
Michael Gracey directs Better Man, a biographical film about British pop star Robbie Williams – with a twist: Williams is depicted as a CGI monkey, voiced by the singer himself, telling the story of his life through his own perspective.

Michael Gracey directs Better Man, a biographical film about British pop star Robbie Williams – with a twist: Williams is depicted as a CGI monkey, voiced by the singer himself, telling the story of his life through his own perspective.

Selected as Brazil’s official entry for Best International Feature at the 2025 Academy Awards, I’m Still Here is a drama from Central Station’s Oscar-nominated director, Walter Salles. Based on Marcelo Rubens Paiva’s 2015 memoir, Ainda Estou Aqui, the film follows a mother of five whose family’s life is forever changed after the disappearance of her husband, former Brazilian Labour Party congressman Rubens Paiva.

Returning to comedy films after directing the modern Halloween trilogy, David Gordon Green (Pineapple Express, Your Highness) presents Nutcrackers, a family comedy film starring Ben Stiller.

Produced by Oscar-winning documentarian Alex Gibney (Taxi to the Dark Side) and helmed by three-time Emmy-nominated South African filmmaker Alexis Bloom, The Bibi Files is a documentary investigation of Israel’s Prime Minister Benjamin Netanyahu. Featuring hours of interrogation and leaked footage, the documentary exposes Netanyahu’s and his inner circle’s corruption and their unwillingness to give up power.

Examining the murder of First Nations activist Annie Mae Aquash, Vow of Silence: The Assassination of Annie Mae is a four-part documentary series helmed by director Yvonne Russo. The docu-series takes a deep deep dive into Annie Mae’s story, who was found dead by the side of State Road 73, about 10 miles from Wanblee, South Dakota, after the snow melted in February, revealing her remains.

Inspired by Chris Marker’s 1962 short La Jetée, Asif Kapadia’s 2073 is a sci-fi thriller blending reality and fiction to deliver a cautionary tale about humanity’s future. The film stars two-time Oscar nominee Samantha Morton as a survivor haunted by visions of the past.

Debuting just days ahead of Ted Turner’s 86th birthday, Call Me Ted is a new six-part Max documentary series on the life of the influential media mogul. The docuseries explores the legacy Turner created, from the launch of CNN to the creation of Goodwill Games.

Bleecker Street has unveiled the official trailer for The Return, Uberto Pasolini’s retelling of Homer’s ancient Greek epic, Odyssey. The film which world premiered earlier this year at the 49th Toronto International Film Festival, stars Academy Award-nominated actor Ralph Fiennes as Odysseus as he returns from war and fights to take back what he lost.

Based on the 2021 novel Foregone by Russell Banks, Oh, Canada marks the second collaboration between director Paul Schrader and lead actor Richard Gere after 1997’s Affliction. The film follows the story of an aging filmmaker (played by Gere) telling the unfiltered story of his life for a documentary. Oh, Canada world premiered at the 77th Cannes Film Festival and also screened at the 38th AFI Fest.

Netflix has unveiled the official trailer for The Only Girl in the Orchestra, a short documentary that tells the story of double bassist Orin O’Brien. Directed by her niece, Molly O’Brien, the film follows Orin’s journey as the first woman to become a full-time member of the New York Philharmonic, performing under the direction of the legendary conductor Leonard Bernstein.

Produced by Ron Howard, Churchill at War is the latest project from Imagine Documentary. This four-part documentary series explores the pivotal role played by former UK Prime Minister Winston Churchill during World War II. It features archival recordings narrated by Churchill himself and includes interviews with historians and notable figures, including former UK Prime Minister Boris Johnson.

Academy Award-winning director Steven Soderbergh (Traffic, Ocean’s series) returns with Presence, a new psychological horror film. Shot entirely from the first-person perspective of the “presence,” the film follows a family moving into a new home haunted by a mysterious entity.