emmy nominated filmmaker Joe Berlinger will receive the Critics’ Choice Impact Award.
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George Clooney to Receive AFI Life Achievement Award
Actor, director, writer and producer George Clooney will be the recipient of the 46th AFI Life Achievement Award, the highest honor for a career in film. The award will be presented to Clooney at a Gala Tribute on June 7, 2018, in Los Angeles, CA.
“George Clooney is America’s leading man,” said Sir Howard Stringer, Chairman of the AFI Board of Trustees. “Director, producer, writer and actor — a modern-day screen icon who combines the glamour of a time gone by with a ferocious passion for ensuring art’s impact echoes beyond the screen. AFI is proud to present him with its 46th Life Achievement Award.”
His latest project is Suburbicon (2017),which he directed, and also co-wrote alongside his frequent collaborators the Coen brothers.
AFI Life Achievement Award Recipients
George Clooney joins an esteemed group of individuals who have been chosen for this distinguished honor since its inception. 1973 John Ford 1974 James Cagney 1975 Orson Welles 1976 William Wyler 1977 Bette Davis 1978 Henry Fonda 1979 Alfred Hitchcock 1980 James Stewart 1981 Fred Astaire 1982 Frank Capra 1983 John Huston 1984 Lillian Gish 1985 Gene Kelly 1986 Billy Wilder 1987 Barbara Stanwyck 1988 Jack Lemmon 1989 Gregory Peck 1990 David Lean 1991 Kirk Douglas 1992 Sidney Poitier 1993 Elizabeth Taylor 1994 Jack Nicholson 1995 Steven Spielberg 1996 Clint Eastwood 1997 Martin Scorsese 1998 Robert Wise 1999 Dustin Hoffman 2000 Harrison Ford 2001 Barbra Streisand 2002 Tom Hanks 2003 Robert De Niro 2004 Meryl Streep 2005 George Lucas 2006 Sean Connery 2007 Al Pacino 2008 Warren Beatty 2009 Michael Douglas 2010 Mike Nichols 2011 Morgan Freeman 2012 Shirley MacLaine 2013 Mel Brooks 2014 Jane Fonda 2015 Steve Martin 2016 John Williams 2017 Diane Keaton
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92 countries in Competition for Foreign Language Film Oscar at the 90th Academy Awards
[caption id="attachment_19636" align="aligncenter" width="1200"]
Pop Aye – Kirsten Tan[/caption]
A record 92 countries have submitted films for consideration in the Foreign Language Film category for the 90th Academy Awards. Haiti, Honduras, Lao People’s Democratic Republic, Mozambique, Senegal and Syria are first-time entrants.
The 2017 submissions are:
Afghanistan, “A Letter to the President,” Roya Sadat, director;
Albania, “Daybreak,” Gentian Koçi, director;
Algeria, “Road to Istanbul,” Rachid Bouchareb, director;
Argentina, “Zama,” Lucrecia Martel, director;
Armenia, “Yeva,” Anahit Abad, director;
Australia, “The Space Between,” Ruth Borgobello, director;
Austria, “Happy End,” Michael Haneke, director;
Azerbaijan, “Pomegranate Orchard,” Ilgar Najaf, director;
Bangladesh, “The Cage,” Akram Khan, director;
Belgium, “Racer and the Jailbird,” Michaël R. Roskam, director;
Bolivia, “Dark Skull,” Kiro Russo, director;
Bosnia and Herzegovina, “Men Don’t Cry,” Alen Drljević, director;
Brazil, “Bingo – The King of the Mornings,” Daniel Rezende, director;
Bulgaria, “Glory,” Petar Valchanov, Kristina Grozeva, directors;
Cambodia, “First They Killed My Father,” Angelina Jolie, director;
Canada, “Hochelaga, Land of Souls,” François Girard, director;
Chile, “A Fantastic Woman,” Sebastián Lelio, director;
China, “Wolf Warrior 2,” Wu Jing, director;
Colombia, “Guilty Men,” Iván D. Gaona, director;
Costa Rica, “The Sound of Things,” Ariel Escalante, director;
Croatia, “Quit Staring at My Plate,” Hana Jušić, director;
Czech Republic, “Ice Mother,” Bohdan Sláma, director;
Denmark, “You Disappear,” Peter Schønau Fog, director;
Dominican Republic, “Woodpeckers,” Jose Maria Cabral, director;
Ecuador, “Alba,” Ana Cristina Barragán, director;
Egypt, “Sheikh Jackson,” Amr Salama, director;
Estonia, “November,” Rainer Sarnet, director;
Finland, “Tom of Finland,” Dome Karukoski, director;
France, “BPM (Beats Per Minute),” Robin Campillo, director;
Georgia, “Scary Mother,” Ana Urushadze, director;
Germany, “In the Fade,” Fatih Akin, director;
Greece, “Amerika Square,” Yannis Sakaridis, director;
Haiti, “Ayiti Mon Amour,” Guetty Felin, director;
Honduras, “Morazán,” Hispano Durón, director;
Hong Kong, “Mad World,” Wong Chun, director;
Hungary, “On Body and Soul,” Ildikó Enyedi, director;
Iceland, “Under the Tree,” Hafsteinn Gunnar Sigurðsson, director;
India, “Newton,” Amit V Masurkar, director;
Indonesia, “Turah,” Wicaksono Wisnu Legowo, director;
Iran, “Breath,” Narges Abyar, director;
Iraq, “Reseba – The Dark Wind,” Hussein Hassan, director;
Ireland, “Song of Granite,” Pat Collins, director;
Israel, “Foxtrot,” Samuel Maoz, director;
Italy, “A Ciambra,” Jonas Carpignano, director;
Japan, “Her Love Boils Bathwater,” Ryota Nakano, director;
Kazakhstan, “The Road to Mother,” Akhan Satayev, director;
Kenya, “Kati Kati,” Mbithi Masya, director;
Kosovo, “Unwanted,” Edon Rizvanolli, director;
Kyrgyzstan, “Centaur,” Aktan Arym Kubat, director;
Lao People’s Democratic Republic, “Dearest Sister,” Mattie Do, director;
Latvia, “The Chronicles of Melanie,” Viestur Kairish, director;
Lebanon, “The Insult,” Ziad Doueiri, director;
Lithuania, “Frost,” Sharunas Bartas, director;
Luxembourg, “Barrage,” Laura Schroeder, director;
Mexico, “Tempestad,” Tatiana Huezo, director;
Mongolia, “The Children of Genghis,” Zolbayar Dorj, director;
Morocco, “Razzia,” Nabil Ayouch, director;
Mozambique, “The Train of Salt and Sugar,” Licinio Azevedo, director;
Nepal, “White Sun,” Deepak Rauniyar, director;
Netherlands, “Layla M.,” Mijke de Jong, director;
New Zealand, “One Thousand Ropes,” Tusi Tamasese, director;
Norway, “Thelma,” Joachim Trier, director;
Pakistan, “Saawan,” Farhan Alam, director;
Palestine, “Wajib,” Annemarie Jacir, director;
Panama, “Beyond Brotherhood,” Arianne Benedetti, director;
Paraguay, “Los Buscadores,” Juan Carlos Maneglia, Tana Schembori, directors;
Peru, “Rosa Chumbe,” Jonatan Relayze, director;
Philippines, “Birdshot,” Mikhail Red, director;
Poland, “Spoor,” Agnieszka Holland, Kasia Adamik, directors;
Portugal, “Saint George,” Marco Martins, director;
Romania, “Fixeur,” Adrian Sitaru, director;
Russia, “Loveless,” Andrey Zvyagintsev, director;
Senegal, “Félicité,” Alain Gomis, director;
Serbia, “Requiem for Mrs. J.,” Bojan Vuletic, director;
Singapore, “Pop Aye,” Kirsten Tan, director;
Slovakia, “The Line,” Peter Bebjak, director;
Slovenia, “The Miner,” Hanna A. W. Slak, director;
South Africa, “The Wound,” John Trengove, director;
South Korea, “A Taxi Driver,” Jang Hoon, director;
Spain, “Summer 1993,” Carla Simón, director;
Sweden, “The Square,” Ruben Östlund, director;
Switzerland, “The Divine Order,” Petra Volpe, director;
Syria, “Little Gandhi,” Sam Kadi, director;
Taiwan, “Small Talk,” Hui-Chen Huang, director;
Thailand, “By the Time It Gets Dark,” Anocha Suwichakornpong, director;
Tunisia, “The Last of Us,” Ala Eddine Slim, director;
Turkey, “Ayla: The Daughter of War,” Can Ulkay, director;
Ukraine, “Black Level,” Valentyn Vasyanovych, director;
United Kingdom, “My Pure Land,” Sarmad Masud, director;
Uruguay, “Another Story of the World,” Guillermo Casanova, director;
Venezuela, “El Inca,” Ignacio Castillo Cottin, director;
Vietnam, “Father and Son,” Luong Dinh Dung, director.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
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A LETTER TO THE PRESIDENT is Afghanistan’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
A Letter to the President directed by Roya Sadat, has been submitted by Afghanistan as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Roya Sadat is the first director and producer to successfully shoot and produce films after the fall of the Talibans. “A Letter to the President” made its world premiere at the 2017 Locarno Film Festival in August and will screen at the upcoming 2017 Busan Film Festival.
In the film, Soraya is a public official struggling to enforce the law in Afghanistan today. When she decides to save a young woman accused of adultery from the justice of a clan, things spiral for the worse to the point that she’s arrested and put on death row. Asking for justice, she writes to the president, the last person who can save her. But will he listen to her plea?
https://www.youtube.com/watch?v=_txke5_nnXY
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MUDBOUND Director Dee Rees to Give Closing Keynote at 13th Film Independent Forum
[caption id="attachment_24926" align="aligncenter" width="1200"]
Dee Rees[/caption]
Award-winning filmmaker Dee Rees (Pariah, Bessie, Mudbound) will close the 13th annual Film Independent Forum with a Keynote Conversation.
Chappaquiddick will kick off the event as the Opening Night Film on Friday, October 20, directed by John Curran, starring Jason Clarke, Kate Mara, Ed Helms, Jim Gaffigan, Clancy Brown and Taylor Nichols with Olivia Thirlby and Bruce Dern.
“It has been so great to see Dee Rees grow as an auteur since her debut film Pariah garnered the John Cassavetes Award at the Film Independent Spirit Awards just five years ago—I am sure filmmakers attending will be inspired as she shares her artistic journey at the Forum,” said Maria Raquel Bozzi, Senior Director of Education and International Initiatives.
Additional Speakers include:
Mariana Acuña, Co-Founder, Opaque Studios
Sam Bailey, Director, Brown Girls
Debra Birnbaum, Executive Editor, Television, Variety
Josh Braun, Submarine Entertainment
Lisa A. Callif, Esq. Partner, Donaldson+Callif
Kat Candler, Filmmaker/TV Producing Director, Queen Sugar
Dana Calvo, Television Writer/Executive Producer/Creator, Good Girls Revolt
Aymar Jean Christian, Creator, Open TV
Jennifer Cochis, LA Film Festival Director, Film Independent
Mercedes Cooper, Director of Marketing and Promotions, ARRAY
Lorraine D’Alessio, Managing Attorney, D’Alessio Law Group
Christine Davila, Creative Executive, Stage13
Lisa Hasko, Manager of Documentary Programs and Fiscal Sponsorship, Film Independent
Josh Healey, Writer/Producer, The North Pole Show
Yvan Iturriaga, Director, The North Pole Show
Azazel Jacobs, Writer/Director, The Lovers
Jessica Kantor, Director/Producer/Interactive Storyteller
Alia Quart Khan, Director of Publicity, Film Independent
Missy Laney, Independent Marketing and Distribution Strategist
Ben LeClaire, Producer, The Lovers
Grace Lee, Filmmaker, American Revolutionary: The Evolution of Grace Lee Boggs
Matthew Lessall, President, Casting Society of America
Warren Littlefield, Executive Producer, The Handmaid’s Tale, Fargo
Allen Maldonado, Founder, Everybody Digital
Ray Mansfield, Partner, QC Entertainment
Kat McCaffrey, VP Drama Programming, HBO
Jordana Mollick, Partner/Producer/Manager, Haven Entertainment
Laura Nix, Director/Writer/Producer, Felt Films
Brian O’Shea, CEO, The Exchange
Stu Pollard, Producer, Bass Ackwards, And Then I Go, Rust Creek
Doug Pray, Executive Producer, Editor, The Defiant Ones
Jon Reiss, Filmmaker/Author, Think Outside the Box Office
Danielle Renfrew Behrens, Founder, Superlative Films
Ilse Ronteltap, Head of the Film Production Incentive, Netherlands Film Fund
Marjan Safinia, Board President, International Documentary Association
Paula M. Schmidt, Senior Vice President, Film Finances Inc.
Bec Smith, Agent, UTA
Chris Stinson, Producer, The Lovers
Rahdi Taylor, Executive, Concordia Studio
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A CIAMBRA is Italy’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
Jonas Carpignano’s A Ciambra has been selected by Italy as the official candidate in the foreign-language film category at the 2018 Oscars.
The film, executive produced by Martin Scorsese, recently won the Europa Cinemas Label Award in Directors’ Fortnight at this year’s 2017 Cannes Film Festival.
In A Ciambra, a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the region’s factions – the local Italians, the African refugees and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong, Pio sets out to prove he’s ready to step into his big brother’s shoes but soon finds himself faced with an impossible decision that will show if he is truly ready to become a man.
The film will released in theaters in the US in 2018 via Sundance Selects.
https://www.youtube.com/watch?v=R1l4Hpp27A4
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EVA (YEVA) is Armenia’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
Eva (Yeva) directed by Anahid Abad, has been selected by Armenia as the country’s submission for the best foreign-language film race at the 2018 Oscars.
The Armenian-language film stars many recognized actors and actresses from Armenia, such as Narine Grigoryan, Shant Hovhannisyan, Marjan Avetisyan, Rozi Avetisyan, Sergey Tovmasyan, Vrezh Qasuni, Tigran Davtyan, Nanor Petrosyan, Evelina Adamyan, and Marat Davtyan.
The film follows Yeva, a young woman, who escapes her influential in-laws with her daughter Nareh, after her husband’s tragic death and takes refuge in one of the villages of Karabakh, Armenia. A complete stranger in the village, the woman is obliged to live her life in disguise. https://www.youtube.com/watch?v=1t8rxzDQ5o0
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ZAMA is Argentina’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
Zama directed by Lucrecia Martel has been selected by Argentina as the country’s submission in the foreign-language film category at the 2018 Oscar, as well as the Spanish Goya Awards.
The decision was made by the Academy of Cinematographic Arts and Sciences of Argentina (Academia de las Artes y Ciencias Cinematográficas de la Argentina).
This long-awaited adaptation of Antonio Di Benedetto’s 1956 classic of Latin American modernism transports us to a remote corner of 18th-century South America, where a servant of the Spanish crown slowly loses his grip on reality. Written and directed by Lucrecia Martel, the Argentine auteur behind The Holy Girl and The Headless Woman, Zama is that rarest of creative feats: a perfect coupling of literary source material and cinematic sensibility. Don Diego de Zama (Daniel Giménez Cacho) leads a suspended existence as a sort of upper-tier government clerk in what is now Paraguay. He has not seen his wife and children in years. His relationships with his fellow Europeans are strained due to competition and confusion, while his interactions with the settlement’s Black and Indigenous servants are addled by desire and hostility. Zama’s entire sense of purpose is tied up in the promise that he will soon be delivered to his rightful position in faraway Buenos Aires, but the waiting seems endless. As time passes, Zama’s paranoia and capacity for violence burgeons — while his circumstances become only more precarious. TIFF https://www.youtube.com/watch?v=A3bJeHCOwYo
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THE WOUND is South Africa’s Entry for 2018 Oscar Race for Best Foreign Film | Trailer
The Wound (“Inxeba”), directed by John Trengove, has been selected as South Africa’s submission in the foreign-language category at the 2018 Oscars.
The film explores tradition and masculinity, and the clash between age-old rituals and modernity. The Wound stars musician and novelist Nakhane Touré as Xolani, a lonely factory worker who joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When Kwanda (Niza Jay Ncoyini), a defiant initiate from the city, discovers his mentor’s secret, Xolani’s entire existence begins to unravel.
The Wound is the first feature from writer-director John Trengove, and is co-written by Trengove, Thando Mgqolozana and Malusi Bengu. The Xhosa initiation ritual which forms the landscape of the film is also the subject of ‘Inxeba’ co-writer Mgqolozana’s novel, ‘A Man Who Is Not a Man’.
The Wound premiered at this year’s 2017 Sundance Film Festival and later opened Berlinale Panorama; and went on to win a string of awards.
https://www.youtube.com/watch?v=ubSlj-G4P6I
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KHACHA is Bangladesh’s Entry for 2018 Oscar Race for Best Foreign Film
Khacha directed by Akram Khan has been selected as Bangladesh’s entry to represent the country in the Best Foreign Language Film category at the 90th Academy Awards.
Based on author Hasan Azizul Haque’s short story Khacha, the screenplay for the film was co-written by actor Azad Abul Kalam and the film’s director Akram Khan. The film also stars Mamunur Rashid, and Jaya Ahsan; and chronicles the plight of a Hindu family trying to migrate to India after the Indian Parition of 1947.
Khacha and Shonabondhu directed by the Jahangir Alam Sumon, were the only two films submitted to the Bangladesh Oscar selection committee this year.
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ONE THOUSAND ROPES is New Zealand’s Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
Tusi Tamasese’s One Thousand Ropes is New Zealand’s submission for the best foreign language category of the 90th Academy Awards.
Written and directed by Tamasese and produced by Catherine Fitzgerald, One Thousand Ropes is the story of a Samoan family living in suburban New Zealand, re-connecting and putting to rest the ghosts that haunt them.
Starring Uelese Petaia, Frankie Adams, Beulah Koale and Sima Urale, One Thousand Ropes is Tamasese’s follow up to his much-awarded feature debut, The Orator. The film had its world premiere in the Panorama section of the 2017 Berlin Film Festival.
One Thousand Ropes is a powerful character drama of a father reconnecting with his youngest daughter and together putting to rest the ghosts that haunt them.
She arrives vulnerable: badly beaten and heavily pregnant. He struggles on one hand, with the inner temptation and the encouragement from the men in his life to take revenge in the way he knows best, and on the other, to build the new family and companionship so desperately missing from his life.
One Thousand Ropes is a deeply moving film about connections, redemption and new beginnings.
One Thousand Ropes will next be seen in October’s London Film Festival and Adelaide Film Festivals, with more festival outings to follow.
https://www.youtube.com/watch?v=UWsfITbkkTc
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BIRDSHOT is Philippines’ Entry for 2018 Oscar Race for Best Foreign Film | TRAILER
The Film Academy of the Philippines has officially selected Birdshot as the Philippine entry to the best foreign language film category of the 90th Oscar Awards.
The other films reviewed by the committee were Die Beautiful by Jun Lana; 1st SEM by Dexter Hernandez and Allan Ibanez; Ang Araw sa Likod Mo by Dominic Nuesa; Kita Kita by Sigfrid Bernardo; Ang Manananggal sa Unit 23B by Prime Cruz; Patay na si Hesus by Victor Villanueva; Triptiko by Miguel Franco Micelena; and Sunday Beauty Queen by Baby Ruth Villarama.
Birdshot is directed by Mikhail Red and stars Mary Joy Apostol, Arnold Reyes, Ku Aquino and John Arcilla.
Birdshot is a coming-of-age thriller that tells the story of a young farm girl who wanders off into a Philippine forest reserve. Deep within the reservation she mistakenly shoots and kills a critically endangered and protected Philippine Eagle. As the local authorities begin a manhunt to track down the poacher of a national bird, their investigation leads them to an even more horrific discovery.
Maya, a naïve 14-year-old girl is tasked to watch over cornfields with her caretaker father Diego. Their isolated farmland is situated in the valley of the Sierra Madre in Isabela Northern Luzon. Often at conflict with her world-weary father, Maya dreams of an escape from her rural life. One day Diego entrusts Maya with his birdshot shotgun after teaching her how to hunt in the wilderness. Maya ventures on her own into the nearby protected forest, she later mistakenly shoots and kills an endangered Philippine Eagle in hopes to prove herself to her father. Upon discovering her crime, Diego decides to bury the shotgun and consume the carcass of the eagle to conceal the evidence. Later, authorities begin a manhunt to track down the eagle’s killer. Diego is ultimately apprehended as he surrenders himself to protect his daughter. Towards the end of the film Maya comes face to face with the consequences of her crime. https://www.youtube.com/watch?v=K-Z6ShPLtbw