La La Land was named Best Film at the EE British Academy Film Awards aka 2017 BAFTA Awards, with Damien Chazelle winning Director and Emma Stone receiving the award for Leading Actress. Linus Sandgren won for Cinematography and Justin Hurwitz won Original Music.
Ava DuVernay’s film, exploring race in the US criminal justice system, 13th, won the award for Documentary. Kubo and the Two Strings took the award for Animated Film, and Film Not in the English Language was won by Hungarian holocaust drama, Son of Saul.
Outstanding British Film was won by I, Daniel Blake, directed by Ken Loach.
Writer/director Babak Anvari and producers Emily Leo, Oliver Roskill and Lucan Toh received the award for Outstanding Debut by a British Writer, Director or Producer for Under the Shadow.
Home won the British Short Film award, while the BAFTA for British Short Animation was won by A Love Story.
The EE Rising Star Award, voted for by the public, went to Tom Holland.
The Special Award for Outstanding British Contribution to Cinema was presented to film distributor and exhibitor Curzon for its work in bringing art house and foreign language cinema to British audiences.
Nathan Lane, Simon Pegg and HRH The Duke of Cambridge, President of BAFTA, presented the Academy’s highest honour, the Fellowship, to writer, director, actor and producer Mel Brooks.
The winners of the EE British Academy Film Awards in 2017
2016 NOMINATIONS AND WINNERS
(presented in 2017)
FELLOWSHIP
MEL BROOKS
OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
CURZON
BEST FILM
ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder
I, DANIEL BLAKE Rebecca O’Brien
LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt
MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh
MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski
OUTSTANDING BRITISH FILM
AMERICAN HONEY Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy
DENIAL Mick Jackson, Gary Foster, Russ Krasnoff, David Hare
FANTASTIC BEASTS AND WHERE TO FIND THEM David Yates, David Heyman, Steve Kloves, J.K. Rowling, Lionel Wigram
I, DANIEL BLAKE Ken Loach, Rebecca O’Brien, Paul Laverty
NOTES ON BLINDNESS Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison
UNDER THE SHADOW Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
The Girl With All the Gifts: MIKE CAREY (Writer), CAMILLE GATIN (Producer)
The Hard Stop: GEORGE AMPONSAH (Writer/Director/Producer), DIONNE WALKER (Writer/Producer)
Notes on Blindness: PETER MIDDLETON (Writer/Director/Producer), JAMES SPINNEY (Writer/Director/Producer), JO-JO ELLISON (Producer)
The Pass: JOHN DONNELLY (Writer), BEN A. WILLIAMS (Director)
Under the Shadow: BABAK ANVARI (Writer/Director), EMILY LEO, OLIVER ROSKILL, LUCAN TOH (Producers)
FILM NOT IN THE ENGLISH LANGUAGE
DHEEPAN Jacques Audiard, Pascal Caucheteux
JULIETA Pedro Almodóvar, Agustín Almodóvar
MUSTANG Deniz Gamze Ergüven, Charles Gillibert
SON OF SAUL László Nemes, Gábor Sipos
TONI ERDMANN Maren Ade, Janine Jackowski
DOCUMENTARY
13th Ava DuVernay, Spencer Averick, Howard Barish
THE BEATLES: EIGHT DAYS A WEEK- THE TOURING YEARS Ron Howard, Brian Grazer, Scott Pascucci, Nigel Sinclair
THE EAGLE HUNTRESS Otto Bell, Stacey Reiss
NOTES ON BLINDNESS Peter Middleton, James Spinney
WEINER Josh Kriegman, Elyse Steinberg
ANIMATED FILM
FINDING DORY Andrew Stanton
KUBO AND THE TWO STRINGS Travis Knight
MOANA Ron Clements, John Musker
ZOOTROPOLIS Byron Howard, Rich Moore
DIRECTOR
ARRIVAL Denis Villeneuve
I, DANIEL BLAKE Ken Loach
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
NOCTURNAL ANIMALS Tom Ford
ORIGINAL SCREENPLAY
HELL OR HIGH WATER Taylor Sheridan
I, DANIEL BLAKE Paul Laverty
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
MOONLIGHT Barry Jenkins
ADAPTED SCREENPLAY
ARRIVAL Eric Heisserer
HACKSAW RIDGE Andrew Knight, Robert Schenkkan
HIDDEN FIGURES Theodore Melfi, Allison Schroeder
LION Luke Davies
NOCTURNAL ANIMALS Tom Ford
LEADING ACTOR
ANDREW GARFIELD Hacksaw Ridge
CASEY AFFLECK Manchester by the Sea
JAKE GYLLENHAAL Nocturnal Animals
RYAN GOSLING La La Land
VIGGO MORTENSEN Captain Fantastic
LEADING ACTRESS
AMY ADAMS Arrival
EMILY BLUNT The Girl on the Train
EMMA STONE La La Land
MERYL STREEP Florence Foster Jenkins
NATALIE PORTMAN Jackie
SUPPORTING ACTOR
AARON TAYLOR-JOHNSON Nocturnal Animals
DEV PATEL Lion
HUGH GRANT Florence Foster Jenkins
JEFF BRIDGES Hell or High Water
MAHERSHALA ALI Moonlight
SUPPORTING ACTRESS
HAYLEY SQUIRES I, Daniel Blake
MICHELLE WILLIAMS Manchester by the Sea
NAOMIE HARRIS Moonlight
NICOLE KIDMAN Lion
VIOLA DAVIS Fences
ORIGINAL MUSIC
ARRIVAL Jóhann Jóhannsson
JACKIE Mica Levi
LA LA LAND Justin Hurwitz
LION Dustin O’Halloran, Hauschka
NOCTURNAL ANIMALS Abel Korzeniowski
CINEMATOGRAPHY
ARRIVAL Bradford Young
HELL OR HIGH WATER Giles Nuttgens
LA LA LAND Linus Sandgren
LION Greig Fraser
NOCTURNAL ANIMALS Seamus McGarvey
EDITING
ARRIVAL Joe Walker
HACKSAW RIDGE John Gilbert
LA LA LAND Tom Cross
MANCHESTER BY THE SEA Jennifer Lame
NOCTURNAL ANIMALS Joan Sobel
PRODUCTION DESIGN
DOCTOR STRANGE Charles Wood, John Bush
FANTASTIC BEASTS AND WHERE TO FIND THEM Stuart Craig, Anna Pinnock
HAIL, CAESAR! Jess Gonchor, Nancy Haigh
LA LA LAND David Wasco, Sandy Reynolds-Wasco
NOCTURNAL ANIMALS Shane Valentino, Meg Everist
COSTUME DESIGN
ALLIED Joanna Johnston
FANTASTIC BEASTS AND WHERE TO FIND THEM Colleen Atwood
FLORENCE FOSTER JENKINS Consolata Boyle
JACKIE Madeline Fontaine
LA LA LAND Mary Zophres
MAKE UP & HAIR
DOCTOR STRANGE Jeremy Woodhead
FLORENCE FOSTER JENKINS J. Roy Helland, Daniel Phillips
HACKSAW RIDGE Shane Thomas
NOCTURNAL ANIMALS Donald Mowat, Yolanda Toussieng
ROGUE ONE: A STAR WARS STORY Amanda Knight, Neal Scanlan, Lisa Tomblin
SOUND
ARRIVAL Sylvain Bellemare, Claude La Haye, Bernard Gariépy Strobl
DEEPWATER HORIZON Dror Mohar, Mike Prestwood Smith, Wylie Stateman, Renee Tondelli, David Wyman
FANTASTIC BEASTS AND WHERE TO FIND THEM Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, Ian Tapp
HACKSAW RIDGE Peter Grace, Robert Mackenzie, Kevin O’Connell, Andy Wright
LA LA LAND Mildred Iatrou Morgan, Ai-Ling Lee, Steve A. Morrow, Andy Nelson
SPECIAL VISUAL EFFECTS
ARRIVAL Louis Morin
DOCTOR STRANGE Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner
FANTASTIC BEASTS AND WHERE TO FIND THEM Tim Burke, Pablo Grillo, Christian Manz, David Watkins
THE JUNGLE BOOK Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez
ROGUE ONE: A STAR WARS STORY Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner
BRITISH SHORT ANIMATION
THE ALAN DIMENSION Jac Clinch, Jonathan Harbottle, Millie Marsh
A LOVE STORY Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King
TOUGH Jennifer Zheng
BRITISH SHORT FILM
CONSUMED Richard John Seymour
HOME Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell
MOUTH OF HELL Bart Gavigan, Samir Mehanovic, Ailie Smith, Michael Wilson
THE PARTY Farah Abushwesha, Emmet Fleming, Andrea Harkin, Conor MacNeill
STANDBY Jack Hannon, Charlotte Regan
EE RISING STAR AWARD (voted for by the public)
ANYA TAYLOR-JOY
LAIA COSTA
LUCAS HEDGES
RUTH NEGGA
TOM HOLLANDNews
All the News.
All the News.
-
2017 BAFTA Awards: LA LA Land Wins Best Film, 13TH Wins Best Documentary
La La Land was named Best Film at the EE British Academy Film Awards aka 2017 BAFTA Awards, with Damien Chazelle winning Director and Emma Stone receiving the award for Leading Actress. Linus Sandgren won for Cinematography and Justin Hurwitz won Original Music.
Ava DuVernay’s film, exploring race in the US criminal justice system, 13th, won the award for Documentary. Kubo and the Two Strings took the award for Animated Film, and Film Not in the English Language was won by Hungarian holocaust drama, Son of Saul.
Outstanding British Film was won by I, Daniel Blake, directed by Ken Loach.
Writer/director Babak Anvari and producers Emily Leo, Oliver Roskill and Lucan Toh received the award for Outstanding Debut by a British Writer, Director or Producer for Under the Shadow.
Home won the British Short Film award, while the BAFTA for British Short Animation was won by A Love Story.
The EE Rising Star Award, voted for by the public, went to Tom Holland.
The Special Award for Outstanding British Contribution to Cinema was presented to film distributor and exhibitor Curzon for its work in bringing art house and foreign language cinema to British audiences.
Nathan Lane, Simon Pegg and HRH The Duke of Cambridge, President of BAFTA, presented the Academy’s highest honour, the Fellowship, to writer, director, actor and producer Mel Brooks.
The winners of the EE British Academy Film Awards in 2017
2016 NOMINATIONS AND WINNERS
(presented in 2017)
FELLOWSHIP
MEL BROOKS
OUTSTANDING BRITISH CONTRIBUTION TO CINEMA
CURZON
BEST FILM
ARRIVAL Dan Levine, Shawn Levy, David Linde, Aaron Ryder
I, DANIEL BLAKE Rebecca O’Brien
LA LA LAND Fred Berger, Jordan Horowitz, Marc Platt
MANCHESTER BY THE SEA Lauren Beck, Matt Damon, Chris Moore, Kimberly Steward, Kevin J. Walsh
MOONLIGHT Dede Gardner, Jeremy Kleiner, Adele Romanski
OUTSTANDING BRITISH FILM
AMERICAN HONEY Andrea Arnold, Lars Knudsen, Pouya Shahbazian, Jay Van Hoy
DENIAL Mick Jackson, Gary Foster, Russ Krasnoff, David Hare
FANTASTIC BEASTS AND WHERE TO FIND THEM David Yates, David Heyman, Steve Kloves, J.K. Rowling, Lionel Wigram
I, DANIEL BLAKE Ken Loach, Rebecca O’Brien, Paul Laverty
NOTES ON BLINDNESS Peter Middleton, James Spinney, Mike Brett, Jo-Jo Ellison, Steve Jamison
UNDER THE SHADOW Babak Anvari, Emily Leo, Oliver Roskill, Lucan Toh
OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
The Girl With All the Gifts: MIKE CAREY (Writer), CAMILLE GATIN (Producer)
The Hard Stop: GEORGE AMPONSAH (Writer/Director/Producer), DIONNE WALKER (Writer/Producer)
Notes on Blindness: PETER MIDDLETON (Writer/Director/Producer), JAMES SPINNEY (Writer/Director/Producer), JO-JO ELLISON (Producer)
The Pass: JOHN DONNELLY (Writer), BEN A. WILLIAMS (Director)
Under the Shadow: BABAK ANVARI (Writer/Director), EMILY LEO, OLIVER ROSKILL, LUCAN TOH (Producers)
FILM NOT IN THE ENGLISH LANGUAGE
DHEEPAN Jacques Audiard, Pascal Caucheteux
JULIETA Pedro Almodóvar, Agustín Almodóvar
MUSTANG Deniz Gamze Ergüven, Charles Gillibert
SON OF SAUL László Nemes, Gábor Sipos
TONI ERDMANN Maren Ade, Janine Jackowski
DOCUMENTARY
13th Ava DuVernay, Spencer Averick, Howard Barish
THE BEATLES: EIGHT DAYS A WEEK- THE TOURING YEARS Ron Howard, Brian Grazer, Scott Pascucci, Nigel Sinclair
THE EAGLE HUNTRESS Otto Bell, Stacey Reiss
NOTES ON BLINDNESS Peter Middleton, James Spinney
WEINER Josh Kriegman, Elyse Steinberg
ANIMATED FILM
FINDING DORY Andrew Stanton
KUBO AND THE TWO STRINGS Travis Knight
MOANA Ron Clements, John Musker
ZOOTROPOLIS Byron Howard, Rich Moore
DIRECTOR
ARRIVAL Denis Villeneuve
I, DANIEL BLAKE Ken Loach
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
NOCTURNAL ANIMALS Tom Ford
ORIGINAL SCREENPLAY
HELL OR HIGH WATER Taylor Sheridan
I, DANIEL BLAKE Paul Laverty
LA LA LAND Damien Chazelle
MANCHESTER BY THE SEA Kenneth Lonergan
MOONLIGHT Barry Jenkins
ADAPTED SCREENPLAY
ARRIVAL Eric Heisserer
HACKSAW RIDGE Andrew Knight, Robert Schenkkan
HIDDEN FIGURES Theodore Melfi, Allison Schroeder
LION Luke Davies
NOCTURNAL ANIMALS Tom Ford
LEADING ACTOR
ANDREW GARFIELD Hacksaw Ridge
CASEY AFFLECK Manchester by the Sea
JAKE GYLLENHAAL Nocturnal Animals
RYAN GOSLING La La Land
VIGGO MORTENSEN Captain Fantastic
LEADING ACTRESS
AMY ADAMS Arrival
EMILY BLUNT The Girl on the Train
EMMA STONE La La Land
MERYL STREEP Florence Foster Jenkins
NATALIE PORTMAN Jackie
SUPPORTING ACTOR
AARON TAYLOR-JOHNSON Nocturnal Animals
DEV PATEL Lion
HUGH GRANT Florence Foster Jenkins
JEFF BRIDGES Hell or High Water
MAHERSHALA ALI Moonlight
SUPPORTING ACTRESS
HAYLEY SQUIRES I, Daniel Blake
MICHELLE WILLIAMS Manchester by the Sea
NAOMIE HARRIS Moonlight
NICOLE KIDMAN Lion
VIOLA DAVIS Fences
ORIGINAL MUSIC
ARRIVAL Jóhann Jóhannsson
JACKIE Mica Levi
LA LA LAND Justin Hurwitz
LION Dustin O’Halloran, Hauschka
NOCTURNAL ANIMALS Abel Korzeniowski
CINEMATOGRAPHY
ARRIVAL Bradford Young
HELL OR HIGH WATER Giles Nuttgens
LA LA LAND Linus Sandgren
LION Greig Fraser
NOCTURNAL ANIMALS Seamus McGarvey
EDITING
ARRIVAL Joe Walker
HACKSAW RIDGE John Gilbert
LA LA LAND Tom Cross
MANCHESTER BY THE SEA Jennifer Lame
NOCTURNAL ANIMALS Joan Sobel
PRODUCTION DESIGN
DOCTOR STRANGE Charles Wood, John Bush
FANTASTIC BEASTS AND WHERE TO FIND THEM Stuart Craig, Anna Pinnock
HAIL, CAESAR! Jess Gonchor, Nancy Haigh
LA LA LAND David Wasco, Sandy Reynolds-Wasco
NOCTURNAL ANIMALS Shane Valentino, Meg Everist
COSTUME DESIGN
ALLIED Joanna Johnston
FANTASTIC BEASTS AND WHERE TO FIND THEM Colleen Atwood
FLORENCE FOSTER JENKINS Consolata Boyle
JACKIE Madeline Fontaine
LA LA LAND Mary Zophres
MAKE UP & HAIR
DOCTOR STRANGE Jeremy Woodhead
FLORENCE FOSTER JENKINS J. Roy Helland, Daniel Phillips
HACKSAW RIDGE Shane Thomas
NOCTURNAL ANIMALS Donald Mowat, Yolanda Toussieng
ROGUE ONE: A STAR WARS STORY Amanda Knight, Neal Scanlan, Lisa Tomblin
SOUND
ARRIVAL Sylvain Bellemare, Claude La Haye, Bernard Gariépy Strobl
DEEPWATER HORIZON Dror Mohar, Mike Prestwood Smith, Wylie Stateman, Renee Tondelli, David Wyman
FANTASTIC BEASTS AND WHERE TO FIND THEM Niv Adiri, Glenn Freemantle, Simon Hayes, Andy Nelson, Ian Tapp
HACKSAW RIDGE Peter Grace, Robert Mackenzie, Kevin O’Connell, Andy Wright
LA LA LAND Mildred Iatrou Morgan, Ai-Ling Lee, Steve A. Morrow, Andy Nelson
SPECIAL VISUAL EFFECTS
ARRIVAL Louis Morin
DOCTOR STRANGE Richard Bluff, Stephane Ceretti, Paul Corbould, Jonathan Fawkner
FANTASTIC BEASTS AND WHERE TO FIND THEM Tim Burke, Pablo Grillo, Christian Manz, David Watkins
THE JUNGLE BOOK Robert Legato, Dan Lemmon, Andrew R. Jones, Adam Valdez
ROGUE ONE: A STAR WARS STORY Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner
BRITISH SHORT ANIMATION
THE ALAN DIMENSION Jac Clinch, Jonathan Harbottle, Millie Marsh
A LOVE STORY Khaled Gad, Anushka Kishani Naanayakkara, Elena Ruscombe-King
TOUGH Jennifer Zheng
BRITISH SHORT FILM
CONSUMED Richard John Seymour
HOME Shpat Deda, Afolabi Kuti, Daniel Mulloy, Scott O’Donnell
MOUTH OF HELL Bart Gavigan, Samir Mehanovic, Ailie Smith, Michael Wilson
THE PARTY Farah Abushwesha, Emmet Fleming, Andrea Harkin, Conor MacNeill
STANDBY Jack Hannon, Charlotte Regan
EE RISING STAR AWARD (voted for by the public)
ANYA TAYLOR-JOY
LAIA COSTA
LUCAS HEDGES
RUTH NEGGA
TOM HOLLAND
-
MOONLIGHT Partners with President Obama’s ‘My Brother’s Keeper’ Mentoring Program
In celebration of Black History Month, MOONLIGHT is partnering with My Brother’s Keeper Alliance, a mentoring program started by President Obama’s Administration for young men of color
to empower them with the resources and support to achieve their full potential regardless of circumstance.
The screenings kicked off earlier this week in Los Angeles with My Brother’s Keeper and attended by dozens of young men from several local high schools. After the film, Mike Muse of My Brother’s Keeper moderated a talk-back session with the students and MOONLIGHT’s Oscar-Nominated stars Mahershala Ali, Naomie Harris, writer/director Barry Jenkins, and writer Tarell Alvin McCraney. A screening and talk back with high schoolers in New York is also set for next week.
MOONLIGHT chronicles the life of Chiron, a boy growing up in a rough neighborhood of Miami, Florida. Lauded by critics and audiences alike, the film is nominated for eight Academy Awards®, including Best Picture, Best Director, Best Adapted Screenplay, Best Actor in a Supporting Role (Mahershala Ali), and Best Actress in a Supporting Role (Naomie Harris). To date, MOONLIGHT has won the Golden Globe® for Best Picture – Drama and was nominated for an additional five Golden Globes®, and Screen Actors Guild Award for Outstanding Male Actor in a Supporting Role (Mahershala Ali). The film is also nominated for five Independent Spirit Awards, and additionally is the this year’s recipient of the Spirits’ Robert Altman Award, which honors an outstanding ensemble cast in a motion picture. MOONLIGHT has been named the Best Picture of 2016 by the Gotham Awards, the Los Angeles Film Critics Association, The National Society of Film Critics, and The New York Times, among many others.
[gallery type="rectangular" size="medium" ids="20507,20511,20510,20509,20508"]
-
Michael Almereyda Wins San Francisco Film Society Inaugural Sloan Science in Cinema Fellowship
[caption id="attachment_20485" align="aligncenter" width="800"]
Michael Almereyda[/caption]
The San Francisco Film Society has selected Michael Almereyda as the inaugural recipient of the Sloan Science in Cinema Filmmaker Fellowship, which will support the development of the screenplay for his upcoming narrative feature project about Nikola Tesla. The Sloan Science in Cinema Filmmaker Fellowship is funded by the Alfred P. Sloan Foundation as part of their support of programs that cultivate and champion films that explore scientific or technological themes and characters. Under the auspices of its Artist Development program, the SF Film Society will award fellowships to filmmakers developing screenplays that tell stories related to science or technology.
The Sloan Science in Cinema Filmmaker Fellowship will be awarded twice annually, and include a $35,000 cash grant and a two-month residency at FilmHouse, the Film Society’s suite of production offices for local and visiting independent filmmakers. Fellows will gain free office space alongside access to weekly consulting services and professional development opportunities. The Film Society will connect each fellow to a science advisor with expertise in the scientific or technological subjects at the center of their screenplays, as well as leaders in the Bay Area’s science and technology communities. In addition to the residency and grant, the Film Society’s Artist Development team will offer industry introductions to producers and casting, financing, and creative advisors — investing in fellows from early script development stages through to release. Additional filmmaker support programs include the SF Film Society / Kenneth Rainin Foundation Filmmaking Grant, the Documentary Film Fund and full-year FilmHouse residencies.
“I’m grateful for the ongoing support and encouragement of the San Francisco Film Society and the Sloan Foundation,” said Almereyda. “I’m looking forward to spending time in San Francisco, meeting with advisors in the area and having access to the city’s rich cultural resources.”
Michael Almereyda dropped out of college to pursue filmmaking, and wrote his first screenplay about Nikola Tesla, the very subject he returns to now. His films have alternated between fiction and documentary, and (with very few exceptions) have been self-generated, independent productions. Almereyda has received numerous awards and prizes, including a Guggenheim Fellowship for film/video in 2005, and a Creative Capital Grant for filmmaking in 2014. He has participated in five residencies at the MacDowell Colony in New Hampshire, most recently in 2015. Almereyda’s writing on film has appeared in the New York Times, Film Comment, Artforum, and booklets for the Criterion Collection. His film credits include Hamlet (2000), William Eggleston in the Real World (2005), Paradise (2009), Experimenter (2015), and Marjorie Prime, which premiered at the 2017 Sundance Film Festival and was awarded the Sloan Feature Prize.
Tesla tracks the struggles and achievements of Nikola Tesla — one of the most brilliant and innovative scientific minds of his time — from his arrival in the US in 1884 to his solitary death in a New York hotel room in 1943. The story chronicles Tesla’s earliest patents and prototypes, his manufacturing partnership with George Westinghouse, and the fierce “Battle of the Currents” that brought Tesla’s ideas for alternating current head to head with the direct current system favored by Thomas Edison. Celebratory exhibitions at the 1893 World’s Fair lead to a coveted commission to design the titanic power station harnessing the force of Niagara Falls. Yet even at the peak of his fame and success, Tesla sets out to explore more radical ideas — the first applications of radio and radio-controlled machines, and the transmission of energy without wires. The film will highlight the glorious possibilities brought forth by technological advances while also admitting their limits, measured against the abiding mysteries of human feelings and desires.
Applications are now being accepted for the next round of the Sloan Science in Cinema Filmmaker Fellowship. The early deadline for applications is April 18; the final deadline is April 25. Visit San Francisco Film Society for more details.
-
8 Female Filmmakers Selected for 2017 AFI Conservatory Directing Workshop for Women
[caption id="attachment_20475" align="aligncenter" width="1200"]
AFI 2016 Honorary Degree recipient Rita Moreno[/caption]
The AFI Conservatory Directing Workshop for Women (DWW) — AFI’s filmmaker training program committed to increasing the number of women working as directors and showrunners in film and television — has revealed the eight participants for 2017–2018. Following a recent kick-off event on the AFI Campus with DWW’s 2017 Distinguished Artist, filmmaker Paul Feig (BRIDESMAIDS, GHOSTBUSTERS, SPY and a four-time Emmy® nominee for TV’s THE OFFICE), the Class of 2018 will embark on a year of mentorship, collaboration and creation to make a short film or series — all in preparation for professional success in narrative directing. Feig, a longtime champion of female creators through his film and television work and his production banner Feigco Entertainment, fielded questions from the incoming DWW participants in an intimate meet-and-greet on Friday, February 3, on campus.
“To meet with this amazingly impassioned group of diverse, talented filmmakers is a dream come true,” said Feig. “I salute the AFI for their strong support of female storytellers. We need their voices more than ever.”
The DWW Class of 2018 filmmakers are: Beth de Araújo, Georgia Fu, Milena Govich, Tiffany Johnson, Katrelle Kindred, Nancy Mejía, Gandja Monteiro and Lorraine Nicholson.
BETH DE ARAÚJO
A dual citizen in the U.S. and Brazil, Beth de Araújo was born in San Francisco to a Chinese-American mother and a Brazilian father. She acquired a soccer scholarship to UC Berkeley, where she studied institutions, behavior and poetry, graduating with a BA in Sociology. She also spent a semester abroad at Hong Kong University creating an independent study focused on gender, sexuality and religion. She discovered she wanted to be a storyteller, leading her to acquire her MFA in Screenwriting at the AFI Conservatory. Her most recent screenplay, “I Want to Marry a Creative Jewish Girl,” based on her Gawker essay, won Best Screenplay Runner-up in the HollyShorts 2016 Screenplay Competition. Her latest short film as director/writer, INITIATION, premiered in September 2016 at the Oscar®-qualifying Los Angeles Shorts Film Festival. Currently, de Araújo is a staff writer/associate producer on a new one-hour comedy anthology series for Lifetime Movie Network, MY CRAZY SEX, which will premiere in early 2017. She will also make her TV directorial debut on two episodes of the series.
GEORGIA FU
Georgia Fu was born in Taipei, Taiwan, but immigrated to California with her parents when she was two years old. She found cinema as a way into understanding American culture, and ever since has had an avid passion for seeing life through the lens of film.
For her undergraduate degree, she attended New York University’s (NYU) Tisch School of the Arts for Cinema Studies with a minor in East Asian Studies. In college, she gained valuable film experience working for the production company ThinkFilm and producer Barbara De Fina (GOODFELLAS). After college, she spent more than a year in Taiwan taking on the important task of relearning her native language, Chinese, at National Taiwan University.
After Taiwan she was able to continue her passion for moving around the world, living in Paris and Hong Kong, while working at the photo desk at the International Herald Tribune. After her stint in journalism, she returned to her love of film by pursing her graduate degree at NYU’s Tisch Asia in Singapore.
While at Tisch Asia, she made the short film GIGANTIC (2012), which screened at the Slamdance Film Festival and Chicago International Film Festival, where it was nominated for the Gold Hugo Award for Best Short Film. Her latest project, her Taiwan-shot NYU grad thesis film MISS WORLD, is currently in post-production.
Fu is also completing a photo project on incarceration under the guidance of the VII Photo Masterclass in Berlin.
In addition to her own films, she has often worked as either editor or assistant director on countless productions around the world, in places as varied as Prague, Los Angeles, China, Japan, the Philippines, Taiwan, Indonesia, Macau and Hong Kong.
MILENA GOVICH
Milena Govich is a director, actress, singer and musician. On Broadway, she performed in “Cabaret” at Studio 54, “Boys From Syracuse” and “Good Vibrations.” On television, she acted in starring roles on FINDING CARTER (MTV), LAW & ORDER (NBC) and CONVICTION (NBC), and recurred on a number of others, most notably RESCUE ME (FX). On film, she starred opposite Steve Guttenberg in A NOVEL ROMANCE (2011) and opposite Method Man in #LUCKY NUMBER (2015). She has regularly performed onstage in the popular For the Record performance series in Los Angeles.
Govich has mentored with more than a dozen established film and television directors. She made her first official foray into directing this past year with the short film TEMPORARY. A native of Norman, OK, she graduated valedictorian from her high school and went on to graduate valedictorian from the University of Central Oklahoma with a double major in Pre-Med and Vocal Performance, as well as minors in Dance and Violin. She is currently developing TV and film projects with her husband and producing partner, writer David Cornue.
TIFFANY JOHNSON
Hailing straight out of Compton, Tiffany Johnson is a filmmaker and storyteller.
Since graduating from film school, she has worked for several TV and film production companies such as CBS, Overbrook Entertainment and Film Independent, and has assisted Academy Award®-winning producer Peggy Rajski. For the past few years, she has freelanced as a producer on numerous live television award shows. Her credits include MTV Movie Awards, MTV Video Music Awards, NAACP Image Awards, People’s Choice Awards and the Primetime Emmys®.
In 2014, she directed her second short film, LADYLIKE. A collaboration with creative partner Nicholas P. Williams, LADYLIKE screened at multiple festivals including the San Francisco Black Film Festival, the Lower East Side Film Festival and the Diversity in Cannes showcase, where she won the Director’s Choice Award.
Johnson continues to develop her own projects, including the feature-film version of LADYLIKE. She is currently in post-production on her latest short film, DEAD GAY FICTIONAL.
KATRELLE KINDRED
A native of South Los Angeles, Katrelle Kindred is an award-winning director, writer and producer. After teaching English Language Arts in Compton, CA, Kindred completed her graduate studies in Film Production at USC’s School of Cinematic Arts. Her short film, SON SHINE (2013), played dozens of film festivals across the country, winning several awards including Best Narrative at the Humboldt International Film Festival; the San Francisco Black Film Festival’s Ava Montague Award; and Best Actor at the Los Angeles Women’s International Film Festival.
Her producing work includes 2015’s Student Academy Award Gold winner LOOKING AT THE STARS, and THE BIG CHOP (2016), which was optioned to HBO.
In the future, Kindred would like to continue creating honest stories that focus on global, social issues and on people often unheard.
NANCY MEJÍA
Nancy Mejía is a director/writer from Los Angeles, CA. A first-generation Salvadoran American, she endeavors to explore and share original portrayals of diverse, overlooked communities. She was awarded the 2014 Latino Film Fund Seed Grant and 2015 Latino Screenwriting Project Fellowship, a lab organized with consulting support from the Sundance Institute. Her short, MATEO (2014), about a Latino teen’s fraught relationship with his abusive father, aired on El Rey Network in celebration of Hispanic Heritage Month. Her dramatic screenplay “Jennifer’s Tigers” — a coming-of-age story following a relationship between an African-American girl and a Caucasian girl in the mid-20th-century American South — was a 2014 quarterfinalist for the Academy Nicholl Fellowship in Screenwriting and selected as part of the National Association of Latino Independent Producers’ 2015 Diverse Women in Media Residency Lab. Recently, she was a finalist for the 2016-18 ABC-Disney Directing Program. For the past year, she has been in development with MiTú network working on a scripted teen drama series. Currently, she is co-creating a supernatural comedy-horror series, DARK WOLF GANG.
GANDJA MONTEIRO
Gandja Monteiro is a director, writer and producer based in Los Angeles and São Paulo. Raised between New York’s Lower East Side and Brazil, she has been making films since she was 17 and traveling the world since she was just three months old. This early exposure to such vast cultures instilled a curiosity that has always inspired and informed her work.
Since graduating in film from NYU’s Tisch School of the Arts, she has directed work in more than a dozen countries, four continents and eight languages. Her narrative short ALMOST EVERY DAY (2009) won international visibility in festivals such as Tribeca and Palm Springs, and went on to be shortlisted for the Academy Awards®.
Monteiro has directed commercials and branded content for industry heavy-hitters such as Nike, Adidas, Coca-Cola, AT&T, Chevrolet and Smirnoff, among others. She recently wrapped production on her first TV project, an hour-long episode for HBO’s documentary series YOUTH, produced by Prodigo Films.
LORRAINE NICHOLSON
Director/writer Lorraine Nicholson most recently completed her third short film, LIFE BOAT. Nicholson’s first short, THE INSTANT MESSAGE, explores teenage sexuality in the internet age. Her second short, THIS MAGIC MOMENT, depicts the unconventional love between a movie star and her stalker. Additional writing and directing credits include R.I.P., an eight-episode web series on Blumhouse’s CrypTV, which champions new voices in filmmaking.
Additionally, Nicholson brought her fresh perspective to up-and-coming artist Hana’s music video for “Clay,” and to a trio of stop-motion videos she co-directed for Grammy®-nominated artist Tommy Trash’s “Luv U Giv” EP. She also worked as a staff writer on Bret Easton Ellis’ series THE DELETED.
Nicholson has honed her filmmaking skills working as an actress for 10 years. Her wide range of credits include the feature films CLICK (2006) with Adam Sandler, SOUL SURFER (2011) with Helen Hunt and Bobcat Goldthwait’s WORLD’S GREATEST DAD (2009).
Born and raised in Los Angeles, Nicholson graduated from Brown University in 2012.
The 2017 DWW Showcase for this year’s graduating class of participants, who began their work in the program last year, will take place on April 18, 2017, at the DGA Theater in Los Angeles.
-
MOONLIGHT Named Best Film of 2016 by the Black Film Critics Circle
[caption id="attachment_18892" align="aligncenter" width="1000"]
Moonlight[/caption]
Moonlight was voted Best Film of 2016 by the Black Film Critics Circle (BFCC); Barry Jenkins was also named Best Director for Moonlight.
Recognizing achievements in theatrical motion pictures, the BFCC awarded prizes in 13 categories including best picture, best director, original and adapted screenplay, best actor, best actress, best supporting actor, best supporting actress, best animated feature, best independent film, best documentary feature, best foreign film and best ensemble. Special signature awards are also given to industry pioneers and rising stars.
“This has been a year of progress to cinema of color” says co-president, Mike Sargent. “Though politically it may seem we may be moving backwards.” “The recent announcement from BAFTA and the changes behind the scenes in Hollywood and the Global film industry have been represented in this years slate if films.” Their successes at the box office and acknowledgement by fellow Awards organizations denote the significance of the global black experience as captured on film.” “Congratulations to all the winners.”
The complete list of 2016 Black Film Critics Circle award winners include:
Best Film: Moonlight
Best Director: Barry Jenkins
Best Actor: Denzel Washington, Fences
Best Actress: Ruth Negga, Loving
Best Supporting Actor: Mahershala Ali, Moonlight
Best Supporting Actress: Viola Davis, Fences
Best Original Screenplay: Barry Jenkins, Moonlight
Best Adapted Screenplay: August Wilson, Fences
Best Cinematography: James Laxton, Moonlight
Best Foreign Film: Elle from France
Best Documentary: 13th
Best Animated Film: Zootopia
Best Ensemble: Fences
BFCC Signature Awards include:
Pioneer Award – Mahershala Ali
This year’s BFCC Pioneer Award is given to Mahershala Ali, for contributions in TV/Film this year with ‘House of Cards’, ‘Luke Cage’, ‘Free State of Jones’, ‘Kicks’, ‘Moonlight’ and ‘Hidden’Figures’. Mahershala has proved that perseverance; artistic integrity and an unerring commitment to excellence will always yield remarkable results. Since his Acting Debut as a series regular on TV shows such as ‘Crossing Jordan’ and ‘Threat Matrix’ before his breakthrough role as Richard Tyler in the science-fiction series ‘The 4400’. To his His first major film role in the 2008’s ‘The Curious Case of Benjamin Button’. Mahershala continue to expand the boundaries of what black actors can achieve and embodies the very essence of the word Pioneer.
Rising Star Award – Janelle Monae
Janelle Monae’s acting work in ‘Moonlight’and ‘Hidden Figures’ shows that beyond her artistic achievements as a singer-songwriter she is a wonderful storyteller and excels in any part of that creative process. The integrity and honesty she brings to her characters and performances shows she will truly be an acting force to be reckoned with in the years ahead.
Special Mention – I Am Not Your Negro
Special Mention goes to the documentary “I Am Not Your Negro” By Director Raoul Peck. Based on James Baldwin’s unfinished manuscript ‘Remember This House’ and narrated by Oscar-nominated actor Samuel L. Jackson, the film explores the history of race relations in the United States through Baldwin’s reminiscences of civil rights leaders Medgar Evers, Malcolm X and Martin Luther King, Jr.. The film is both heartbreaking, powerful and vividly illustrates America’s history of racism, injustice, violence, exploitation of Black Americans. This is truly a film we felt needed special recognition.
Black Film Critics Circle Top Ten Films of 2016
Top 10
1. Moonlight
2. Fences
3. La La Land
4. Hidden Figures
5. Arrival
6. Manchester By The Sea
7. Hell or High Water
8. Miss Sloane
9. Eye In The Sky
10. Miss Sharon Jones!
-
2017 Satellite Awards: LA LA LAND and MANCHESTER by the Sea Win Best Film
[caption id="attachment_18874" align="aligncenter" width="1000"]
La La Land[/caption]
Here are the winners of the International Press Academy’s 21st Annual Satellite Awards, La La Land and Manchester by the Sea won the award for Best Film. La La Land was the big winner of the night, winning in addition to the aforementioned Best Film, also grabbed the awards for Original Score, Original Song and ‘Art Direction and Production Design’.
Special Achievement Award Recipients
Mary Pickford Award
Edward James Olmos
Tesla Award
John Toll
Auteur Award
Tom Ford
Humanitarian Award
Patrick Stewart
Best First Feature:
Russudan Glurjidze “House of Others”
Best Ensemble: Motion Picture
Hidden Figures
Best Ensemble: Television
Outlander
MOTION PICTURES
Actress in a Motion Picture (major and independent)
Ruth Negga
Loving
Focus Features
Isabelle Huppert
Elle
Sony Picture Classics
Actor in a Motion Picture (major and independent)
Viggo Mortensen
Captain Fantastic
Bleecker Street
Andrew Garfield
Hacksaw Ridge
Lionsgate
Actress in a Supporting Role
Naomi Harris
Moonlight
A24
Actor in a Supporting Role
Jeff Bridges
Hell or High Water
CBS Films
Motion Picture (major & independent)
La La Land
Lionsgate
Manchester by the Sea
Amazon/Roadside Attraction
Motion Picture, International Film
The Salesman
Iran
Motion Picture, Animated or Mixed Media
My Life As a Zucchini
GKIDS
Motion Picture, Documentary
13th
Netflix
Director
Kenneth Lonergan
Manchester by the Sea
Amazon/Roadside Attraction
Screenplay, Original
Barry Jenkins
Moonlight
A24
Screenplay, Adapted
Kieran Fitzgerald, Oliver Stone
Snowden
Open Road
Original Score
Justin Hurwitz
La La Land
Lionsgate
Original Song
“City of Stars”
La La Land
Lionsgate
Cinematography
Bill Pope
The Jungle Book
Disney
Visual Effects
The Jungle Book
Disney
Film Editing
John Gilbert
Hacksaw Ridge
Lionsgate
Sound (Editing and Mixing)
Hacksaw Ridge
Lionsgate
Art Direction and Production Design
David Wasco
La La Land
Lionsgate
Costume Design
Madeline Fontaine
Jackie
Fox Searchlight
TELEVISION
Miniseries/Motion Picture Made for Television
The People v. O.J. Simpson: American Crime Story
FX
Actress in a Miniseries or a Motion Picture Made for Television
Sarah Paulson
The People v. O.J. Simpson:, FX
Actor in a Miniseries or a Motion Picture Made for Television
Bryan Cranston
All the Way, HBO
Actress in a Supporting Role in a Series, Miniseries or Motion Picture made for Television
(TIE) Olivia Colman
The Night Manager, AMC
Rhea Seehorn
Better Call Saul, AMC
Actor in a Supporting Role in a Series, Miniseries or Motion Picture made for Television
Ben Mendelsohn
Bloodline, Netflix
Television Series, Drama
The Crown
Netflix
Television Series, Genre
Outlander
Starz
Actress in a Series, Drama / Genre
Evan Rachel Wood
Westworld, HBO
Actor in a Series, Drama / Genre
Dominic West
The Affair, Showtime
Television Series, Comedy or Musical
Silicon Valley
HBO
Actress in a Series, Comedy or Musical
Taylor Schilling
Orange is the New Black, Netflix
Actor in a Series, Comedy or Musical
William H. Macy
Shameless, Showtime
BLU-RAY DVD’S
BEST OVERALL
Outlander
Starz
YOUTH
Zootopia
Disney
VIDEO GAMES
SPORTS/RACING GAME
NHL 17
EA
ACTION/ADVENTURE GAME
Dark Souls III
From Software
MOBILE GAME
Mini Metro
Dinosaur Polo Club
-
Southeastern Film Critics Association Named MOONLIGHT the Best Movie of 2016
[caption id="attachment_18907" align="aligncenter" width="1200"]
MOONLIGHT[/caption]
The Southeastern Film Critics Association has named “Moonlight” the best film of 2016. The film was also the winner or runner-up in seven of the nine other categories in which it was eligible.
The Southeastern Film Critics Association (SEFCA) represents print, broadcast and online journalists in nine Southern states, including Tennessee, Arkansas, Louisiana, Georgia, Alabama, Florida, Virginia and North and South Carolina.
The organization’s Gene Wyatt Award, dedicated to the film that best represents “the spirit of the South,” went to Arkansas-born writer-director Jeff Nichols’ “Loving,” a drama based on the true-life story of the Virginia couple whose interracial marriage led to the Supreme Court’s ruling against “miscegenation” laws. Nichols — the brother of Ben Nichols, frontman of the Memphis rock band Lucero — previously won the Wyatt for “Mud” (2012) and his debut feature, “Shotgun Stories” (2007). “Moonlight,” set mostly in Florida, was the Wyatt runner-up.
The complete results of 2016 Southeastern Film Critics Association Awards:
Top 10 Films
1. “Moonlight.”
2.”Manchester by the Sea.”
3. “La La Land.”
4. “Hell or High Water.”
5. “Loving.”
6. “Arrival.”
7. “Fences” and “Jackie” (tie).
8. “Nocturnal Animals.”
9. “Hidden Figures.”
Best Actor:
Winner — Casey Affleck, “Manchester by the Sea.”
Runner-up — Denzel Washington, “Fences.”
Best Actress:
Winner — Natalie Portman, “Jackie.”
Runner-up — Ruth Negga, “Loving.”
Best Supporting Actor:
Winner — Mahershala Ali, “Moonlight.”
Runner-up — Jeff Bridges, “Hell or High Water.”
Best Supporting Actress:
Winner – Viola Davis, “Fences.”
Runner-up – Naomie Harris, “Moonlight.”
Best Ensemble:
Winner — “Moonlight.”
Runner-up — “Manchester by the Sea.”
Best Director:
Winner (tie) — Damien Chazelle, “La La Land,” and Barry Jenkins, “Moonlight.”
Best Original Screenplay:
Winner — Kenneth Lonergan, “Manchester by the Sea.
Runner-up — “Hell or High Water.”
Best Adapted Screenplay:
Winner — Barry Jenkins, “Moonlight” (from the play by Tarell Alvin McCraney).
Runner-up — Eric Heisserer, “Arrival” (from the short story by Ted Chiang).
Best Documentary:
Winner — “I Am Not Your Negro.”
Runner-up — “OJ: Made in America.”
Best Foreign Language Film:
Winner — “The Handmaiden” (South Korea).
Runner-up — “Elle” (France).
Best Animated Film:
Winner — “Zootopia.”
Runner-up — “Kubo and the Two Strings.”
Best Cinematography:
Winner — Linus Sandgren, “La La Land.”
Runner-up — James Laxton, “Moonlight.”
The Gene Wyatt Award:
Winner — “Loving.”
Runner-up — “Moonlight.”
-
MOONLIGHT is Big Winner with Alliance of Women Film Journalists, Wins 7 Awards Incl. Best Film
[caption id="attachment_18892" align="aligncenter" width="1200"]
Moonlight[/caption]
Moonlight is the big winner in this year’s 10th Alliance of Women Film Journalists (AWFJ) EDA Awards, winning awards in seven categories. AWFJ voters show love for director/activist Ava DuVernay with three EDAs, followed by Manchester By The Sea won two.
In the ‘Best Of’ section, this year’s big winner is Moonlight, garnering EDA Awards in seven categories, including Best Film, Best Director for Barry Jenkins, Best Screenplay (Adapted) for Jenkins, Best Actor in a Supporting Role for Mahershala Ali, Best Ensemble Cast for Casting Director Yesi Ramirez, Best Cinematography for James Laxton and Best Editing for Joi McMillon and Nat Sanders.
Manchester By the Sea won EDA Awards for Best Actor for Casey Affleck and Best Screenplay (Original) for Kenneth Lonergan.
Filmmaker Ava DuVernay won three EDAs for Best Documentary for 13th, Best Female Director for 13th and Outstanding Achievement by a Woman in the Film Industry for 13th and for raising awareness about the need for diversity and gender equality in Hollywood
The 2016 AWFJ EDA Awards reflect the organizations commitment to greater gender parity and diversity in the movie industry.
AWFJ EDA BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.
Best Film: Moonlight
Best Director: Barry Jenkins – Moonlight
Best Screenplay, Original: Manchester by the Sea – Kenneth Lonergan
Best Screenplay, Adapted: Moonlight – Barry Jenkins
Best Documentary: 13th – Ava DuVernay
Best Animated Film: Zootopia – Byron Howard, Rich Moore, Jared Bush
Best Actress: Ruth Negga – Loving
Best Actress in a Supporting Role: Viola Davis – Fences
Best Actor: Casey Affleck – Manchester By The Sea
Best Actor in a Supporting Role: Mahershala Ali – Moonlight
Best Ensemble Cast – Casting Director: Moonlight – Yesi Ramirez
Best Cinematography: Moonlight – James Laxton
Best Editing: Moonlight – Joi McMillon and Nat Sanders
Best Non-English-Language Film: The Handmaiden – Park Chan-Wook, South Korea
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.
Best Woman Director: Ava DuVernay – 13th
Best Woman Screenwriter: Kelly Reichardt – Certain Women
Best Animated Female (tie): Judy in Zootopia – Ginnifer Goodwin; and Moana in Moana – Auli’i Cravalho
Best Breakthrough Performance: Ruth Negga – Loving
Outstanding Achievement by A Woman in The Film Industry:
Ava DuVernay – For 13th and raising awareness about the need for diversity and gender equality in Hollywood
EDA SPECIAL MENTION AWARDS
Actress Defying Age and Ageism (tie): Annette Bening – 20th Century Women; and Isabelle Huppert – Elle and Things to Come
Most Egregious Age Difference Between The Lead and The Love Interest Award: Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)
Actress Most in Need Of A New Agent: Jennifer Aniston – Mother’s Day and Office Christmas Party
Bravest Performance: Isabelle Huppert – Elle
Remake or Sequel That Shouldn’t have been Made: Ben Hur
AWFJ Hall of Shame Award: Sharon Maguire and Renee Zellwegger for Bridget Jones’s Baby
-
MOONLIGHT and LOVE & FRIENDSHIP Lead Nominations for London’s Critics’ Circle Film Awards
[caption id="attachment_12014" align="aligncenter" width="1200"]
Love & Friendship[/caption]
Barry Jenkins’ drama Moonlight and Whit Stillman’s comedy Love & Friendship lead the nominations for the 37th London Critics’ Circle Film Awards, garnering seven nominations each. Both are up for Film of the Year, as well as multiple acting honors. The gala ceremony will be held on Sunday January 22nd, 2017, in London, at The May Fair Hotel.
Following close behind is Maren Ade’s German comedy Toni Erdmann with six nominations, while La La Land, Manchester by the Sea and American Honey have five citations each. The winners will be voted on by 140 members of The Critics’ Circle Film Section.
The nominations were announced at The May Fair today by actress Chloe Pirrie and actor-filmmaker Craig Roberts. The 22nd January ceremony will again be hosted by actor-filmmakers Alice Lowe and Steve Oram, who won the critics’ Breakthrough Filmmakers prize in 2012 for their screenplay for Sightseers and have gone on to write and direct Prevenge and Aaaaaaaah!, respectively.
“Our critics nominated more than 160 titles for Film of the Year alone, representing the range of wide opinions and the sheer number of movies critics watch each year,” says Rich Cline, chair of the Critics’ Circle Film Awards. “There was love for everything from Aferim to Zootropolis, including Captains America and Fantastic, plus acclaimed women from Jackie, Julieta, Moana, Christine, Krisha and Victoria to Miss Sloane and Florence Foster Jenkins. Making it onto that final list of nominees is never easy.”
British actors Naomie Harris, Andrew Garfield, Kate Beckinsale and Tom Bennett each received nominations both for specific performances and for their body of work in 2016. Unusually, the writer-directors of four Film of the Year contenders are also nominated for both Screenwriter and Director: Moonlight’s Jenkins, Toni Erdmann’s Ade, La La Land’s Damien Chazelle and Manchester by the Sea’s Kenneth Lonergan.
In addition to Film of the Year, Gianfranco Rosi’s immigration-themed film Fire at Sea is also nominated for both Foreign-Language Film and Documentary. Also contending for Film of the Year are Andrea Arnold’s American Honey, Tom Ford’s Nocturnal Animals, László Nemes’ Son of Saul and Ken Loach’s I, Daniel Blake.
Last year’s ceremony saw George Miller winning both Film and Director for Mad Max: Fury Road, with three awards going to Andrew Haigh’s 45 Years and the Dilys Powell Award presented to Kenneth Branagh.
The full list of nominees for the 37th London Critics’ Circle Film Awards:
FILM OF THE YEAR
American Honey
Fire at Sea
I, Daniel Blake
La La Land
Love & Friendship
Manchester by the Sea
Moonlight
Nocturnal Animals
Son of Saul
Toni Erdmann
FOREIGN-LANGUAGE FILM OF THE YEAR
Fire at Sea
Son of Saul
Things to Come
Toni Erdmann
Victoria
DOCUMENTARY OF THE YEAR
The Beatles: Eight Days a Week – The Touring Years
Cameraperson
The Eagle Huntress
Fire at Sea
Life, Animated
BRITISH/IRISH FILM OF THE YEAR
American Honey
High-Rise
I, Daniel Blake
Love & Friendship
Sing Street
ACTOR OF THE YEAR
Casey Affleck – Manchester by the Sea
Adam Driver – Paterson
Andrew Garfield – Hacksaw Ridge
Jake Gyllenhaal – Nocturnal Animals
Peter Simonischek – Toni Erdmann
ACTRESS OF THE YEAR
Amy Adams – Arrival
Kate Beckinsale – Love & Friendship
Sandra Hüller – Toni Erdmann
Isabelle Huppert – Things to Come
Emma Stone – La La Land
SUPPORTING ACTOR OF THE YEAR
Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Shia LaBeouf – American Honey
Michael Shannon – Nocturnal Animals
SUPPORTING ACTRESS OF THE YEAR
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Riley Keough – American Honey
Michelle Williams – Manchester by the Sea
DIRECTOR OF THE YEAR
Maren Ade – Toni Erdmann
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
László Nemes – Son of Saul
SCREENWRITER OF THE YEAR
Maren Ade – Toni Erdmann
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
Whit Stillman – Love & Friendship
BRITISH/IRISH ACTOR
Tom Bennett – Love & Friendship, Life on the Road
Andrew Garfield – Hacksaw Ridge, Silence
Hugh Grant – Florence Foster Jenkins
Dave Johns – I, Daniel Blake
David Oyelowo – A United Kingdom, Queen of Katwe
BRITISH/IRISH ACTRESS
Kate Beckinsale – Love & Friendship
Rebecca Hall – Christine
Naomie Harris – Moonlight, Our Kind of Traitor, Collateral Beauty
Ruth Negga – Loving, Iona
Hayley Squires – I, Daniel Blake
YOUNG BRITISH/IRISH PERFORMER
Ruby Barnhill – The BFG
Lewis MacDougall – A Monster Calls
Sennia Nanua – The Girl With All the Gifts
Anya Taylor-Joy – The Witch, Morgan
Ferdia Walsh-Peelo – Sing Street
BREAKTHROUGH BRITISH/IRISH FILMMAKER
Babak Anvari – Under the Shadow
Mike Carey – The Girl With All the Gifts
Guy Hibbert – Eye in the Sky, A United Kingdom
Peter Middleton & James Spinney – Notes on Blindness
Rachel Tunnard – Adult Life Skills
BRITISH/IRISH SHORT FILM
Isabella – Duncan Cowles & Ross Hogg
Jacked – Rene Pannevis
Sweet Maddie Stone – Brady Hood
Tamara – Sofia Safonova
Terminal – Natasha Waugh
TECHNICAL ACHIEVEMENT
American Honey – Robbie Ryan, cinematography
Arrival – Sylvain Bellemare, sound design
High-Rise – Mark Tildesley, production design
Jackie – Mica Levi, music
Jason Bourne – Gary Powell, stunts
La La Land – Justin Hurwitz, music
Moonlight – Nat Sanders & Joi McMillon, editing
Sing Street – Gary Clark & John Carney, music
Rogue One – Neal Scanlan, visual effects
Victoria – Sturla Brandth Grovlen, cinematography
-
Interview: Paul Hildebrandt Talks About His Documentary FIGHT FOR SPACE
“If you have ever looked up at the night sky and wondered what is out there, this is the film for you.” Director Paul Hildebrandt puts into perspective the danger and detachment of America’s growing apathy for astronomy in his documentary Fight for Space. Though the Space Race inspired several generations to chase space and seek careers in science and technology, we’ve seen a steady decline in educational pursuit of space exploration in recent years. Fight for Space urges viewers to reawaken the sense of wonder and discovery and includes interviews with big names such as Bill Nye and Apollo 13 astronaut Jim Lovell who share Hildebrandt’s vision for the future of the final frontier. We sat down with Paul, who’s love for astronomy, fascination with science fiction and concern for future generations galvanized this push to reinvest money and minds into space education.
What was your main motivation for making the documentary?
As an aspiring science fiction writer and soon-to-be father in 2012, I began to think of both how little the future seemed to be offering the next generation in terms of space flight. With the Space Shuttle just having been retired, and the Constellation program canceled, things were not looking up. I dropped the pen on trying to write a science fiction movie, believing that the Star Trek future would never exist until we figure out how to get out of low earth orbit. I had the idea to do a documentary on these issues as a way of bringing attention to them, and off we went.
Have you always been interested in Astronomy or is it something you came to later in life?
For as long as I can remember I’ve always been interested in space. Through both practical astronomy and science fiction. I’ve always wondered what could be out there.
Why do you think we lost interest in space education?
Interest in space education and space flight in general has had a bumpy road. In the 60s we were in a cold war with the Soviet Union and this spurred science education further than it had ever been before. Ever since then the focus has been mostly on earth bound problems which seem to resurface and repeat themselves constantly. Today space gets a few headlines and tv specials when NASA or SpaceX announces something, but we haven’t seen any of this come to be yet. To reignite interest in space we need to actually do something, not just talk about. Pulling back from the Moon and ending that program was I believe, a huge mistake and the ultimate answer to your question.
How long did it take to shoot? Did you run into any challenges while making it?
The film took about 4 years and change to make and it was incredibly challenging for me, both personally and professionally. NASA for example, did not want any part of the project because the question of “Why haven’t we gone back to the Moon?” Was too negative for their PR. I was given great help in finding footage and acquiring information but completely restricted from visiting any NASA facility or interviewing any NASA personnel officially. So a film that was originally going to be a film looking at how NASA was going to do all these great things in the future turned into more of a tragedy about why we stopped going and how messed up things are today. I learned a lot making this film and I’m excited to take these lessons into my next film, producing it quicker and more efficiently.
Can you tell our readers why they should see Fight for Space and what you want the audience to take away from the film?
Fight for Space is a film about the great things that we have done, and what we can do if we put our heads together and just do it. I’d like the audience to take away from this film all of the benefits that can be gained by doing space exploration and to see how badly it’s been messed up over the years. If you have ever looked up at the night sky and wondered what is out there, this is the film for you.
Can you give tips to any prospective Documentary film makers and what did you learn while making Fight for Space?
First, film making is collaborative, you can’t do everything yourself as much as you want to try. With that said it’s also important to follow your heart and make the film how you want to make it. Be expressive with your style of film making.
I learned more making Fight for Space than I ever did in any film class or formal training. Trial and error in both film making, dealing with people both close and far, public relations, technical requirements, archival research, the list is endless. I think the greatest way to learn how to make a movie is to make one. You can’t be told how to do it.
What’s next step for both you and the doc?
For the doc, I hope to continue showing it around the country and various festivals and then finally get it on some streaming services so everyone can see it as soon as possible.
As for me, after I wind down from this it’s off to make more documentaries, maybe about space, maybe not. Taking what I’ve learned and doing it better than I did last time, that’s what it’s about.
https://www.youtube.com/watch?v=e58zMy9kvuU
-
Julie Sokolow Talks WOMAN ON FIRE, Her Documentary on NYC’s First Openly Transgendered Firefighter
[caption id="attachment_18351" align="aligncenter" width="1000"]
Woman On Fire[/caption]
In addition to the grueling physical and emotional strength it takes to be a firefighter, Brooke Guinan bore the weight of judgment and the weight of hormonal changes to carry out both her desire to be a firefighter and her destiny to transition from male to female. Woman On Fire documents the life and struggles Guinan went through to fulfill both sides of who she was meant to be. The documentary takes a powerful look at the path of transitioning your gender in an overwhelmingly macho profession. We interviewed the director Julie Sokolow to discuss the trials, tribulations, and triumphs of making the film and the message it gets across.
This is such an important and moving topic, can you briefly describe what Women on Fire is about?
Woman on Fire tells the story of Brooke Guinan, the first openly transgender firefighter in NYC. She’s also a third generation firefighter whose father and grandfather served in the FDNY. We follow Brooke as she emerges as a national role model – working against all odds to come out as transgender in an old-school, conservative workplace all while recruiting and training women and LGBTQ people for one of the most traditional jobs in the world.
What was your main motivation for making the documentary?
In 2014, an empowering photograph of Brooke went viral. She’s standing tall with her hands on her hips in a shirt that reads, “So Trans So What”. I thought, wow, she is the future. Her story sparked my imagination of a society in which we work peacefully alongside trans individuals in all sorts of professions. Brooke’s father George is a respected lieutenant with 35 years on the job. He’s also Republican, devoutly Christian, and very accepting of Brooke. To me, their relationship embodied the polarized political forces in America today. I wanted to explore that and celebrate Brooke’s unique life and family.
How long did it take to shoot? Did you run into any challenges while making it?
The film took about a year and a half to shoot. I was simultaneously editing while shooting towards the end. Brooke’s life was so dynamic, I didn’t want to leave anything out of the edit. She was busy working at FDNY headquarters and volunteering with the United Women Firefighters, all while buying a house with her partner Jim and considering marriage. So the film is all of these things – part family history, part love story, part expose.
Can you tell our readers why they should see Woman on Fire and what you want the audience to take away from the film?
You should see Woman on Fire because it is authentic, funny, sweet, and inspiring – just like Brooke. Brooke and I became great friends through the making of this film. I hope our friendship is contagious to audiences and people leave the theater with a sense of kindness for the trans people they encounter in their own lives.
Can you give tips to any prospective Documentary filmmakers?/What did you learn while making Woman on Fire?
One of the coolest parts of making this film was getting really close with Brooke and her family. I would stay at their house for weeks at a time while filming. I know that’s not possible for every documentary, but I really liked the intimacy. It wasn’t just me filming for a couple of hours and then running back home to my own life. Brooke became part of my life and I became part of hers. I think that helped me tell a better story. So I guess the advice is to be immersed and invested in the stories you tell as best you can.
What’s the next step for both you and the doc?
Woman on Fire premieres at DOC NYC on November 15th, followed by an encore screening on November 17th. After that, we’ll play more festivals, tour around, and try to share Brooke’s story as much as we can. The story is a beacon of hope in these tough times so I can’t wait for people to be able to see it and get inspired by Brooke the way she inspired me.
-
Director Michael Galinsky Talks About ALL THE RAGE ( SAVED BY DR. SARNO)
[caption id="attachment_18275" align="aligncenter" width="1000"]
All the Rage ( Saved by Dr. Sarno)[/caption]
In a world where instant gratification and quick fixes are king, alternative approaches to healing are commonly dismissed. Director Michael Galinsky explores the world of psychosomatic pain in All the Rage ( Saved by Dr. Sarno) by documenting both the teachings of Dr. Sarno as well as the Galinsky’s own experiences of applying Dr. Sarno’s theories to his immobilizing back pain. The documentary boasts big names whose lives have been changed by Dr. Sarno, like Howard Stern and Larry David, and is a refreshing angle on a medical innovation. Rather than relying on the more clinical approach of talking heads and client confessions, watching the director himself go on this journey gives a point of view that isn’t often shown in medical documentaries and is a key factor in successfully persuading the audience on something that could be a very hard sell. All the Rage ( Saved by Dr. Sarno) is world premiering at the DOC NYC 2016.
We interviewed Director Michael Galinsky to give us more insight on All the Rage.
Can you briefly tell the readers what All the Rage is about?
All The Rage began as a film about Dr. John Sarno and his mind body approach to back pain. We came to the story because of a personal connection to it. Michael’s father read Dr. Sarno’s book “Healing Back Pain” in the 80’s and healed from years of chronic whiplash pain. Later Michael’s brother went to see Dr. Sarno when he had such bad hand problems that he could not type or drive. Michael read the book at that point and banished his own recurrent back pain for a decade. When it came roaring back and he was slammed to the floor in incredible pain, he went to see Dr Sarno as well, and thus began a 12 year odyssey to make this film. Over the course of filming it became an increasingly personal story.
What was your main motivation for making the documentary?
We at Rumur knew that Dr. Sarno had a powerful story that needed to be told. We have made four other feature docs about characters who are fighting for what they believe in against great odds. We originally tried making this film as a verite documentary, but quickly found it difficult. In fact, it ended up getting put on hold for many years because we couldn’t raise any funding and we weren’t convinced that we knew how to make it. When Michael’s back problems flared up again in 2011, we were more determined than ever to finish the film. The good news was that the culture had shifted dramatically in the time that the project was on hold. People were much more open to the idea that many health problems had a psychosomatic connection. That made it much more exciting to work on it. That process has only ramped up over the last 5 years.
Being that psychosomatic pain is so often dismissed, were you at all reluctant to make a film about it?
We weren’t reluctant to make, but we did find it hard to fund, and hard to conceptualize. The idea that pain has a psychosomatic basis was widely dismissed as unscientific a dozen years ago. Both doctors and patients found it hard to wrap their minds around the idea that back pain might have an emotional cause. Because of that reality, we needed to be very deliberate about how we told the story. Now the idea is much more accepted and there is a flood of research supporting this idea.
How long did it take to shoot? Did you run into any challenges while making it?
In our first 3 years of trying to get the film off the ground, we shot only 6 hours of tape. By contrast we shot nearly 300 hours on another doc that we were working on at the same time. The first challenge was funding. We applied for dozens of grants, many of them multiple times, but the ideas at the heart of the film didn’t connect. While Dr. Sarno’s ideas are controversial with the mainstream, he does have a large and dedicated following thanks to the success of his best-selling books on back pain. Hundreds of people have said his books changed their lives. That way, we were able to raise funding via kickstarter once we restarted the film. At that point, the only way we could think of a film was in terms of direct cinema. We had no interest in doing talking head interviews. At the same time, there wasn’t much action we could follow. Dr. Sarno would not introduce us to patients and we couldn’t find anyone to follow, so we were kind of stuck. Eventually, we made it more personal as we went along, using Michael’s story as a way to give the audience a character to relate to. We were thenable to make use of the footage we had shot and we ended up interviewing a number of people because it was a complex story that needed many voices.
Can you tell our readers why they should see All the Rage and what you want the audience to take away from the film?
All The Rage won’t provide people with an easy answer to their problems, but it will give them a way to view their lives, and their emotions, in a more open way that should put them on a pathway towards healing. We were very conscious of making a film that honors Dr. Sarno’s legacy without making a film that was just for people who are already fans of his work. We also didn’t want to make a film that was essentially his book in a shortened form, but instead a film that would inspire people to do their own work in coming to understand the ideas. Almost everyone we have shown the film to so far has asked, “Can I show this to my brother/father/friend”. Most people have also said, “This will help so many people!” Last week we saw that a well know comedian cancelled a show due to back pain. We sent him a link that night and in the morning we got a message that said, “Fabulous Film!, Finish it! I’ll promote it!” That same day we heard from another comedian who had just read the book and echoed the sentiments above. The goal was to make a film that drove home the idea that our minds and bodies are intimately connected. I think we accomplished that.
What would you say to nonbelievers in psychosomatic pain? How can a friend or family member convince a nonbeliever with chronic pain to get this kind of help?
As Dr. Sarno points out, you can’t convince anyone of anything. For this reason, we tried to make a film that wouldn’t feel like we were trying to convince them. However we did want to show, to illustrate that connection. By the end of the film it can’t be ignored.
Can you give tips to any prospective Documentary filmmakers?What did you learn while making All the Rage?
Making films takes time. There’s always a way around no. This morning on the way to NY we ran into a friend who works at the airport. We met her when she inquired about our camera bag last year. Turned out that she was interested in film. A couple of weeks later she started to shoot a documentary about a transgender co-worker who was becoming a major advocate for transgender rights. We started to help her shoot and conceptualize the film. There’s been a learning curve there for sure, but she showed us something she shot earlier this week just before the election. It’s going to be a several year shoot and she is coming to understand what needs to get shot and what she can let go. It was awesome to see how much she’s learned- which leads to you learn by doing!
What’s next step for both you and the doc?
We hope that the film changes the conversation about health care. We have a half dozen films in the fire- but we know we are going to spend the next year getting this film out.
All the Rage World Premiered at DOC NYC 2016 and will screen again on Tuesday, November 15, 2016, 9:45 PM at the IFC Center.
For tickets and more information click here.
