• Watch out Brooklyn! The Clothespin Freaks are back! Stop-Motion Animated Short “Hanging By A Thread” at the Brooklyn Film Festival

    Hanging By A Thread

    After winning Best Animated Film in Seattle, Brooklyn artist and filmmaker Catya Plate returns to Williamsburg to screen her most recent stop-motion animated short film “Hanging By A Thread” (Best Animated Short, Nevada City Film Festival, 2013; Best Animated Film, Seattle True Independent Film Festival, 2014) at the Brooklyn Film Festival!

    Like her award-winning short “The Reading”, “Hanging By A Thread” features her trademark characters, the Clothespin Freaks, this time, in a post-apocalyptic future where the human race has fallen to pieces. 

    In 2003, Plate invented the Clothespin Freak characters, two-headed characters made of clear clothespins, sewn pieces and doll’s body parts, in a series of drawings as “a serio-comic response to our angst-ridden times.” In Plate’s paintings, sculptures, artist’s book and installations these Clothespin Freaks continued to evolve. In 2009, inspired by filmmakers like Jan Svankmajer and the Bolex Brothers, Plate pushed her characters even further and brought them to life through animation. Based on Plate’s “Clothespin Tarot” artist book from 2007, “The Reading” was born and in 2013, she produced “Hanging By A Thread”, the first short in an upcoming trilogy.

    Plate’s mentor, Heather Dell, Art Historian and Director at Magnan Metz Gallery in New York says, “Catya Plate once again conveys her delicious and devilish vision with humor, wisdom, and a big helping of incredible technical and creative execution. “Hanging By a Thread” is an incredibly successful piece that proves Third Generation Feminist artists have as much to contribute to Contemporary Art as their predecessors. Plate’s unapologetic reclamation of once feminized materials in conjunction with state of the art technology secures her place in this new art historical and film making genre”.

    Mark Bell, film critic and owner/publisher at Film Threat, says: ””Hanging By A Thread” is certainly a piece of art; a short film that welcomes interpretation and mental involvement and which explores the idea of creativity being the salvation of humanity with a nice assist by other elements of Nature.”

    Film critic Paul Nadeau says: “Quite possibly the most imaginative and painstakingly created piece of animation I’ve ever seen”.

    Kimberly Chun, Journalist, SF Chronicle, San Francisco Bay Guardian states: “Creating a weird, almost psychedelic world with humble materials like clothespins, cotton, and fiber, as well as careful stop motion animation, Catya Plate has set a cunningly detailed, curious, and wholly unique scene for her Clothespin Freaks and critters — you want to venture deeper into the mystery”.

    Brian Spath, Operations Supervisor at Oscar-qualifying St. Louis International Film Festival where “Hanging By A Thread screened in 2013, says: ““Hanging By A Thread” is the type of creative exhibition that makes you jealous of the creator’s talents!”

    Jeffrey Clark, Executive Producer at the Nevada City Film Festival, says: “Catya Plate’s ‘Hanging By a Thread’ is an ingeniously creative and meaningful animated film. Which is no doubt why it won the Jury Prize for Best Animated Short at the 2013 Nevada City Film Festival.”

    Born in Barcelona, Spain, and raised in Germany, Catya Plate attended the Werkkunstschule, Köln, before coming to New York on a Fulbright Scholarship for postgraduate studies at School of Visual Arts. 

    Screenings: Sunday, June 1, 10pm, Windmill Studios, 287 Kent Avenue
    Monday, June 2, 6:30pm, indieScreen, 289 Kent Avenue

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  • The Best in New American Independent Cinema: Catalyst Program Kicks Off This Weekend at Seattle International Film Festival.

    Five StarFive Star 

    Now in its third year, the Catalyst program kicks off this weekend at the 40th annual Seattle International Film Festival. The program includes six films and four panels over the course of one trailblazing weekend. As crowdfunding platforms and new digital technologies pave the way for more storytellers, both film festivals and distributors often still serve as the primary filter between these new films and their prospective audiences; the Catalyst program aims to change that by connecting filmmakers and their films directly with their audience.

    Carl Spence, SIFF’s Artistic Director, says, “The Catalyst program is still relatively new to the Festival, but it’s only becoming more relevant and revelatory. I’m thrilled to welcome these directors to the Festival and share their new voices with our cinema-loving audience.”

    This year’s program includes something for everyone, including the North American premiere of Bradley King’s complex time travel thriller, Time Lapse. SIFF 2012 FIPRESCI-winning writer/director Keith Miller returns with his stunning sophomore effort, Five Star, and we welcome Slamdance co-founder Lise Raven’s taut period mystery Kinderwald, the second in a three-part series. Catalyst 2014 is also proud to present three World premieres: Scott Cohen’s Antarctica-set relationship piece Red Knot (starring Vincent Kartheiser and Olivia Thirlby), debut director Joshua Caldwell’s kinetic French-language drama Layover, and producer-turned-director Sean Mullin’s (Recalled, SIFF 2012) nuanced multicultural romance Sam & Amira.

    The Catalyst program also offers a full day of inspiring panels, including the highly anticipated filmmaker panel – featuring all six Catalyst directors – and a keynote address from Emily Best, the founder and CEO of Seed&Spark. Following the Catalyst panels will be a Happy Hour at 4:00 PM.

    By supporting the next generation of independent storytellers through film screenings and panels, the Catalyst program hopes to remove some of the barriers that exist between filmmakers and audiences. A sea change is coming in the indie film world, and the SIFF Catalyst program offers a front row seat to the new normal.  

    Brad Wilke, the SIFF programmer who spearheads the Catalyst program, says, “SIFF developed the Catalyst program to support the discovery, cultivation, and development of new voices in independent film. We accomplish this both through our year-round educational offerings, such as our monthly First Draft live script-reading series, as well as the six-film Festival program (and day of industry panels). I’m really excited about this year’s incredible lineup!”

    The 40th Seattle International Film Festival runs from May 15 through June 8, 2014 at venues in Seattle and around the Northwest.

     THE FILMS

    Five Star
    d: Keith Miller c: James Grant, John Diaz, Jasmin Burgos, Tamara Robinson, Wanda Colon
    USA 2014, 83 min

    A riveting drama following a blooming mentorship between Primo, an East New York Blood, and John, the son of a fallen gang member, as a shared secret threatens both men’s futures.

    Kinderwald
    d: Lise Raven c: Emily Behr, Frank Brückner, Max Cove, Leopold Fischer Pasternak
    USA 2013, 87 min

    This visually stunning drama illustrates the journey of a man who must bring his dead brother’s wife and sons across rural 19th century Pennsylvania.

    Layover
    d: Joshua Caldwell c: Nathalie Fay, Karl E. Landler, Bella Dayne, Hal Ozsan
    USA 2014, 83 min

     When Simone lands in Los Angeles on her way to Singapore and finds her flight cancelled, a mysterious motorcyclist convinces Simone to ride along through LA’s glittering nightlife. 

    Red Knot
    d: Scott Cohen c: Vincent Kartheiser, Olivia Thirlby, Billy Campbell, Lisa Harrow
    USA 2014, 82 min

    A beautifully shot meditation on love and loss about New York couple Peter and Chloe falling into marital crisis while on a research vessel en route to Antarctica.

    Sam & Amira
    d: Sean Mullin c: Martin Starr, Dina Shihabi, Paul Wesley, Laith Nakli, David Rasche
    USA 2014, 90 min 

     Forbidden love and complicated emotions are explored in the relationship between Sam, an Iraq war veteran, and Amira, an Iraqi immigrant on the verge of deportation.

    Time Lapse
    d: Bradley King c: Danielle Panabaker, Matt O’Leary, George Finn, Amin Joseph
    USA 2014, 103 min

     A “Twilight Zone”-esque indie about three opportunistic friends who discover a machine with a mysterious power – it takes pictures exactly 24 hours into the future.

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  • Attention Filmmakers: American Documentary Film Festival Launches 2015 Call for Entries

    american documentary film festival

    The American Documentary Film Festival (AmDocs) is launching its 2015 Call for Entries, inviting documentary filmmakers around the world to submit feature-length documentaries, documentary shorts, and animated shorts. 

    Named “One of the World’s Top 25 Film Festivals Worth the Entry Fee,” by MovieMaker magazine in 2013, and then “One of the World’s Five Coolest Documentary Film Festivals,” by the same publication later that year, AmDocs takes place in the beautiful resort community of Palm Springs, California. Ideally located 90 minutes east of Hollywood, this film mecca boasts a favorable viewing audience and a proven track record of supporting independent films. 

    AmDocs 2015 will run March 26, 2015 through March 30, 2015. Early bird submissions will be accepted through July 3, 2014, with a regular deadline of November 15, 2014, and a late deadline of January 2, 2015. All submissions are accepted through Withoutabox.

    “Our main objective is to promote a world vision of film as seen through the eyes of the filmmaker in order to educate and entertain the film goer,” said Founder and Festival Director Ted Grouya.

    AmDocs also hosts the annual American Documentary Film Fund; an adjunct event that allows documentary filmmakers to compete for financing on either new or in-progress projects. Filmmakers choosing to submit to the Film Fund  are not in any way required to submit a film to the festival, and both first-time and established filmmakers are encouraged to submit to the Film Fund competition where upwards of $50,000 may be distributed each year to winning project(s).

    For more information about The American Documentary Film Festival and Film Fund, visit http://www.americandocumentaryfilmfestival.com/

    image via Facebook

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  • Academy of Motion Picture Arts and Sciences to Celebrate 10th anniversary of Indie Comedy Hit “Napoleon Dynamite”

    napoleon dynamite movie poster

    The Academy of Motion Picture Arts and Sciences will celebrate the 10th anniversary of the indie comedy hit “Napoleon Dynamite” with writer-director Jared Hess and star Jon Heder participating in a live commentary screening and conversation on Monday, June 9, at 7:30 p.m. at the Bing Theatre on the LACMA campus. 

    In 2004, audiences all over the world were introduced to Preston, Idaho’s very own Napoleon Dynamite. With his flaming red curls, moon boots, illegal government ninja moves and irascible quips, he became an icon. The Academy is honored to welcome Napoleon Dynamite co-writer-director Jared Hess and Jon Heder, the actor who portrayed the film’s Tater Tot-obsessed protagonist. Together, Hess and Heder will offer a live commentary on their cult comedy classic as it screens, in honor of its tenth anniversary. 

    http://youtu.be/ZHDi_AnqwN4

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  • Film Society of Lincoln Center Reveals 52nd New York Film Festival Poster Designed by Laurie Simmons

     52nd New York Film Festival Official Poster designed by Laurie Simmons

    The Film Society of Lincoln Center today announced Laurie Simmons as the artist behind the design for the 52nd New York Film Festival poster. She joins a stellar lineup of artists that have commissioned their work for the festival including Andy Warhol, Roy Lichtenstein, David Hockney, Julian Schnabel, Cindy Sherman, and last year’s artist, Tacita Dean. Looked upon as a yearly artistic “signature” for the film festival, NYFF posters have taken on a celebrated pop culture significance through the years. Recently, the Saul Bass 1964 NYFF poster has been seen prominently on AMC’s Mad Men. Please find a complete list of artists below.

    Laurie Simmons is an internationally recognized artist who stages photographs and films with paper dolls, finger puppets, ventriloquist dummies, and costumed dancers as “living objects,” animating a dollhouse world suffused with nostalgia and colored by an adult’s memories, longings, and regrets.

    Her photographic works are collected by many institutions including The Metropolitan Museum of Art, The Museum of Modern Art, The Whitney Museum of American Art and the Guggenheim as well as The Museum of Contemporary Art, Los Angeles, Tate Modern, Walker Art Center and the Hara Museum, Tokyo.

    Simmons’s first film, The Music of Regret (2006), extends her photographic practice to performance, incorporating musicians, professional puppeteers, Alvin Ailey dancers, Hollywood cinematographer Ed Lachman, and actress Meryl Streep. She has received many awards, including the Roy Lichtenstein Residency in the Visual Arts at the American Academy in Rome (2005); and fellowships from the John Simon Guggenheim Memorial Foundation (1997) and the National Endowment for the Arts (1984). She has had major exhibitions at the Museum of Modern Art, New York (2006); Baltimore Museum of Art (1997); San Jose Museum of Art, California (1990); Walker Art Center, Minneapolis (1987); and she has participated in two Whitney Biennial exhibitions (1985, 1991) and was included in the 2013 Venice Biennial.  Simmons lives and works in New York. 

    Her 2014 solo exhibitions include “Kigurumi, Dollers and How we See,” at Salon 94, New York, and “The Fabulous World of Laurie Simmons” at Neues Museum, Nuremberg, Germany; other recent solo exhibitions include: Wilkinson Gallery, London; Gallery Met at the Metropolitan Opera, New York; Baldwin Gallery, Aspen; The Gothenburg Museum, Sweden and Koyama Gallery, Tokyo. In 2006 she made her first film, She was recently shortlisted for the Prix Pictet Award in photography. The nominated works are being exhibited at the Victoria and Albert Museum in London.. Laurie Simmons is at work on her second film, a narrative feature titled My Art.

    The poster will be available for purchase during the New York Film Festival (September 26 – October 12) at the merchandise kiosk in Alice Tully Hall, the Film Society of Lincoln Center merchandise store located in the Elinor Bunin Munroe Film Center, and at the Walter Reade Theater concession stand. Posters are $25; Film Society members receive a special discount for purchase.

    The complete list of NYFF poster artists: 

    Larry Rivers, 1963
    Saul Bass, 1964
    Bruce Conner, 1965
    Roy Lichtenstein, 1966
    Andy Warhol, 1967
    Henry Pearson, 1968
    Marisol (Escobar), 1969
    James Rosenquist, 1970
    Frank Stella, 1971
    Josef Albers, 1972
    Niki de Saint Phalle, 1973
    Jean Tinguely, 1974
    Carol Summers, 1975
    Allan D’Arcangelo, 1976
    Jim Dine, 1977
    Richard Avedon, 1978
    Michelangelo Pistoletto, 1979
    Les Levine, 1980
    David Hockney, 1981
    Robert Rauchenberg, 1982         
    Jack Youngerman, 1983
    Robert Breer, 1984
    Tom Wesselmann, 1985
    Elinor Bunin, 1986
    Sol Lewitt, 1987
    Milton Glaser, 1988
    Jennifer Bartlett, 1989
    Eric Fischl, 1990
    Philip Pearlstein, 1991
    William Wegman, 1992
    Sheila Metzner, 1993
    William Copley, 1994
    Diane Arbus, 1995
    Juan Gatti, 1996
    Larry Rivers, 1997
    Martin Scorsese, 1998
    Ivan Chermayeff, 1999
    Tamar Hirschl, 2000
    Manny Farber, 2001
    Julian Schnabel, 2002
    Junichi Taki, 2003
    Jeff Bridges, 2004
    Maurice Pialat, 2005
    Mary Ellen Mark, 2006
    agnès b., 2007
    Robert Cottingham, 2008
    Gregory Crewdson, 2009
    John Baldessari, 2010
    Lorna Simpson, 2011
    Cindy Sherman, 2012
    Tacita Dean, 2013

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  • SIFF Announces 2014 ShortFest Jury Award Winners; “Twaaga” Wins Grand Jury Prize

     Twaaga, directed by Cedric IdoTwaaga, directed by Cedric Ido

    The Seattle International Film Festival, the largest and most highly attended festival in the United States, announced today this year’s ShortsFest Jury Award winners. ShortsFest Weekend, SIFF’s celebration of the short film, takes place every year over Memorial Day Weekend at SIFF Cinema Uptown. This year’s Festival (May 15 – June 8) features 168 short films, including 24 World, 8 North American, and 6 US premieres.

    Carl Spence, SIFF’s Artistic Director, says, “ShortsFest Weekend is always one of the most fun events of the Festival. Once again this year, the selection reveals the incredible vibrancy and diversity of the short form. The audience here in Seattle loves shorts, and it’s great to bring these filmmakers together for the long weekend so they can share ideas while we celebrate their work.”

    Adds Beth Barrett, Director of Programming, “From recognizable names to emerging talent, ShortsFest 2014 showcased an impressive array of films. Six years ago, SIFF became an Academy Award®-qualifying festival, and we are proud to be part of the development of these significant voices in filmmaking.”

    ShortsFest jurors choose winners in the Live Action, Documentary, and Animation categories. All ShortsFest films shown at the Festival are also eligible for Golden Space Needle Audience Awards. Each ShortsFest Grand Jury winner will receive $1,000, and the winners in the three categories are eligible for the Academy Awards® in their respective Short Film category (Live Action, Documentary, or Animated). ShortsFest is sponsored by The Mac Store and Classical KING FM 98.1. 

    SIFF 2014 SHORTSFEST AWARD WINNERS

    LIVE ACTION

    GRAND JURY PRIZE
    Twaaga, directed by Cedric Ido (Burkina Faso, France)  

    JURY STATEMENT: A rich and compelling world with beautiful cultural and generational chapters. The seamless use of animated comic book imagery reflects the protagonist’s journey and the larger political backdrop.

    SPECIAL JURY MENTION
    Aban + Khorshid, directed by Darwin Serink (USA)

    JURY STATEMENT: A beautifully filmed and tragic story, based on real life events, about freedoms here in the US that carry the death penalty elsewhere.

    DOCUMENTARY 

    GRAND JURY PRIZE  
    Maikaru, directed by Amanda Harryman (USA) 

    JURY STATEMENT: An honest, vulnerable, and authentic piece that exposes an invisible issue that is happening in Seattle and worldwide. The character’s story of healing leaves the audience with a sense of hope. The use of artistic footage illustrates the character’s transformative journey.

    SPECIAL JURY MENTION
    The Queen (La Reina), directed by Manuel Abramovich (Argentina)

    JURY STATEMENT: Effective framing crafts a haunting portrait of youth in exhibition pageants.

    ANIMATION

    GRAND JURY PRIZE
    Rhino Full Throttle, directed by Erik Schmitt (Germany) 

    JURY STATEMENT: A story of self redemption told through quirky and playful animation bounding with shifting formats that would be dizzying if the story wasn’t so timeless. An animated love story that tips its hat to its own genre.   

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  • Cannes Film Festival 2014 Awards, WINTER SLEEP by Nuri Bilge Ceylan Wins Palme d’or Award

    WINTER SLEEP by Nuri Bilge Ceylan WINTER SLEEP by Nuri Bilge Ceylan

    The Jury of the 67th Cannes Film Festival, presided over by Jane Campion awarded WINTER SLEEP by Nuri Bilge Ceylan the winner of the Palme d’or award.The award was presented to director Nuri Bilge Ceylan by actress Uma Thurman and director Quentin Tarantino.

     In WINTER SLEEP, Aydin, a former actor, runs a small hotel in central Anatolia with his young wife Nihal with whom he has a stormy relationship and his sister Necla who is suffering from her recent divorce.In winter as the snow begins to fall, the hotel turns into a shelter but also an inescapable place that fuels their animosities…

    Nuri Bilge Ceylan said: “This is a huge surprise for me, I wasn’t expecting it. I don’t know what to say. This year marks the 100th anniversary of Turkish cinema, which is a happy coincidence. I would like to thank the Festival de Cannes for supporting this long project. Thank you to the Jury, to Thierry Frémaux and Gilles Jacob. I would like to dedicate this Palme d’or to the young people of Turkey and to those who lost their lives during the year. Thank you very much”. 

    The complete list of winners of the 67th Cannes Film Festival Awards

    Palme d’or

    WINTER SLEEP by Nuri Bilge Ceylan

    Grand Prix
    LE MERAVIGLIE (The Wonders) by Alice Rohrwacher

    Best Director Award
    Bennett Miller for FOXCATCHER

    Jury Prize ex-aequo
    MOMMY by Xavier Dolan
    ADIEU AU LANGAGE (Goodbye to language) by Jean-Luc GODARD

    Best Screenplay Award
    Andrey Zvyagintsev and Oleg Negin for LEVIATHAN

    Best Actress Award
    Julianne Moore in MAPS TO THE STARS by David Cronenberg

    Best Actor Award
    Timothy SPALL in MR. TURNER by Mike LEIGH

    SHORT FILMS

    Palme d’or       
    LEIDI by Simón Mesa Soto

    Special Mention – Ex-aequo
    AÏSSA by Clément Trehin-Lalanne
    JA VI ELSKER (Yes We Love) by Hallvar Witzø

     UN CERTAIN REGARD

    Un Certain Regard Prize
    FEHÉR ISTEN by Kornél Mundruczó

    Jury Prize
    TURIST by Ruben Östlund

    Un Certain Regard Special Prize
    THE SALT OF THE EARTH by Wim Wenders and Juliano Ribeiro Salgado

    Ensemble Prize
    PARTY GIRL by Marie Amachoukeli, Claire Burger and Samuel Theis

    Best Actor Award
    David Gulpilil in CHARLIE’S COUNTRY by Rolf de Heer

    CAMÉRA D’OR
    PARTY GIRL by Marie Amachoukeli, Claire Burger, Samuel Theis presented in the Un Certain Regard Selection

    CINÉFONDATION 

    First Prize
    SKUNK by Annie Silverstein
    University of Texas at Austin, USA

     Second Prize
    OH LUCY! by Atsuko Hirayanagi
    NYU Tisch School of the Arts Asia, Singapore

     Joint Third Prize
    LIEVITO MADRE by Fulvio Risuleo 
    Centro Sperimentale di Cinematografia, Italy

    THE BIGGER PICTURE by Daisy Jacobs
    National Film and Television School, United Kingdom

    The Jury of the CST has awarded the VULCAN AWARD OF THE TECHNICAL ARTIST to: 
    Dick POPE, director of photography, for bringing to light the works of Turner in the movie MR. TURNER by Mike LEIGH

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  • 17th Brooklyn Film Festival Announces Feature Film Line-Up — Opening Night Films: World Premiere of TJ Misny’s “Intimate Semaphores” & NY Premiere of Leah Meyerhoff’s “I Believe in Unicorns”

    ,

      I Believe in Unicorns I Believe in Unicorns

    Brooklyn Film Festival (BFF), the largest and longest running festival in Brooklyn and the oldest international competitive festival in New York, announced its feature film line-up for its 2014 festival, themed FORMULA, comprised of bold, brave and unique indie films and new discoveries, many from first-time feature filmmakers from Brooklyn and beyond. The event will run from May 30 through June 8 in Williamsburg at indieScreen (289 Kent Avenue) and Windmill Studios NYC (287 Kent Avenue). The festival will present over 100 film premieres from around the world, selected from over 2,000 submissions. Tickets will be available soon for advanced purchase online.

    BFF presents two Opening Night films: The World Premiere of T.J. Misny’s Intimate Semaphores, a collection of three short stories starring today’s great new acting talents including Kate Lyn Sheil (“Sun Don’t Shine”), Ariane Labed (“Attenberg”), Jocelin Donahue (“House of the Devil”) and featuring rising comics Ilana Glazer and Abbi Jacobson of “Broad City,” and Sasheer Zamata from “Saturday Night Live”; and the New York Premiere of Leah Meyerhoff’s I Believe in Unicorns, the story of an imaginative teenage girl who runs away from home with an older boy, starring Natalia Dyer and Peter Vack as the star-crossed teens, and featuring Julia Garner (“We Are What We Are”) and Amy Seimetz (“Upstream Color”).

    Narrative Features highlights include the World Premiere of Brooklyn filmmakers Alexis and Bodine Boling’s Sci-Fi drama Movement and Location, which is Seed & Spark’s first narrative feature film to go from crowdfunding to festival premiere, and the World Premiere of Brendan Gibbons’ Occupy Wall Street comedy Preoccupied. From outside the USA, the festival will present the New York Premiere of BFF alumni Wojtek Smarzowski’s Polish box-office smash Traffic Department, and Slamdance award winner’s Rezeta and Copenhagen.

    The Documentary Features line-up highlights include the New York Premiere of Born to Fly, Catherine Gund’s portrait of Brooklyn-based choreographer Elizabeth Streb; the New York Premiere of Who Took Johnny by Suki Hawley, Michael Galinsky and David Beilinson – 2011 BFF alumni for Battle from Brooklyn, and fresh off their Hot Docs premieres in Canada, the U.S. Premieres of Tony Shaff’s Hotline and Nantenaina Lova’s The Malagasy Way. For the first time, BFF will also present awards in a Documentary Shorts competition.

    BFF Executive Director Marco Ursino said of the 2014 edition, “Our theme this year deals with an enigma: Is there a winning Formula to communicate with the audience and ultimately create a successful independent film? We ponder this complex question by thinking about the chemistry that might ultimately achieve such a formula. Do formulas apply exclusively to big budget filmmaking, are there formulas for independent filmmakers, and is there such a thing as formula-free filmmaking? How does a project preserve its independent spirit when the story is told by adopting proven storytelling formulas? And what has the independent film movement done in recent years to adapt new methods of filmmaking? We encourage our filmmakers, audiences, industry guests, Brooklyn, all New Yorkers and the rest of the world to stir the ingredients in this potent and perplexing formula.”

    BFF will award the winners with prizes totaling over $50,000 in film services and products. Prizes include a seven-day theatrical release at indieScreen for the Best Narrative Feature and Best Documentary award winners, and for the first time as well for the Best Narrative Short and Best Documentary Short. 

    BFF’s prestigious alumni have gone on to garner both critical acclaim and nationwide distribution. A record number of films from the 2013 edition went on to receive U.S. theatrical releases. These include Jeremy O’Keefe’s Best Narrative Feature Winner Somewhere Slow, Nathan Silver’s Soft in the Head, and Jeffrey Karoff’s Cavedigger, which went on to receive a 2014 Oscar Nomination for Best Documentary Short. Other BFF alumni include: Suki Hawley and Michael Galinsky’s Battle for Brooklyn (shortlisted for a 2011 Academy Award nomination); Katie Dellamaggiore’s Brooklyn Castle (2013 nationwide broadcast on PBS’ P.O.V.); and Kelly Anderson’s My Brooklyn (a successful DIY release in 2013), amongst many more. Numerous films from the Brooklyn Film Festival have gone on to be nominated for and win awards by both the American and British Academy Awards.

    After last year’s successful “Expand Your View” campaign, TBWA returns as a sponsor for BFF with a brand new promotional campaign to be announced soon. “TBWA partners with Brooklyn Film Festival because we support creativity and giving filmmakers a platform to feature their disruptive ideas, creativity and perspective not necessarily following any mainstream rules,” said Lizzie Dewhurst, TBWA Communications Manager. “Expand Your View” was recognized by the prestigious Webby Awards with two 2014 nominations on the categories of Social: Best Use of Video and Mobile & Apps: Integrated Mobile Experience.

    For the third year in a row, the festival will continue its BFF Exchange aimed ultimately at connecting filmmakers with film distributors. BFF Exchange will be staged at indieScreen on June 7, and will feature a pitch session and a “distribution” panel. On Saturday, May 31 at indieScreen, BFF will present the 10th annual kidsfilmfest, which aims to discover, expose and promote children’s filmmakers while drawing worldwide attention to Brooklyn.

     Narrative Features (in alphabetical order):

     

    Copenhagen (Canada) Dir. Mark Raso – New York Premiere

    (Winner – Audience Award at the 2014 Slamdance Film Festival)

    After weeks of traveling through Europe the immature William finds himself at crossroads in Copenhagen. Copenhagen is not just another European city for William; it is also the city of his father’s birth. When fourteen-year-old Effy befriends the thirty-year-old William they set off on an adventure to uncover his family’s sordid past. 

     

    The Girls on Liberty Street (USA) Dir. John Rangel – East Coast Premiere

    (Official Selection, Chicago International Film Festival)

    Her boyfriend is pulling away. Her sister is growing up too fast. Her brother is falling under a bad influence. Her friends have plans that don’t include her. With one week before she ships off for basic training, Brianna finds herself trying to make sure home will be the same place when she returns. 

     

    I Believe in Unicorns (USA) Dir. Leah Meyerhoff – New York Premiere
    (Nominated, SXSW Grand Jury Award, Narrative Feature. BFF Alumni for Twitch and Team Queen)

    A teenage girl avoids caring for her disabled mother by running away with an older boy in a whirlwind of romance and adventure. As their new relationship turns abusive, she attempts to retreat to a fantasy world but ultimately must learn to face her stark reality and reconnect with the world she left behind. Not even unicorns can save her now.

     

    The Impeccables [Kusursuzlar] (Turkey) Dir. Ramin Matin – U.S. Premiere
    (Winner – Best Film, Best Director & Special Jury Award at Antalya Golden Orange Film Festival) 

    Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, where they must deal with their uneasy sibling relationship and confront their devastating recent past.

     

    Intimate Semaphores (USA) – Dir. T.J. Misny – World Premiere

    A collection of three short stories. Each story is a surreal and darkly comic exploration of creative expression and how our artistic impulses have the power to unite us or alienate us. “Helberger In Paradise” stars Kate Lyn Sheil as a New Yorker who returns to her hometown to make good on an anarchistic promise to a deceased lover. “High And Dry” stars Ariane Labed as a privileged street photographer who suspects that her declining eyesight might have disturbing psychological implications. In “The Crumb of It,” a struggling comedian (Jocelin Donahue) and rising star pastry chef (Chioke Nassor) find that their creative pursuits threaten to sabotage their new relationship.

     

    Menthol (USA) Dir. Micah Van Hove – New York Premiere

    (Official Selection, Santa Barbara International Film Festival)

    Four male twenty-somethings spend 24 hours reliving their high school glory days. The drugs, video games, and boozing end in a moment of terrible violence, forcing them to bury their guilt in this bleak and unflinching portrait of 21st Century nihilism. 

     

    Movement and Location (USA) Dir. Alexis Boling – World Premiere

    (Seed & Spark’s first narrative feature film to go from crowdfunding to festival premiere.)

    Kim Getty is an immigrant from 400 years in the future, sent back in time to live out an easier life in Brooklyn. It’s a one-way trip of difficult isolation, but in the three years since she landed, Kim has built a life that feels almost satisfying. She has a full time job, shares an apartment with a roommate, and is falling in love. But when she stumbles on a teenage girl who is also from the future, Kim’s remade sense of self is tested. 

     

    My Blind Heart [Mein Blindes Herz] (Austria) Dir. Peter Brunner – East Coast Premiere

    (Nominated, Tiger Award, Rotterdam International Film Festival)

    Kurt suffers from the rare Marfan syndrome and is almost blind. After killing his mother, he goes on a journey where the boundaries between perpetrator and victim are blurred. Haunted by her calls, Kurt leaves his assisted living home in distress. Taking to the streets, he meets Conny, a 13-year-old runaway from a broken home. She readily participates in Kurt’s protest against his body, not knowing what moves him or into which abyss his journey is leading.

     

    Paradise Cruise (Israel) Dir. Matan Guggenheim – U.S. Premiere
    (Winner, Audience Award at Israel Film Festival in Paris, BFF Alumni for Crickets)

    Dora spends her time photographing Israeli military funerals and commemoration ceremonies. She is trying to capture the face of a soldier that haunts her. When she meets Yossi, a rebellious young man just out of military service, they begin to fall in love. They have an unwritten contract to never speak of their past. But they cannot escape, and their love is put to the ultimate test in this neo-noir drama.

     

    Preoccupied (USA) Dir. Brendan Gibbons – World Premiere

    Two New York investment bankers attempt to shut down the Occupy Wall Street protests of 2011, creating their own counter movement called Bankers Unite. But if this is what the ‘One Percent’ looks like, it may be time to get out of the market. 

     

    Rezeta (Mexico) Dir. Gerardo Gatica – East Coast Premiere
    (Winner – Grand Jury Prize, Best Narrative Feature at Slamdance Film Festival)

    Rezeta is a 21-year-old model born in Albania who arrives in Mexico after making a living out of her beauty all around the globe. She soon meets Alex, a tattooed musician who cleans up the trailer where she waits during a commercial photo shoot. They quickly become friends, and then their relationship becomes something more. This is the story of their complicated romance, set against a backdrop of bands, parties and everyday life in modern Mexico.

     

    Traffic Department [Drogówka] (Poland) Dir. Wojtek Smarzowski – New York Premiere
    (Winner – Best Supporting Actor & Best Screenplay at Polish Film Awards, BFF Alumni for Rose and The Dark House)

    Seven friends, officers of the Warsaw’s traffic police department, are leading seemingly fulfilled lives. They work together, party together, together they play jokes, cut small deals and sport fast cars. Their small world gets rocked when one of them is found murdered. Sargent Król becomes a chief suspect in the case. He manages to escape arrest and as a fugitive tries to prove his innocence. Slowly he begins to uncover a corruption scheme, which points towards high circles of authority in police and politics. 

     

    Victoriana (USA) Dir. Jadrien Steele – East Coast Premiere

    (Winner – New Vision Award at Cinequest San Jose Film Festival, BFF Alumni for Just Make Believe)

    When Sophie Becker convinces her husband Tim, a struggling author, to invest her inheritance in a Victorian townhouse in Brooklyn, what begins as a classic American dream turns into a Dostoyevskian nightmare. After Sophie is involved in a fatal accident, the couple is faced with financial ruin, and must make a fateful decision that not only attracts the attention of the police, but also reveals long-hidden truths about themselves and their marriage.

     

    Documentary Features (in alphabetical order):

     

    Born to Fly (USA) Dir. Catherine Gund – New York Premiere

    (BORN TO FLY will have a week-long theatrical release starting Sept. 10 at Film Forum. ***All full reviews and interviews are embargoed till the theatrical release***)

    Born to Fly harnesses the thrill and energy of Elizabeth Streb’s Brooklyn-based STREB Extreme Action Company. Inter-cutting archival footage from decades of STREB performances with verité moments between Streb, her partner Laura and their collaborators, the documentary follows Streb over the course of a year as she reflects on her influences, evolution, and inventions, all while preparing for her greatest public performance.

     

    Boy Saloum (France) Dir. Audrey Gallet – U.S. Premiere

    They are thirty years old. They have fire in their bellies. They have charisma. In 2011, a few young Senegalese rappers created a social movement called Y’en A Marre (Enough Is Enough). Little did they know that their protest against an oppressive regime would bring about an epic encounter with history. Boy Saloum is their story, an intimate portrait of Senegalese culture as a country fights for its rights.

     

    Glena (USA) Dir. Alan Luebke – New York Premiere

    (Nominated, Grand Jury Prize, Best Documentary Feature at Slamdance Film Festival)

    Glena was living the American Dream: successful career, two happy children, long-term relationship, and a beautiful family home. Then one day, with no background or training, she decided to give cage fighting a try.

     

    Hotline (USA) Dir. Tony Shaff – U.S. Premiere

    (Official Selection, Hot Docs Canadian International Documentary Festival, 2013 BFF Exchange Pitch Panel alumni)

    ‘Hotline’ is a feature-length documentary about the intense connections made between strangers over the telephone, and explores these anonymous conversations that people are often too hesitant to have with those closest to them. From crisis centers to psychics and sex workers, this documentary eavesdrops on the inner-workings of hotlines and puts faces to the voice on the other end of the line.

     

    Jeepney (Philippines/USA) Dir. Esy Casey – East Coast Premiere

    (Nominated, Jury Award, Best Documentary at San Francisco International Asian American Film Festival)

    JEEPNEY visualizes the richly diverse cultural and social climate of the Philippines through its most popular form of mass transportation: vividly decorated ex-WWII military jeeps. The film follows jeepney artists, drivers, and passengers, whose stories take place amidst nationwide protest against oil price hikes that pressure drivers to work overseas to earn a living.

     

    The Malagasy Way (Madagascar) Dir. Nantenaina Lova – U.S. Premiere

    (Official Selection, Hot Docs Canadian International Film Festival)

    The Malagasy Way is a poetic, proverb-packed tour of an alternative way of life central to Madagascar’s culture and society. Rejecting the waste and overconsumption that plague Western nations, the film examines how the people of Madagascar have embraced a conservationist lifestyle of recycling, repurposing and self-reliance in the midst of a global economic crisis, using ingenuity, not underdevelopment, as their inspiration.

     

    No Burqas Behind Bars (Sweden) Dir. Nima Sarvestani – East Coast Premiere

    (Nominated, Dragon Award, Best Nordic Documentary, Göteborg Film Festival)

    Takhar Prison. 40 women. 34 children. Four cells. No burqas. This documentary takes viewers inside one of the world’s most restricted environments: an Afghan women’s prison. Through the prisoners’ own stories, it explore how ‘moral crimes’ are used to control women in post-Taliban Afghanistan, a society where women are normally faceless.

     

    Unplugged [Anplagd] (Serbia and Montenegro/Finland) Dir. Mladen Kovacevic – East Coast Premiere

    ‘Unplugged’ is an existential allegory about music played on tree leaves, humorously rattling between the most primitive of instruments and the most universal escapism of music. Music has rarely been so offbeat. 

     

    Who Took Johnny (USA) Dir. David Beilinson, Suki Hawley and Michael Galinsky – New York Premiere

    (Winner, Jury Award at Chicago Underground Film Festival & Special Jury Award at Newport Beach Film Festival. 2011 BFF Alumni, Battle for Brooklyn)

    Who Took Johnny examines the infamous thirty-year-old cold case behind the disappearance of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. It traces the heartbreaking story of Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son when he never returned from his morning paper route.

     

     

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  • AFI DOCS Unveils 2014 Film Lineup; Festival Opens with World Premiere of HOLBROOK/TWAIN: AN AMERICAN ODYSSEY Closes with LIFE ITSELF

    HOLBROOK/TWAIN: AN AMERICAN ODYSSEY HOLBROOK/TWAIN: AN AMERICAN ODYSSEY

    AFI DOCS announced its full slate of films for the 2014 festival, which runs from June 18 – 22 in Washington, DC, and Silver Spring, MD.  The festival will showcase 84 films representing 28 countries, including four World, three U.S. and eight East Coast Premieres.  AFI DOCS opens with HOLBROOK/TWAIN: AN AMERICAN ODYSSEY and closes with LIFE ITSELF.  The festival’s annual AFI DOCS Charles Guggenheim Symposium will honor Academy Award® -winning documentarian Alex Gibney (TAXI TO THE DARK SIDE).  Committed to bringing artists and our nation’s leaders together, AFI DOCS will do this through Catalyst Screenings that include in-depth, expanded discussions with filmmakers, issue experts and policymakers.  Launching in this 12th edition of the festival is the Filmmaker Engagement Program – professional development for documentarians. 

    Catalyst Screenings include THE HOMESTRETCH (DIRS Anne de Mare, Kirsten Kelly) THE INTERNET’S OWN BOY (DIR Brian Knappenberger), IVORY TOWER (DIR Andrew Rossi) and THE NEWBURGH STING (DIRS Kate Davis, David Heilbroner).  The subjects of these films – homeless youth seeking an education, the state of the Internet, skyrocketing college tuition and government overreach – will be examined in panel discussions immediately after the screenings.

    The Filmmaker Engagement Program will comprise events for festival artists to connect effectively to our nation’s leaders, film industry decision-makers and cultural-thought leaders.  Select sessions of this program will be open to the at-large community of documentary filmmakers.  Details will be announced in the coming weeks.

    As mid-festival films, Spotlight Screenings include E-TEAM (DIRS Katy Chevigny and Ross Kauffman), FREEDOM SUMMER (DIR Stanley Nelson) and GLEN CAMPBELL…I’LL BE ME (DIR James Keach).  Films by notable documentarians include HAPPY VALLEY (DIR Amir Bar-Lev), LAST DAYS IN VIETNAM (DIR Rory Kennedy) and POINT AND SHOOT (DIR Marshall Curry).

    This year’s program also includes five films with the involvement of seven alumni of the AFI Conservatory in Los Angeles, including DINOSAUR 13 featuring Kristin Donnan Standard (AFI Class of 1988); HEAVEN ADORES YOU by Associate Producer West McDowell (AFI Class of 2010); THE LION’S MOUTH OPENS by Co-Producer Sabrina Doyle (AFI Class of 2012) and Co-Producer/Cinematographer Nick Higgins (AFI Class of 2002); WE ARE THE GIANT by Line Producer Diane Becker (AFI Class of 2006) and Archival Coordinator Erikka Yancy (AFI Class of 2006) and WHEN THE GARDEN WAS EDEN by Executive Producer Doug Ellin (AFI Class of 1992).

    “AFI DOCS 2014 is a true celebration of documentaries and storytellers,” said Christine O’Malley, Interim Festival Director.  “While there are serious thought-provoking issues presented artfully in the films, there are equal amounts of whimsical and entertaining experiences.  What they all do, however, is inform and hopefully inspire different types of change – policy, perspective or heart.”

    2014 AFI DOCS DOCUMENTARY FESTIVAL PROGRAM

    OPENING AND CLOSING NIGHTS AND SPOTLIGHT SCREENINGS:

    Wednesday, June 18, 2014
    OPENING NIGHT:  HOLBROOK/TWAIN: AN AMERICAN ODYSSEY DIR Scott Teems.  USA.

    For 60 years, actor Hal Holbrook has been touring with his award-winning one-man show, “Mark Twain Tonight!,” in which he portrays the renowned American writer and satirist before sold-out crowds.  Filmmaker Scott Teems takes us behind the scenes with Holbrook for an intimate peek at Twain’s continuing influence on our culture and the dedicated actor who brings him to life.  Filmmaker and select talent will be in attendance for this World Premiere.

    Thursday, June 19, 2014
    SPOTLIGHT SCREENING:  E-TEAM  DIRS Katy Chevigny, Ross Kauffman.  USA.

    With international conflicts raging, Human Rights Watch sends its specially trained Emergencies Team to the frontlines of Syria and Libya to document human rights abuses and capture the world’s attention. These courageous and fiercely dedicated individuals regularly risk their lives to report atrocities that would otherwise go undocumented.

    Friday, June 20, 2014
    SPOTLIGHT
     SCREENING:  GLEN CAMPBELL…I’LL BE ME  DIR James Keach.  USA.

    Grammy® Award-winning country legend Glen Campbell has been making music for over 50 years.  Having recently been diagnosed with Alzheimer’s disease, Campbell decides to go public with the news to help bring attention to the devastating effects of the illness while hitting the road one last time for a farewell tour.  Filmmaker and some subjects in attendance.

    GUGGENHEIM SYMPOSIUM:  The Charles Guggenheim Symposium honors the legacy of the late four-time Academy Award®-winning filmmaker Charles Guggenheim.  This year, the Symposium celebrates Alex Gibney, one of the most significant documentarians of our time.  His films have etched a place in American history, both as compelling independent storytelling and journalism.  The Symposium will feature a series of excerpts from Gibney’s body of work and he will be joined on stage to discuss his career.  His films include CATCHING HELL (2011), ENRON: THE SMARTEST GUYS IN THE ROOM (2005), MEA MAXIMA CULPA: SILENCE IN THE HOUSE OF GOD (2012), NO END IN SIGHT (2007), Academy Award® -winning TAXI TO THE DARK SIDE (2007) and WE STEAL SECRETS: THE STORY OF WIKILEAKS (2013).

    OUTDOOR SCREENING: 
    SHUT
     UP AND PLAY THE HITS  DIRS Will Lovelace, Dylan Southern.  USA.

    This captivating film documents the high-energy farewell concert of alternative band LCD Soundsystem at Madison Square Garden on April 2, 2011.  Punctuated by a frank conversation with front-man James Murphy about the reasons he chose to go out on top, this is a can’t-miss for music fans.

    Saturday, June 21, 2014
    CLOSING NIGHT:  LIFE ITSELF  DIR Steve James.  USA.

    Roger Ebert was one of America’s most influential film critics until his death from thyroid cancer in 2013.  Based on Ebert’s 2011 memoir of the same name, acclaimed filmmaker Steve James (HOOP DREAMS) paints a vivid portrait of the critic, whose genuine love of movies helped him remain a relevant voice in the film world even after his physical voice had been silenced.  Filmmaker in attendance.

    Sunday, June 22, 2014
    SPOTLIGHT SCREENING:  FREEDOM SUMMER  DIR Stanley Nelson.  USA.

    In the summer of 1964, hundreds of student volunteers from across the U.S. spent 10 weeks in Mississippi in an historic effort to shatter the foundations of white supremacy.  This inspiring film tells the searing story of those volatile and violent months and reminds us of the risks and sacrifices involved in ending segregation.

    FEATURE FILM SELECTIONS:

    112 WEDDINGS:  DIR Doug Block.  USA.  Filmmaker Doug Block (THE KIDS GROW UP) started filming people’s wedding videos 20 years ago as a way to make extra money.  Whatever became of those hopeful brides and grooms?  In this funny and often touching film, Block tracks down several of them to find out if marriage was everything they dreamed it would be.

    1971:  DIR Johanna Hamilton.  USA.  In March of 1971, a break-in occurred at an FBI field office outside of Philadelphia, PA, that resulted in the theft of every single document contained within it.  The true nature of what was discovered within those files would soon prove to be more shocking than the crime itself.

    ACTRESS:  DIR Robert Greene.  USA.  After landing a part on THE WIRE, actress Brandy Burre’s career was rising fast, but she gave it up for the real life role of wife and mother in upstate New York.  Now, Burre is eager to find her way back into acting, but at what cost to her family?

    THE AGREEMENT:  DIR Karen Stokkendal Poulsen.  Denmark.  Some international skirmishes happen far from battlefields; they take place in quiet negotiating rooms.  Yet no matter how unassuming those spaces may be, the players can be just as immovable as their armed equivalents.  THE AGREEMENT takes viewers into one such discussion – the high-stakes Serbia-Kosovo negotiations to make Serbia’s EU candidacy possible.  East Coast Premiere.

    ALFRED & JAKOBINE:  DIRS Jonathan Howells, Tom Roberts.  UK/Canada.  In 1955, passionate newlyweds Alfred and Jakobine bought a beat-up old taxi cab and embarked on a memorable trip around the world.  When Alfred abruptly left the marriage, it left Jakobine heartbroken.  Forty years later, Alfred decides to restore their old taxi and deliver it to Jakobine as a surprise.  U.S. Premiere.

    ALIVE INSIDE: A STORY OF MUSIC & MEMORY:  DIR Michael Rossato-Bennett.  USA.  Millions of elderly Americans suffer from the debilitating effects of dementia and Alzheimer’s disease.  In this moving film, social worker Dan Cohen experiments with a music-based program to help these patients unlock deeply buried memories and emotions that had long been forgotten.  The results will astound you.

    AN HONEST LIAR:  DIRS Justin Weinstein, Tyler Measom.  USA.  James “The Amazing” Randi has been mastering the art of illusion and sleight of hand to entertain audiences for over half a century. When he sees magicians’ tricks of the trade being used by con artists like faith healers and psychics to bilk the masses, however, Randi dedicates himself to exposing them.

    APOLLONIAN STORY:  DIRS Ilan Moskovitch, Dan Bronfield.  Israel.  For over 40 years, Nissim has been chipping away at a seaside limestone cliff just north of Tel Aviv.  Though continually under construction, the intricate home he has built for himself is truly incredible.  When his son comes to help for the summer, eccentricities arise that surely predate his work of passion.

    ART AND CRAFT:  DIRS Sam Cullman, Jennifer Grausman; co-directed by Mark Becker.  USA.  For 30 years, Mark Landis, one of the most skilled art forgers in U.S. history, has used his astonishing talent to duplicate the work of famous artists and dupe museum curators nationwide.  Diagnosed with schizophrenia, this eccentric forger isn’t in it for the money – he prefers to donate his work. 

    BACK ON BOARD:  DIR Cheryl Furjanic.  USA.  In 1988, Greg Louganis became the first male athlete in history to sweep the diving events in consecutive Olympic games.  Despite his success, Louganis’ real challenges were still to come.  Director Cheryl Furjanic’s (SYNC OR SWIM) film gives us an intimate glimpse into the life of one of the world’s greatest champions.  World Premiere.

    BRONX OBAMA:  DIR Ryan Murdock.  USA.  Louis Ortiz was an unemployed single father from the Bronx in 2008 when people noticed that he bore an uncanny resemblance to presidential hopeful Barack Obama.  With Obama’s victory, Ortiz transformed himself into a professional lookalike, joined a motley group of political impersonators and began to chase an unlikely version of the American dream.

    BUTTERFLY GIRL:  DIR Cary Bell.  USA.  Abbie Evans’ coming-of-age struggle is complicated by a rare life-threatening skin disorder, epidermolysis bullosa, which makes her body as fragile as butterfly wings.  Alternately snarky and self-deprecating, optimistic and reckless, Evans is ready to assert her independence and break free from her stalwart parents in this unsentimental yet moving portrait.

    DANGEROUS ACTS STARRING THE UNSTABLE ELEMENTS OF BELARUS:  DIR Madeleine Sackler. USA.  Go behind the scenes of the Belarus Free Theatre, an award-winning troupe of underground performers who dare to tackle dangerous topics that can easily put them behind bars.  In the midst of an unstable political climate, these brave performers are constantly torn between fighting artistic censorship and worrying about their families’ safety.

    DINOSAUR 13:  DIR Todd Miller.  USA.  In 1990, a team of scientists from South Dakota’s Black Hills Institute stumbled onto a spectacular discovery – the largest and most complete Tyrannosaurus rex specimen ever found. Nicknamed “Sue,” the T. rex soon became the center of a messy custody battle involving landowners and the federal government.  East Coast Premiere.

    DIOR AND I:  DIR Frédéric Tcheng.  France.  Much is afoot in the iconic House of Dior, as newly hired artistic director Raf Simons has only eight weeks to present his first haute couture collection.  The unconventional Simons collaborates with Dior’s unflagging and enchanting veteran atelier seamstresses, marking the auspicious arrival of a formidable fashion persona.

    THE DOG:  DIRS Allison Berg, Frank Keraudren.  USA.  Based on true events, the classic film DOG DAY AFTERNOON tells the story of a bank robbery gone awry.  Combining present-day interviews and archival footage, THE DOG introduces us to John Wojtowicz – the real-life inspiration for Al Pacino’s character – while presenting a fascinating snapshot of New York City’s LGBT liberation movement of the 1970s.  East Coast Premiere.

    THE FIX:  DIR Laura Naylor.  USA.  After years of heroin addiction, a young father from the Bronx tries to turn his life around.  With the support of former junkies in his community, he works towards creating effective solutions to help empower those fighting the deadly grasp of drug addiction.

    THE HAND THAT FEEDS:  DIRS Rachel Lears, Robin Blotnick.  USA.  This inspiring film focuses on a group of employees at a popular New York City eatery, many of whom are undocumented and vulnerable to being exploited.  When they stand up to management to fight for better wages and working conditions, they learn how to empower themselves and emerge as leaders.

    HAPPY VALLEY:  DIR Amir Bar-Lev.  USA.  During the Penn State scandal, the media focused on the accused and the university.  They missed the private tragedies – the community questioning its perceived identity, the Paternos watching their reputation slide and Jerry Sandusky’s adopted son losing his family.  Bridging the public and private dramas, HAPPY VALLEY reexamines the scandal and its aftermath.

    HEAVEN ADORES YOU:  DIR Nickolas Rossi.  USA.  When singer/songwriter Elliott Smith died in 2003, it devastated the indie rock community.  Smith, best known for the Academy Award®-nominated song, “Miss Misery,” was a trailblazer for Portland’s indie scene in the ’90s.  Through interviews with friends and archival footage, Nickolas Rossi’s film proves a heartfelt tribute to Smith’s legacy and music.  East Coast Premiere.

    THE HOMESTRETCH:  DIRS Anne de Mare, Kirsten Kelly.  USA.  High school can be tough under any circumstances, but what if there is the added burden of having no consistent place to call home?  This powerful film follows three homeless teens – Kasey, Anthony and Roque –  as they share their struggles and victories while navigating their way through the Chicago Public School system.  U.S. Premiere. Catalyst Screening.

    HOW I GOT OVER:  DIR Nicole Boxer.  USA.  Fifteen formerly homeless women in the Washington, DC, area come together to share their harrowing life stories, bravely setting out on the path to addiction recovery.  Collaborating on an original play that they will perform at the Kennedy Center, these strong and courageous women tap into artistic talents they never knew they had.  World Premiere.

    I AM BIG BIRD: THE CAROLL SPINNEY STORY:  DIRS Chad Walker, Dave LaMattina.  USA.  Big Bird has been an iconic and beloved figure to all since SESAME STREET first aired in 1969.  But who is the man in the Big Bird suit?  This delightful film tells the story of Caroll Spinney, the amiable Muppeteer who has filled Big Bird’s huge orange feet for over 40 years.  U.S. Premiere.

    THE INTERNET’S OWN BOY:  DIR Brian Knappenberger.  USA.  At 13, Aaron Swartz co-authored the Web’s RSS format.  His passion to liberate information ended tragically when a disconsolate Swartz killed himself at 26 while facing federal charges regarding his attempt to replicate a proprietary database.  Swartz’s inspiring life saga celebrates extraordinary accomplishment and laments the stinging absence of an unswerving visionary.  East Coast Premiere.  Catalyst Screening.

    IVORY TOWER:  DIR Andrew Rossi.  USA.  Over the past 30 years, the cost of higher education has increased at an alarming rate along with the mounting burden of student loan debt needed to fund a traditional college experience.  Filmmaker Andrew Rossi (PAGE ONE:  INSIDE THE NEW YORK TIMES) probes the future of higher education and investigates alternatives to the traditional four-year university.  Catalyst Screening.

    KEEP ON KEEPIN’ ON:  DIR Alan Hicks.  USA.  Jazz trumpet legend Clark Terry has performed with such greats as Count Basie and Duke Ellington and acted as mentor to Miles Davis and Quincy Jones.  When he meets blind piano prodigy Justin Kauflin, Terry works with him to pass on some of his musical gift and help Kauflin find his own voice.

    LAST DAYS IN VIETNAM:  DIR Rory Kennedy.  USA.  As the war in Vietnam draws to its inevitable close, the North Vietnamese army swiftly rolls toward Saigon.  At the city’s U.S. Embassy, a small but dedicated crew of Americans must make some hard decisions in its attempts to protect the South Vietnamese allies it has been told to leave behind.

    MISCONCEPTION:  DIR Jessica Yu.  USA.  From Academy Award®-winning filmmaker Jessica Yu (BREATHING LESSON:  THE LIFE AND WORK OF MARK O’BRIEN) comes this intriguing look at the attitudes surrounding population growth in different areas of the world.  Tied together by the fascinating observations of statistics expert Hans Rosling, the film follows three individuals who have a personal stake in population growth within their homelands.

    MUDBLOODS:  DIR Farzad Sangari.  USA.  In the whimsical world of her wildly successful Harry Potter books, author J. K. Rowling invented the thrilling – but imaginary – sport of Quidditch.  With Potter fans reaching adulthood, Quidditch has turned into a real sport that has taken college campuses by storm thanks to some creative minds and entrepreneurial spirit.  World Premiere.

    THE NEWBURGH STING:  DIRS Kate Davis, David Heilbroner.  USA.  In 2009, the FBI uncovered a Muslim terror cell plotting to attack a synagogue and U.S. military aircraft.  Closer analysis, including FBI hidden-camera footage, raises substantive doubts:  Were these four men tenacious terrorists or merely hapless targets of entrapment caught up in a post-9/11 hunt for “red meat” to mollify a traumatized nation?  Catalyst Screening.

    THE OVERNIGHTERS:  DIR Jesse Moss.  USA.  Each day busloads of men arrive in the towns of North Dakota in search of jobs.  They find scarce housing, employment hassles and a hostile citizenry.  Trying to practice the compassion he preaches, Jay Reinke uses his church as a home for these men while his parishioners and neighbors grow frustrated with him.

    POINT AND SHOOT:  DIR Marshall Curry.  USA.  Matthew VanDyke, a young man from the suburbs of Baltimore, dreamed about a life of adventure that seemed outside his grasp.  When VanDyke decided to turn his fantasies into reality, he soon found his life heading toward a winding path that led to the front lines of the 2011 Libyan Revolution.

    THE POSSIBILITIES ARE ENDLESS:  DIRS Edward Lovelace, James Hall.  UK.  In 2005, gifted Scottish musician Edwyn Collins suffered two devastating cerebral hemorrhages that left him with large gaps in his memory and trouble with the most basic language.  This inventive film artfully puts the viewer inside Collins’ experience as he fights back from the brink of death.  East Coast Premiere.

    THE SEARCH FOR GENERAL TSO:  DIR Ian Cheney.  USA.  One of the most popular dishes in Chinese restaurants in America is the deep fried, slightly spicy dish known as General Tso’s chicken. But who exactly is General Tso, and why is this menu item named after him?  Filmmaker Ian Cheney (THE CITY DARK) takes us on a mouth-watering journey to the root of this amusing mystery.

    SILENCED:  DIR James Spione.  USA.  The term “whistleblower” is usually attached to controversy, and those who expose misconduct within an organization often stand to lose everything.  This film looks at the post-9/11 crackdown on those who attempt to lift the veil on U.S. national security practices and the devastating costs that come with telling the truth.

    SLAYING THE BADGER:  DIR John Dower.  USA.  Greg LeMond was the first American to win the prestigious Tour de France.  This engaging story looks back at the 1986 Tour in which LeMond went neck and neck with teammate, mentor and fierce competitor Bernard Hinault –  nicknamed “The Badger” – whose promise to help LeMond win was abandoned in the heat of competition.

    SLINGSHOT:  DIR Paul Lazarus.  USA.   Dean Kamen invented the Segway and lives in a house with secret passages and a heliport.  His latest passion is the SlingShot water purification system created to obliterate half of human illness.  Kamen reminisces about accepting dyslexia, foregoing parenthood and losing his brother to cancer, while lamenting he has only one lifetime for inventing.

    SOFT VENGEANCE: ALBIE SACHS AND THE NEW SOUTH AFRICA:  DIR Abby Ginzberg.  USA/ South Africa.  In 1955, the People’s Congress declared, “South Africa belongs to all who live in it.” SOFT VENGEANCE focuses on Albie Sachs, a leading member of the National Conference in South Africa who was forced into exile for many years.  The film recounts Sachs’ story through personal interviews and historical footage.

    THE SPECIAL NEED:  DIR Carlo Zoratti.  Italy/Germany.  Enea is in his late twenties and longs to experience the pleasures of a sexual relationship.  However, the challenges of autism make finding the right mate difficult.  In this sensitive and charming film, Enea enlists the help of his two closest friends and embarks on a road trip to seek help from sex workers.  East Coast Premiere.

    THE SUPREME PRICE:  DIR Joanna Lipper.  USA/Nigeria.  In 1993, Nigeria elected MKO Abiola as president, ending the reign of military leadership.  Shortly after the presidential election, Abiola was imprisoned and his wife, Kudirat, became the leader of the Nigerian pro-democracy movement.  THE SUPREME PRICE weaves the past and the present of the Abiola family through the eyes of their daughter, Hafsat Abiola.

    UKRAINE IS NOT A BROTHEL:  DIR Kitty Green.  Australia/Ukraine.  Ukraine’s feminist group FEMEN creates quite a stir when the women demonstrate topless across European borders to protest against the patriarchal regime in their native country.  As the protests gain international attention, however, questions grow as to who is the real driving force behind these outspoken women and their campaign for change.

    VIRUNGA:  DIR Orlando von Einsiedel.  USA.  In the DRC exists Africa’s oldest national park containing the last natural habitat for endangered mountain gorillas.  As civil unrest grows within the Congo, a British oil company pursues efforts to drill within the park.  VIRUNGA highlights the small number of dedicated individuals fighting to secure the park’s borders.

    WE ARE THE GIANT:  DIR Greg Barker.  USA/UK.  The recent Arab Spring uprisings were often organized by young people who embraced the tools of social media to communicate and call for lasting change within their governments.  This powerful and inspiring film talks to some of these young activists to discover what drives them forward despite great personal risk.  East Coast Premiere.

    WHEN THE GARDEN WAS EDEN:  DIR Michael Rapaport.  USA.   The time was the late 1960s and the “Garden” was Madison Square Garden in this fond look back at the New York Knicks basketball team, which meant little to New Yorkers at the time.  But with new coaching and a band of talented players with personality, the team turned the sport around for the city.

    WHITEY: UNITED STATES V. JAMES J. BULGER:  DIR Joe Berlinger.  USA.  For decades, legendary gangster James “Whitey” Bulger ruled South Boston with seemingly free reign.  After spending 16 years in hiding, however, Bulger is finally put on trial to answer for his crimes.  AFI DOCS 2012 Guggenheim honoree and acclaimed filmmaker Joe Berlinger (PARADISE LOST Trilogy) sheds new light on Bulger’s notorious history amid allegations of deep corruption within law enforcement.

    SHORT FILM SELECTIONS:

    21 DAYS:  DIR Damian Kocur.  Poland.  When a shy, young bus driver becomes desperate to find his soul mate, he takes a 21-day seminar on how to successfully interact with women and applies himself with vigor to his training.  But will he acquire the skills and confidence he needs to win the woman of his dreams?

    A PARADISE:  DIR Jayisha Patel.  UK/Cuba.  Director Jayisha Patel (ADENTRO) travels to Granma, Cuba, where she encounters a family mourning the loss of their 12-year-old son.  This young boy, like many others in this small village, committed suicide.  A PARADISE follows several families as they grieve for their loved ones and ponder who is at fault in these tragic deaths.

    A PLACE CALLED PLUTO:  DIR Steve James.  USA.  Acclaimed director Steve James (HOOP DREAMS) looks at one family’s journey facing Alzheimer’s disease in this lovely, personal film.  When a lifelong newspaper reporter is diagnosed with early onset Alzheimer’s, he decides to face its challenges head on, armed with the strength of his family’s support and his skills as a journalist.

    AMANDA F***ING PALMER ON THE ROCKS:  DIR Ondi Timoner.  USA.  Punk cabaret icon and former Dresden Doll co-founder Amanda Palmer is a woman who knows how to make an impact.  As she prepares to perform at the famed Red Rocks Amphitheater in Colorado, the fearless Palmer opens up about her life, career and dedication to thinking outside the box.

    BEYOND RECOGNITION:  DIR Sam Thonis.  USA.  After a brutal attack left her with devastating chemical burns all over her body, a woman undergoes a highly experimental face transplant. Receiving the visage of an anonymous donor whose life was cut short, she has a profound experience when she meets the daughter of the woman who gave her a second chance at life.

    CHERRY POP: THE STORY OF THE WORLD’S FANCIEST CAT:  DIR Kareem Tabsch.  USA.  Cherry Pop was no ordinary cat.  Beloved by her wealthy socialite owners, she lived life in the lap of luxury.  Her taste for filet mignon and the comfort of Rolls-Royces made Cherry Pop a celebrity before her death in 1995.  This delightful story will tickle your funny bone and touch your heart.

    THE CHILEAN ELVIS:  DIR Marcelo Kiwi.  Chile.  Marcelo Rossi has spent the better part of his life being an Elvis Presley impersonator in Chile, and at 78 years old, he shows no signs of slowing down.  This charming film shines a spotlight on one man dedicated to keeping the King’s spirit alive in Chile for as long as possible.

    FAST ICE: RESCUE FROM ANTARCTICA:  DIR Laurence Topham.  UK.  In a matter of only a few hours last Christmas Eve, 52 passengers on the MV Akademik Shokalskiy became trapped in a vast sea of “summertime” Antarctic ice.  As approaching icebergs threatened, first one and then a second rescue ship failed to reach the stricken vessel, leaving one option – evacuation by helicopter.

    FONT MEN:  DIRS Dress Code.  USA.  Go behind the scenes with two typeface geniuses and former business competitors who have joined forces to take the world of fonts by storm.  Quirky and brilliant, there is far more to the art of font design than meets the eye.  You will never look at Times New Roman the same way again!

    FOUNDRY:  DIR Oliver Cheetham.  UK.  A small, family-run foundry in Normandy accepts its biggest project ever:  replacing 36 tons of hand-cast bells that hang in the tower of Paris’ Notre Dame Cathedral.  Ancient materials, including horse dung and goat hair, are blended with modern technology to accomplish this endeavor with great pride and master craftsmanship.

    THE HOME TEAM:  DIR Joshua Seftel.  USA.  Heart is the X-factor that propels the Murray State Racers basketball team to successfully compete against its rivals.  Spending a few minutes with these players and fans in their bucolic town will make you reconsider what it means to be a college athlete and discover the true meaning of “team.”  

    JOANNA:  DIR Aneta Kopacz.  Poland.  Joanna is a young woman living in Poland with her husband and adolescent son.  She has three months to live, having been diagnosed with an untreatable form of cancer.  Now she must prepare her family for life without her as her time draws to a close.

    THE LION’S MOUTH OPENS:  DIR Lucy Walker.  USA.  With the support of her friends and family, a young woman waits to find out if she carries the gene for Huntington’s disease, an inherited disorder that causes the progressive breakdown of nerve cells in the brain.  This emotional and deeply personal film from Academy Award®-nominated filmmaker Lucy Walker (WASTE LAND) resonates with warmth and sensitivity.

    LOUIS THE FERRIS WHEEL KID:  DIR Tara Fallaux.  Netherlands.  Louis has only known the carnival life.  He and his family travel across Europe from fairground to fairground with their Ferris wheel. When he is older, Louis must move away from his family and attend high school.  This moving short examines a unique family unit and the undeniable love between two brothers.

    MI HUA GAO (OR THE CHINESE RICE KRISPIES SQUARE):  DIR Xavier-Justin Nagy.  USA.   On a busy street in the small town of Gaogiao, China, cars, pedestrians and mopeds rush past as a humble man cooks on the side of the road.  What could his delicious concoction be?  It is none other than a traditional Rice Krispies square.  Watch as he prepares and crafts this tasty treat!

    OF MANY:  DIR Linda G. Mills.  USA.  Directed by Linda G. Mills (AUF WIEDERSEHEN:  ‘TIL WE MEET AGAIN) and executive produced by Chelsea Clinton, OF MANY examines the remarkable friendship between a rabbi and an imam who seek to create more unity among young people of different religious backgrounds.  Their relationship is an inspiring example of the transformative power of understanding.

    OUR CURSE:  DIR Tomasz Sliwinski.  Poland.  Brutal yet hopeful, OUR CURSE captures the day-to-day process of taking care of a newborn with a critical illness.  In their testimonials, the director and his wife talk through the various future challenges that run through a parent’s mind under these circumstances, and build each other’s strength to face them head on.

    THE PHOTO MAN:  DIR Ben Kitnick.  USA.  Strewn throughout the bins that fill Mark Kologi’s stand in a Southern California market are found pictures for sale of strangers on vacation, posing for family photographs and caught in candid moments.  These glances into their lives make for a fertile form of people-watching across the decades.

    RONALD:  DIR John Dower.  UK.  Joe Maggard has been many things in his career:  deputy sheriff, actor and official Ronald McDonald mascot for the famed McDonald’s hamburger chain.  Join Maggard as he dons his iconic clown suit, visits a local carnival and waxes philosophic on everything from the nature of luck to the childhood obesity epidemic.

    SATI:  DIR Bartlomiej Swiderski.  Poland.  Through candid, emotionally raw interviews with Olga, the widow of mountaineer Piotr Morawski shortly after his fatal climbing accident, SATI documents devastating grief, but also the complicated emotions of anger at his recklessness, relief that her fear for Piotr is finished and anticipation of the possibilities of a future previously unplanned.

    THE SECRET WORLD OF FOLEY:  DIR Daniel Jewel.  UK.  Behind every movie lies the soundtrack.  Foley artists bring that soundtrack to life, recording sound effects in time with the picture.  Go backstage as two highly skilled Foley artists re-create life in a small fishing village for the big screen.  You will never listen to movies the same way again.

    SHOWFOLK:  DIR Ned McNeilage.  USA.  The Motion Picture & Television Fund retirement community in Los Angeles is no ordinary place.  Dedicated exclusively to retirees from the entertainment industry, this special community full of colorful show business veterans is cheerfully devoted to the old adage, “The show must go on!”

    THE VISIT:  DIR Matej Bobrik.  Poland.  In a lush Polish forest stands a nursing home.  Each week, the residents wait for Sunday, which is the only day when they are allowed visits from family, friends and loved ones.  We quietly observe the residents preparing themselves for these anticipated arrivals, only to watch the hours pass by in lonely anticipation.

    WHAT’S AN EPI?:  DIR Shelly Ortiz.  USA.  Eighteen-year-old Shelly Ortiz was one of 16 young filmmakers chosen to be recognized in the first-ever White House Student Film Festival held in 2014.  In this eloquent short, Ortiz turns the camera on her father, Epi Ortiz, who shares the emotional story of his unstable upbringing in Brooklyn.  Having lived through the pain of having a mother with substance abuse problems, Ortiz learns to break the cycle and start healing the wounds of abandonment.

    WILD BOAR:  DIR Willem Baptist.  Netherlands.  A village in the Netherlands finds itself inundated by a steady stream of wild boars, leaving several of the village’s inhabitants to find their own unique ways to deal with the problem.  Director Willem Baptist’s (I’M NEVER AFRAID!) film is an otherworldly and poetic look at the classic conflict of Man vs. Nature.

    THE WORLD OF ADRIEN:  DIR Katerine Giguère.  Canada.  Adrien is a precocious young boy with impressive artistic talent and creativity.  Over the course of several years, we watch the delightful child explore his colorful world as Adrien considers what he may want to do with his life when he grows up.

    YOU WON’T REGRET THAT TATTOO:  DIR Angie Bird.  Canada.  It’s an ancient art form, yet recently a social stigma surrounding tattoos has developed.  Many associate body art with delinquent or roughneck behavior, but each tattoo has its own tale.  This film elegantly profiles people of varying ages as they mesmerize us with the fascinating, sometimes heartbreaking stories behind their ink.

     

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  • Sundance NEXT FEST Summer Festival to Run August 7-10 in Los Angeles

    Theatre at the Ace Hotel Theatre at the Ace Hotel

     Sundance Institute will present the Sundance NEXT FEST summer festival August 7-10 in Los Angeles, headquartered at the Theatre at the Ace Hotel and offering feature and short film screenings, some paired with live music performances and all celebrating the renegade spirit of independent artists. The event is an extension of the popular NEXT <=> section at the Sundance Film Festival in Park City, Utah, which showcases stylistically adventurous and bold films, and builds on the Institute’s NEXT WEEKEND event, hosted in 2013. The Sundance Film Festival programming staff will select films and music acts for NEXT FEST. 

    For the festival’s kickoff event on August 7, a cult classic film supported by Sundance Institute will screen at Cinespia at the Hollywood Forever Cemetery. A similar event for last year’s NEXT WEEKEND featured a double-bill screening of Chris Smith’s iconic documentary American Movie and the horror film it chronicled the making of, Mark Borchardt’s Coven.

    Films that have premiered in the NEXT <=> section at the Sundance Film Festival, launched in 2010, include Bellflower (Director and screenwriter: Evan Glodell), Blue Caprice (Director: Alexandre Moors, Screenwriters: R. F. I. Porto, Alexandre Moors), Compliance (Director and screenwriter: Craig Zobel), Sleepwalk With Me (Director: Mike Birbiglia, Screenwriters: Mike Birbiglia, Ira Glass, Joe Birbiglia, Seth Barrish) and sound of my voice (Director: Zal Batmanglij; Screenwriters: Zal Batmanglij and Brit Marling).

    Robert Redford, President & Founder of Sundance Institute, said, “Independent artists working in film and music have a profound impact on our culture, but there are few opportunities to enjoy them side by side. NEXT FEST will break down those barriers and explore what these artists and audiences have in common – an appreciation for exceptional creative vision.”

    The Theatre at Ace Hotel is a delicate restoration of the 1,600-seat United Artists Theater, built in the 1920s for the Maverick Film Studio founded by Mary Pickford, Douglas Fairbanks, D.W Griffith and Charles Chaplin. Designed by C. Howard Crane, the Theatre is a shrine to the arts, with a three-story, 2,300-square-foot grand lobby, an ornate open balcony and mezzanine, vaulted ceiling and richly colored murals depicting the legends of film’s Golden Age, immortalized in mythic attire.

    Keri Putnam, Executive Director of Sundance Institute, said, “The Theatre at Ace Hotel in the former home of the Historic United Artists Theatre will be a fitting home for our NEXT FEST. This beautiful Los Angeles gem was built as a maverick film studio and stands as a monument to independent artists who forged their own path. A similar spirit will be visible in the films and music acts at NEXT FEST.”

    John Cooper, Director of the Sundance Film Festival, said, “At its core, NEXT FEST is about celebrating artists who push creative boundaries. This unique program presents an opportunity for audiences in Los Angeles to explore the outer edges and intersections of film and music.”

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  • 35th Durban International Film Festival to Run July 17 – 27, 2014

    I AfrikanerI Afrikaner

    South Africa’s largest and longest-running film festival, the Durban International Film Festival, hosted by the University of KwaZulu-Natal’s Centre for Creative Arts, (a special project of the Deputy Vice Chancellor, College of Humanities, Prof Cheryl Potgieter) presents its 35th edition from 17 to 27 July 2014. This year, the ten day celebration of world class cinema will see over 200 screenings of new films from South Africa, the continent and the world, with a number of world premiere screenings of local and international films.

    Industry initiatives include a program of seminars and workshops with notable industry figures from across the globe, the 7th Talents Durban, in cooperation with the Berlin Talents (which seeks to incubate African talent through master classes and networking opportunities), and the 5th Durban FilmMart coproduction market in partnership with the Durban Film Office, which is currently open for delegate registration.

    Black Coal Thin IceBlack Coal Thin Ice

    Thematically, this edition of DIFF will reflect on South Africa’s twenty years of democracy with a focus on film that explores the many diverse facets of the nation’s history over the past two decades. Other focus areas for this year include African cinema, British cinema, the Wildtalk Wildlife Film Festival, Wavescape Surf Film Festival and a program of cinema centered on architecture, in acknowledgement of the city of Durban’s hosting of the International Union of Architects Congress 2014. Among this year’s plentiful offerings, viewers will get the chance to watch Khalo Matabane’s Nelson Mandela:  The Myth and Me, Richard Linklater’s Boyhood, Mickey Dube’s One Humanity, Annalet Steenkamp’s I, Afrikaner, Carey Mackenzie’s Cold Harbour, Diao Yinan’s Black Coal, Thin Ice and Jane Pollard and Iain Forsyth’s 20 000 Days on Earth, to name just a few. 

    While DIFF will returns once more to light up screens in numerous venues across the city with a program of fresh and exciting global cinema, the festival is delighted to announce that the festival hub, which houses both screenings and industry events, will now be located at the new, lavishly renovated Tsogo Sun hotel on Durban beachfront’s Golden Mile. 

    20,000 Days on Earth20,000 Days on Earth

    Mike Jackson, Director of Operations for Tsogo Sun KZN said, “Tsogo Sun, the leading hotels, gaming and entertainment company in South Africa, is proud to be associated with the forthcoming Durban International Film Festival (DIFF) and the Durban Film Mart (DFM). This is the first time that Tsogo Sun has been appointed the official event and accommodation partner for this prestigious event and we are proud that our mega-complex – Southern Sun Elangeni & Maharani – is the chosen venue. We see this as a fantastic opportunity to showcase Durban to national and international film producers, buyers, sales agents, broadcasters and film financiers, with great networking opportunities for local talent. We look forward to welcoming both national and international visitors to our Province to enjoy the warm hospitality at our hotels.”

    Festival manager, Peter Machen, is looking forward to the move, which is, according to him, “both strategic and practical. Both the festival and market have grown tremendously over the years and we needed to consider a venue that could accommodate the size of our current set of programs, as well as allow for growth in line with future plans”.

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  • “History of Fear” “The Overnighters” and “The Last Season” Take Top Feature Prizes at San Francisco International Film Festival

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    History of FearHistory of Fear

    The 57th San Francisco International Film Festival, earlier this month, announced the winners of the juried Golden Gate Award and New Directors Prize competitions. This year the Festival awarded nearly $40,000 in prizes to emerging and established filmmakers from 13 countries around the globe. For more than 50 years, SFIFF’s Golden Gate Awards have honored deserving films independent of commercial concerns, heralding unsung excellence and exposing local and international audiences to unique and innovative works. 

    The New Directors jury was composed of Filmmaker Magazine Editor-in-Chief Scott Macaulay, Fandor cofounder Jonathan Marlow and writer Ella Taylor.

    New Directors Prize: History of Fear, Benjamín Naishtat (Argentina/France/Germany/ Qatar/Uruguay)
      —  Winner receives $10,000 cash prize 

    In a statement, the jury noted: “From an unusually strong slate of first films, the jury chose History of Fear, a slyly assured reflection on suburban paranoia from Argentine director Benjamín Naishtat. There may or may not be a predatory invasion (or two, or three) of a wealthy Buenos Aires enclave. But the movie’s subject, rendered with one eyebrow subtly cocked, is the rising panic of its residents, an indiscreetly charmless bourgeoisie crippled by nameless terrors. Goosing both his characters and his audience with intimations of horror, Naishtat makes expert use of the implicit with a wit and visual flair unusual in a novice filmmaker.”

    Special Jury Recognition: White Shadow, Noaz Deshe (Italy/Germany/Tanzania), The Amazing Catfish, Claudia Sainte-Luce (Mexico)

    “Special mention also goes to Israeli director Noaz Deshe’s White Shadow, a viscerally stylish neo-noir about the victimization of albinos in an African country ruled by superstition; and to The Amazing Catfish, a warm and exhilaratingly unpredictable dramedy from Mexican filmmaker Claudia Sainte-Luce about the impact of a mysterious stranger on a family struggling with imminent tragedy.”

    The Golden Gate Award Documentary feature competition jury was comprised of filmmaker Rob Epstein, journalist Nathan Heller, and Film Society of Lincoln Center Co-Executive Director Lesli Klainberg.

    Golden Gate Award Documentary Feature Winners

    The OvernightersThe Overnighters

    Documentary Feature: The Overnighters, Jesse Moss (USA)
      —  Winner receives $10,000 cash prize

    The jury noted in a statement: “Jesse Moss’ The Overnighters, which follows a pastor’s efforts to house job-seekers in an insular North Dakota town, is exceptional as an exercise of narrative craft, as a feat of immersion journalism, and as an intimate portrait of one man’s struggles. In driving to the heart of local discontent, the documentary is admirably fair-minded, yet it is Moss’ alertness as a filmmaker that lets him stay close to the story as its subjects take unexpected, sometimes shocking, turns. The result illuminates a messy confluence of American interests: faith, altruism, family, opportunity, and the search for honest self-expression.”

    The Last SeasonThe Last Season

    Bay Area Documentary Feature: The Last Season, Sara Dosa (USA)
      —  Winner receives $5,000 cash prize

    The jury noted: “The Last Season, a remarkable documentary about rare-mushroom hunting in the Oregon woods, sweeps away the topsoil of the Pacific landscape to reveal the multilayered social legacy of distant wars. Along the way, it unearths affinities and affections that challenge common ideas about family. With integrity of craft, first-time director Sara Dosa here claims the high standard of Bay Area documentary filmmaking for a new generation.”

    Special jury recognition: Return to Homs, Talal Derki (Syria/Germany)

    The jury noted: “Turning the stuff of headlines into intimate personal history, Talal Derki’s Return to Homs uses extraordinary access — footage from young rebels’ private meetings and urban battles — as a window onto the Syrian conflict. The film’s light-footed coverage captures the spirit of an uprising driven by mobile technology, while its emotional immediacy brings to life one rebel’s slow progression from peaceful protester to violent revolutionary. This is the rare film valuable both as a revelatory news document and as a moving story out of time: a private narrative that maps the broader course of conflict and idealism in the region.”

    The Golden Gate Award Short Film jury consisted of journalist Jonathan Kiefer, author Vendela Vida and filmmaker Diana Williams.

    Golden Gate Award Short Film Winners

    Narrative Short (tie): The Birds’ Blessing, Serge Mirzabekiantz, (Belgium)
    So You’ve Grown Attached, Kate Tsang (USA)
      — Winners each receive $1,000 cash prize 

    Documentary Short: The High Five, Michael Jacobs (USA)
      — Winner receives $2,000 cash prize

    Animated Short: The Missing Scarf, Eion Duffy (Ireland)
      — Winner receives $2,000 cash prize

    Bay Area Short (tie): Santa Cruz del Islote, Luke Lorentzen (USA)
    No One but Lydia, Rob Richert (USA)
      — Winners each receive $1,250 cash prize

    New Visions Short: Numbers & Friends, Alexander Carson (Canada)
      — Winner receives $1,500 cash prize

    The Family Film jury was teacher Donna Lee, writer Nicki Richesin and artist Jeena Wolfe.

    Family Film: The Dam Keeper, Robert Kondo, Dice Tsutsumi (USA)
      —  Winner receives $500 cash prize
    Family Film Honorable Mention: The Numberlys, WIlliam Joyce, Brandon Oldenburg (USA)

    The Youth Works jury was Davis Avila, Sophie Edelhart and Julia Pollak, all local high school students.

    Youth Work: Epitaph, Charles Blecker (USA)
      —  Winner receives $500 cash prize
    Youth Work Honorable Mention: Bay Area Girls Rock Camp, Lily Yu, Judy Lee, Jeremiah Mellor (USA)

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