Don McKellar’s The Grand Seduction and Ritesh Batra’s The Lunchbox are winners of the 11th annual Film Circuit People’s Choice Awards. The Grand Seduction (pictured above) was named Best Canadian Film and The Lunchbox was selected as the Best International Film.
Now in its 11th year, the annual Film Circuit People’s Choice Awards are decided by audiences across the country who vote for their favorite film shown at a Film Circuit screening. Film Circuit is Toronto International Film Festival’s national film outreach program.
In 2014, guests travelled to communities across Canada to introduce their films and participate in 95 Q&A sessions. Guests included Jean-Marc Vallée (Dallas Buyers Club), Don McKellar (The Grand Seduction), Sturla Gunnarsson (Monsoon), Jody Shapiro (Burt’s Buzz), Elizabeth Klinck (Arctic Defenders), Richie Mehta (Siddharth), Maxime Giroux (Felix and Meira), Katie Boland (Gerontophilia), Daniel Perlmutter (Big News From Grand Rock), and Peter Keleghan and Leah Pinsent (Big News From Grand Rock).
The Grand Seduction follows the residents of a small Newfoundland fishing village who, in order to secure a vital factory contract, conspire to charm a big-city doctor into becoming the town’s full-time physician. This sparkling comedy from director Don McKellar (Last Night) and screenwriter Michael Dowse (Goon, The F Word) has screened in 63 Film Circuit communities and was seen by over 10,700 people.
In The Lunchbox, a misdelivered lunchbox brings together two very different people — a neglected housewife (Nimrat Kaur) and a grumpy, solitary widower on the verge of retirement (Bollywood star Irrfan Khan) — in this funny and touching comedy-drama from first-time writer-director Ritesh Batra. The Lunchbox has screened in 80 Film Circuit communities and was seen by over 14,300 people.News
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THE GRAND SEDUCTION and THE LUNCHBOX Win Toronto Intl FIlm Fest’s Film Circuit People’s Choice Awards
Don McKellar’s The Grand Seduction and Ritesh Batra’s The Lunchbox are winners of the 11th annual Film Circuit People’s Choice Awards. The Grand Seduction (pictured above) was named Best Canadian Film and The Lunchbox was selected as the Best International Film.
Now in its 11th year, the annual Film Circuit People’s Choice Awards are decided by audiences across the country who vote for their favorite film shown at a Film Circuit screening. Film Circuit is Toronto International Film Festival’s national film outreach program.
In 2014, guests travelled to communities across Canada to introduce their films and participate in 95 Q&A sessions. Guests included Jean-Marc Vallée (Dallas Buyers Club), Don McKellar (The Grand Seduction), Sturla Gunnarsson (Monsoon), Jody Shapiro (Burt’s Buzz), Elizabeth Klinck (Arctic Defenders), Richie Mehta (Siddharth), Maxime Giroux (Felix and Meira), Katie Boland (Gerontophilia), Daniel Perlmutter (Big News From Grand Rock), and Peter Keleghan and Leah Pinsent (Big News From Grand Rock).
The Grand Seduction follows the residents of a small Newfoundland fishing village who, in order to secure a vital factory contract, conspire to charm a big-city doctor into becoming the town’s full-time physician. This sparkling comedy from director Don McKellar (Last Night) and screenwriter Michael Dowse (Goon, The F Word) has screened in 63 Film Circuit communities and was seen by over 10,700 people.
In The Lunchbox, a misdelivered lunchbox brings together two very different people — a neglected housewife (Nimrat Kaur) and a grumpy, solitary widower on the verge of retirement (Bollywood star Irrfan Khan) — in this funny and touching comedy-drama from first-time writer-director Ritesh Batra. The Lunchbox has screened in 80 Film Circuit communities and was seen by over 14,300 people.
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Call for Entries for 2015 Telluride Film Festival
Telluride Film Festival, to be held September 4-7, 2015, announces its Call for Entries in all categories including student, short and feature length films.
Submission period begins April 15, 2015. Film Entry Form is available for download at www.telluridefilmfestival.org.
Shorts and student film submissions must be received no later than 5:00 pm, July 1, 2015. Feature film submissions must be received no later than 5:00 pm, July 15, 2015. All submissions must have been completed after July 15, 2014 and no works in progress will be accepted. Feature-length films (60 minutes or longer) will only be considered if they are to have their first North American screening at Telluride Film Festival. Final program determinations will be made by August 1, 2015. No early or late entries will be accepted.
Professional and amateur filmmakers working in all aesthetic disciplines and genres including narrative, documentary, animation and experimental are welcome.
Each year Telluride Film Festival plays host to an average of 25 feature films and 25 shorts and student films. Films selected to screen at Telluride Film Festival will be shown out-of-competition. TFF is not a competitive festival.
For more information visit www.telluridefilmfestival.org
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Call for Entries for 2015 Cucalorus Film Festival
Cucalorus announces its call for entries!! Cucalorus seeks submissions for features, documentaries, shorts, music videos, media installations and performances ranging from slam poetry to dance for the 21st annual Cucalorus Film Festival, to be held November 11-15, 2015. The festival takes place in a walkable nine-block radius of historic downtown Wilmington, North Carolina.
During the five-day celebration, film freaks and community members choose from a diverse lineup buoyed by cleverly crafted special programs, including the opening night live performance Dance-a-lorus and an interactive installation inspired by David Lynch’s Blue Velvet called “The Bus to Lumberton”.
Cucalorus is organized into a slate of thematic programs dedicated to social justice, emerging artists, works-in-progress, shorts, dance, festival hits, international cinema, music videos, and North Carolina. New programmatic focuses specifically support American female directors (the Vanguard program), directors from the US South (Southern Voices), and African American directors (Works-in-Progress). CIO Dan Brawley notes, “I’m on the circuit all year and I continue to notice that festivals are trying to embrace diverse voices, but the aesthetic is always the same. So we have to push aesthetic boundaries and create a strong space for exploring new cultures and new stories.”
Cucalorus’ general call for entries extends through late July, with separate deadlines for Dance-a-lorus performance pieces and Works-in-Progress.
All film submissions must include an entry form, submission fee and a poetic recipe for the perfect 21st birthday (drawings encouraged). Filmmakers living in the City of Wilmington are FREE and do not have to pay entry fees. www.cucalorus.org/submit_a_film.asp Cucalorus is also currently accepting applications for the Artist Residency program’s fall session, Surfalorus and 10×10.Submission Deadline Date Fee Early June 3 $25 Regular June 24 $35 Late July 15 $45 Extended July 29 $55
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Academy Announces Dates for 2016, 2017, 2018 Oscar Show
The Academy and the ABC Television Network announced the dates for the 88th, 89th and 90th Oscar® presentations. The Academy Awards® will air live on ABC on Oscar Sunday, February 28, 2016,February 26, 2017, and March 4, 2018, respectively.
Academy key dates for the 2015 Awards season are:
Saturday, November 14, 2015: The Governors Awards
Wednesday, December 30, 2015: Nominations voting opens 8 a.m. PT
Friday, January 8, 2016: Nominations voting closes 5 p.m. PT
Thursday, January 14, 2016: Oscar Nominations Announcement
Monday, February 8, 2016: Oscar Nominees Luncheon
Friday, February 12, 2016: Final voting opens 8 a.m. PT
Saturday, February 13, 2016: Scientific and Technical Awards
Tuesday, February 23, 2016: Final voting closes 5 p.m. PT
Oscar Sunday, February 28, 2016: 88th Academy Awards begins 7 p.m. ET/ 4 p.m. PT
The 88th Academy Awards will be held at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.
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Finalists Announced for Spring 2015 San Francisco Film Society/Kenneth Rainin Foundation Filmmaking Grants
The San Francisco Film Society (SFFS) and Kenneth Rainin Foundation (KRF) have selected 15 finalists for the latest round of SFFS / KRF Filmmaking Grants; up to $300,000 will be awarded to one or more narrative feature film projects at various stages of production. SFFS / KRF Filmmaking Grants are awarded twice annually to narrative feature films that will have significant economic or professional impact on the Bay Area filmmaking community. More than $2.8 million has been awarded since the launch of the Film Society’s flagship grant program in 2009. Winners of the spring 2015 SFFS / KRF Filmmaking Grants will be announced in May.
The San Francisco Film Society, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFS / KRF program has funded more than 50 projects since its inception, including such success stories as Kat Candler’sHellion and Ira Sachs’ Love Is Strange, both of which premiered to strong reviews at Sundance 2014; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Beasts of the Southern Wild, Benh Zeitlin’s debut phenomenon which won Sundance’s Grand Jury Prize and Cannes’ Camera d’Or in 2012 and earned four Academy Award nominations (including Best Picture).
“This was a bitterly fought review round, and we encountered so many excellent projects deserving of funding that it really put into focus the importance of support initiatives like the SFFS / KRF Filmmaking Grant and the need for more,” said Michele Turnure-Salleo, director of Filmmaker360. “We wish we could fund every single project on this list, and we have a difficult task ahead of us in selecting winners. From the filmmakers we’ve worked with before, to the exciting newcomers to the Film Society family, we can’t wait to see these all of these films take their next steps towards completion.”
SFFS / KRF Filmmaking Grants are made possible by the vision and generosity of the Kenneth Rainin Foundation. In addition to being awarded funds from the country’s leading granting organization, recipients will receive various benefits through Filmmaker360, the San Francisco Film Society’s comprehensive and dynamic filmmaker services program. These benefits, customized to every individual production, can include one-on-one project consultations and project feedback, additional fundraising assistance, resource and service recommendations, and networking opportunities, among many others. For more information visit sffs.org/Filmmaker360/Grants.
SPRING 2015 SFFS / KRF FILMMAKING GRANT FINALISTS
Blustar
Stella Kyriakopoulos, cowriter/director and Margaret Shin, cowriter — screenwriting
Two lovelorn cleaning ladies become friends and find hope while working on the Blue Star Ithaki, one of the fleet of ferries that shuttle myth-seeking tourists to the Greek islands. When the friends learn their Blue Star will be sold to Canada, they are forced to confront their own myths about Greece and each other.
Chickenshit
Jessica dela Merced, writer/director — screenwriting
11-year-old Phoe enlists the help of a group of neighborhood boys to track down the culprits behind a recent string of fires in Detroit, including the one that claimed her father’s life. jessdelamerced.com
The Fixer
Ian Olds, writer/director and Caroline von Kuhn, producer — production
An Afghan journalist is exiled from his war-torn country to a small bohemian community in Northern California. When he attempts to turn his menial job on the local police blotter into “Afghan-style” coverage of local crime he gets drawn into the backwoods of this small town-a shadow Northern California where sex is casual, true friendship is hard to come by, and an unfamiliar form of violence burbles up all around him.
Freeland
Mario Furloni and Kate McLean, co-writer/directors — screenwriting
In the last season of black market marijuana growing before legalization, a mother and a daughter must reconcile their differences in order to survive in an increasingly inhospitable world.
Jones
Sally El Hosaini, writer/director — screenwriting
When his father abandons him deep in the Guyanese jungle, the rebellious son of a narcissistic church leader discovers a new life of freedom. His utopia is soon shattered when “Dad” arrives with hundreds of followers. Driven by the universal need for a father’s love he becomes complicit in the depravity he previously rejected. Based on Stephan Jones’s true-life story.
The Last Black Man in San Francisco
Joseph Talbot, writer/director and Rolla Selbak, producer — preproduction
Jimmie Fails is a young African American who dreams of buying back the Victorian home his grandfather built in the heart of San Francisco. Now living in the city’s last, dwindling black neighborhood with his oddball best friend, Prentice, they search for belonging in the rapidly changing city that seems to have left them behind. vimeo.com/97971791
The Last Prairie
Chloé Zhao, writer/director — screenwriting
A young ecologist moves to the Sandhills of Nebraska trying to stop the building of the Keystone Pipeline XL and soon finds herself caught between a small town’s fight for survival and the debate over the future habitability of our planet.
Mustang
Laure de Clermont Tonnerre, writer/director — screenwriting
Roman Coleman is halfway through serving an 11-year sentence for attempted murder when he is offered the chance to participate in an ongoing rehabilitation therapy program involving the training of recently captured wild mustangs. Through his struggle to communicate with the animals, trainers, and other inmates he is forced to face his past and must learn confront his inner demons.
Oscillate Wildly
Travis Mathews, writer/director — production
When a first love challenges his guarded sense of what’s possible, a hot-headed young gay man with mild cerebral palsy is forced to confront the disability he’s let consume and define him. travisdmathews.com
Patti Cake$
Geremy Jasper, writer/director and Michael Gottwald, producer — preproduction
Patti Dombrowski, a heavy-set white girl, struggles to break out of her blue collar New Jersey town and become a legitimate rap superstar, all on her own terms. welcometolegs.com
Reza and the Refugee
Aaron Douglas Johnston, writer/director — screenwriting
A ragtag team of Middle Eastern political refugees in Holland enters the Eurovision song contest in an effort to save their friend from deportation and certain death.
Sorry To Bother You
Boots Riley, writer/director and George Rush, producer — screenwriting
A Black telemarketer discovers a magical way to make his voice overdubbed by a White actor, propelling him into the upper echelon of a macabre universe where he is selected to lead a species of genetically manipulated horse-people, called the Equisapiens. thisisthecoup.com
Staring at the Sun
Ryan Piers Williams, writer/director — screenwriting
After a massive solar event knocks out the world’s technological infrastructure, healthcare becomes a vital commodity. An elite group of United Nations aid workers given access to the best healthcare are tasked to isolate the sick from the healthy and privileged. When a young aid worker finds himself in a forbidden love, he must choose between a life of solitude or an uncertain fate with the woman he loves.
Untitled Whaling Project
Jesse Moss, writer/director — screenwriting
A feature-length fiction film, based on a true story, about America’s last commercial whaling vessel and its final, fateful voyage in 1971.
What Waits For Them In Darkness
Stephen Dunn, writer/director — screenwriting
11-year-old Skipper gets separated from her family during the Newfoundland resettlement and stranded alone in her floating house on the high seas of the Atlantic where reality mixes with the rich folklore of Newfoundland for a dark fantasy adventure.
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Deadline Approaching for 2015 Academy Nicholl Fellowships in Screenwriting Competition
[caption id="attachment_7829" align="alignnone" width="960"]
2014 Academy Nicholl Fellowships in Screenwriting Winners[/caption]
The regular deadline to submit entries for the 2015 Academy Nicholl Fellowships in Screenwriting competition is Friday, April 10, at 11:59 p.m. PT. In November, as many as five $35,000 fellowships will be awarded to amateur screenwriters.
Deadlines and entry fees are as follows:
Regular deadline: April 10, at 11:59 p.m. PT; entry fee US$55
Final deadline: May 1, at 11:59 p.m. PT; entry fee US$75
Online applications and complete rules are available at www.oscars.org/nicholl.
For the first time, current entrants also may purchase, for an additional $40, review comments from at least two Nicholl readers for each submitted script. For details, visit www.oscars.org/nicholl.
Since 1986, 137 Nicholl fellowships have been awarded. Past fellows include writer-director Nikole Beckwith, whose feature “Stockholm, Pennsylvania” premiered at the 2015 Sundance Film Festival; Pat Gilfillan, who wrote “Lila & Eve,” which also premiered at Sundance; Kurt Kuenne, who co-wrote and edited the documentary “Batkid Begins: The Wish Heard around the World,” which premiered at the 2015 Slamdance Film Festival; and Robert Edwards, the writer and director of “When I Live My Life Over Again,” which will debut this month at the Tribeca Film Festival. In addition, “Dear Eleanor,” written by Nicholl fellows Cecilia Contreras and Amy Garcia, and “London Has Fallen,” co-written by Nicholl fellow Creighton Rothenberger, are slated to be released later this year.
Former Nicholl fellows currently working in television include Andrew Marlowe, who created and executive produces the series “Castle,” and Terri Miller, a writer and executive producer on the show. Rebecca Sonnenshine is a writer and producer on “The Vampire Diaries.” Annmarie Morais is a writer and story editor on the Syfy series “Killjoys.”
Other notable fellows include Doug Atchison (“Akeelah and the Bee”), Destin Daniel Cretton (“Short Term 12”), Jeffrey Eugenides (Middlesex), Susannah Grant (“Erin Brockovich”) and Ehren Kruger (“Transformers: Age of Extinction”).
The Academy Nicholl Fellowships in Screenwriting competition is open to any individual who has not earned a total of more than $25,000 from the sale or option of screenplays or teleplays, or received fellowships or prizes of more than $25,000 that include a “first look” clause, an option or any other quid pro quo involving the writer’s work. To enter, writers must submit a completed application online, upload one PDF copy of their original screenplay in English, and pay the required entry fee before the regular deadline at 11:59 p.m. PT on April 10, or the final deadline at 11:59 p.m. PT on May 1.
Fellowships are awarded with the understanding that the recipients will each complete a new feature-length screenplay during the fellowship year.
Last year’s competition drew a record 7,511 submissions.
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New Trailer for 2015 Sundance Hit DOPE
Check out the new official teaser trailer for DOPE, the hit movie out of the 2015 Sundance Film Festival, which opens in theaters on June 19, 2015. With a #dope soundtrack featuring four new original songs by Pharrell Williams,DOPE tells the story of Malcolm (Shameik Moore) who is carefully surviving life in a tough neighborhood in Los Angeles. A chance invitation to an underground party leads him into an adventure that could allow him to go from being a geek, to being dope, to ultimately being himself.
Produced by Forest Whitaker, Executive Produced by Pharrell Williams and Co-Executive Produced by Sean Combs.
https://www.youtube.com/watch?v=SKGF8nNM2iI
CAST: SHAMEIK MOORE, TONY REVOLORI, KIERSEY CLEMONS, BLAKE ANDERSON, ZOE KRAVITZ, A$AP ROCKY, CHANEL IMAN, QUINCY BROWN
RELEASE DATE: June 19, 2015
DIRECTOR/WRITER: Rick Famuyiwa
PRODUCERS: Forest Whitaker, Nina Yang Bongiovi,
EXECUTIVE PRODUCERS: Pharrell Williams, Michael Y. Chow, Rick Famuyiwa and David Lonner
CO-EXECUTIVE PRODUCER: Sean Combs
CO-PRODUCERS: Mimi Valdes and Caron Veazy
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Watch TRAILER for A GIRL LIKE HER Opens March 27

A new trailer has been released for A GIRL LIKE HER, directed by Amy S. Weber which opens in theaters March 27th. The film tells the story of high school sophomore Jessica Burns who is relentlessly harassed by her former friend Avery Keller.
16 year old Jessica Burns has a secret that she’s afraid to share with anyone – except her best friend, Brian Slater. For the past year she’s been victimized mentally and physically by another girl – her former friend, Avery Keller, one of South Brookdale High School’s most popular and beautiful students. What can you do when the world sees the image of a person but not the reality? But with Brian’s help and the use of a hidden digital camera, the evidence of Avery’s relentless harassment is captured and finally exposed, awakening the community to something it’s long denied and bringing both girls and their families face to face with the truth.
https://www.youtube.com/watch?v=m_vg__L4Qyc
Director: Amy S. Weber
Writer: Amy S. Weber
Starring: Lexi Ainsworth, Jimmy Bennett, Hunter King, Linda Boston, Gino Borri, Paul Lang, Stephanie Cotton, Amy S. Weber, Mark Boyd, Michael Maurice, Christy Edwards, Sarah Kyrie Soraghan, Christy Engly, Rose Anne Nepa, and Luke Jaden.
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NASTY BABY Starring Kristen Wiig to Get a 2015 Release

The Orchard will release Sebastian Silva’s award-winning film NASTY BABY, starring Silva, Kristen Wiig, Tunde Adebimpe, Reg E. Cathey and Alia Shawkat, which made its world premiere at the 2015 Sundance Film Festival.
NASTY BABY had its European premiere last week at the 2015 Berlin International Film Festival, where it was awarded the festival’s Teddy Award. The film was produced by Juan de Dios Larraín, Pablo Larraín, Charlie Dibe, David Hinojosa and Julia Oh, and executive produced by Silva, Christine Vachon, Peter Danner, Pape Boye, and Violaine Pichon. Shawkat served as a co-producer on the film. The Orchard will release the film later this year.
From acclaimed director and screenwriter Sebastián Silva (Crystal Fairy, Magic Magic, The Maid), NASTY BABY tells the story of a modern problem – a gay couple (played by Silva and Tunde Adebimpe) are trying to have a baby with their best friend (played by Kristen Wiig). Their plans are disrupted by growing harassment from a menacing neighborhood local known as ‘The Bishop’ (played by Reg E. Cathey). As their clashes become increasingly aggressive, it is only a matter of time before someone gets hurt.
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BIRDMAN, CITIZENFOUR, IDA Among Winners of 87th Oscars

Birdman or (The Unexpected Virtue of Ignorance) is the big winner of the 87th Oscars winning four awards, including the top prizes for Best Picture and Best Director.
The Grand Budapest Hotel also walked away with four awards, all in the technical categories. CitizenFour won for Best Documentary and Ida won for Best Foreign Language Film.
The complete list of winners:
BEST MOTION PICTURE OF THE YEAR
Birdman or (The Unexpected Virtue of Ignorance)
Alejandro G. Iñárritu, John Lesher and James W. Skotchdopole, ProducersPERFORMANCE BY AN ACTRESS IN A LEADING ROLE
Julianne Moore in Still AlicePERFORMANCE BY AN ACTOR IN A LEADING ROLE
Eddie Redmayne in The Theory of EverythingACHIEVEMENT IN DIRECTING
Alejandro G. Iñárritu, Birdman or (The Unexpected Virtue of Ignorance)ADAPTED SCREENPLAY
The Imitation Game
Written by Graham MooreORIGINAL SCREENPLAY
Birdman or (The Unexpected Virtue of Ignorance)
Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando BoACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SCORE)
The Grand Budapest Hotel
Alexandre DesplatACHIEVEMENT IN MUSIC WRITTEN FOR MOTION PICTURES (ORIGINAL SONG)
“Glory” from Selma
Music and Lyric by John Stephens and Lonnie LynnBEST DOCUMENTARY FEATURE
CitizenFour
Laura Poitras, Mathilde Bonnefoy and Dirk WilutzkyACHIEVEMENT IN FILM EDITING
Whiplash
Tom CrossACHIEVEMENT IN CINEMATOGRAPHY
Birdman or (The Unexpected Virtue of Ignorance)
Emmanuel LubezkiACHIEVEMENT IN PRODUCTION DESIGN
The Grand Budapest Hotel
Production Design: Adam Stockhausen; Set Decoration: Anna PinnockBEST ANIMATED FEATURE FILM OF THE YEAR
Big Hero 6
Don Hall, Chris Williams and Roy ConliBEST ANIMATED SHORT FILM
Feast
Patrick Osborne and Kristina ReedACHIEVEMENT IN VISUAL EFFECTS
Interstellar
Paul Franklin, Andrew Lockley, Ian Hunter and Scott FisherPERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE
Patricia Arquette in BoyhoodACHIEVEMENT IN SOUND EDITING
American Sniper
Alan Robert Murray and Bub AsmanACHIEVEMENT IN SOUND MIXING
Whiplash
Craig Mann, Ben Wilkins and Thomas CurleyBEST DOCUMENTARY SHORT SUBJECT
Crisis Hotline: Veterans Press 1
Ellen Goosenberg Kent and Dana PerryBEST LIVE ACTION SHORT FILM
The Phone Call
Mat Kirkby and James LucasBEST FOREIGN LANGUAGE FILM OF THE YEAR
Ida (Poland)ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
The Grand Budapest Hotel
Frances Hannon and Mark CoulierACHIEVEMENT IN COSTUME DESIGN
The Grand Budapest Hotel
Milena CanoneroPERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE
J.K. Simmons in Whiplash
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2015 Spirit Awards Winners – BIRDMAN Wins Best Film
Birdman or (The Unexpected Virtue of Ignorance) Birdman or (The Unexpected Virtue of Ignorance) is the big winner of 30th Film Independent Spirit Awards winning the awards for Best Feature, Best Male Lead and Best Cinematography.
Other winners include Boyhood which won Best Director and Best Supporting Female; Nightcrawler which won Best First Feature and Best Screenplay; Whiplash which won Best Supporting Male and Best Editing; Still Alice, which won Best Female Lead; Dear White People, which won Best First Screenplay; Land Ho!, which won the John Cassavetes Award; Ida, which won Best International Film and CITIZENFOUR, which won Best Documentary.
The 8th annual Robert Altman Award was given to one film’s director, casting director and ensemble cast. Paul Thomas Anderson’s Inherent Vice received this award, along with casting director Cassandra Kulukundis and ensemble cast members Josh Brolin, Hong Chau, Martin Donovan, Jena Malone, Joanna Newsom, Joaquin Phoenix, Sasha Pieterse, Eric Roberts, Maya Rudolph, Martin Short, Serena Scott Thomas, Benicio del Toro, Katherine Waterston, Owen Wilson, Reese Witherspoon and Michael Kenneth Williams.
The Special Distinction Award, given to a film for its uniqueness of vision, honesty of direction and screenwriting, superb acting and overall filmmaking achievement, was given to Foxcatcher. The award was given to director/producer Bennett Miller, producers Anthony Bregman, Megan Ellison, Jon Kilik, writers E. Max Frye, Dan Futterman, actors Steve Carell, Mark Ruffalo, Channing Tatum.
The 2015 Roger and Chaz Ebert Foundation Fellowship which includes a cash grant of $10,000 was awarded to Christina Choe. This annual award is given to a filmmaker currently participating in a Film Independent Artist Development program with the mission of diversity in mind. Choe, a participant in the 2015 Directing Lab, is currently in active pre-production on her first narrative feature film, Nancy.
The following is a complete list of the winners:
Best Feature: Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
Producers: Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. SkotchdopoleBest Director: Richard Linklater (IFC Films)
Best Screenplay: Dan Gilroy, Nightcrawler (Open Road Films)
Best First Feature: Nightcrawler (Open Road Films)
Director: Dan Gilroy, Producers: Jennifer Fox, Tony Gilroy, Jake Gyllenhaal, David Lancaster, Michel LitvakBest First Screenplay: Justin Simien, Dear White People (Roadside Attractions/ Lionsgate)
John Cassavetes Award (For best feature made under $500,000): Land Ho! (Sony Pictures Classics)
Writers/Directors: Aaron Katz, Martha Stephens, Producers: Christina Jennings, Mynette Louie, Sara MurphyBest Supporting Female: Patricia Arquette, Boyhood (IFC Films)
Best Supporting Male: J.K. Simmons, Whiplash (Sony Pictures Classics)
Best Female Lead: Julianne Moore, Still Alice (Sony Pictures Classics)
Best Male Lead: Michael Keaton, Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
Robert Altman Award: Inherent Vice (Warner Bros.)
Director: Paul Thomas Anderson, Casting Director: Cassandra Kulukundis, Ensemble Cast: Josh Brolin, Hong Chau, Martin Donovan, Jena Malone, Joanna Newsom, Joaquin Phoenix, Sasha Pieterse, Eric Roberts, Maya Rudolph, Martin Short, Serena Scott Thomas, Benicio del Toro, Katherine Waterston, Owen Wilson, Reese Witherspoon, Michael Kenneth WilliamsBest Cinematography: Emmanuel Lubezki, Birdman or (The Unexpected Virtue of Ignorance) (Fox Searchlight Pictures)
Best Editing:Tom Cross, Whiplash (Sony Pictures Classics)
Best International Film: Ida (Poland – Music Box Films)
Director: Pawel PawlikowskiBest Documentary: CITIZENFOUR (RADiUS-TWC / HBO Documentary Films / Participant Media)
Director: Laura Poitras; Producers: Mathilde Bonnefoy, Dirk WilutzkySpecial Distinction Award: Foxcatcher (Sony Pictures Classics)
Director/Producer: Bennett Miller, Producers: Anthony Bregman, Megan Ellison, Jon Kilik, Writers: E. Max Frye, Dan Futterman, Actors: Steve Carell, Mark Ruffalo, Channing Tatum
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TIMBUKTU and Kristen Stewart Among César Awards Winners
Kristen Stewart in “Clouds of Sils Maria”Timbuktu swept the 40th annual César awards, the French Oscars, winning seven awards including best film, and actress Kristen Stewart became the first American actress to win an award.
In addition to the award for Best Film, Abderrahmane Sissako’s Timbuktu, also won the honors for Best Director, Best Original Screenplay, Best Original Music, Best Cinematography, Best Editing and Best Sound. Timbuktu is also nominated for Best Foreign Language Film Oscar.
https://www.youtube.com/watch?v=zvfxY83Usbs
Kristen Stewart, won the Best Supporting Actress award for her performance in the film Clouds of Sils Maria.
https://www.youtube.com/watch?v=6Dht__ajVD4
https://www.youtube.com/watch?v=PbVHlm7RcDs
Complete list of winners
Best Film
Timbuktu, dir: Abderrahmane SissakoBest Actress
Adèle Haenel, Les CombattantsBest Adapted Screenplay
Cyril Gely, Volker Schlöndorff – DiplomatieBest Actor
Pierre Niney, Yves Saint LaurentBest Foreign Film
Mommy, dir Xavier DolanBest Director
Abderrahmane Sissako, TimbuktuBest Supporting Actress
Kristen Stewart, Clouds Of Sils MariaBest Short Film
La Femme De Rio, dirs: Emma Luchini, Nicolas ReyBest Documentary
Salt Of The Earth, dirs: Wim Wenders, Juliano Ribeiro SalgadoBest Editing
Nadia Ben Rachid, TimbuktuBest Set Design
Thierry Flamand, La Belle Et La BêteBest Original Screenplay
Abderrahmane Sissako, Kessen Tall – TimbuktuBest Costumes
Anaïs Romand, Saint-LaurentBest Newcomer (Male)
Kevin Azaïs, Les CombattantsBest Animated Film
Minuscule – La Vallée Des Fourmis Perdues, dirs: Thomas Szabo and Hélène GiraudBest Animated Short
Les Petits Cailloux, dir: Chloé MazloBest Score
Amine Bouhafa, TimbuktuBest Supporting Actor
Reda Kateb, HippocrateBest Debut Feature
Les Combattants, dir: Thomas Cailley, prod: Pierre GuyardBest Cinematography
Sofian El Fani, TimbuktuBest Sound
Philippe Welsh, Roman Dymny, Thierry Delor – TimbuktuBest Newcomer (Female)
Louane Emera, La Famille Bélier
