
Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature.
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Call Me by Your Name leads the nominations for the 2018 Film Independent Spirit Awards with eight nods including Best Director and Best Feature.
Boots Riley – director of ‘Sorry to Bother You’[/caption]
Nine filmmaking teams have been selected to receive a total of $225,000 in funding in the Fall 2017 round of SFFILM / Rainin Filmmaking Grants to help with the next stage of their creative process, from screenwriting to post-production.
SFFILM / Rainin Filmmaking Grants are awarded twice annually to filmmakers whose narrative feature films will have significant economic or professional impact on the Bay Area filmmaking community and/or meaningfully explore pressing social issues. More than $4.5 million has been awarded since the launch of this grant program in 2009, making the SFFILM, in partnership with the Kenneth Rainin Foundation, the largest grant-maker to independent narrative films in the United States.
Additionally, SFFILM and the Kenneth Rainin Foundation launched a new discretionary loan program for filmmakers in post-production. Open to any previous recipient or alumnus following the first day of production, the first loan in the amount of $25,000 was presented to Sorry to Bother You by writer/director Boots Riley.
Applications are currently being accepted for the Spring 2018 round of SFFILM / Rainin Filmmaking Grants; the deadline to apply is February 2.
SFFILM, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFILM / Rainin Filmmaking Grant program has funded more than 70 projects since its inception, including Geremy Jasper’s Sundance breakthrough Patti Cake$, which closed the 2017 Cannes Director’s Fortnight program, ahead of its summer release; Alex and Andrew Smith’s Walking Out starring Matt Bomer and Josh Wiggins, which premiered at the 2017 Sundance Film Festival; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture).
Nick Kroll and John Mulaney[/caption]
Nick Kroll (Big Mouth, Operation Finale, Uncle Drew) and John Mulaney (Kid Gorgeous, ‘Oh, Hello on Broadway’, Big Mouth) are returning for the second year in a row to co-host the 2018 Spirit Awards which will be broadcast live on IFC Saturday, March 3 at 2:00 pm PT / 5:00 pm ET. The Spirit Awards are the primary fundraiser for Film Independent’s year-round programs, which cultivate the careers of emerging filmmakers and promote diversity in the industry.
“The only thing better than having Nick Kroll and John Mulaney host the Spirit Awards is having them host the Spirit Awards twice,” said Film Independent President Josh Welsh. “They did such an amazing job last year and we’re thrilled to have them back in 2018.”
“From the minute Nick and John opened last year’s show, which went instantly viral, we knew we wanted them back to host this year,” said Jennifer Caserta, President, IFC. “These two talented multi-hyphenates knocked it out of the park last year and we can’t wait to see what they have planned for this year.”
Nick Kroll is an actor, writer and producer. He most recently co-created and voices numerous roles on the Netflix smash hit animated series Big Mouth. He recently wrapped productions on MGM’s Operation Finale opposite Oscar Isaac and Ben Kingley and Lionsgate’s Uncle Drew. In January 2017, he wrapped his Broadway debut with the critical and financial hit ‘Oh, Hello on Broadway’ alongside John Mulaney. Recent film credits include Jeff Nichols’ critically acclaimed film Loving, Seth Rogen’s Sausage Party and Illumination’s Sing. Nick had his own Comedy Central sketch show Kroll Show and starred as Ruxin in the hit FX show The League.
John Mulaney is an Emmy Award winning writer and comedian. He is currently touring the United States with his most recent show, Kid Gorgeous. Previously, John starred in the Broadway hit, ‘Oh, Hello on Broadway’ alongside Nick Kroll. In 2015 Mulaney released his 3rd hour stand up special a Netflix Original titled The Comeback Kid. He began his career in New York’s East Village and has since toured around the world. In 2008, he began writing at Saturday Night Live where he appeared as a Weekend Update correspondent and co-created characters such as “Stefon” with Bill Hader. He currently writes for IFC’s Documentary Now and for Netflix’s Big Mouth on which he voices the character of Andrew. Mulaney’s first comedy album, The Top Part, was released in 2009. He released his second Comedy Central special and album New In Town in 2012.
Previously announced, Lily Collins (To The Bone, Rules Don’t Apply, Okja) and Tessa Thompson (Dear White People, Creed, Thor: Ragnarok) will co-host the press conference announcing the nominees of the Spirit Awards on Tuesday, November 21, at the Jeremy Hotel in West Hollywood.
This year marks the 33rd edition of the awards show that celebrates the best of independent film. Past Spirit Awards hosts have included Kate McKinnon and Kumail Nanjiani, Fred Armisen and Kristen Bell, Patton Oswalt, Andy Samberg, Joel McHale, Sarah Silverman, Samuel L. Jackson, Eddie Izzard, Queen Latifah and John Waters to name a few. The show, which will be held on the beach in Santa Monica, will be executive produced and directed by Joel Gallen of Tenth Planet Productions for the fourth consecutive year. Shawn Davis returns as producer for his 16th year and Danielle Federico and Andrew Schaff also return as co-producers.
Louis C.K. today released the following statement addressing the allegations of sexual misconduct that were published in yesterday’s New York Times article. In the wake of the report, the release of his upcoming film I Love You, Daddy was canceled by the distributor, The Orchard.
I want to address the stories told to the New York Times by five women named Abby, Rebecca, Dana, Julia who felt able to name themselves and one who did not.
These stories are true. At the time, I said to myself that what I did was okay because I never showed a woman my (penis) without asking first, which is also true. But what I learned later in life, too late, is that when you have power over another person, asking them to look at your (penis) isn’t a question. It’s a predicament for them. The power I had over these women is that they admired me. And I wielded that power irresponsibly.
I have been remorseful of my actions. And I’ve tried to learn from them. And run from them. Now I’m aware of the extent of the impact of my actions. I learned yesterday the extent to which I left these women who admired me feeling badly about themselves and cautious around other men who would never have put them in that position.
I also took advantage of the fact that I was widely admired in my and their community, which disabled them from sharing their story and brought hardship to them when they tried because people who look up to me didn’t want to hear it. I didn’t think that I was doing any of that because my position allowed me not to think about it.
There is nothing about this that I forgive myself for. And I have to reconcile it with who I am. Which is nothing compared to the task I left them with.
I wish I had reacted to their admiration of me by being a good example to them as a man and given them some guidance as a comedian, including because I admired their work.
The hardest regret to live with is what you’ve done to hurt someone else. And I can hardly wrap my head around the scope of hurt I brought on them. I’d be remiss to exclude the hurt that I’ve brought on people who I work with and have worked with who’s (sic) professional and personal lives have been impacted by all of this, including projects currently in production: the cast and crew of Better Things, Baskets, The Cops, One Mississippi, and I Love You Daddy (sic). I deeply regret that this has brought negative attention to my manager Dave Becky who only tried to mediate a situation that I caused. I’ve brought anguish and hardship to the people at FX who have given me so much The Orchard who took a chance on my movie and every other entity that has bet on me through the years.
I’ve brought pain to my family, my friends, my children and their mother.
I have spent my long and lucky career talking and saying anything I want. I will now step back and take a long time to listen.
Thank you for reading.
Loving Vincent[/caption]
Twenty-six features have been submitted for consideration in the Animated Feature Film category for the 90th Academy Awards. Films submitted in the Animated Feature Film category also may qualify for Academy Awards in other categories, including Best Picture.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018. The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood.
The submitted features, listed in alphabetical order, are:
The Big Bad Fox & Other Tales
Birdboy: The Forgotten Children
The Boss Baby
The Breadwinner
Captain Underpants The First Epic Movie
Cars 3
Cinderella the Cat
Coco
Despicable Me 3
The Emoji Movie
Ethel & Ernest
Ferdinand
The Girl without Hands
In This Corner of the World
The Lego Batman Movie
The Lego Ninjago Movie
Loving Vincent
Mary and the Witch’s Flower
Moomins and the Winter Wonderland
My Entire High School Sinking into the Sea
Napping Princess
A Silent Voice
Smurfs: The Lost Village
The Star
Sword Art Online: The Movie – Ordinal Scale
Window Horses The Poetic Persian Epiphany of Rosie Ming
The Orchard will has dropped Louis C.K.’s latest film I Love You, Daddy, after the publication of yesterday’s disturbing bombshell New York Times report where five women accuse the comedian of inappropriate behavior, including the disturbing allegation that he masturbated in front of them. Last night’s premiere, along with a scheduled appearance on The Late Show With Stephen Colbert was also canceled.
The distributor’s statement read: “The Orchard will not be moving forward with the release of I Love You, Daddy.”
I Love You, Daddy, written, directed, produced and starring Louis C.K., premiered at the 2017 Toronto International Film Festival in September. The film was acquired by The Orchard for a reported $5 million and was scheduled to be released in theaters on November 17.
Shot on 35mm in black and white, Louis C.K.’s I Love You, Daddy was filmed entirely in secret.
“Everything that’s difficult,” Louis C.K. once said, “you should be able to laugh about.” Don’t say you weren’t warned.
Written, directed, and edited by the comic genius The New York Times called a “stand-up Houdini,” I Love You, Daddy features the deft, conceptual acrobatics C.K.’s fans know best, but also a dive into moral hot water guaranteed to raise the temperature of any film lover. This is an edgy comedy pitched partway between the sharp social observation of his Horace and Pete series and the gasp-inducing laughs of his stand-up. And the less you know going in, the better.
As with Horace and Pete, I Love You, Daddy was made in secret, entirely off the film industry grid of development meetings, international financiers, studio production notes, and test screenings. It is pure, unfiltered Louis C.K., and shows him to be a ruthless observer of showbiz behind the scenes and human nature behind the masks. In addition to taking a central role, he has brought together a dream cast that includes Chloë Grace Moretz, Helen Hunt, Edie Falco, Rose Byrne, Pamela Adlon, Charlie Day, Ebonee Noel, and, in a role that may become one of his signatures, John Malkovich.
I Love You, Daddy also shows C.K. to be quite a cinephile. In an old-school stroke, he shot the film on 35mm, but not just any 35mm. This up-to-the-minute satire was shot on rich, timeless black-and-white film, in a throwback to the classics that inspired it. We don’t see this kind of movie anymore. As for the actions of the characters on display here, we’ll continue to see them so long as artists pursue their visions, and people their desires. [ Toronto International Film Festival]
ON BODY AND SOUL[/caption]
Ildikó Enyedi’s ON BODY AND SOUL and Ruben Östlund’s social satire THE SQUARE, lead the nominations for the 30th European Film Awards with four nominations each, including Best European Film, Best European Director and Best European Screenwriter, as well actress Alexandra Borbély in ON BODY AND SOUL and actor Claes Bang in THE SQUARE.
Two films have garnered three nominations each: Andrey Zvyagintsev’s LOVELESS, and Yorgos Lanthimos’ family drama THE KILLING OF A SACRED DEER. LOVELESS is nominated for European Film, as well as Zvyagintsev for directing and together with Oleg Negin as screenwriter. Yorgos Lanthimos is nominated for director and, shared with co-author Efthimis Filippou, as screenwriter. Colin Farrell is nominated as actor in the film.
Aki Kaurismäki’s refugee melodrama THE OTHER SIDE OF HOPE is nominated for European Film and directing. The remaining film nominated for European Film is Robin Campillo’s AIDS drama BPM (BEATS PER MINUTE), actor Nahuel Pérez Biscayart received a nomination as well.
Nominees for Best Documentary include AUSTERLITZ by Sergei Loznitsa (Germany); COMMUNION (Komunia) by Anna Zamecka (Poland); LA CHANA by Lucija Stojevic (Spain, Iceland, USA); STRANGER IN PARADISE by Guido Hendrikx (the Netherlands) and THE GOOD POSTMAN by Tonislav Hristov (Finland, Bulgaria).
The winners will be presented during the awards ceremony on December 9 in Berlin.
Lady Macbeth[/caption]
Lady Macbeth topped the list of nominations for the 2017 British Independent Film Awards (BIFA) with 15 nominations including Best British Independent Film. The Death of Stalin, I Am Not a Witch follow with 13 nominations each; and God’s Own Country and Three Billboards Outside Ebbing, Missouri each nominated 11 times. Overall, debut features dominate the nominations list, with the first-time writers, producers and directors of Lady Macbeth, I Am Not a Witch and God’s Own Country all recognized in the three newcomer categories – Debut Screenwriter, Breakthrough Producer and The Douglas Hickox Award for Best Debut Director – as well as Best Screenplay, Best Director and Best British Independent Film.
Past BIFA winners Armando Iannucci and Martin McDonagh are the writer-directors of this year’s other two Best British Independent Film nominees, The Death of Stalin and Three Billboards Outside Ebbing, Missouri. Both films have two nominees in the Best Supporting Actor category, with The Death of Stalin’s Simon Russell Beale and Steve Buscemi taking on Three Billboards’ Woody Harrelson and Sam Rockwell. Frances McDormand is nominated for Best Actress for her performance in Three Billboards and Andrea Riseborough for Supporting Actress for The Death of Stalin. Both films also have nominations for Best Director, Best Screenplay.
Film Stars Don’t Die in Liverpool has four nominations including two for past BIFA winners Jamie Bell and Julie Walters, nominated for Best Actor and Best Supporting Actress.
Gary Oldman will receive The Variety Award at the ceremony.The Variety Award recognizes a director, actor, writer or producer who has made a global impact and helped to focus the international spotlight on the UK. Past winners include Kate Winslet, Benedict Cumberbatch, Paul Greengrass, Jude Law, Kenneth Branagh, Liam Neeson, Sir Michael Caine, Naomie Harris, Daniel Craig, Helen Mirren and Richard Curtis.
Winners will be announced by host Mark Gatiss at the British Independent Film Awards Ceremony on Sunday December 10 at Old Billingsgate.
Luk’Luk’I[/caption]
The 2017 Directors Guild of Canada Awards were presented last night in Toronto, and emerging filmmaker Wayne Mapeemukwa won the 2017 DGC Discovery Award for his film Luk’Luk’I.
https://www.youtube.com/watch?v=jV1734KZvIA
Bruce McDonald won the award for Best Feature Film director for his film the Weirdos; and Fred Peabody won the award for Best Documentary Film director and Best Picture Editing for All Governments Lie: Truth, Deception and the Spirit of I.F. Stone.
The Awards were presented at the annual event on Saturday, October 28, 2017, and all the presenters for the evening were all female directors working in the industry today.
“Part of the DGC’s mandate is to celebrate excellence,” stated Tim Southam, National President, DGC. “And these women and men have worked together to inspire and create exceptional works. It is especially important now to showcase Canada’s successes and I am proud to work side by side with these talented filmmakers.”
Welcome to Germany[/caption]
The European Film Academy announced the four nominations for the award categories European Animated Film 2017 and European Comedy 2017.
The nominated films will soon be submitted to the more than 3,000 EFA Members to elect the winner.
The European Comedy 2017 and the European Animated Feature Film 2017 will then be presented at the 30th European Film Awards Ceremony on Saturday, December 9, in Berlin.
Director Alejandro G. Iñárritu’s virtual reality installation, “CARNE y ARENA (Virtually Present, Physically Invisible),” has been given a Special Award – an Oscar statuette – in recognition of a visionary and powerful experience in storytelling.
“The Governors of the Academy are proud to present a special Oscar to ‘CARNE y ARENA,’ in which Alejandro Iñárritu and his cinematographer Emmanuel Lubezki have opened for us new doors of cinematic perception,” said Academy President John Bailey. “‘CARNE y ARENA,’ Iñárritu’s multimedia art and cinema experience, is a deeply emotional and physically immersive venture into the world of migrants crossing the desert of the American southwest in early dawn light. More than even a creative breakthrough in the still emerging form of virtual reality, it viscerally connects us to the hot-button political and social realities of the U.S.-Mexico border.”
“CARNE y ARENA,” currently on display at the Los Angeles County Museum of Art (LACMA), Fondazione Prada in Milan, and Tlatelolco Cultural Center in Mexico City, is a collaboration between Iñárritu, Lubezki, producer Mary Parent, Legendary Entertainment, Fondazione Prada, ILMxLAB, and Emerson Collective. Katie Calhoon executive produced.
In recognition of this achievement, an Oscar will be presented to “CARNE y ARENA” at the Academy’s 9th Annual Governors Awards on Saturday, November 11, at the Ray Dolby Ballroom at Hollywood & Highland Center.