• Review: ZERO CHARISMA

     Zero Charisma

    So much conflict comes out of the struggle for power, even regarding the smallest stakes possible.  ZERO CHARISMA is a film about struggles regarding what might seem like small stakes to an outside viewer, but to the characters involved it is literally an epic struggle between a “hero” and his nemesis.

    Zero Charisma is about Scott (Sam Eidson), an overweight, pasty-white thirty-something Texan whose life revolves around his weekly role-playing game sessions with his friends.  As the writer of the game the group has played weekly for years and the gamemaster, Scott is fueled by the power he holds over his friends, which is held in place by his friends’ timid natures and Scott’s proneness of nerd rage when someone displays even a hint of an attitude that he finds disagreeable.  For instance, when one of his friends, Kenny (Jeff Fenter) explains that his wife is pressuring him to stop playing, Scott is furious.  Kenny says to Scott, “I don’t think you’d understand. You’ve never even had a girlfriend.”  Scott, completely unconvincingly, answers angrily, “Yeah, because I don’t like to be tied down! How many times to I have to say that?”  The only thing that rings true of that answer is that Scott is obsessed with controlling his little corner of the universe, even if it means he still lives with his grandmother (Anne Gee Byrd) and works at Donut Taco II because he was fired from his job at the local game shop (it’s only temporary, he insists).  After all, at least he has control of the game.

    Once Kenny leaves the game Scott and his friends need to find a replacement, and soon Miles (Garrett Graham) joins the group.  However, unlike Scott and his friends Miles is a hipper, cooler “nerd” who immediately wins over Scott’s crew… all except for Scott, who instantly feels threatened.  Scott’s fellow players, stuck with him for so long, are relieved to meet someone who makes being geeky seem socially acceptable.  As this is going on, Scott’s life at home also begins to unravel, with his estranged mother (Cyndi Williams) returning to the fold and revealing exactly why Scott has so many pent-up personality issues.

    When I first started watching Zero Charisma I thought it was funny, but felt it was punching an easy target.  Edison’s Scott is the epitome of the nerd stereotype that was already ancient by the time Comic Book Guy joined the cast of The Simpsons and also resembles (physically and emotionally) a grown-up Eric Cartman.  But gradually directors Katie Graham and Andrew Matthews (Matthews also wrote the screenplay) fold back the layers of Scott and reveal the psychological issues that have kept him in a state of arrested development.  Scott is so obsessed with controlling his game because it’s literally the only thing in his life that he has control over.  So once he sees that he’s losing that, his mental unraveling is understandable and, in many ways, suspenseful.  After all, Scott is already convinced everyone is out to ruin his life and has a short temper – what will hold him back when his life (no matter how “pathetic”) actually does begin to fall apart?

    Most of the talent involved with Zero Charisma are working on their first feature film (this is the first time both Graham and Matthews have directed a film), and in some ways it has a rough rookie edge to it.  Some of that is endearing because it lends to how socially awkward the lead characters are, particularly Scott, but it would be hard to not enjoy Zero Charisma as a kind of twisted, realistic take on the quirky, nerdy archetype Napoleon Dynamite character that has been seen in indie movies so many times in recent years.  With that in mind, even a handful of rookie hiccups can’t distract from what is probably the most honest film about nerd stereotypes I’ve seen.

    The beauty of Zero Charisma is its exploration of the role our imagination plays in the way we perceive the world around us.  For Scott, every conflict is a war between good and evil on a medieval battlefield, with his handsome warrior alter ego always on the side of good.  Audiences might find that laughable, but that perception isn’t far off from the way most of us see ourselves in our struggles against the conflicts in our own lives.  By making Scott so stereotypical, the filmmakers and Eidson reveal how deceiving that stereotype really can be.

     Rating: 4 out of 5 : See it …… It’s Very Good

    http://youtu.be/2Bun5bJ2nVE

    Opens in

    New York: Cinema Village – Opens October 11
    Chicago: Facets Cinematheque – Opens October 18
    San Francisco: Roxie Theater – Opens October 18
    Phoenix: Film Bar – Opens October 18
    San Jose: Camera 2 – Opens October 18
    Portland: Hollywood Theatre – Opens October 25
    Houston: Alamo Drafthouse, Vintage Park – Opens October 25
    Columbus: Gateway Film Center – Opens November 4
    Santa Fe: Jean Cocteau Cinema – Opens November 8
    Albuquerque: Guild Cinema – Opens November 29

    Directors: Katie Graham, Andrew Matthews
    Writers: Andrew Matthews
    Producers: Thomas Fernandes, Ezra Venetos
    Featuring:  Sam Eidson, Garrett Graham, Brock England

    Synopsis:
    As the strict Game Master of a fantasy role-playing game, Scott (Sam Eidson) leads his friends in a weekly quest through mysterious lands from the safety of his grandmother’s kitchen. But his mastery of his own domain starts to slip — along with everything else in his life — when neo-nerd hipster Miles (Garrett Graham) joins the game, winning over the group with his confident charm and dethroning Scott with an unexpected coup. Caught in delusions of grandeur, Scott must roll the dice and risk everything to expose Miles as the fraud he believes him to be. A darkly comedic fable of epic proportions, Zero Charisma is an ode to nerds from every realm.

    Festivals:
    2013 SXSW Film Festival
    2013 Newport Beach International Film Festival
    2013 Fantasia International Film Festival
    2013 Maryland Film Festival
    2013 South Side Film Festival

    Winner of:
    Audience Award, Narrative Spotlight category  – 2013 SXSW Film Festival

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  • New Indie Films, Documentaries in Theaters This Weekend Friday October 11, 2013

    New Indie Films, Documentaries in Theaters This Weekend Friday October 11, 2013

    This weekend sees the release of two films that have probably the most unique behind-the-scenes stories of any indie films that have come out this year.  There are also a few other films that are receiving strong praise from critics now that we’re in the thick of festival season.  Though there are excellent studio films out now (including Captain Phillips, which is also coming out this weekend), these are indie releases you might not want to miss.

    ZERO CHARISMA

    ZERO CHARISMA

    ZERO CHARISMA is the first narrative film from writer/co-director Andrew Matthews and co-director Katie Graham. It tells the story of Scott (Sam Eidson), an overweight, immature thirty-something nerd whose only measure of control in his life is being the gamemaster of his friends’ weekly role-playing game nights. But when cool hipster Miles (Garrett Graham) joins the game and Scott’s estranged mother returns to his life, Scott’s modicum of authority quickly disappears. I saw Zero Charisma recently and really enjoyed it for its balance of comedic voice without losing its sympathy for the lead character.

    ALL THE BOYS LOVE MANDY LANE

    ALL THE BOYS LOVE MANDY LANE

    It’s been a long trip to American theaters for All the Boys Love Mandy Lane.  Originally shot in 2006 by director Jonathan Levine (who has since directed The Wackness, 50/50, and Warm Bodies) starring a then little-known Amber Heard, this horror film had an international release in several countries but domestic rights bounced from distributor to distributor for a variety of reasons. Now it’s finally getting a release despite lukewarm reviews, but it’s probably worth seeing just because of its unique history.

    ESCAPE FROM TOMORROW

    ESCAPE FROM TOMORROW

    Escape From Tomorrow is doubtlessly one of the most controversial films of the year because this horror film was shot secretly by writer/director Randy Moore in Disney World and Disneyland. It’s about a troubled father who seems to be slowly losing his grip on reality while in “the happiest place on earth.” I had the opportunity to speak with star Roy Abramsohn about the movie, and I was really taken with his enthusiasm for the film and the great stories he had about the unique production. It’s definitely a film that man will want to see for those reasons alone.

    CBGB

    CBGB

    Though CBGB purports to tell the story of New York City’s most beloved alternative music club with famous actors portraying icons of the 1970s punk scene (including Alan Rickman as club owner Hilly Kristal), reviews have been far from kind.  Many have focused on the overreliance on “karaoke” performances by stars like Malin Akerman as Debbie Harry and Joel David Moore as Joey Ramone. This is one of those cases when a documentary probably would have been a better choice than a narrative, but I hope some fans of the original punk scene enjoy it.

    THE INEVITABLE DEFEAT OF MISTER AND PETE

    THE INEVITABLE DEFEAT OF MISTER AND PETE

    This drama from director George Tillman Jr. (Notorious, Faster) and first time feature writer Michael Starrbury has garnered strong praise for its portrayal of two neglected Brooklyn youths trying to find a way to support themselves when their neglectful parents are taken away and child services loses track of them. The boys disguise their plight as a superhero-like fantasy. It stars some very popular actors, including Jeffrey Wright, Anthony Mackie and Jennifer Hudson.

    SNOW QUEEN

    SNOW QUEEN

    I remember during the Disney animation “renaissance” of the early 1990’s anytime Disney released a new animated classic there would be two or three “knock-off” animated versions of the same fairy tale released direct-to-video around the same time.  Though Snow Queen isn’t one of them — this Russian animated film was originally released in its home country last year — it does coincide with Disney’s own animated film about the same Hans Christian Anderson story, Frozen, which is being released next month.

    Other notable weekend indie, foreign & documentary releases:

    BROADWAY IDIOT (Documentary)

    GOD LOVES UGANDA (Documentary)

    THE INSTITUTE (Documentary)

    CASSADAGA

    I WILL FOLLOW YOU INTO THE DARK

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  • Martin Scorsese to Head Competition Jury at 2013 Marrakech International Film Festival

     Martin Scorsese

    The 13th Marrakech International Film Festival will be held in Marrakech, Morocco, from November 29 to December 7, 2013. Martin Scorsese has been announced as President of the main Competition Jury for the festival. “I am very happy to be this year’s jury president at the Marrakech Film Festival and I would like to thank HRH, Prince Moulay Rachid, President of the Festival, for his gracious invitation. I have made two films in Morocco, during which time I came to admire the spirit of the Moroccan people and the beauty of their culture. I am eager to discover the movies coming from all around the world to this unique Festival.”

    The festival will continue its work spotlighting talents by paying tribute to filmmaking in Scandinavia. Since its beginnings, the festival has acted as a showcase for the quality and diversity of Scandinavian cinema, through the selection of Nordic films in competition, and by recognizing the Danish movie A HIJACKING by Tobias Lindholm in 2012 with the Jury Prize and Best Actor Award for Søren Malling. A major delegation of actors, directors and producers will be in Marrakech to receive this tribute to Scandinavian cinema at a gala presentation on Wednesday December 4, 2013.

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  • 8 Doc Shorts Make Oscar’s 2013 Shortlist

    THE LADY IN NUMBER 6: MUSIC SAVED MY LIFETHE LADY IN NUMBER 6: MUSIC SAVED MY LIFE

    The Academy of Motion Picture Arts and Sciences announced that the field of Documentary Short Subject contenders for the 86th Academy Awards has been narrowed to eight films, of which three to five will earn Oscar nominations.

    The eight films are listed below in alphabetical order by title, with their production companies:

    “CAVEDIGGER,” Karoffilms
    “FACING FEAR,” Jason Cohen Productions, LLC
    “JUJITSU-ING REALITY,” Sobini Films
    “KARAMA HAS NO WALLS,” Hot Spot Films
    “THE LADY IN NUMBER 6: MUSIC SAVED MY LIFE,” Reed Entertainment
    “PRISON TERMINAL: THE LAST DAYS OF PRIVATE JACK HALL,” Prison Terminal LLC
    “RECOLLECTIONS,” notrac productions
    “SLOMO,” Big Young Films and Runaway Films

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre at Hollywood & Highland Center and televised live on the ABC Television Network.  The presentation also will be televised live in more than 225 countries and territories worldwide.

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  • First Philadelphia International Children’s Film Festival Announces Film Lineup; ZARAFA is Opening Night Film

    ZARAFA directed by Rémi Bezançon, Jean-Christophe LieZARAFA directed by Rémi Bezançon, Jean-Christophe Lie

    The first Philadelphia International Children’s Film Festival (PICFF), will run November 15 to 17, 2013 at the newly renovated PFS Theater at the Roxy, and will offer a variety of animated, live-action and experimental short and feature films from all around the world.  Opening night festival brings to Philadelphia the hand-animated film, ZARAFA, directed by Rémi Bezançon and Jean-Christophe Lie, based on the true story of the first giraffe to travel to France.  Closing the festival is THE ZIGZAG KID, directed by Vincent Bal, described as a whimsical and stylish detective caper.

    The full list of films, representing 15 countries, includes:

    ZARAFA –  Opening Night Film
    Directed by Rémi Bezançon, Jean-Christophe Lie
    France, 81 minutes
    In French with English Subtitles
    Recommended Ages: 7 to adult
    Opening night of the First Inaugural Children’s Film Festival brings to Philadelphia this stirring and gorgeously hand-animated film, based on the true story of the first giraffe to travel to France. After freeing himself from slavers and fleeing across the moonlit savannah, young Maki meets Hassan, a nomad, and Zarafa, an orphaned baby giraffe. When the Pasha of Egypt orders the giraffe to be taken as a gift to the King of France, the three board a hot air balloon and embark on an adventure-filled ride over North African skies, through the bustling port of Marseilles before landing in Paris.  After the king accepts his gift with minimal enthusiasm, Maki becomes determined to get Zarafa back home to Africa.

    Kid Flix Mix –   Short Film Series
    Various Countries, 60 minutes
    Languages Vary Per Film with English Subtitles
    Recommended Ages: 3-8.

    PINOCCHIO
    Directed by Enzo D’Alo
    Italy, 83 minutes
    In English
    Recommend Ages: 5-10
    Enzo D’Alo’s colorful telling of this classic tale hews closer to the spirit and plot of Carlo Collodi’s original story, with Pinocchio remaining for most of the picture a rambunctious little scamp, who goes from one strange adventure into another in an Alice in Wonderland-like ride that never pauses.  Though Geppetto, Cricket, and Blue Fairy point him on the right path, Pinocchio prefers to play hooky, and finds himself at the mercy of a host of outlandish characters. In the end, Pinocchio, in the belly of a giant shark, reunites with his papa and may finally have learned what it means to be good.

    Party Mix – Short Film Series
    Various Countries, 60 minutes
    Languages Vary Per Film with English Subtitles
    Recommended Ages: 5-10.

    KIRIKOU AND THE MEN AND THE WOMEN
    Directed by Michael Ocelot
    France, 87 minutes
    In French with English Subtitles
    Recommended Ages: 7  to adult
    In the third film in the Kirikou trilogy, director Michel Ocelot mixes fables and mythology and has our young hero saving his village from supernatural and human threats alike.  Kirikou does so with the eagerness and naiveté of a child, making him an incredibly endearing character.  Ocelot’s blend of Malian, Togolese, and French music and his stunning use of color create an engaging and enchanting film for the whole family.

    WOLF CHILDREN
    Directed by Mamoru Hosoda
    Japan, 117 minutes
    In Japanese with English Subtitles
    Recommended Ages: 9 to adult
    From acclaimed filmmaker Mamoru Hosoda, Wolf Children is about Hana, a young woman whose whirlwind romance takes an unexpected turn when she learns her boyfriend is part-wolf. Nonetheless, the two grow closer and soon add two half-wolf children to their family.  When the children’s father is suddenly taken from them, Hana must deal with the challenges that come when her begin growing fur and tearing up the furniture.  Brimming with Hosoda’s trademark visual splendor, Wolf Children is his most emotionally resonant film to date – a beautiful story about acceptance and growing up.

    MEET THE SMALL POTATOES
    Directed by John Selig
    USA, 60 minutes
    In English
    Recommended Ages: 3-6
    Fans of This is Spinal Tap will love this mockumentary about a band of singing potatoes.  The “Small Potatoes” have humble beginnings on an Idaho potato farm, but soon rocket to stardom in the music biz – but it isn’t long before the band must deal with diva mentalities and other perils of fame.  This faux rockumentary features interviews with fans, commentary form former managers, and musical interludes to complete the inside look at a rock band of singing spuds. 

    WELCOME TO THE SPACE SHOW
    Directed by Koji Masunari
    Japan, 136 minutes
    In English
    Recommended Ages: 7 to adult
    It seems like a boring summer day in the Japanese countryside for Amane and her cousin Natsuki when they come across a stray dog in the woods.  They take the dog back to their cabin only to find that he is actually an alien scientist doing research on Earth. Soon, the children are whisked away to the dark side of the moon, where they encounter an interstellar melting pot of humorous aliens, spaceships, and a host of other surprises.

    STARRY STARRY NIGHT
    Directed by Tom Shu-yu Lin
    Taiwan, 98 minutes
    In Mandarin with English subtitles
    Recommended Ages: 9 to adult
    Starry Starry Night is the whimsical and emotionally resonant coming-of-age story of Mei.  To escape her parents’ bickering, Mei immerses herself in a fantasy world, populated by over-sized origami animals and shadowy beasts. Meanwhile, troubled newcomer Jay becomes an instant target for schoolmates’ taunting. Brought together by mutual loneliness, Mei and Jay sneak away to Mei’s grandfather’s cottage in the countryside. Based on the graphic novel by Taiwanese writer Jimmy Liao, Starry Starry Night is a charming portrayal of life-changing events that can happen when finding your place in the world.

    THE DAY OF THE CROWS
    Directed by Jean-Cristophe Dessaint
    Canada/France, 95 minutes
    French with English Subtitles
    Recommended Ages: 7 to adult
    Deep in the woods, Pumpkin, an ogre-like man, lives with his son and teaches him to live off the land, forbidding him from leaving the forest.  But when Pumpkin is injured, his son must leave the comfort of the woods and his spirit friends to venture into a nearby village for help.  There, he experiences the comfort of human companionship and discovers things about his family that he had never before known.  From the lushly animated forests to the bustling village, The Day of the Crows unfolds a story of courage, exploration and acceptance. 

    THE ZIG ZAG KID – Closing Night Film
    Directed by Vincent Bal
    Belgium, 90 minutes
    In English, Dutch, and French with English Subtitles
    Recommended Ages: 8 to adult
    Closing Philadelphia Children’s Film Festival, The Zigzag Kid is a whimsical and stylish detective caper that received extraordinary reviews in Berlin and Toronto.  The son of a world-renowned police inspector, young Nono is well trained in the art of sleuthing.  When Nono comes face-to-face with Felix Glick, his father’s archenemy, a trip with his boring Uncle Shmuel turns into a rip-roaring, mystery-solving adventure reminiscent of The Pink Panther.

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  • REVIEW: BabyGirl

    BabyGirl

    Growing pains may easily be one of the things that mostly all human beings can relate to. I can speak for myself assuredly when I say that life’s lessons come in all shape, sizes, and consequence.  For Lead actress Yainis Ynoa, better known as Lena AKA “Babygirl” it seems like they come all too frequently.  Already dealing with. being a 16-year-old latina in the Bronx which comes with many an obstacle economically, and socially there are expectations of her; her complex homelife is a constant theme throughout the film, documenting a relationship that seems like she is the parent most of the time.  Their bond is undying, of course, but their relation to each other is awkward at times, as you witness the responsibilities of the home and in guiding each other too often fall in the lap of Babygirl. 

    At times she is a crutch, others a confidant, and at the most important moments she is her mothers conscience. Lena has taken on the burden of holding the fort down as some would say as Lucy struggles with her demons, and promiscuosity.  Falling head over heels for whom she believed would be Mr. Right has quickly turned into another heartache.  When learning that Mr Right, Victor, secretly covets the company of her daughter not her, Lucy loses it in a reaction that almost costs the two (mother and daughter) their relationship

    Outside is no relief for the Lena; as an after thought, her closest friends like Daishan are really jealous, instead of suppportive. Judgemental in time when what Lena needs is consolation; her intrigue with a neighborhood sweetheart named Xavier who innocently wants nothing more than to share moments of puppy love, a stark contrast to the creepish desires of Victor.  What was overwhelming at first, becomes a place of comfort for Lena as she quickly learns what trying to grow up too fast can amount to.  

    From backstab to backlash, tribulation, to exhilaration ( a first kiss, or first alcoholic beverage at a time when she does not even know how to order except from the kids menu ) follow the maturation of Lena AKA Babygirl in this very candid portrayal of what unfortunately is the life of boriqua teenager in the mean streets of Fordham Heights.

    BABYGIRL a film by Macdara Vallely NOW PLAYING thru October 10 New York’s QUAD CINEMA

    http://youtu.be/ohaKTlsbP1E

    WRITTEN AND DIRECTED BY: Macdara Vallely
    PRODUCERS: David Collins; Gigi Dement; R. Paul Miller    
    EXECUTIVE PRODUCERS: Felix Werner; Kathrin Werner
    CINEMATOGRAPHER: Jarin Blaschke       
    FILM EDITOR: Nathan Nugent
    CAST: Yainis Ynoa, Rosa Arredondo, Flaco Navaja, Joshua Rivera, Gleendilys Inoa

    SYNOPSIS: Set in the Bronx, BABYGIRL is about Lena (Yainis Ynoa), a fifteen-year old Nuyorican girl, who has watched her heart-broken single-mom (Rosa Arredondo) fall in love with one man after another.  When Victor (Flaco Navaja), the latest boyfriend, starts hitting on Lena, she sets out to expose him.   But the plan backfires, and Lena finds herself trapped in an impossible love-triangle.  The only way out is for her to stand up and confront some bitter home truths. BABYGIRL is the second feature by Irish director, Macdara Valley, who moved to Bronx, New York seven years ago. 


    WINNER:  PANAVISION’S INDEPENDENT SPIRIT AWARD
    Santa Barbara Intl. Film Festival Award – BEST FEATURE 2013
    Jameson Dublin Intl. Film Festival – BEST IRISH FEATURE 
    Tribeca Film Festival 2012 – OFFICIAL SELECTION   

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  • Ted Hope to Step Down as Executive Director of San Francisco Film Society

    Ted Hope, Executive Director of the San Francisco Film Society, at the premiere of 'What Maisie Knew' at the 56th San Francisco International Film Festival

    Ted Hope, Executive Director of San Francisco Film Society since August 2012, announced today that he will step down at the end of the year to pursue other film-related interests. He will continue in his current role and will manage all activities of the organization until December 31, working with the staff and board to facilitate a smooth leadership transition. Hope will join the SFFS Advisory Board, to assist in guiding the Film Society into the future in a new capacity.

    Statement from Ted Hope:
    “When I came to San Francisco after producing so many films, it surprised some that I wanted to lead a non-profit organization,” said Hope. “Over the past 14 months I’ve come to realize that as much as I fully embrace the mission of the Film Society, my passion is more entrepreneurial. We accomplished a great deal at SFFS over the last year, and the same fantastic team that initially drew me to the Bay Area is still in place to drive the organization well into the future. Vanessa and I plan to stay in the Bay Area and I look forward to staying involved in an advisory role and collaborating with the Film Society in our film-related activities.”

    Statement from SFFS Board President David Winton:
    “The Film Society has been fortunate to have Ted Hope at its helm,” said Winton. “He brought with him a lot of great ideas about expanding our already considerable role in promoting film culture given so much disruptive change in media, and we are grateful for his tenure and guidance. We are happy to have Ted’s continued creative input as he steps into his new role on our Advisory Board. The SFFS Board of Directors is committed to finding a new leader that will continue to work closely with our staff to further the mission of the Film Society and its core programs.”

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  • 2013 Austin Film Festival to Honor Susan Sarandon; Adds WHITEWASH, THE PRETTY ONE to Lineup

    WHITEWASHWHITEWASH

    Austin Film Festival (AFF)  taking place this October 24th to 31st, 2013 will honor actress Susan Sarandon with the 2013 Extraordinary Contribution to Filmmaking – Actor.  The festival also added WHITEWASH, a comic thriller starring Thomas Haden Church and THE PRETTY ONE, starring Zoe Kazan, Jack Johnson, and Ron Livingston to the 20th Anniversary Film Schedule lineup.

    Sarandon will accept the award at the Festival’s annual Awards Luncheon held on Saturday, October 26, 2013 at the Austin Club. The Inaugural Extraordinary Contribution to Filmmaking – Actor Award was presented to Johnny Depp in 2011. Sarandon will present a retrospective screening of John Turturro’s Romance and Cigarettes, and join a conversation on the art and craft of storytelling with the other 2013 Awardees, Vince Gilligan (Outstanding Television Writer), Jonathan Demme (Extraordinary Contribution to Filmmaking), Callie Khouri (Distinguished Screenwriter), and Barry Josephson (Heart of Film Award).

    Austin Film Festival’s Opening Night will feature the US Premiere of Jonathan Sobel’s break-out Toronto heist hit THE ART OF THE STEAL starring Kurt Russell, Matt Dillon and Jay Baruchel, as well as the World Premiere of AFF success story COFFEE, KILL BOSS – a film that emerged from the Festival’s world-renowned Screenplay Competition in 2011. Coffee, Kill Boss stars Eddie Jemison (Ocean’s 11-13, Hung), Noureen DeWulf (Anger Management) and Robert Forster (Jackie Brown, Mulholland Drive). The comedy is about ten executives who meet in secret to sell off their company and end up the victims of a murder plot. 

    AFF’s Closing Night film falls on Halloween and will feature the US Premiere of ALL CHEERLEADERS DIE, a horror comedy about a rebellious outsider who joins the cheerleading squad on a mission to take down the captain of the football team…. until a supernatural force changes everything. Lucky McKee and Chris Sivertson co-wrote and directed the film, hailed as a monster midnight sensation in Toronto.

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  • Toronto After Dark Film Festival Unveils 2013 Lineup; Opens with WE ARE WHAT WE ARE

    wearewhatweareWE ARE WHAT WE ARE directed by Jim Mickle

    Toronto After Dark Film Festival taking place October 17 to October 25, 2013, unveiled its complete lineup and schedule of new horror, sci-fi, action and cult movies.  The festival will open with the Toronto Pemiere of WE ARE WHAT WE ARE. The film is described as a stunningly shot,  incredibly well-acted, acclaimed new horror-thriller from award-winning filmmaker Jim Mickle (STAKELAND) that won rave reviews at both this year’s Sundance and Cannes Film Festivals. A recently widowed father and his two teenage daughters try to keep their time-honored family tradition of consuming human flesh a secret from their increasingly suspicious small town neighbors.

    The festival will close on Friday, October 25, with the Toronto Premiere of the Israeli film BIG BAD WOLVES, described as a brilliantly constructed, award-winning, gripping crime thriller that deftly blends elements of horror and dark comedy. Two police officers kidnap a suspected brutal serial killer so they can carry out their own private interrogation in the woods. The twists and turns that follow will have you guessing whose side you should be on right up until the very end!  

    THE COMPLETE 19 FEATURES ANNOUNCED & SCHEDULE!

    THURS, OCT 17 
    OPENING NIGHT!

    7.00 PM
    WE ARE WHAT WE ARE (USA) Toronto Premiere & Opening Gala Film!
    A stunningly shot,  incredibly well-acted, acclaimed new horror-thriller from award-winning filmmaker Jim Mickle (STAKELAND) that won rave reviews at both this year’s Sundance and Cannes Film Festivals. A recently widowed father and his two teenage daughters try to keep their time-honored family tradition of consuming human flesh a secret from their increasingly suspicious small town neighbours.

    9.30 PM
    BOUNTY KILLER (USA) Toronto Premiere!
    MAD MAX meets THE GOOD, THE BAD AND THE UGLY in this thrill-packed sci-fi actioner about duelling rival bounty hunters in a post-apocalyptic Earth wasteland. Co-stars REPO: THE GENETIC OPERA’s Alexa Vega and TERMINATOR 3’s Kristanna Loken. 

     

    FRI, OCT 18 
    BUG NIGHT!

    7.00 PM
    BIG ASS SPIDER!  (USA) Toronto Premiere!
    In this crowd-pleasing monster action comedy,  when a giant spider threatens to destroy the city of Los Angeles, its up to a low-level bug exterminator (HEROES’ Greg Grunberg) to try and save the day. Co-stars Ray Wise (REAPER, TWIN PEAKS)  
    Screens with short film THE LAST VIDEO STORE

    9.30 PM
    EEGA (INDIA) Toronto Premiere!
    An amazing, action-packed, dark fantasy movie from India, about a murdered man who gets reincarnated as a housefly and sets out to have his revenge upon the evil crime lord that slayed him. 

     

    SAT, OCT 19

    4.15 PM
    SHORTS AFTER DARK – International Shorts!
    A collection of 9 amazing new horror, sci-fi, action and cult short films from around the world. This year’s titles are: INVOCATION, DON’T MOVE, SEQUENCE, NORTH BAY, ROPE A DOPE, C, BABY I LOVE YOU, MY FATHER IS A BIRD, KICK-HEART 

     

    ZOMBIE APPRECIATION NIGHT! 
    Discounted tickets for zombies in costume!

    7.00 PM
    STALLED (UK) Canadian Premiere!
    SHAUN OF THE DEAD meets PHONE BOOTH in this inventive and fun new British Zombie Comedy. A down on his luck maintenance worker finds himself trapped in the washroom during the Zombie apocalypse, forcing him to get creative as he tries to defeat the undead! 

    THE BATTERY (USA) Toronto Premiere!
    In this award-winning, fresh take on a zombie movie, the personalities of two former baseball players clash as they traverse the rural back roads of a post-plague New England teeming with the undead. Boasts an awesome indie rock soundtrack including contributions from Toronto’s own Rock Plaza Central.  

     

    SUN, OCT 20 

    4.15 PM
    SILENT RETREAT (CANADA) World Premiere!
    Horror thriller meets creature feature in this frightening tale of a rebellious teenager who gets sent to a strict rehabilitation camp in the woods, where all attempts to escape lead to encounters with something terrifying that lurks beyond the trees! 

     

    GROSS-OUT NIGHT!

    7.00 PM
    SEPTIC MAN (CANADA) Canadian Premiere!
    From the twisted mind of celebrated writer Tony Burgess (PONTYPOOL) comes this disturbing and disgusting tale about a sewage worker who gets trapped inside a septic tank during a water contamination crisis and undergoes a hideous transformation. Co-stars Robert Maillet (PACIFIC RIM), Julian Richings (MAN OF STEEL) and Stephen McHattie (300).  

    9.30 PM
    MOTIVATIONAL GROWTH (USA) Canadian Premiere!
    A dark, twisted and funny horror comedy about a depressed man who lets his home fall into such a hideous state of decay that a grotesque, giant, mould grows in the place. Then the mould starts talking (voiced by none other than RE-ANIMATOR’S Jeffrey Combs) and giving the man advice, that may or may not be for the best!

     

    MON, OCT 21 

    7.00 PM
    ODD THOMAS (USA) Canadian Premiere!
    Based on the best-selling novel by Dean Koontz. In a California desert town, a young cook (STAR TREK’s Anton Yelchin) with a unique ability to see supernatural forces at work, encounters a mysterious man with a link to a darkness that threatens to destroy the people around him. Directed by Stephen Sommers (THE MUMMY) and co-starring Willem Dafoe (SHADOW OF THE VAMPIRE) 

    9.30 PM
    SOLO (CANADA) Toronto Premiere!
    In this suspenseful horror-thriller a teenage girl finds herself terrorized when she spends two nights alone, as part of her camp counsellor initiation, on the same remote island where a camper suspiciously disappeared decades before. Stars Annie Clark (DEGRASSI: TNG) and Daniel Kash (ALIENS) 

     

    TUES, OCT 22 
    SCI-FI NIGHT!

    7.00 PM
    LAST DAYS ON MARS (UK/ IRELAND) Canadian Premiere!
    An intense sci-fi horror thriller about a deadly strain of bacteria discovered in the Martian soil that begins to infect a group of astronauts, turning them one by one into blood-thirsty zombies! Stars Liev Schreiber (SCREAM), Olivia Williams (THE SIXTH SENSE) and Elias Koteas (SHUTTER ISLAND) 

    9.30 PM
    THE MACHINE (UK) Toronto Premiere!
    A dark and stylish sci-fi thriller with clear nods to BLADE RUNNER about a conflicted scientific genius trying to make the perfect female android, while being funded by a secret government military program.  Co-stars Caity Lotz (THE PACT) and Toby Stephens (SEVERANCE)  

     

    WED, OCT 23
    GORY NIGHT

    7.00 PM
    FOUND (USA)  Toronto Premiere!
    An award-winning coming of age movie about a shy, bullied 10 year old who takes refuge in horror movies, only to see his life turn into a horror story for real when he discovers the older brother he shares the house with is a gruesome serial killer.  

    9.30 PM
    EVIL FEED (CANADA) World Premiere!
    Bloody, outrageous and wickedly entertaining, a one-of-a-kind horror-action-comedy about a sinister Chinese restaurant that kidnaps martial artists off the streets, forces them to fight to the death, and then serves the loser up for dinner to paying guests! 

    THU, OCT 24
    SCARY NIGHT!

    7.00 PM
    WILLOW CREEK (USA) Toronto Premiere Co-hosted with Rue Morgue Cinemacabre Movie NIghts!
    A scary found footage film from acclaimed filmmaker Bobcat Goldthwait (GOD BLESS AMERICA) about a young couple obsessed with tracking down Bigfoot, and finding the exact location where the famous 1967 footage of the creature walking in the woods was shot.

    A scary horror thriller about a young reporter in search of her missing friend, last seen experimenting with the same mind-altering drugs used by the CIA in the 1950s. 9.30 PMBANSHEE CHAPTER (USA/Germany) North American Premiere!

    FRI, OCT 25
    CLOSING NIGHT!

    7.00 PM
    CHEAP THRILLS (USA) Toronto Premiere!
    in this award-winning, outrageous, darkly funny and shocking thriller in the mould of BREAKING BAD, a recently unemployed dad, trys to pay off his debts by performing an increasingly risky series of dares for a wealthy thrill-seeking couple. Co-stars David Koechner (ANCHORMAN) and Sara Paxton (THE INNKEEPERS).

    A brilliantly constructed, award-winning, gripping crime thriller that deftly blends elements of horror and dark comedy. Two police officers kidnap a suspected brutal serial killer so they can carry out their own private interrogation in the woods. The twists and turns that follow will have you guessing whose side you should be on right up until the very end!  9.30 PMBIG BAD WOLVES (ISRAEL) Toronto Premiere and Closing Gala!

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  • Palm Springs Cultural Center Adds The Stanley Kramer Film Festival To It’s Annual List of Programs and Events

     Stanley Kramer Film Festival at Camelot Theatres

    The Palm Springs Cultural Center announced a new addition to its annual line-up of cultural programs and special events. The Stanley Kramer Film Festival will debut at Camelot Theatres on Friday, November 15th and run through Sunday, November 17th, 2013. The 2013 event, which is designed to coincide with other Stanley Kramer Centennial events taking place this year, will include special screenings of six of Stanley Kramer’s best-known films. It will also feature special events, and special appearances with actress Karen Sharpe Kramer, Stanley Kramer’s widow, and his daughter, the actress and singer, Katharine “Kat” Kramer. 

    “We are so thrilled that The Palm Springs Cultural Center has elected to create this annual celebration of Stanley’s films, as well as his legacy,” said Karen Sharpe Kramer. “And having it launch during his Centennial celebration makes it even more special to us.” 

    The inaugural edition of The Stanley Kramer Film Festival will open with 1958’s THE DEFIANT ONES, starring Tony Curtis and Sidney Poitier as two escaped convicts who are shackled together, and must learn to get along in order to elude capture. 

    “THE DEFIANT ONES was ahead of its time, as were so many of Stanley’s films,” continued Karen Sharpe Kramer.“Set in the American South against the specter of segregation, the two men, one white and one black, are at first motivated to cooperate with one another purely to survive, but gradually, they begin to respect , and even like one another. This was powerful story-telling. Can you imagine that film playing in 1958?”

    The second film in the schedule is 1967’s GUESS WHO’S COMING TO DINNER, starring Spencer Tracy, Sidney Poitier, and Katharine Hepburn. The film contains what was, at the time, a rare positive representation of the controversial subject of interracial marriage (which was still illegal in 17 states), right up until June 12, 1967, when the Supreme Court struck them down ( just two days after Tracy died).  “Katharine Hepburn never saw the completed version of GUESS WHO’S COMING TO DINNER,” said Katharine “Kat” Kramer (Hepburn’s god-daughter and namesake). “She said the memories of Spencer Tracy were just too painful for her.”

    THE WILD ONE (1953), starring then-heartthrob, Marlon Brando, opens Saturday’s Festival schedule. Often lauded as the first of the “outlaw biker film” movie genre, THE WILD ONE provides a gritty, somewhat romanticized version of the lives and loves of the rebel motorcycle-riding clubs that became popular in California  after World War Two. THE WILD ONE was based on a short story that loosely chronicled an actual event.

    Saturday evening takes audiences from the world of outlaw gangs into the mad, mad world of comedy with the ever-popular film, IT’S A MAD, MAD, MAD, MAD WORLD. Produced and directed by Stanley Kramer in 1963, the epic comedy centers on the search, by a crazy and colorful group of characters, for $ 350,000 in stolen cash. Led by veteran actor Spencer Tracy, IT’S A MAD, MAD, MAD, MAD WORLD features an all-star ensemble cast, including the likes of Edie Adams, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Phil Silvers, Terry-Thomas, and Jonathan Winters.

    Sunday morning, November 17th, opens with the powerful drama, JUDGMENT AT NUREMBERG, which chronicles the events of the Holocaust, and the post-World War II complexities of the Nuremberg War Trials. Stanley Kramer produced and directed this monumental film, which stars such film greats as Spencer Tracy, Burt Lancaster, Richard Widmark, Maximilian Schell, Werner Klemperer, Marlene Dietrich, Judy Garland, William Shatner,and Montgomery Clift. JUDGMENT AT NUREMBERG was nominated for eleven Academy Awards, won two (Best Actor and Best Adapted Screenplay), and earned Stanley Kramer the prestigious Irving G. Thalberg  Memorial Award. 

    The last film of the festival is THE CAINE MUTINY, starring Humphrey Bogart, Van Johnson, Jose Ferrer, and Fred MacMurray. Set during World War II, and based on the Pulitzer Prize-winning novel by Herman Wouk, THE CAINE MUTINY was a huge box office success in 1954, and received seven Oscar nominations. It has also been described as featuring Humphrey Bogart’s last great film performance. When the U.S. Navy was hesitant to endorse the film, it was almost lost to history. No studio, at the time, would touch it. Finally, Stanley Kramer, determined to tell the story, purchased the rights to Herman Wouk’s novel himself and set about to produce the film. 

    “The 2013 The Stanley Kramer Film Festival will include a number of wonderful special events,” said Janie Hughes, Project Manager for the festival. “There’s a private Tea with the Kramers for All Access Passholders, an over the top pre-opening party, and a birthday celebration complete with a giant birthday cake. We plan on making this quite an event.”

    Tickets and All Access passes for The Stanley Kramer Film Festival will be available at the Camelot Theatres in Palm Springs, and online, starting Tuesday, October 8th. 

    To purchase tickets in-person, visit the Camelot Theatres Box Office (Open Daily, Call for Hours), 2300 E. Baristo Road, Palm Springs, CA, 92262, Box Office: 760-325-6565. For telephone orders, call: 888-718-4253, or order on-line at: Camelottickets.com 

    TICKET INFORMATION:

    NOTE: All screenings will be held at Camelot Theatres

    PASSES
    All Access Pass $120.00 (includes Tea with the Kramers, Pre-Opening Party, Birthday Party and all screenings)

    INDIVIDUAL TICKETS:
    Pre-Opening Party: $50.00
    Festival Screenings = $13.00 (on sale October 8th)
     
    To purchase your tickets in-person, visit:
    Camelot Theatres Box Office
    (Open Daily, Call for Hours)
    2300 E. Baristo Road,
    Palm Springs, CA, 92262,
    Box Office: 760-325-6565
     
    Telephone Orders: 888-718-4253

    Order online: Camelottickets.com

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  • Montclair Film Festival Announces Contest To Design 2014 Official Poster

    Montclair Film Festival (MFF)

    The Montclair Film Festival (MFF), in partnership with The Montclair Art Museum announced the launch of a contest to design the official poster for the 2014 Montclair Film Festival to be held April 28-May 4, 2014. The winning design will be seen on buses, lampposts, t-shirts, the web, catalogs and, of course, the big screen, as the centerpiece of a dynamic week of 80+ films and events that will comprise the third annual celebration of the art of filmmaking in Montclair. 

    Artwork can be submitted as digital file or as flat art.  Only original artwork will be considered. Image size should be no larger than 11” X 17”. The poster should include the words Montclair Film Festival 2014 and the dates April 28th-May 4th.

    Each entry should include artist’s full name, address, phone number, and a valid e-mail address.

    All entries must be postmarked/emailed by November 25th 2013. One winner will be chosen from all entries in early January by an independent panel of judges. The winner will receive two free tickets to the MFF Opening Night Gala and will be acknowledged on the MFF website.

    For more information, including mailing and email addresses for submission, go to http://montclairfilmfest.org/2014-mff-poster-contest/

    MFF Artistic Director Thom Powers said, “The poster is the focal point of the Festival and we’re excited to open up its design to the creative community who has supported us in our first two years in so many ways.”

    Added Michael Gillespie, Director of Marketing and Communications for the Montclair Art Museum, “We’re happy to join with the Montclair Film Festival in this poster competition.  The Festival, which champions local filmmakers, has become one of the premier cultural events in our area and this is another creative opportunity to showcase area talent.”

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  • NAACP Image Awards Moves to TV One

    NAACP Image Awards

    The NAACP Image Awards is moving to a new TV home.  Under a new five-year contract, TV One becomes the television home for the association’s awards show, beginning with the live airing of the “45th NAACP Image Awards” in February 2014.  The NAACP Image Awards describes itself as the nation’s premier event celebrating the accomplishments of people of color in the fields of television, music, literature and film and also honors individuals or groups who promote social justice through creative endeavors. 

    TV One will air live broadcasts of the Image Awards and red carpet arrivals in 2014. In addition, the network will provide promotional support on TV One, Radio One and Reach Media, Interactive One, and via a multi-platform marketing campaign.  In addition, to elevate the historic organization’s initiatives, there will be dedicated coverage on News One Now, TV One’s new daily news and information program,

    “We are truly honored to be partnering with the NAACP and becoming the new home for the Image Awards,” said Liggins of TV One. “Today’s announcement is a game changer for TV One and our loyal viewers across the country. As we prepare to celebrate the 10th anniversary of TV One’s 2004 launch, I can think of no greater opportunity to thank this audience than by providing them with access to the preeminent awards show that showcases the incredible achievements of Black Americans and by creating an ongoing opportunity for dialogue around social justice issues on TV One.”

    There are many well-deserving actors, authors, directors, writers, performing artists, as well as television, motion picture, recording, and literary projects that are recognized during theNAACP Image Awards.  Submissions are now being accepted until Friday, November 15, 2013 – information is available at www.naacpimageawards.net.

    Nominations for the “45th NAACP Image Awards” will be announced next January.

     

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