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  • 134 Documentary Features Submitted For 2014 Oscar® Race

    Pelican DreamsPelican Dreams

    One hundred thirty-four features have been submitted for consideration in the Documentary Feature category for the 87th Academy Awards®.

    The submitted features, listed in alphabetical order, are:

    “Afternoon of a Faun: Tanaquil Le Clercq”
    “Ai Weiwei: The Fake Case”
    “Algorithms”
    “Alive Inside”
    “All You Need Is Love”
    “Altina”
    “America: Imagine the World without Her”
    “American Revolutionary: The Evolution of Grace Lee Boggs”
    “Anita”
    “Antarctica: A Year on Ice”
    “Art and Craft”
    “Awake: The Life of Yogananda”
    “The Barefoot Artist”
    “The Battered Bastards of Baseball”
    “Before You Know It”
    “Bitter Honey”
    “Born to Fly: Elizabeth Streb vs. Gravity”
    “Botso The Teacher from Tbilisi”
    “Captivated The Trials of Pamela Smart”
    “The Case against 8”
    “Cesar’s Last Fast”
    “Citizen Koch”
    “CitizenFour”
    “Code Black”
    “Concerning Violence”
    “The Culture High”
    “Cyber-Seniors”
    “DamNation”
    “Dancing in Jaffa”
    “Death Metal Angola”
    “The Decent One”
    “Dinosaur 13”
    “Do You Know What My Name Is?”
    “Documented”
    “The Dog”
    “E-Team”
    “Elaine Stritch: Shoot Me”
    “Elena”
    “Evolution of a Criminal”
    “Fed Up”
    “Finding Fela”
    “Finding Vivian Maier”
    “Food Chains”
    “The Galapagos Affair: Satan Came to Eden”
    “Getting to the Nutcracker”
    “Glen Campbell…I’ll Be Me”
    “Gore Vidal: The United States of Amnesia”
    “The Great Flood”
    “The Great Invisible”
    “The Green Prince”
    “The Hacker Wars”
    “The Hadza: Last of the First”
    “Hanna Ranch”
    “Happy Valley”
    “The Hornet’s Nest”
    “I Am Ali”
    “If You Build It”
    “The Immortalists”
    “The Internet’s Own Boy”
    “Ivory Tower”
    “James Cameron’s Deepsea Challenge”
    “Jodorowsky’s Dune”
    “Journey of a Female Comic”
    “Keep On Keepin’ On”
    “Kids for Cash”
    “The Kill Team”
    “Korengal”
    “La Bare”
    “Last Days in Vietnam”
    “Last Hijack”
    “The Last Patrol”
    “Levitated Mass”
    “Life Itself”
    “Little White Lie”
    “Llyn Foulkes One Man Band”
    “Magician: The Astonishing Life and Work of Orson Welles”
    “Manakamana”
    “Merchants of Doubt”
    “Mission Blue”
    “Mistaken for Strangers”
    “Mitt”
    “Monk with a Camera”
    “Nas: Time Is Illmatic”
    “National Gallery”
    “Next Goal Wins”
    “Next Year Jerusalem”
    “Night Will Fall”
    “No Cameras Allowed”
    “Now: In the Wings on a World Stage”
    “Occupy the Farm”
    “The Only Real Game”
    “The Overnighters”
    “Particle Fever”
    “Pay 2 Play: Democracy’s High Stakes”
    “Pelican Dreams”
    “The Pleasures of Being Out of Step”
    “Plot for Peace”
    “Point and Shoot”
    “Poverty Inc.”
    “Print the Legend”
    “Private Violence”
    “Pump”
    “Rabindranath Tagore – The Poet of Eternity”
    “Red Army”
    “Remote Area Medical”
    “Rich Hill”
    “The Rule”
    “The Salt of the Earth”
    “Shadows from My Past”
    “She’s Beautiful When She’s Angry”
    “A Small Section of the World”
    “Smiling through the Apocalypse – Esquire in the 60s”
    “Supermensch: The Legend of Shep Gordon”
    “The Supreme Price”
    “Tales of the Grim Sleeper”
    “Tanzania: A Journey Within”
    “This Is Not a Ball”
    “Thomas Keating: A Rising Tide of Silence”
    “Through a Lens Darkly: Black Photographers and the Emergence of a People”
    “True Son”
    “20,000 Days on Earth”
    “Unclaimed”
    “Under the Electric Sky”
    “Underwater Dreams”
    “Virunga”
    “Waiting for August”
    “Walking the Camino: Six Ways to Santiago”
    “Warsaw Uprising”
    “Watchers of the Sky”
    “Watermark”
    “We Are the Giant”
    “We Could Be King”
    “Whitey: United States of America v. James J. Bulger”
    “A World Not Ours”

    Several of the films have not yet had their required Los Angeles and New York qualifying releases. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules in order to advance in the voting process.  A shortlist of 15 films will be announced in December.

    Films submitted in the Documentary Feature category also may qualify for Academy Awards in other categories, including Best Picture, provided they meet the requirements for those categories.

    The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

     

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  • European Film Academy to Honor Writer/Director, Agnès Varda

    agnes varda

    The European Film Academy will present Agnès Varda with the Lifetime Achievement Award for what they describe as her outstanding body of work.  As a writer and director, Agnès Varda continues to be an important voice in French and European cinema as well as in the world of art. Her first film, LA POINTE COURTE (1954), was hardly shown but it already gave a glimpse of her very personal style and earned her the title of «grandmother of the French New Wave». Her film CLEO FROM 5 TO 7 (Cléo de 5 à 7, 1961) was selected at Cannes Festival and won the French Critics’ Award. 

    Among her many films are LIONS LOVE (… and LIES) (1968), DOCUMENTEUR (1981), shot in Los Angeles, ONE SINGS THE OTHER DOESN’T (L’une chante, l’autre pas, 1976), JACQUOT (de NANTES) (1990)… All her films often combine the fictional with the documentary.

    She has won virtually every award there is, among them a Silver Bear in Berlin for HAPPINESS (Le Bonheur, 1965), a Golden Lion in Venice for VAGABOND (Sans toit ni loi, 1985), a European Film Award for THE GLEANERS AND I (Les Glaneurs et la glaneuse, 2000), and a French César for THE BEACHES OF AGNÈS (Les Plages d’Agnès, 2008).
    Her work has been honoured with a Carosse d’Or at the Cannes Festival, an honorary César and a Pardo d’onore in Locarno.

    Agnès Varda has created more than 30 short, documentary and fiction films for both TV and cinema, and exhibitions of photographs and art installations: PATATUTOPIA, created at the Venice Art Biennale 2003, THE WIDOWS OF NOIRMOUTIER in a big exhibition at La Fondation Cartier in Paris (2006), A SHACK OF CINEMA shown at LACMA in Los Angeles (2013) and a solo exhibition, TRIPTYQUES ATYPIQUES at Obadia Gallery in Paris (2014).

    Agnès Varda will be an honorary guest at the 27th European Film Awards Ceremony on December 13, 2014. 

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  • New Official Poster for A MOST VIOLENT YEAR Starring Oscar Isaac, and Jessica Chastain

    a_most_violent_year_poster

    Here is the new OFFICIAL poster for A MOST VIOLENT YEAR, starring Oscar Isaac, and Jessica Chastain.  A MOST VIOLENT YEAR will be open in NY and LA on December 31, 2014 and will expand in January 2015.

    A MOST VIOLENT YEAR is a searing crime drama set in New York City during the winter of 1981, statistically the most dangerous year in the city’s history. From acclaimed writer/director J.C. Chandor, and starring Oscar Isaac (INSIDE LLEWYN DAVIS) and Jessica Chastain (ZERO DARK THIRTY), this gripping story plays out within a maze of rampant political and industry corruption plaguing the streets of a city in decay.

    J.C. Chandor’s third feature examines one immigrant’s determined climb up a morally crooked ladder, where simmering rivalries and unprovoked attacks threaten his business, family, and – above all – his own unwavering belief in the righteousness of his path. With A MOST VIOLENT YEAR, Chandor journeys in a bold new direction, toward the place where best intentions yield to raw instinct, and where we are most vulnerable to compromise what we know to be right. 

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  • Watch TRAILER for Iranian Film “A Girl Walks Home Alone At Night”

    a girl walks home alone at night

    Wowser!! Check out the trailer for the Iranian film, “A Girl Walks Home Alone At Night” directed by Ana Lily Amirpour, which just snagged a nomination for Breakthrough Director: 2014 Gotham Independent Film Awards. Kino Lorber will release “A Girl Walks Home Alone At Night” in New York and Los Angeles on November 21st, with national expansion to follow

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  • GOODBYE TO ALL THAT Starring Paul Schneider Sets December Release Date

    goodbye to all that

    Angus MacLachlan’s GOODBYE TO ALL THAT starring Paul Schneider in his Tribeca Film Festival “Best Actor” Award-winning performance opens December 17th theatrically in NYC and on VOD.

    Otto Wall (Paul Schneider, ALL THE REAL GIRLS) is your typical suburban husband and father, domesticated into a state of placidity. When his wife (Melanie Lynskey, UP IN THE AIR) pulls the rug out from underneath him and announces she is filing for divorce, Otto is thrust into the uncharted territory of single fatherhood and – even more frightening – getting back into the rather unpredictable dating pool.

    Schneider shines in his leading role as Otto, supported by the stellar female supporting cast of Lynskey, Heather Graham, Anna Camp, Heather Lawless, Amy Sedaris, Ashley Hinshaw, and Audrey Scott in a breakout role as his young daughter, Edie.

    Making his directorial debut, JUNEBUG screenwriter Angus MacLachlan returns to North Carolina with GOODBYE TO ALL THAT, crafting a film that is at once sexy, moving, and sharply comedic.

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  • A. Sayeeda Moreno and Micah Shaffer Win $15,000 to Develop Feature Screenplay for “White” Which Explores Racial Issues and Climate Change

    A. Sayeeda Moreno and Micah Shaffer A. Sayeeda Moreno and Micah Shaffer

    A. Sayeeda Moreno and Micah Shaffer have been selected to receive this year’s $15,000 San Francisco Film Society / Hearst Screenwriting Grant for development of their script White. The SFFS / Hearst Screenwriting Grant is awarded in the fall of each year to writers residing in the United States who have been practicing for at least five years and who have previously written a minimum of one feature screenplay. 

    “It’s an honor to receive the Hearst Screenwriting Grant, and we are thrilled to be partnering with the San Francisco Film Society at this stage of making our movie,” said Moreno. “The Filmmaker360 program has a great track record of supporting innovative films that advance our collective dialogue, so we’re excited to be in such good company!”

    A. Sayeeda Moreno is a proud native New Yorker, dedicated to the art of directing. Her short film White, funded by ITVS for Futurestates.tv, is also on PBS.org. White screened at SXSW, Tribeca, and BAMcinemaFest, with Precious at the Tri-Continental Film Festival and with Spike Lee’s Crooklyn at the Brooklyn Bridge Film Series. Clarke’s award-winning short Sin Salida aired on HBO/HBOLatino for two years. Her short The Grey Woman premiered at Lincoln Center and won the Hallmark short film competition. Clarke received an MFA in Film from NYU’s Tisch School of the Arts where she was a Dean’s Fellow. She is a Film Independent Fellow for her collaborative screenplay I’m Not Down and is currently developing the feature version of White

    Micah Shaffer is a writer, filmmaker, and educator whose work focuses on forging unexpected connections between people and finding humanity in unforeseen places. Shaffer’s first feature documentary Death of Two Sons was awarded the HBO “Life Through Your Lens” Emerging Documentary Filmmaker Award and was distributed through Netflix. Shaffer then attended the MFA program at NYU’s Tisch School of the Arts, where he wrote and directed several short narrative films. Shaffer has written three feature screenplays, including On the Wall, which was a finalist for an Alfred P. Sloan screenwriting award and a selection at Independent Film Week’s Emerging Narrative Forum. He recently completed a fellowship at the Cinema Research Institute, where he is studying the future of the cross-border financing and coproduction of independent film. 

    White
    It’s another sweltering 120-degree winter day with five more days to Christmas and hot is the only season left. The best protection from the sun remains the naturally occurring melanin in one’s skin. Like many valuable natural resources, in this future it is coveted, extracted, bought, sold and stolen. Bato, who is black, enters into a race against time to save his daughter as he is forced to bargain with the new currency of this world.

    Recent Filmmaker360 success stories include Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012, earned four Academy Award nominations (including Best Picture) and became an indie box office smash.

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  • 8 Doc Shorts On Oscar’s 2014 Shortlist

    Kehinde Wiley: An Economy of GraceKehinde Wiley: An Economy of Grace

    The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 87th Academy Awards® has been narrowed to eight films, of which three to five will earn Oscar® nominations.

    The eight films are listed below in alphabetical order by title, with their production companies: 

    “Crisis Hotline: Veterans Press 1,” Perry Films
    “Joanna,” Wajda Studio 
    “Kehinde Wiley: An Economy of Grace,” Show of Force
    “The Lion’s Mouth Opens,” Tree Tree Tree
    “One Child,” New York University 
    “Our Curse,” Warsaw Film School 
    “The Reaper (La Parka),” Centro de Capacitación Cinematográfica 
    “White Earth,” Weary Traveler

    The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • Neil Patrick Harris to Host 2015 Oscars

    neil patrick harris

    Actor Neil Patrick Harris will host the 87th Oscars®, scheduled to air live on ABC on Oscar® Sunday, February 22, 2015. “It is truly an honor and a thrill to be asked to host this year’s Academy Awards.  I grew up watching the Oscars and was always in such awe of some of the greats who hosted the show,” said Harris. “To be asked to follow in the footsteps of Johnny Carson, Billy Crystal, Ellen DeGeneres, and everyone else who had the great fortune of hosting is a bucket list dream come true.” 

    “We share Craig and Neil’s excitement in welcoming the incredibly talented Neil Patrick Harris,” said Cheryl Boone Isaacs, Academy President.  “He is the consummate entertainer.  Neil’s distinctive charm and showmanship make him the ideal host to honor the Oscar legacy and ensure we all enjoy another unforgettable celebration.”

    “Neil is a terrific actor, singer, risk-taker and collaborator,” said Dawn Hudson, Academy CEO. “We can’t wait to see the show that he and Craig and Neil create together.” 

    A triple-threat performer, Harris has enjoyed a successful career in entertainment.  He can currently be seen starring opposite Ben Affleck and Rosamund Pike in David Fincher’s critically-acclaimed feature film, “Gone Girl.”  Harris garnered multiple Emmy® and Golden Globe award nominations for his role as Barney Stinson on the hit television series, “How I Met Your Mother,” and he won an Emmy for his guest-starring role on “Glee” in 2010.  He also recently starred in the title role of “Hedwig and the Angry Inch” on Broadway, earning the 2014 Tony Award for Best Actor in a Musical.  Harris served as host of the 61st and 65th Primetime Emmy Awards, as well as the 63rd, 65th, 66th and 67th Tony Awards, for which he won four Emmys.  Most recently, Harris added the title of author to his list of accomplishments with the release of his autobiography from Crown Publishing, “Neil Patrick Harris: Choose Your Own Autobiography.”   

    The last two Oscars telecasts, which were produced by Zadan and Meron, received a major spike in the ratings.  The 86th Oscars was TV’s most-watched entertainment event in 10 years and attracted the biggest viewership since 2000, with more than 45 million viewers.  The show resulted in dramatic gains in younger demos and social media conversation, with more than one billion impressions generated on Twitter and 25 million interactions happening on Facebook on Oscar Sunday.  Additionally, the star-studded “selfie” became the most retweeted photo of all time with 32.8 million views.

    The Oscars will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network at 4 p.m. ET/7 p.m. PT. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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  • Robert Redford to be Honored with 42nd Annual Chaplin Award

    Robert Redford

    Robert Redford, Academy Award–winning director, actor, producer, environmentalist, and founder of the Sundance Film Festival and Institute, will be honored by the Film Society of Lincoln Center at the 42nd Annual Chaplin Award Gala held at Lincoln Center on Monday, April 27, 2015. 

    “The Board is thrilled to have Robert Redford as the next recipient of the Chaplin Award,” said Ann Tenenbaum, the Film Society of Lincoln Center’s Board Chairman. “Not only is he an internationally known and loved actor, director, and producer, but perhaps no other single artist has done more to champion the work of independent filmmakers. This makes him a truly distinguished honoree—the Film Society, the New York Film Festival, and the film world in general are immensely richer because of his contributions.”

    Born in 1936 in Santa Monica, Redford began his career in New York in 1959 appearing as a guest star on several TV shows, including The Twilight Zone, Perry Mason, Alfred Hitchcock Presents, and that year also marked his Broadway debut in Tall Story (1959), followed by roles in The Highest Tree (1959), Sunday in New York (1961), and his biggest Broadway success as the newlywed husband in Neil Simon’s Barefoot in the Park (1963). He also earned an Emmy nomination as Best Supporting Actor for his performance in The Voice of Charlie Pont in 1963, followed by one of his last television appearances on Breaking Point.

    Redford made his screen debut in War Hunt (1962), which also marked the directorial debut of Sydney Pollack, and the first of several collaborations between the two. He won his first Golden Globe award for Inside Daisy Clover (1965), in which he played a bisexual movie star who weds Natalie Wood. He worked with the actress again in Pollack’s This Property Is Condemned(1966), and that same year, he starred in Arthur Penn’s The Chase opposite Jane Fonda, with whom he would later reteam with for the movie version of Barefoot in the Park (1967) and Pollack’s The Electric Horseman (1979).

    Playing alongside Paul Newman in 1969’s Butch Cassidy and the Sundance Kid, Redford launched to superstardom, and throughout the following two decades he further cemented his role within film history playing iconic characters in such films asJeremiah Johnson (1972), The Candidate (1972), The Way We Were (1973), the Oscar-nominated The Sting (1973), The Great Gatsby (1974), Three Days of the Condor (1975), All the President’s Men (1976), The Natural (1984) and Out of Africa (1985), winner of seven Academy Awards.     

    Redford’s impressive career also extends behind the camera. He made his directorial debut with the Academy Award–winningOrdinary People, followed by The Milagro Beanfield War (1987), A River Runs Through It (1992), Quiz Show (1994), The Horse Whisperer (1998), and The Company You Keep (2012), among others. 

    He was the recipient of the 1997 National Medal for the Arts by President Clinton. In 2001 he was honored with the Freedom in Film Award presented by the First Amendment Center, and in 2002 received the Pell Award for Excellence in the Arts: Lifetime Achievement Award. In December 2005, Redford accepted the Kennedy Center Honors for his “distinguished achievement in the performing arts and in recognition of his extraordinary contributions to the life of our country.” Most recently, Redford received the Legion d’Honneur medal, France’s highest recognition, from President Nicolas Sarkozy on October 14, 2010.

    Redford starred in last year’s New York Film Festival selection All Is Lost, and just completed production on A Walk in the Woods, based on Bill Bryson’s memoir and co-starring Nick Nolte. It is scheduled for release in 2015. He is now shooting Truthwith Cate Blanchett. The film is based on the book Truth and Duty by Mary Mapes.

    The Film Society’s Annual Gala began in 1972 and honored Charlie Chaplin, who returned to the U.S. from exile to accept the commendation. Since then, the award has been renamed for Chaplin, and has honored many of the film industry’s most notable talents, including Alfred Hitchcock, Billy Wilder, Laurence Olivier, Federico Fellini, Elizabeth Taylor, Bette Davis, James Stewart, Robert Altman, Martin Scorsese, Diane Keaton, Meryl Streep, Tom Hanks, Michael Douglas, Sidney Poitier, Catherine Deneuve, Barbra Streisand and, last year, Rob Reiner.

    image via flickr

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  • Compelling Drama “Diplomatie” (Diplomacy)

    "Diplomatie" (Diplomacy)

    In late August 1944, the Allies were advancing on German-occupied Paris. General von Choltitz (Niels Arestrup) the military governor of Paris (a position he held less than three weeks before the events of the film begin) is given orders to destroy Paris and abandon the city. He enlists a French engineer named Jacques Lanvin (Jean-Marc Roulot) to develop a plan to destroy Paris. Lanvin proposes blowing up the city’s many bridges to cause the Seine to flood, which would destroy the Notre Dame Cathedral, the Louvre, and the Opera. The remaining city monuments – including the Eiffel Tower, the Arc de Triomphe, and Parliament – would be destroyed by explosives. Ironically, Choltitz points out to Lanvin that Paris is Hitler’s favorite city. “So why destroy it?” Lanvin asks. Choltitz responds, “Hitler wanted Berlin to be as beautiful as Paris, and bigger. Now, four years later, Berlin is in ruins, while Paris is as glorious as ever, see? It’s unbearable for him.”

    Swedish diplomat Raoul Nordling (André Dussollier) – who was born and raised in Paris – sneaks into Cholititz’s headquarters and tries to persuade him from destroying the city. Though Choltitz at first dismisses Nordling’s efforts as futile, by appealing to Choltitz’s better nature and his deep-seeded doubts that Germany can win Nordling begins to get through to Coltitz. However, Nordling soon learns that Coltitz fears for something greater than his own life if he does not fulfill the Fuhrer’s orders to destroy Paris are not fulfilled.

    Diplomacy is adapted for the screen from the play by Cyril Gely and the film’s director, Volker Schlöndorff. The stage origins of Diplomacy are obvious – most of the narrative is a two-man show between Choltitz and Nordling, and both actors convey the intense emotion of the weight of history as the debate over the city’s future lies in the balance. Naturally, viewers know that Paris and its monuments remain until this day, but Schlöndorff (who has been directing films for more than half a century) focuses on the dramatic proceedings that led Paris to safety. Like most great play adaptations, the power of the film is in its dialogue. What the film adds that the play would lack on stage is the beautiful shots of Paris’ monuments and the evocative score composed by Jörg Lemberg.

    What Diplomacy primarily offers is two great European actors (both Arestrup and Dussollier are three-time César Award winners) sparing in one of the most monumental decisions in modern European history. Anyone who has an appreciation for history or for effective dramatic  acting will be enthralled by the performances by both men. Of course, if an 84 minute play adaptation based on historical events in German isn’t your thing, you might want to overlook Diplomacy. Despite its wartime setting there are no battles depicted – or any action, for that matter – nor any semblance of romance except for Nordling’s love for Paris. Yet all the ingredients for compelling drama are here – making Diplomacy an excellent film for both history and theater buffs.

    Review Rating: 4 out of 5 : See it …… It’s Very Good

    Diplomacy opens in New York City on Wednesday, October 15 and Los Angeles on Friday, November 7.

     http://youtu.be/rO6jcH5khvE

     

    Credits

    Directed by Volker Schlöndorff
    Written by Cyril Gély, Volker Schlöndorff,
    based on the play by Cyril Gély
    Cinematography Michel Amathieu

    Cast

    André Dussollier (Consul Raoul Nordling)
    Niels Arestrup (General Dietrich von Choltitz)
    Burghart Klaußner (Major Ebernach)
    Robert Stadlober (Leutnant Bressensdorf)
    Charlie Nelson (Concierge)
    Jean-Marc Roulot (Jacques Lanvin)
    Stefan Wilkening (Unteroffizier Mayer)
    Thomas Arnold (Oberleutnant Hegger)
    Lucas Prisor (SS-Officer, Obersturmführer)
    Attila Borlan (SS-Officer)

    Film Info

    2014
    84 mins
    Color
    France/Germany
    In French and German
    DCP
    Aspect ratio: 2.35:1
    Rating: Not Rated

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  • 83 Countries In Competition For 2014 Foreign Language Film Oscar

    A Few Cubic Meters of Love

    A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards®.  Kosovo, Malta, Mauritania and Panama are first-time entrants.

    The 2014 submissions are:

    Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;
    Argentina, “Wild Tales,” Damián Szifrón, director;
    Australia, “Charlie’s Country,” Rolf de Heer, director;
    Austria, “The Dark Valley,” Andreas Prochaska, director;
    Azerbaijan, “Nabat,” Elchin Musaoglu, director;
    Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;
    Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;
    Bolivia, “Forgotten,” Carlos Bolado, director;
    Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director; 
    Brazil, “The Way He Looks,” Daniel Ribeiro, director;
    Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;
    Canada, “Mommy,” Xavier Dolan, director;
    Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;
    China, “The Nightingale,” Philippe Muyl, director;
    Colombia, “Mateo,” María Gamboa, director;
    Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;
    Croatia, “Cowboys,” Tomislav Mršić, director;
    Cuba, “Conducta,” Ernesto Daranas Serrano, director;
    Czech Republic, “Fair Play,” Andrea Sedláčková, director;
    Denmark, “Sorrow and Joy,” Nils Malmros, director;
    Dominican Republic, “Cristo Rey,” Leticia Tonos, director;
    Ecuador, “Silence in Dreamland,” Tito Molina, director;
    Egypt, “Factory Girl,” Mohamed Khan, director;
    Estonia, “Tangerines,” Zaza Urushadze, director;
    Ethiopia, “Difret,” Zeresenay Berhane Mehari, director;
    Finland, “Concrete Night,” Pirjo Honkasalo, director;
    France, “Saint Laurent,” Bertrand Bonello, director;
    Georgia, “Corn Island,” George Ovashvili, director;
    Germany, “Beloved Sisters,” Dominik Graf, director;
    Greece, “Little England,” Pantelis Voulgaris, director;
    Hong Kong, “The Golden Era,” Ann Hui, director;
    Hungary, “White God,” Kornél Mundruczó, director;
    Iceland, “Life in a Fishbowl,” Baldvin Zophoníasson, director;
    India, “Liar’s Dice,” Geetu Mohandas, director;
    Indonesia, “Soekarno,” Hanung Bramantyo, director;
    Iran, “Today,” Reza Mirkarimi, director;
    Iraq, “Mardan,” Batin Ghobadi, director;
    Ireland, “The Gift,” Tom Collins, director;
    Israel, “Gett, the Trial of Viviane Amsalem,” Ronit Elkabetz and Shlomi Elkabetz, directors;
    Italy, “Human Capital,” Paolo Virzì, director;
    Japan, “The Light Shines Only There,” Mipo O, director;
    Kosovo, “Three Windows and a Hanging,” Isa Qosja, director;
    Kyrgyzstan, “Kurmanjan Datka Queen of the Mountains,” Sadyk Sher-Niyaz, director;
    Latvia, “Rocks in My Pockets,” Signe Baumane, director;
    Lebanon, “Ghadi,” Amin Dora, director;
    Lithuania, “The Gambler,” Ignas Jonynas, director;
    Luxembourg, “Never Die Young,” Pol Cruchten, director;
    Macedonia, “To the Hilt,” Stole Popov, director;
    Malta, “Simshar,” Rebecca Cremona, director;
    Mauritania, “Timbuktu,” Abderrahmane Sissako, director;
    Mexico, “Cantinflas,” Sebastián del Amo, director;
    Moldova, “The Unsaved,” Igor Cobileanski, director;
    Montenegro, “The Kids from the Marx and Engels Street,” Nikola Vukčević, director;
    Morocco, “The Red Moon,” Hassan Benjelloun, director;
    Nepal, “Jhola,” Yadav Kumar Bhattarai, director;
    Netherlands, “Accused,” Paula van der Oest, director;
    New Zealand, “The Dead Lands,” Toa Fraser, director;
    Norway, “1001 Grams,” Bent Hamer, director;
    Pakistan, “Dukhtar,” Afia Nathaniel, director;
    Palestine, “Eyes of a Thief,” Najwa Najjar, director;
    Panama, “Invasion,” Abner Benaim, director;
    Peru, “The Gospel of the Flesh,” Eduardo Mendoza, director;
    Philippines, “Norte, the End of History,” Lav Diaz, director;
    Poland, “Ida,” Paweł Pawlikowski, director;
    Portugal, “What Now? Remind Me,” Joaquim Pinto, director;
    Romania, “The Japanese Dog,” Tudor Cristian Jurgiu, director;
    Russia, “Leviathan,” Andrey Zvyagintsev, director;
    Serbia, “See You in Montevideo,” Dragan Bjelogrlić, director;
    Singapore, “Sayang Disayang,” Sanif Olek, director;
    Slovakia, “A Step into the Dark,” Miloslav Luther, director;
    Slovenia, “Seduce Me,” Marko Šantić, director;
    South Africa, “Elelwani,” Ntshavheni Wa Luruli, director;
    South Korea, “Haemoo,” Shim Sung-bo, director;
    Spain, “Living Is Easy with Eyes Closed,” David Trueba, director;
    Sweden, “Force Majeure,” Ruben Östlund, director;
    Switzerland, “The Circle,” Stefan Haupt, director;
    Taiwan, “Ice Poison,” Midi Z, director;
    Thailand, “The Teacher’s Diary,” Nithiwat Tharathorn, director;
    Turkey, “Winter Sleep,” Nuri Bilge Ceylan, director;
    Ukraine, “The Guide,” Oles Sanin, director;
    United Kingdom, “Little Happiness,” Nihat Seven, director;
    Uruguay, “Mr. Kaplan,” Álvaro Brechner, director;
    Venezuela, “The Liberator,” Alberto Arvelo, director.

    The 87th Academy Awards nominations will be announced live on Thursday, January 15, 2015, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    The Oscars® will be held on Sunday, February 22, 2015, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

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