• Oscilloscope Laboratories to Release Offbeat Comedy, BUZZARD that Premiered at SXSW

     Joel Potrykus’ audacious, offbeat comedy, BUZZARD

    Oscilloscope Laboratories announced that it has acquired all North American rights to Joel Potrykus’ audacious, offbeat comedy, BUZZARD. The film had its World Premiere on Saturday at South by Southwest; it will then immediately go to NYC’s prestigious New Directors/New Films Festival at Lincoln Center. O-Scope plans further festival play followed by a theatrical release later this year.

    BUZZARD follows a small-time scam artist named Marty, a caustic young man who makes ends meet by drifting from one small con to the next. When paranoia forces him out of a lousy temp job, he gets thrust on a journey that—after a brief stopover in his loser co-worker’s basement—ultimately brings him to Detroit with nothing but a pocket full of bogus checks, a not-so-subtlety-modified Nintendo® Power Glove, and a bad temper. It’s like Albert Camus meets Freddy Krueger.

    About the acquisition, O-scope’s Dan Berger and David Laub said, “BUZZARD is an incredible discovery – a contemporary and sophisticated look at the struggles bred from our capitalist society, told in a completely original, bitingly funny way. It also features the sexiest spaghetti-eating scene since Lady and the Tramp.”

    Filmmaker Joel Potrykus said, “We’re all psyched to have Oscilloscope releasing our crazy movie. They get it. We’re out to slash the face of corporate America, one screen at a time. And we’re just looking for justice and a big bag of Doritos®.”

    Potrykus won the Best Emerging Director and Best First Feature awards at the 2012 Locarno Film Festival for his previous film, APE. BUZZARD was produced by Michael Saunders, Ashley Young, Kevin Clancy, and Tim Saunders and represented by BGP Films’ Bill Straus.

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  • RiverRun International Film Festival is Now Qualifying Festival for Oscars in the Documentary Short Subject Award; Announces Opening Films for 2014 Festival

    LE CHEF, directed by Daniel CohenLE CHEF, directed by Daniel Cohen

    Good news for RiverRun Film Festival.  The festival announced that it has been accepted as a qualifying festival for the Oscars® in the Documentary Short Subject award category. Beginning with this year’s Festival, recipients of RiverRun’s Jury Award for Best Documentary Short will qualify for consideration in the Documentary Short Subject category of the annual Academy Awards®.  The Festival also announced it’s two opening night fllms and closing night film for the 2014 festival.  The first opening night film, LE CHEF, is an uproarious comedy in which a famous veteran chef faces off against his restaurant’s new CEO. The second opening night film is TO BE TAKEI, a documentary about 76 year-old George Takei, who has become more popular than his Sulu days on “Star Trek” through his active social media presence in the movements for marriage equality and for reparations for the victims of Japanese internment camps.  The Festival will close on April 13 with BICYCLING WITH MOLIÈRE, in which a retired actor Serge (Fabrice Luchini) is approached by Gauthier to star in a revival of Molière’s The Misanthrope, but he plays hard to get.

    In the uproarious comedy, LE CHEF, a famous veteran chef (Jean Reno) faces off against his restaurant’s new CEO, who wants the establishment to lose a star from its rating in order to bring in a younger chef who specializes in molecular gastronomy.  

    http://youtu.be/cf2Nk3Ld8Og

     TO BE TAKEI. Over seven decades, actor and activist George Takei boldly journeyed from a WWII internment camp to the helm of the starship Enterprise to the daily news feeds of five million Facebook fans.  Join George and his husband Brad on this star’s playful and profound trek for life, liberty and love. 

    http://youtu.be/yZpN8KLM0S4

    BICYCLING WITH MOLIERE. Retired actor Serge (Fabrice Luchini) is approached by Gauthier to star in a revival of Molière’s The Misanthrope, but he plays hard to get. Serge’s new lover, the play’s producer and his agent arrive on the same weekend to pressure him to make up his mind.

    http://youtu.be/rlJgzcEzYT4

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  • HORSES OF GOD, Morocco’s Foreign-Language Oscar Entry to Be Released in the U.S.

     HORSES OF GOD directed by Nabil Ayouch

    Nabil Ayouch’s HORSES OF GOD, Morocco’s Submission for the 2014 Academy Award Nomination for Best Foreign Language Film, will be released in the U.S. by Kino Lorber, with a planned release in May, 2014.  “HORSES OF GOD” had its World Premiere in’ Un Certain Regard at the 2013 Cannes Film Festival and went on to win multiple awards including Best Director at the Seattle International Film Festival.  The film, inspired by the terrorist attacks of May 16th, 2003 in Casablanca, follows two young men living in the slum of Sidi Moumen in Casablanca, caught up in Islamic fundamentalism and become martyrs.

    In HORSES OF GOD, 10-year-old Yachine lives with his family in the Sidi Moumen slum in Casablanca. His mother leads the family as best as she can. His father suffers from depression, one of his brothers is in the army, another is almost autistic and the third, Hamid (13), is the neighbourhood boss and Yachine’s protector.

    When Hamid is sent to jail, Yachine takes job after job, however hopeless, to try and lift himself up from the violence, misery and drugs that surround him. Released from prison, now an Islamic fundamentalist, Hamid persuades Yachine and his friends to join their “brothers”.

    The Imam – their spiritual leader – starts to direct their arduous physical and mental preparation. One day, he tells them they have been chosen to become martyrs.

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  • 2014 Dallas International Film Festival Unveils First 10 Films; Incl. World Premiere of BELIEVE ME, North American Premiere of FIRESTORM

    FIRESTORMFIRESTORM

    The 8th edition of the Dallas International Film Festival, taking place April 3 to 13, 2014 unveiled the first 10 films to screen at the festival.  “Approximately 150 films from all over the world will be screened during the 11-day Festival and selecting the first ten films is like completing the first mile in a marathon,” said James Faust, artistic director, Dallas Film Society. It’s exhilarating and exhausting selecting the best among the thousands of outstanding entries we receive and announcing the entire line-up is the moment I reach the finish line and the fun of the festival begins!”

    The first 10 films announced include:

    WORDS AND PICTURES (USA)
    DIRECTOR: Fred Schepisi
    CAST: Keegan Connor Tracy, Clive Owen, Juliette Binoche
    SYNOPSIS: An art instructor and an English teacher form a rivalry that ends up with a competition at their school in which students decide whether words or pictures are more important.

    JOE (USA)
    DIRECTOR: David Gordon Green
    CAST: Nicholas Cage, Tye Sheridan, Ronnie Gene Blevins
    SYNOPSIS: An ex-con, who is the unlikeliest of role models, meets a 15-year-old boy and is faced with the choice of redemption or ruin.

    HELLION (USA)
    DIRECTOR: Kat Candler
    CAST: Aaron Paul, Juliette Lewis, Josh Wiggins
    SYNOPSIS: When motocross and heavy metal obsessed, thirteen-year-old, Jacob’s increasing delinquent behavior forces CPS to place his little brother, Wes, with his aunt, Jacob and his emotionally absent father, Hollis, must finally take responsibility for their actions and for each other in order to bring Wes home.

    QUEENS & COWBOYS: A STRAIGHT YEAR ON THE GAY RODEO (USA)
    DIRECTOR: Matt Livadary
    SYNOPSIS: QUEENS & COWBOYS: A STRAIGHT YEAR ON THE GAY RODEO chronicles a complete season of the International Gay Rodeo Association. Roping and riding across North America for the past 30 years, the IGRA’s courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they’ll bust every stereotype in the book.

    RICH HILL (USA)
    DIRECTOR: Tracy Droz Tragos and Andrew Droz Palermo
    SYNOPSIS: RICH HILL intimately chronicles the turbulent lives of three boys living in an impoverished Midwestern town and the fragile family bonds that sustain them.

    ABOVE ALL ELSE (USA)
    DIRECTOR: John Feige
    SYNOPSIS: One man will risk it all to stop the tar sands of the Keystone XL oil pipeline from crossing his land. Shot in the forests, pastures, and living rooms of rural East Texas, ABOVE ALL ELSE follows David Daniel as he rallies neighbors and environmental activists to join him in a final act of brinkmanship: a tree-top blockade of the controversial pipeline. What begins as a stand against corporate bullying becomes a rallying cry for climate protesters nationwide.

    IDA (Poland)
    DIRECTOR: Pawel Pawlikowski
    SYNOPSIS: Anna, a young novitiate nun in 1960s Poland, is on the verge of taking her vows when she discovers a dark family secret dating back to the years of the Nazi occupation.

    FIRESTORM (NORTH AMERICAN PREMIERE) (China/Hong Kong)
    DIRECTOR: Alan Yuen
    CAST: Andy Lau
    SYNOPSIS: A storm is heading to the city of Hong Kong, and with it comes another occurrence so destructive, it vows to bring down everything it touches. A crew of seasoned criminals led by the notorious Nam (Hu Jun), armed with high-powered weapons, pulls off another smooth and violent armored car heist in broad daylight in a crowded street. Whoever tries to get in their way, they will show no mercy. This puts the police force to shame and humiliation.

    BELIEVE ME (WORLD PREMIERE) (USA)
    DIRECTOR: Will Bakke
    CAST: Nick Offerman, Johanna Braddy, Christopher McDonald
    SYNOPSIS: Desperate, broke, and out of ideas, four college seniors start a fake Christian charity to embezzle money for tuition

    PARIS, TEXAS (1984) 30th Anniversary Screening reuniting cast and crew at the Historic Texas Theatre. (West Germany/USA/France/UK)
    DIRECTOR: Wim Wenders  
    CAST: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell
    SYNOPSIS: A man wanders out of the desert after a four year absence. His brother finds him, and together they return to L.A. to reunite the man with his young son. Soon after, he and the boy set out to locate the mother of the child, who left shortly after the man disappeared.

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  • WHEN MY SORROW DIED Leads Winners of 2014 Byron Bay International Film Festival

    Byron Bay Film Festival Director, J’aimee Skippon-Volke (centre), Producer, Matt Huffman (left) and Master Thereminist Armen Ra of WHEN MY SORROW DIED: THE LEGEND OF ARMEN RA & THE THEREMIN. (right)

    This weekend, the 8th Byron Bay International Film Festival in Byron Bay, Australia, came to a close, and announced the awarding winning films and filmmakers. Opening Night’s film, WHEN MY SORROW DIED: THE LEGEND OF ARMEN RA & THE THEREMIN, took two of the most coveted awards, Best Film and Best Documentary. It’s subject, master theremin player Armen Ra, attending from Los Angeles said, “I was honestly really surprised and grateful and humbled to win these awards. This town has shown us so much love that it’s going to be very hard to leave; however, I will return!”

     “I think we won these awards because the people of Byron Bay resonated with the message we’re trying to get across in their own ways: embracing and celebrating individuality”.

    The 8th Byron Bay international Film Festival awards were announced as follows:

    BBFF Best Film: When My Sorrow Died: The Legend Of Armen Ra & The Theremin (USA), Director, Robert Nazar Arjoyan

    BBFF Best Dramatic Feature: The Deflowering Of Eva Van End (Netherlands), Director, Michiel ten Horn

    BBFF Best Documentary: When My Sorrow Died: The Legend Of Armen Ra & The Theremin (USA), Director, Robert Nazar Arjoyan

    Screenzone International Documentary Prize: Gore Vidal: The United States Of Amnesia (USA), Director Nicholas D. Wrathall

    BBFF Best Surf Film: OUT In The Line-up (Australia), Director Ian W. Thompson

    BBFF Young Australian Filmmaker Of The Year: Director former Tropfest Winner, Genevieve Clay-Smith for The Interviewer (Australia)

    The Echo Best Byron Film: Tied between 2 Degrees (Australia) Director Jeff Canin and Burra Jurra (Australia) Director Juliet Carrington.

    The Byron At Byron Best Environmental Film: Gasland Part II (USA),Oscar-nominated and Emmy-winning Director, Josh Fox.

    Fox Creek Wines Best Short Film: The Audition (USA), Director Michael Haussman

    BBFF Best Music Video: Tales Of Us by Goldfrapp (UK) Director Lisa Gunning

    BBFF Best Cinematography: God’s Got His Head In The Clouds (Italy),Director: Gianluca Sodaro

    BBFF Best Experimental Film: Leviathan Ages (UK), Director Jon Yeo

    Greenhouse FX Best Animation: Shave It (Argentina), Director Fernando Maldonado & Jorge Tereso

    BBFF Award for Outstanding Contribution to the Northern Rivers: IMAX pioneer, John Wylie

    On Saturday evening the festival officially wrapped with the Closing Red Carpet Gala Event for the world premiere of award-winning director, Cathy Henkel’s film, RISE OF THE ECO WARRIORS. The film is about an international group of young people chosen to take a 100-day challenge to save rain forests and orangutans in a region of Borneo devastated by palm oil production. It received a standing ovation.

    INXS’s Kirk Pengilly and World Champion Surfer Layne Beachley with Head Coach of the Burra Jurra surf charity Steve Foreman and friends at BBFF 2014, Saturday 8th March for the world premiere of Burra Jurra. Credit: Montana Wambach

    The festival also screened the world premiere of BURRA JURRA, attended by surfers Layne Beachley, Kirk Pengilly, Dave Rastovich, surf legend Brad Farmer.  BURRA JURRA is a documentary about a local surf charity changing the lives of local indigenous kids attended by of which Beachley is a patron and supporter.

    image 1: Byron Bay Film Festival Director, J’aimee Skippon-Volke (centre), Producer, Matt Huffman (left) and Master Thereminist Armen Ra of WHEN MY SORROW DIED: THE LEGEND OF ARMEN RA & THE THEREMIN. (right) arrive on the red carpet.

     Image 2: INXS’s Kirk Pengilly and World Champion Surfer Layne Beachley with Head Coach of the Burra Jurra surf charity Steve Foreman and friends at BBFF 2014, Saturday 8th March for the world premiere of BURRA JURRACredit: Montana Wambach

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  • RUNNING WILD: THE LIFE OF DAYTON O. HYDE to Screen at American Documentary Film Festival

     RUNNING WILD: THE LIFE OF DAYTON O. HYDE

    RUNNING WILD: THE LIFE OF DAYTON O. HYDE will screen at the American Documentary Film Festival in Palm Springs, California,  on March 28, 2014.  This cinematic adventure explores the compelling life of a modern day renaissance man and true hero to the earth. Hyde is an old style cowboy and steadfast conservationist who dedicated his life to protecting the wild horses, land, and water of the American West.  RUNNING WILD is a captivating story of determination and accomplishment, featuring wild mustangs running free on Hyde’s breathtaking 13,000-acre Black Hills Wild Horse Sanctuary in South Dakota, and scenes shot at his beautiful Yamsi Ranch in Oregon and boyhood lake house in Michigan. RUNNING WILD is directed by Emmy Award winner Suzanne Mitchell and is executive produced by two-time Academy Award winner Barbara Kopple. The film garnered awards for best documentary at several festivals where it received standing ovations, as audiences were awed and inspired by Hyde’s passion. 

    Suzanne Mitchell is thrilled to share her film with an audience from Palm Springs. The soundtrack was composed by Palm Springs native Steve Poltz, an award-winning singer-songwriter known for Jewel’s megahit hit “You Were Meant For Me.” Music critic Jon Kanis reports, “The soundtrack does what a great score is supposed to do: give the images and the words onscreen a deeper resonance. And in that marriage of image and sound, Running Wild is a complete bulls-eye.” 

    RUNNING WILD: THE LIFE OF DAYTON O. HYDE

    RUNNING WILD is a testament to perseverance and achievement despite challenges, and one’s responsibility to protect nature. At age 13, Hyde headed West and began a life journey to defend a fragile and changing natural world, a path that ultimately led him to South Dakota. Here, he successfully created one of the largest wild horse sanctuaries, giving freedom to thousands of mustangs rescued from the controversial BLM wild horse roundups and simultaneously saved an historic tract of land. Hyde’s storied past experience includes cowboy, WWII veteran, rodeo clown, champion to sandhill cranes, wolves and coyotes, Life Magazine photographer, award-winning author, and environmental educator and activist. RUNNING WILD shares rare footage of a Lakota Naming Ceremony, honoring Hyde as protector of sacred land. Hyde continues his efforts to preserve the environment in his fight against a proposed uranium mining project located near famed Mount Rushmore that has the potential to contaminate the ecosystem and deplete the aquifer that supports all life in the Black Hills, a gamble Hyde and his fellow opponents are not willing to take. At 88, Hyde says, “It’s going to be my last great battle, but I’m going to win this one.” 

    The American Documentary Film Festival opens on Thursday, March 27th and continues through Monday, March 31st. Running Wild is distributed by Screen Media Films. 

     

    via: americandocumentaryfilmfestival

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  • DISRUPTED to Kick Off 14th Annual aluCine Latin Film+Media Arts Festival in Toronto Canada

     DISRUPTED by Roberto FiescoDISRUPTED by Roberto Fiesco

    aluCine celebrates the launch of this year’s Hispanic Heritage Month with the 14th Annual aluCine Latin Film+Media Arts Festival, taking place in Toronto for 10 days, from from April 3 to12, 2014. Award-winning Mexican Director, Roberto Fiesco will kick off the festival with his critically acclaimed film, DISRUPTED, which has been celebrated at various international festivals including Raindance Film Festival (Best Documentary), Guadalajara International Film Festival (Best Film) and Internacional de Cine de San Sebastián (Sebastian Award).

    DISRUPTED, is the memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies, and Doña Lilia Ortega, his mother, an actress. Fernando came out as a transsexual some years ago, and now calls herself Coral Bonelli. They live together in Garibaldi yearning for their past in the movies, while Coral bravely comes to terms with her gender identity. They both still perform.

    The festival will also feature gallery installations, short and feature film programs, performances, artists’ talks, panel discussions and workshops. aluCine is a Latin, Canadian and International festival showcasing the world’s best in short film, video and media art with a strong focus on works made by Latino/a artists living in Canada and abroad.

    http://youtu.be/xHvh-E5XZJ0

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  • New Leadership at Film Society of Lincoln Center; Lesli Klainberg appointed Executive Director, Eugene Hernandez Deputy Director

    Film Society of Lincoln Center

    The Film Society of Lincoln Center announced the appointment of Lesli Klainberg as Executive Director and Eugene Hernandez as Deputy Director, a newly created post at the organization. Klainberg has been in place as the Film Society’s Interim Executive Director since December, and will now officially take the helm. Both will also assume the role of Co-Publisher for Film Comment magazine.

    Ann Tenenbaum, the Film Society of Lincoln Center’s Board Chairman said, “It is especially gratifying to us to select the Film Society’s new leadership team from within our own ranks. Lesli has a deep appreciation of our mission and we are confident that, together with Eugene, she will build on the success we have realized in recent years.”

    Lesli Klainberg was Managing Director of the Film Society for almost two years and produced the last three New York Film Festivals, prior to her appointment as Interim Executive Director in December. Before joining the Film Society, Lesli was the Executive Director of NewFest, New York’s LGBT Film Festival, and also worked as a Consulting Producer for the Sundance Institute’s Documentary Film Program and as the Producer of IFP’s Independent Film Week Forum. In 2009, she was named Co-Leader of IFP’s weeklong Documentary Finishing Lab, and held this post for three years. Klainberg is a Founding National Board member of GLAAD and a former Board member of both Outfest and NewFest.

    Klainberg is also an award-winning producer and director of independent documentaries through her production company, Orchard Films. Her film credits include the acclaimed Paul Monette: The Brink of Summer’s EndMiss AmericaIn the Company of WomenIndie Sex, and the 2013 PGA Award–nominatedA Place at the Table, as well as other documentaries for IFC, AMC, PBS, and A&E. 

    In his new role as Deputy Director, Eugene Hernandez will oversee all strategy and operations for the organization, including partner relations, community and industry initiatives, educational outreach, and overall administrative duties for year-round programs and theater operations. He will also work closely with the Film Comment team on expanding their digital platforms and content offerings.   

    Hernandez joined the organization in 2010 as the Director of Digital Strategy, where he oversaw numerous new initiatives, including the re-launch of the organization’s website, FilmLinc.com; the creation of the digital publication FilmLinc Daily; the management and growth of all social media platforms; and the introduction of integrating streaming video content for the organization. He also worked closely with Associate Director of Operations and Programmer for Convergence, Matt Bolish, on a year-round Convergence program, launched at the New York Film Festival, the new home for immersive media and transmedia in New York.

    Prior to joining the Film Society, Hernandez co-founded Indiewire in 1996. In his 12 years as Editor in Chief, he built the company into the leading online community and editorial publication for independent and international film. Winner of two Webby Awards for Best Film Website, Indiewire was lauded as a “must read” by Variety, branded the “online heartbeat of the world’s independent film community” by Forbes, and dubbed the “best indie crossroads” by Roger Ebert. SnagFilms acquired the company in 2008.

    Michael Gibbons, Manager of Digital Strategy, has been promoted and will step into the role of Director of Digital Platforms, to oversee the Film Society’s Web and mobile initiatives, with the continued mission to support the organizations programming, and to reach a broad and diverse audience. He will continue to evolve and enhance the experience on multiple screens and platforms, providing seamless access to content and programming through FilmLinc.com and FilmComment.com, and to develop long-term strategy for the future on existing and emerging digital platforms.

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  • FORGET ME NOT; An Intimate Chronicle of the Filmmaker’s Mother, and Her Battle With Alzheimer’s to Screen at 2014 American Documentary Film Festival

     FORGET ME NOT, David Sieveking

    When David Sieveking left home to study filmmaking, he left behind parents who were active, intelligent and involved. Several years later, on a visit home for Christmas, he noticed that his once spirited mother, Gretal, had become somewhat hesitant, and overly forgetful. Shortly after that came the diagnosis of Alzheimer’s disease – a particularly aggressive case that, over the next four years left Gretal unable to remember many things, unable to care for herself, and unable to be left alone. 

    FORGET ME NOT is Sieveking’s chronicle of his mother’s decline, and the impact of that decline on his father and himself. Director Sieveking’s attempts to help his mother remember things brings his parents’ larger history into focus; their lives in the heady days of 60s radicalism – their open marriage, the activism in which they were both involved, and the resultant investigation of them by the Swiss Secret Service.

    FORGET ME NOT is a beautiful, yet emotional film. It will make audiences cry, but not because of the tragedy of Gretal’s struggle with Alzheimer’s. Rather, because of its tribute to the great person that she was, and the pride with which her son, the filmmaker, views her. FORGET ME NOT is a tribute to Gretal, and to every child who believes his or her mother is the greatest person in the world. This film is part of the 2014 German Film Series.

    The 2014 Edition of American Documentary Film Festival (AMDOCS) opens on Thursday, March 27th, and runs through Monday, March 31st, 2014.

    http://youtu.be/fWj21FiosLY

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  • Directors Abbas Kiarostami, Joachim Trier, Noémie Lvovsky Among Cannes Film Festival 2014 Cinéfondation and Short Films Jury

     2014 cannes cinefondation short films jury

    The Cinéfondation and Short Films Jury of the 2014 Cannes Film Festival will be presided over by Abbas Kiarostami (Iran), and includes directors Noémie Lvovsky (France), Daniela Thomas (Brazil),  Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway). They will be tasked with awarding three prizes to films submitted by students from film schools the world over, which will be presented in the Cinéfondation Selection. 

    Abbas Kiarostami, the Iranian director and screenwriter, is one of the greatest directors of contemporary cinema. After rising to international fame with Où est la maison de mon ami ? (1987), Abbas KIAROSTAMI has since presented a number of his films at the Festival de Cannes, including five in Competition: Through the Olive Trees (1994), Taste of Cherry (Palme d’or 1997),  Ten (2002),  Certified Copy (2010) and Like Someone in Love (2012). He is also known for his photography work. He has been interested in the Cinéfondation since its creation in 1998, when he agreed to be a patron of the project alongside Martin SCORSESE.

    Noémie Lvovsky, the French director, screenwriter and actress, directed Oublie-moi in 1994, her first feature film, imbued with off-beat humour. She then directed Petites (1997), La Vie ne me fait pas peur (1999), Les Sentiments (2003) and wrote the screenplays for several films by Valeria BRUNI TEDESCHI, Arnaud DESPLECHIN and Philippe GARREL. In 2012, she directed Camille redouble, which was selected for the Directors’ Fortnight and garnered 13 nominations for the César. It met with resounding public and critical acclaim.

    Daniela Thomas, the Brazilian director and visual artist, is famed throughout the theatre world for her scenography. In the cinema, she has worked in partnership with Walter SALLES on Terra Estrangeira (1997) and O Primeiro Dia (1998) and the pair also directed Linha de Passe, presented in Competition at the Festival de Cannes in 2008.

    Mahamat-Saleh Haroun, the Chadian director, took refuge in France, where he studies film and works as a journalist. His first film, Bye Bye Africa, reaped a prize in Venice while Abouna was selected for the Directors’ Fortnight in 2002. He rose to prominence as a director with Daratt, which garnered an award in Venice in 2006.A Screaming Man was presented in Competition at the Festival de Cannes in 2010, where it picked up the Jury Prize. In 2013, he was once again In Competition with Grigris.

    Joachim Trier is a young Norwegian director. After his first critically acclaimed film, Reprise (2006), he wrote and directed Oslo, 31 August, a subtle exploration of the problems faced by his generation. Selected for Un Certain Regard in 2011, his talents became known to a much wider audience.

    via: Cannes Film Festival
    images (l to r):  Abbas Kiarostami (Iran), Noémie Lvovsky (France), Daniela Thomas (Brazil), Mahamat-Saleh Haroun (Chad), and Joachim Trier (Norway)

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  • 2014 San Francisco International Film Festival Announces Feature Films in Competition

    The Amazing CatfishThe Amazing Catfish

    The 57th San Francisco International Film Festival taking place April 24 to May 8, 2014, announced the films in competition for the New Directors Prize and the Golden Gate Award (GGA) contenders in the documentary feature category. SFIFF will award nearly $40,000 in total cash prizes this year. The New Directors Prize of $10,000 will be given to a narrative first feature that exhibits a unique artistic sensibility and deserves to be seen by as wide an audience as possible. The GGA documentary feature winner will receive $10,000 and the GGA Bay Area documentary feature winner will receive $5,000. A total of 25 countries are represented in this year’s competing feature films. Independent juries will select the winners, which will be announced at the Golden Gate Awards, Wednesday, May 7.

    2014 NEW DIRECTORS PRIZE (NARRATIVE FEATURE) COMPETITION

    The Amazing Catfish, Claudia Sainte-Luce, Mexico
    Set in Guadalajara, The Amazing Catfish follows the quiet transformation of a solitary young woman informally adopted and absorbed into a rambunctious matriarchy in a state of crisis. Filmed by Claire Denis’ long-time cinematographer, Agnès Godard, Claudia Sainte-Luce’s debut feature, based loosely on events from her own life, blends a wry and moving naturalism with moments of inspired comedy. 

    The Blue Wave, Zeynep Dadak and Merve Kayan, Turkey/Germany/Netherlands/ Greece
    In this low-key, loosely plotted coming-of-age tale, a Turkish teenage girl wrestles with mood swings, unfocused restlessness, familial responsibilities, shifting friendships and romantic complications during a year of quiet tumult. 

    Difret, Zeresenay Berhane Mehari, Ethiopia
    In a contemporary Ethiopian village, a 14-year-old girl is abducted from school in an attempt at forced marriage, a tradition in her community. Her efforts to free herself from a preordained future set off a legal firestorm in this powerful drama inspired by a true story that pits the law against an entrenched cultural mindset.

    The Dune, Yossi Aviram, France/Israel
    Delving into issues of identity and aging, this nuanced relationship drama portrays the personal crises faced by an aging gay cop in France and a younger Israeli man who is found on the beach, mute and without any identification. 

    History of Fear, Benjamín Naishtat, Argentina/France/Germany/ Uruguay/Qatar
    Paranoia runs rampant in this accomplished first feature, instilling a disorienting sense of dread in the viewer. Are the strange occurrences in an affluent Buenos Aires suburb evidence that the skittish residents are actually being targeted? Naishtat foregoes ready explanations or assurances in favor of foreboding suggestions in a film that is sprawling both in scope and implications but astonishingly exacting in its execution.

    Manos Sucias, Josef Wladyka, USA/Colombia
    A reluctant smuggler and his eager neophyte brother shepherd a dangerous narco-torpedo up the coast of Colombia, posing as fishermen. Paramilitary, guerrillas and hardscrabble desperation suffuse every inch of the jungle and waters that surround them, eager to separate the siblings from their only opportunity to escape the circumstances of their lives.

    Of Horses and Men, Benedikt Erlingsson, Iceland/Germany
    The relationship between man and beast is explored in a series of dryly humorous, linked episodes set in a small Icelandic hamlet. With its idiosyncratic portrait of village life, this remarkable debut features several unforgettable visual tableaux.

    Salvation Army, Abdellah Taïa, Morocco
    Adapting his autobiographical novel, director Abdellah Taïa tells the story of a gay Moroccan boy finding self-realization and personal strength within a society that shuns him. Shot by the brilliant Agnès Godard, the film takes the form of a diptych, telling the protagonist’s story in two different time periods and locales.

    South Is Nothing, Fabio Mollo, Italy/France
    Miriam Karlkvist took a well-deserved Shooting Star award at the Berlinale for her portrayal of an androgynous teenage girl negotiating life in a mafia-controlled town whose code of silence is destroying her family. Filmed in Reggio Calabria, this debut feature combines poetic realism with hard-edged cynicism.

    Trap Street, Vivian Qu, China
    What’s it like to be a 21st-century young adult-with access to gadgets, the Internet and other high-tech conveniences — within China’s surveillance state? First-time writer-director Vivian Qu’s taut, slow-building noir cleverly uses a simple boy-meets-girl tale to unearth a hidden world of government control lurking just under the surface.

    White Shadow, Noaz Deshe, Italy/Germany/Tanzania
    Inspired by news reports of the ongoing perils faced by albinos in Tanzania, Noaz Deshe’s film depicts a fractured and uneasy world, where superstition and the rule of law collide. An albino youth named Alias must learn to navigate through a culture not just unsympathetic to his condition, but actively violent towards it.

    In addition to these 11 first features in competition, the New Directors section of SFIFF57 includes 14 out-of-competition films, which will be announced on Tuesday, April 1.

    2014 GOLDEN GATE AWARDS DOCUMENTARY FEATURE COMPETITION

    Coast of Death, Lois Patiño, Spain
    From the first entrancing images of trees being cut down in a fog-filled forest to the later blues of the sky and ocean fusing to erase the horizon, the always static frames of this documentary offer a meditative and prismatic view of Spain’s much storied and dangerous “Coast of Death.”

    The Last Season, Sara Dosa, USA
    Every September, over 200 seasonal workers, many of them Cambodian, Lao, Hmong, Mien and Thai, descend upon the tiny town of Chemult, Oregon, to search the woods for the rare Matsuke, a fungus highly prized in Japan. This documentary examines the bond between two of these hunters, an elderly Vietnam vet and a survivor of the Khmer Rouge, during one unusually hard season.

    The Overnighters, Jesse Moss, USA
    Unemployed men and women across America want new oil jobs in North Dakota, but housing is at a premium. Enter Pastor Jay Reinke. Despite protests from his own congregation, he opens up his church to “overnighters” — people in search of a second shot at the American Dream. The film expertly and compassionately depicts the conflict between locals, these new residents and Pastor Reinke’s controversial policy.

    Return to Homs, Talal Derki, Syria/Germany
    Winner of the World Cinema Grand Jury Prize for Documentary at Sundance, this dispatch from the besieged Syrian city of Homs is both an elegy and a call to action. Filmed between 2011 and 2013, it presents a visceral eyewitness account of the conflict as a peaceful uprising descends into civil war and idealistic young men are transformed into revolutionary martyrs. 

    Soul Food Stories, Tonislav Hristov, Bulgaria/Finland
    Muslim, Christian, Roma and atheist Communists live together peacefully in Satovcha, a Bulgarian village. They have differing theologies and politics, but are united by a love of food and the eternal mystery of being men and women. Beautifully shot, the film unfolds like a 10-course meal, with observations of food preparation and religious diversity laced into the recipes.

    Stop the Pounding Heart, Roberto Minervini, USA/Italy/Belgium
    This unique hybrid of documentary and narrative offers an evocative portrait of the quotidian lives of a devout young Christian goat farmer and the bullriding cowboy who lives nearby. As much a portrait of the East Texas town where they live as it is a relationship drama, the film combines ethnography and budding romance to compelling effect.

    Three Letters from China, Luc Schaedler, Switzerland
    Luc Schaedler’s latest work presents distinct and illuminating portraits of contemporary life in China. Attentively observing life on a parched farm, a grim industrial zone, a rural village and a booming megacity, the documentary expressively reveals the upheaval and uncertainty of a rapidly changing nation through the deeply engrossing stories of its people.

    We Come as Friends, Hubert Sauper, France/Austria
    South Sudan may have declared its independence but that hasn’t stopped multinationals and missionaries from laying claim to its natural resources and influencing its people’s religious beliefs. Employing intrepid techniques and striking visuals, documentarian Hubert Sauper (Darwin’s Nightmare) delivers another piercing examination of the human cost of neocolonialism that will provoke both thought and outrage.

    In addition to these eight features by emerging filmmakers in the documentary competitions, the Golden Gate Awards also will include competitors in six other categories. These films will be announced on Tuesday, April 1.

    Read more


  • 2014 Tribeca Film Festival Announces Spotlight, Midnight and Storyscapes sections, plus Special Screenings

     PRESERVATIONPRESERVATION

    The 13th Tribeca Film Festival (TFF), taking place from April 16th to April 27th, 2014, in New York City, announced its feature film selections in the Spotlight, Midnight, and Special Screenings sections, as well as the selections for the Storyscapes program. 

    The Spotlight section features 31 films, consisting of 22 narratives and 9 documentaries. Twenty films in the selection will have their world premieres at the Festival. The Midnight section will open with the feature film, PRESERVATION, and includes a lineup of seven genre-bending titles from fresh voices around the world that run the gamut from tongue-in-cheek comedy to chilling horror films. The Special Screenings include a work-in-progress documentary from Louie Psihoyos (The Cove), a film entitled 6, on a team of activists who risk their lives to shed light on species extinction.

    For the second year, and joining an expanded range of programs at the Festival that bridge filmmaking and technology, is Storyscapes. Created in collaboration with BOMBAY SAPPHIRE® Gin, this multi-platform transmedia program celebrates new trends in digital media and recognizes filmmakers and content creators who employ an interactive, web-based, or cross-platform approach to story creation.

    The complete list of films selected for the Spotlight, Midnight, and Special Screenings sections along with the projects in the Storyscapes program are as follows:

    SPOTLIGHT

    5 to 7, directed and written by Victor Levin. (USA) – World Premiere, Narrative. Young aspiring novelist Brian (Anton Yelchin) meets Arielle (Bérénice Marlohe), the sophisticated wife of a French Diplomat. They soon embark on a “cinq-a-sept” affair that challenges Brian’s traditional American ideas of love and relationships. A cosmopolitan comedy of manners told with surprising warmth and lightness, 5 to 7 marks writer and producer Levin’s (Mad Men) directorial debut, and welcomes actress Marlohe (Skyfall) as a glamorous, ebullient screen presence. With Glenn Close and Frank Langella.

    About Alex, directed and written by Jesse Zwick. (USA) – World Premiere, Narrative. A circle of twenty-something friends reunite for a weekend away to console a suicidal member of their group. Yet, despite their best efforts to enjoy themselves, a tinderbox of old jealousies, unrequited love, and widening political differences leads to an explosion of drama that, coupled with the flammable combination of drugs, wine, and risotto, cannot be contained. A Big Chill for our current social media moment, About Alex is a lighthearted look at the struggles of a generation that has it all—and wants more.  Starring Aubrey Plaza, Max Greenfield, Max Minghella, Jason Ritter, Nate Parker, and Maggie Grace.

    Alex of Venice, directed by Chris Messina, written by Jessica Goldberg and Katie Nehra & Justin Shilton. (USA) – World Premiere, Narrative. Workaholic environmental attorney Alex (Mary Elizabeth Winstead) has always relied on her husband George (Chris Messina) to take the reins at home. But when he unexpectedly asks for a break, his departure forces Alex to reevaluate her life as she juggles the care of her son and needs of an aspiring-actor father (Don Johnson), all amid the most important case of her life. Actor Chris Messina steps behind the camera for his directorial debut about a woman pushed to the edge who finds the strength to press on.

    All About Ann: Governor Richards of the Lone Star State, directed by Keith Patterson and Phillip Schopper. (USA) – World Premiere, Documentary. An unmissable documentary for any political junkie, All About Ann celebrates the achievements of larger-than-life Ann Richards, who became the first elected female governor of Texas. Her cool demeanor, acid wit, and passion for social inclusivity made her one of the most powerful and progressive governors in U.S. history, a liberal democrat intent on building “the new Texas.” But, when the 1994 election begins, Richards is faced with her toughest challenge yet, as an increasingly conservative majority turn towards a new, pro-business candidate: George W. Bush.  An HBO Documentary Film.

    Boulevard, directed by Dito Montiel, written by Douglas Soesbe. (USA) – World Premiere, Narrative. Nolan Mack, a soft-spoken bank employee, undoubtedly loves his wife Joy, though their cavernous empty house only underscores how disconnected they’ve always been from each other. Nolan finds himself drifting from his familiar present-day life in pursuit of lost time after meeting a troubled young man named Leo on his drive home. What begins as an aimless drive down an unfamiliar street turns into a life-altering series of events. Robin Williams and Kathy Baker deliver quietly stirring performances in this touching film about finding the strength to be true to yourself at any age.

    Bright Days Ahead (Les beaux jours), directed by Marion Vernoux, written by Fanny Chesnel. (France) – U.S. Premiere, Narrative. In this sophisticated and sexy drama, a newly retired woman in her 60s (French cinema icon Fanny Ardant, 8 WomenConfidentially Yours) finds herself tumbling into an affair with a much younger man (Laurent Lafitte, Little White Lies), her computer teacher at the local seniors’ club. As she finds herself courting danger—taking her young lover to places they could easily be discovered by her husband (Patrick Chesnais, The Diving Bell and the Butterfly)—she must decide if her retirement will mark the end for her marriage, or a new beginning. In French with English Subtitles. A Tribeca Film Release.

    Chef, directed and written by Jon Favreau. (USA) – New York Premiere, Narrative. After talented and dynamic chef Carl Casper’s (Favreau) social media-fueled meltdown against his nemesis food critic lands him without any job prospects, Chef Casper hits the road with his son and his sous chef (John Leguizamo) to launch a brand new food truck business. Complete with lavish food imagery and a star-studded cast including Sofia Vergara, Robert Downey Jr., Scarlett Johansson, Dustin Hoffman, Oliver Platt, and Amy Sedaris, Favreau’s fresh take on food and chef culture has poignant messages about the media-driven world in which we live and the real meaning of success. An Open Road Release.

    Every Secret Thing, directed by Amy Berg, written by Nicole Holofcener. (USA) – World Premiere, Narrative. One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn’t fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret. An ensemble cast, including Elizabeth Banks, Diane Lane, Dakota Fanning, and Nate Parker, brings to life Laura Lippman’s acclaimed novel of love, loss, and murder.

    In Order of Disappearance (Kraftidioten), directed by Hans Petter Moland, written by Kim Fupz Aakeson. (Norway) – North American Premiere, Narrative. Upstanding community leader Nils (Stellan Skarsgård) has just won an award for ‘Citizen of the Year’ when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.” Hans Petter Moland’s action-thriller is an entertaining and intelligent black comedy set in the dead of frozen Norwegian winter. In English, Norwegian, and Swedish with English subtitles.

    In Your Eyes, directed by Brin Hill, written by Joss Whedon. (USA) – World Premiere, Narrative.  East Coast housewife Rebecca (Zoe Kazan) lives a comfortable, sheltered life, but she always knew there was something special about herself. Charismatic ex-con Dylan (Michael Stahl-David) has paid his debt to society and is ready for a fresh start in New Mexico, including a burgeoning flirtation with local good-time-gal Donna (Nikki Reed). When the two polar opposites realize they are strangely connected, an utterly unique metaphysical romance begins in TFF alum Brin Hill’s sweet and smart film, which star Zoe Kazan aptly described as “Joss Whedon does Nicholas Sparks.”

    Just Before I Go, directed by Courteney Cox, written by David Flebotte. (USA) – World Premiere, Narrative. Seann William Scott plays Ted Morgan, a down-on-his-luck everyman who has decided he’s had enough of the hard knocks life has thrown his way. But before saying his final adieu, Ted returns to his hometown to right a few wrongs. Enter a zany cast of characters, including Rob Riggle, Olivia Thirlby, and Garret Dillahunt, who, whilst royally messing up his scheme, manage to teach him a few clumsy, but ultimately valuable lessons.

    Keep On Keepin’ On, directed and written by Alan Hicks, co-written by Davis Coombe. (USA) – World Premiere, Documentary. Eighty-nine year old trumpeting legend Clark Terry has mentored jazz wonders like Miles Davis and Quincy Jones, but Terry’s most unlikely friendship is with Justin Kauflin, a 23-year-old blind piano player with uncanny talent, but debilitating nerves. As Justin prepares for the most pivotal moment in his budding career, Terry’s ailing health threatens to end his own. Charming and nostalgic, Alan Hicks’ melodic debut celebrates an iconic musician while introducing an emerging star of equal vibrancy.

    Life Partners, directed and written by Susanna Fogel, co-written by Joni Lefkowitz. (USA) – World Premiere, Narrative. Nearing 30, Sasha and Paige realize their codependent friendship is preventing either of them from settling down. But when Paige meets the dorky yet lovable Tim, Sasha fears that she’s being replaced. Leighton Meester, Gillian Jacobs, Gabourey Sidibe, and Adam Brody star in a comedy revolving around two friends and the guy that strikes discord in their harmoniously laid-back resistance to growing up. Directed by Susanna Fogel, Life Partnersaffectionately tackles the intimacy and complexity of female friendship.

    Love is Strange, directed and written by Ira Sachs, co-written by Mauricio Zacharias. (USA) – New York Premiere, Narrative. Ira Sachs returns to the indie scene following 2012’s acclaimedKeep the Lights On with another new take on modern love. Acting veterans John Lithgow and Alfred Molina star as Ben and George, a Manhattan couple who are finally given the opportunity to make their union official. But when Ben loses his teaching job as a result, the relationship is tested in unconventional ways—leaving them to lean more heavily than ever on their love to hold things together. A Sony Pictures Classics Release.

    Lucky Them, directed by Megan Griffiths, written by Huck Botko and Emily Wachtel. (USA) – U.S. Premiere, Narrative. More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug (Toni Collette) has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend.  Teaming up with an eccentric amateur documentary filmmaker (Thomas Haden Church in a delightful performance), Ellie hits the road in search of answers in this charming dramedy set against the vibrant Seattle indie music scene. An IFC Films Release.

    Manos Sucias, directed and written by Josef Wladyka, co-written by Alan Blanco. (Colombia, USA) – International Premiere, Narrative. Towing a submerged torpedo in the wake of their battered fishing boat, a desperate fisherman and a naive kid embark on a journey trafficking millions of dollars worth of cocaine. Shot entirely on location along the Pacific coast of Colombia—in areas that bear the indelible scars of the drug trade—Manos Sucias refuses to glamorize the drug trade but rather seeks to offer a rare glimpse of its devastating effects. Executive Produced by Spike Lee.

    Match, directed and written by Stephen Belber. (USA) – World Premiere, Narrative. A Seattle couple (Matthew Lillard and Carla Gugino) travel to New York to interview colorful former dancer Tobi (played with remarkable dexterity by Patrick Stewart) for research on a dissertation about dance. But soon, common niceties and social graces erode when the questions turn personal and the true nature of the interview is called into question. Based on the Tony Award-winning play of the same name, Match moves effortlessly between riotous wit and delicate poignancy in this story of responsibility, artistic commitment, and love.

    Miss Meadows, directed and written by Karen Leigh Hopkins (USA) – World Premiere, Narrative. Prim schoolteacher Miss Meadows (Katie Holmes) is not entirely what she appears. Well-mannered, sweet, and caring, yes, but underneath the candy-sweet exterior hides the soul of a vigilante, taking it upon herself to right the wrongs in this cruel world by whatever means necessary. Things get complicated, however, when Miss Meadows gets romantically entangled with the town sheriff (James Badge Dale) and her steadfast moral compass is thrown off, begging the question: “Who is the real Miss Meadows and what is she hiding?”

    The Newburgh Sting, directed by David Heilbroner and Kate Davis, written by David Heilbroner. (USA) – World Premiere, Documentary. Just 60 miles north of New York City sits the poverty-stricken town of Newburgh, where, in 2009, four men were arrested for a plan to bomb two Jewish centers in the Bronx. But their leader, a suspicious Pakistani businessman planted by the government as an informant, led these men straight into the hands of the authorities. With endless footage gathered from hidden cameras, directors David Heilbroner and Kate Davis investigate just what homegrown terrorism truly means in this shocking and galvanizing exposé.

    Night Moves, directed and written by Kelly Reichardt, co-written by Jon Raymond. (USA) – U.S. Premiere, NarrativeJesse Eisenberg, Dakota Fanning, and Peter Sarsgaard star as radical activists surreptitiously plotting to blow up Oregon’s Green Peter Dam in an act of environmental sabotage. As their plan marches inexorably towards fruition, they soon discover that small steps have enormous consequences. Old Joy and Wendy and Lucy director Kelly Reichardt crafts another graceful and absorbing film about outsiders searching for a meaningful place on the edges of the system in this atmospheric environmental thriller. A Cinedigm Release.

    The One I Love, directed by Charlie McDowell, written by Justin Lader. (USA) – New York Premiere, Narrative. In Charlie McDowell’s refreshing and inventive twist on the love story, Ethan and Sophie escape to a country retreat in a last ditch attempt to save their ailing marriage. But what begins as a quiet opportunity to reconnect soon morphs into an unexplainable head trip that forces the couple to confront their relationship in an impossibly unique way. Starring Mark Duplass and Elisabeth Moss in heartfelt performances, The One I Love turns the romantic comedy upside down with an altogether original take on monogamy, relationships, and how much you ever really know your partner. A Radius-TWC Release.

    The Other One: The Long, Strange Trip of Bob Weir, directed by Mike Fleiss. (USA) – World Premiere, Documentary. Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.

    Palo Alto, directed and written by Gia Coppola, adapted from Palo Alto: Stories by James Franco. (USA) – U.S. Premiere, Narrative. Popular but shy soccer player April (Emma Roberts) frequently babysits for her single-dad coach, Mr. B. (James Franco), while Teddy (Jack Kilmer) is an introspective artist whose best friend and sidekick, Fred (Nat Wolff), is an unpredictable live wire with few filters or boundaries. One party bleeds into another as April and Teddy finally acknowledge their mutual affection, and Fred’s escalating recklessness spirals into chaos. Palo Alto is a vibrant cinematic immersion into the overlapping stories and emotions that make up the high school experience. A Tribeca Film Release.

    The Search for General Tso, directed by Ian Cheney. (USA) – World Premiere, DocumentaryFrom New York City to the farmlands of the Midwest, there are 50,000 Chinese restaurants in the U.S., yet one dish in particular has conquered the American culinary landscape with a force befitting its military moniker—“General Tso’s Chicken.” But who was General Tso and how did this dish become so ubiquitous? Ian Cheney’s delightfully insightful documentary charts the history of Chinese Americans through the surprising origins of this sticky, sweet, just-spicy-enough dish that we’ve adopted as our own.

    Silenced, directed by James Spione. (USA) – World Premiere, Documentary. Only 11 Americans have ever been charged under the Espionage Act of 1917; eight of them since President Obama took office. Academy Award®-nominated documentarian James Spione returns to TFF with the incredible personal journeys of two members of that octet, Thomas Drake and John Kiriakou, along with accountability advocate, Jesselyn Radack, who helped bring their cases to light. With resonance in the post-Snowden era, Silenced catalogs the lengths to which the government has gone to keep its most damning secrets quiet, in an impassioned and thought-provoking defense of whistleblowers everywhere. Executive produced by Susan Sarandon.

    Sister, directed and written by David Lascher, co-written by Todd Camhe. (USA) – World Premiere, Narrative. When unstable Connie (Barbara Hershey) is tragically widowed, she finds it impossible to care for her delinquent adolescent daughter, Nicki, forcing her son, Bill (Reid Scott), to take his sister in. As the two begin to forge a healthy bond, well-meaning Bill implements his own method of treatment for Nicki’s mental troubles, but, when turmoil persists, he must reconcile his beliefs with what actually may be best for his sister. Sister addresses the polemic issue of youth psychotropic drug prescription with restraint and sensitivity.

    Slaying the Badger, directed and written by John Dower. (UK) – World Premiere, Documentary. Before Lance Armstrong, there was Greg LeMond, who is now the first and only American to win the Tour de France. In this engrossing documentary, LeMond looks back at the pivotal 1986 Tour, and his increasingly vicious rivalry with friend, teammate, and mentor Bernard Hinault. The reigning Tour champion and brutal competitor known as “The Badger,” Hinault ‘promised’ to help LeMond to his first victory, in return for LeMond supporting him in the previous year. But in a sport that purports to reward teamwork, it’s really every man for himself. An ESPN Films Production.

    Super Duper Alice Cooper, directed and written by Reginald Harkema, Scot McFadyen, and Sam Dunn. (Canada) – World Premiere, Documentary. Emerging from the Detroit music scene of the 1970s in a flurry of long hair and sequins, Alice Cooper restored hard rock with a sense of showmanship, while simultaneously striking fear into the hearts of Middle America with the chicken-slaughtering, dead-baby-eating theatrics that would cement his identity as a glam metal icon. Meticulously crafted from rare archival footage, Super Duper Alice Cooper tells the story of the man behind the makeup, Vincent Furnier, the son of a preacher, who got caught in the grip of his own monster. 

    Third Person, directed and written by Paul Haggis. (Belgium) – U.S. Premiere, Narrative. Veteran screenwriter and director Paul Haggis (Crash) brings to the screen a calculated vision of the drama of love. Three stories set in cities known for romance—New York, Rome, and Paris—take raw and personal twists as characters grapple with the difficulties of modern relationships. With a heavyweight cast including James Franco, Mila Kunis, Liam Neeson, Olivia Wilde, Adrien Brody, and Maria Bello, Haggis once again weaves an intricate narrative out of seemingly separate worlds. A Sony Pictures Classics Release.

    Untitled Daniel Junge and Kief Davidson Documentary. (USA, Denmark) – World Premiere, Documentary. Stay tuned for more information on this new documentary exploring the fans of a beloved childhood toy.

    Venus in Fur (La Vénus à la fourrure), directed and written by Roman Polanski, co-written by David Ives. (France, Poland) – North American Premiere, Narrative. Thomas (Matthieu Almaric) is a theater director staging an adaptation of an obscure 19th century Austrian novel. Frustrated by the quality of actresses he has auditioned, Thomas is about to give up when mysterious Vanda (Emmanuelle Seigner, Polanski’s wife) arrives in his theater unannounced, knowing every line by heart. As the two begin a fevered, intense, and at times aggressive collaboration, the lines between passion and obsession (and theater and reality) begin to blur in auteur Roman Polanski’s latest New York stage adaptation. In French and German with English subtitles. A Sundance Selects Release.

     

    MIDNIGHT

    The Canal, directed and written by Ivan Kavanagh. (Ireland) – World Premiere, Narrative. Film archivist David and his wife are perfectly happy—or so he believes. When a looming secret shatters their marriage at the same time as a turn-of-the-century film reel he is studying reveals their house to be the site of a 1902 multiple-murder, David begins to unravel, and the house’s eerie history threatens to repeat itself. Dripping with tension and chilling to the core, this visceral Irish ghost story is a visually arresting and genuinely shocking journey into the darkness within.

    Der Samurai, directed and written by Till Kleinert. (Germany) – International Premiere, Narrative. A samurai-wielding figure wearing a white dress lurks menacingly in the forest, waiting to descend upon an unsuspecting village in the muddy backwaters of rural East Germany. As heads roll with each stroke of his sword, dutiful, straight-laced cop Jakob becomes increasingly powerless to resist the draw of the Samurai’s feral otherness. The two enter into a bizarre folie à deux as Jakob is forced to confront his own carnal impulses that he has long sought to repress.

    Extraterrestrial, directed by Colin Minihan, written by The Vicious Brothers. (Canada) – World Premiere, Narrative. The Vicious Brothers (Grave Encounters) return to Tribeca with their latest heart-pumping thriller. Five friends set out to a cabin in the woods for a fun weekend getaway—that is, until extraterrestrial visitors turn it into a fight for their lives. The group is pulled from their reverie when a flickering object crashes deep in the woods. As they investigate, the friends stumble across an alien spacecraft, and its inhabitants have not arrived in peace.

    Indigenous, directed by Alastair Orr, written by Max Roberts. (USA) – World Premiere, Narrative. A group of five American friends on the cusp of adulthood travel to Panama to relax and reconnect. They befriend a local woman in their hotel bar—and despite some ominous whispers—she goes against the specific instructions of her brother and brings the Americans on a daytrip into the pristine falls at the nearby jungle. What begins as an innocent outing to a picturesque waterfall quickly turns terrifying after she suddenly goes missing. As night closes in, the friends realize too late the truth behind the rumors—the legendary, blood-sucking Chupacabra is now stalking them. In English and Spanish with subtitles.

    Intramural, directed by Andrew Disney, written by Bradley Jackson. (USA) – World Premiere, Narrative. There comes a time in every fifth-year senior’s life where they must either accept the impending ‘real world’ of jobs, marriage, and payment plans or shirk that responsibility in favor of playing the most glorious intramural football game your school probably doesn’t really care to see. In this full throttle and hilarious send-up of inspirational sports movies, director Andrew Disney harnesses every cliché and overused trope to tell the greatest (and only) intramural sports movie of all time. Featuring an ensemble cast including Kate MacKinnon, Jay Pharoah, Beck Bennett, and Nikki Reed.

    Preservation, directed and written by Christopher Denham, (USA) – World Premiere, Narrative.  Three family members head deep into the woods for a hunting trip that doubles as a distraction from their troubles at home. When all of their gear is stolen, they turn on each other, but soon realize there are much more treacherous forces at work. Actor Christopher Denham takes his second turn in the director’s chair with this finely crafted horror-thriller starring Pablo Schreiber (The Wire, Orange is the New Black), Aaron Staton (Mad Men), and Wrenn Schmidt (Boardwalk Empire).

    Zombeavers, directed and written by Jordan Rubin, co-written by Al Kaplan and Jon Kaplan. (USA) – World Premiere, Narrative. You know the story: sexy teens head to a secluded lakeside cabin for a weekend of debauched fun, only to be menaced by a mysterious force picking them off one by one. But here, the culprit proves to be a horde of rabid zombie beavers! The B-movie creature feature is making a comeback, and with 2 million views of its trailer in its first two weeks alone, Zombeavers is a veritable phenomenon. And it’s finally here. Special midnight screening.

     

    STORYSCAPES 

    Choose Your Own Documentary, Project Creators: Nathan Penlington, Fernando R. Gutierrez De Jesus, Nick Watson, and Sam Smaïl. Inspired by the Choose Your Own Adventure books of the 1980s, Choose Your Own Documentary tells the story of Nathan Penlington’s discovery of a diary tucked away in one of these books and his attempts to unravel its many mysteries. Part comedy stand-up, part documentary, this is a unique live interactive experience in which the audience plays a vital role. With over 1,566 possible versions, and multiple endings, every performance is different and the audience votes on the path the documentary takes. Where will the story lead? How will the story end? You decide.

    Circa 1948, Project Creator: Stan Douglas with the NFB Digital Studio. Circa 1948 is a new project from internationally renowned artist Stan Douglas. Together with NFB Interactive, he has recreated areas from Vancouver’s history that no longer exist. The locations have been meticulously researched and are recreated in historically accurate 3D detail, where they become the site of the disembodied voices of the people who once inhabited them. Eavesdrop on the past and explore a seminal turning point in the history of Vancouver through the voices of homeless veterans, gamblers, prostitutes, and police officers. Hearing—but not seeing—the inhabitants, you can navigate the different environments and be immersed in a plot peopled with characters from a disappeared world.

    Clouds, Project Creators: Jonathan Minard, James George. A new generation of artists and hackers are emerging and creating tools for poetic and socially engaged experiments in art, storytelling, and technology. 3D-scanned conversations from this community form a network of ideas explored in a non-linear documentary that is assembled from code, bringing form and content together in a truly exciting way. Clouds will be presented as an interactive installation that you can navigate yourself.

    On a Human Scale, Project Creator: Matthew Carey. On a Human Scale reimagines the people of New York City as a fully playable and immersive video instrument controlled by a piano. Each key triggers a different video of a different person, from a different walk of life, singing a different note. When played together they fuse into a joyful choir that is totally under the control of whoever is at the keyboard. Playing the piano brings to life an audiovisual installation that fuses music, film, people, and technology into a living, singing tapestry of humanity.

    Use of Force, Project Creator: Nonny de la Peña. Use of Force is a fully immersive documentary experience that puts you on scene when migrant Anastasio Hernandez Rojas was killed by border patrol on the U.S.–Mexico border in 2010. Using custom built virtual reality, participants stand alongside witnesses who were trying to stop the events unfolding, offering a profound and visceral experience. Nonny de la Peña is a pioneer of immersive journalism and this is an experience that really puts you in someone else’s shoes.

    SPECIAL SCREENINGS

    6, directed by Louie Psihoyos. (USA) – Work In Progress, Documentary. From the Academy Award®- winning filmmaking team that revealed oceanic atrocities in The Cove comes a bigger and bolder mission. Utilizing state-of-the-art equipment, director Louie Psihoyos assembles a team of activists intent on showing the world never-before-seen images that will change the way we understand issues of endangered species and mass extinction. Whether infiltrating notorious black markets with guerilla-style tactics, or working with artists to create beautiful imagery with unexpected animal subjects, 6 will literally change the way you see the world.

    A Brony Tale, directed by Brent Hodge, written by Ashleigh Ball and Hodge. (USA) – World Premiere, Documentary. Born of internet mecca 4chan, the “Brony” phenomenon is a flourishing community of adult, mostly male, fans of the children’s cartoon “My Little Pony:  Friendship is Magic,” a group drawn together by their mutual love of the show’s positive, teamwork-oriented moral.  Brent Hodge’s funny and illuminating documentary surveys the members of this surprising subculture, framed by the journey of Ashleigh Bell, one of the show’s voice actors, to embrace her unexpected fan base.

    Journey to the West (Xi You), directed and written by Tsai Ming Liang. (France, Taiwan R.O.C.) – North American Premiere, Narrative. A meditation loosely based on the classical Chinese story by Wu Cheng’en. This groundbreaking new interpretation brings the legendary pilgrimage of a Buddhist Monk into the present tense. Director Tsai Ming Liang bids us to look and listen, providing a timeless take on the spiritual journey of an individual whose main battle is the constant negotiation between the self and the substrate in which he finds himself. Journey to the Westproposes that true enlightenment awaits those who endure.

    This Time Next Year, directed by Jeff Reichert and Farihah Zaman. (USA) – World Premiere, Documentary. In 2012, Superstorm Sandy swept along the East Coast, devastating countless communities in its wake. This is one community’s story of what it takes to rebuild. TFF alum Jeff Reichert (Gerrymandering) teams up with co-director/producer Farihah Zaman to follow the residents of Long Beach Island, NJ, during the first full year after the storm. Funded by Tribeca Film Institute with support from the Rockefeller Foundation, this documentary is more than just a film; it is a call to action.

    True Son, directed by Kevin Gordon. (USA) – World Premiere, Documentary. Stockton, California is considered one of the worst cities in the United States, riddled with financial crisis and crime rates rivaling Afghanistan. But where everyone else saw hopelessness, 22-year-old Michael Tubbs saw possibility. In 2012, Tubbs decided to run for City Council to reinvent his hometown, building his campaign from the ground up. In Kevin Gordon’s passionate and inspirational documentary he sets out to beat a politician twice his age and bring his community back from bankruptcy.

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