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  • The Artist, Pariah, The Descendants Win at 27th Film Independent Spirit Awards

    [caption id="attachment_2176" align="alignnone"]Best First Feature – Margin Call[/caption]

    The Artist, as expected, was the big winner at yesterday’s 27th Film Independent Spirit Awards, winning awards for Best Feature, Best Director, Best Male Lead and Best Cinematography. Other winners included My Week With Marilyn, which won Best Female Lead; The Descendants, which won Best Supporting Female and Best Screenplay; Beginners, which won Best Supporting Male and Pariah, which won the John Cassavetes Award; 50/50, which won Best First Screenplay; Margin Call, which won Best First Feature; A Separation, which won Best International Film; and The Interrupters, which won Best Documentary.

    The 5th annual Robert Altman Award was given to one film’s director, casting director, and ensemble cast. J. C. Chandor’s Margin Call received this award, along with casting directors Tiffany Little Canfield and Bernard Telsey and ensemble cast members Penn Badgley, Simon Baker, Paul Bettany, Jeremy Irons, Mary McDonnell, Demi Moore, Zachary Quinto, Kevin Spacey and Stanley Tucci.

    The Spirit Awards was the first event to exclusively honor independent film, with artists receiving industry recognition first at the Spirit Awards include Joel & Ethan Coen, Spike Lee, Oliver Stone, Ashley Judd, Robert Rodriguez, David O. Russell, Edward Burns, Aaron Eckhart, Neil LaBute, Darren Aronofsky, Spike Jonze, Charlie Kaufman, Hilary Swank, Marc Forster, Todd Field, Christopher Nolan, Zach Braff, Amy Adams and many more.

    The following is a complete list of 27th Film Independent Spirit Awards winners:

    Best Feature – The Artist             

    Best Director – Michel Hazanavicius, The Artist

    Best Screenplay – Alexander Payne, Nat Faxon, Jim Rash, The Descendants

    Best First Feature – Margin Call, Director: J.C. Chandor

    Best First Screenplay – Will Reiser, 50/50

    John Cassavetes Award (For the best feature made under $500,000) –  Writer/Director: Dee Rees, Pariah                                                        
    Best Supporting Female – Shailene Woodley, The Descendants

    Best Supporting Male – Christopher Plummer, Beginners

    Best Female – Michelle Williams, My Week With Marilyn

    Best Male – Jean Dujardin, The Artist

    Best Cinematography – Guillaume Schiffman, The Artist

    Best Foreign Film – A Separation, Director: Asghar Farhadi

    Best Documentary – The Interrupters, Director: Steve James


    Two new filmmaker grants were awarded during the ceremony. The 2012 Chaz and Roger Ebert Fellowship, which recognizes a social-issue documentary and includes a cash grant of $10,000, was given to Katie Fairfax Wright and Malika Zouhali-Worrall, co-directors of the documentary Call Me Kuchu. The film was developed in Film Independent’s 2011 Documentary Lab and has its world premiere at the 2012 Berlin International Film Festival, where it won the Teddy Award for Best Documentary.

    The 2012 Giorgio Armani Directing Fellowship, which includes a cash grant of $10,000, was awarded to Grace Lee, director of the documentary American Revolutionary: The Evolution of Grace Lee Boggs. The film, currently in post-production, is in Film Independent’s 2012 Documentary Lab.

    On January 14th, the following winners were honored at the Spirit Awards Filmmaker Grant and Nominee Brunch at BOA Steakhouse in West Hollywood:

    The 18th Annual Audi Someone to Watch Award was given to Mark Jackson, director of Without. The $25,000 unrestricted grant, funded for the first time by Audi, recognizes a talented filmmaker of singular vision who has not received appropriate recognition.

    The 17th Annual Nokia Truer Than Fiction Award was given to Heather Courtney, director of Where Soldiers Come From. The $25,000 unrestricted grant, funded by Nokia, is presented to an emerging director of non-fiction features who has not yet received significant recognition.

    The 15th Annual Piaget Producers Award was given to Sophia Lin, producer of Take Shelter. The $25,000 unrestricted grant, funded by Piaget, is presented to an emerging producer who, despite highly limited resources demonstrates the creativity, tenacity, and vision required to produce quality, independent films.

    The 2nd Annual Jameson FIND Your Audience Award, which helps one low-budget independent film find a broader audience, was given to Benjamin Murray and Alysa Nahmias, co-directors of Unfinished Spaces. The $40,000 marketing and distribution grant, funded by Jameson® Irish Whiskey, was designed to meet independent filmmakers’ biggest challenge today: How to get their films out into the marketplace.

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  • BLUE LIKE JAZZ to Open in Theatres on April 13 after Premiere at 2012 SXSW

    BLUE LIKE JAZZ, directed and co-written by Steve Taylor (THE SECOND CHANCE)  will have its World Premiere in the Narrative Spotlight section at the 2012 South-by-Southwest Film Festival before opening in theatres on April 13th.

    Blue Like Jazz by Donald Miller spent 43 weeks on the New York Times Best Seller list and has sold over 1.5 million copies to date.  The semi-autobiographical story was adapted for the screen by Miller, Steve Taylor and Ben Pearson.

    In the early days of pre-production, the project was forced to be put on hold due to lack of funding, prompting a website to be created by fans, for fans, called “Save Blue Like Jazz”.  The site urged loyalists to help raise money to fund the movie through Kickstarter, an online matchmaker for filmmakers and financial backers. The campaign went on to raise a record-setting $345,000, more than doubling the original goal of $125,000, allowing the film to start production.

    In Blue Like Jazz, Don (Allman), a pious nineteen-year-old sophomore at a Texas junior college, impulsively decides to escape his religious upbringing for life in the Pacific Northwest at one of the most progressive campuses in America, Reed College in Portland.  Upon arrival, Reed’s surroundings and eccentric student body proves to be far different than he could possibly imagine from the environment from which he came, forcing him to embark on a journey of self-discovery to understand who he is and what he truly believes.

    The film boasts a cast of rising stars including Marshall Allman (TRUE BLOOD), Claire Holt (THE VAMPIRE DIARIES, PRETTY LITTLE LIARS), and Tania Raymonde (LOST). Blue Like Jazz was produced by Taylor, J. Clarke Gallivan and Coke Sams for Ruckus Film.

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  • The Descendants and Better This World Win WGA Awards

    [caption id="attachment_2469" align="alignnone"]Better This World[/caption]

    The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) announced the winners for outstanding achievement in writing for the screen during 2011. Among the winners, The Descendants won the award for Adapted Screenplay and Better This World won the award for Documentary Screenplay.

    MOTION PICTURE WINNERS

    ORIGINAL SCREENPLAY 

    Midnight in Paris, Written by Woody Allen; Sony Pictures Classics

    ADAPTED SCREENPLAY 

    The Descendants, Screenplay by Alexander Payne and Nat Faxon & Jim Rash; Based on the novel by Kaui Hart Hemmings; Fox Searchlight

    DOCUMENTARY SCREENPLAY 

    Better This World, Written by Katie Galloway & Kelly Duane de la Vega; Loteria Films

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  • The Descendants, The Artist and Freedom Riders Among Winners of 62nd Annual ACE Eddie awards

    [caption id="attachment_2467" align="alignnone" width="550"]Best Edited Documentary – Freedom Riders[/caption]

    ACE, the AMERICAN CINEMA EDITORS, an honorary society of motion picture editors founded in 1950, presented the 62nd ACE Eddie awards. The Artist and The Descendants won the awards for Best Edited Feature Films and Freedom Riders won the award for Best Edited Documentary.

    The winners of the 62nd Annual ACE Eddie awards are:

    Best Edited Feature Film (Dramatic)
    The Descendants
    Kevin Tent, ACE

    Best Edited Feature Film (Comedy or Musical)
    The Artist
    Anne-Sophie Bion and Michel Hazanavicius

    Best Edited Animated Feature Film
    Rango
    Craig Wood, ACE

    Best Edited Half-Hour Series for Television
    Curb Your Enthusiasm, “Palestinian Chicken”
    Steven Rasch, ACE

    Best Edited One-Hour Series for Commercial Television
    Breaking Bad, “Face Off”
    Skip MacDonald

    Best Edited One-Hour Series for Non-Commercial Television
    Homeland, “Pilot”
    Jordan Goldman and David Latham

    Best Edited Miniseries or Motion Picture for Television
    Cinema Verite
    Sarah Flack, ACE and Robert Pulcini

    Best Edited Documentary
    Freedom Riders
    Lewis Erskine and Aljernon Tunsil

    Best Edited Reality Series
    Anthony Bourdain: No Reservations, “Haiti”
    Eric Lasby

    Student Competition
    Eric Kench, Video Symphony

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  • Pariah and Sing Your Song Win at 43rd NAACP Image Awards

    [caption id="attachment_774" align="alignnone"]Pariah [/caption]

    The 43rd NAACP Image Awards was held over the weekend and Pariah triumphed over I Will Follow, Kinyarwanda, MOOZ-lum and The First Grader to win the award for Outstanding Independent Motion Picture. Other award winners include Sing Your Song won the award for Outstanding Documentary (Theatrical or Television) and In the Land of Blood and Honey won the award for Outstanding Foreign Motion Picture.

    Winners of the 43rd annual NAACP Image Awards for Motion Pictures

    Motion Picture- The Help

    Actor in a motion picture – Laz Alonso, Jumping the Broom

    Actress in a motion picture- Viola Davis, The Help

    Supporting actor in a motion picture – Mike Epps, Jumping the Broom

    Supporting actress in a motion picture – Octavia Spencer, “The Help”

    Independent motion picture – Pariah

    Foreign motion picture – In the Land of Blood and Honey

    Documentary, theatrical or television – Sing Your Song

     

     

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  • Adopt Films to release in the US ‘Barbara’ Winner of Silver Bear for Best Director at 2012 Berlin Film Festival

    Adopt Films has acquired for release in the U.S., Christian Petzold’s “Barbara,” only hours before it was awarded the Silver Bear for Best Director at the just-concluded 2012 Berlinale (Berlin International Film Festival).

    Adopt Films plans to release the film theatrically in December and will mount an Academy Award campaign for Petzold and his lead actors.

    Set in East Berlin in 1980 “Barbara” is the riveting and compassionate story of the eponymous pediatric surgeon whose desire to emigrate to the west has banished her to a small country hospital far from freedom, and Andre, a fellow doctor who also finds himself a prisoner of sorts, having recently overseen a procedure which resulted in tragedy for two of his patients.  It is a story of two doctors who, by dint of circumstance, discover feelings of trust they thought were no longer possible on their side of the fence.  It’s about the attraction that ignites between Barbara and Andre, and the improbable bonds that Barbara forms with her patients, often putting herself in jeopardy in the process.

    Nina Hoss plays the lead role in “Barbara,” marking her fifth collaboration with writer-director Petzold.  Ronald Zehrfeld, Jasna Fritzi Bauer, Mark Waschke, and Rainer Bock co-star in the film.

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  • My Week With Marilyn Expanding to 600 theaters

    In the wake of two Academy Award® Nominations for Michelle Williams, Best Actress, and Kenneth Branagh, Best Supporting Actor, the Weinstein Company announced today that they are expanding MY WEEK WITH MARILYN into 600 theaters nationwide.

    MY WEEK WITH MARILYN is currently in select theaters and will be expanding on February 24th.  

    In the early summer of 1956, 23 year-old Colin Clark (Eddie Redmayne), just down from Oxford and determined to make his way in the film business, worked as a lowly assistant on the set of ‘The Prince and the Showgirl’. The film that famously united Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams), who was also on honeymoon with her new husband, the playwright Arthur Miller (Dougray Scott).  Nearly 40 years on, his diary account The Prince, the Showgirl and Me was published, but one week was missing and this was published some years later as My Week with Marilyn – this is the story of that week.  When Arthur Miller leaves England, the coast is clear for Colin to introduce Marilyn to some of the pleasures of British life; an idyllic week in which he escorted a Monroe desperate to get away from her retinue of Hollywood hangers-on and the pressures of work.

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  • Dates Announced for 2012 British Independent Film Awards

    The Moët British Independent Film Awards announced today that this year’s awards will be held on Sunday December 9th 2012.

    At the Moët BIFA’s Tyrannosaur also won the coveted Best British Independent Film, with Lynne Ramsay taking home Best Director for We Need to Talk About Kevin, Olivia Colman Best Actress for Tyrannosaur and Michael Fassbender Best Actor for Shame. Vanessa Redgrave won Best Supporting Actress for Coriolanus and Michael Smiley Best Supporting Actor for Kill List.

    Now in its 15th year, the Awards were created by Raindance in 1998 and set out to celebrate merit and achievement in independently funded British filmmaking, to honor new talent, and to promote British films and filmmaking to a wider public.

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  • Tribeca Film to release Keanu Reeves film Side by Side

    Tribeca Film will release Side by Side, a film described as a provocative and illuminating journey through the technical and aesthetic implications of the transition from traditional film to digital technology. Produced and presented by Keanu Reeves and directed by Chris Kenneally, Reeves takes you on a tour of the past and the future of filmmaking in Side by Side.

    A summer release is planned for the film, which is having its world premiere at the Berlin International Film Festival.

    Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium.   Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood’s masters, such as Danny Boyle, James Cameron, David Fincher, George Lucas, David Lynch, Christopher Nolan, Martin Scorsese, Steven Soderbergh, Lars Von Trier, The Wachowskis, and many more.

    “Cinema is at a tipping point. Digital has challenged, and in some ways completely overturned, a process of making movies on photochemical film that has been a tradition for over one hundred years,” states Chris Kenneally, the director. “Side by Side is an intimate conversation between Keanu and the top professionals in the industry about this revolution and its impact.”

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  • The Artist wins seven BAFTAs at Orange British Academy Film Awards

    [caption id="attachment_2260" align="alignnone"]The Artist[/caption]

    The Artist was named Best Film at Orange British Academy Film Awards. The film also won six other awards: Director, Original Screenplay, Original Music, Cinematography, Costume Design as well as a performance award for Jean Dujardin who won the Leading Actor BAFTA.

    Other acting awards included Meryl Streep for Leading Actress for her performance as Margaret Thatcher in The Iron Lady  and Christopher Plummer for Supporting Actor for his performance in Beginners.

    Outstanding British Film and Adapted Screenplay were awarded to Tinker Tailor Soldier Spy and Senna won the Documentary and Editing BAFTAs. Pedro Almoldovar’s The Skin I Live in won the Film Not in the English Language category.

    Director Paddy Considine and Producer Diarmid Scrimshaw received the award for Outstanding Debut by a British Writer, Director or Producer for their first feature film Tyrannosaur, based upon the short film Dog Altogether that won them the Short Film BAFTA in 2008.

    2011 WINNERS
    (presented in 2012)

    BEST FILM
    THE ARTIST Thomas Langmann

    OUTSTANDING BRITISH FILM
    TINKER TAILOR SOLDIER SPY Tomas Alfredson, Tim Bevan, Eric Fellner, Robyn Slovo,

    OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
    TYRANNOSAUR Paddy Considine (Director), Diarmid Scrimshaw (Producer)

    FILM NOT IN THE ENGLISH LANGUAGE
    THE SKIN I LIVE IN Pedro Almodóvar, Agustin Almodóvar

    DOCUMENTARY
    SENNA Asif Kapadia, James Gay-Rees, Tim Bevan, Eric Fellner, Manish Pandey

    ANIMATED FILM
    RANGO Gore Verbinski

    DIRECTOR
    THE ARTIST Michel Hazanavicius

    ORIGINAL SCREENPLAY
    THE ARTIST Michel Hazanavicius

    ADAPTED SCREENPLAY
    TINKER TAILOR SOLDIER SPY Bridget O’Connor, Peter Straughan

    LEADING ACTOR
    JEAN DUJARDIN The Artist

    LEADING ACTRESS
    MERYL STREEP The Iron Lady

    SUPPORTING ACTOR
    CHRISTOPHER PLUMMER Beginners

    SUPPORTING ACTRESS
    OCTAVIA SPENCER The Help

    ORIGINAL MUSIC
    THE ARTIST Ludovic Bource

    CINEMATOGRAPHY
    THE ARTIST Guillaume Schiffman

    EDITING
    SENNA Gregers Sall, Chris King

    PRODUCTION DESIGN
    HUGO Dante Ferretti, Francesca Lo Schiavo

    COSTUME DESIGN
    THE ARTIST Mark Bridges

    MAKE UP & HAIR
    THE IRON LADY Marese Langan, Mark Coulier, J. Roy Helland

    SOUND
    HUGO Philip Stockton, Eugene Gearty, Tom Fleischman, John Midgley

    SPECIAL VISUAL EFFECTS
    HARRY POTTER AND THE DEATHLY HALLOWS – PART 2 Tim Burke, John Richardson, Greg Butler, David Vickery

    SHORT ANIMATION
    A MORNING STROLL Grant Orchard, Sue Goffe

    SHORT FILM
    PITCH BLACK HEIST John Maclean, Gerardine O’Flynn

    THE ORANGE WEDNESDAYS RISING STAR AWARD (voted for by the public)
    ADAM DEACON

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  • Tribeca Film to release Jenna Fischer’s The Giant Mechanical Man in the Spring

    Tribeca Film will release in the Spring, The Giant Mechanical Man, a character-driven, romantic comedy written and directed by Lee Kirk.

    Produced by and starring Jenna Fischer (The Office) the film features a cast that includes Chris Messina (Vicky Cristina Barcelona), Topher Grace (Too Big to Fail), Malin Akerman (Watchmen, Rock of Ages), Rich Sommer (Mad Men), Lucy Punch (Dinner for Schmucks) and Bob Odenkirk (Breaking Bad, Mr. Show).

    The Giant Mechanical Man is a charming comedic romance between Janice (Jenna Fischer), a woman in her 30’s who has yet to learn how to navigate adulthood, and Tim (Chris Messina), a devoted street performer who finds that his unique talents as a “living statue” don’t exactly pay the bills.  Out of work and crashing with her overbearing sister (Malin Akerman), Janice is on the receiving end of well-intentioned but misguided pressure to date an egotistical self-help guru (Topher Grace). Everyone seems to know what’s best for Janice, but Tim helps her find her own voice and realize that it only takes one person to make you feel important.

    “From the minute Lee shared the script with me, I knew I wanted to be a part of this film – so much so that I decided to produce it.” said Jenna Fischer. “I was so drawn to my character and there’s something about Janice that is very relatable. I think we’ve all been at a crossroads in life when you’re trying to take the next step, but struggling with which direction to go; just when you think things will never get better you find something amazing like love.  It resonated with me and I couldn’t be more proud of how it turned out.”

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  • “RETURN” SHOWS US YOU CAN’T GO HOME AGAIN: LINDA CARDELINNI GIVES A POWERHOUSE PERFORMANCE ABOUT A SOLDIER WHO JUST CAN’T SHAKE THE WAR

    by Francesca McCaffery

    There has rarely been such a non-formulaic and genuinely touching portrayal of a soldier returning home as Liza Johnson’s “Return,” starring the phenomenal Linda Cardelinni (“E.R.”) and always terrific Michael Shannon, opening today in limited release.

    To say a movie is independent film at is finest doesn’t even translate any longer, of course, but if it still does in any vernacular, this tiny, perfectly on-point little film is exactly it.

    Cardelinni plays Kelli, home from a year’s tour of duty (Iraq? Afghanistan? We are never quite certain.) Shannon plays Mike, her plumber husband who is so game to comfort his returning soldier wife he initially rebuffs her playful advances, advising her primly that “They warned us about rushing this at the Spouse Support Group!”This is a new era, Johnson explains right away, one which we all know, or are supposed to understand, full well the devastating effects of PTSD and trauma war has on the average American soul.

    Kelli is thrilled to be back home with her two young daughters, in her sweet little home, and even at her dull factory job. But when out partying with the girls one night, doing shots and cracking up, the conversation slowly delves into “what she saw over there.”

    Everyone there, Kelli keeps insisting, had it worse than me. Lots of people. She was only working at a supply base, hauling boxes. Yes, she saw dead bodies, dead animals, “some crazy, fucked-up shit.” But still…Kelli refuses to acknowledge their power over her. Never letting anyone in, and never allowing herself to truly feel her dangerously deep feelings about her time in the National Guard, Kelli soon becomes a slow-burning fuse.

    I cannot speak enough about Cardelinni’s performance. Back when actresses still cared about what they were doing for a living, rather than simply shopping and talking about that process, this was the kind of performance they gave: One full of true heart, completely free of stereotypes, and one that free falls into delivering exactly what you need from this character: A person casting about for answers without realizing or knowing what the exact problem is, in the first place. The human condition? Absolutely.

    Johnson and the performers show us that regardless of having suffered through a terrible experience or trauma or not, there are just no pert answers, no all-encompassing cure for what ails us, and no trite way out of feeling what you need to really experience in order to heal. This film seems to be saying, that, sometimes, you simply cannot go home again.

    At the end of the film, Kelli not only makes the only logical choice left, but it is, quite thankfully almost, made for her.

    Please check out “Return” this weekend. Let’s help slam this wonderful little film  out of the park. Playing in NYC at Cinema Village East, and in Brooklyn at Indie Screen Cinema.

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