• 53rd New York Film Festival Shorts Lineup + Michael Moore, Jia Zhangke , Todd Haynes, Hou Hsiao-hsien Confirmed as Speakers

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    53rd New York Film Festival Shorts Lineup + Michael Moore, Jia Zhangke , Todd Haynes, Hou Hsiao-hsien Confirmed as Speakers The Film Society of Lincoln Center announced the complete NYFF Shorts Programs and filmmaker talks for the 53rd New York Film Festival, taking place September 25 – October 11, 2015. This year, the festival has created four distinct categories for the 53rd New York Film Festival Shorts  Programs: Animation, International, New York and Horror. The NYFF Shorts Program 1: International will spotlight a selection of mostly North American premieres from around the world, with voices from Argentina, Australia, Chile, and more. The new Shorts Program 2: Horror will scare up some screams with a handful of tales from the dark side, including Territory by Vincent Paronnaud (co-director of 2007’s Cannes winner and NYFF45 Closing Night, Persepolis), about a sheepherder and his dog witnessing unspeakable terrors. Shorts Program 3: Animation section will showcase stunning and bold recent works, including the World Premiere of Pixar’s latest gem, Sanjay Patel’s Sanjay Super Team, about modern superheroes and Hindu traditions clashing in the daydreams of a young Indian boy. Shorts Program 4: New York is a new category celebrating the short-form works produced in New York by local filmmakers. The festival is thrilled to announce that the inaugural edition of this program will be sponsored by the City of New York Mayor’s Office of Media and Entertainment. This year’s exciting selections include the World Premieres of Zia Anger’s black comedy My Last Film, starring Lola Kirke, Mac DeMarco, and Rosanna Arquette; and Pacho Velez & Daniel Claridge’s Dragstrip. Velez is the co-director of Manakamana, which screened at NYFF51. The festival’s annual master class, On Cinema, will feature a conversation between NYFF Director of Programming Kent Jones and one of the world’s greatest living directors, Hou Hsiao-hsien, on Saturday, October 10. In a rare visit to New York, on the occasion his latest film The Assassin screening at NYFF53, the director will discuss some of the works that have marked, haunted, and influenced him as an artist. In the Revivals section, the festival will also present his 1983 Taiwanese New Wave drama, The Boys from Fengkuei. The popular FREE Directors Dialogues returns with three diverse, notable filmmakers, paired with a NYFF selection committee member as they discuss their careers, their craft and views on their own approach to making movies, as well as the current state of filmmaking. This year’s lineup will feature sit-downs with Jia Zhangke (Mountains May Depart) on Tuesday, September 29; Michael Moore (Where To Invade Next) on Sunday, October 4; and Todd Haynes (Carol) on Saturday, October 10. All of these director’s newest films are screening in the Main Slate of the NYFF53. SHORTS PROGRAM NYFF SHORTS PROGRAM 1: INTERNATIONAL (TRT: 85M) Featuring films by a selection of new talents, this year’s lineup of shorts includes lyrical work from Australia and Chile, a pair of Buenos Aires–set romps from Argentine co-productions, and a bittersweet goodbye story from Austria. Programmed by Sarah Mankoff. La Novia de Frankenstein Agostina Gálvez & Francisco Lezama, Portugal/Argentina, 2015, DCP, 13m Spanish with English subtitles Ivana works for an agency that rents out apartments out to English-speaking tourists, but her sticky finger side-hustle suggests self-employment might be more her style. North American Premiere Monaco David Easteal, Australia, 2015, DCP, 13m A young man goes door to door in search of an automotive apprenticeship, and spending his free time kicking up dust doing donuts with his buddies in the outskirts of Melbourne. North American Premiere Carry On Rafael Haider, Austria, 2015, DCP, 22m German with English subtitles When his donkey gets sick, an old farmer is hesitant to betray his fondness for the animal to his matter-of-fact wife who insists on putting the donkey down. Marea de Tierra Manuela Martelli & Amirah Tajdin, Chile/France, 2015, DCP, 15m Spanish with English subtitles On the southern Chilean archipelago of Chiloe, a lovelorn teenage girl on vacation swaps tales of heartbreak with a group of local women who gather seaweed. North American Premiere The Mad Half Hour Leonardo Brzezicki, Argentina/Denmark, 2015, DCP, 22m Juan suddenly balks at commitment, prompting his boyfriend to lead him on a romantic night of wandering city streets. Named for the time of day when house cats go inexplicably wild. North American Premiere NYFF SHORTS PROGRAM 2: HORROR (TRT: 93M) In a program brand-new to the NYFF focusing on the best in genre film—horror, thrillers, sci-fi, twisted noir, and fantasy shorts from around the world—this handful of tales from the dark side features a period piece of terror in distant lands from the co-director of Persepolis, a haunted psyche that reveals itself in very strange ways, a lesson in being bad, horror-film love turned life-threatening, and some silent but deadly revenge. Programmed by Laura Kern. Territory / Territoire Vincent Paronnaud, France, 2014, DCP, 22m French with English subtitles A sheepherder and his trusty dog witness unspeakable horrors in a remote valley of the French Pyrenees in 1957. We Wanted More Stephen Dunn, Canada, 2013, DCP, 16m Laryngitis may be a singer’s worst nightmare, but battling deep anxieties about life’s sacrifices can be even more terrifying. Sânge Percival Argüero Mendoza, Mexico, 2015, DCP, 19m Spanish with English subtitles Upon viewing the mysterious, bone-chilling titular film, a young woman’s horror obsession—taken far from seriously by her boyfriend—blends dangerously with reality. U.S. Premiere How to Be a Villain Helen O’Hanlon, UK, 2015, DCP, 16m In this delightfully demented homage to the golden days of monster movies, Supervillain (a perfect Terence Harvey) leads us on a thrilling guided tour of the ways of evil. Ramona Andrei Cretulescu, Romania, 2015, DCP, 20m One dark night, a no-nonsense blonde carries out a mission of brutal vengeance. NYFF SHORTS PROGRAM 3: ANIMATION (TRT: 56M) An eclectic mix of styles and themes, this program of animated shorts brings New York audiences a selection of stunning recent works from around the globe. Please note: this program is not for children! Programmed by Matt Bolish and Sarah Mankoff. Lingerie Show Laura Harrison, USA, 2015, HDCAM, 8m Drug-addict Lorraine and her boyfriend Caesar are having a nightmarish 24 hours until Lorraine calls up her sister, CiCi, for help. Hot Bod Claire van Ryzin, USA, 2014, DCP, 4m When a lonely man accidentally ingests a grow-your-own-girlfriend expandable water toy, he becomes extremely popular with the coolest dude in town. Whole William Reynish, Denmark, 2014, DCP, 12m Danish with English subtitles After a bad breakup leaves her heartbroken and depressed, Mira goes on a psychedelic trip in search of her spirit animal in order to feel whole again. Denis the Pirate Sam Messer, USA, 2015, DCP, 11m A man tells the story of his great-great-great-great grandfather, Denis the Pirate, and his sidekick monkey, Babe Ruth, with whom he terrorized the Caribbean islands. World Premiere Sanjay’s Super Team Sanjay Patel, USA, 2015, DCP, 7m In the latest short from Pixar, modern superheroes and Hindu traditions clash in the daydreams of a young Indian boy. World Premiere Palm Rot Ryan Gillis, USA, 2014, DCP, 7m While investigating a mysterious explosion deep in the Everglades, a crop duster’s discovery of a lone surviving crate sets off a series of unfortunate events. Food Siqi Song, USA, 2014, DCP, 4m We are what we eat—from cheeseburgers to chocolate-covered pretzels—in this stop-motion documentary that explores how we choose the foods we consume. Rolling Matt Christensen, USA, 2014, DCP, 3m A blissed-out squirrel rolls through a meadow of objects. NYFF SHORTS PROGRAM 4: NEW YORK (TRT: 75m) A new addition to the New York Film Festival, this program showcases recent short-form work from some of the most exciting filmmakers living and working in New York today, an eclectic mix of familiar faces, established names, and unheralded ones to watch. Programmed by Florence Almozini and Dan Sullivan and sponsored by the City of New York Mayor’s Office of Media and Entertainment. Hernia Jason Giampietro, USA, 2015, DCP, 12m Jason Giampietro’s latest hilarious short follows neurotic hypochondriac Rudy (Stephen Gurewitz), who is convinced he is suffering from a hernia, as he heads out into the night in search of sympathy from his friends, all of whom have lost their patience with him. Riot Nathan Silver, USA, 2015, DCP, 4m The hyper-prolific Nathan Silver’s first documentary draws on his family’s home movies to revisit his directorial debut at the age of 9, as his efforts to dramatize the 1992 L.A. riots are undermined by an uncooperative cast and the intrusions of his mother. U.S. Premiere Sundae Sonya Goddy, USA, 2015, DCP, 7m In this impeccable cringe comedy, an irritated mother drives around in an unfamiliar neighborhood bribing her taciturn 5-year-old son with ice cream in exchange for crucial information. World Premiere Dragstrip Pacho Velez & Daniel Claridge, USA, 2015, DCP, 4m Comprised of images of racing aficionados—drivers, mechanics, and fans alike—in New Lebanon, NY, as they behold the sport they love, this film offers a rare opportunity to look at others in the act of observation, transforming the screen into a kind of ethnographic mirror. World Premiere Special Features James N. Kienitz Wilkins, USA, 2014, DCP, 10m James N. Kienitz Wilkins’s funny and heady work of lo-fi sleight-of-hand centers on an interview between the filmmaker and a man describing a unique experience, but his entertaining reminiscence proves to be not at all what it seems. Six Cents in the Pocket Ricky D’Ambrose, USA, 2015, DCP, 14m This hypnotic work of contemporary cinematic modernism—something like Robert Bresson in Park Slope, but not exactly—concerns a young man apartment-sitting for friends as talk of a plane crash ominously lingers in the air. World Premiere Bad at Dancing Joanna Arnow, USA, 2015, DCP, 11m The Silver Bear winner at this year’s Berlinale comically chronicles the psychodrama and boundary-testing that arises between a needy young woman (Joanna Arnow) and her more confident roommate (Eleanore Pienta) when the latter gets a boyfriend (Keith Poulson). My Last Film Zia Anger, USA, 2015, DCP, 9m An exhilarating whatsit and freewheeling black comedy, Anger’s latest takes aim at the independent film scenes in NY and LA with no-holds-barred ferocity, formal ingenuity, and an eyebrow-raising cast that includes Lola Kirke, Mac DeMarco, and Rosanna Arquette. World Premiere Review Dustin Guy Defa, USA, 2015, DCP, 4m A young woman recounts a story to a group of friends who listen with rapt attention, but the tale sounds very familiar… Another masterful and clever work by one of the world’s premier shorts filmmakers. World Premiere

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  • World Premiere of Mika Kaurismäki’s THE GIRL KING Added to 2015 Montreal World Film Festival | TRAILER

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    The Girl King, directed by Mika Kaurismäki The Montreal World Film Festival has added the world premiere of The Girl King, directed by Mika Kaurismäki to its official competition.  “I was seduced by Michel-Marc Bouchard’s script,” says producer Arnie Gelbart. “It’s an unusual story of an extraordinary woman. The characters are very contemporary, young, ambitious and full of passion, torn between duty and desire, and it’s all been brought to the screen by a great director.” The international cast features Swedish stars Malin Buska and Michael Nyqvist, Canadians Sarah Gadon and Lucas Bryant, Finnish actress Laura Birn, French actor Hippolyte Girardot, veteran Belgian actor Patrick Bauchau and German actors Peter Lohmayer and Martina Gedeck. The Quebecer François Arnaud is also part of the cast and Guy Dufaux was the director of photography. The English version of the script has been written by awarded Linda Gaboriau. The Girl King was scripted by Quebec playwright Michel-Marc Bouchard who had great success in 2012 with his play on the life of Queen Christina of Sweden when it was staged in Montreal TNM and later at the Stratford Festival. It’s the 1600s and Queen Christina is set on making Sweden the most sophisticated country in Europe. Having been raised as a prince under strict Lutheran control, the enigmatic, flamboyant, and unpredictable queen faces powerful resistance in her quest to educate her subjects and end the bloody Thirty Years War between the Protestants and Catholics. Amidst all this, Christina struggles to come to terms with an irresistible passion for her lady in waiting, the stunning Countess Ebba Sparre. Her quest to understand love runs parallel with her quest to understand humanity and the violent and restrictive forces conspiring against her. Torn between the conflict of political and personal aspirations, Christina chooses to make one of the most controversial decisions in history. Born in Orimattila, Finland in 1955, Mika Kaurismäki studied film in Germany and his first film, his graduation production, THE LIAR (1980), was an overnight sensation; it marked the beginning of the cinema of the Kaurismäki brothers and started a new era in the Finnish cinema. Eventually, Mika established a base and second home in Brazil and concentrated on international co-productions, among them, CONDITION RED (1995), L.A. WITHOUT A MAP (1998), HONEY BABY (2004), BRASILEIRINHO (2005, shown at the MWFF), THREE WISE MEN (2008), BROTHERS (2011) and ROAD NORTH (2012). The MWFF runs from August 27 to September 7, 2015. https://www.youtube.com/watch?v=Ags39i275ro

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  • 2015 Toronto International Film Festival Short Cuts Program Lineup

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    A Few Seconds Nora El Hourch The 2015 Toronto International Film Festival announced the lineup for the Short Cuts program. Thirty-eight international shorts join the previously announced Canadian shorts, which will screen in 11 curated program. The compelling lineup encompasses works from filmmakers representing an impressive 35 countries. From provocative narratives to compelling animation, from insightful dramas to profoundly moving documentaries, the works in Short Cuts showcase unique, yet universal, stories about the human condition, in short form. The 40th Toronto International Film Festival runs September 10 to 20, 2015. Films screening in 2015 Toronto International Film Festival Short Cuts Program include: (Otto) Joris Oprins, Marieke Blaauw and Job Roggeveen, Netherlands, 10’ World Premiere As one couple try, and fail again, for the baby they’ve dreamed of, a little girl accidentally leaves her imaginary baby brother, Otto, behind at a restaurant. Suddenly, the definition of ‘baby’ takes on a new and completely unexpected dimension. Will Otto find a way back home? From the 2014 Toronto International Film Festival filmmakers who brought us the Oscar-nominated animation A Single Life. 7 sheep Wiktoria Szymanska, Poland/United Kingdom/Denmark/Mexico, 21’ World Premiere A lonely little girl tries to create a new world for herself and an equally lonely man. In a visually stunning dreamscape, she finds that freedom and home are synonymous — and that they come at a steep cost. Barbados Misha Manson-Smith, USA, 7’ World Premiere David is a middle-class guy with middle-class problems, despite his lovely home and beautiful middle-class wife. His son Gary is the same, just 30 years younger. Both are looking for a way out from suburbia and all its trappings. One Sunday lunchtime, however, when the police come knocking, David’s world suddenly becomes even more claustrophobic. Starring Michael Sheen, Radha Mitchell and Ty Simpkins. Beneath the Spaceship (Under Rymdskeppet) Caroline Ingvarsson, Sweden, 15’ World Premiere A young girl and her older neighbour share an unusual friendship. Together they are inseparable until the outside world peeks in. Bird Hearts Halfdan Olav Ullmann Tøndel, Norway, 25’ North American Premiere Benjamin and Maya share a life in Oslo. During a late-night dinner party, Maya tells a story about a sexual experience she had in Brazil. As a consequence, Benjamin’s insecurities begin to surface. Bird Hearts is a film about the power of the stories lovers tell. Starring Stine Sørensen, André Sørum and Trine Wiggen. Blue Spring Andreea Cristina Bortun, Romania, 15’ World Premiere A woman confronts the uselessness of words when confronted by the inevitable departure of her much younger lover. The Boyfriend Game Alice Englert, Australia, 7’ World Premiere Twelve-year-old friends Tomika and Edith set out in the bush to play their creation, The Boyfriend Game, only to struggle when the lines between real and pretend become blurred. Bunny Megha Ramaswamy, India, 19’ North American Premiere Bunny is an elegiac look at how fantastical childhood is, and evocative of the heartbreak with which we leave it behind. Wreathed in surrealist imagery, the story is about a little girl and her pet toy Bunny. Starring Syesha Adnani and Faizan Mohammad. The Call Zamo Mkhwanazi, South Africa, 11’ Canadian Premiere This arresting urban drama from Johannesburg’s Zamo Mkhwanazi focuses on a key moment in the relationship between a taxi driver and a prostitute. When Sibongiseni finds out that Purity is pregnant, he begins to question his own place in the world. Starring Fana Mokoena, MoMo Matsunyane, Ronnie Nyakale and Abena Ayivor. Concerning the Bodyguard Kasra Farahani, USA, 10’ World Premiere An anonymous henchman fulfils his role in a rigid hierarchy of power and control in this adaptation of a razor-sharp satire written by Donald Barthelme; and recited with great relish by Salman Rushdie. Deszcz (Rain) Malina Maria Mackiewicz, Australia, 5’ World Premiere In the summer of 1983 in Kraków, Poland, prisoners sentenced to death are not informed of the date of their execution. As Jedzrej waits for his lover Magda in the visitation hall of the Montelupich Political Detainment Centre, a sun shower pours down on Kraków. Each visit could be their last. Starring Lech Mackiewicz and Victoria Haralabidou. Dragstrip Pacho Velez and Daniel Claridge, USA, 4’ World Premiere At the Lebanon Valley Dragstrip in New York state, spectators, drivers and mechanics wait for their races. Dream the Other (Soñar el otro) Abril Schmucler Iñiguez, Mexico, 16’ International Premiere Diego is a lonely man with a humdrum life in Mexico City. In his sleep, he dreams of the (far more invigorating) life of a man named Alejandro Valle. As his friend Fabian looks on in disbelief, Diego’s shifting realities begin to take on new forms and new meaning. El Adiós Clara Roquet, Spain 15’ Canadian Premiere Rosana, a Bolivian maid, has worked for Angela, the elder matriarch of the Vidal family for the last 10 years. On the day of the funeral of her beloved Angela, Rosana is not allowed to grieve with the rest of the family. On the contrary: she is forced to work. El Adiós is an intimate story about how emotional bonds supersede social conventions, racial labels or family regimes. End of Puberty (Kamaszkor vége) Fanni Szilágyi, Hungary, 13’ International Premiere On a beautiful summer day, teenage twins meet a boy — he acquaints them with matters of sex, anger and jealousy. This is the end of puberty. Exit/Entrance or Trasumanar Federica Foglia, Italy/Canada, 7’ World Premiere A flow of words and images portrays an artist’s journey through a variety of Italian landscapes and interiors, evoking an eminently modern strain of melancholy: the feeling of belonging to two places and being fully at home in neither. Starring Antonio De Luca. The Fantastic Love of Beeboy & Flowergirl Clemens Roth, Germany, 10’ North American Premiere Peter is being followed by killer bees; Elsa collects exotic flowers from all over the world. To be together, they both have to overcome their fantasies. But what if love itself is nothing but fantasy? Starring Elisa Schlott and Florian Prokop. A Few Seconds Nora El Hourch, France, 16’ North American Premiere (pictured in main image above) Five girls live at a Paris home for wayward teens, each of them branded by a deeply troubling past. Forming an ad hoc communitywithin-a-community, the girls struggle to identify themselves no longer as victims but as something new and hopeful. Starring Marie Tirmont, Charlotte Bartocci, Camille Lellouche, Maly Diallo and Charlotte-Victoire Legrain. Following Diana (Sendiri Diana Sendiri) Kamila Andini, Indonesia, 40’ International Premiere Diana, a 30-year-old housewife, lives with her husband and son at home, across the street from a building construction site. She spends every day with her only child until her husband comes from work in the evening. One night, Diana’s husband presents her with a chart that reveals his shocking plan to share their little family with another woman. Starring Raihaanun, Tanta Ginting and Panji Rafenda Putra. Hide & Seek Kimie Tanaka, France/Japan/Singapore, 22’ International Premiere Shoichi, a Japanese male nurse living in the city, returns home to the countryside after his mother’s sudden death to sort out the situation of his younger brother Kotaro, who’s been a shut-in for over a decade. Shoichi seeks help from social services, only to be disappointed with their bureaucratic treatment. Frustrated, Shoichi makes a radical decision. Starring Masaki Miura, Kuniaki Nakamura and Sachiko Matsuura. Latchkey Kids (Yaldey Mafteah) Elad Goldman, Israel, 22’ North American Premiere Gur and his sister Daniel have a remarkably close relationship after years of caring for each other in their empty house. Although Daniel is looking outside for a chance to grow up and fall in love, Gur feels safer at home and refuses to let their bond come undone. Starring Yoav Rottman, Gaia Shalita Katz, Hillel Cappon and Tamara Friedland. The Magnetic Nature (El ser magnético) Mateo Bendesky, Argentina, 17’ North American Premiere Fifty-five-year-old Aldo and his older brother Pablo live together and take part in a religious practice invented by their father, whose congregation meets mainly online. But for Aldo, the allure of the world outside the garden gates is growing much stronger than “philosophical magnetism.” Starring Claudio Rangnau, Claudio Kustin and Iván Moschner. Maman(s) Maïmouna Doucouré, France, 21’ North American Premiere The family of eight-year-old Aida is thrown into chaos when her father returns from Senegal with young Rama, whom he introduces as his second wife. Aida may not exactly understand the details, but she understands that her mother is in deep distress, and that there seems to be but one way to make things better again. Starring Sokhna Diallo and Maïmouna Gueye. New Eyes Hiwot Admasu Getaneh, France/United Kingdom 12’ North American Premiere A girl who is in the transition of puberty, Selam, encounters something that arouses her sexually for the first time. She becomes restless as the day goes by in her oblivious semi-urban environment. Nulla Nulla Dylan River, Australia, 6’ North American Premiere Fresh out of the academy, White Cop experiences his first taste of aboriginal community life, as Black Cop puts him to the test. Starring Wayne Blair, Khan Chittenden, Pamela Nangala Sampson and Audrey Napanangka Martin. One Last Night (Laila Acharon) Kerem Blumberg, Israel, 22’ International Premiere It’s the last night Noa and Orr have together in Tel Aviv, before Orr leaves for Berlin. Outside a punk gig, when the police arrive and Orr jumps in to help a friend, both she and Noa get arrested. Now Noa will have to make a final decision about their relationship at the police station. Starring Michal Korman and Agam Schuster. Oslo’s Rose The Sporadic Film Collective, Norway, 7’ International Premiere For more than two years, Nader has been head over heels in love with Janne but unable to let her know, making for an untenable situation for both his work and creativity. At last, one night at the bar, it appears Nader may be able to finally speak and free himself from the writer’s block that has plagued him. Paradise (Het Paradijs) Laura Vandewynckel, Belgium, 6’ Canadian Premiere Paradise is the story of people heading for a better place on either side of the ocean. Although at times their paths do cross, they never really seem to meet. Starring Thomas Bellinck, Nico Sturm, Liesje De Backer, Jerom Sturm and Rocky Sturm. Peacock (Furiant) Ondrej Hudecek, Czech Republic, 26’ International Premiere Set in a 19th-century Bohemian village, this twisted queer romance tells a taboo true story about revered Czech writer Ladislav Stroupežnický. Starring Julius Feldmeier and Cyril Dobry. People Are Becoming Clouds Marc Katz, USA, 15’ World Premiere We follow John and Eleanor, a married couple who are faced with a problem: Eleanor keeps turning into a cloud. The couple visits Weather and Relationship Specialist Dr. Corduroy, hoping to resolve unusual situation. He tries to counsel them through the difficulties in their relationship and also get to the bottom of why exactly people are becoming clouds. Starring Libby Woodbridge, David Ross and Sean Cullen. Peripheria David Coquard-Dassault, France, 12’ World Premiere A journey into the heart of a large and abandoned council estate, Peripheria portrays an urban environment becoming wild: a modern Pompeii where the wind blows and dogs roam. Rate Me Fyzal Boulifa, United Kingdom, 17’ North American Premiere A portait of a teenage escort known only as Coco. The Return of Erkin Maria Guskova, Russia, 29’ North American Premiere Erkin gets out of prison and wants to return to his former life, but everything has changed and he does not know if he can live as a free man. Starring Kahramonjon Mamasaliyev. Semele Myrsini Aristidou, Cyprus/Greece/USA, 13’ World Premiere Semele will do anything to spend some time with her long absent father. A school note becomes just the excuse for her to visit him at his workplace, where her presence highlights their fragile relationship. The Signalman (O Sinaleiro) Daniel Augusto, Brazil, 15’ World Premiere A railroad signalman is haunted by a series of otherworldly events in this adaptation of a Charles Dickens short story. Are they truly ghostly manifestations, or the signalman’s psychological response to his isolation and repetitive work? The Society (Al mujtamaa) Osama Rasheed, Iraq/Germany 13’ World Premiere Lovers Muhamad and Ahmed live in a society that not only rejects homosexuality but also actively and insistently pressures its young men into marriage and fatherhood. Starring Muhamad Atshan, Ahmad Moneka and Fouad, Yaser. A Tale of Love, Madness and Death (Un Cuento de Amor, Locura y Muerte) Mijael Bustos Gutiérrez, Chile, 22’ North American Premiere “My uncle is schizophrenic and my grandmother suffers from a terminal illness. My grandfather, who is unable to take care of them both, must decide between his wife and his son.” So begins the remarkable documentary from Mijael Bustos about his family, caught between love and duty. THAT DOG Nick Thorburn, USA, 15’ World Premiere A dark comedy of errors unfolds as two interloping idiots inadvertently wreak havoc on the lives of others. Starring Michael Cera, Tim Heidecker and Andrea Riseborough. Tuesday (SALI) Ziya Demirel, Turkey/France, 12’ North American Premiere An ordinary day for a teenage girl in Istanbul and her encounters with three different men as she goes to school, plays basketball and takes a bus home. Starring Melis Balaban, Zeki Ocak, Yonca Hiç and Can Karaçayli. Violet Maurice Joyce, Ireland, 8’ North American Premiere There are many natural enemies for a self-loathing youth. But for Violet O’Reilly, the worst of them all was an unforgiving rectangle that hung on the wall. Violet is the cautionary tale of a young girl who despises her reflection. Tired of the abuse, Violet’s reflection decides she’s not going to take it anymore. Waves ’98 Ely Dagher, Lebanon/Qatar, 15’ North American Premiere In the crumbling tower blocks of post-war Beirut, Omar is restless and isolated, until a luminescent light draws him across the segregated city to a utopian world of enchantment — and he finds himself drifting further away from home. Wellington Jr. Cécile Paysant, France, 12’ World Premiere A tentative young hunter sets out into the wilderness under the tutelage of his seasoned father. But the rite of passage leads to increasingly surreal and grisly developments in this stop-motion animated marvel. Starring Aurélien Gabrielli and Rémy Lacquittant. Canadian shorts previously announced include Ashley McKenzie’s 4 Quarters, Marie-Ève Juste’s A New Year, Sol Friedman’s Bacon & God’s Wrath, Hector Herrera’s The Ballad of Immortal Joe, Howie Shia’s BAM, Sherren Lee’s Benjamin, Ryan J. Noth’s Beyond The Horizon, Grayson Moore and Aidan Shipley’s Boxing, Connor Jessup’s Boy, Kent Monkman’s Casualties of Modernity, Trevor Mack and Matthew Taylor Blais’ Clouds of Autumn, Cristina Martins’ Dogs Don’t Breed Cats, Phillip Barker’s Dredger, Jean-François Leblanc’s The Guy From Work, Don McKellar’s It’s Not You, Kevin Papatie’s KOKOM, Joël Vaudreuil’s The Magnificent Life Underwater, Barry Avrich’s The Man Who Shot Hollywood, Amanda Strong and Bracken Hanuse Corlett’s Mia’, Caroline Monnet’s Mobilize, Mark Slutsky’s Never Happened, Kathleen Hepburn’s Never Steady, Never Still, Halima Elkhatabi’s NINA, Steven McCarthy’s o negative, Patrice Laliberté’s Overpass, Vivieno Caldinelli’s Portal to Hell!!!, David Bryant and Karl Lemieux’s Quiet Zone, Luiza Cocora’s Remaining Lives, Katherine Monk’s Rock the Box, Zack Russell’s She Stoops To Conquer, Theodore Ushev’s The Sleepwalker, Olivia Boudreau’s The Swimming Lesson, Bahar Noorizadeh Wolkaan, and Chelsea McMullan and Douglas Nayler’s World Famous Gopher Hole Museum.

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  • 8 Films to Screen in Zinemira section of 2015 San Sebastian Film Festival

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    POS ESO (POSSESSED) SAM ORTI MARTI The 2015 San Sebastian Film Festival will present eight feature films in the Zinemira section, dedicated to films produced in the Basque Country. Four world premieres and another four titles from this year’s production make up the selection. All of the premieres compete for the Irizar Basque Film Award, alongside the remaining productions with a minimum of 20% Basque production presented as a world premiere in any of the 2015 San Sebastian Film Festival sections. UN OTOÑO SIN BERLÍN LARA IZAGIRRE World premiere – Basque Film Gala June returns to the town of her birth by surprise after spending time abroad. The return home will be painful: her family and her first love, Diego, have changed. She too has changed, and repairing the broken ties won’t be easy. But just like the autumn wind, June will take the place by storm. DISTRICT ZERO JORGE FERNÁNDEZ MAYORAL, PABLO TOSCO, PABLO IRABURU ALLEGUE What’s in a refugee’s mobile phone? Their recollections, their memory, their identity, contact with the world they’ve left behind. This film narrates everyday life in a mobile phone repair shop in the Zataari refugee camp. GURE SOR LEKUAREN BILA JOSU MARTÍNEZ World premiere Hasparren, 1956. Amid great expectation, a documentary in the Basque language about the Basque Country was released in the local cinema. In the following months it was screened in other Basque and French towns on both sides of the border, and even in Paris, San Francisco and Dakar. But suddenly it disappeared from sight and everyone forgot about it. Sixty years later, filmmaker Josu Martinez sets out to find it. JAI ALAI BLUES GORKA BILBAO RAMOS World premiere A documentary narrating the incredible story of the Jai Alai through its most iconic characters. A great many similarities can be drawn between the biography of our characters and the actual history of the Jai Alai. Beginnings in humble surroundings, huge successes all over the world in pelota courts packed to the hilt with distinguish publics, losses of identity due to adapting a traditional game to societies with completely different values… #JAZZALDIA50 CARLOS RODRÍGUEZ The San Sebastian Jazz Festival looks back over its 50 years of history in this documentary with comments from some of its leading figures and images of extraordinary concerts forever engraved on the memory. POS ESO (POSSESSED) (pictured above) SAM ORTI MARTI Feature film directorial debut from the animation movie director, Sam. La Trini, a world-famous Flamenco dancer, leaves the tablaos in deep depression after her husband’s death. Damian, her 8 year-old son, is possessed by an evil demon who prompts him to commit horrendously cruel and bloody acts. SANCTUAIRE / SANCTUARY OLIVIER MASSET-DEPASSE A film about two adversaries who will learn to know and respect one another, despite their differences: Domingo Iturbe, “Txomin”, head of the ETA military apparatus, and Grégoire Fortin, adviser to Mitterrand’s Minister of Justice. WALLS PABLO IRABURU ALLEGUE, MIGUELTXO MOLINA AYESTARÁN World premiere The world is increasingly more divided by walls. There are human beings on either side of them. The question is not whether their existence is absurd or logical, whether they can be avoided or not, but to demonstrate that the people on both sides are basically exactly the same.

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  • New Films by Miguel Gomes, Tsai Ming-liang Among 2015 Toronto International Film Festival Wavelengths Program

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    Lost and Beautiful (Bella e perduta) Pietro Marcello The 2015 Toronto International Film Festival Wavelengths program will present 54 films, videos and installations by some of the world’s most influential auteurs and artists who challenge conventional expression and seek to redefine the art of cinema. Curated by Andréa Picard, with contributions from members of TIFF’s international programming team, Wavelengths comprises experimental film and video art, category-defying feature-length films — many of which flout the traditional fact-fiction boundaries and opt instead for cinema at its most expansive — and immersive, captivating installations, which redefine the potential for moving image art. The 2015 edition features a seductive mix of master filmmakers, award-winning artists and emerging, new talent. Some of the highlights include the critical hit of this year’s Cannes, Miguel Gomes’ breathtakingly inventive, three-part Arabian Nights; disarmingly intimate dialogue-portraits by iconic and iconoclastic auteurs Chantal Akerman and Tsai Ming-liang, respectively; a major new montage film by Ukrainian master, Sergei Loznitsa; World Premieres by Nicolás Pereda, Pablo Agüero, and Mark Lewis; and two important works from a new Italian cinema, Pietro Marcello’s exquisite Bella e perduta, and Roberto Minervini’s powerful and all-too prescient The Other Side. “This year’s Wavelengths is marked by a certain youthful exuberance — one that is caught up in the contradiction of exhibiting energy, inventiveness and ample daring, while taking stock of the world’s various states of emergency, on large levels and intimate scales,” said Picard.“With renewed faith in the image — abstract ones, even frail ones, and those stemming from reality, remembrance or imagination — the filmmakers and artists in this year’s program are actively proving cinema’s singular ability to engage with collective, individual, social and political memory.” Additional highlights of this year’s program include a new short and feature-length film by British filmmaker and artist Ben Rivers; the Festival’s first appearance by this year’s Baloise Art Prize winners, UK artist Beatrice Gibson and French artist Mathieu Kleyebe Abonnenc; the Abraaj Art Prize winner Yto Barrada; new works by emerging filmmaking talents, Lois Patiño and Nelson Carlo de los Santos Arias; a record number of Canadian (and Toronto) contributions, including the World Premiere of a major new film by Montreal-based experimental filmmaker Daïchi Saïto and two recent discoveries presented in restored archival prints of films by Paul Sharits and by Philippe Garrel. New to Wavelengths this year, works outside the cinema include the latest installation by Indian-American filmmaker Shambhavi Kaul; a lecture-performance by Toronto-based artist Annie MacDonell and French artist Maïder Fortuné originally commissioned by Le Centre Pompidou’s Hors Pistes festival; and TIFF’s first collaboration with the Art Gallery of Ontario to present lauded Thai filmmaker and artist, Apichatpong Weerasethakul’s installation, Fireworks (Archives), as well as a new work by Corin Sworn and Tony Romano. Wavelengths 1: Fire in the Brain Like a fire in the brain that lights up perceptive powers, this programme is a seductively surreal visual exploration of the relationship between image, sound, and movement. 3D Movie Paul Sharits, USA (restored archival print courtesy of Anthology Film Archives) Fugue Kerstin Schroedinger, Canada/Germany Prima Materia Charlotte Pryce, USA The Fire in My Brain That Separates Us Benjamin Ramírez Pérez, Germany Something Horizontal Blake Williams, Canada/USA The Exquisite Corpus Peter Tscherkassky, Austria Wavelengths 2: YOLO Subjective experience is channeled through artistic collaborations in this programme, which offers YOLO-infused reflections on identity and contemporary dislocation. A Distant Episode Ben Rivers, UK An Old Dog’s Diary Shai Heredia and Shumona Goel, India The Reminder Behrouz Rae, USA Solo for Rich Man Beatrice Gibson, UK YOLO Ben Russell, USA/South Africa Analysis of Emotions and Vexations Wojcieck Bąkowski, Poland Bunte Kuh Parastoo Anoushahpour, Faraz Anoushahpour and Ryan Ferko, Canada/Germany Wavelengths 3: Light Space Modulator This program explores ways of recording and reshaping space with light, of measuring and mapping our bodily presence and impact vis-à-vis regional, global and abstracted cartographies. Navigator Björn Kämmerer, Austria/Germany Théodolitique David K. Ross, Canada Office Space Modulation Terrarea (Janis Demkiw, Emily Hogg, Olia Mishchenko) Canada Palms Mary Helena Clark, Canada/USA Occidente Ana Vaz, France/Portugal Terrestrial Calum Walter, USA Tarlabaşı Cynthia Madansky,Turkey Wavelengths 4: Psychic Driving Is now a time for outrage? This program of political statements and personal inquiries breathes new life into the politics of the image. Actua1 Philippe Garrel, France (restored archival print courtesy of La Cinémathèque française) Time for Outrage! Friedl vom Gröller, Austria Untitled Behrouz Rae, USA Many Thousands Gone Ephraim Asili, Brazil/USA Neither God nor Santa Maria Samuel M. Delgado and Helena Girón, Spain Psychic Driving William E. Jones, USA UNcirCling John Creson and Adam Rosen, Canada Engram of Returning Daïchi Saïto, Canada PAIRINGS Night without distance (Noite Sem Distância) Lois Patiño, Spain/Portugal North American Premiere An instant in the memory of a landscape: the smuggling that for centuries crossed the line between Portugal and Galicia. The Gerês Mountains knows no borders, and rocks cross from one country to another with insolence. Smugglers also disobey this separation. The rocks, river, and trees: silent witnesses to help them to hide. Night without distance precedes previously announced feature-film, Minotaur by Nicolás Pereda. Santa Teresa and Other Stories (Santa Teresa y Otras Historias) Nelson Carlo de los Santos Arias Mexico/Dominican Republic/USA North American Premiere Dominican filmmaker Nelson Carlo de los Santos Arias radically extrapolates from Roberto Bolaño’s unfinished, posthumous novel 2666, to produce a baroque fictionalized account of Ciudad Juárez. This noir-tinged tale soon begins to dovetail and intersect with a host of other stories recounted by a chorus of disembodied voices, creating a narrative palimpsest that blurs the line between factual documentation, lyrical observation, and fictional imagination. Preceded by: Paradox of Praxis 5 Francis Alÿs, Mexico International Premiere The latest in Belgian-born, Mexico City-based contemporary artist Francis Alÿs’ series of performative videos that politicize absurd or seemingly futile gestures, Paradox of Praxis 5 documents the artist’s nocturnal perambulations through Juárez as he kicks a ball of fire along the city’s desolate streets. Transcending metaphor, the eerie, mobile conflagration traces out an imaginary map of a devastated city. Sector IX B (Secteur IX B) Mathieu Kleyebe Abonnenc, France/Senegal North American Premiere Taking inspiration from L’Afrique fantôme — the controversial diary by surrealist writer Michel Leiris recounting his participation in the ambitious French ethnographic expedition of the 1930s to Dakar and Djibouti — Mathieu Kleyebe Abonnenc’s arresting first feature reflects on identity, cultural appropriation, and the transference of memory though objects. Preceded by: Faux Départ (False Start) Yto Barrada, Morocco/USA North American Premiere The latest film by French-Moroccan artist Yto Barrada observes the elaborate fossil industry in Morocco. Paying homage to the “preparators” in the arid region between the Atlas Mountains and the Sahara Desert, whose intrepid work is fueling a thriving trade in artifacts real, faux and hybrid, False Start is a rebuke to the fetishistic thirst for foreign objects, a sly meditation on authenticity, and a paean to creativity. Previously announced was the pairing of Isiah Medina’s 88:88 preceded by Denis Côté’s short film May We Sleep Soundly. FEATURES Afternoon (Na ri xia wu) Tsai Ming-liang, Taiwan North American Premiere A disarmingly candid, insightful and ultimately very moving conversation between Taiwanese auteur Tsai Ming-liang and his muse, actor Lee Kang-sheng, whose storied relationship represents one of the great collaborations in cinema history. Arabian Nights: The Restless One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere A major hit at this year’s Cannes, this epic, three-part contemporary fable by Portuguese auteur Miguel Gomes (Tabu) adopts the structure from the Arabian Nights texts in order to explore Portugal’s plunge into austerity. The first volume of this thrillingly inventive and wildly ambitious triptych includes appearances by cunning wasps, virgin mermaids, an exploding whale, erection-inducing potions and a talking rooster. Arabian Nights: The Desolate One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere Part Two of Portuguese auteur Miguel Gomes’ majestic, mutating modern-day folk tale relates how desolation has invaded humanity through stories involving a distressed judge on a night of three moons, a runaway, a teleporting murderer, a wounded cow, a sad, chain-smoking couple in a concrete apartment block, and a ghost dog named Dixie. Arabian Nights: The Enchanted One Miguel Gomes, Portugal/France/Germany/Switzerland North American Premiere The third and concluding volume of Portuguese auteur Miguel Gomes’ Scheherazadean triptych brings this epic to a close with the sound of birdsong and the promise of the ineffable. Eva Doesn’t Sleep Pablo Agüero, France/Argentina/Spain World Premiere One of Argentina’s most visionary and politically engaged cinematic voices, director Pablo Agüero takes the unbelievable story of the transport of the embalmed body of beloved First Lady Eva Perón, and transforms it into a strangely riveting cinema experience, with a supremely creepy performance from Gael García Bernal. The Event Sergei Loznitsa, Netherlands/Belgium North American Premiere Ukrainian filmmaker Sergei Loznitsa follows his monumental documentary Maïdan with this found-footage epic about the failed coup of August 1991 that signaled the fall of the Soviet Union. Lost and Beautiful (Bella e perduta) Pietro Marcello, Italy North American Premiere (pictured in main image above) Part fable, part documentary, part film poem, the latest exquisite feature by Pietro Marcello (La bocca del lupo) pays homage to a humble shepherd who became a symbol of hope and generosity for a struggling and conflicted Italy. No Home Movie Chantal Akerman, Belgium North American Premiere Shuttling between fiction, adaptation, documentary and essay film, Belgian filmmaker Chantal Akerman has created one of the most original, daring and influential oeuvres in film history. No Home Movie is a sober, profoundly moving portrait of Akerman’s mother in the months leading up to her death, when she was mostly confined to her Brussels apartment. A Polish Jew who survived Auschwitz, her mother suffered from chronic anxiety, an affliction that shaped Akerman’s thematic preoccupations with gender, sex, cultural identity, existential ennui, solitude and mania. The Other Side Roberto Minervini, France/Italy North American Premiere In turns tender and disturbing, Italian filmmaker Roberto Minervini produces a powerful hybrid docu-fiction film, profiling drug addicts and private militia in Louisiana, who live on the fringes of society. The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers Ben Rivers, United Kingdom North American Premiere Partially inspired by Paul Bowles’ short story A Distant Episode, the latest feature by British filmmaker Ben Rivers (Two Years at Sea, A Spell to Ward Off the Darkness) charts a mysterious transformation from observational making-of to inventive adaptation shot against a staggering Moroccan landscape. Previously announced feature films include Mark Lewis’ Invention, and Evan Johnson and Guy Maddin’s The Forbidden Room. INSTALLATIONS Fallen Objects Shambhavi Kaul, USA/India World Premiere Presented in partnership with Scrap Metal Gallery from September 10-20, this new installation by Indian-American artist-filmmaker Shambhavi Kaul is comprised of a large projected video loop composed of seven shots that continuously rearrange themselves based on an internal code, and floorbound sculptures in the form of scraps of cloth — the “fallen objects” of the title. Stripping away the narrative potential of its genre cinema-derived source material, Fallen Objects considers cinematic space outside the cinema and imagines humans inside it. Fireworks (Archives) Apichatpong Weerasethakul, Thailand/Mexico Canadian Premiere Presented in partnership with the Art Gallery of Ontario from September 10-27 (Closed on Mondays), the new installation from Palme d’Or-winning Thai filmmaker and contemporary artist Apichatpong Weerasethakul fuses the artist’s exploration of memory, ephemeral elements like light and phantoms, and the malleable nature of history and storytelling while exhuming Thailand’s political legacy through an ingenious use of pyrotechnics. Previously announced programming includes the lecture-performance, Stories Are Meaning-Making Machines by Annie MacDonell and Maïder Fortuné; and film installations La Giubba by Corin Sworn and Tony Romano; The Forbidden Room – A Living Poster by Galen Johnson; and Bring me the Head of Tim Horton by Guy Maddin, Evan Johnson and Galen Johnson. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • Archive Gala of 59th BFI London Film Festival to World Premiere of New Restoration of Anthony Asquith’s SHOOTING STARS

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    Anthony Asquith’s Shooting Stars The Archive gala screening at the 59th BFI London Film Festival will be the world premiere of a new restoration of Anthony Asquith’s Shooting Stars (1928). Asquith’s first film as co-director and scriptwriter, Shooting Stars is a fascinating drama set behind the scenes at a contemporary film studio. Newly restored by the BFI National Archive, Shooting Stars will be presented with a new live score by John Altman, BAFTA and Emmy award-winning composer whose work includes Titanic and Goldeneye. Shooting Stars is a dazzling debut which boasts a boldly expressionist shooting style, dramatic lighting and great performances from its leads. Annette Benson (Mae Feather) and Brian Aherne (Julian Gordon) play two mis-matched, married stars and Donald Calthrop (Andy Wilkes) a Chaplin-esque star at the same studio, with whom Mae becomes romantically involved. Chili Bouchier, Britain’s first sex symbol of the silent era, plays a key role as an actress/bathing beauty, an attractive foil to the comic antics of the comedian. The film manages to operate as a sophisticated, modern morality tale, while it’s also both an affectionate critique of the film industry and a celebration of its possibilities. It teases the audience with its revelations of how the illusions of the world of film-making conceal ironic and hidden truths. Asquith (son of the former Prime Minister Herbert Asquith) had privileged access to see Chaplin making The Circus on a trip to Hollywood and he had also been behind the scenes at German film studios. Both influences are clearly seen in the film. Asquith went on to have a hugely successful international career in the sound era with films such as Pygmalion, The Importance of Being Earnest, The Browning Version and The VIPs. The film has been meticulously restored by a team of BFI experts from materials held in the BFI National Archive, making this the definitive restoration to stand alongside those of previous BFI restorations of Asquith’s Underground (1928) and A Cottage on Dartmoor (1929). Robin Baker, Head Curator, BFI National Archive said, “We are delighted to be showcasing this remarkable film in a brilliant new restoration achieved after months of work from our dedicated teams at the BFI. Shooting Stars is a fascinating debut from one of Britain’s greatest film-makers and to see it with a newly commissioned score performed live in the Art Deco splendor of the Odeon Leicester Square promises to be a very special experience.” The new score by composer, John Altman, has been written for a twelve piece ensemble playing multiple instruments. It is full of a lively jazz influence, inspired by some of the sheet music for the popular song “Ain’t She Sweet” which is seen on screen in the film. Altman is both an authentic and accomplished jazz musician as well as a BAFTA and Emmy award winning composer of music for the big screen. He has composed, orchestrated and conducted for many films including the period music for James Cameron’s Titanic, and he composed the tank chase sequence in the James Bond film GoldenEye and won the Anthony Asquith Award for Achievement in Film Music for Hear My Song. John Altman said, “For the new score I have been inspired by dance band sounds and Duke Ellington in 1927. It’s not a slavish period recreation but I have tried to find an appropriate way of reflecting some of the plot twists and ironic deceptions through a series of interlinked musical themes. The score will be played by a very versatile group of musicians and we will end up using almost as many instruments as a complete orchestra through the whole film. I hope that the music will carry audiences effortlessly through the emotional highs and lows of this brilliant film.” There were famously two opposing reviews published in Variety, one British, one American, with the British review disparaging the film and the American giving it a strong thumbs-up. The film is now however fully appreciated as one of the few undisputed masterpieces of British silent cinema. Only Alfred Hitchcock has a higher critical reputation than Asquith in this period of late silent British cinema. Credits: SHOOTING STARS (UK 1928) Director, AV Bramble, co-directed by Anthony Asquith. Producer: H. Bruce Woolfe. Screenplay: Anthony Asquith and J. Orton Shooting Stars is a dazzling debut from first-time filmmaker Anthony Asquith, audaciously taking the film industry itself as the theme. Despite the director credit going to veteran director A.V. Bramble, this is demonstrably the original work of rising talent Anthony Asquith, exhibiting all the attention-grabbing bravado of a young filmmaker with everything to prove. His original story offers sardonic insight into the shallowness of film stardom and Hollywood formulas by use of ironic counterpoint. He flaunts his dynamic cinematographic style and upgrades design and lighting by bringing in professionals. Synopsis A love triangle develops on set in a British movie studio filmed at Cricklewood in NW London, where a western and a slapstick comedy are being filmed back-to-back. Mae Feather (Annette Benson), a spoiled star jilts her husband, played by Brian Aherne for the comedian played by Donald Calthrop. In one of the best opening scenes of British silent cinema the handsome Brian Aherne appears as a cowboy, with his ‘gal’ in a calico frock in a classic ‘western’ rural romantic scene. The dove she cradles in her hands pecks at her viciously and the illusion is suddenly dispelled as the camera tracks back to reveal a studio’s wooden sets. She becomes the screeching prima donna while her co-star husband remains calm, slightly amused and dignified as the entire studio staff tries to catch the offending bird. He is, in other words the real thing – he is his star persona. She on the other hand is entirely unlike her nice-girl character and is unwilling to give up the romance of the movies for the real thing. The situation spins rapidly out of control. Shooting Stars marked the fiction feature debut of British Instructional Films which went on to produce a short-lived but significant run of very good late silent features including several which have been restored and released by the BFI in recent years: Walter Summers’ The Battles of Coronel and Falkland Islands(1928), Asquith’s Underground (1928), A Cottage on Dartmoor (1929).

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  • 60 Films on 2015 Toronto International Film Festival Contemporary World Cinema Lineup

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    Chevalier Athina Rachel Tsangari 60 films from countries across the globe were announced today in the 2015 Toronto International Film Festival Contemporary World Cinema program. Spotlighting work from some of the world’s finest international filmmakers, the lineup delivers an array of compelling films for Festival audiences to savor, journeying through unique and universal stories told on film. Included in the lineup is the latest from directors Christian Zübert, Nabil Ayouch, Rúnar Rúnarsson, Alexandra-Therese Keining, Grímur Hákonarson, Erik Matti, Oliver Hermanus, Rabah Ameur-Zaimeche, Federico Veiroj, Eric Khoo, Sion Sono, Danielle Arbid, Emin Alper, and Jeremy Sims. For the fourth year, The Toronto International Film Festival® partners with the University of Toronto’s Munk School of Global Affairs on the Contemporary World Speakers series. This initiative pairs six films in the Contemporary World Cinema program with expert scholars from the Munk School. Audiences will have the opportunity to interact with filmmakers and scholars in extended discussions, following each film’s second public screening. Speakers include Stephen J. Toope, Ron Levi, Dan Brenznitz, Robert Steiner, Janice Stein, and Robert Austin. The Contemporary World Speakers series is programmed in conjunction with the TIFF Adult Learning department. Films screening as part of the Contemporary World Cinema program include: 25 April Leanne Pooley, New Zealand World Premiere Award-winning filmmaker Leanne Pooley utilizes the letters and memoirs of New Zealand soldiers and nurses along with state of the art animation to tell the true story of the 1915 battle of Gallipoli. Dramatic, moving, sometimes humorous and often thrilling, the film explores an event whose resonance continues for Australians and New Zealanders to the present day. 3000 Nights (3000 Layla) Mai Masri, Palestine/France/Jordan/Lebanon/United Arab Emirates/Qatar World Premiere After Layal, a newlywed Palestinian schoolteacher gives birth to a baby boy in an Israeli prison, the chief warden threatens to take her baby away unless she agrees to spy on the other prisoners who are planning a major strike. 3000 Nights makes a prison into a metaphor for Palestine under occupation, exploring the complicated interplay of resilience, empathy, and psychological manipulation between women. Layal fights to survive and maintain hope. An Naomi Kawase, Japan/France/Germany North American Premiere Sentaro runs a small bakery that serves dorayakis — pastries filled with sweet red bean paste (“an”). When an old lady, Tokue, offers to help in the kitchen, he reluctantly accepts. But Tokue proves to have magic in her hands when it comes to making “an”. Thanks to her secret recipe, the little business soon flourishes. And with time, Sentaro and Tokue will open their hearts to reveal old wounds. The Apostate (El Apóstata) Federico Veiroj, Spain/France/Uruguay World Premiere A young man finds himself navigating the baffling, labyrinthine bureaucracy of the Catholic Church when he attempts to formally renounce his faith, in this gently absurdist comedy from Uruguay’s Federico Veiroj (A Useful Life). As I Open My Eyes (A peine j’ouvre les yeux) Leyla Bouzid, Tunisia/France/Belgium North American Premiere Tunis, summer 2010, a few months before the Revolution. Eighteen-year-old Farah is at a crossroads: to fulfill her mother’s wish and enroll in medical school or follow her passion for music. She has joined a subversive rock band, “Joujma”. As it becomes more and more visible, she does not suspect the danger of a regime that watches and infiltrates her privacy. Baba Joon Yuval Delshad, Israel World Premiere Set in northern Israel, the film tells the story of three generations of strong-willed men: Baba Joon, the patriarch who emigrated to Israel from Persia years ago; his son Yitzhak who maintains the family farm; and young Moti, who doesn’t feel beholden to Baba Joon or his father for anything. Box Florin Șerban, Romania/Germany/France North American Premiere The story by acclaimed Romanian director Florin Șerban (If I Want to Whistle, I Whistle) follows talented 19-year-old boxer Rafael, for whom a session in the ring is everything; and Cristina, an attractive 30-something mother who finds herself at a critical moment in her life. Two characters with their own secrets, two journeys, two outlooks and an intense drama that penetrates to the core. Campo Grande Sandra Kogut, Brazil/France World Premiere Eight-year-old Ygor and six-year-old Rayane were abandoned by their mother, who left them on Regina’s doorstep in Rio de Janeiro’s Ipanema neighborhood. The sudden and unexpected arrival of these children in Regina’s life and the search for their mother changes their lives. Chevalier Athina Rachel Tsangari, Greece North American Premiere (pictured above) In the middle of the Aegean Sea, on a luxury yacht, six men on a fishing trip have decided to play a game. Things will be measured, blood will be tested. The man who wins will be the best man, and he will wear upon his littlest finger the victorious signet ring: the “Chevalier”. A Copy of My Mind Joko Anwar, Indonesia/South Korea North American Premiere She gives facials in a cheap beauty salon. He makes subtitles for pirated DVDs. They find a soulmate in each other. But their love is threatened to a tragic end when she stumbles upon evidence of a corruption case linked to a presidential candidate’s closest aides. Cuckold Charlie Vundla, South Africa World Premiere Smanga is a successful assistant professor whose life suddenly unravels when his wife leaves him. He spirals into an alcohol, marijuana and sex-fuelled tail spin that places the status of his sanity, career and house in jeopardy. However, with the emergence of a long lost former classmate Jon, he finds the support to fix his life. Embrace of the Serpent (El Abrazo de la Serpiente) Ciro Guerra, Colombia/Venezuela/Argentina North American Premiere A tale of the first encounter, approach, betrayal and life-transcending friendship between an Amazonian shaman, last survivor of his people, and two explorers that become the first men to travel the Northwest Amazon in search of ancestral knowledge. The Endless River (La Rivière sans fin) Oliver Hermanus, South Africa/France North American Premiere A fierce crime drama set against an unforgiving landscape, The Endless River is a story about morality, love, revenge and forgiveness. The Fear (La Peur) Damien Odoul, France World Premiere Gabriel, an introverted young man, finds terror and appalling carnage in the hell-on-earth of the trenches between 1914 and 1918. At the end of his horrifying interior journey through the conflict — full of sound, fury and blood — he will discover his own humanity Frenzy (Abluka) Emin Alper, Turkey/France North American Premiere In the new film from award-winning Turkish writer-director Emin Alper, an ex-con, just released after serving a 15-year sentence, is recruited as a police informant as political violence grips Istanbul. *Stephen J. Toope, Director of the Munk School of Global Affairs and an officer of the Order of Canada, is an international scholar on law, human rights, and global affairs. He will speak about Frenzy in a Q&A session following the second public screening of the film. Girls Lost Alexandra-Therese Keining, Sweden World Premiere Kim, Bella and Momo, three bullied teenage girls, are going through the throes of finding themselves. Surrounded by a dark world of teenage violence, marginalization and sexual confusion, the girls have only each other. They come across a curious magical plant that, when consumed, transforms the girls temporarily into boys. Not only does their gender change, the world around them, and their response to it, is altered. Granny’s Dancing on the Table Hanna Sköld, Sweden World Premiere Thirteen-year-old Eini grows up isolated from society with her violent father, a man afraid of the world, who keeps her very close. The brutality that Eini is exposed to pushes her to almost lose her sense of self — but through the power of her own imagination she is able to create a world from which she can draw strength to survive. A Heavy Heart (Herbert) Thomas Stuber, Germany World Premiere Director Thomas Stuber (winner of the Student Academy Award) tells the story of an aging boxer from the former East who learns he has limited time to try to rectify the mistakes of his past. Homesick (De nærmeste) Anne Sewitsky, Norway Canadian Premiere When Charlotte, 27, meets her half-brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don’t know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one. Hong Kong Trilogy: Preschooled Preoccupied Preposterous Christopher Doyle, Hong Kong World Premiere This is a story of Hong Kong told by three generations. The voices you hear onscreen come from real life interviews. The film is a dream as well as a document, as each generation wonders how to live, here and now. Honor Thy Father Erik Matti, Philippines World Premiere An idyllic family’s life crumbles when the couple, Edgar and Kaye, discover that the investment scheme Kaye runs is one big scam. With friends turning against them and murderous big-time investors at their heels, Edgar is forced to return to his dark roots to save his family. Imbisibol (Invisible) Lawrence Fajardo, Philippines/Japan International Premiere Invisible essays the story of four Filipino migrant workers in Japan, in a crucial encounter that mirrors the difficult challenges that confront the “Pinoy” diaspora. The main characters in the film include Linda, a mail-to-order-bride who married a Japanese “salaryman”; Benjie, an illegal migrant worker who has been jumping from one odd job to another in the last 17 years; Manuel, an overstayer who now works as a male entertainer in a bar in the red light district; and Rodel, a newcomer who works as a day laborer in a logging company. In the Room Eric Khoo, Hong Kong/Singapore World Premiere In The Room deals with love, life and lust. Eric Khoo’s latest film is a tapestry of stories, all of which unfold in a hotel room over several decades. The common thread is sex. That hotel room is Room 27 at the Singapura Hotel, which started out as a ritzy establishment in the 1940s but has, over the decades, lost its sheen of respectability. For some, Room 27 is a nameless numbered room, a place which provides a cloak of anonymity, where one could indulge in indiscretions and the forbidden, where their trespasses will be forgiven once they return the key and sign the bill. Incident Light (La Luz Incidente) Ariel Rotter, Argentina/France/Uruguay World Premiere Since the car accident where both her husband and brother died, Luisa has not been able to put her life back together, until she meets a seductive stranger who forcefully proposes starting over. The new man’s overwhelming energy may be hiding warning signs about his character. But Luisa is confused, and the desire she feels for the new man merges with the absence of the man she lost — the possibility of rebuilding a family blurring with her own inability to accept her husband’s death. Ivy (Sarmaşik) Tolga Karaçelik, Turkey Canadian Premiere Trapped at anchor due to a legal dispute, the skeleton crew of a cargo ship come into potentially deadly conflict with one another, in this slow-burning psychological thriller from Turkish writer-director Tolga Karaçelik. Jack Elisabeth Scharang, Austria North American Premiere One winter’s night a girl freezes to death after suffering brutal injuries. Jack is convicted of her murder. When he is released from prison 15 years later, he goes from being a jailbird poet to a real ladykiller and darling of Vienna’s society. Can a man change so fundamentally? Or is it a case of once a murderer, always a murderer? Journey to the Shore (Kishibe no tabi), Kiyoshi Kurosawa, Japan/France North American Premiere Mizuki’s husband drowned at sea three years ago. When he suddenly comes back home, she is not that surprised. Instead, Mizuki is wondering what took him so long. She agrees to let him take her on a journey. A touching ghost story from Japanese master Kiyoshi Kurosawa (Tokyo Sonata, Pulse). The Kind Words (Hamilim Hatovot) Shemi Zarhin, Israel/Canada International Premiere At the death of their mother, three siblings are shocked to discover that their “real” father may not be their biological father, and he in turn may be an Algerian Muslim. The Kind Words is a warm, sometimes humourous, and often dramatic story about identity and love. *Dan Breznitz, Director of Research and Professor at the Munk School of Global Affairs, is an expert on innovation-based growth and how we respond to global changes. He will speak about The Kind Words in a Q&A session following the second public screening of the film. Koza Ivan Ostrochovský, Slovakia/Czech Republic North American Premiere This subtle fusion of documentary and fiction follows a young Roma boxer as he embarks on a tragicomic return to the ring in order to pay for his girlfriend’s abortion. Koza features Peter Baláž, who competed at the 1996 Olympic Games in Atlanta, and Ján Franek, Olympic medallist from Moscow 1980, as his coach. Featuring the outstanding performances of non-professional actors and blurring the lines between representation and presence, Koza is a powerful and haunting challenge to the concept of authenticity. Lamb Yared Zeleke, Ethiopia/France/Germany/Norway North American Premiere After his mother dies and draught hits his village, Ephraïm, a young Ethiopian boy, has to go live with relatives at the other end of the country. He takes his mother’s lamb with him, it is his only source of comfort. One day, his uncle announces that he will have to sacrifice the lamb for the upcoming religious feast, but Ephraïm is ready to do anything to save his only friend and return home. Last Cab to Darwin Jeremy Sims, Australia International Premiere Rex drives a cab and has never left Broken Hill in his life. When he discovers he doesn’t have long to live, he decides to drive across the heart of the country to Darwin, where he’s heard he will be able to die on his own terms; but along the way he discovers that before you can end your life you’ve got to live it, and to live it you’ve got to learn to share it. *Robert Steiner, Director of the Fellowships in Global Journalism Program, is a writer and award-winning former foreign correspondent now teaching journalism at the Munk School. He will speak about Last Cab To Darwin in a Q&A session following the second public screening of the film. Let Them Come (Maintenant ils peuvent venir) Salem Brahimi, France/Algeria World Premiere Algeria, at the end of the 1980s: against the background of mounting violence from a radical Islamist opposition repressed by the army, compelled by his mother, Noureddine marries Yasmina. As the conflict becomes more pronounced, he and his family have to defend themselves from the onslaught of pervasive barbarity. A chilling foray into a very contemporary drama, and remarkable adaptation from the novel with the same title by Arezki Mellal. *Janice Stein, founding Director of the Munk School of Global Affairs and member of the Order of Canada, is an internationally renowned expert on conflict management. She will speak about Let Them Come (Maintenant ils peuvent venir) in a Q&A session following the second public screening of the film. Magallanes Salvador del Solar, Peru/Argentina/Colombia/Spain International Premiere While driving his cab, Magallanes unexpectedly meets Celina, a woman he first met more than 20 years ago, under completely different circumstances. In what would turn out to be a personal quest for redemption, Magallanes will do everything within his power to help her overcome her difficulties, only to find out that Celina would much rather give up everything she owns than accept his help. Mekko Sterlin Harjo, USA International Premiere Mekko, starring Rod Rondeaux and Zahn McClarnon, tells the story of a homeless Native American parolee who discovers a chaotic yet beautiful community living on the streets of Tulsa. He also uncovers an old-world darkness that threatens to destroy them from within, one he must fight before it’s too late. A Month of Sundays Matthew Saville, Australia World Premiere Real estate agent Frank Mollard won’t admit it, but he can’t move on. Divorced but still attached, he can’t sell a house in a property boom — much less connect with his teenage son. One night Frank gets a phone call from his mother. Nothing out of the ordinary. Apart from the fact that she died a year ago. A Month of Sundays is about parents, children, regrets, mourning, moments of joy, houses, homes, love, work, television, Shakespeare and jazz fusion; about ordinary people and improbable salvation — because everyone deserves a second chance. Much Loved Nabil Ayouch, Morocco/France North American Premiere The heat of Marrakesh’s night, money flows freely to the rhythms of lusts satiated and humiliations suffered. Noha, Randa, Soukaina, and Hlima sell pleasures of the flesh. They share an apartment and form a makeshift family, united in their womanhood, full of light, dignity and joy, they manage to keep their spirits and dreams alive. Their families depend on them, and as they move from one embrace to the other, they always go home loveless. A hard-hitting but luminous drama from Moroccan director Nabil Ayouch. *Ron Levi, Deputy Director of the Munk School and Director of the Master of Global Affairs Degree, is an expert on how people respond to crime and violence in a global context. He will speak about Much Loved in an extended Q&A session following the second public screening of the film. Murmur of the Hearts Sylvia Chang, Taiwan/Hong Kong North American Premiere Legendary Taiwanese actress and filmmaker Sylvia Chang directs this magical story of estranged siblings whose shared memories of their mother’s fairy tales begin to draw their lives together once again. One Breath (Ein Atem) Christian Zübert, Germany World Premiere One Breath is the story of two women from different backgrounds but with the same desire: happiness. Elena, young, well-educated and with no perspective in her home country, Greece, is trying to pursue a better life. And Tessa, a 30-something mother and successful manager in Germany, is torn between happiness as an individual and a mother. These two women meet and their encounter changes both their lives forever. *Robert Austin, Associate Professor at the Munk School’s Centre for European, Russian, and Eurasian Studies, is an expert on East Central and Southeastern Europe and coordinates the Hellenic Studies Program. He will speak about One Breath in a Q&A session following the second public screening of the film. One Floor Below (Un Etaj mai Jos) Radu Muntean, Romania/France/Germany/Sweden North American Premiere After being the sole unfortunate witness to a domestic quarrel that ends up in a murder, Sandu finds himself at odds with two very close neighbors. One is the bizarre murderer, the other is his very own conscience. Parisienne (Peur de rien) Danielle Arbid, France World Premiere The new film from Lebanese director Danielle Arbid follows a young Arab immigrant in Paris, whose encounters with three men reveal different facets of her new country, and of herself. Paths of the Soul (Kang Rinpoche) Zhang Yang, China World Premiere Director Zhang Yang blurs documentary and fiction in this account of a band of pilgrims who make a 2,000-kilometre journey on foot to Lhasa, the holy capital of Tibet and beyond. THE PEOPLE vs. FRITZ BAUER (Der Staat gegen Fritz Bauer) Lars Kraume, Germany North American Premiere Germany, 1957. Attorney general Fritz Bauer receives crucial evidence on the whereabouts of SS-Obersturmbannführer Adolf Eichmann, the man responsible for the mass deportation of the Jews. Because of his distrust in the German justice system, Bauer contacts the Israeli secret service Mossad, thereby committing treason. Price of Love Hermon Hailay, Ethiopia North American Premiere A young Addis Ababa taxi driver’s cab is stolen when he gets caught up in the dark side of love. He finds himself stuck in a relationship with a prostitute, making him confront his past and discover the price of love. Rams (Hrútar) Grímur Hákonarson, Iceland Canadian Premiere Winner of the Un Certain Regard prize at this year’s Cannes festival, Grímur Hákonarson’s stunningly shot drama focuses on two Icelandic sheep farmers whose decades-long feud comes to a head when disaster strikes their flocks. Schneider vs. Bax Alex van Warmerdam, Netherlands/Belgium North American Premiere Schneider, a hit-man, is given a task: before the night has passed he must kill the writer Ramon Bax. Song of Songs (Pesn pesney) Eva Neymann, Ukraine North American Premiere 1905. A Jewish Shtetl. Shimek and Buzya are two 10-year-olds. Of course, she is a princess and he is a prince. They live in the same yard, in neighbouring palaces. Years later Shimek begins to understand what Buzya really means to him when he receives the news that she is about to be married. Sparrows Rúnar Rúnarsson, Iceland/Denmark World Premiere Sparrows is a coming-of-age story about 16-year-old Ari, who has been living with his mother in Reykjavik and is suddenly sent back to the remote Westfjords to live with his father Gunnar. There, he has to navigate a difficult relationship with his father, and he finds his childhood friends changed. In these hopeless and declining surroundings, Ari has to step up and find his way. Starve Your Dog Hicham Lasri, Morocco World Premiere Fifteen years after he was dismissed of his functions, the former Minister of Interior during Morocco’s sinister decade of repression steps out of the shadows to make his confessions and disclose the monarchy’s dark secrets. He calls a filmmaker, famous for her daring documentaries during the time when he was in power, before the change of reign. She reunites the technical crew that was once her professional family — and while nothing seems to fall into place, she risks missing the confessions. The Steps Andrew Currie, Canada World Premiere An uptight New Yorker and his party girl sister visit their dad at his lake house to meet his new wife and her rough-around-the-edges kids. When the parents announce they’re adopting a child to bring the family closer together, it has the opposite effect. Starring Jason Ritter, Emmanuelle Chriqui, James Brolin and Christine Lahti. Story of Judas (Histoire de Judas) Rabah Ameur-Zaïmeche, France North American Premiere Rabah Ameur-Zaimeche’s bold re-imagining the story of the Biblical figure of Judas Iscariot proposes that he is not a traitor, but rather Jesus’ most loyal and trusted disciple and steward. As Jesus’ teachings astound more and more crowds, he attracts the attention of resistance groups, high priests and the Roman authorities. When he drives the merchants from the Temple, Judas shows himself to be the guardian of the words of the master. Stranger (Zhat) Yermek Tursunov, Kazakhstan World Premiere Stranger is a film about freedom, with one man’s fate in focus. The times are hard: 1930s to 1940s Kazakhstan. A Kazakh steppe is scourged by famine, wasteland, collectivization and war. Having lost his father, a 9-year-old boy gathers his belongings and disappears. He lives alone in the mountain cave. Years pass by and returning to his village seems almost impossible. Te prometo anarquía (I Promise You Anarchy ) Julio Hernández Cordón, Mexico/Germany North American Premiere Childhood friends Miguel and Johnny are dedicated to skating and having fun. To earn easy money and continue skating they secretly sell their blood. Business is good, until a large transaction turns out to be not as they imagined. Thank You for Bombing Barbara Eder, Austria World Premiere Three international TV correspondents — Ewald (Erwin Steinhauer), Lana (Manon Kahle) and Cal (Raphael von Bargen) — cross paths while waiting for a war that has already begun long ago in their own lives. The Treasure (Comoara) Corneliu Porumboiu, Romania/France North American Premiere Two neighbours set out to unearth a buried treasure in their own backyard, in this delightful fusion of contemporary fairy tale and political parable from Romanian New Wave master Corneliu Porumboiu (Police, Adjective). Truman Cesc Gay, Spain/Argentina World Premiere After being diagnosed with terminal cancer, a Madrid man resolves to spend his last days putting his affairs in order, in this delicate and intimate drama from Spanish director Cesc Gay. A humorous and honest portrait of the courage it takes to accept that death is just another part of life. The Whispering Star (Hiso Hiso Boshi) Sion Sono, Japan World Premiere Sion Sono wrote the screenplay and drew the accompanying storyboards in 1990, and 25 years later they’ve materialized into this black and white science fiction movie. Previously announced Canadian titles in the Contemporary World Cinema programme include Kazik Radwanski’s How Heavy this Hammer, Anne Émond’s Les êtres chers, Philippe Falardeau’s My Internship in Canada and Igor Drljača’s The Waiting Room. The 40th Toronto International Film Festival runs September 10 to 20, 2015.

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  • New Films Featuring Susan Sarandon, Drew Barrymore, Robert Redford + Closing Night FIlm MR. RIGHT Added to 40th Toronto International Film Festival

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    Man Down  Dito Montiel The Toronto International Film Festival has added 5 Galas and 19 Special Presentations to its highly anticipated international lineup including the Closing Night Film, Paco Cabezas’s Mr. Right. Toronto audiences will be among the first to screen films by directors Rob Reiner, Catherine Hardwicke, Pan Nalin, Lorene Scafaria, David Gordon Green, Matthew Cullen, Gaby Dellal, James Vanderbilt and Marc Abraham, and the latest onscreen appearances from Susan Sarandon, Gary Oldman, Drew Barrymore, Tom Hiddleston, Naomi Watts, J.K. Simmons, Robert Redford and Cate Blanchett. The 40th Toronto International Film Festival runs September 10 to 20, 2015. Disorder (Maryland) Alice Winocour, France/Belgium North American Premiere In this masterfully engineered thriller, a young ex-soldier suffering from Post Traumatic Stress Disorder protects a beautiful woman and her child from a brutal home invasion. Starring Matthias Schoenaerts and Diane Kruger. Man Down Dito Montiel, USA North American Premiere (pictured in main image) In a savage post-apocalyptic America, U.S. Marine Gabriel Drummer searches desperately for the whereabouts of his estranged son and wife. Accompanied by his best friend, a hard-nosed Marine whose natural instinct is to shoot first and ask questions later, the two intercept Charles, an apocalyptic survivor carrying vital information about the whereabouts of Gabriel’s family. By revisiting the past, audiences are guided in unravelling the puzzle of Gabriel’s experience, and what will eventually lead to the origin of this war-torn America. Starring Shia LaBeouf, Kate Mara, Gary Oldman and Jai Courtney. Miss You Already Catherine Hardwicke, United Kingdom World Premiere This honest and powerful story follows two best friends, Milly and Jess, as they navigate life’s highs and lows. Inseparable since they were young girls, they can’t remember a time they didn’t share everything — secrets, clothes, even boyfriends — but nothing prepares them for the day Milly is hit with life-altering news. A story for every modern woman, this film celebrates the bond of true friendship that ultimately can never be broken, even in life’s toughest moments. Starring Toni Collette, Drew Barrymore, Dominic Cooper, Paddy Considine, Tyson Ritter and Jacqueline Bisset Mississippi Grind Ryan Fleck, Anna Boden, USA Canadian Premiere Gerry is a talented, but struggling poker player about to be swallowed up by his unshakeable gambling habit. But his luck begins to change after he meets the young, charismatic Curtis. Gerry convinces his new lucky charm to hit the road with him, towards a legendary high stakes poker game in New Orleans. The highs and lows unveil the duo’s true characters and motivations, and an undeniable bond forms between them. Starring Ben Mendelsohn, Ryan Reynolds, Sienna Miller, Analeigh Tipton and Alfre Woodard. Closing Night Film. Mr. Right Paco Cabezas, USA World Premiere Martha is unlucky in love, but when she finally meets her Mr. Right it seems like she’s found her match — even if he’s an international hitman on the run from the crime cartels who employ him. On the bright side, as long as Hopper or Shotgun Steve don’t kill them first, these two may actually have a chance at happily ever after. Starring Sam Rockwell, Anna Kendrick, Tim Roth, James Ransone, Anson Mount, Michael Eklund and RZA. SPECIAL PRESENTATIONS 45 Years Andrew Haigh, United Kingdom Canadian Premiere While preparing for their 45th anniversary, Kate and Geoff’s marriage is shaken with a discovery that calls into question the life they’ve built together, in this emotional tour-de-force. Starring Charlotte Rampling and Tom Courtenay. About Ray Gaby Dellal, USA World Premiere The touching story of three generations of a family living under one roof in New York as the life-changing transformation by one ultimately affects them all. Ray is a teenager who realizes that she isn’t meant to be a girl and decides to transition from female to male. His single mother, Maggie, must track down Ray’s biological father to get his legal consent to allow Ray’s transition. Dolly, Ray’s lesbian grandmother, struggles to accept that she now has a grandson. They must each confront their own identities and learn to embrace change and their strength as a family, in order to ultimately find acceptance and understanding. Starring Naomi Watts, Elle Fanning, Susan Sarandon, Tate Donovan, Linda Emond, Sam Trammell and Maria Dizzia. Angry Indian Goddesses Pan Nalin, India World Premiere A comic drama about a group of Indian women finding their hearts and losing their heads! A wild bunch of girls from all over India descend upon Goa. Their closest friend Frieda has invited them to her family home for a surprise announcement: she’s getting married. Thus begins an impromptu bachelorette. Starring Tannishtha Chatterjee, Sandhya Mridul, Sarah Jane Dias, Pavleen Gujral, Anushka Manchanda, Rajshri Deshpande and Amrit Maghera. Being Charlie Rob Reiner, USA World Premiere Being Charlie is based on a compilation of real-life experiences written by two friends who lived through being stuck in the cycle of rehab. Eighteen-year-old Charlie Mills is a sharp-mouthed addict fighting to get back home, while his father constantly stiff-arms him to limit the distractions during a big election for governor of California. Charlie’s parents are at odds about their son’s return to rehab. Following a feeble attempt at an intervention, he agrees to work the program at a new adult rehab facility where he meets a handful of misfit personalities; among them is Eva, a beautiful but troubled girl, and Travis, a supportive house manager. Charlie’s internal struggle with his addiction is confronted by the envy for his best friend and his separate addiction with Eva. Starring Nick Robinson, Morgan Saylor, Devon Bostick, Cary Elwes, Susan Misner, Common and Ricardo Chavira. Body (Body/Cialo) Małgorzata Szumowska, Poland North American Premiere Set in Poland, this absurdist dark comedy follows the intertwined stories of a criminal prosecutor, his anorexic daughter, and her therapist who claims she can communicate with the dead. Starring Janusz Gajos, Maja Ostaszewska and Justyna Suwala. Equals Drake Doremus, USA North American Premiere In a futuristic, utopian society known as the Collective — where inhabitants have been bred to be peaceful and emotionless — a man and a woman discover that they have feelings for one another. Together, they attempt to understand this connection. Starring Kristen Stewart, Nicholas Hoult, Guy Pearce and Jacki Weaver. I Saw the Light Marc Abraham, USA World Premiere This film tells the story of legendary country western singer Hank Williams, who in his brief life created one of the greatest bodies of work in American music. The film chronicles his meteoric rise to fame and its ultimately tragic effect on his health and personal life. Based on Colin Escott’s award-winning biography. Starring Tom Hiddleston, Elizabeth Olsen, Bradley Whitford, David Krumholtz Cherry Jones and Maddie Hasson. London Fields Matthew Cullen United Kingdom/USA World Premiere Set in 1999 London, this noir crime thriller based on Martin Amis’ novel of the same name features a star-studded cast, including Johnny Depp, Amber Heard, Cara Delevigne, Theo James, Billy Bob Thorton and Jim Sturgess. ma ma Julio Medem, Spain/France International Premiere This is the story of Magda. Confronted with tragedy, she reacts with a surge of life that flows inside of her, from the imaginable to the unimaginable. Accompanied by her closest circle, she will live the most unexpected situations filled with humor and delicate happiness. Starring Penélope Cruz, Luis Tosar and Asier Etxeandia. The Meddler Lorene Scafaria, USA World Premiere Marnie Minervini, recent widow and eternal optimist, moves from New Jersey to Los Angeles to be closer to her daughter. Armed with an iPhone and a full bank account, Marnie sets out to make friends, find her purpose, and possibly open up to someone new. Starring Susan Sarandon, Rose Byrne and J.K. Simmons. Mr. Six (Lao Pao Er) Guan Hu, China North American Premiere With his son captured, Mr. Six and his old pals stand up to the new, younger generation of hooligans, defending their dignity as once respected gangsters in the neighborhood. Starring Feng Xiaogang. Mustang Deniz Gamze Ergüven, Turkey/France/Germany North American Premiere It’s the beginning of the summer in a village in the north of Turkey; Lale and her four sisters come home from school, innocently playing with boys. The supposed debauchery of their games causes a scandal with unintended consequences. The family home slowly turns into a prison, classes on housework and cooking replace school, and marriages begin to be arranged. The five sisters, driven by the same desire for freedom, fight back against the limits imposed on them. Starring Gunes Sensoy, Dogba Doguslu, Tugba Sunguroglu, Elit Iscan, Ilayda Akdogan, Ayberk Pekcan and Nihal Koldas. My Mother (Mia Madre) Nanni Moretti, Italy/France North American Premiere Margherita is a director shooting a film with the famous American actor, Barry Huggins, who is quite a headache on set. Away from the shoot, Margherita tries to hold her life together, despite her mother’s illness and her daughter’s adolescence. Stars Nanni Moretti, Margherita Buy, John Turturro and Giulia Lazzarini. Our Brand Is Crisis David Gordon Green, USA World Premiere A Bolivian presidential candidate enlists a management team led by damaged but brilliant strategist “Calamity” Jane Bodine, who seizes the chance to beat her professional nemesis Pat Candy, coaching the opposition. But as Pat zeroes in on every vulnerability, Jane faces a personal crisis as intense as the one her team exploits to boost their numbers, in this drama revealing the machinations of political consultants for whom nothing is sacred and winning is all that matters. Starring Sandra Bullock, Billy Bob Thornton, Anthony Mackie, Joaquim de Almeida, Ann Dowd, Scoot McNairy and Zoe Kazan. A Tale of Love and Darkness Natalie Portman Israel/USA North American Premiere Based on Amos Oz’s international best-seller, this is the story of his youth at the end of the British Mandate in Palestine and the early years of the state of Israel. The film details young Amos’s relationship with his mother and his birth as a writer, looking at what happens when the stories we tell become the stories we live. Starring Natalie Portman, Gilad Kahana and Amir Tessler. A Tale of Three Cities (San Cheng Ji) Mabel Cheung, China International Premiere Based on the miraculous true story of Jackie Chan’s parents, this film is about the unbreakable bond of love between an opium peddling widow and a former spy on the run. Together they witness love and humanity in the face of war, famine, and overwhelming danger. Starring Tang Wei and Sean Lau. Truth James Vanderbilt, USA World Premiere In the vein of All the President’s Men and The Insider, this is the incredible true story of Mary Mapes, an award-winning CBS News journalist, and Dan Rather’s producer. The film chronicles the story they uncovered of a sitting U.S. president that may have been AWOL from the United States National Guard for over a year during the Vietnam War. When the story blew up in their face, the ensuing scandal ruined Dan Rather’s career, nearly changed a U.S. presidential election, and almost took down all of CBS News in the process. Based on Mapes’s book Truth and Duty. Starring Cate Blanchett, Elisabeth Moss, Robert Redford, Topher Grace, Dennis Quaid and Bruce Greenwood. The Wave Roar Uthaug, Norway International Premiere Experienced geologist Kristian Eikfjord accepts a job offer out of town. As he’s getting ready to move from the city of Geiranger with his family, he and his colleagues measure small geological changes in the underground. Kristian worries that his worst nightmare is about to come true, when the alarm goes off and disaster is inevitable. With less than 10 minutes to react, it becomes a race against time in order to save as many people as possible, including his own family. Starring Kristoffer Joner, Ane Dahl Torp and Jonas Oftebro. The Witch Robert Eggers, USA/Canada Canadian Premiere A colonial family leaves plantation life and attempts to reap their harvest on a fledgling farm at the edge of an imposing ancient New England forest. Superstition and dread set in as food grows scarce, a family member goes missing, and the children’s play takes on a frenzied and menacing undercurrent. As they begin to turn on one another, the malevolent machinations of an ethereal presence from within the woods exacerbate the growing corruption of their own nature. Starring Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Ellie Grainger and Lucas Dawson.

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  • Spike Lee, Gena Rowlands, Debbie Reynolds to Receive Honorary Oscar Awards

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    Spike Lee, Gena Rowlands, Debbie Reynolds to Be Honored at Academy's 7th Governors Awards Spike Lee, Gena Rowlands, and Debbie Reynolds will honored at the upcoming Academy of Motion Picture Arts and Sciences’ 7th Governors Awards on Saturday, November 14. The Academy will present Honorary Awards to Spike Lee and Gena Rowlands, and the Jean Hersholt Humanitarian Award to DebbieReynolds. The Honorary Award, an Oscar statuette, is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences, or for outstanding service to the Academy.” The Jean Hersholt Humanitarian Award, also an Oscar statuette, is given “to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry.” “The Board is proud to recognize our honorees’ remarkable contributions at this year’s Governors Awards,” said Academy President Cheryl Boone Isaacs.  “We’ll be celebrating their achievements with the knowledge that the work they have accomplished – with passion, dedication and a desire to make a positive difference – will also enrich future generations.”
    Lee, a champion of independent film and an inspiration to young filmmakers, made an auspicious debut with his NYU thesis film, “Joe’s Bed-Stuy Barbershop: We Cut Heads,” which won a Student Academy Award® in 1983.  He proceeded to blaze a distinctive trail with such features as “She’s Gotta Have It,” “School Daze” and “Do the Right Thing,” which earned him a 1989 Oscar® nomination for Original Screenplay.  His work as a director ranges from the Oscar-nominated documentary feature “4 Little Girls” to such mainstream successes as “Malcolm X” and “Inside Man.”  Lee’s other feature credits include “Mo’ Better Blues,” “Jungle Fever,” “Crooklyn,” “He Got Game,” “25th Hour,” “Miracle at St. Anna” and “Red Hook Summer.”  He currently serves as the artistic director of the graduate film program at NYU. Rowlands, an original talent whose devotion to her craft has earned her worldwide recognition as an independent film icon, received Academy Award nominations for her lead performances in “A Woman under the Influence” (1974) and “Gloria” (1980), both directed by her husband and frequent collaborator, John Cassavetes.  She got her start on the New York stage and in live television in the 1950s and has appeared in 40 feature films to date, from “The High Cost of Loving” in 1958 to “Six Dance Lessons in Six Weeks,” which she starred in earlier this year.  Her other notable films include “Lonely Are the Brave,” “Faces,” “Minnie and Moskowitz,” “Opening Night,” “Another Woman,” “Unhook the Stars,” “Hope Floats,” “Playing by Heart,” “The Notebook” and “Broken English.” Reynolds, a Hollywood icon since she won hearts with her buoyant performance in “Singin’ in the Rain,” embarked on the role of a lifetime as a founding member of the Thalians, a charitable organization conceived and sustained by entertainers to promote awareness and treatment of mental health issues.  She served as the group’s president almost continuously from 1957 to 2011, adding numerous terms as board chair and frequently presiding over its annual fundraising gala.  Her tireless efforts have enabled the Thalians to contribute millions to the Mental Health Center at Cedars-Sinai and to UCLA’s Operation Mend, which helps military veterans recover from the physical and psychological wounds of war.  Reynolds has appeared in more than 40 feature films, including “The Tender Trap,” “A Catered Affair” and “Mother,” and received a 1964 Oscar nomination for her lead performance in “The Unsinkable Molly Brown.”
     

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  • San Sebastian Festival to Honor Original KING KONG Directors Merian C. Cooper and Ernest B. Schoedsack with a Retrospective

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    Merian C. Cooper (1893-1973) and Ernest B. Schoedsack (1893-1979) The 63rd San Sebastian Festival will dedicate a retrospective to directors Merian C. Cooper and Ernest B. Schoedsack, masterminds of the iconic King Kong (1933).  Merian C. Cooper (1893-1973) and Ernest B. Schoedsack (1893-1979) were, in the golden age of Hollywood, one of the strangest and most exciting creative twosomes ever to come out of Hollywood. The coming edition of the San Sebastian Festival will recover their work in a cycle dedicated to their films. Acclaimed for generations as the masterminds of the iconic King Kong (1933), Cooper and Schoedsack’s contribution to cinema didn’t stop at this masterpiece. Their career began with two masterpieces in the history of documentary filmmaking, Grass; A Nation’s Battle for Life (1925) and Chang (1927). They later made fantasy, drama, adventure and mystery movies, some of which are now cult titles: The Four Feathers (1929), The Most Dangerous Game (1932), The Last Days of Pompeii (1935), Dr. Cyclops (1940), Son of Kong (1933) and Mighty Joe Young (1949). GRASS; A NATION’S BATTLE FOR LIFE MERIAN C. COOPER, MARGUERITE HARRISON, ERNEST B. SCHOEDSACK (USA) 1925 Cooper and Schoedsack’s debut behind the cameras took the shape of this anthropological documentary classic shot in the spectacular landscapes of Iran. The everyday life of the Bakhtiari tribe, in the former Persia, and their migration in search of pastures for their livestock: 50,000 people and their flocks must cross natural obstacles and overcome harsh atmospheric conditions to find food for their animals. CHANG MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1927 Cooper and Schoedsack’s second cinematic adventure took them to the forests of Thailand. A documentary with elements of fiction where the directors give free rein to their passion for exotic settings and sense of spectacle thanks to this fascinating tale of a man’s struggle against the beast. THE FOUR FEATHERS MERIAN C. COOPER , ERNEST B. SCHOEDSACK , LOTHAR MENDES (USA) 1929 Schoedsack and Cooper made the first sound adaptation of the famous colonial novel by A.E.W. Mason, taken to the screen on several occasions. The Sudanese adventures of Lieutenant Faversham, accused of cowardice by his friends, are the perfect excuse for the directors to impress upon the original narration the verve and dynamism so typical of their films. This was their first collaboration with a recurring actress in their filmography, Fay Wray. RANGO ERNEST B. SCHOEDSACK (USA) 1931 Two years before shooting their masterpiece, King Kong, Cooper and Schoedsack fantasized about relations between men and monkeys in this tale of adventures set in the Sumatran forests with its anthropological vocation. However, as was usual in their films, their ability to narrate fables always imposed itself upon the simple observation of reality. THE MOST DANGEROUS GAME ERNEST B. SCHOEDSACK, IRVING PICHEL (USA) 1932 Adaptation of a classic tale by Richard Connell, Cooper and Schoedsack used this film as a testing ground for the mind-boggling nightmare atmospheres that would culminate in King Kong the following year, since both titles were shot on the same sets. Adventure cinema merges with a gothic tale in a cruel, savage film of frenzied scenes that still raise eyebrows even today. BLIND ADVENTURE ERNEST B. SCHOEDSACK (USA) 1933 Cooper and Schoedsack abandon the exotic settings so often found in their films to take us to the London of detective mysteries. Here, their fetish actor, Robert Armstrong, plays an American lost in the London fog ensnared in a complicated plot that feels like something out of an Alfred Hitchcock movie. KING KONG MERIAN C. COOPER, ERNEST B. SCHOEDSACK (USA) 1933 The best known monster film in the history of cinema, a mythical title that gave us one of the most lasting icons of the seventh art. The sad tale of the giant gorilla who loses his kingdom for an impossible love is not only a dreamlike take on the Beauty and the Beast myth, recovered by intellectuals and artists all over the world, but a fabulous display of special effects, spectacle, imagination and poetry in its purest state. https://www.youtube.com/watch?v=H0WpKl2A_2k

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  • Cate Blanchett to Receive BFI Fellowship; TRUTH Added to BFI London Film Festival

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    Cate Blanchett Cate Blanchett will receive the BFI’s highest honor, the BFI Fellowship, at the BFI London Film Festival’s annual Awards Ceremony. TRUTH, starring Cate Blanchett and Robert Redford, will have its UK Premiere on the same night and, in honor of the award, is screening as the Fellowship Special Presentation film. Based on the book “Truth and Duty” by Mary Mapes, TRUTH tells the incredible story of Mary Mapes, an award-winning CBS News journalist and Dan Rather’s 60 Minutes producer and the risks she took to expose a story on the then President George W. Bush. TRUTH, directed by James Vanderbilt, and starring Robert Redford, Cate Blanchett, Elisabeth Moss, and Topher Grace TRUTH, which screens as the Fellowship Special Presentation, is directed by James Vanderbilt, based on the book “Truth and Duty” by Mary Mapes, played in the film by Cate Blanchett who stars with Robert Redford as Dan Rather. The film chronicles the story Mapes and Rather uncovered that sitting US president, George W. Bush, may have been AWOL from the United States National Guard for over a year during the Vietnam War. When the story blew up in their face, the ensuing scandal ruined Dan Rather’s career, nearly changed a US Presidential election, and almost took down all of CBS News in the process. CAROL Starring Cate Blanchett Blanchett is also starring in Todd Haynes’ Carol, the festival’s American Express Gala, as an alluring woman trapped in a loveless marriage who falls for a young woman (Rooney Mara) working as a department store clark in 50s Manhattan. Each year at the LFF Awards Ceremony a BFI Fellowship is awarded to an individual in recognition of their outstanding contribution to film or television. Previous BFI Fellowships have been presented to Stephen Frears in 2014, the late Sir Christopher Lee – given the honor by his friend Johnny Depp – in 2013, Tim Burton and Helena Bonham Carter in 2012 and Ralph Fiennes, who was presented his BFI Fellowship by friend Liam Neeson, in 2011. In the last year, Al Pacino and Mel Brooks were also awarded BFI Fellowships.

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  • 2015 Toronto International Film Festival In Conversation With … Lineup to Feature Julianne Moore, Salma Hayek, Sarah Silverman, and Matthew Weiner

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    2015 Toronto International Film Festival In Conversation With… Lineup to Feature Julianne Moore, Salma Hayek, Sarah Silverman, and Matthew Weiner The 2015 Toronto International Film Festival In Conversation With … invites audiences to four unique, intimate sessions with preeminent stars from the film and television worlds. Offering compelling, in-depth exchanges and revealing personal experiences from their latest projects, this year’s lineup of special guests includes Julianne Moore, Salma Hayek, Sarah Silverman, and Matthew Weiner. “Our In Conversation With… events always offer something unexpected. Whether it’s a personal anecdote, a surprising fact, or an industry tidbit, audiences will be enchanted by this year’s lineup of prestigious guests,” said Cameron Bailey, Artistic Director, Toronto International Film Festival. “Festivalgoers will have the exclusive opportunity to hear from the top talent of the film and television industries in a candid and intimate environment.” In Conversation With… replaces the Festival’s former Mavericks program. In Conversation With… Julianne Moore Among her numerous accolades throughout her career in film, television, on stage and as a NY-Times Bestselling author, Academy Award® and Emmy®-winning actress Julianne Moore is the ninth person in Academy history to receive two Oscar nominations in the same year and the only American actress to be awarded top acting prizes at the Cannes, Berlin and Venice film festivals. Having appeared in more than 60 feature films, she will next be seen this October in Freeheld – part of the Festival’s official selection – opposite Ellen Page and Michael Shannon, and in November as President Coin in Francis Lawrence’s upcoming Hunger Games sequel Mockingjay: Part 2. Julianne is an Artist Ambassador for Save the Children U.S. Programs, is on the Advisory Council of The Children’s Health Fund, and is a supporter of Planned Parenthood and the Tuberous Sclerosis Alliance. Moore will hit the stage for a special conversation on the occasion of the premiere of her highly anticipated new film. In Conversation With… Salma Hayek Academy Award-nominee and Emmy winner Salma Hayek has proven herself as a prolific actress, producer and director in both film and television. Hayek has several films set for release this year and next, including the Festival selection Septembers of Shiraz alongside Adrien Brody, Tale of Tales by acclaimed Italian director Matteo Garrone, and as the voice “Teresa Taco” in Seth Rogen’s upcoming animated feature Sausage Party. She was nominated for an Academy Award, Golden Globe®, Screen Actors Guild and a BAFTA award for her leading role in Julie Taymor’s Frida. Noted for her acting career, Hayek has also dedicated much of her time to social activism, previously serving as spokesperson for the Pampers/UNICEF partnership worldwide and the Avon Foundation’s Speak Out Against Domestic Violence program. In November 2005, she served as co-host, alongside Julianne Moore, at the Nobel Peace Prize Concert in Oslo. She was also part of the One campaign that singer and activist Bono created, as well as a member of Global Green, and Youth Aids. Born and raised in Coatzacoalcos, Mexico, Hayek studied International Relations in college in Mexico. Hayek takes the stage to discuss her remarkable career to date. In Conversation With… Sarah Silverman Two-time Emmy winner Sarah Silverman is a versatile performer with a repertoire that includes everything from film and television to stand-up comedy and iconic videos. Silverman next stars in the lead role of drama I Smile Back – in the Festival’s official selection – and in Ashby. She recently wrapped production on the ‘Top Secret Untitled Lonely Island Project,’ as well as a comedy pilot for HBO which she executive produced and in which she stars. Last year she was awarded an Emmy for Outstanding Writing for a Variety Special for her comedy special We Are Miracles. Other credits include Wreck-It Ralph, Take This Waltz and her concert film Sarah Silverman: Jesus is Magic. Silverman’s sharp sense of humour is sure to entertain audiences as she discusses her varied career. In Conversation With… Matthew Weiner Matthew Weiner serves as creator, Executive Producer, writer and director on the critically acclaimed drama Mad Men. This exclusive on-stage conversation is sure to delight fans and will include a screening of the final episode of Season 1, “The Wheel,” which Weiner wrote and directed, accompanied by his engaging and entertaining live commentary, as well as a discussion about Weiner’s career to date. Mad Men is nominated for 11 Emmy nominations this year including Outstanding Drama Series and two writing nominations for Weiner including the finale of the series which he also directed. Since the series premiere in 2007, Mad Men has become one of television’s most honored shows joining an elite group in 2011 when it became only the fourth drama to be awarded four consecutive Emmy Awards for Outstanding Drama Series. Additional honors for the series include: three Golden Globe Awards for Best Television Drama Series; a Peabody Award; three Producers Guild Awards; four Writers Guild Awards; two BAFTA Awards; five Television Critics Association Awards, including Program of the Year; and being named seven years running to AFI’s Top 10 Outstanding Television Programs. Weiner’s additional credits include serving as an Executive Producer and writer on The Sopranos, and writer on various television comedy series including The Naked Truth, Becker, and Andy Richter Controls the Universe. In addition to his television credits, Weiner wrote and directed the feature film, Are You Here, featuring performances from Owen Wilson, Zack Galifianakis and Amy Poehler. Weiner currently lives in Los Angeles with his wife, architect Linda Brettler, and their four sons.

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