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  • Four Projects that Dramatize Science and Technology Themes in Film Awarded Tribeca Film Institute Grants

     Tribeca Film Institute

    The Tribeca Film Institute (TFI) announced the four projects that will receive financial and creative support from the Tribeca Film Institute (TFI) Sloan Filmmaker Fund.  The projects will be awarded a total of $140,000 and will be recognized at the annual Tribeca Film Festival, taking place April 17-28, 2013.  The winning films are: 2030, Newton’s Laws of Emotion, Oldest Man Alive and The Doctor.

    The TFI Sloan Filmmaker Fund bestows grants to narrative film projects that dramatize science and technology themes in film or that portray scientists, engineers, or mathematicians in prominent character roles. Grant recipients also receive year-round mentorship from science experts and members of the film industry in order to complete their projects. 

    Selected projects for funding:

    2030
    In a near future Vietnam where seawater has buried a large part of the land and cultivation has to be done on floating farms, a strong-willed woman has to make a critical decision about her ex-lover, a geneticist who could be her husband’s murderer.  Nghiem-Minh Nguyen-Vo (Screenwriter, Director), Bao Nguyen (Producer)

    Newton’s Laws of Emotion
    As a young Isaac Newton pursues the affections of a headstrong princess, he seeks to uncover the principles of love using his new system of mathematics. However, his equations start to break down when her former lover enters the scene.  Eugene Ramos (Screenwriter), Andeep Singh (producer)

    Oldest Man Alive
    A suicidal 88-year-old inventor finds a reason to live in the young Romanian woman who saves him from drowning. But when she moves into his Manhattan townhouse, it upsets his son and daughter-in-law, who have waited decades to inherit the multi-million dollar dwelling. Antonio Tibaldi (Screenwriter, Director), Ryan Brown (Screenwriter)

    The Doctor
    Salim, a disgraced young doctor from India, will do anything to get back into medicine. But when he takes a job at an illegal clinic in New York, he finds more danger than redemption.  Musa Syeed (Screenwriter, Director), Nicholas Bruckman (Producer)

    The Sloan Foundation and TFI will present a Sloan 20th anniversary retrospective screening of the film And the Band Played On followed by a panel that explores the science of AIDS through the arts and features prominent figures in film and science. The panel will examine the science of AIDS and the social politics surrounding the AIDS epidemic from the 1980’s until the present, and analyze how the AIDS crisis has inspired storytelling that engages scientists, artists and politicians as part of “Tribeca Talks: After the Movie.”

    And the Band Played On – Sloan Retrospective Screening and Panel 

    [caption id="attachment_3471" align="alignnone" width="550"]And the Band Played On[/caption]

    Saturday, April 27 at SVA Theater, 3:30 p.m.

    Celebrating its twentieth anniversary, And the Band Played On premiered at the height of the AIDS epidemic in the early ‘90s.  The film examines the facts surrounding the deadly disease and debunks many of its myths.  The film won three Emmy Awards, including Outstanding Made for Television Movie.  Topping the incredible ensemble cast is Matthew Modine, who received Emmy and Golden Globe-nominations for his poignant portrayal of a doctor who heads an American research team. 

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  • REVIEW: Lotus Eaters

    by Chris McKittrick

    The Lotus Eaters of Homer’s Odyssey spent their days indulging in food that made them ignore all of their wants and needs in order to pursue ultimate leisure. The aptly-titled film Lotus Eaters, directed and co-written by Alexandra McGuinness (Paris Noir), follows the modern equivalent of that mythological race, a group of young London models, actors, and rock stars whose society lives are filled with drug and booze fueled parties, yet all seem to suffer from the first-world problem of being profoundly bored with their lifestyle.

    Lotus Eaters has an ensemble cast, but it primarily focuses on Alice (Antonia Campbell-Hughes), a model-turned-actress (though not a very good actress) who is dating Charlie (musician Johnny Flynn), a drug addict.  They run in the same circle with Felix (Benn Northover), a rock musician whose career is taking off.  In turn, Felix is involved with the manipulative, slightly-older Orna (Cynthia Fortune Ryan), who intertwines her life with Alice’s with unclear motives.  The film explores how this group and their other friends hide behind their lives of sex, drugs, and rock and roll to prevent themselves from having to deal with their actual feelings.



    The film explores the self-destruction caused by luxurious idleness, yet in many ways Lotus Eaters as a whole has just as little substance as its characters.  On one hand, the actors pull off their characters really well, they look great in their stylish clothes, and the gorgeous black and white cinematography lends a timeless quality to the film, which could easily have been set in London in the 60s or 70s (though after a while it seems like you’re watching a 78 minute long Calvin Klein commercial with all these good-looking people).  However, it’s really only mildly amusing watching these superficial characters interact in their drunken and drugged stupors. In that sense, it’s a less clever version of the “young people with access with too much money” theme Whit Stillman did in Metropolitan back in 1990.



    That doesn’t mean audiences aren’t due another film touching on that theme, but Lotus Eaters is simply less interesting than it could be considering how strong these characters are.  The “fly on the wall” storytelling style of Lotus Eaters doesn’t seem to be the best way to explore these personalities, and I believe that McGuinness and co-writer Brendan Grant could have said so much more with these characters.  As a result, the 78 minutes tend to drag because there isn’t much story to push the audience along, and that’s a bad sign for such a short film.

    RATING: Though Lotus Eaters makes beautiful people doing nothing interesting, there is probably a lot more that could have been done with these characters (4/10).

    Lotus Eaters opens in New York on April 5th and Los Angeles on April 12th. It will also be available on VOD on April 12th.

    http://youtu.be/rACt1o5Uzmk

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  • RIP: Film Critic Rogert Ebert Dies At 70

    Roger Ebert, arguably the most popular film critic of all times, died today in Chicago. He was 70.

    Ebert was originally diagnosed with thyroid and salivary cancer cancer in 2002, but earlier this week, he disclosed that he will be taking a “leave of presence” due to a recurrence of cancer.

    In 1975 Ebert became the first film critic to win a Pulitzer Prize, and in 2005 he became the first critic to be honored with a star on the Hollywood Walk of Fame.

    Ebert is more well known for his pairing with fellow critic Gene Siskel, on their syndicated show, Siskel & Ebert, who with their trademark Thumbs Up, Thumbs Down rating system could make or break a movie. Siskel died of a brain tumor in 1999 at 53.  

    After Siskel’s death, the show was renamed “Roger Ebert & the Movies” with a rotating cast of co-hosts. In September 2000 Richard Roeper, became the permanent co-host and the show was renamed “Ebert & Roeper.” Mr. Ebert eventually left the show in 2006 because of his illness, and Mr. Roeper left in 2008.

    Since 1999 he had been host of Ebertfest, a film festival in Champaign, Ill. It is sometimes called Roger Ebert’s Overlooked Film Festival.

    Ebert is survived by his wife Chaz Hammelsmith.

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  • COMING SOON: Wes Bentley, Vinessa Shaw, Haley Bennett And Jason Isaacs To Star In Saar Klein’s “Things People Do”

    Wes Bentley (HUNGER GAMES, AMERICAN BEAUTY), Vinessa Shaw (3:10 TO YUMA), Haley Bennett (UNTITLED MALICK PROJECT V) and Jason Isaacs (THE PATRIOT) have been cast in the feature film THINGS PEOPLE DO, written and directed by Saar Klein.  Filming begins April 3, 2013 in New Mexico.

    In THINGS PEOPLE DO, Bill Scanlin (Bentley) loses his job and, unable to tell his wife Susan (Shaw) for fear of losing his family, embarks on a life of crime.  He befriends a detective, Frank McTiernan (Isaacs), who has chosen to uphold the law for a living but believes very little in its value.  Ruby (Bennett), the first stranger to show him kindness, inspires Bill to commit a crime in her honor, and he starts to enjoy his newfound power.  As Bill stays ahead of the law, he discovers that sometimes the only thing worse than getting caught is getting away with it.

    Saar Klein is a two-time Academy Award nominee for his work editing Terrence Malick’s THE THIN RED LINE and Cameron Crowe’s ALMOST FAMOUS.

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  • RIP: Oscar-Nominated Screenwriter Fay Kanin

     [caption id="attachment_3398" align="alignnone" width="550"]Fay Kanin (r) with Academy President Sid Ganis. [/caption]

    Oscar-nominated screenwriter and former president of the Academy of Motion Picture Arts and Sciences, Fay Kanin, died Wednesday. She was 95.

    Kanin wrote screenplays for 1958 Clark Gable-Doris Day comedy “Teacher’s Pet”, for which she received an Oscar nomination, and the 1954 Elizabeth Taylor romantic drama “Rhapsody”.

    Kanin served as president of the Academy of Motion Picture Arts and Sciences from 1979 to 1983, and was its second female president after actress Bette Davis. Kanin also was a longtime chairperson of the National Film Preservation Board of the Library of Congress and served on the board of the American Film Institute.

    The Academy of Motion Picture Arts and Sciences released a statement,  “The Academy is deeply saddened by the passing of our beloved former president and Oscar-nominated screenwriter Fay Kanin.  She was committed to the Academy’s preservation work and instrumental in expanding our public programming. A tireless mentor and inspiration to countless filmmakers, Fay’s passion for film continues to inspire us daily. Our prayers and condolences go out to her loved ones.”

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  • Academy Selects Show Dates for 2014 And 2015 Oscars

     

    The Academy of Motion Picture Arts and Sciences and the ABC Television Network today announced the dates for the 86th and 87th Oscar® presentations. The 86th and 87th Academy Awards® will air live on ABC on Oscar Sunday, March 2, 2014, and February 22, 2015, respectively.

    Key dates for the Awards season are: 

    Saturday, November 16, 2013: The Governors Awards

    Monday, December 2, 2013: Official Screen Credits due

    Friday, December 27, 2013: Nominations voting begins

    Wednesday, January 8, 2014: Nominations voting ends 5 p.m. PT

    Thursday, January 16, 2014: Oscar nominations announced

    Monday, February 10, 2014: Nominees Luncheon

    Friday, February 14, 2014: Final voting begins

    Saturday, February 15, 2014: Scientific and Technical Awards

    Tuesday, February 25, 2014: Final voting ends 5 p.m. PT

    Oscar Sunday, March 2, 2014: 86th Academy Awards

    Oscar Sunday, February 22, 2015: 87th Academy Awards

    The 86th and 87th Academy Awards ceremonies will be held at the Dolby Theatre™ at Hollywood & Highland Center® in Hollywood, and will be televised live by the ABC Television Network.

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  • REVIEW: The Sapphires

    by Lauren McBride

    As an African-American woman, I have seen my fair share of films about the Civil Rights Movement. The America of the 1960s, torn apart by racism, sexism and a violent war, is well documented in film. The names, faces and perspectives that populate these films are rarely unique, but always poignant. It’s a history that America, white and black, constantly re-lives — perhaps in an effort to come to terms with its horrors or to prematurely congratulate ourselves on how far we’ve come. Either way, it’s rare to see a film that frames the Civil Rights Movement in a global perspective — that reminds its viewers that the message of the movement’s leaders reached far beyond the molehills of Mississippi and the slopes of California. For some, it reached all the way to shores of Melbourne, Australia.

    The Sapphires tells the true story of three Aboriginal sisters and their fairer-skinned cousin who venture to Vietnam in 1968 to perform soul music for African-American troops. The film was powerful and dramatic at times, and hilarious and exciting at others. It brilliantly bears the weight of its place in history. Watching The Sapphires and seeing a similar struggle happen thousands of miles away at the very same moment makes it difficult to divorce the two histories: the struggle of African-Americans in the US, and that of Aborigines in Australia. As the film plays out it’s clear that the blending of histories and depiction of a shared experience is precisely what Wayne Blair intends. In some ways, it’s where the film succeeds the most.

    It also shines is in the development of its characters and the performance of its stars. Gail (Deborah Mailman), Cynthia (Miranda Tapsell), Julie (Jessica Mauboy) and Kay (Shari Sebbens) master the sisterly dynamic — with its complex mix of love, jealousy, and a deep sense of responsibility. Chris O’Dowd’s Dave is completely flawless. O’Dowd, known to American audiences from his turns in Bridesmaids and a 5-episode arc in HBO’s Girls, is both hilariously tragic and totally transfixing.

    While The Sapphires does have its occasional trite moments, it remains a must-see. Audiences will walk away with the songs of Marvin Gaye and James Brown swimming in their heads, and the words of Dr. Martin Luther King echoing in their hearts.

    http://www.youtube.com/watch?v=ywAGVfuFzxA

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