Telluride Film Festival, to be held September 4-7, 2015, announces its Call for Entries in all categories including student, short and feature length films.
Submission period begins April 15, 2015. Film Entry Form is available for download at www.telluridefilmfestival.org.
Shorts and student film submissions must be received no later than 5:00 pm, July 1, 2015. Feature film submissions must be received no later than 5:00 pm, July 15, 2015. All submissions must have been completed after July 15, 2014 and no works in progress will be accepted. Feature-length films (60 minutes or longer) will only be considered if they are to have their first North American screening at Telluride Film Festival. Final program determinations will be made by August 1, 2015. No early or late entries will be accepted.
Professional and amateur filmmakers working in all aesthetic disciplines and genres including narrative, documentary, animation and experimental are welcome.
Each year Telluride Film Festival plays host to an average of 25 feature films and 25 shorts and student films. Films selected to screen at Telluride Film Festival will be shown out-of-competition. TFF is not a competitive festival.
For more information visit www.telluridefilmfestival.org-
Call for Entries for 2015 Telluride Film Festival
Telluride Film Festival, to be held September 4-7, 2015, announces its Call for Entries in all categories including student, short and feature length films.
Submission period begins April 15, 2015. Film Entry Form is available for download at www.telluridefilmfestival.org.
Shorts and student film submissions must be received no later than 5:00 pm, July 1, 2015. Feature film submissions must be received no later than 5:00 pm, July 15, 2015. All submissions must have been completed after July 15, 2014 and no works in progress will be accepted. Feature-length films (60 minutes or longer) will only be considered if they are to have their first North American screening at Telluride Film Festival. Final program determinations will be made by August 1, 2015. No early or late entries will be accepted.
Professional and amateur filmmakers working in all aesthetic disciplines and genres including narrative, documentary, animation and experimental are welcome.
Each year Telluride Film Festival plays host to an average of 25 feature films and 25 shorts and student films. Films selected to screen at Telluride Film Festival will be shown out-of-competition. TFF is not a competitive festival.
For more information visit www.telluridefilmfestival.org
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Call for Entries for 2015 Cucalorus Film Festival
Cucalorus announces its call for entries!! Cucalorus seeks submissions for features, documentaries, shorts, music videos, media installations and performances ranging from slam poetry to dance for the 21st annual Cucalorus Film Festival, to be held November 11-15, 2015. The festival takes place in a walkable nine-block radius of historic downtown Wilmington, North Carolina.
During the five-day celebration, film freaks and community members choose from a diverse lineup buoyed by cleverly crafted special programs, including the opening night live performance Dance-a-lorus and an interactive installation inspired by David Lynch’s Blue Velvet called “The Bus to Lumberton”.
Cucalorus is organized into a slate of thematic programs dedicated to social justice, emerging artists, works-in-progress, shorts, dance, festival hits, international cinema, music videos, and North Carolina. New programmatic focuses specifically support American female directors (the Vanguard program), directors from the US South (Southern Voices), and African American directors (Works-in-Progress). CIO Dan Brawley notes, “I’m on the circuit all year and I continue to notice that festivals are trying to embrace diverse voices, but the aesthetic is always the same. So we have to push aesthetic boundaries and create a strong space for exploring new cultures and new stories.”
Cucalorus’ general call for entries extends through late July, with separate deadlines for Dance-a-lorus performance pieces and Works-in-Progress.
All film submissions must include an entry form, submission fee and a poetic recipe for the perfect 21st birthday (drawings encouraged). Filmmakers living in the City of Wilmington are FREE and do not have to pay entry fees. www.cucalorus.org/submit_a_film.asp Cucalorus is also currently accepting applications for the Artist Residency program’s fall session, Surfalorus and 10×10.Submission Deadline Date Fee Early June 3 $25 Regular June 24 $35 Late July 15 $45 Extended July 29 $55
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Comedy “SPY” Starring Melissa McCarthy to Open 2015 Seattle International Film Festival
Spy, “the side-splitting, action-packed, globetrotting comedy from the mind of Paul Feig,” and starring Emmy-winning and Oscar®-nominated Melissa McCarthy, will be the Opening Night Film for the 41st annual Seattle International Film Festival on Thursday, May 14, 2015.
A hilariously incisive send-up of the spy genre, Spy stars McCarthy as Susan Cooper, an unassuming, deskbound CIA analyst who is the unsung hero behind the Agency’s most dangerous missions. When her partner (Jude Law) falls off the grid and another top agent (Jason Statham, spoofing the gritty roles that have made him famous) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer and prevent a global disaster.
The ensemble cast also features Allison Janney (“The West Wing”) as Cooper’s agency chief and Rose Byrne (The Neighbors) as a Bulgarian assassin. Bobby Cannavale (Adult Beginners), Morena Baccarin (“Homeland”), Miranda Hart (“Call the Midwife”), and Curtis “50 Cent” Jackson round out the incredible lineup. The film, which is from 20th Century Fox, will open nationwide on June 5, 2015.
Director Paul Feig is scheduled to attend the evening’s festivities. He will participate in a Q&A following the screening moderated by SIFF Artistic Director Carl Spence. Notes Carl, “Paul Feig has done the impossible and catapulted Melissa McCarthy to even funnier heights than her previous roles in The Heat and Bridesmaids. I actually need to see this hilarious film again – the first time I saw it, the audience was laughing so loud, I missed some of the lines! Witty, smart, and thrilling,Spy is destined to be one of the biggest hits of the summer – it’s the perfect movie to open the largest and best attended film festival in the country.”
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Maryland Film Festival Reveals Names of 10 More Films on 2015 Lineup
Maryland Film Festival revealed the names of ten more films on the the lineup for the upcoming 17th annual festival, which will take place May 6–10, 2015 in downtown Baltimore. Films include Charles Poekel’s Christmas, Again; Todd Rohal’s comedy Uncle Kent 2; and new documentary work from Bobcat Goldthwait, Amy Berg, and Alex Winter.
The films include:
THE AMINA PROFILE (Sophie Deraspe) Two women, Sandra in Montreal and Amina in Syria, meet online, and begin a flirtatious relationship that quickly turns serious. When Amina begins to blog as “A Gay Girl in Damascus,” she garners international attention as an outspoken representative of a marginalized community. Then Sandra hears that Amina has been kidnapped—and, in this fascinating documentary fueled by mystery, politics, and sexuality, she must examine how much about Amina she truly knows.
BEATS OF THE ANTONOV (Hajooj Kuka) War reporter and documentary filmmaker Hajooj Kuka takes viewers into the Blue Nile and Nuba Mountain regions of South Sudan, where we meet displaced South Sudanese who live under the constant threat of bombardment from the Sudanese military via Antonov cargo planes. But defying familiar victim narratives, Kuka’s camera finds resilient people that summon strength and positivity from music, laughter, and a determination to maintain their culture against any odds.
CALL ME LUCKY (Bobcat Goldthwait) Since the 1980s, Barry Crimmins has established himself as a comedian’s comedian, armed with a rapid-fire technique and a scathing political perspective aimed at shocking American audiences out of their complacency—even as he never quite gets the respect he deserves. Peers like Margaret Cho and Marc Maron join documentarian Bobcat Goldthwait in paying tribute to Crimmins’ many contributions to the comedy community and political activism over the decades.
CHRISTMAS, AGAIN (Charles Poekel) Noel (Kentucker Audley) sells Christmas trees off a lot in New York, living a quiet and solitary life in the camper that anchors the site. As Christmas nears, a mysterious woman lands in Noel’s life, and tries to find a way into the closed-off, emotionally blocked world he’s constructed. Beautiful Super 16mm cinematography and unforgettable performances from Audley and Hannah Gross yield a moving character study of quiet, gentle humanism.
DEEP WEB (Alex Winter) With Downloaded (MFF 2013), Alex Winter established himself as an expert at illuminating complex issues at the intersection of the internet and legality—and giving audiences intimate access to the personalities at the center of his story. Deep Web excitingly confirms that status, turning its lens on the online black market Silk Road, and digging deep into the still-unfolding story of Ross Ulbricht, the man accused of being the site’s creator and moderator, “Dread Pirate Roberts.”
GOD BLESS THE CHILD (Robert Machoian and Rodrigo Ojeda-Beck) Four brothers spend a day on their own in Davis, California, with their thirteen year-old sister forced to look after them as best she can in the absence of their troubled and unreliable mother. This visually stunning experimental drama, which premiered at SXSW, turns an unflinching eye on the behavior of children in the absence of adults, with results at turns hilarious, awkward, poignant, and unnerving.
PROPHET’S PREY (Amy Berg) The director of Deliver Us From Evil and West of Memphis takes us deep into another explosive story, that of the Fundamentalist Church of Jesus Christ of Latter Day Saints. Exploring allegations of sexual abuse, family expulsions, forced marriages, and other horrors, this Sundance-premiered documentary paints an unforgettable portrait of conformity, fear, and oppression.
TWO SHOTS FIRED (Martin Rejtman) Veteran Argentine filmmaker Martin Rejtman brings his unique deadpan sensibility to the story of a sixteen-year-old who finds a gun in his house. He shoots himself out of boredom—but, after a near-miss with death, finds that the major change in his life is an annoying whistle in his chest, sabotaging the music he makes with an amateur recorder quartet. A disloyal dog, a strange vacation, and a bizarre cast of characters add up to a quietly anarchic comedy that channels Aki Kaurismäki and Roy Andersson’s A Swedish Love Story as it refuses to play by conventional narrative rules.
UNCLE KENT 2 (pictured above) (Todd Rohal) Kent Osborne, the mild-mannered animator whose mundane daily routines and love life fueled Joe Swanberg’s Uncle Kent, is desperate to make a sequel—an idea that excites precisely no one else. But when Swanberg gives Osborne his blessing to take the idea elsewhere, things takes a decidedly warped turn, as MFF favorite Todd Rohal takes over at the helm, steering the film deep into the realm of psychotronic dark comedy.
WESTERN (Bill and Turner Ross) In the neighboring towns of Eagle Pass, Texas and Piedras Negras, Mexico, a rugged cattleman and a populist mayor navigate changing times as the specters of cartel violence and xenophobia threaten harmonious cultural and economic exchanges between the U.S. and Mexico. Marked by muggy days and thunderous nights, this evocative and immersive documentary from the directors of 45365 and Tchoupitoulas delivers a thrilling mix of fascinating characters, riveting narrative, and extraordinary sensory detail.
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“La Tête haute” to Open 2015 Cannes Film Festival
La Tête haute, a film by French female director, Emmanuelle Bercot, will open the 68th edition of the Cannes Film Festival on Wednesday May 13, 2015.
La Tête haute tells the story of Malony, and his upbringing from six to eighteen years, as a children’s judge and social worker try to save him. It was filmed in the Nord-Pas de Calais, Rhône-Alpes and Paris area regions, with the participation of Catherine Deneuve, Benoît Magimel, Sara Forestier and Rod Paradot, who plays the main character.
“The choice of this film may seem surprising, given the rules generally applied to the Festival de Cannes Opening Ceremony,” explains Thierry Frémaux, General Delegate of the Event. “It is a clear reflection of our desire to see the Festival start with a different piece, which is both bold and moving. Emmanuelle Bercot’s film makes important statements about contemporary society, in keeping with modern cinema. It focusses on universal social issues, making it a perfect fit for the global audience at Cannes.”
Emmanuelle Bercot is a film director, screenwriter and actress. She studied dance at Cours Florent before attending La Fémis film school. Her talent was discovered at the 1997 Festival de Cannes, where her short film, Les Vacances, received the Jury Prize. This was confirmed two years later with a second Cinéfondation Prize for La Puce, her final-year student film. In 2001, her first feature film, Clement (Clément), in which she plays the main character, made the Un Certain Regard Official Selection. Since then, she has directed several films, including On my Way (Elle s’en va) in 2014, in which Catherine Deneuve gave one of her best performances. Emmanuelle Bercot also co-wrote the script for Maïwenn’s Polis (Polisse), which earned her the main role in her latest film, Mon Roi.
La Tête haute was written by Emmanuelle Bercot and Marcia Romano, with Guillaume Schiffman as director of photography. It is produced by Les Films du Kiosque, and co-produced by France 2 Cinéma, Wild Bunch, Rhône-Alpes Cinema and Pictanovo with the participation of Nord-Pas de Calais Region. It is sold by Elle Driver and distributed in France by Wild Bunch.
The 68th edition of the Festival de Cannes will take place from 13 to 24 May 2015. The Jury of the Competition will be chaired by American directors Joel and Ethan Coen, the Un Certain Regard Jury by the Italian-American actress and filmmaker Isabella Rossellini, and the Cinéfondation and Short Film Jury by Mauritian Film Director Abderrahmane Sissako
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French documentary about Art during the Holocaust, BECAUSE I WAS A PAINTER Sets US Release Date
BECAUSE I WAS A PAINTER, a documentary film by Christophe Cognet, will be released in the US by Cinema Guild. BECAUSE I WAS A PAINTER, an official selection at the Jerusalem Film Festival and other international film festivals, will open at Lincoln Plaza in New York City on April 24. A national release will follow.
In 1945, when the Allies liberated the concentration camps, they discovered thousands of secretly created artworks. These drawings, hidden from the Nazis, offer an unparalleled understanding of life in the camps. Featuring interviews with surviving artists, curators, as well as recently uncovered evidence, this fascinating documentary considers the ability of art to capture, reflect and survive under unimaginable conditions.
BECAUSE I WAS A PAINTER explores a wide range of perspectives, from an artist who grapples with finding beauty in paintings of corpses to Treblinka survivor Samuel Willenberg who believes that the artworks can be nothing but inherently devoid of beauty. In addition to works intended as art, the film contemplates the role of alternative relics such as portraits of Romani victims killed by infamous Nazi physician Josef Mengele and paintings that were recreated years later because originals were lost or destroyed.
The film looks at paintings, drawings, wash drawings, and sculptures held in collections in France, Germany, Israel, Poland, Czech Republic, Belgium and Switzerland. While drifting among these fragments of clandestine images and the vestiges of the camps, BECAUSE I WAS A PAINTER undertakes a sensitive quest amid faces, bodies and landscapes to explore the notion of art—and its preservation—as an atavistic necessity.
http://vimeo.com/116290914
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Paul Schrader to Receive Kanbar Award at 2015 San Francisco International Film Festival
Screenwriter and filmmaker Paul Schrader will be the recipient of the 2015 Kanbar Award for excellence in storytelling at the 58th San Francisco International Film Festival taking place April 23 to May 7, 2015, honoring his contributions to cinema. The award will be presented to Schrader at Film Society Awards Night, Monday April 27 at The Armory (1799 Mission Street).
Paul Schrader will also be honored at An Evening with Paul Schrader at the Sundance Kabuki Cinemas, Tuesday April 28, 6:30 pm. An onstage interview and a selection of clips from his notable screenwriting and directing career will be followed by a screening of Mishima: A Life in Four Chapters (1985).“This year we are altering the Kanbar Screenwriting Award to the Kanbar Storytelling Award to acknowledge that great writers now control a far more expansive part of the creative process,” said Noah Cowan, Executive Director of the San Francisco Film Society. “No person better embodies how creativity flourishes from the base of the written word than Paul Schrader. Accomplished in multiple creative fields, not least as the director of the incomparable Mishima, he has demonstrated for more than forty years how great writing translates into great cinema.”Mishima: A Life in Four Chapters: Paul Schrader captures the many layers of Japanese author and right-wing political activist Yukio Mishima’s short, tumultuous life in this mesmerizing, unconventional biopic that blends, to stunning effect, a recreation of the writer’s final day, snippets of biography that explore his psychology and beautifully staged, luridly colored scenes of three key novels that further explicate his psyche.Raised in a Calvinist household, Paul Schrader never watched a movie until he was in college, but made up for lost time by earning his M.A. at UCLA, becoming an American Film Institute Conservatory fellow in its inaugural 1969 class and becoming first a film critic and then screenwriter. Though the action thriller The Yakuza (1974), co-written with his brother Leonard, was his first produced screenplay, it was the script for Martin Scorsese’s Taxi Driver(1976), written when he was 26 and inspired by his sense of isolation at a low point in his life, that was his breakthrough. The film won the Cannes Film Festival’s Palme d’Or and was the first of several collaborations between Schrader and Scorsese, a list that includes Raging Bull (1980), The Last Temptation of Christ (1988) and Bringing Out the Dead (1999). Schrader made his directing debut in 1978 with Blue Collar, also co-written with his brother Leonard. As a writer/director, his films include Hardcore (1979),Mishima: A Life in Four Chapters (1985), Light of Day (1987), Light Sleeper(1992), Touch (1997), Affliction (1997), Forever Mine (1999), The Walker(2007) and Dying of the Light (2014). His screenplays include Obsession(1976), Rolling Thunder (1977), American Gigolo (1980), The Mosquito Coast(1976), City Hall (1996) and The Jesuit (2015). Among his directing projects are Cat People (1982), Patty Hearst (1988), The Comfort of Strangers (1990),Auto Focus (2002), Adam Resurrected (2008) and The Canyons (2013).Acknowledging the crucial role that storytelling plays in the creation of great art, the Kanbar Award for excellence in storytelling is made possible through the generosity of Maurice Kanbar, longtime member of the SFFS board of directors, film commissioner and philanthropist with a particular interest in supporting independent filmmakers. Kanbar is the creator of New York’s first multiplex theater and, most recently, Blue Angel Vodka.Previous recipients of the Kanbar Award are Stephen Gaghan (2014), Eric Roth (2013), David Webb Peoples (2012), Frank Pierson (2011), James Schamus (2010), James Toback (2009), Robert Towne (2008), Peter Morgan (2007), Jean-Claude Carrière (2006) and Paul Haggis (2005).
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Rapper & “Fast & Furious” Actor, Ludacris, to Perform at Opening Night of 2015 Tribeca Film Festival
Rapper/actor Chris “Ludacris” Bridges will perform at the opening night of the 14th Tribeca Film Festival on Wednesday, April 15, at the Beacon Theatre.
The concert will follow the world premiere of the documentary Live From New York!, which explores 40 years of American politics, tragedy and popular culture through the comedic lens of SNL, directed by Bao Nguyen and produced by JL Pomeroy and Tom Broecker. The Tribeca Film Festival runs April 15 to April 26, 2015.
“Appearing on “Saturday Night Live”– both as a host and a musical guest –were some of the most thrilling moments of my career,” said Ludacris. “I’m excited to be a part of this premiere and the Tribeca Film Festival Opening Night. As a storyteller through music and acting, it is especially meaningful for me to participate in an event that is centered on spotlighting great stories.”
Ludacris, a multitalented recording artist and acclaimed actor, has sold more than 15 million albums domestically, thanks to the blockbuster success of such singles as “Stand Up,” “Get Back,” “Southern Hospitality,” “Number One Spot,” “Money Maker” and “My Chick Bad.” All of these records were accompanied by ingenious videos that demonstrated Bridges’ far-reaching imagination, and his willingness to stretch the boundaries of what rap videos should look and feel like.
He recently released his 8th studio album, Ludaversal and starred in Furious 7, the seventh installment in the global box-office hit franchise. His other feature film credits include Universal Pictures’ Fast & Furious 6; Fast Five; 2 Fast 2 Furious; Garry Marshall’s ensemble comedy New Year’s Eve; and Ivan Reitman’s romantic comedy, No Strings Attached, opposite Ashton Kutcher and Natalie Portman, and he has given acclaimed performances in film, (Crash, Hustle & Flow), and television, (Law & Order: Special Victims Unit).
https://www.youtube.com/watch?t=15&v=3saskvQKfx0
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KINGS OF NOWHERE and (T)ERROR Win Top Prize at 2015 Full Frame Documentary Film Festival
The 2015 Full Frame Documentary Film Festival Award winners were announced on Sunday afternoon at the festival’s annual Awards Barbecue. The top prize, Reva and David Logan Grand Jury Award was won by Kings of Nowhere (pictured above), directed by Betzabé Garcia, and (T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe.
One of the nation’s premier documentary film festivals, Full Frame is celebrating its 18th annual festival. Full Frame is a qualifying event for consideration for nominations for both the Academy Award® for Best Documentary Short Subject and The Producers Guild of America Awards. The 19th annual Full Frame Documentary Film Festival will take place April 7–10, 2016.
2015 Full Frame Documentary Film Festival Award Winners
The Reva and David Logan Grand Jury Award Sponsored by the Reva and David Logan Foundation
The Reva and David Logan Grand Jury Award was presented to Kings of Nowhere, directed by Betzabé Garcia, and (T)ERROR, directed by Lyric R. Cabral and David Felix Sutcliffe. Thanks to the generosity of the Reva and David Logan Foundation, each film will receive the full award amount of $10,000. In the poetically and patiently photographed Kings of Nowhere, a handful of residents stay their ground after a flood leaves their Mexican village semi-submerged. In (T)ERROR, FBI informant “Shariff” grants filmmakers unprecedented access as he engages in a counterterrorism sting against a white Muslim man, illuminating the controversial methods employed in the government’s war on terror. The Jury, Marilyn Ness, Sam Pollard, and Bernardo Ruiz, stated, “We are very pleased to honor two important films deserving of greater attention on an international stage, both of which speak to the heart of documentary storytelling in unique and compelling ways. With remarkably assured direction, especially from a first-time filmmaker, Kings of Nowhere delivers artful and thoughtfully paced storytelling. ThoughKings of Nowhere on its face appears to be a local story, in fact it speaks to universal themes confronting humanity worldwide: people abandoned by their governments, facing unimaginable violence, and enduring neglect. Kings of Nowhere represents its characters with dignity and depth and it does so at the highest levels of our craft. But we also wanted to acknowledge the different ways in which films can take risks. With exceptional access, the two filmmakers of (T)ERROR took great personal risks to highlight an urgent issue in the United States while navigating complex journalistic and ethical terrain.”The Full Frame Jury Award for Best Short Provided by Drs. Andrew and Barbra Rothschild
The Full Frame Jury Award for Best Short was given to Last Day of Freedom, directed by Nomi Talisman and Dee Hibbert-Jones. Beautiful animation accompanies poignant testimony in this haunting short about a man who discovers his brother has committed a serious crime. The Jury, J. Christian Jensen, Yael Melamede, and Nicole Triche, stated, “This film demonstrates and reminds us of the simple power and intimacy of the human voice. It interweaves different visual styles of animation and engages the audience fully in an increasingly fraught tale that ultimately presents the supreme cost of doing the right thing.”Full Frame Audience Award – Feature Sponsored by BlueCross BlueShield of North Carolina
How to Dance in Ohio, directed by Alexandra Shiva, received the Full Frame Audience Award Feature. Three young women on the autism spectrum attempt to navigate social rules and the impending challenges of adulthood as they prepare for their first formal dance.Full Frame Audience Award – ShortThe Full Frame Audience Award Short was given to Giovanni and the Water Ballet, directed by Astrid Bussink. In this film, Giovanni dreams of becoming the first boy to compete in the Dutch synchronized swimming championship. With the support of his girlfriend, Kim, can he pass one final exam?The Center for Documentary Studies Filmmaker Award Provided by the Center for Documentary Studies at Duke University
The Center for Documentary Studies Filmmaker Award was presented to Last Day of Freedom, directed by Nomi Talisman and Dee Hibbert-Jones. Beautiful animation accompanies poignant testimony in this haunting short about a man who discovers his brother has committed a serious crime. This award honors a documentary artist whose work is a potential catalyst for education and change. Representatives from the Center for Documentary Studies juried the prize: Randy Benson, Morgan Capps, Wesley Hogan, Katie Hyde, Lynn McKnight, Dan Partridge, Teka Selman, Brooke Darrah Shuman, and April Walton.The Charles E. Guggenheim Emerging Artist Award Provided by the Charles E. Guggenheim Family
Tocando la Luz (Touch the Light), directed by Jennifer Redfearn, received the Charles E. Guggenheim Emerging Artist Award. In this quietly arresting film, three blind women in Havana, Cuba, share their heartbreaks and hopes, and navigate their profound desire for independence. Provided by the Charles E. Guggenheim family, this prize honors a first-time documentary feature director. Matthew Hamachek, Bari Pearlman, and Maxim Pozdorovkin participated on the Jury.Full Frame Inspiration Award Sponsored by the Hartley Film Foundation
The Full Frame Inspiration Award was awarded to The Storm Makers, directed by Guillaume Suon. This film is a heartbreaking exposé of Cambodia’s human trafficking system, revealed through the stories of two guiltless “recruiters” and a young woman who was sold into slavery and escaped. This award is presented to the film that best exemplifies the value and relevance of world religions and spirituality. Ross Kauffman, Sarah Masters, and Ryan White participated on the Jury.Full Frame President’s Award Sponsored by Duke University
The Farewell, directed by Alejandro Alonso, was given the Full Frame President’s Award. Long retired from the local mine, Pablo Fabelo spends his days smoking cigars, playing cards, and quietly reminiscing in this languid, lushly photographed short. Representatives on behalf of the President’s Office of Duke University juried the prize.The Kathleen Bryan Edwards Award for Human Rights Sponsored by the Julian Price Family Foundation in memory of Melanie Taylor
The Kathleen Bryan Edwards Award for Human Rights was awarded to Peace Officer, directed by Brad Barber and Scott Christopherson. After a former sheriff sees his son-in-law killed in a controversial police standoff, he dives into an obsessive investigation of the militarization of American law enforcement. Provided by the Julian Price Family Foundation, this award is presented to a film that addresses a significant human rights issue in the United States. Representatives from the Kathleen Bryan Edwards family juried the prize: Anne Arwood, Laura Edwards, Clay Farland, Margaret Griffin, and Pricey Harrison.The Nicholas School Environmental Award Sponsored by the Nicholas School of the Environment at Duke University
Good Things Await, directed by Phie Ambo, received the Nicholas School Environmental Award. In this film, an aging farmer runs a biodynamic farm in the Danish countryside, prioritizing spiritual methods over contemporary standards. Will new regulations threaten his way of life? Overburden, directed by Chad A. Stevens, received an Honorable Mention from the Nicholas School Environmental Award Jury. In this film, an environmentalist and a former pro-coal activist in the heart of Appalachia join forces to protect their home from the industry that’s divided their community for decades. The Nicholas School Environmental Award honors the film that best depicts the conflict between our drive to improve living standards through development and modernization, and the imperative to preserve both the natural environment that sustains us and the heritages that define us. Daniel Junge, Sam Cullman, and Farihah Zaman participated on the Jury.
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Imperial Dreams Win Top Awards at 2015 Ashland Independent Film Festival
The Ashland Independent Film Festival announced the 2015 juried and audience award winning films at an Awards Celebration gala at the Historic Ashland Armory. Imperial Dreams (pictured above), directed by Malik Vitthal was the big winner of this year’s festival, taking home both the Jury Award and Audience Award for Best Narrative Feature film.
In Imperial Dreams, 21-year-old Bambi returns home to Los Angeles and his old stomping grounds in Watts, fresh off a 28-month stint in prison for gang activity, Now educated and eager to pursue his dream of becoming a published writer, he must first come to terms with his role as the sole caretaker of his 3-year-old son. To have any hope of reaching his goal and giving his son the upbringing he deserves, he needs to get a job and get off parole. Bambi’s dreams of a legitimate life are challenged by both the red tape of government bureaucracy and the pressure to return to his old gangster life. Even so, he finds hope where it is scarce, and learns what it really means to be a father.
In total, twelve awards were presented to attending filmmakers, honoring their work screened at the 14th annual festival.
The AIFF presented the 2015 Rogue Award to Olympic Champion Greg Louganis. In 1988, Louganis became the first man to sweep the diving events in consecutive Olympic games. His legendary grace, beauty, and courage sparked a worldwide fascination with diving. Louganis shared his story in the documentary Back on Board: Greg Louganis, directed by Cheryl Furjanic, which screened Saturday evening. The film reveals the complicated life of the pioneering, openly gay athlete who revealed his HIV-positive status, at great risk to his career.
Earlier in the week, the AIFF presented Award-winning Director Ondi Timoner with the inaugural AIFF “No Limits” Award in recognition of her fearless filmmaking and unique storytelling style in her latest film, BRAND: A Second Coming. The film follows comedian, author, and activist Russell Brand’s (Forgetting Sarah Marshall) evolution from a superficial Hollywood star and addict to a political disrupter and unexpected hero to the underserved. BRAND: A Second Coming screened Opening Night.
Western, directed by Bill and Turner Ross, took home the Les Blank Award for Best Feature Length Documentary, bestowed by the festival’s jurors. This real-life western is a dazzling vérité portrait that puts a human face on an uncertain new reality of two border towns. Barge and Cartel Land received Honorable Mentions.
It was a tie for The Rogue Creamery Audience Award for Best Documentary. Sharing the honor are FRAME BY FRAME and Batkid Begins: The Wish Heard Around the World.
Imperial Dreams, directed by Malik Vitthal, received the festival’s jury award for Best Narrative Feature film and won the Varsity Audience Award for Best Feature. Another double winner was One Year Lease, taking home the Juried Best Short Documentary prize and the Audience Award for Best Short Documentary.
Birthday took home the Jim Teece “Local Hero” Audience Award for Best Short Film. The Audience Family Choice Award went to The Dam Keeper.
The jury award for Best Editing: Feature Length Documentary went to Kurt Cobain: Montage of Heck, directed by Brett Morgan. The juried award for Best Short Film went to SKUNK. Stop received an Honorable Mention.
Wildlike won The Jim Giancarlo Award for Best Acting Ensemble and received the Gerald Hirschfeld A.S.C. Award for Best Cinematography. Proud Citizen received an Honorable Mention. Hirschfeld was the 2007 A.S.C
President’s Award Honoree and Director of Photography for films such as Young Frankenstein and My Favorite Year.
Most Juried and Audience Award-winning documentary, feature and short films will receive encore presentations, Monday April 13 at the Varsity Theatre in downtown Ashland.
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Maryland Film Festival Unveils First 10 Films on 2015 Lineup
Maryland Film Festival revealed the first 10 films on the lineup for the upcoming 17th annual festival, which will take place May 6 to 10, 2015, in downtown Baltimore.
The first ten feature films announced for MFF 2015 include Stanley Nelson’s Black Panthers documentary, The Black Panthers: Vanguard of the Revolution; Kris Swanberg’s Unexpected; Olivia Wyatt’s look at Moken culture, Sailing a Sinking Sea; and Eugene Kotlyarenko’s rom-com, A Wonderful Cloud. Also announced for MFF 2015 is the world premiere of Stephen Cone’s coming-of-age drama Henry Gamble’s Birthday Party.
THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION (Stanley Nelson) Master documentarian Stanley Nelson has demonstrated an unparalleled ability to bring history to life with films such as Freedom Summer; The Murder of Emmett Till; andJonestown: The Life and Death of Peoples Temple. Here he turns his lens on the revolutionary Black Panther Party and the various cultural forces that worked to support or destroy the group, creating an essential portrait of a singular radical moment in the American experience.
BREAKING A MONSTER (Luke Meyer) Viral-video sensation Unlocking the Truth, a teenage metal buzz-band from Brooklyn, navigate the bizarre current state of the record industry in this fascinating, fist-pumping, and often hilarious documentary. Fresh from its premiere at SXSW, this exceptional rock doc follows the band as they sign a major-label record deal and are suddenly caught up in an adult-driven world of contracts, tours, interviews, and branding. From Luke Meyer, co-director of MFF 2006 hit Darkon.
FUNNY BUNNY (Alison Bagnall) The writer/director of The Dish & the Spoon returns with this offbeat, infectious mix of comedy and drama. Kentucker Audley stars as an obesity-awareness canvasser who strikes up a friendship with a wealthy, emancipated 19-year-old named Titty (Olly Alexander) and the animal-rights-activist object of Titty’s desire, Ginger (Joslyn Jensen). Co-starring Josephine Decker, Louis Cancelmi, and Anna Margaret Hollyman.
HENRY GAMBLE’S BIRTHDAY PARTY (Stephen Cone) A pool party celebrating the seventeenth birthday of Henry Gamble (Cole Doman), the son of a megachurch preacher (Pat Healy), sets the stage for this expertly observed ensemble drama. As sunny skies fade into moonlight, director Stephen Cone (The Wise Kids, Black Box) offers a subtle and insightful portrait of a community full of pressures and secrets —exploring identity, sexuality, and organized religion in the process. World premiere.
SAILING A SINKING SEA (Olivia Wyatt) This experimental documentary, which premiered at SXSW, looks at the traditional lifestyle of the Moken people, a seafaring community of Burma and Thailand. Olivia Wyatt’s gorgeous and immersive film transports viewers deep into the turquoise sea and onto thirteen different islands, giving us intimate access to a culture where shamans, mermaids, and sea gods collide with present-day practices. Executive-produced by Will Oldham.
STINKING HEAVEN (Nathan Silver) This ultra-dark comedy looks at a communal home for sober living in 1990s suburban New Jersey, which spirals into dysfunctional decline when an outsider arrives on the scene. Director Nathan Silver’s film boasts an uncompromising visual aesthetic that goes against the grain of contemporary indie filmmaking—not to mention a fantastic cast that includes Deragh Campbell, Hannah Gross, Keith Poulson, and Eleonore Hendricks.
TAB HUNTER CONFIDENTIAL (Jeffrey Schwarz) Top-notch documentary biographer Jeffrey Schwarz has captivated MFF audiences with definitive looks at iconic personalities William Castle, Vito Russo, and Divine. Now he delivers the warm and intimate story of 1950s Hollywood heartthrob Tab Hunter, who simultaneously balanced a stratospheric career on the silver screen with a secret life as a gay man. From his rise to stardom to his reinvention as a cult-film star with John Waters—and a number of fascinating surprises—it’s all here.
UNEXPECTED (Kris Swanberg) High-school science teacher Samantha (Cobie Smulders), already dealing with stress and uncertainty as her low-income school prepares to close, finds out she’s pregnant. When she discovers her favorite student Jasmine (Gail Bean) is also with child, the two form a tight and unconventional bond. From Kris Swanberg (whose earlier features Empire Builder and It was great, but I was ready to come home. both screened within MFF) comes this refreshing character study that mines honest emotions and the quiet battlefields of love and friendship for real beauty and insight.
WELCOME TO LEITH (pictured above) (Michael Beach Nichols, Christopher K. Walker) This edge-of-your-seat documentary follows the arrival of notorious white supremacist Craig Cobb to a small town in North Dakota, where he promptly buys up land for like-minded collaborators and disrupts town council meetings, leading to fears that he plans a neo-Nazi takeover. As his behavior escalates further into the outrageous and threatens to get violent, a once-placid community must decide how to react.
A WONDERFUL CLOUD (Eugene Kotlyarenko) When his ex-girlfriend visits him in Los Angeles to resolve some lingering business entanglements, Eugene seeks to revisit old feelings, and introduces her to an LA populated by a wild cast of artists, scenesters, and eccentrics. Variety called this gleefully anarchic romantic comedy “a raucous, wholly improvised 21st-century Annie Hall.” Starring director Kotlyarenko (whose 0s & 1s had its world premiere at MFF 2010) and Kate Lyn Sheil (Sun Don’t Shine, House of Cards).
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Norman Lear to Receive “Outstanding TV Writer” Award at 2015 Austin Film Festival
Austin Film Festival (AFF), will honor Norman Lear with the “Outstanding Television Writer” Award at the 22nd Annual Austin Film Festival, taking place October 29-November 5, 2015.
Norman Lear has enjoyed a long career in television and film, and as a political and social activist and philanthropist.
Mr. Lear began his television writing career in 1950 when he and his partner, Ed Simmons, were signed to write forThe Ford Star Revue, starring Jack Haley. After only four shows, they were hired away by Jerry Lewis to write for him and Dean Martin on The Colgate Comedy Hour, where they worked until the end of 1953. They then spent two years on The Martha Raye Show, after which Mr. Lear worked on his own for The Tennessee Ernie Ford Show and The George Gobel Show.
In 1958, Mr. Lear teamed with director Bud Yorkin to form Tandem Productions. Together they produced several feature films, with Mr. Lear taking on roles as executive producer, writer, and director. He was nominated for an Academy Award in 1967 for his script for Divorce American Style. In 1970, CBS signed with Tandem to produce All in the Family, which first aired on January 12, 1971 and ran for nine seasons. It earned four Emmy Awards for Best Comedy series as well as the Peabody Award in 1977. All in the Family was followed by a succession of other television hit shows including Maude, Sanford and Son, Good Times, The Jeffersons, One Day at a Time, and Mary Hartman, Mary Hartman.
Mr. Lear’s memoir, Even This I Get to Experience, was published in October 2014 by The Penguin Press.
Austin Film Festival annually recognizes an Outstanding Television Writer for their collective body of work that has elevated and heavily contributed to the culture of television. Previous Award recipients have been Chris Carter, David Chase, Vince Gilligan, Mitch Hurwitz, Mike Judge, David Milch, Garry Shandling, David Simon, and Matthew Weiner, among others.
Lear joins a strong roundup of Panelists confirmed to speak at the 22nd Annual Austin Film Festival & Screenwriters Conference, including:
Andrea Berloff, writer World Trade Center
Shane Black, writer/director Iron Man 3, Kiss Kiss Bang Bang; writer Lethal Weapon, Last Action Hero
Michael Botti, Manager at Industry Entertainment
VJ Boyd, writer/producer Justified
Jack Burditt, creator Last Man Standing; writer/executive producer The Unbreakable Kimmy Schmidt, The Mindy Project, 30 Rock; writer/co-producer Fraiser
Katie Dippold, writer The Heat, Parks and Recreation, MADtv
Seth Grahame-Smith, writer Dark Shadows, Abraham Lincoln: Vampire Hunter
Matthew Gross, President, EuropaCorp TV Studios; producer Sons of Liberty, Body of Proof, Across the Universe
James V. Hart, writer Hook, Bram Stoker’s Dracula, Contact, Muppet Treasure Island, August Rush, Epic
Jason Headley, writer/director It’s Not About the Nail, At The Bar, To Say Goodbye
Barry Josephson, Josephson Entertainment; producer Enchanted, Hide and Seek, The Last Boy Scout, Someone Marry Barry; executive producer Turn, Bones
Aaron Kaplan, Manager at Kapital Entertainment, Kaplan/Perrone Entertainment
Casper Kelly, creator/writer/director Too Many Cooks, Your Pretty Face Is Going to Hell; writer Squidbillies
Todd Kessler, co-creator Bloodline
Craig Kestel, Agent at WME Entertainment
Adam Kolbrenner, Co-founder Madhouse Entertainment
Gary Lennon, producer Black Box, Orange is the New Black, Justified, The Shield
David Lowery, writer/director Ain’t Them Bodies Saints, Pioneer, Pete’s Dragon (2016), writer Pit Stop
Jenny Lumet, writer Rachel Getting Married
Maggie Malone, Head of Creative Affairs at Disney Animation Studios
Kelly Marcel, writer Saving Mr. Banks, Fifty Shades of Grey; writer/executive producer Terra Nova
George Pelecanos, writer/producer Treme, The Pacific, The Wire, novelist
Nicole Perlman, writer Guardians of the Galaxy
Chris Provenzano, co-executive producer/writer Justified; writer Mad Men
Pamela Ribon, writer at Walt Disney Animation Studios; writer Romantically Challenged, Samantha Who?
Phil Rosenthal, creator Everybody Loves Raymond; writer/director Exporting Raymond
Terry Rossio, writer Shrek, Aladdin, The Pirates of the Caribbean franchise, The Mask of Zorro
John Swetnam, writer Step Up: All In, Evidence, Into the Storm, Breaking Through
David Wain, creator Stella, Wainy Days; writer/director Wet Hot American Summer; director Role Models
Ron Yerxa, producer Bona Fide Productions, Nebraska, Little Miss Sunshine, Ruby Sparks, Election, Cold Mountain, The Ice Harvest, executive producer The Leftovers
The 2015 Austin Film Festival and Screenwriters Conference will once again present over 150 panels on the art and craft of storytelling featuring a slate comprised entirely of working film, television, and new media industry professionals. In addition to over a dozen parties and nearly 200 film premieres, AFF is adding more networking opportunities this year, including a “Screenwriters Lounge” which will serve as a dedicated space to set meetings and write. The 22nd Annual Austin Film Festival and Conference takes place October 29th through November 5th, 2015.