
[caption id="attachment_1779" align="alignnone"]
A scene from AURELIE LAFLAMME’S DIARY[/caption]
The second NY/SF International Children’s Film Festival, wrapped a the three-day festival for kids ages 3 – 18 and their families on Sunday and announced the winners of the best feature film and the best short film, as selected by the audiences.
Aurélie Laflamme’s Diary (Le journal d’Aurélie Laflamme, Canada 2010), Christian Laurence’s delightful story about a teenager navigating the strange conventions of adolescence on planet Earth, tipped the scale slightly ahead of Jean-Christophe Roger’s The Storytelling Show (France/Luxembourg 2010) in the audience voting for best feature film.
Rob Silvestri’s Ormie (Canada 2010), the award-winning slapstick animation about a pig determinedly trying to reach a cookie jar on top of a fridge won the audience award for best short film. Gravity, directed by Renaud Hallée and The Lost Thing, directed by Andrew Ruhemann and Shaun Tan were tied for second in the polling.
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Fanny, Annie & Danny, a film by finalist Chris Brown[/caption]
The San Francisco Film Society announced today the nine finalists for the third SFFS/Hearst Screenwriting Grant and the grant prize of $15,000. The finalists were selected from 57 applicants, and the winner will be announced in early December.
FINALISTS
Chris Brown, San Franciscoland
A young Iraqi war veteran is forced to turn to prostitution in order to survive in San Francisco. For information visit fannyannieanddanny.com.
Jason Cortland, Lumberjunkies
In a small logging town in Northern Oregon, two brothers circumvent the decline of the timber industry by stealing trees off public lands at night. Following a series of accidents, they have a falling out. The youngest goes to work for their estranged father on a legitimate salvage logging crew. With loyalties shifted, a history of family betrayal leads to an explosion of violence.
Mark Decena, The Martyr
The apparent suicide of a peace activist has a galvanizing effect on global efforts to end war and conflict. When the activist unexpectedly turns up very much alive, his colleagues must decide whether the movement’s new momentum is more important than one man’s existence. For information visit kontentfilms.com.
Gabriel Diani, Etta Devine, Sorry, Wrong Planet
Sorry, Wrong Planet is a sci-fi comedy about an inept clone soldier named Dort who is accidentally teleported to Earth where he teams up with an illegal immigrant named Miguel to do day labor. He falls in love with a waitress who looks exactly like the empress he is genetically programmed to worship and saves Earth from an alien invasion. For information visit dianidevine.com.
Joshua Malkin, Both Hands
When Dora, an ambitious American college student studying in Montreal, spies on the mysterious tattoo artist next door, she ignites a passionate mutual obsession that threatens to destroy both their lives. For information visit smalldrama.com.
Jonah Markowitz, Falling Home
An urban and happily childless gay couple’s life is forever changed following a tragic accident. They become the caretakers of two teenagers and the owners of a rural family farm. Three cross-cultural, multigenerational families learn to carry on after extreme tragedy. For information visit logolite-ent.com/jmarkowitz.
Jean-Louis Milesi, Inland Sea
A group of kids survives on the streets in a country recently torn apart by a war. Among them is ten-year-old Mickey who never speaks and whose friends treat him like an idiot. While the others are focused only on finding food, Mickey has two goals in life: to find new batteries to light up the plastic blade of his light saber and to find, and kill, his father. For information visit jeanlouismilesi.com.
Chioke Nassor, How to Follow Strangers
A woman died alone in her apartment and a year later her body was found decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule does notice, and when he resurfaces, she decides to follow him, setting off a chain of events that bind them together. For information visit chiokenassor.com.
Ian Olds, Western Habit
An Afghan journalist exiled from his war-torn home to a small, bohemian community in Northern California struggles to find a new life for himself while juggling a low-paying job on the local police blotter, a meddling avant-garde theater director and a sexually charged relationship with his roommate, who is also the town sheriff. For information visit fixerdoc.com.
The 2010 SFFS/Hearst Screenwriting Grant was awarded to Eric Escobar for East County, a drama set in the economic downturn in which a deputy sheriff who is drowning in debt moonlights for his brother’s eviction agency.

monterey media has acquired North American rights to actress Famke Janssen’s writing and directorial debut, “Bringing Up Bobby” with a late 2011 theatrical release date planned. “Bringing Up Bobby ” stars Milla Jovovich (Resident Evil, The Three Musketeers), Bill Pullman (Independence Day, Sleepless in Seattle, The Grudge) and Marcia Cross (star of “Desperate Housewives”). The film premiered recently at the Deauville American Film Festival and will have its US premiere at The Savannah Film Festival this November.
About Bringing Up Bobby
In an effort to escape her past and build a better future, Olive (Milla Jovovich), an attractive European con artist, and her 10-year-old American-born son, Bobby (Spencer List), find themselves living in Oklahoma. But as Olive and Bobby blithely charm their way from one comical adventure to another, Olive’s criminal past finally catches up with her, forcing her to make the toughest judgment of all.
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Human Centipede 2: Full Sequence[/caption]
“Real Steel” was literally a tough one to beat at the box office, with the action film starring Hugh Jackman, beating the competition to take the number 1 spot with a decent $27.3 million. George Clooney’s political drama “The Ides of March,”was a distant second with $10.4 million.
1. “Real Steel” (Disney/DreamWorks): $27.3 million.
2. “The Ides of March” (Sony/Cross Creek): $10.4 million.
3. “Dolphin Tale” (Warner Bros./Alcon): $9.2 million.
4. “Moneyball” (Sony): $7.5 million.
5. “50/50” (Summit/Mandate): $5.5 million.
6. “Courageous” (Sony): $4.6 million.
7. “The Lion King 3-D” (Disney): $4.6 million.
8. “Dream House” (Universal/Morgan Creek): $4.5 million.
9. “What’s Your Number?” (Fox/New Regency): $3.1 million.
10. “Abduction” (Lionsgate): $2.9 million.
In the specialty market, the sequel “Human Centipede 2: Full Sequence” grossed $54,000 from 18 screens. Other newcomers included “The Women on the Sixth Floor” which debuted on six screens in New York and Los Angeles and grossed $26,150; and Emilio Estevez’s “The Way” – starring his father Martin Sheen opened on 33 screens grossing $132,411.

The 55th BFI London Film Festival will close on Thursday 27 October with the UK premiere of Terence Davies’ The Deep Blue Sea.
Set in post-war Britain, this deeply moving story is an adaptation of Terence Rattigan’s classic play. Hester Collyer (Rachel Weisz) leads a privileged life in 1950s London as the beautiful wife of high court judge Sir William Collyer (Simon Russell Beale). To the shock of those around her, she walks out of her marriage to move in with young ex-RAF pilot, Freddie Page (Tom Hiddleston), with whom she has fallen passionately in love.
Festival Artistic Director Sandra Hebron comments:
“It’s a great pleasure to be able to close the festival with this exquisite new feature from one of our most cherished directors. Terence Davies is a filmmaker who the BFI has supported from the very beginnings of his career, and in Terence Rattigan’s centenary year, this beautifully directed and acted film is the perfect closing night film.”
Director Terence Davies adds:
“As a British filmmaker, to get into the BFI London Film Festival at all is bliss – to get a Closing Night film is sheer heaven! The festival is now, rightly, seen as one of the major European and World Film Festivals; championing not only British but World cinema.”

On the 1st and 2nd of October, 2011, the PERUGIA INTERNATIONAL FILM FESTIVAL (PIFF) held a Festival Preview in advance of its spring 2012 launch in Perugia, Italy. The Festival Preview presented three film programs over two days, free to the public, and a gala screening.
Guests for the Festival Preview included internationally renown documentary filmmakers D.A. Pennebaker and Chris Hegedus and acclaimed photographer and filmmaker, Bruce Weber.

The new Perugia International Film Festival will launch its first annual Festival from March 22nd to 25th, 2012.
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2011 Twin Cities Film Fest Best Feature Award. [/caption]
The Twin Cities Film Fest (TCFF) wrapped and announced the audience and other special award-winners of the 2011 festival.
2011 Twin Cities Film Fest Best Feature Award
“Like Crazy,” directed by Drake Doremus
2011 Twin Cities Film Fest North Star Award for Excellence
Tom Sizemore (For an indelible body of work, including TCFF official selection “White Knight”)
2011 Twin Cities Film Fest Shorts Film Award
“14 Minutes,” directed by Elise Plakke
2011 Twin Cities Film Fest Audience Best Documentary Award
“Signing On: Stories of Deaf Breast Cancer Survivors, Their Families and the Deaf Community,” directed by Barbara Allen
2011 Twin Cities Film Fest Audience Best Minnesota Feature Award
“Lambent Fuse,” directed by Matt Cici
2011 Twin Cities Film Fest Audience Best Minnesota Shorts Award
“Sidewalk Sonata,” directed by Nicholas Clausen
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Alexander Payne’s THE DESCENDANTS[/caption]
Alexander Payne’s THE DESCENDANTS will be the Closing Night Gala selection for the 49th New York Film Festival (September 30-October 16). NYFF also released the main slate of 27 feature films as well as a return to the festival stage of audience favorite, On Cinema (previously titled The Cinema Inside Me), featuring an in-depth, illustrated conversation with Alexander Payne.
In his first film since the Oscar-winning SIDEWAYS, writer-director Alexander Payne once again proves himself a master of the kind of smart, sharp, deeply felt comedy that was once the hallmark of Billy Wilder and Jean Renoir. Based on the bestselling novel by Kaui Hart Hemmings, THE DESCENDANTS stars George Clooney as ‘Matt King’, the heir of a prominent Hawaiian land-owning family whose life is turned upside-down when his wife is critically injured in a boating accident. Accustomed to being “the back-up parent,” King suddenly finds himself center stage in the lives of his two young daughters (excellent newcomers Shailene Woodley and Amara Miller), while at the same time being forced to decide the fate of a vast plot of unspoiled land his family has owned since the 1860s. Rooted in Clooney’s beautifully understated performance, Payne’s film is an uncommonly perceptive portrait of marriage, family and community, suffused with humor and tragedy and wrapped in a warm human glow.
Screening at Alice Tully Hall on Sunday, October 16, Alexander Payne’s THE DESCENDANTS marks the filmmakers 3rd visit to the New York Film Festival; previous titles presented were ABOUT SCHMIDT and SIDEWAYS. Fox Searchlight is releasing the film on November 23, 2011.
The 49th New York Film Festival main-slate:
Opening Night Gala Selection
CARNAGE
Director: Roman Polanski
Country: France/Germany/Poland
Centerpiece Gala Selection
MY WEEK WITH MARILYN
Director: Simon Curtis
Country: UK
Special Gala Presentations
A DANGEROUS METHOD
Director: David Cronenberg
Country: UK/Canada/Germany
THE SKIN I LIVE IN
Director: Pedro Almodóvar
Country: Spain
Closing Night Gala Selection
THE DESCENDANTS
Director: Alexander Payne
Country: USA
4:44: LAST DAY ON EARTH
Director: Abel Ferrara
Country: USA
THE ARTIST
Director: Michel Hazanavicius
Country: France
CORPO CELESTE
Director: Alice Rohrwacher
Country: Italy/Switzerland/France
FOOTNOTE
Director: Joseph Cedar
Country: Israel
GEORGE HARRISON: LIVING IN THE MATERIAL WORLD
Director: Martin Scorsese
Country: USA
GOODBYE FIRST LOVE
Director: Mia Hansen-Løve
Country: France/Germany
THE KID WITH A BIKE
Director: Jean-Pierre and Luc Dardenne
Country: Belgium/France
LE HAVRE
Director: Aki Kaurismäki
Country: Finland/France/Germany
THE LONELIEST PLANET
Director: Julia Loktev
Country: USA/Germany
MARTHA MARCY MAY MARLENE
Director: Sean Durkin
Country: USA
MELANCHOLIA
Director: Lars von Trier
Country: Denmark/Sweden/France/Germany/Italy
MISS BALA
Director: Gerardo Naranjo
Country: Mexico
ONCE UPON A TIME IN ANATOLIA
Director: Nuri Bilge Ceylan
Country: Turkey
PINA
Director: Wim Wenders
Country: Germany/France/UK
PLAY
Director: Ruben Östlund
Country: Sweden/France/Denmark
POLICEMAN
Director: Nadav Lapid
Country: Israel/France
A SEPARATION
Director: Asghar Farhadi
Country: Iran
SHAME
Director: Steve McQueen
Country: UK
SLEEPING SICKNESS
Director: Ulrich Köhler
Country: Germany/France/Netherlands
THE STUDENT
Director: Santiago Mitre
Country: Argentina
THIS IS NOT A FILM
Director: Jafar Panahi and Mojtaba Mirtahmasb
Country: Iran
THE TURIN HORSE
Director: Béla Tarr and Agnes Hranitzky
Country: Hungary/France/Germany/Switzerland/USA

Actress-producer-co-writer of “Another Earth” Brit Marling lights up the screen in this truly wonderful, low-key “sci-fi romance,” which she co-wrote with director Mike Cahill. The film was one of the toasts of Sundance, and is an extremely low-budget mediation on destiny and the concept of “what if there were another YOU out there?”
Marling plays Rhoda Williams, a bright, pretty seventeen-year old about to graduate high school, happily celebrating her acceptance into MIT’s astrophysics program. Driving home tipsy from the party, she learns via radio broadcast that “another earth” has just been discovered, an exact replica of our planet called “Earth 2.” As Rhoda looks up to dreamily gaze at the wondrous new planet, her world literally collides with a famous composer (William Mapother) and his family.
Directed by Mike Cahill, this film, shot on such a small budget they actually had to steal one of the locations outside of a jail, is pretty remarkable in its originality and absolute clarity of vision. Marling is also tough and luminous, and William Mapother has that crinkly-eyed charm reminiscent of Dermot Mulroney (whom he resembles.) What Cahill manages to do with very limited (and inexpensive) visual effects, pitch perfect control on the film’s tone, and the actor’s performances is pretty extraordinary. He is certainly a director to watch. Vimooz recommends that you check out this film, which opened June 22nd. We loved it, and so will you…!
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THE SWELL SEASON[/caption]
AFI-Discovery Channel Silverdocs Documentary Festival announced its opening, closing and centerpiece films for the Festival, taking place June 20-26, 2011 in the Washington, D.C. area.
The Festival will open its ninth annual edition on June 20, 2011 with THE SWELL SEASON. Directed by Nick August-Perna, Chris Dapkins and Carlo Mirabella-Davis, THE SWELL SEASON follows musical artists Glen Hansard and Markéta Irglová, who captivated audiences and earned an Academy Award for their musical collaboration in the film, ONCE. As their fictional, on-screen romance blurred with reality, they fell in love, recorded a self-titled album called “The Swell Season” and embarked on a world tour. Fueled by two years of exhilarating, sold out performances and psychological turmoil, the documentary is a volatile and intimate portrait of a romance that fractures in the face of life on the road and personal tragedy.
REVENGE OF THE ELECTRIC CAR will close the Festival. The documentary, directed by Chris Paine, explores the triumphant reemergence of the “clean car,” focusing on four dynamic entrepreneurs dedicated to creating an environmentally friendly automobile.
The featured Centerpiece film, THE INTERRUPTERS, from acclaimed director Steve James (HOOP DREAMS), chronicles former gang members – now modern-day heroes – who risk their lives to disrupt violence and make extraordinary change in their Chicago communities.
[source: AFI-Discovery Channel Silverdocs Documentary Festival]
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POLISS[/caption]
Sundance Selects announced from the 2011 Cannes Film Festival that the company will release in the U.S., writer-director and actress Maiwenn’s POLISS. The film, which made its world premiere in Competition at the festival, was produced by Alain Attal and co-written by actress Emmanuelle Bercot, who also co-stars in the film. The film also stars Karin Viard, Joeystarr, Marina Fois, Nicolas Duvauchelle, Karole Rocher, Frederic Pierrot, Arnaud Henriet, Naidra Ayadi and Jeremie Elkhaim.
The film follows a group of individuals and officers working in and around a child protection unit in Paris.
Sundance Selects has also picked up several other titles at this week’s festival including Julia Leigh’s SLEEPING BEAUTY; writer/director Bertrand Bonello’s HOUSE OF TOLERANCE; writer/director Mia Hansen Love’s GOODBYE FIRST LOVE; and Jean-Pierre and Luc Dardenne’s THE KID WITH A BIKE. IFC Midnight, Sundance Selects’ sister division, additionally picked up Australian filmmaker Justin Kurzel’s psychological thriller SNOWTOWN ot U.S. release
Sundance Selects is a sister division to IFC Films and IFC Midnight, and is owned and operated by Rainbow Media.