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  • Paula Wagner To Produce 2013 Governors Awards

    Paula Wagner

    Paula Wagner will produce the 5th Annual Governors Awards for the Academy of Motion Picture Arts and Sciences, Academy President Cheryl Boone Isaacs announced today.  The Jean Hersholt Humanitarian Award and three Honorary Awards will be presented to Angelina Jolie, Angela Lansbury, Steve Martin and Piero Tosi, respectively, on Saturday, November 16, at the Ray Dolby Ballroom at Hollywood & Highland Center®.

    “Paula’s expertise, coupled with her love for film, makes her the ideal person to produce this special event,” said Boone Isaacs.  “She is certain to deliver an exciting and memorable evening for our honorees and guests.”

    “It is a privilege to work with the Academy to produce this year’s Governors Awards, honoring iconic talents who have deeply influenced our contemporary culture with their artistry,” said Wagner.  “I look forward to being a part of an event that illuminates and supports these artists’ incredible achievements.”

    Wagner has produced or executive-produced more than 20 feature films, including the first three “Mission: Impossible” films, “Vanilla Sky,” “The Others” and “The Last Samurai,” as well as the television film “Five” and three Broadway plays (The Heiress, which received two Tony® nominations, Grace and the recently announced Mothers and Sons).  After beginning her career as an actress and then becoming a top-ranking talent agent at CAA, she went on to co-found Cruise/Wagner Productions and serve as CEO for United Artists.  She now continues to independently produce film and theater through her company Chestnut Ridge Productions.  Wagner is an adjunct professor at her alma mater, Carnegie Mellon University, and also lectures at universities around the nation.  Wagner is a member of the Academy of Motion Picture Arts and Sciences, the Producers Guild of America and The Broadway League.  She also sits on the boards of the PGA, the Film Forum, American Cinematheque and the National Film Preservation Foundation.

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  • Director/Writer ANDREA ARNOLD is Film Society of Lincoln Center 2013 Filmmaker in Residence

    Director/Writer, Andrea Arnold

    Director/writer, Andrea Arnold, has been selected as the 2013 Filmmaker in Residence at the The Film Society of Lincoln Center, to take place during the 51st New York Film Festival. The initiative is in partnership with luxury brand Jaeger-LeCoultre, to further the goals of filmmakers at an earlier stage in the creative process. Arnold will have the opportunity to focus on developing or refining new work, and participate in master classes, mentorships or cultural exchange and enrichment film programs with the Film Society of Lincoln members, the film community and the public.

    “We are thrilled to announce Andrea Arnold as the 2013 Filmmaker in Residence during the 51st New York Film Festival.  Our partnership with Jaeger-LeCoultre on this cornerstone program fosters excellence in the filmmaking community, and reflects our shared belief in the universal power of film to inspire and engage the global community.” — Rose Kuo, Executive Director of the Film Society of Lincoln Center

    Andrea Arnold is an English director and writer who made her debut with two short films, MILK in 1998 and DOG in 2001. In 2005, Arnold won the Academy Award for Best Live Action Short Film for WASP and her first feature film, RED ROAD won the Jury Prize in Cannes in 2006. Her 2009 film FISH TANK starring Kate Jarvis and Michael Fassbender, once again won the Jury Prize and in 2011, she directed an adaptation of Emily Bronte¹s Wuthering Heights. The film was shown at the 68th Venice International Film Festival, where it won the Golden Osella for Best Cinematography.

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  • REVIEW: The Rugby Player

    The Rugby Player

    Documenting the years of transition which encompass his growth from awkward teen to daringly rebellious yet entertaining young man, Mark Bingham left the greatest momento to be appreciated for years to come, real life footage.  Always one to keep a video camera in tow he and his friends bonded over pranks, and slams, on the way to becoming productive members of society. However malicious they could be, there was always an angelic aura to the outcome, that being the leadership quality and authentic manner in which Mark Bingham lived his life.  The product of what many would call a broken home, Mark was not in the need of anything, the least bit-love; adored by his aunts and uncles whom always took active roles in his life Mark was like any other youth, exploring life on life terms.

    A love of rugby for its forceful yet athletic way of play when he entered the latter years of high school career Mark devoted his time to being the consummate teammate. Landing a place at the University of Cal, Mark took his talents and personality to Berkley, aligning himself with other stellar young men. The son of Alice Holgan, Mark acquired his mothers leadership qualities and steadfast opinion never known as one to waver or talk out of both sides of his mouth.  A champion for the LGBT community, Mark found a way to stay true to himself; however apprehensive he was at first, he chose right over wrong. A captain in his fraternity house, he left his peers stunned by the revelation.  Eventual embrace and support the way that he has always known carries THE RUGBY PLAYER.  A tremendous capture of a life worth having been lived, the catastrophe of Flight 93 ,and the carnage / losses of lives and so much more that marks the infamous day, Sept 11th 2001.

    The irony that exists in THE RUGBY PLAYER is amazing, beginning with his mothers career of flight attending; never in a million years would one expect this form of an outcome. Admirable as all is the foresight of Mark to for all intents and purposes deliver an autobiography of this magnitude.

     

    THE RUGBY PLAYER (2013) Documentary

    TRT: 80min | Color | 5.1 Surround | Unrated | English
    Director/Producer: Scott Gracheff
    Producer: Holly Million
    Director of Photography/Producer: Chris Million
    Editor: Manuel Adrian Tsingaris
    Content Advisor: Todd Sarner

     

    HBO© Audience Award for Best Documentary – Miami Gay & Lesbian Film Festival 2013
    Audience Award for Best Documentary – Connecticut Gay & Lesbian Film Festival 2013
    Celebration of Courage Award – Kansas City LGBT Film Festival 2013
    “Honorable Mention” Audience Award category – Philadelphia QFest 2013

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  • “I’M SO EXCITED!” “HANNAH ARENDT” Among 46 Films on 2013 European Film Academy Selection List

     "I'M SO EXCITED!" "HANNAH ARENDT" “I’M SO EXCITED!” “HANNAH ARENDT”

    46 films have been selected for the list of films recommended for a nomination for the European Film Awards 2013.  The nominations will be announced on 9 November at the Seville European Film Festival in Spain, with the 26th European Film Awards presentation of the winners taking place in Berlin on 7 December.

    EFA SELECTION 2013

    8-PALLO
    8-BALL

    Finland, 108 min
    DIRECTED BY: Aku Louhimies 
    WRITTEN BY: Jari Olavi Rantala
    PRODUCED BY: Tero Kaukomaa & Marko Antila

    TΟ ΑΓΟΡΙ ΤΡΩΕΙ ΤΟ ΦΑΓΗΤΟ ΤΟΥ ΠΟΥΛΙΟΥ 
    (TO AGORI TROI TO FAGITO TOU POULIOU)
    BOY EATING THE BIRD’S FOOD
    Greece, 80 min 
    WRITTEN & DIRECTED BY: Ektoras Lygizos 
    PRODUCED BY: Giorgos Karnavas, Ektoras Lygizos, Elina Psykou & Argyris Papadimitropoulos 

    Η ΑΙΏΝΙΑ ΕΠΙΣΤΡΟΦΉ ΤΟΥ ΑΝΤΏΝΗ ΠΑΡΑΣΚΕΥΆ 
    (I AIONIA EPISTROFI TOU ANTONI PARASKEUA)
    THE ETERNAL RETURN OF ANTONIS PARASKEVAS
    Greece, 88 min
    WRITTEN & DIRECTED BY: Elina Psykou
    PRODUCED BY: Giorgos Karnavas & Elina Psykou

    LOS AMANTES PASAJEROS
    I’M SO EXCITED!

    Spain, 90 min
    WRITTEN & DIRECTED BY: Pedro Almodóvar
    PRODUCED BY: Agustín Almodóvar & Esther García 

    ANNA KARENINA 
    UK, 124 min
    DIRECTED BY: Joe Wright 
    WRITTEN BY: Tom Stoppard 
    PRODUCED BY: Tim Bevan, Eric Fellner & Paul Webster 

    ARAF
    ARAF- SOMEWHERE IN BETWEEN

    Turkey/France/Germany, 124 min
    WRITTEN & DIRECTED BY: Yeşim Ustaoğlu 
    PRODUCED BY: Yeşim Ustaoğlu & Serkan Çakarer 

    ÄTA SOVA DÖ
    EAT SLEEP DIE

    Sweden, 104 min
    WRITTEN & DIRECTED BY: Gabriela Pichler
    PRODUCED BY: China Åhlander

    BERBERIAN SOUND STUDIO
    UK, 92 min
    WRITTEN & DIRECTED BY: Peter Strickland 
    PRODUCED BY: Keith Griffiths & Mary Burke  

    THE BEST OFFER
    Italy, 130 min
    WRITTEN & DIRECTED BY: Giuseppe Tornatore 
    PRODUCED BY: Isabella Cocuzza & Arturo Paglia 

    BLANCANIEVES
    Spain/France, 104 min
    WRITTEN & DIRECTED BY: Pablo Berger
    PRODUCED BY: Ibon Cormenzana, Jérôme Vidal & Pablo Berger

    BORGMAN
    The Netherlands/Belgium/Denmark, 113 min
    WRITTEN & DIRECTED BY: Alex van Warmerdam 
    PRODUCED BY: Marc van Warmerdam, Eurydice Gysel, Koen Mortier, Tine Mosegaard & Mogens Glad

    THE BROKEN CIRCLE BREAKDOWN
    Belgium, 100 min
    DIRECTED BY: Felix van Groeningen 
    WRITTEN BY: Carl Joos & Felix van Groeningen 
    PRODUCED BY: Dirk Impens 

    THE CONGRESS
    Israel/Germany/Poland/Luxembourg/France/Belgium, 120 min
    WRITTEN & DIRECTED BY: Ari Folman
    PRODUCED BY: Ari Folman, Reinhard Brundig & Robin Wright 

    ЦВЕТЬТ НА ХАМЕЛЕОНА (CVETAT NA HAMELEONA) 
    THE COLOUR OF THE CHAMELEON

    Bulgaria, 111 min
    DIRECTED BY: Emil Christov
    WRITTEN BY: Vladislav Todorov
    PRODUCED BY: Vladislav Todorov & Bouriana Zakharieva

    DANS LA MAISON
    IN THE HOUSE

    France, 105 min
    DIRECTED BY: François Ozon
    WRITTEN BY: François Ozon, freely adapted from the play “The Boy in the last Row” by Juan Mayorga
    PRODUCED BY: Eric & Nicolas Altmayer 

    DJÚPIÐ
    THE DEEP

    Iceland/Norway, 92 min
    DIRECTED BY: Baltasar Kormákur 
    WRITTEN BY: Jón Atli Jónasson & Baltasar Kormákur 
    PRODUCED BY: Agnes Johansen & Baltasar Kormákur

    ДОЛГАЯ СЧАСТЛИВАЯ ЖИЗНЬ (DOLGAYA SCHASTLIVAYA ZHIZN) 
    A LONG AND HAPPY LIFE
    Russia, 77 min
    DIRECTED BY: Boris Khlebnikov 
    WRITTEN BY: Alexander Rodionov & Boris Khlebnikov 
    PRODUCED BY: Roman Borisevich, Alexander Kushaev 

    DOM ÖVER DÖD MAN
    THE LAST SENTENCE

    Sweden, 120 min
    DIRECTED BY: Jan Troell 
    WRITTEN BY: Klaus Rifbjerg & Jan Troell          
    PRODUCED BY: Francy Suntinger

    EPIZODA U ZIVOTU BERACA ZELJEZA
    AN EPISODE IN THE LIFE OF AN IRON PICKER

    Bosnia & Herzegovina/France/Slovenia, 74 min
    WRITTEN & DIRECTED BY: Danis Tanović
    PRODUCED BY: Amra Bakšić Čamo & Čedomir Kolar 

    LA GRANDE BELLEZZA
    THE GREAT BEAUTY

    Italy/France , 140 min
    DIRECTED BY: Paolo Sorrentino
    WRITTEN BY: Paolo Sorrentino & Umberto Contarello
    PRODUCED BY: Nicola Giuliano & Francesca Cima

    GRENZGÄNGER
    CROSSING BOUNDARIES

    Austria, 88 min 
    WRITTEN & DIRECTED BY: Florian Flicker
    PRODUCED BY: Viktoria Salcher & Mathias Forberg

    GRZELI NATELI DGEEBI
    IN BLOOM

    Germany/Georgia/France, 104 min
    DIRECTED BY: Nana Ekvtimishvili & Simon Gross 
    WRITTEN BY: Nana Ekvtimishvili 
    PRODUCED BY: Simon Gross, Marc Waechter & Guilleaume de Seille 

    HANNAH ARENDT 
    Germany/Luxembourg/France/Israel, 110 min 
    DIRECTED BY: Margarethe von Trotta
    WRITTEN BY: Pam Katz & Margarethe von Trotta 
    PRODUCED BY: Bettina Brokemper & Johannes Rexin; Bady Minck, Alexander Dumreicher-Ivanceanu, Antoine de Clermont-Tonnerre & David Silber

    HOŘÍCÍ KEŘ
    BURNING BUSH

    Czech Republic, 234 min
    DIRECTED BY: Agnieszka Holland
    WRITTEN BY: Štěpán Hulík
    PRODUCED BY: Antony Root, Tereza Polachová, Tomáš Hrubý & Pavla Kubečková 

    IMAGINE
    Poland/France/Portugal, 105 min 
    WRITTEN & DIRECTED BY: Andrzej Jakimowski
    PRODUCED BY: Andrzej Jakimowski, Vladimir Kokh & François d’Artemare

    LO IMPOSIBLE
    THE IMPOSSIBLE

    Spain, 114 min
    DIRECTED BY: Juan Antonio Bayona
    WRITTEN BY: Sergio G. Sánchez & María Belón
    PRODUCED BY: Belén Atienza, Álvaro Augustín, Ghislain Barrois & Enrique López Lavigne

    L’INCONNU DU LAC
    STRANGER BY THE LAKE

    France, 110 min
    WRITTEN & DIRECTED BY: Alain Guiraudie 
    PRODUCED BY: Sylvie Pialat

    ИЗМЕНА (IZMENA) 
    BETRAYAL

    Russia, 115 min
    DIRECTED BY: Kirill Serebrennikov 
    WRITTEN BY: Natalia Nazarova & Kirill Serebrennikov 
    PRODUCED BY: Sabina Eremeeva 

    KAPRINGEN 
    A HIJACKING

    Denmark, 99 min
    WRITTEN & DIRECTED BY: Tobias Lindholm
    PRODUCED BY: Tomas Radoor & Rene Ezra

    KON-TIKI
    Norway/Denmark/UK/Germany/Sweden, 113 min 
    DIRECTED BY: Joachim Rønning & Espen Sandberg
    WRITTEN BY: Petter Skavlan
    PRODUCED BY: Aage Aaberge & Jeremy Thomas

    KRUGOVI
    CIRCLES

    Serbia/Germany/France/Croatia/Slovenia, 112 min
    DIRECTED BY: Srdan Golubović
    WRITTEN BY: Srdjan Koljević & Melina Koljević 
    PRODUCED BY: Jelena Mitrović, Alexander Ris, Emilie Georges, Boris T. Matić & Danijel Hočevar

    לאםל את החלל (LEMALE ET HA’HALAL)
    FILL THE VOID
    Israel, 90 min
    WRITTEN & DIRECTED BY: Rama Burshtein
    PRODUCED BY: Assaf Amir 

    מעל הגבעה (MEHAL HAGIVA)
    A STRANGE COURSE OF EVENTS
    Israel/France, 98 min
    DIRECTED BY: Raphaël Nadjari 
    WRITTEN BY: Raphaël Nadjari & Geoffrey Grison
    PRODUCED BY: Caroline Bonmarchand, Marek Rozenbaum & Itai Tamir 

    MÔJ PES KILLER
    MY DOG KILLER

    Slovakia/Czech Republic, 90 min
    WRITTEN & DIRECTED BY: Mira Fornay
    PRODUCED BY: Juraj Buzalka, Viktor Schwarcz & Mira Fornay

    OH BOY!
    Germany, 83 min
    WRITTEN & DIRECTED BY: Jan Ole Gerster 
    PRODUCED BY: Marcos Kantis & Alexander Wadouh

    OIKOPEDO 12
    BLOCK 12
     
    Cyprus/Greece, 94 min
    DIRECTED BY: Kyriacos Tofarides
    WRITTEN BY: Panos Stathoyannis & Kyriacos Tofarides
    PRODUCED BY: Kyriacos Tofarides

    ONLY GOD FORGIVES
    Denmark/France, 90 min
    WRITTEN & DIRECTED BY: Nicolas Winding Refn
    PRODUCED BY: Lene Børglum, Sidonie Dumas & Vincent Maraval

    PARADIES: GLAUBE
    PARADISE: FAITH

    Austria/Germany/France, 113 min
    DIRECTED & PRODUCED BY: Ulrich Seidl 
    WRITTEN BY: Ulrich Seidl & Veronika Franz 

    POZITIA COPILULUI
    CHILD’S POSE

    Romania, 112 min
    DIRECTED BY: Călin Peter Netzer
    WRITTEN BY: Razvan Radulescu & Călin Peter Netzer
    PRODUCED BY: Călin Peter Netzer & Ada Solomon

    ROSIE
    Switzerland, 106 min
    DIRECTED BY: Marcel Gisler
    WRITTEN BY: Marcel Gisler & Rudolf Nadler
    PRODUCED BY: Susann Rüdlinger

    THE SELFISH GIANT
    UK, 90 min
    WRITTEN & DIRECTED BY: Clio Barnard
    PRODUCED BY: Tracy O’Riordan

    SOM DU SER MEG
    I BELONG

    Norway, 112 min
    WRITTEN & DIRECTED BY: Dag Johan Haugerud
    PRODUCED BY: Yngve Sæther

    SVECENIKOVA DJECA
    THE PRIEST’S CHILDREN
     
    Croatia/Serbia, 93 min
    DIRECTED BY: Vinko Brešan
    WRITTEN BY: Mate Matišić & Vinko Brešan
    PRODUCED BY: Ivan Maloča

    SYNGUÉ SABOUR, PIERRE DE PATIENCE
    THE PATIENCE STONE

    France/Germany/Afghanistan, 102 min
    DIRECTED BY: Atiq Rahimi 
    WRITTEN BY: Atiq Rahimi & Jean-Claude Carrière 
    PRODUCED BY: Michaël Gentile 

    W IMIĘ 
    IN THE NAME OF
     
    Poland, 96 min
    DIRECTED BY: Małgośka Szumowska
    WRITTEN BY: Małgośka Szumowska & Michał Englert
    PRODUCED BY: Agnieszka Kurzydło 

    WHAT RICHARD DID
    Ireland, 87 min
    DIRECTED BY: Lenny Abrahamson
    WRITTEN BY: Malcolm Campbell 
    PRODUCED BY: Ed Guiney

     

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  • New Indie Films, Documentaries in Theaters This Weekend Friday September 6

    New Indie Films, Documentaries in Theaters This Weekend Friday September 6

    The good news about this first full September weekend is that there are MANY indie, foreign, and documentary releases that are being released, and most of them look interesting (particularly the documentaries).  The bad news is that most of them are debuting in just a single theater, so you might have to wait a bit before you can see them in a theater in your area.  However, some of them have a VOD release on the same day, so if you don’t mind watching it in the comfort of your own home (and who doesn’t?), you’re not out of luck!

    SALINGER (Documentary)

    Salinger

    Nearly every high school student is assigned The Catcher in the Rye in English class, and many remain profoundly affected by the novel.  However, it’s well know that its author, J.D. Salinger, wrote only a handful of other works before spending most of his life out of the public eye.  Salinger the documentary explores the life of one of the best-selling authors of all time who was only known by his closest friends.  The big story here is that the documentary purports that Salinger has new novels and stories set to be released over the next several years — only time will tell about that, I guess!

    ADORE

    adore

    This drama puts a new spin on “awkward” when lifelong middle-aged best friends played by Naomi Watts and Robin Wright fall for each other’s sons and begin secret affairs.  Originally titled Two Mothers, the film is bound to be controversial with audiences.  As for me, I just wish my mother had a friend who looked like Naomi Watts!  After initial strong buzz, the film has received mostly negative recent reviews — mostly focusing on the dialogue.

    HELL BABY

    Hell Baby

    From the Reno 911 crew comes this low-budget comedy about a woman who gives birth to, well, a demonic baby. The film is actually made up of various absurd situations in New Orleans involving the baby, exorcisms, and so on.  If anything it has to be funnier than Scary Movie 5, right?

    WINNIE MANDELA

    WINNIE MANDELA

    Though the upcoming Mandela: Long Walk to Freedom starring Idris Elba has gotten a lot of praise, sneaking into theaters before it is Winnie Mandela, a biopic about Nelson Mandela’s wife.  Winnie is played by Jennifer Hudson and Nelson is played by Terrence Howard, and while Nelson Mandela obviously remains a major figure in history early reviews of Winnie Mandela have not been kind at all.

    RED OBSESSION

    Red Obsession

    On the surface, Red Obsession appears to be a documentary about wine.  However, Red Obession is actually about the economics of supply and demand and how that can destroy a traditional industry.  To be specific, the documentary focuses on the last several years in the Bordeaux wine industry after wine became a fad among newly wealthy people in China.  The result?  These Chinese millionaires cause wine prices to skyrocket as they buy every bottle they can find.  I caught this during the Tribeca Film Festival and have eagerly awaited for someone else I know to see it so we could talk about the implications.

    TOUCHY FEELY

    Touchy-Feely

    This family drama about physical contact made the festival rounds after premiering at Sundance but never really picked up much buzz despite its familiar cast (Rosemarie DeWitt, Allison Janney, Ron Livingston, Scoot McNairy, Ellen Page, and Josh Pais).  Director Lynn Shelton’s films are usually very subtle, so if you’ve liked her previous movies like Humpday and You Sister’s Sister you’ll likely enjoy this too.

    A TEACHER

    a-teacher

    I don’t know if you’ve noticed it, but it seems to me that there’s a new “teacher sleeping with student” scandal in the newspaper every week. A Teacher is a drama about that situation, in which a Texas high school teacher (portrayed by Lindsay Burdge) has an affair with one of her students… causing her life to spin out of control.  It’s already available on VOD and various On Demand outlets, though poor reviews might steer you away.

    MY FATHER AND THE MAN IN BLACK (Documentary)

    My Father and The Man in Black

    This documentary is about a film producer who discovered that his estranged father had a deep friendship and business relationship with his client, the famous country singer/hell-raiser Johnny Cash.  Though it is an interesting investigative film, I thought it didn’t focus enough on the main draw here, Johnny Cash, and the “recreations” of real events were awkward.  However, fans of Cash and his music will likely enjoy it.

    GOOD OL’ FREDA (Documentary)

    Good-Ol-Freda2

    Just when you thought everything that could have ever been said about the Beatles had been said already, Good Ol’ Freda finds another way to tell the story.  The documentary focuses on Freda Kelly, who served as the Beatles’ officially secretary and fan club manager.  She remained close friends with the Beatles throughout the band’s existence, bearing witness to all of the legendary moments that defined the band’s history.

    FIRE IN THE BLOOD (Documentary)

    FIRE IN THE BLOOD

    There have been a number of documentaries about the questionable practices of pharmaceutical companies and others about the early years of the AIDS health crisis (most notably How to Survive a Plague).  Fire in the Blood combines both topics and looks at how pharmaceutical companies were slow to develop and release AIDS drugs in the early years of the disease and how people came together to change that.  It seems like a thematic tie-in to the upcoming Dallas Buyers Club.

    OTHER NOTABLE WEEKEND INDIE, FOREIGN & DOCUMENTARY RELEASES:

    POPULAIRE

    I AM BREATHING

    THE ULTIMATE LIFE

    BOUNTY KILLER

    SNAKE AND MONGOOSE

    BUTCHER BOYS

    MISSION PARK

    SUGAR

    36 SAINTS

    AMERICAN MILKSHAKE

    IL FUTURO (THE FUTURE)

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  • 10 Fellows Selected for Film Independent’s 2013 Screenwriting Lab

    FORBIDDEN STEPS by Iram Parveen BilalFORBIDDEN STEPS by Iram Parveen Bilal

    Film Independent announced the screenwriters selected for its 14th annual Screenwriting Lab, sponsored by the Writers Guild of America, West. The Screenwriting Lab is an intensive five-week program designed to help writers improve their craft, and take their current scripts to the next level in a nurturing yet challenging creative environment. 

    Under the tutelage of the Lab Mentors, the Fellows are advised on the craft and business of screenwriting, and are also introduced to established screenwriters, producers and film professionals who serve as guest speakers and one-on-one Advisors. Writer/Director Robin Swicord (The Jane Austen Book Club, Memoirs of a Geisha) and Writer Jeff Stockwell (Bridge to Terabithia, The Dangerous Lives of Altar Boys) return as this year’s Mentors. Guest Speakers include Destin Daniel Cretton (Short Term 12) and Sian Heder (Orange is the New Black).

    The Loyola Marymount University School of Film and Television (SFTV) has a unique partnership with Film Independent. For the second year in a row, Film Independent and SFTV have partnered on the LMU SFTV Screenwriting Fellowship. Out of the 10 fellows selected, Eli Ibok, who is also an LMU alum, will be awarded a $10,000 LMU SFTV grant to develop his script, Trauma, through the Screenwriting Lab.

    The Screenwriting Lab is provided free to invited screenwriters, who upon acceptance become Film Independent Fellows, receiving year-round support, including access to Film Independent’s annual film education offerings and the Los Angeles Film Festival. In addition, Lab Fellows are eligible to join the Independent Writers Caucus of the Writers Guild of America, West. Recent projects developed through the Lab include Robbie Pickering’s Natural Selection, which garnered multiple awards at the 2011 SXSW Film Festival, Beth Schacter’s Normal Adolescent Behavior, Scott Prendergast’s Kabluey, Philip Flores’ and Max Doty’s The Wheeler Boys, Suzi Yoonessi’s Dear Lemon Lima, Erin Cassidy and Bruce Pavalon’s We Are the Mods, and Minh Nguyen-Vo’s Buffalo Boy, which was Vietnam’s entry to the 2006 Academy Awards.

    The 2013 Screenwriters Lab participants and their projects are:

    1. Broad Street Diner – Three elderly male friends who meet daily at a neighborhood diner, find that 70 is the new 40 as they deal with friendship, new love, sickness and fatherhood, making it hard for them to retire from “Life.”

    Fred Thomas Jr. the seven time 2012 N.A.A.C.P award nominee and winner of Best Director, Best Playwright and Best Producer for his play12’ x 9’ is an alumnus of Lincoln University, where he received his Bachelors in Journalism before attending Temple University and receiving his Masters in Film and Media Arts. To date, Thomas is the producer of the feature The Bachelor Party for Image Entertainment, director and a producer of the film 24 Hour Love, director/writer on the web series The Taboo Diaries, director on Moms the web series, and the co-writer/producer/director for the stage play What Would Divas Do? Divalogues, for TV One’s Network show R&B Divas L.A.

    2. Forbidden Steps – A Muslim daughter struggles with the divisions between her passion for dancing and the will of her family.

    Iram Parveen Bilal was raised in Nigeria and Pakistan, and is conscious of the rare opportunity and voice she has on the filmmaking playground. Having directed internationally recognized, award-winning short films, Josh is her feature debut that just released theatrically nationwide in Pakistan. Josh has been commissioned by Channel 4 and is in the process of international distribution. Other feature projects in development have received attention by IFP, The Academy’s Nicholl Writing Fellowship, Mumbai Mahindra Sankalan Lab, Film Independent and Women In Film. A Film Independent Fellow, Bilal has participated in Film Independent’s Project Involve, Directing Lab and Screenwriting Lab. Prominent awards and honors include the Thomas J. Watson Fellowship, Stark Special Project Scholarship, Mabel Beckman Leadership Award, Paul Studenski Fellowship and the Dean’s Cup. She is an honors graduate of CalTech and the Peter Stark Producing Program at USC. More on www.iramparveenbilal.com.

    3. Jamie and Jackie – Jamie and Jackie is the story of a small time thief who lives the life of a ghost until the day he’s invited to play a strange game with a woman he meets at a hotel. 

    Tarik Karam is a filmmaker based in New York City who has worked side by side with director Stephen Daldry for the past six years. He co-produced the Oscar nominated Extremely Loud & Incredibly Close while also serving as Second Unit Director. Previously, Tarik collaborated with Daldry on the Oscar-nominated The Reader, serving as Second Unit Director and Associate Producer. Most recently, Tarik completed a short film entitled “ZZZZZZZ,” about two sleepwalkers in love, which premiered at the 2013 Tribeca Film Festival and is set to play this year’s Austin Film Festival. Tarik graduated from the American Film Institute (AFI) with an MFA in Film Direction. He is a proud member of the DGA and his work can be found at www.tarikkaram.com.

    4. Jane – After her sister’s fatal back alley abortion, Teresa, a bright, but naïve 1960’s college student, joins “Jane,” an underground group who break the law and risk their lives to help women find access to safe abortions.

    Natalija Vekic is a screenwriter and director whose short films “The Sacred Heart” and “The Girl with the Pearl Suspended” have screened at the New York Underground Film Festival, Ann Arbor Film Festival, and Mill Valley International Film Festival. Natalija won a Golden Gate Award at the San Francisco International Film Festival for her short film “Lost & Found,” was the recipient of the prestigious Princess Grace Award in film and a San Francisco Individual Arts Commission Grant.

    She is a co-producer on the documentary Strand: A Natural History of Cinema, directed by long time collaborator Christian Bruno. Strandreceived the inaugural Film Independent Fast Track HBO Fellowship and was selected to participate in the Documentary Lab at Film Independent.

    Vekic is a recent graduate of the UCLA MFA screenwriting program where she spent countless sleepless nights writing screenplays and TV pilots. She received the Executive Board Award Fellowship, a UCLA Graduate Fellowship and was one of eight writers selected to work with Academy Award-winning screenwriter and UCLA alum Dustin Lance Black in a feature screenwriting seminar. She researched and wroteJane, which was inspired by a brave group of feminists in Chicago who broke the law to make sure women had access to safe abortions.

    Vekic has a special place in her screenplays for runaways, outlaws and all the beautiful misfits who make the world so amazing. Family turmoil, forgiveness and how the past always manages to creep into the present — are at the heart of many of her scripts.

    5. Love on the Tundra – Seemingly together, type-A Emily becomes obsessed with trying to “save” mentally ill Jacob, but in the process of helping him get better, begins to psychologically unravel herself.

    Dana Turken is a Los Angeles-based filmmaker whose work lives somewhere between the real and the surreal, the dramatic and the comically absurd. She has directed eight short films and one play, through the Francis Ford Coppola One Act Festival. Dana grew up in Detroit and spent her youth training as a dancer. She studied semiotics at Brown University, directing at Prague’s FAMU Film Academy, and received her MFA in directing from UCLA’s School of Theater, Film, and Television.  A member of the International Cinematographers Guild, she spent five years in New York working in the camera department on feature films, episodic television, music videos, and commercials, before moving to Los Angeles to pursue her MFA.

    While at UCLA, Turken’s short film, “Love on the Tundra,” screened at the Seattle International Film Festival and the Athens Film and Video Festival, among others. Her film, “Arthur and the Bunnies,” premiered at the Palm Springs International ShortFest, and went on to screen at numerous venues, including, Comic-Con, Camerimage, Mill Valley Film Festival, Cucalorus, REDCAT, and the Columbus International Film Festival, where it won the Best of Festival award. In 2012, she was a directing fellow in Film Independent’s Project Involve. She recently directed a short screwball comedy, produced by Film Independent and sponsored by the Lincoln Motor Company and Vanity Fair. Turken is currently writing a script for independent producer Bergen Swanson about the 1960s battle between Robert Moses and Jane Jacobs.

    6. The Murch – An extremely smart boy from the Midwest moves to the projects of North Carolina and learns that there is a high price for trying to fit in.

    Elliott Williams was born in Seattle, but claims New York, North Carolina and Los Angeles as home. He has lived on both coasts, but he’s almost lived in half the states in the US. He began his corporate career as a management professional in the Fortune 10 Company GE Capital before moving on to pharmaceutical sales and management. Williams is also an Emmy award-winning producer who began his career behind the camera with a bit of good fortune. Williams’ first professional offering was the 2010 Official Sundance Selection Night Catches Us, which was also a winner at the Seattle International Film Festival and nominated for Best First Feature at The Spirit Awards before being distributed by Magnolia Pictures. He went back to school and earned a Master’s degree in Producing from the American Film Institute (AFI) and, while there, he produced the award-winning comedy web series #nitTWITS based on funny tweets. Upon completion of school, his thesis film, “Usagi-san,” won The Grand Jury Prize at the Ivy Film Festival, a Student Emmy Award and a BAFTA-LA Special Jury Prize. He also began writing at AFI and The Murch is his first screenplay. Elliott is very happy and proud to be a part of Film Independent’s Screenwriting Lab and can’t wait to see this film reach its full potential.

    7. Spa Night – Struggling to escape his crumbling family life, a closeted Korean-American teenager follows his desires and finds more than he bargains for at the Korean spa.

    Andrew Ahn is a Korean-American filmmaker born and raised in Los Angeles. His short film “Dol (First Birthday)” premiered at the 2012 Sundance Film Festival and has screened at numerous other festivals and venues around the world, including Lincoln Center, REDCAT, and the Los Angeles Film Festival. The film received the Outfest Grand Jury Award for Outstanding Dramatic Short Film. An alumnus of Film Independent’s Project Involve, Ahn also participated in the Sundance Screenwriters Lab in June 2013 with his feature screenplay Spa Night. The project also received a Sundance Institute Cinereach Feature Film Fellow grant. Ahn is an alumnus of Film Independent’s Project Involve. He graduated from Brown University with a degree in English and received an MFA in Film Directing from the California Institute of the Arts.

    8. Sugar – When a seasoned war correspondent is executed in a fancy Nairobi suburb, his 29 year-old lover is forced to confront corrupt politicians, Somali extremists and her own demons, in order to halt a coup d’état and expose the conspiracy behind his death.

    A University of Chicago and AFI graduate born in New York and currently residing in Los Angeles, Thymaya Payne has directed a number of films including the short films “Apparent Horizon” (starring Peter Coyote), “Let’s Not and Say We Did,” and “Coup De Grace,” which premiered at the HBO Latino Film festival. In the summer of 2010 he completed his documentary film Love Limits, which was later released by Icarus films.

    In 2008 Payne began a four-year journey to direct and produce an in-depth documentary about Somali piracy and its root causes calledStolen Seas. The film premiered at the Locarno Film festival and was awarded the Boccolino’ D’oro. Later, at the Palm Springs Film Festival,Stolen Seas won the John Schlesinger award for best Documentary. “A dangerous 90-minute immersion in a world where lawlessness applies to all sides” said Variety. The New York Times called the Stolen Seas “Magnificent.” Stolen Seas was theatrically released in early 2013.

    9. Trauma – A veteran discharged after a spontaneous act of violence struggles to reorient himself to home town life and must face emotional scars resulting from a sexual assault he experienced in the military.

    Edi Ibok wrote for online sites including IGN and Cracked.com and worked as a videographer and editor after graduating from Princeton University with a BA in Philosophy.  While enrolled in Loyola Marymount University’s Graduate Program in Film and Television Production, he won the Cosgrove Family Endowment and LMU’s Oscar Micheaux Award.  After earning his MFA, he photographed projects for the 18th Street Arts Center before his current job in distribution at Fox Home Entertainment.

    10. Varenya – Varenya, a South Indian Hindu priest, accepts a young apprentice and is forced to question the doctrines of his religion.

    Shripriya Mahesh is an Indian-born filmmaker based in San Francisco and New York City. Mahesh wrote and directed “The Color of Time,” a short film featuring Oscar nominees, James Franco and Jessica Chastain. The short is part of the collaborative feature film, Tar, which premiered at the Rome Film Festival. Her award-winning short films have played at the Palm Springs International ShortFest, the Rhode Island International Film Festival, the San Francisco International LGBT Film Festival (Frameline) and dozens more. Her film, “Reprise”, won the Best Student Film Award at the 12th deadCenter Film Festival, the Best Short by a Woman award at the 9th Salento International Film Festival, and was a finalist for the 6th Iris Prize. Mahesh’s first feature, Varenya, has been selected for IFP’s Emerging Storyteller section and will participate in Independent Film Week, 2013. It has also been selected for Film Independent’s Screenwriting Lab, 2013. Mahesh had a successful career in Silicon Valley, ultimately managing a $400M business for eBay, before leaving the corporate world to dedicate herself to filmmaking. She is an MFA candidate at NYU’s Tisch Graduate Film Program, where she was awarded a Tisch School of the Arts Fellowship. She also earned an MBA from Harvard Business School.

     

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  • Angelina Jolie, Angela Lansbury, Steve Martin and Piero Tosi to Receive the Academy’s Governors Awards

     Angelina Jolie, Angela Lansbury, Steve Martin and Piero Tosi to Receive the Academy’s Governors Awards

    The Board of Governors of the Academy of Motion Picture Arts and Sciences will present Honorary Awards to Angela Lansbury, Steve Martin and Piero Tosi, and the Jean Hersholt Humanitarian Award to Angelina Jolie.  All four awards will be presented at the Academy’s 5th Annual Governors Awards on Saturday, November 16, at the Ray Dolby Ballroom at Hollywood & Highland Center.

    “The Governors Awards pay tribute to individuals who’ve made indelible contributions in their respective fields,” said Academy President Cheryl Boone Isaacs.  “We couldn’t be more excited for this year’s honorees and look forward to bringing their peers and colleagues together to celebrate their extraordinary achievements.”

    Lansbury has received three Academy Award® nominations for her supporting performances on film – the first in her 1944 feature debut in “Gaslight,” followed by “The Picture of Dorian Gray” (1945) and “The Manchurian Candidate” (1962).  Her numerous other credits include “The Long, Hot Summer,” “Blue Hawaii,” “The World of Henry Orient,” “Bedknobs and Broomsticks,” “Death on the Nile” and “Mr. Popper’s Penguins,” as well as voice work for the first animated feature to receive a Best Picture nomination, “Beauty and the Beast.”

    Martin, who got his start in television, is a versatile actor, writer, comedian and musician who began to display the breadth of his big-screen talent as the screenwriter and star of the 1977 Oscar®-nominated short film “The Absent-Minded Waiter.”  He wrote and starred in “The Jerk,” “Dead Men Don’t Wear Plaid,” “Three Amigos,” “Roxanne,” “L.A. Story,” “The Pink Panther” series and “Shopgirl,” which he adapted from his critically acclaimed book of the same name.  His other acting credits include “All of Me,” “Parenthood,” “Father of the Bride” and “It’s Complicated.”  He also is a three-time host of the Oscars®, most recently in 2010 with Alec Baldwin.

    Tosi rose to prominence through his collaborations with Italian director Luchino Visconti on such films as “White Nights” and “Rocco and His Brothers,” and continued to work with him on several other features, including the Costume Design nominees “The Leopard,” “Death in Venice” and “Ludwig.”  Tosi received two more nominations for his designs for “La Cage aux Folles” and “La Traviata.”  His other notable credits include “Yesterday, Today and Tomorrow,” a Foreign Language Film winner, and “Marriage Italian Style,” a Foreign Language Film nominee, both directed by Vittorio De Sica.

    Jolie, who won an Oscar for her supporting performance in “Girl, Interrupted,” has been an impassioned advocate for humanitarian causes, traveling widely to promote organizations and social justice efforts such as the Prevent Sexual Violence Initiative.  Staking out a career at the nexus of entertainment and philanthropy, Jolie has worked for a number of global advocacy groups including the Council on Foreign Relations and the Office of the United Nations High Commissioner for Refugees (UNHCR), for which she was appointed Special Envoy of High Commissioner António Guterres in 2012 after twelve years of service.  Her dedication to these causes has also shaped her work in films that tackle global humanitarian issues including “A Mighty Heart” and her feature film directorial debut “In the Land of Blood and Honey.”

    The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.”

    The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture industry whose humanitarian efforts have brought credit to the industry.”

    via press release 

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  • San Francisco Film Society Selects Egyptian Filmmaker Mohamed Diab as Artist in Residence

    Mohamed Diab

    Egyptian filmmaker Mohamed Diab (CAIRO 678) has been selected for the San Francisco Film Society’s sixth Artist in Residence program, October 1 – 15.  Diab’s schedule will include a screening of his debut feature film CAIRO 678, described as feminist drama exploring sexual harassment in Egypt. 

    Cairo 678

    In Cairo 678, three Cairene women from different backgrounds join together in uneasy solidarity to combat the sexual harassment that has impacted each of their lives. We begin on an overcrowded bus line, dreaded by Fayza as a daily site of humiliation and anguish. Responding to a self-defense talk by Seba, whose own assault has driven her marriage apart, Fayza fights back-and soon has a police detective searching for her amid public panic. Meanwhile, Nelly, an aspiring comic, faces pressure from her family to drop a lawsuit against her attacker. Mohamed Diab’s deftly braided narrative tells a gripping, timely social tale through its patchwork of interconnected lives and deeds. — Rob Avila, Global Film Initiative

    Mohamed Diab was born in Mecca, Saudi Arabia in 1977. Having migrated to Egypt, he studied commerce at Suez Canal University in Ismailia before pursuing film at the New York Film Academy. In 2011, Diab received a Webby Special Achievement Award for his role as a social media activist during the revolution in Egypt, for “embodying the spirit of the Internet and harnessing its power to bring freedom and democracy to [his] nation.” Prior to his directorial debut Cairo 678, he was the writer of four films (Real DreamsThe IslandThe Replacement, and Congratulations), each of which enjoyed commercial success in Egypt. 

    http://youtu.be/COesFcvkXaE

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  • REVIEW: My Father and The Man in Black

    MY FATHER AND THE MAN IN BLACK

    With no disrespect intended to any ladies reading this, it’s been said that no story carries the emotional impact of a story about the relationship between a father and his son.  From the days of the Bible and mythology, countless stories have used that relationship as a basis for emotional conflict, from fantasy films like Star Wars and Field of Dreams to biographical films like Walk the Line. Indeed, it is because of that last film that the documentary MY FATHER AND THE MAN IN BLACK exists.

    This documentary is about Saul Holiff, who served as Johnny Cash’s manager from 1960 to 1973.  Saul Holiff, who committed suicide several years ago because he was suffering from a terminal illness, had an estranged relationship with his son Jonathan Holiff – Jonathan confesses, “I knew more about my father from his obituary than from the man himself.”   Shortly before the release of the successful Johnny Cash biopic Walk the Line, Jonathan quit his unsatisfying job as a successful Hollywood agent and moved back in with his mother.  While living with her they were bombarded with calls from Cash fans looking for memorabilia in the wake of Cash’s resurgence in popularity.  Jonathan’s mother revealed to him that his father had left a storage locker filled with a treasure trove of information and mementos regarding his time managing Cash.  This documentary chronicles Jonathan’s discovery of who his father really was through what he finds in the locker.

    Jonathan Holiff has a great story to tell about this relationship to his father and his father’s relationship to Johnny Cash.  However — and I know this might sound odd — I don’t think Jonathan Holiff was the right filmmaker to tell this story.  While Jonathan was an extremely successful Hollywood agent and television producer, that doesn’t necessarily translate to filmmaking skill.  Since Jonathan is undergoing a very personal journey with this documentary it makes sense that he serves writer, director, and producer of the film, but several questionable creative decisions really hurt the final product.

    For instance, perhaps my least favorite technique in documentaries is shooting narrative-style recreations of true events.  It not only seems false to me, but it begs the question of why the filmmakers didn’t choose one style or the other.  It appears that Holiff has spent a lot of money shooting narrative recreations of his father’s interactions with Cash with lookalike actors in their places. But why? Saul Holiff’s story is fascinating on its own and is told through incredible archival photos, film clips, and, most of all, audio recordings.  These are historical documents that uncover untold aspects of the life of one of country music’s most iconic figures (or two if you count Cash’s wife June Carter).  I would have liked to have seen more authenticity and less awkward recreations.

    Regardless of that poor choice in technique, Holiff discovers deep emotional connections and parallels with the father he previously wanted nothing to do with, and learns that his father’s chief flaw was trying to manage his family life like he managed Cash.

    Though MY FATHER AND THE MAN IN BLACK has won several awards and generally positive reviews at numerous film festivals, I can’t help but think it would have been a much better documentary if it took a different creative direction.  Cash fans will enjoy it more than most (even if he doesn’t get the most glowing portrayal), but others will probably want to pass.

    http://youtu.be/jtovAxxPo2Q 

    RATING 2 out of 5 : See it … At Your Own Risk

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  • REVIEW: ABIGAIL HARM

    Abigail Harm

    Totally detached from society, as a matter of personal choice Abigail Harm is as anti-social and introverted as they come. Her only human interaction from day to day is that of her commitment to the service of reading to clients whom she sees at their home, as she reads from their favorite novels or other materials of choice. As the famous Korean folktale would have it,  one which tells of love, true love, the ever lasting kind which results from the taming of a deer, who is appears robe-less in need of consolation. One most unexpected evening a gentleman in need of food and temporary shelter appears in Abigail’s home. Over a meal she prepares, the man questions Abigail’s understanding of  love, to which she admits her only experience with it was through her parents, as an infant.  His one wish for Abigail becomes that she truly gets to feel what love is. He enlightens her to the myth of ‘The Woodcutter and the Nymph’ impressing upon her the importance of keeping her eyes open to her true love which is forthcoming.  In a matter of days, Abigails entire existence is revamped via this revelation, and literal appearance of a man in need of her as she is in need of he.

    With her new relationship, and new outlook on life Abigail Harm now allows herself to experience as everyone else in humanity would seem to know it. Watch as the once anti-social becomes a butterfly all at the behest and coercion of love and intimacy.  The two share moments once unforeseen in her world, or expected, for that matter, to the tune of one of a potentially classic love story.

    abigail harm

    Experiencing nothing short of love which is overwhelming at times for her psyche, Abigail quickly learns to embrace the attention of another human being.

    Many live a life which they desire could mirror fairy and folk tale, but quite often it does not happen; Abigail Harm gives us the hope and lesson of how we would might one day be in that small percentage of fruition. A great gem is shared regarding the importance of caring, of loving, and being loved as well as the need to be invaluable to someone whom you hope to keep forever; share in the joy of happiness and live if only vicariously, through Abigail Harm.

    http://youtu.be/_jJfumiMcZo

    “ABIGAIL HARM” Opening August 30th at The QUAD, NYC

    Winner Grand Jury Prize Best Narrative Feature and Outstanding Director  
    2013 Los Angeles Asian Pacific Film Festival
     
    Directed by Lee Isaac Chung
    Starring Amanda Plumber, Tetsuo Kuramochi, Will Patton and Burt Young
    Written by Samuel Gray Anderson and Lee Isaac Chung
    Produced by Eugene Suen, Samuel Gray Anderson and Pablo Thomas
    TRT: 80 Minutes 

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  • New Indie Films, Documentaries in Theaters This Weekend Friday August 30

    THE LIFEGUARD, PASSION, AFTERNOON DELIGHT, I DECLARE WAR, OUR NIXON, ABIGAIL HARM, WHAT WOULD BEAR DO?, INSTRUCTIONS NOT INCLUDED, APPROACHING MIDNIGHT, AMERICAN MADE MOVIE, SATAN HOLD MY HAND

    Because of the Labor Day holiday there aren’t any notable mainstream movies coming out (unless you happen to be a One Direction fan). So if you’re not planning to spend the weekend standing behind a barbecue, check out one of these films in limited release instead.

    THE LIFEGUARD

    THE LIFEGUARD
    Director: Liz W. Garcia
    Starring: Kristen Bell, Martin Starr, Mamie Gummer, Joshua Harto
    Can you go home again? The first film from television writer Liz W. Garcia (who wrote episodes of Dawson’s Creek, Cold Case, and Memphis Beat), The Lifeguard stars Kristen Bell (Veronica Mars) as a twenty-something woman who quits her job in New York to move back to the town she grew up in and takes up her old summer job in an attempt to turn back the clock. Kristen Bell fans will likely enjoy it, but the horrid reviews will likely scare away other viewers.

    PASSION

    PASSION
    Director: Brian De Palma
    Starring: Rachel McAdams, Noomi Rapace, Paul Anderson, Karoline Herfurth
    Few directors in film history can do thrilling like Brian De Palma, but when I saw Passion (which is a remake of the 2010 French film Love Crime) almost a year ago at the New York Film Festival I wasn’t impressed (most critics have given it so-so reviews). Rachel McAdams and Noomi Rapace lock horns as businesswomen after the same ideal promotion and the same man. McAdams is unbelievably striking on the screen in her manipulative role, but the film’s “thrilling” plot falls apart rather messily.

    AFTERNOON DELIGHT

    AFTERNOON DELIGHT

    Director: Jill Soloway
    Stars: Kathryn Hahn, Juno Temple, Josh Radnor, Jane Lynch
    Afternoon Delight is the first feature film from television writer/producer Jill Soloway (who has written episodes of Six Feet Under and United States of Tara) and stars longtime funny supporting actress Kathryn Hahn (Step Brothers, Anchorman) in a leading role. Hahn plays an idle suburban housewife who meets a young stripper (Juno Temple) and thinks she can “save” her. I guess everyone has a different way of solving boredom, right? Soloway won the Directing Award at the Sundance Film Festival for her work.

    I DECLARE WAR

    I DECLARE WAR
    Director: Jason Lapeyre & Robert Wilson
    Starring: Siam Yu, Kolton Stewart, Gage Munroe. Michael Friend
    Though “kids with guns” is obviously a touchy subject, I Declare War is about the power of imagination when a group of young kids playing Capture the Flag with sticks for guns imagine themselves on vast battlefields full of destruction with real weaponry. As a result, the audience sees the kids at play in both the real world and on their dream-like battlefields. It’s a really clever concept that shows how seriously kids take their playtime.

    OUR NIXON (Documentary)

    OUR NIXON
    Director: Penny Lane
    While President Richard Nixon is mostly vilified by history (and terrible portrayals by John Cusack in The Butler!), his closest friends and advisors — including those who were convicted in the Watergate scandal — had a deep affinity for a man they felt was misunderstood. Our Nixon looks at newly unearthed Super 8 movies of Nixon outside of his office in his private life and gives a more human portrait of a man that many only know from history books.

    ABIGAIL HARM

    ABIGAIL HARM
    Director: Lee Isaac Chung
    Starring: Tetsuo Kuramochi, Will Patton, Amanda Plummer, Burt Young
    Though Abigail Harm is only opening at The Quad in New York City this weekend, interest in the film suggests that it will likely expand soon. Inspired by the Korean folktale “The Woodcutter and the Nymph,” Abigail (Amanda Plummer) is a loner who lives in New York City who has attachment issues. She is given a wish, and though she wishes for love it’s not exactly what she wished for.

    WHAT WOULD BEAR DO?

    WHAT WOULD BEAR DO?
    Director: Fritz Brekeller & Josh Folan
    Starring: Phil Burke, Josh Folan, Rick Montgomery Jr., Molly Fahey, Graci Carli, Avery Pearson
    Here’s a rule about camping: if you’re not an experienced camper, don’t go too far from civilization. What Would Bear Do? is a comedy about two dimwits who decide to make their own survival documentary in the hopes that they will impress their favorite survivalist television star. Of course, bringing their girlfriends along probably makes the situation a lot more difficult to imagine, especially since their knowledge of survival seems entirely drawn from reality shows. Sounds like it could definitely be very funny.

    Other notable weekend indie, foreign & documentary releases:
    INSTRUCTIONS NOT INCLUDED
    APPROACHING MIDNIGHT
    AMERICAN MADE MOVIE (Documentary)
    SATAN, HOLD MY HAND

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  • SEE Pics from Joseph Gordon-Levitt’s “DON JON” Movie

    DON JON written and directed by Joseph Gordon-Levitt

    New images have been released for the comedy film DON JON written and directed by Joseph Gordon-Levitt, which premiered earlier this year at the 2013 Sundance Film Festival.  DON JON will released in theaters on September 27, 2013.

    Jon Martello (Joseph Gordon-Levitt) is a strong, handsome, good old fashioned guy. His buddies call him Don Jon due to his ability to “pull” a different woman every weekend, but even the finest fling doesn’t compare to the bliss he finds alone in front of the computer watching pornography. Barbara Sugarman (Scarlett Johansson) is a bright, beautiful, good old fashioned girl. Raised on romantic Hollywood movies, she’s determined to find her Prince Charming and ride off into the sunset. Wrestling with good old fashioned expectations of the opposite sex, Jon and Barbara struggle against a media culture full of false fantasies to try and find true intimacy in this unexpected comedy written and directed by Joseph Gordon-Levitt. 

    DON JON written and directed by Joseph Gordon-Levitt

    DON JON written and directed by Joseph Gordon-Levitt

    DON JON written and directed by Joseph Gordon-Levitt

    DON JON written and directed by Joseph Gordon-Levitt

    DON JON written and directed by Joseph Gordon-Levitt

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