Chinese filmmaker Siyi Chen is the winner of the 2019 SFFILM New American Fellowship, supporting the development of her documentary, including My Grandma’s a Dancer and People’s Hospital.
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Chinese filmmaker Siyi Chen is the winner of the 2019 SFFILM New American Fellowship, supporting the development of her documentary, including My Grandma’s a Dancer and People’s Hospital.
Phoenix Film Critics Society announced its 2018 award winners with Peter Farrelly’s “Green Book,” capturing Best Picture honors.
Yorgos Lanthimos’ black comedy The Favourite was out front with 10 nominations for the 39th annual London Critics’ Circle Film Awards.
The Academy of Motion Picture Arts and Sciences announced today that three hundred forty-seven feature films are eligible to compete for the 2018 Academy Awards for Best Picture.
Alfonso Cuaron’s ROMA continues its winning streak with the Southeastern Film Critics Association Awards as the film was awarded the top prize of Best Film.
The Seattle Film Critics Society awarded the top prize of Best Picture to Alfonso Cuarón’s Roma, a semi-autobiographical film that follows the life of a live-in housekeeper during a politically turbulent time in Mexico City.
Yorgos Lanthimos’ The Favourite leads the nominations for the 2018 Houston Film Critics Society awards with six, including Best Picture, and Best Director for Yorgos Lanthimos.
Alfonso Cuaron’s Roma was a hit with the Las Vegas Film Critics, winning five awards including; Best Picture, Best Director and Best Foreign Film.
Paul Schrader’s First Reformed leads the Vancouver Film Critic’s Circle international awards with three wins, including Best Director for Schrader.
Roma and Spider-man: Into the Spider-Verse scored three awards with the Utah Film Critics Association, with Spider-man receiving the honors of being named Best Picture of 2018.
“The Hate U Give,” a drama that examines contemporary race relations in America took top prizes at the 2018 Indiana Film Journalists Association awards, including Best Film.
Roma and The Favourite took home three Kansas City Film Critics Circle’s James Loutzenhiser Awards each, and tied for the top prize of Best Film.