• Five Debut Films Nominated for European Discovery 2013

     Eat Sleep Die (ÄTA SOVA DÖ)Eat Sleep Die (ÄTA SOVA DÖ)

    Five debut films have been nominated for the European Film Academy, EUROPEAN DISCOVERY 2013 – Prix FIPRESCI award, which is presented annually to a young and upcoming director for a first full-length feature film. The European Discovery 2013 – Prix FIPRESCI will then be presented at the European Film Awards Ceremony in Berlin on Saturday, December 7 , 2013.

    Nominated are:

    ÄTA SOVA DÖ (Eat Sleep Die)
    Sweden, 104 min
    WRITTEN & DIRECTED BY: Gabriela Pichler
    PRODUCED BY: China Åhlander

    CALL GIRLCALL GIRL

    CALL GIRL
    Sweden/Norway/Ireland/Finland, 133 min
    DIRECTED BY: Mikael Marcimain
    WRITTEN BY: Marietta von Hausswolff von Baumgarten
    PRODUCED BY: Mimmi Spång 

    MIELEMIELE

    MIELE
    Italy/France, 90 min
    DIRECTED BY: Valeria Golino
    WRITTEN BY: Francesca Marciano, Valia Santella & Valeria Golino
    PRODUCED BY: Riccardo Scamarcio, Viola Prestieri, Anne-Dominique Toussaint & Raphaël Berdugo

    OH BOYOH BOY

    OH BOY
    Germany, 83 min
    WRITTEN & DIRECTED BY: Jan Ole Gerster
    PRODUCED BY: Marcos Kantis & Alexander Wadouh

    LA PLAGA (The Plague)LA PLAGA (The Plague)

    LA PLAGA (The Plague)
    Spain, 85 min
    WRITTEN & DIRECTED BY: Neus Ballús
    PRODUCED BY: Pau Subirós 

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  • Australia’s Delphi Bank Greek Film Festival Launches 2013 Program; Opens With “WHAT IF…”

     Christoforos Papakaliatis in "WHAT IF..."Christoforos Papakaliatis in “WHAT IF…”

    Celebrating its 20th anniversary the 2013 Greek Film Festival (GFF) has announced its full program of films, many of which have made their mark on the international film festival circuit.  This year’s festival slate once again presents the best of contemporary Greek cinema with a program that will see 35 films including 9 shorts screen at the Palace Como in Melbourne and Palace Chauvel in Sydney. The festival will open in Brisbane on Thursday 31 October at Palace Centro, followed by Sydney on Wednesday 6 November and in Melbourne on Thursday 7 November with Greece’s box office smash hit, WHAT IF… The GFF then continues its tour to Adelaide (14 – 17 November at Palace Nova Eastend) and Canberra (29 November – 14 December at Palace Electric).

    An adonis of the small screen, Christoforos Papakaliatis makes his leap to the big screen as both actor and auteur in a story about love set against the backdrop of the economic crisis. In a Sliding Doors style of storytelling WHAT IF… highlights the precarious nature of life and how much our future can be affected by a single life-changing decision.

    Over two weeks later the captivating financial thriller, CAPITAL (Le Capital), will close the festival in Sydney and Melbourne on Sunday 24 November. In this ambitious and thrilling melodrama which screened at the 2012 Toronto International Film Festival, filmmaker Costas-Gavras  (known for his political thrillers, including the Oscar-winning Z) returns to familiar territory with this persuasively-detailed tale of boardroom politics, remorseless backstabbing and the evils of capitalism.

    Alongside the full program Eleni Bertes has also been announced as a guest of the festival.  Eleni is one of the former founders of the GFF in Australia and is currently producing films in Greece, including Joy which is part of this year’s program – a startling narrative from director Ilias Yannakakis, who recounts the story of a middle-aged woman accused of kidnapping a newborn baby from a maternity ward.

    From the Greek Weird Wave the GFF screens Elina Psykou’s self-assured debut – THE ETERNAL RETURN OF ANTONIS PARASKEVAS. This engaging off-beat film played at this year’s Berlinale and Toronto IFF and follows a famous Greek TV anchorman played by Christos Stergioglou (Dogtooth, GFF ‘10) who fakes his own kidnapping in a desperate bid to salvage his ailing career.  Also from Toronto the GFF brings veteran editor Yannis Sakaridis’s directing debut WILD DUCK, shot on a micro-budget, guerrilla-style in the wake of the country’s 2009 debt crisis. Smart, introspective and politically charged, the story loosely parallels the 2005 ‘Greek Watergate’ phone-tapping scandal when a pair of telephone engineers are enlisted to investigate a hacking.

    There’s a strong documentary contingent in this year’s program too; Director Kostas Vakkas challenges the dominant stereotype of success and entrepreneurism in Greek American history in his direct and highly informative documentary, GREEK AMERICAN RADICALS: THE UNTOLD STORY. Much more than just a story about politics, Dimitris Athyridis’ ONE STEP AHEAD is a poignant documentary odyssey following the unconventional Yiannis Boutaris as he stands for independent candidate in the 2010 mayoral campaign of Thessaloniki. The GFF will also be holding a special free event screening of Zoe Mavroudi’s incendiary documentary RUINS, which chronicles the shockingly blatant witch-hunt of a group of HIV positive women accused of prostitution.

    Greece’s creative talents are also featured in the beautiful and gripping family drama THE TREE AND THE SWING, from director Maria Douza, who delivers a powerful, multi-layered tale of one family’s estrangement, channelling universal themes of acceptance, love and repentance. Other festival highlights include Vasilis Kehagias’ uplifting LOVE IN THE END, where three real-life stories of unfulfilled love get the happy ending they never had; the poignant DO NOT FORGET ME ISTANBUl, where seven talented filmmakers of different nationalities come together in a portmanteau feature to remind audiences that this cosmopolitan city does not only belong to the Turkish people; and one of the most unique films of the 2013 GFF – BIG HIT – a noir ‘dead ringer’ from filmmaker Karolos Zonaras, which features  femme fatales, tough guys, pithy one-liners, long shadows and dramatic music stings.

    As part of the 20th anniversary celebration the GFF has selected nine festival favorites to be included in this year’s special ‘best of’ program strand. The films include the multi award winning narrative A TOUCH OF SPICE – a nostalgia-steeped parable from writer-director Tassos Boulmetis, that touched the hearts of all who saw it becoming the biggest hit at the Greek box office; FEMALE COMPANY from director Nicos Perakis, which follows six emotionally-deprived, sexually-underrated wives who take matters into their own hands by renting an apartment where amorous activities abound in this lively satire; and Sotiris Goritsas’ tragi-comic road movie BALKANISATEUR which follows  35 year-old ‘teenagers’, Fotis (Stelios Mainas) and Stavros (Gerasimos Skiadaresis), on a misguided highway to Switzerland as they plan to get rich quick through a currency scam.

    Lighten up your days with a wonderful selection of Greek comedy favourites from over the years including the comedy classic, BONUS, from acclaimed filmmaker Nikos Zapatinas, who proves that some laughs are universal in this infinitely appealing film about a garbage collector on the brink of retirement; Zapatinas’ Greek comedy blockbuster IN GOOD COMPANY is also featured in the ‘best of’ program, where raunchy and scatological misadventures unfold when a madman and petty criminal’s worlds collide; and the return of filmmaker Dimitris Indares’ uncomplicated and very human comedy, TOTALLY MARRIED, which wrestles with the much-debated phenomenon of the ‘seven year itch’, but does it Greek-style.

    Acclaimed filmmaker Constantinos Giannaris will also feature two of his films in the ‘best of’ program. FROM THE EDGE OF THE CITY follows the leader of a gang of Kazakhstani youths who live on the outskirts of Athens – where clubbing, drugs, prostitution and petty thievery is an everyday part of life. Giannaris’ gritty depiction of this urban reality won him Best Director and the Greek Film Critics’ Prize at the Thessaloniki IFF.  Realist tones continue in Giannaris’ poignant narrative ONE DAY IN AUGUST which weaves together four different stories over 24 eventful hours. The film screened at Berlin, Chicago and Melbourne and won best screenplay at Troy and the Critics’ Prize in Thessaloniki.

    The GFF program also houses a selection of nine Greek shorts including, Athina Rachel Tsangari’s (Attenberg, GFF ‘11) hauntingly beautiful short THE CAPSULE which has screened in numerous festivals including Toronto and Sundance and YOU KNOW WHAT? I LOVE YOU – a debut from Melbourne filmmaker Natalie Cunningham, a joyous meditation on family, heartbreak, adversity, and memory. The eight local shorts will screen in one program as part of the Greek-Australian Short Film Festival on Thursday 21 November, competing for the Napoleon Perdis Award for Best Short Film.

    The Greek Student Film Festival and Competition returns for its 4th year in 2013, presenting another selection of imaginative films from local primary, secondary and tertiary students. 

    The 20th Delphi Bank Greek Film Festival runs 6-24 November at Palace Chauvel Cinema in Sydney and 7-24 November at Palace Cinema Como in Melbourne. It also tours nationally, with dates in Brisbane (31 October – 3 November) Adelaide (14 – 17 November) and Canberra (29 November – 14 December).

    [via press release \ Delphi Bank Greek Film Festival ]

     

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  • ‘THE SELFISH GIANT’, ‘CODE BLACK’ Winners of 2013 Hamptons International Film Festival

    THE SELFISH GIANT, directed by Clio BarnardTHE SELFISH GIANT, directed by Clio Barnard

    THE SELFISH GIANT, directed by Clio Barnard is the winner of the Golden Starfish Award for Best Narrative Feature Film at the 21st annual Hamptons International Film Festival. THE SELFISH GIANT is described as a contemporary fable about 13 year old Arbor (Conner Chapman) and his best friend Swifty (Shaun Thomas). Excluded from school and outsiders in their own neighborhood, the two boys meet Kitten (Sean Gilder), a local scrapdealer––the Selfish Giant. Arbor emulates Kitten, keen to impress him and make some money. However, Kitten favors Swifty, leaving Arbor feeling hurt and excluded and driving a wedge between the boys. The Golden Starfish Award for Best Documentary Feature Film went to CODE BLACK, directed by Ryan McGarry, M.D. CODE BLACK follows a group of young doctors as they grapple with the divide between their idealistic expectations and the realities of a heavily bureaucratic system.The 21st Annual Hamptons International Film Festival took place October 10 to 14, 2013.

    Golden Starfish Award for Best Narrative Feature Film
    THE SELFISH GIANT, directed by Clio Barnard

    Golden Starfish Award for Best Documentary Feature Film
    CODE BLACK, directed by Ryan McGarry, M.D.

    Golden Starfish Award for Best Short Film
    WHALE VALLEY, directed by Gudmundur A. Gudmundsson. 
    *WHALE VALLEY will also qualify for an Academy Award in the category of Best Live Action Short Film.

    Audience Award for Best Narrative Feature
    PHILOMENA, directed by Stephen Frears

    Audience Award for Best Documentary Feature
    DESERT RUNNERS, directed by Jennifer Steinman

    Audience Award for Best Short Film
    ONE LAST HUG (… AND A FEW SMOOCHES) THREE DAYS AT GRIEF CAMP

    Tangerine Entertainment Juice Award which honors an outstanding female filmmaker 
    FREE RIDE, directed by Shana Betz.

    The Zelda Penzel “Giving Voice to the Voiceless” Award presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals, as well as environmental protection
    EMPTYING THE SKIES

    The Victor Rabinowitz & Joanne Grant Award for Social Justice, given to a film that most exhibits the values of peace, equality, and global justice
    SQUARE, directed by Jehane Noujaim.

    The Views From Long Island Award, presented by the Suffolk County Film Commission to a a film that features local/resident filmmakers, the area’s unique landscapes, and the important issues—both social and political—facing Hamptons communities
    THE MAID’S ROOM, directed by Michael Walker.

    The 2013 winner of the Brizzolara Family Foundation Award for a film depicting positive Conflict & Resolution
    PLOT FOR PEACE directed by Carlos Agullo and Mandy Jacobson
    Jejane Nouhaim received an Honorable Mention for her film THE SQUARE.

    The Alfred P. Sloan Feature Film Prize, which goes to a narrative film highlighting a realistic and compelling portrayal of science and technology
    DECODING ANNIE PARKER directed by Steven Bernstein

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  • 2013 BendFilm Festival Winners; HIDE YOUR SMILING FACES Sweeps Major Awards

    HIDE YOUR SMILING FACES directed by Daniel Patrick CarboneHIDE YOUR SMILING FACES directed by Daniel Patrick Carbone

    The feature film, HIDE YOUR SMILING FACES directed by Daniel Patrick Carbone, swept the 2013 BendFilm Festival, capturing numerous awards, including the “Best of Show” and the “Best Narrative Feature.”  Hide Your Smiling Faces depicts the young lives of two brothers as they abruptly come of age through the experience of a friend’s mysterious death. 

    2013 Award Winners

    Best of Show 
    HIDE YOUR SMILING FACES

    Best Narrative Screenplay 
    BUOY

    Best Directing 
    Daniel Patrick Carbone, HIDE YOUR SMILING FACES

    Best Narrative Feature
    HIDE YOUR SMILING FACES

    Best Documentary Feature 
    BEFORE THE SPRING, AFTER THE FALL

    Best Short 
    THE BOY SCOUT

    Special Mention for Documentary Short: 
    HERD IN ICELAND

    Best Student Short 
    SILK

    Best Short Screenplay 
    Cody Blue Snider, Shane Snider; FOOLS DAY

    Best Cinematography 
    HIDE YOUR SMILING FACES

    Best Actor 
    Andrea Suarez Paz, STAND CLEAR OF THE CLOSING DOORS

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  • International Documentary Film Festival Amsterdam Unveils 2013 Official Selections

    AI WEIWEI: THE FAKE CASE by Andreas JohnsenAI WEIWEI: THE FAKE CASE by Andreas Johnsen

    The 26th International Documentary Film Festival Amsterdam taking place from November 20 toDecember 1, 2013 , in Amsterdam, unveiled the 2013 official film selections. The program consists of 288 titles (selected from more than 3,000 submissions), of which 100 will have their world première during the festival. 15 films will compete this year in IDFA’s competition for feature-length documentaries.

    IDFA Competition for Feature-Length Documentary

    AI WEIWEI: THE FAKE CASE by Andreas Johnsen (Denmark)
    Chinese artist Ai Wei Wei wonders, after three months of lonely confinement, what the price of his struggle is.

    ALPHABET by Erwin Wagenhofer (Austria/Germany)
    Arm-in-arm in the classroom or painting whatever you want? An indictment of competitive education and a plea for the imagination of the individual.

    BIRTH OF A TIGER by Sam Benstead (England)
    The newly formed nation of South Sudan employs a Serbian coach to get its national football team up and running.

    DISPLACED PERSONS by Åsa Blanck & Johan Palmgren (Sweden)
    Forty years ago, Pelle Persson left Sweden and settled in Pakistan. Now he returns to his motherland with the family he started far from home.

    FAREWELL TO HOLLYWOOD by Henry Corra & Regina Nicholson (USA)
    A heartwarming yet heartbreaking and controversial ode to 17-year-old Reggie, who is struggling with cancer, her family and the realization of her cinematic dream.

    AN INCONSOLABLE MEMORY by Aryan Kaganof (South Africa)
    A reconstruction of the history of South Africa’s first opera company, Eoan, and an exercise in getting at the truth of what it was to be “a colored.”

    LIFE ALMOST WONDERFUL by Svetoslav Draganov (Bulgaria/Belgium)
    An observational documentary about three brothers and their granny. Despite their hardships, they still believe happiness is just a hope away.

    NE ME QUITTE PAS by Niels van Koevorden & Sabine Lubbe Bakker (the Netherlands)
    A Direct Cinema portrait of the Flemish Bob and the Walloon Marcel, two Belgian friends who share loneliness, humor, alcoholism and suicide plans with great élan.

    PUTIN’S GAMES by Alexander Gentelev (Russia/Austria)
    The 2014 Winter Olympics in Sochi, Russia are breaking all records when it comes to corruption and megalomania. This investigative documentary uncovers the hidden story behind Putin’s Games.

    RETURN TO HOMS by Talal Derki (Syria/Germany)
    A remarkably intimate portrait of the unequal struggle of a group of young revolutionaries in Homs, Syria, against the national army destroying their city.

    SEPIDEH by Berit Madsen (Denmark)
    A portrait of a courageous young Iranian woman who refuses to conform to expectations and dreams of a future as an astronaut.

    SHADO’MAN by Boris Gerrets (the Netherlands)
    A cinematic portrait of the nocturnal street life of the disabled in Sierra Leone, in which a group of friends reflects on their complex existences.

    SONG FROM THE FOREST by Michael Obert (Germany)
    American Louis Sarno has been living for 25 years in the jungle, among the pygmies of central Africa. Now he’s taking his pygmy son to see America for the first time.

    STREAM OF LOVE by Agnes Sós (Hungary)
    Love and desire still fill the hearts and thoughts of elderly villagers in Transylvania, Hungary. Their spirits are young, despite their years.

    THE WILD YEARS by Ventura Durall (Spain)
    Living without money or adult involvement, three street children struggle to survive in the capital of Ethiopia.

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  • Philadelphia Film Festival Adds 12 YEARS A SLAVE and OMAR to 2013 Lineup

     12 YEARS A SLAVE12 YEARS A SLAVE

    The 22nd Philadelphia Film Festival which runs from Thursday, October 17 – Sunday, October 27, has added a Centerpiece Screening of 12 YEARS A SLAVE on Saturday, October 19th.   The follow-up from director Steve McQueen to 2011’s Shame, 12 YEARS A SLAVE tells the incredible true story of one man’s fight for survival and freedom after being abducted and sold into slavery.  

    The screening of Nebraska, previously scheduled for Saturday, October 19th will now take place instead on Monday, October 21st.

    OMAROMAR

    The Festival also added OMAR, the Best Foreign Film nominee from the Palestinian Territory for the Academy Awards.   The new film from Oscar-nominated director Hany Abu-Assad (Paradise Now), OMAR is described as an intense and romantic thriller about a Palestinian teenager whose life is thrown into disarray when he is arrested for the alleged shooting of an Israeli soldier and asked to turn on those closest to him.  Omar replaces Documented, which will no longer be included in the Festival due to technical issues.

     

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  • Documentary MEDORA Sets November 2013 Release Date

    documentary film MEDORA

    The documentary film MEDORA which premiered at the 2013 SXSW Festival, will open in theaters on November 8 and on VOD on November 12.  MEDORA is directed by Andrew Cohn and Davy Rothbart, and focuses on the members of the Medora Hornets, a rural Indiana high school basketball team fighting to end their losing streak, as their dwindling town faces the threat of extinction. 

    Years ago, Medora was a booming rural community with prosperous farms, an automotive parts factory, a brick plant, and a thriving middle class. The factories have since closed, crippling Medora’s economy and its pride. The population has slowly dwindled to around 500 people. Drug use is common, the school faces consolidation, and as one resident put it, “This town’s on the ropes.”

    MEDORA follows the down-but-not-out Medora Hornets varsity basketball team over the course of the 2011 season, capturing the players’ stories both on and off the court. The Hornets were riding a brutal losing streak when we arrived, and the team’s struggle to compete bears eerie resonances with the town’s fight for survival.

    MEDORA is an in-depth, deeply personal look at small-town life, a thrilling, underdog basketball story, and an inspiring tale of a community refusing to give up hope despite the brutal odds stacked against them. On a grander scale, it’s a film about America, and the thousands of small towns across the country facing the same fight. As one towns-person told us, “Once we lose these small towns, we can’t get them back.”

    MEDORA will open on Friday November 8 at the Village East in New York City and in the Los Angeles area at the Laemmle Playhouse 7 in Pasadena.  In addition, in conjunction with Landmark theaters, Medora will play across the country on November 12 in a series of special screenings at top markets including Atlanta, Baltimore, Dallas, Denver, Detroit, Houston, Milwaukee, Minneapolis, San Diego, Seattle, Washington DC.

    FilmBuff will release MEDORA across all leading Video On Demand platforms in the U.S. and Canada on November 12 including iTunes, Amazon Instant Video, Google Play, Xbox Video, Sony Playstation and Vudu.

    The film will also be available to rent or download directly from the filmmakers at www.medorafilm.com

    http://youtu.be/4g3WQ2Nss80

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  • Milwaukee Film Festival Wraps; “THE INEVITABLE DEFEAT OF MISTER AND PETE” “EDDIE ADAMS: SAIGON ‘68” Win Audience Awards

    INEVITABLE DEFEAT OF MISTER AND PETE director George Tillman Jr, with wife Marcia and son Chase at the 2013 Milwaukee Film Festival.INEVITABLE DEFEAT OF MISTER AND PETE director George Tillman Jr, with wife Marcia and son Chase at the 2013 Milwaukee Film Festival.

    The 5th Milwaukee Film Festival, wrapped its 15-day run Thursday night October 10th, with official Closing Night Film, BLOOD BROTHER. Immediately following the Closing Night film, ballots were tallied to determine the winners of the 2013 Milwaukee Film Festival Allan H. (Bud) and Suzanne L. Selig Audience Awards. The winners of this year’s Allan H. (Bud) and Suzanne L. Selig Audience Awards are Feature Film: THE INEVITABLE DEFEAT OF MISTER AND PETE directed by George Tillman Jr.; and Short Film: EDDIE ADAMS: SAIGON ‘68 directed by Douglas Sloan.

    THE INEVITABLE DEFEAT OF MISTER AND PETETHE INEVITABLE DEFEAT OF MISTER AND PETE

    In THE INEVITABLE DEFEAT OF MISTER AND PETE, fourteen-year-old Mister and demure 9-year-old Pete (star-making turns from Skylan Brooks and Ethan Dizon, respectively) are forced to fend for themselves after both of their drug-addled parents disappear amid a sweltering summer in the Brooklyn projects.Forced to scavenge for food while dodging child protective services and the cops, the two must live beyond their years if they have any chance of staving off their seemingly inevitable defeat. Supporting performances from Anthony Mackie, Jordin Sparks, Jennifer Hudson and Jeffrey Wright bolster this beautifully observed tale of friendship in the face of great struggle.

    EDDIE ADAMS: SAIGON ‘68 EDDIE ADAMS: SAIGON ‘68

    EDDIE ADAMS: SAIGON ‘68 tells the story behind the iconic photo from the Vietnam War and how it transformed the lives of the photographer and the man who pulled the trigger.

    Main Photo credit: Jennifer Johnson

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  • Review: ZERO CHARISMA

     Zero Charisma

    So much conflict comes out of the struggle for power, even regarding the smallest stakes possible.  ZERO CHARISMA is a film about struggles regarding what might seem like small stakes to an outside viewer, but to the characters involved it is literally an epic struggle between a “hero” and his nemesis.

    Zero Charisma is about Scott (Sam Eidson), an overweight, pasty-white thirty-something Texan whose life revolves around his weekly role-playing game sessions with his friends.  As the writer of the game the group has played weekly for years and the gamemaster, Scott is fueled by the power he holds over his friends, which is held in place by his friends’ timid natures and Scott’s proneness of nerd rage when someone displays even a hint of an attitude that he finds disagreeable.  For instance, when one of his friends, Kenny (Jeff Fenter) explains that his wife is pressuring him to stop playing, Scott is furious.  Kenny says to Scott, “I don’t think you’d understand. You’ve never even had a girlfriend.”  Scott, completely unconvincingly, answers angrily, “Yeah, because I don’t like to be tied down! How many times to I have to say that?”  The only thing that rings true of that answer is that Scott is obsessed with controlling his little corner of the universe, even if it means he still lives with his grandmother (Anne Gee Byrd) and works at Donut Taco II because he was fired from his job at the local game shop (it’s only temporary, he insists).  After all, at least he has control of the game.

    Once Kenny leaves the game Scott and his friends need to find a replacement, and soon Miles (Garrett Graham) joins the group.  However, unlike Scott and his friends Miles is a hipper, cooler “nerd” who immediately wins over Scott’s crew… all except for Scott, who instantly feels threatened.  Scott’s fellow players, stuck with him for so long, are relieved to meet someone who makes being geeky seem socially acceptable.  As this is going on, Scott’s life at home also begins to unravel, with his estranged mother (Cyndi Williams) returning to the fold and revealing exactly why Scott has so many pent-up personality issues.

    When I first started watching Zero Charisma I thought it was funny, but felt it was punching an easy target.  Edison’s Scott is the epitome of the nerd stereotype that was already ancient by the time Comic Book Guy joined the cast of The Simpsons and also resembles (physically and emotionally) a grown-up Eric Cartman.  But gradually directors Katie Graham and Andrew Matthews (Matthews also wrote the screenplay) fold back the layers of Scott and reveal the psychological issues that have kept him in a state of arrested development.  Scott is so obsessed with controlling his game because it’s literally the only thing in his life that he has control over.  So once he sees that he’s losing that, his mental unraveling is understandable and, in many ways, suspenseful.  After all, Scott is already convinced everyone is out to ruin his life and has a short temper – what will hold him back when his life (no matter how “pathetic”) actually does begin to fall apart?

    Most of the talent involved with Zero Charisma are working on their first feature film (this is the first time both Graham and Matthews have directed a film), and in some ways it has a rough rookie edge to it.  Some of that is endearing because it lends to how socially awkward the lead characters are, particularly Scott, but it would be hard to not enjoy Zero Charisma as a kind of twisted, realistic take on the quirky, nerdy archetype Napoleon Dynamite character that has been seen in indie movies so many times in recent years.  With that in mind, even a handful of rookie hiccups can’t distract from what is probably the most honest film about nerd stereotypes I’ve seen.

    The beauty of Zero Charisma is its exploration of the role our imagination plays in the way we perceive the world around us.  For Scott, every conflict is a war between good and evil on a medieval battlefield, with his handsome warrior alter ego always on the side of good.  Audiences might find that laughable, but that perception isn’t far off from the way most of us see ourselves in our struggles against the conflicts in our own lives.  By making Scott so stereotypical, the filmmakers and Eidson reveal how deceiving that stereotype really can be.

     Rating: 4 out of 5 : See it …… It’s Very Good

    http://youtu.be/2Bun5bJ2nVE

    Opens in

    New York: Cinema Village – Opens October 11
    Chicago: Facets Cinematheque – Opens October 18
    San Francisco: Roxie Theater – Opens October 18
    Phoenix: Film Bar – Opens October 18
    San Jose: Camera 2 – Opens October 18
    Portland: Hollywood Theatre – Opens October 25
    Houston: Alamo Drafthouse, Vintage Park – Opens October 25
    Columbus: Gateway Film Center – Opens November 4
    Santa Fe: Jean Cocteau Cinema – Opens November 8
    Albuquerque: Guild Cinema – Opens November 29

    Directors: Katie Graham, Andrew Matthews
    Writers: Andrew Matthews
    Producers: Thomas Fernandes, Ezra Venetos
    Featuring:  Sam Eidson, Garrett Graham, Brock England

    Synopsis:
    As the strict Game Master of a fantasy role-playing game, Scott (Sam Eidson) leads his friends in a weekly quest through mysterious lands from the safety of his grandmother’s kitchen. But his mastery of his own domain starts to slip — along with everything else in his life — when neo-nerd hipster Miles (Garrett Graham) joins the game, winning over the group with his confident charm and dethroning Scott with an unexpected coup. Caught in delusions of grandeur, Scott must roll the dice and risk everything to expose Miles as the fraud he believes him to be. A darkly comedic fable of epic proportions, Zero Charisma is an ode to nerds from every realm.

    Festivals:
    2013 SXSW Film Festival
    2013 Newport Beach International Film Festival
    2013 Fantasia International Film Festival
    2013 Maryland Film Festival
    2013 South Side Film Festival

    Winner of:
    Audience Award, Narrative Spotlight category  – 2013 SXSW Film Festival

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  • New Indie Films, Documentaries in Theaters This Weekend Friday October 11, 2013

    New Indie Films, Documentaries in Theaters This Weekend Friday October 11, 2013

    This weekend sees the release of two films that have probably the most unique behind-the-scenes stories of any indie films that have come out this year.  There are also a few other films that are receiving strong praise from critics now that we’re in the thick of festival season.  Though there are excellent studio films out now (including Captain Phillips, which is also coming out this weekend), these are indie releases you might not want to miss.

    ZERO CHARISMA

    ZERO CHARISMA

    ZERO CHARISMA is the first narrative film from writer/co-director Andrew Matthews and co-director Katie Graham. It tells the story of Scott (Sam Eidson), an overweight, immature thirty-something nerd whose only measure of control in his life is being the gamemaster of his friends’ weekly role-playing game nights. But when cool hipster Miles (Garrett Graham) joins the game and Scott’s estranged mother returns to his life, Scott’s modicum of authority quickly disappears. I saw Zero Charisma recently and really enjoyed it for its balance of comedic voice without losing its sympathy for the lead character.

    ALL THE BOYS LOVE MANDY LANE

    ALL THE BOYS LOVE MANDY LANE

    It’s been a long trip to American theaters for All the Boys Love Mandy Lane.  Originally shot in 2006 by director Jonathan Levine (who has since directed The Wackness, 50/50, and Warm Bodies) starring a then little-known Amber Heard, this horror film had an international release in several countries but domestic rights bounced from distributor to distributor for a variety of reasons. Now it’s finally getting a release despite lukewarm reviews, but it’s probably worth seeing just because of its unique history.

    ESCAPE FROM TOMORROW

    ESCAPE FROM TOMORROW

    Escape From Tomorrow is doubtlessly one of the most controversial films of the year because this horror film was shot secretly by writer/director Randy Moore in Disney World and Disneyland. It’s about a troubled father who seems to be slowly losing his grip on reality while in “the happiest place on earth.” I had the opportunity to speak with star Roy Abramsohn about the movie, and I was really taken with his enthusiasm for the film and the great stories he had about the unique production. It’s definitely a film that man will want to see for those reasons alone.

    CBGB

    CBGB

    Though CBGB purports to tell the story of New York City’s most beloved alternative music club with famous actors portraying icons of the 1970s punk scene (including Alan Rickman as club owner Hilly Kristal), reviews have been far from kind.  Many have focused on the overreliance on “karaoke” performances by stars like Malin Akerman as Debbie Harry and Joel David Moore as Joey Ramone. This is one of those cases when a documentary probably would have been a better choice than a narrative, but I hope some fans of the original punk scene enjoy it.

    THE INEVITABLE DEFEAT OF MISTER AND PETE

    THE INEVITABLE DEFEAT OF MISTER AND PETE

    This drama from director George Tillman Jr. (Notorious, Faster) and first time feature writer Michael Starrbury has garnered strong praise for its portrayal of two neglected Brooklyn youths trying to find a way to support themselves when their neglectful parents are taken away and child services loses track of them. The boys disguise their plight as a superhero-like fantasy. It stars some very popular actors, including Jeffrey Wright, Anthony Mackie and Jennifer Hudson.

    SNOW QUEEN

    SNOW QUEEN

    I remember during the Disney animation “renaissance” of the early 1990’s anytime Disney released a new animated classic there would be two or three “knock-off” animated versions of the same fairy tale released direct-to-video around the same time.  Though Snow Queen isn’t one of them — this Russian animated film was originally released in its home country last year — it does coincide with Disney’s own animated film about the same Hans Christian Anderson story, Frozen, which is being released next month.

    Other notable weekend indie, foreign & documentary releases:

    BROADWAY IDIOT (Documentary)

    GOD LOVES UGANDA (Documentary)

    THE INSTITUTE (Documentary)

    CASSADAGA

    I WILL FOLLOW YOU INTO THE DARK

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  • Martin Scorsese to Head Competition Jury at 2013 Marrakech International Film Festival

     Martin Scorsese

    The 13th Marrakech International Film Festival will be held in Marrakech, Morocco, from November 29 to December 7, 2013. Martin Scorsese has been announced as President of the main Competition Jury for the festival. “I am very happy to be this year’s jury president at the Marrakech Film Festival and I would like to thank HRH, Prince Moulay Rachid, President of the Festival, for his gracious invitation. I have made two films in Morocco, during which time I came to admire the spirit of the Moroccan people and the beauty of their culture. I am eager to discover the movies coming from all around the world to this unique Festival.”

    The festival will continue its work spotlighting talents by paying tribute to filmmaking in Scandinavia. Since its beginnings, the festival has acted as a showcase for the quality and diversity of Scandinavian cinema, through the selection of Nordic films in competition, and by recognizing the Danish movie A HIJACKING by Tobias Lindholm in 2012 with the Jury Prize and Best Actor Award for Søren Malling. A major delegation of actors, directors and producers will be in Marrakech to receive this tribute to Scandinavian cinema at a gala presentation on Wednesday December 4, 2013.

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  • 8 Doc Shorts Make Oscar’s 2013 Shortlist

    THE LADY IN NUMBER 6: MUSIC SAVED MY LIFETHE LADY IN NUMBER 6: MUSIC SAVED MY LIFE

    The Academy of Motion Picture Arts and Sciences announced that the field of Documentary Short Subject contenders for the 86th Academy Awards has been narrowed to eight films, of which three to five will earn Oscar nominations.

    The eight films are listed below in alphabetical order by title, with their production companies:

    “CAVEDIGGER,” Karoffilms
    “FACING FEAR,” Jason Cohen Productions, LLC
    “JUJITSU-ING REALITY,” Sobini Films
    “KARAMA HAS NO WALLS,” Hot Spot Films
    “THE LADY IN NUMBER 6: MUSIC SAVED MY LIFE,” Reed Entertainment
    “PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL,” Prison Terminal LLC
    “RECOLLECTIONS,” notrac productions
    “SLOMO,” Big Young Films and Runaway Films

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre at Hollywood & Highland Center and televised live on the ABC Television Network.  The presentation also will be televised live in more than 225 countries and territories worldwide.

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