• Whistler Film Festival Announces Upcoming Festival’s Highlights; Jason Priestley’s CAS & DYLAN to Kick Off Fest

    Whistler Film Festival

    Located in the spectacular Coast Mountains of British Columbia, and just two hours north of Vancouver, the 13th annual Whistler Film Festival will run December 4 to 8, 2013. The Whistler Film Festival will open with the Western Premiere of Jason Priestley’s “heart-warming and inspiring” road movie CAS & DYLAN, also starring Tatiana Maslany and Academy Award-winning actor Richard Dreyfuss. This story follows a couple of mismatched road travelers and the festival says that the film “will not leave a dry eye in the house.” CAS & DYLAN is one of six titles that will be competing for this year’s coveted Borsos award.

    WFF’s closing night film is described as an outstanding documentary that transcends the traditional sports storyline to tell a true tale of courage and rehabilitation against all odds. The Canadian premiere of THE CRASH REEL, directed by Lucy Walker, highlights the life-long rivalry between two half-pipe snowboard legends, heading towards Olympic glory, until a near fatal crash results in major trauma for one of the childhood buddies, Kevin Pearce. Culled from over fifteen years of home movies and archival footage, the film can truly be described as a story of courage and acceptance that will inspire anyone who has ever had to fight back against adversity and physical trauma.

    The Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada, British Columbia celebrates its 10th anniversary this year offering the second largest cash prize for a Canadian film in the country. Amongst the Borsos films confirmed at this time includes the North American premiere of PATCH TOWN. Expanded from an award-winning BravoFact short, Craig Goodwill’s first feature is a unique parable about a psychically damaged man who tries to escape with his wife and child from the drudgery of an oppressive society.

    Breathtaking scenery from the Far North is showcased in the Western Premiere of UVANGA from the producers of Atarjuanat – The Fast Runner. Co-directed by Marie-Helene Cousineau and Madeline Piujuq Ivalu, UVANGA tells the story of a single mother who returns to Nunavut with her son, so that he can discover his roots and learn about his deceased father. Other confirmed titles include the World Premiere of AFTERPARTY diredted by Michelle Ouellette, this is a film that captures the vital energy and spirit of young people today. SEX AFTER KIDS is another BC premiere that features an ensemble cast in a sex comedy, featuring the likes of Jay Brazeau, Mimi Kuzyk, Katie Boland and Kristin Booth, to name but a few.

    The Canadian Premiere of METH HEAD is described as director Jane Clark’s very human but brutally realistic descent into addiction hell, featuring a searing and courageous performance by former child star Lukas Haas (Witness, Testament), whose character resorts to turning tricks to support his out-of-control habit. Similarly, the Canadian Premiere of JIMMY P. (Psychotherapy of a Plains Indian) features a mesmerizing performance by Benicio Del Toro as a First Nations war vet suffering from a head trauma injury, mistakenly assumed to be a form of mental illness by the medical establishment not used to administering medicine to First Nations people. Directed by Arnaud Desplechin, with Mathieu Almaric as the therapist, this film premiered at this year’s Cannes Film Festival. Other highlights include the Western theatrical premiere of Barry Avrich’s FILTHY GORGEOUS: THE EXTRAORDINARY WORLD OF BOB GUCCIONE, a surprising and ultimately sympathetic exposé of the private life of the man who founded Penthouse and produced the infamous Caligula, still the most expensive XXX movie ever made. Finally, as part of the China Canada Gateway for Film, the festival will screen the Chinese box office blockbuster FINDING MR. RIGHT one of the top grossing Chinese films of all time. This contemporary romantic comedy directed by Xiao Lu Xue was largely shot in the Vancouver area with an all-star Chinese cast. 

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  • Cannes Film Festival Palme D’Or Winner “BLUE IS THE WARMEST COLOR” to be Released in the US on October 25 , Rated NC-17 | TRAILER

    2013 Cannes Film Festival Palme D’Or Winner BLUE IS THE WARMEST COLOR

    Sundance Selects will release Abdellatif Kechiche’s 2013 Cannes Film Festival Palme D’Or Winner BLUE IS THE WARMEST COLOR with the MPAA rating of NC-17 in the United States, as opposed to trimming the film or releasing the film Unrated.  Starring Lea Seydoux and Adèle Exarchopoulos, the film is being rated NC-17 for “explicit sexual content.” Sundance Selects will release the film in theaters beginning on October 25, 2013, on the heels of screening as part of the 2013 New York Film Festival.

    BLUE IS THE WARMEST COLOR centers on a 15-year-old girl named Adèle (Exarchopoulos) who is climbing to adulthood and dreams of experiencing her first love. A handsome male classmate falls for her hard, but an unsettling erotic reverie upsets the romance before it begins. Adèle imagines that the mysterious, blue-haired girl she encountered in the street slips into her bed and possesses her with an overwhelming pleasure. That blue-haired girl is a confident older art student named Emma (Seydoux), who will soon enter Adèle’s life for real, making way for an intense and complicated love story that spans a decade and is touchingly universal in its depiction.

    An NC-17 rated motion picture is one that, in the view of the Rating Board, most parents would consider patently too adult for their children 17 and under. No children under the age of 17 and under can be admitted into theaters to see the film. The rating signals that the content is appropriate only for an adult audience. An NC-17 rating can be based on violence, sex, aberrational behavior, drug abuse or any other element that most parents would consider too strong and therefore off-limits for viewing by their children. The film received a rating of “12″ by the French Ministry of Culture, which indicates the film is unsuitable only for children younger than 12 years of age in that country.

    When BLUE IS THE WARMEST COLOR won the Palme D’Or at this year’s Cannes film festival, Jury president Steven Spielberg called the film “a great love story that made all of us feel privileged to be a fly on the wall, to see this story of deep love and deep heartbreak evolve from the beginning. We didn’t think about how it was going to play, we just were really happy that someone had the courage to tell this story the way he did…The issue of gay marriage is one that many brave states in America are resolving in a way that suits all of us that are in favor of gay marriage. But I think actually this film carries a very strong message, a very positive message.”

    http://youtu.be/LW1UfYdtcHg

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  • REVIEW: Sparrows Dance

    SPARROWS DANCE

    The clock is ticking; the days are passing, as she sits behind closed doors, paralyzed by fear.

    SPARROWS DANCE, directed by Noah Buschel, explores the life of a former actress (Marin Ireland) who has been sequestered in her apartment for a year. Her daily existence is plagued by fear. This fear serves to clog her life, until she meets Wes the plumber (Paul Sparks).

    She is a young woman who wanders from room to room, existing in total fear. She has many crutches used to stave off her ‘fear of’. Her days are spent in utter isolation; her existence is one of self-imposed exile. Each day passes with her engaging in simple routines: sleeping, eating, exercising and watching T.V. Her daily sustenance is conveyed to her door. It is through this door that she communicates with the outside world.

    She lives vicariously through the lives of the people in the old movies. While scarfing down a wrap, she watches an old movie in which the male character cheats on his wife. She has a forlorn expression on her face. A look that says: ‘I am right to be in a state of solitude.’

    She also witnesses a crime in progress from her window and she dials 911. She acts, while the other witnesses look on in fear. It shows that in spite of her phobia her humanity shines forth.

    One day her toilet overflows, water is everywhere and the neighbor alerts her to the problem by banging on her door. Her reaction to this intrusion is to withdraw under her bedcovers. Eventually, she utters a response: “I’ll take care of it.” She contacts a plumbing company and they agree to send a plumber. She struggles with this and requests that service be provided via phone. In the end, she is forced to give in.

    Wes, the plumber, is intelligent, confident, and empathetic. He enters her solitary life and gently attempts to prod her out of her shell. Soon, he has her dancing, smiling and sharing her fears. She is swept off her feet. Wes encourages her to venture forth onto the stage of life. She is overcome with immense fear at his prodding. She wrestles with her phobia and lashes out at Wes.

    Will she vanquish her fears? Only time will tell…

    The director/writer, Noah Buschel, is brilliant in his portrayal of agoraphobia. The music is effectively interspersed throughout the film. The lighting techniques implemented are truly commendable. It is a sensitive and captivating portrayal of this phobia.

    http://youtu.be/pWuq198T15k

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  • BET’s Urbanworld Film Festival Announce Lineup, Opens with David E. Talbert’s BAGGAGE CLAIM

    David E. Talbert's BAGGAGE CLAIMDavid E. Talbert’s BAGGAGE CLAIM

    The 17th Urbanworld Film Festival taking place September 18-22, 2013 in midtown Manhattan New York City, announced its 2013 lineup. The festival will open on September 19 with David E. Talbert’s BAGGAGE CLAIM, a romantic comedy starring Paula Patton, Taye Diggs, Boris Kodjoe,Tremaine Neverson, Adam Brody, Jenifer Lewis, Ned Beatty, Lauren London,Tia Mowry, La La Anthony , Christina Milian, Affion Crockett, Terrence J, Rickey Smiley, Thomas Miles and Academy Award-nominee Djimon Hounsou.

    Additional highlights of Urbanworld 2013 include: GUN HILL (directed by Reggie Bythewood and starring Larenz Tate, Emayatzy Corinealdi and Aisha Hinds), a gritty Cain and Abel drama set and shot in New York City. the black western THEY DIE BY DAWN (starring Erykah Badu, Rosario Dawson, Idris Elba, Giancarlo Esposito, Jesse Williams, Michael Kenneth Williams, and Isaiah Washington); and the documentary FINDING THE FUNK (starring George Clinton, Bootsy Collins, D’Angela, Sheila E., Sly Stone and Questlove).

    Urbanworld also announced the launch of Urbanworld Underground, a platform designed to highlight maverick content creators who are transcending conventional filmmaking with innovation in their storytelling. In addition to Jeymes Samuel’s THEY DIE BY DAWN, Urbanworld Underground will feature Kahlil Joseph’s What Matters Most Shorts Block, which includes “BLACK UP,” “UNTIL THE QUIET COMES,” “THE MODEL (Parts 1 & 2),” and “WILDCAT.”

    URBANWORLD 2013 FILM SLATE

    OPENING NIGHT FILM

    BAGGAGE CLAIM – Directed by David E. Talbert

    CLOSING NIGHT FILM

    THE BEST MAN – Directed by Malcolm D. Lee

    SPOTLIGHTS

    GUN HILL – Directed by Reggie Rock Bythewood (NY Premiere)

    BOARDWALK EMPIRE – Season 4, Episode 3 – Created by Terence Winter

    FINDING THE FUNK – Directed by Nelson George

    URBANWORLD UNDERGROUND

    What Matters Most Shorts Block – Directed by Kahlil Joseph

    Black Up

    Until The Quiet Comes

    The Model part 1

    The Model part 2

    Wildcat

    THEY DIE BY DAWN – Directed by Jeymes Samuel (NY Premiere)

    NARRATIVE FEATURES

    AN AMERICAN IN HOLLYWOOD – Directed by Sai Varadan (World Premiere)

    CALLOUSED HANDS – Directed by Jesse Quinones (NY Premiere)

    FULL CIRCLE – Directed by Solvan Naim

    HOME AGAIN – Directed by Sudz Sutherland (NY Premiere)

    KNOCKAROUND KIDS – Directed by John Oluwole Adekoje (NY Premiere)

    SABLE FABLE – Directed by Stephen Jackson (NY Premiere)

    THE LAST LETTER – Directed by Paul D. Hannah (World Premiere)

    THE VOLUNTEER – Directed by Vicky Wight (NY Premiere)

    THE MAGIC CITY -– Directed by R. Malcolm Jones (NY Premiere)

    THINGS NEVER SAID – Directed by Charles Murray (NY Premiere)

    DOCUMENTARY FEATURES

    A LOVELY DAY – Directed by Kerri Gawryn (NY Premiere)

    AMERICAN BEATBOXER – Directed by Manauvaskar Kublall

    BROTHERS HYPNOTIC – Directed by Reuben Atlas

    CHILDREN OF THE WIND – Directed by Daphne Schmon (NY Premiere)

    IN SEARCH OF THE BLACK KNIGHT – Directed by Tamarat Makonnen (NY Premiere)

    LITTLE BALLERS – Directed by Crystal McCrary (NY Premiere)

    THE NEW BLACK ­– Directed by Yoruba Richen (NY Premiere)

    THE NEW PUBLIC – Directed by Jyllian Gunther

    DOCUMENTARY SHORTS

    “Colored My Mind” – Directed by Nia Hill (NY Premiere)

    “NAILgasm: The Nail Art Documentary” – Directed by Ayla Montgomery (World Premiere)

    NARRATIVE SHORTS

    “A Different Tree” – Directed by Steven Caple Jr. (NY Premiere)

    “Amateur” – Directed by Ryan Koo (NY Premiere)

    “Baghdad Messi” – Directed by Sahim Omar Kalifa (US Premiere)

    “Boneshaker” – Directed by Frances Bodomo

    “Chance Encounter” – Directed by Eric Richardson-Hagans (NY Premiere)

    “Crescendo” – Directed by Alonso Alvarez

    “El Doctor” – Directed by Heather de Michele

    “El Invento” – Directed by Giovanni Granada (NY Premiere)

    “Five Years” – Directed by Durier Ryan

    “Fly On Out” – Directed by Robert Kolodny (World Premiere)

    “Free Lunch” – Directed by Ricky Horne (NY Premiere)

    “Journeyman” – Directed by Sarah Jenkins

    “Juaritos” – Directed by H. F. Crum

    “La Hora Senalada” – Directed by Ivan Mazza (NY Premiere)

    “Last Remarks” – Directed by Umar Riaz (NY Premiere)

    ‘Little Black Boy Wonder” – Directed by Mo McCrae (NY Premiere)

    “LU” – Directed by Korstiaan Vandiver

    “Nameless” – Directed by Jacquin Deleon (NY Premiere)

    “Ojala” – Directed by Ryan Velasquez (NY Premiere)

    “Prospect” – Directed by Derrick Perry

    “Rosita Lopez for President” – Directed by Rachel Goldberg (NY Premiere)

    “Say Yes” – Directed by Ava DuVernay (NY Premiere)

    “Sweet Honey Chile'” – Directed by Talibah Newman

    “The Bash” – Directed by Tyson FitzGerald (NY Premiere)

    “The Grown-Ups” – Directed by Kaliya Warren

    “The Painter” – Directed by Kevin Cooper (NY Premiere)

    “The Rebel Prince” – Directed by Fabian Davis (NY Premiere)

    “Traces of Joy” – Directed by Jeff Tran and Louis Yeum (US Premiere)

    “Twenty Bucks” – Directed by Jesus Beltran (NY Premiere)

    SCREENPLAY FINALISTS

    BLACK CAKE – Written by Pauline Gray

    THE GOOD SOLDIER – Written by Tiana Idoni-Matthews

    THE GUNNERY – Written by Randy Wilkins

    PASSENGERS – Written by Anthony Onah

    YEAR OF OUR LORD – Written by Darius Clark Monroe

    TELEPLAY FINALISTS

    DIARY OF A RETAIL GIRL- Written by Racheal Benjamin

    MEL & MISSY- Written by Allison Bonner Shillingford

    MIRACLE JONES – Written by Charmain Johnson

    BROS BEFORE HOES- Written by Benjamin Cory Jones

    LIVE BIG – Written by Tasimika Paxton

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  • MANHATTAN SHORT Film Festival Announced the 10 Finalist Films to Screen at 2013 Festival

    DO I HAVE TO TAKE CARE OF EVERYTHINGDO I HAVE TO TAKE CARE OF EVERYTHING

    MANHATTAN SHORT announced the ten films to screen in the 16th Annual MANHATTAN SHORT Film Festival to take place in over 300 cinemas across six continents from Friday September 27 to Sunday October 6, 2013.

    # 30 (8.53)
    A talented young actress audtions for the role of Hamlet and not even Shakespeare could anticpate the result. Directed by Timothy Wilde (Australia)

    DO I HAVE TO TAKE CARE OF EVERYTHING (6.35)
    A comedy about a chaotic morning in a family with kids and a mother who is determined that it’s best to take care of everything herself. Directed by Selma Vilhunen (Finland)

    FRIDAY (17.30)
    A young man plots revenge after losing his mother in a terrorist bombing in London. Directed by Seb Edwards (England)

    NO COMMENT (3.41)
    A girl has two unexpected encounters with men in the Jardin du Luxembourg in Paris. Directed by Alexandra Naoum (France)

    IRISH FOLK FURNITURE (8.19)
    An animated documentary about repair and recycling in rural Ireland. Directed by Tony Donaghue (Ireland)

    BLACK METAL (9:00)
    The lead singer of a Black Metal band confronts the effects of his violent lyrics. Directed by Kat Candler (USA)

    FACES FROM PLACES (9:00)
    Portraits of Moscow, Pakistan, and Quebec as seen through the eyes of a traveling illustrator with a flair for adventure. Created By Bastien Dubois (France)

    I AM A GREAT BIG BALL OF SADNESS (8:36)
    At a swanky, rooftop party in New York City, three guests try to get past their cocktail smiles Pakistan, and Quebec as seen through the eyes of a traveling illustrator with a flair for adventure. From the short play written By Ken Urban (USA)

    KIZMET DINER (9:00)
    A singing waitress in a diner finds the song that opens the heart of a disinterested customer. Directed ByMark Nunnely (England)

    PALE OF SETTLEMENT (17:58)
    Based on a true events, The Pale of Settlement, tells the story of a 10 year old Jewish boy, Moische, who must escape forced conscription into the Russian Army during the Crimean War. Directed By Jacob Sillman (USA)

    Special Mention

    DRONE Directed By Daniel Jewel,
    INVISIBLEDirected By James Breen,
    JACOBO Directed By David Del Aguila.

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  • “CONCRETE NIGHT”, “HEART OF A LION” Among Films Selected for 2nd Finnish Film Affair

    CONCRETE NIGHTCONCRETE NIGHT

    The second Finnish Film Affair, an initiative of Finland’s Helsinki International Film Festival – Love & Anarchy, will be held this year from September 24 to 26, 2013. A total of almost 30 new films will be screened, Including two Toronto International Film Festival-bound films: CONCRETE NIGHT by veteran Finnish filmmaker Pirjo Honkasalo and HEART OF A LION by Dome Karukoski. CONCRETE NIGHT is described as a dreamlike odyssey of young Simo who, over the course of a night in the humid and stunning Helsinki, follows his criminal older brother through a series of fateful events. HEART OF A LION is an intense drama about neo-nazi Teppo (Peter Franzén) who tries to position himself as a stepfather for the colored son of the woman he has fallen passionately in love with (Sari, played by Laura Birn).

    Other festival films include the documentaries BLOOD ENGLISH, SWEDISH HEART by Mika Ronkainen, recently selected by Variety as One of Ten Euro Directors To Watch (Karlovy Vary) and ALCAN HIGHWAY by Alex Salmenperä (Hot Docs). This year’s works-in-progress include a wide range of genres, from the latest offering of Finland’s most successful animation franchise, the Moomins ON THE RIVIERA to the youth drama KORSO (Best Pitch Holland Film Meeting 2012) and the doc WIND catchers (IDFA Forum 2011), about street artists in a Brazilian favela who start to get attention from the European art world.

    The Finnish Film Affair program and line-up is now available online.

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  • Controversial South African Film “OF GOOD REPORT” Among Lineup for Toronto International Film Festival’s Discovery Program

    OF GOOD REPORT directed by Jahmil X.T. Qubeka.OF GOOD REPORT directed by Jahmil X.T. Qubeka.

    The Toronto International Film Festival announced the lineup for the Discovery program, highlighting 28 first and second feature films made by outstanding filmmakers from Canada and around the world. The lineup includes the international premiere of the controversial South African film OF GOOD REPORT directed by Jahmil X.T. Qubeka.

    Awards presented to films in the Discovery programme include the Grolsch Film Works Discovery Award supporting an exceptional filmmaker’s next project with a $10,000 cash prize, and the International Federation of Film Critics Award (FIPRESCI Prize) determined by a jury of esteemed international film critics.

    1982 Tommy Oliver, USA World Premiere
    1982, a film inspired by true events at the onset of the crack epidemic in Philadelphia, tells the story of a father and his efforts to protect his gifted daughter from the insidious epidemic which has literally come home via her drug-addicted mother. As his wife becomes more distant and unreliable, he struggles to raise his daughter on his own, while still striving to help his wife become clean. In the process, he learns some hard truths about his marriage and his life, which will ultimately test him as a parent, a husband, and a man. Starring Hill Harper, Sharon Leal, Wayne Brady and young dynamo Troi Zee.

    ALL ABOUT THE FEATHERS (POR LAS PLUMAS) Neto Villalobos, Costa Rica World Premiere
    Chalo is a lone security guard who struggles to get his first gamecock. His job in an abandoned factory is boring and monotonous but it doesn’t seem to bother him that his life is like that as well. Once he finds his prize rooster, which he names Rocky, his life changes. Not having a proper place to raise and train Rocky triggers a series of comical events that will put Chalo’s passion and love for his new (and only) friend to the test.

    THE AMAZING CATFISH (LOS INSÓLITOS PECES GATO) Claudia Sainte-Luce, Mexico North American Premiere|
    22-year-old Claudia lives alone in Guadalajara. One night, she ends up in the emergency room with signs of appendicitis. There she meets Martha, lying on the bed next to her. 46-year-old Martha has four children and endless lust for life, in spite of her illness. Moved by the lonely young woman, Martha invites Claudia to come and live with her when she leaves the hospital. At first, Claudia is bewildered by the somewhat chaotic organization of the household, but soon she finds her place in the tribe. And while Martha is getting weaker, Claudia’s bond with each member of the family gets stronger day by day.

    AROUND THE BLOCK Sarah Spillane, Australia World Premiere
    Set in Sydney’s multicultural inner-city neighbourhood of Redfern, this is a story of revenge and triumph that follows an Aboriginal teenage boy torn between his unexpected love of theatre and his rapidly disintegrating family. With encouragement from an unconventional American drama teacher (Christina Ricci), he confronts his past and eventually takes control of his future.

    BENDS Flora Lau, Hong Kong North American Premiere
    Shot by iconic cinematographer Christopher Doyle, Bends tells the story of Anna (Carina Lau), an affluent housewife and Fai (Chen Kun), her chauffeur, and their unexpected friendship as they negotiate the pressure of Hong Kong life and the city’s increasingly complex relationship to mainland China.

    BENEATH THE HARVEST SKY Aron Gaudet and Gita Pullapilly, USA World Premiere
    Beneath the Harvest Sky tells the story of Casper (Emory Cohen) and Dominic (Callan McAuliffe), two best friends who are fiercely loyal to one another, as they come of age in a small farming town in Maine. During their senior year of high school, Casper is drawn into smuggling drugs across the Canadian border with his outlaw father, Clayton (Aidan Gillen). Meanwhile, Dominic works his final potato harvest, hoping to earn the money he needs to buy a car and take them out of town. Their friendship and loyalty are put to the test as they are forced to mature and make adult decisions that will forever change the course of their lives.

    BETHLEHEM Yuval Adler, Israel North American Premiere
    Bethlehem tells the story of the unlikely bond between Razi, an Israeli secret service officer, and his Palestinian informant Sanfur, the younger brother of a senior Palestinian militant. Razi recruited Sanfur when he was just 15, and developed a very close, almost fatherly relationship to him. Now 17, Sanfur tries to navigate between Razi’s demands and his loyalty to his brother, living a double life and lying to both men. Co-written by director Yuval Adler and Ali Waked—an Arab journalist who spent years in the West Bank—Bethlehem gives an unparalleled, moving and authentic portrait of the complex reality behind the news.

    BOBÔ Inês Oliveira, Portugal International Premiere
    Sofia lives a strangely isolated life in the old apartment where she grew up in Lisbon. Mariama arrives from Guinea-Bissau, having been hired by Sofia’s mother to help take care of the house and her son. The appearance of Bobô, Mariama’s younger sister, awakens in Sofia the desire to take a stand. The forced cohabitation between Sofia and Mariama forces them to confront their own private ghosts.

    BORDER Alessio Cremonini, Italy World Premiere
    Two sisters, Aya and Fatima, live in Syria, at the epicenter of the fighting between police and Shabiha. Shady, Fatima’s husband, deserted the family and joined the rebels of the Syrian Free Army. The only chance the sisters have to survive is to cross the Turkish border.

    CANOPY Aaron Wilson, Australia World Premiere
    It is wartime in Singapore, 1942. An Australian fighter pilot shot down in combat awakens suspended in the treetops. As night devours day, he must navigate through dangerous jungle in search of sanctuary. With minimal dialogue and showcasing a remarkable soundscape, Canopy is an immersive, beautifully shot cinematic experience about the collisions of war and nature and its subsequent toll on humanity.

    FAT Mark Phinney, USA World Premiere
    Addicted to food, and in bad health, Ken (Mel Rodriguez) is headed to an early grave. Despite advice from his friends, he is stubbornly set in his ways—but a chance encounter might just give him the motivation he needs. Based on Mark Phinney’s own experiences and writings on the subject, Fat deals with food addiction in a gritty, authentic way, revealing the deep emotional roots of Ken’s struggles. Shot in Boston (and financed through crowdfunding), Fat peers into the darkness of depression and obesity, with no apologies.

    GIRAFFADA Rani Massalha, France/Germany/Italy/Palestine World Premiere
    Yacine is the veterinarian of the only zoo remaining in the Palestinian West Bank. He lives alone with his 10-year old son, Ziad, who has a special bond with the two giraffes in the zoo. After an Israeli air raid, the male giraffe dies and his mate, Rita, won’t survive unless the veterinarian finds her a new companion. The only zoo that might provide this animal is located in Tel Aviv. Giraffada is the uncanny story of a heist… of a giraffe.

    I AM YOURS (JEG ER DIN) Iram Haq, Norway International Premiere
    I Am Yours is a portrait of Mina, a young Norwegian-Pakistani single mother. Mina is constantly looking for love however none of her relationships bear any hope of lasting very long. Then Mina meets Jesper, and her fortunes seem to change…

    ILO ILO Anthony Chen, Singapore North American Premiere
    Teresa, a Filipino immigrant, is hired as a live-in-maid by a family in Singapore. After some initial trouble, she forms a unique bond with grade-schooler Jiale, which in turn alters the relationship between her and the other members of the family, as between Jiale and his overstressed parents.

    THE MILITANT (EL LUGAR DEL HIJO) Manolo Nieto, Uruguay World Premiere
    A university student involved in militant leftist activism is faced with some difficult decisions when his father suddenly dies, leaving him in charge of their troubled ranch and forcing him to take on the role of a middle class landowner.

    MIRACLE (ZÁZRAK) Juraj Lehotsky, Slovakia/Czech Republic International Premiere
    Miracles is the story of 15-year-old Ela who is sent to a re-education centre. She yearns for love, but is not allowed to love. Despite all the restrictions, she decides to live her life to the fullest.

    MY LOVE AWAITS ME BY THE SEA (HABIBI BISTANANI AND IL BAHAR) Mais Darwazah, Germany/Jordan/Palestine/Qatar World Premiere
    My Love Awaits Me by the Sea is filmmaker Mais Darwazah’s personal journey of self-discovery to “a place that only exists in your mind”. Retracing the last steps of late artist Hasan Hourani — a lover whom she has never met — she meets characters and visits their intimate worlds in search of ‘the dream’, and sees how it is still alive within modern day Palestine, even amidst a very different reality of the outside world of occupation.

    OF GOOD REPORT Jahmil X.T. Qubeka, South Africa International Premiere
    Schoolteacher Parker Sithole (Mothusi Magano) has arrived in a rural South African township with no local connections, but his unassuming disposition inspires trust and sympathy, and he is deemed “of good report” with a glowing recommendation from his previous employer. But when he falls in love with a young woman only to discover that she is one of his new pupils, their love story goes awry, and secrets and obsession tear them apart. Controversial and uncompromising, Of Good Report is not your typical crime of passion.

    PALO ALTO Gia Coppola, USA North American Premiere
    Teddy, April, Fred and Emily are teens left largely to their own devices due to parental foolishness and neglect. They seek diversion and connectedness in each other’s company, wandering through the homes, parks and playgrounds of their tree-lined suburb. But communication is so very difficult. They struggle to articulate their feelings. Their parties may be wild and raucous… but they are alone. Starring James Franco, Emma Roberts, Jack Kilmer, Nat Wolff and Zoe Levin.

    PARADISE (PARAISO) Mariana Chenillo, Mexico World Premiere
    Overweight childhood sweethearts Carmen and Alfredo have re-located from the suburbs to the city. Feeling out of her element and subconscious about her body, Carmen joins a weight loss program and asks her husband to join. Ironically, he sheds the pounds and the distance between them grows, putting their relationship to the test.

    SALVATION ARMY (L’ARMÉE DU SALUT) Abdellah Taïa, France North American Premiere
    The story of Abdellah’s coming of age in two parts — first as a teenager in Morocco, the second as a university student in Geneva. Inspired by the filmmaker’s own autobiographical novel that carries the same title, Salvation Army is as much a film about inhibition, hypocrisy, brutality, and shame as it is about desire, love, dignity and survival.

    SOUTH IS NOTHING (IL SUD È NIENTE) Fabio Mollo, France/Italy World Premiere
    Grazia lives in a small town on the Strait of Messina (Southern Italy) with her father, Cristiano, who sells dried fish. She was 12 when her older brother Pietro emigrated to Germany and never came back. One day, Cristiano says that Pietro is dead and he never wants to talk about it again.

    THE STAG John Butler, Ireland World Premiere
    At his fiancée’s urging, a very modern Irish groom-to-be reluctantly agrees to a stag weekend with his friends, camping in the western wilderness of Ireland. Much to their chagrin, these modern men are joined by the brother of the bride, a crazy, unpredictable alpha male known as “The Machine”, and an explosive Id to their collective Ego. The Machine is a force of nature, and under his leadership, the men—stripped of modern comfort, convenience and, finally, clothing—must begin their journey into the wild.

    THE SUMMER OF FLYING FISH (EL VERANO DE LOS PECES VOLADORES) Marcela Said, Chile/France North American Premiere
    Manena is a very determined teenager, and the darling daughter of Pancho, a rich Chilean landowner who devotes his vacations to a single obsession: the extermination of carp fish that invade his artificial lagoon. As he resorts to more and more extreme methods, Manena experiences her first love, deception, and discovers a world that silently co-exists alongside her own: that of the Mapuche Indian workers who claim access to these lands… and who stand up to her father.

    TRAP STREET (SHUYIN JIE) Vivian Qu, China North American Premiere
    Li Qiuming is a young trainee at a digital mapping company. One day while out surveying, Qiuming has a brief encounter with an attractive woman who disappears into a quiet alley. He soon learns that the data he collected of this alley cannot register in his company’s mapping system. He goes back to the area for a second survey…

    Canadian films previously announced in the Discovery programme include: Gia Milani’s All the Wrong Reasons, Jeff Barnaby’s Rhymes for Young Ghouls and Chloé Robichaud’s Sarah Prefers to Run.

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  • WITCHING & BITCHING Added to Toronto International Film Festival + Masters Program Lineup

    WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI)WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI)

    The 38th Toronto International Film Festival today announced the films in the Masters program, which highlights the work of the world’s most compelling cinematic creators. The program features a diverse collection of new films including world premieres from Quebecois directors Robert Lepage and Pedro Pires and Finnish filmmaker Pirjo Honkasalo; and North American premieres by Jia Zhangke, Jafar Panahi, Kim Ki-duk, Edgar Rietz and Claire Denis. One additional title has also been announced in the Midnight Madness program: the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas de Zugarramurdi).

    A TOUCH OF SIN (TIAN ZHU DING) Jia Zhangke, China/Japan North American Premiere
    An angry miner, enraged by the corruption of his village leaders, takes action. A rootless migrant discovers the infinite possibilities that owning a firearm can offer. A pretty receptionist working in a sauna is pushed to the limit when a wealthy client assaults her. A young factory worker goes from one discouraging job to the next, only to face increasingly degrading circumstances. Four people, four different provinces.

    ABUSE OF WEAKNESS (ABUS DE FAIBLESSE) Catherine Breillat, France/Belgium/Germany World Premiere
    An extraordinary collaboration between two legends of French cinema, Catherine Breillat’s brutally candid autobiographical drama stars Isabelle Huppert as a stroke-afflicted filmmaker manipulated by a notorious con man.

    BASTARDS (LES SALAUDS) Claire Denis, France North American Premiere
    Supertanker captain Marco Silvestri is called back urgently to Paris. His sister Sandra is desperate; her husband has committed suicide, the family business has gone under, and her daughter is spiraling downwards. Sandra holds powerful businessman Edouard Laporte responsible. Marco moves into the building where Laporte has installed his mistress and her son, but he isn’t prepared for Sandra’s secrets, which muddy the waters. Starring Vincent Lindon and Chiara Mastroianni.

    CLOSED CURTAIN (PARDE) Kambozia Partovi and Jafar Panahi, Iran North American Premiere
    A house by the sea; the curtains are pulled shut, the windows covered with black. Inside, a man is hiding with his dog. He is writing a screenplay, when suddenly a mysterious young woman appears and refuses to leave, much to the writer’s annoyance. But at daybreak, another arrival will flip everyone’s perspective.

    CONCRETE NIGHT Pirjo Honkasalo, Finland/Sweden/ Denmark World Premiere
    A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother, in Finnish master Pirjo Honkasalo’s gorgeously stylized and emotionally devastating work about what we pass on to younger generations, and the ways we do it.

    HOME FROM HOME – CHRONICLE OF A VISION (DIE ANDERE HEIMAT – CHRONIK EINER SEHNSUCHT) North American Premiere
    Edgar Reitz, Germany/France
    Edgar Reitz tells this dramatic story of love and family against the backdrop of rural Germany in the mid-19th century, a time when entire poverty-stricken villages emigrated to faraway South America. The story centers on two brothers who have to decide whether they will stay or go.

    HOW STRANGE TO BE NAMED FEDERICO: SCOLA NARRATES FELLINI (CHE STRANO CHIAMARSI FEDERICO: SCOLA RACCONTA FELLINI) Ettore Scola, Italy International Premiere
    On the 20th anniversary of Federico Fellini’s death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of Fellini’s personality, employing interviews, photographs, behind-the-scenes footage as well as Fellini’s drawings and film clips.

    MOEBIUS Kim Ki-duk, South Korea North American Premiere
    South Korea’s celebrated perennial provocateur Kim Ki-duk (Pieta) returns with this twisted family chronicle perched somewhere between psychological thriller, grotesque comedy and perverse ode to the pleasures of sadomasochism.

    NORTE, THE END OF HISTORY (NORTE, HANGGANAN NG KASAYSAYAN) Lav Diaz, Philippines North American Premiere In Philippine cinematic luminary Lav Diaz’s latest work, partially influenced by Dostoyevsky’s Crime and Punishment, a man is accused of murder while the real killer roams free.

    OUR SUNHI (URI SUNHI) Hong Sangsoo, South Korea North American Premiere Korean auteur Hong Sang-soo’s latest follows an aspiring young filmmaker who becomes the object of desire for three very different men, in this smart, resonant dramedy.

    Quebecois filmmakers Robert Lepage and Pedro Pires’s Triptych (Triptyque) was previously announced as part of the Canadian features lineup.

    MIDNIGHT MADNESS

    WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI) Alex de la Iglesia, Spain/France World Premiere Desperate dad José and his friends run from a coven of witches hell-bent on their souls and on the 25,000 wedding rings the guys stole from a Cash-for-Gold shop in a desperate attempt to escape their lives of wife troubles. Witching & Bitching marks the seventh film by cult-favorite Spanish genre specialist Alex de la Iglesia (The Last Circus) to be screened at TIFF.

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  • Documentary THE KILL TEAM to be Released in 2014

    Kill team 02

    Oscilloscope Laboratories announced today that it will release Academy Award-nominated director Dan Krauss’ “powerful and incendiary” documentary THE KILL TEAM in 2014. THE KILL TEAM premiered at this year’s Tribeca Film Festival where it won the festival’s Grand Jury Prize for Best Documentary. The film has also screened at HotDocs, AFI Docs, and the San Francisco International Film Festival, where it picked up yet another jury prize.

    Described as Equal parts infuriating and illuminating, THE KILL TEAM looks at the devastating moral tensions that tear at soldiers’ psyches through the lens of one highly personal and emotional story. Private Adam Winfield was a 21-year-old soldier in Afghanistan when he attempted with the help of his father to alert the military to heinous war crimes his platoon was committing. But Winfield’s pleas went unheeded. Left on his own and with threats to his life, Private Winfield was himself drawn into the moral abyss, forced to make a split-second decision that would change his life forever.

    With extraordinary access to the key inpiduals involved in the case – including Private Winfield, his passionately supportive parents, and Winfield’s startlingly candid compatriots in the so-called “Kill Team”— Krauss expertly constructs a film that is a balanced and nuanced look at the personal stories so often lost inside the larger coverage of the longest war in US history.

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  • First Wave of Films Announced for 2013 Austin Film Festival

    NEBRASKA, written by Bob Nelson and directed by Alexander PayneNEBRASKA, written by Bob Nelson and directed by Alexander Payne

    The Austin Film Festival (AFF) celebrating its 20th anniversary, announced the first ten films in this year’s lineup taking place from October 24th to 31st, 2013. The 2013 Festival will also include a special retrospective series of films presented by Panelists, showcasing films that have inspired their own work. One retrospective film track: “Out of the Vault: Jonathan Demme” will include films selected by the 2013 Extraordinary Contribution to Filmmaking award recipient and Academy Award® winning director, Jonathan Demme, including a work in progress of his latest film, Fear of Falling, written by Wallace Shawn — an adaptation of the Henrik Ibsen play ‘The Master Builder’ based on the story of an architect increasingly caught up in his own fantasies.

    Additional retrospectives include: Vince Gilligan, creator of Breaking Bad, and AFF’s 2013 Outstanding Television Writer award recipient, presenting William Friedkin’s classic crime thriller The French Connection, written by Ernest Tidyman. Shane Black, writer and director of Iron Man 3 and Kiss Kiss Bang Bang, will present Morrie Ryskind’s screwball comedy, My Man Godfrey. Jim Taylor, long-time collaborator of Alexander Payne and writer of Sideways, About Schmidt and Citizen Ruth, will host a screening of Election, his 1999 screenplay following a high school student election that is taken to the extreme. Norman Steinberg will show the revolutionary comedy that he co-wrote with Mel Brooks and Richard Pryor, Blazing Saddles.

    Other Festival highlights include:

    NEBRASKA, written by Bob Nelson and directed by Alexander Payne. After receiving a sweepstakes letter in the mail, a cantankerous father (Bruce Dern) thinks he’s struck it rich, and wrangles his son (Will Forte) into taking a road trip to claim the fortune. Shot in black and white across four states,Nebraska tells the stories of family life in the heartland of America.

    COFFEE, KILL BOSS (World Premiere), the first feature film from director Nathan Marshall, follows ten executives who secretly meet to sell off their company but instead become victims of an outrageous murder scheme. The script, written by Sigurd Ueland — a 2010 Austin Film Festival Screenplay Competition Semifinalist — is a dark comic romp through the halls of corporate America.

    INNOCENCE (World Premiere), written and directed by Hilary Brougher (director, Stephanie Daley), produced by Christine Vachone (Bluebird, Boys Don’t Cry), follows a young woman who discovers that her elite private school harbors a dark secret. This suspenseful horror film, based on Jane Medelsohn’s 2000 novel explores themes of loss, love, and theInnocence will screen as a part of AFF’s Dark Matters Category.

    THE ODD WAY HOME (World Premiere), directed by Rajeev Nirmalakhandan, co-written by Nirmalakhandan and Jason Ronstadt, and produced by Peter Touche. The film follows Maya (Rumer Willis), the product of a neglected childhood, and Duncan (Chris Marquette), a slave to his obsessions of order and pattern, as they journey through the American Southwest, finding happiness in the unlikeliest of places.

    SIREN (North American Premiere), Television writer Jesse Peyronel’s feature script directorial debut. Starring Vinessa Shaw (3:10 to Yuma, The Hills Have Eyes) and Rob Kazinsky (Pacific Rim), Siren is a dark fairytale about a woman with an unusual curse: an alluring scent. She is irresistible to every man she meets, but when confronted with a man immune to her power, she is presented with the possibility of real love.

    SPEAK NOW (World Premiere), directed by Noah Harald and written by Erin Cardillo, Speak Now is a Romantic Dramedy following high school friends reuniting for a wedding. Old offenses and newly mounting scandal plunge the group back into a pool of high-school drama. Entirely improvised from an outline and character studies, the whole feature was shot in three days. Speak Now will screen as part of Austin Film Festival’s new WRITE/REC Series, focusing on the best in low-budget storytelling.

    TAKE AWAY ONE (World Premiere), the first feature film written and directed by seasoned tv editor William Lorton (Face Off, Bridezillas), this documentary film follows Lorton’s aunt, Mary Baratta-Lorton, and her mysterious unsolved murder. Mary, in her short 38 years, rose from obscurity to become one of the most famous teachers in the US. Personally inept with math, yet placed as a UC Berkeley student-teacher in one of the roughest inner-city classrooms of the San Francisco Bay Area – Mary’s intuitive strategy of teaching arithmetic with hands-on manipulative materials quickly blossomed into a nation-wide career as an author, lecturer, and movement leader.

    MOM, DAD, I’M MUSLIM (US Premiere), a documentary film, written and directed by Anat Tel Mendelovich and distributed by Seventh Art Releasing, examines the trials of May Davidovich, a 22-year old devout Muslim searching for equilibrium between her belief in Islam and her parents’ devotion to Judaism. The religious conflict between May and her parents makes for a fascinating case study on the balance between pursuing spiritual fulfillment and inherent family expectations.

    SOMBRAS DE AZUL, (World Premiere), the Spanish-language feature film debut of local Austin writer/director, Kelly Daniela Norris, who re-imagines her own experience of bereavement following the death of her brother by weaving together real memory and personal reflection through the sights and sounds of Cuba. 

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  • Chicago International Film Festival Announces First Films for 2013

    The Inevitable Defeat of Mister and PeteThe Inevitable Defeat of Mister and Pete 

    The Chicago International Film Festival announced the first 21 feature-length and short films, a preview of the more than 150 films that will be presented during the 49th edition of the festival taking place October 10 – 24, 2013.  Films include THE INEVITABLE DEFEAT OF MISTER AND PETE directed by George Tillman which follows 13-year-old Mister whose mother, played by Chicago native Jennifer Hudson, is apprehended by the police, leaving Mister and his nine-year-old brother Pete alone to forage for food while dodging child protective services and the destructive scenarios of the projects. 

    Films Include:

    BIG BAD WOLVES (Directors: Aharon Keshales, Navot Papushado • Israel): When the lead suspect in a brutal child murder is released due to a police blunder, a vigilante police detective and a grieving father take the law into their own hands in this fantastically intense, darkly funny revenge thriller from one of the pioneers of Israeli horror cinema.

    BLUE IS THE WARMEST COLOR (Director: Abdellatif Kechiche • France): Teenager Adèle’s life is turned upside down the night she meets blue-haired Emma in this scandalous winner of the top prize at Cannes. Adèle’s passionate sexual awakening and the couple’s ensuing relationship – spanning several years – are depicted in searing, intimate detail with sharp, controlled direction and breathtaking performances from the two leads.

    ELAINE STRITCH: SHOOT ME (Director: Chiemi Karasawa • USA): A ferocious, funny and poignant portrait of the one-of-a-kind Broadway legend as she reaches her 87th year, “Elaine Stritch: Shoot Me” showcases the brash, uncompromising Tony and Emmy Award-winner both onstage and off. Stritch’s inimitable personality is on full display in this hilarious, affectionate tribute.

    THE GIRLS ON LIBERTY STREET (Director: John Rangel • USA): A teenager on the verge of leaving for the army, Brianna spends her last week at home trying to mend tensions with her friends and family. Eschewing melodrama, the film imbues this simple story with a deft style and effortlessly natural performances, creating an assured portrait of a young woman in transition.

    GRIGRIS (Director: Mahamat-Saleh Haroun • Chad): Despite a paralyzed leg that keeps him on the fringes of society, Grigris comes alive at the local nightclub, tearing up the dance floor every night. When a relative falls critically ill, the desperate Grigris turns to black market kingpin Moussa to pay the hospital bills and soon finds himself in over his head.

    HELI (Director: Amat Escalante • Mexico): In a misguided attempt to finance his elopement with 12-year-old Estela, police cadet Beto steals two large packages of cocaine, setting off a string of increasingly violent consequences for him and for Estela’s family in this unflinching look at the cycle of drugs and violence in contemporary Mexico.

    THE INEVITABLE DEFEAT OF MISTER AND PETE (Director: George Tillman • USA): During a sweltering summer in New York City, 13-year-old Mister’s hard-living mother (Jennifer Hudson) is apprehended by the police, leaving Mister and his nine-year-old brother Pete alone to forage for food while dodging child protective services and the destructive scenarios of the projects. “The Inevitable Defeat of Mister and Pete” is a beautifully observed, moving film about salvation through friendship.

    LIKE FATHER, LIKE SON (Director: Kore-eda Hirokazu • Japan): The lives of success-driven architect Ryota and his shy wife Midori are turned upside down when they discover that, due to a hospital mix-up six years earlier, their son Keita is not their own. The foundations of their identities as loving parents begin to crumble as they meet their biological child.

    THE MISSING PICTURE (Director: Rithy Panh • Cambodia): How do you document a genocide when no footage of the atrocities exists? Rithy Panh attempts to answer this question in this Cannes prize-winning film recounting a childhood under the Khmer Rouge, illustrating his memories with hand carved clay figures. This innovative documentary explores the intersection of historical memory and the power of images.

    MONSOON SHOOTOUT (Director: Amit Kumar • India): As heavy monsoon rains lash Mumbai, rookie cop Adi raises his gun to a criminal and must decide whether or not to pull the trigger. “Monsoon Shootout” presents three alternate scenarios, each sending Adi spiraling on a downward journey that pits him against fate and a system that presents a quagmire of moral ambiguity.

    MY SWEET PEPPER LAND (Director: Hiner Saleem • Iraq): A godforsaken border town in newly-autonomous Kurdistan serves as the setting for this Western-inspired tale of justice and honor. Both Baran, a former Kurdish independence war hero, and Govend, a beautiful young woman defying tradition to become a teacher, are determined to see order and civilization restored to their damaged country.

    THE PRIEST’S CHILDREN (Director: Vinko Bresan • Croatia): Troubled by his small island’s rapidly dwindling population, the dogmatic young Father Fabijan sabotages the town’s birth control. Soon the picturesque island town is awash with pregnant women, and the absurd unintended consequences of the plan begin piling up in this irreverent, hilarious dark comedy.

    SALVO (Directors: Fabio Grassadonia, Antonio Piazza • Italy): Mafia hitman Salvo is solitary, callous, and ruthless. His deep-rooted cold-bloodedness is tested, however, when, on his latest job, he discovers his target’s sister, a blind woman named Rita. Disturbed by her unseeing stare, Salvo spares her life, fully aware of the inexorable consequences of this ill-fated choice.

    UNDER THE RAINBOW (Director: Agnès Jaoui • France): “Look At Me” writer-director-star Agnès Jaoui returns with a witty, charming, modern day mélange of familiar fairy tales. When young Laura meets Sandro at a party, she thinks she may have met her Prince Charming. And then she meets Maxime. Laura must choose between them as they, and their families, deal with the tragicomic realities of romance.

    WALESA: MAN OF HOPE (Director: Andrzej Wajda • Poland): Legendary director Andrzej Wajda tells the inspiring story of Lech Walesa, Nobel laureate and Poland’s first post-Soviet president. The charismatic Wałesa rises from the shipyard to union leadership and becomes the voice and face of the growing solidarity movement, standing up to the feared Soviet Union and leading Poland’s fight for independence.

    DIE WELT (Director: Alex Pitstra • Tunisia): In the summer of 2011, Tunisia is finally free of its dictatorial shackles, but 23-year-old Abdallah still dreams of escaping to Europe. Following a chance encounter, Abdallah’s passion to reach the other side of the Mediterranean burns brighter than ever before, prompting a desperate gamble for escape.

    WILL YOU STILL LOVE ME TOMORROW? (Director: Arvin Chen • Taiwan): Introvert Weichung’s measured life as a family man is shaken when a chance encounter revives feelings from his long suppressed gay past, forcing him to choose between love and security. Fantastical flourishes color this bittersweet romantic comedy that is all at once wise and funny in its exploration of formal notions of family, sexuality, and friendship.

    Short Films: Highlights from this year’s program include: 23-year-old Tim attempts to seduce the ladies, but his stutter gets in the way in “Stammering Love.” In “Needle,” a young girl’s feelings about her parents’ divorce are explored when she goes to get her ears pierced. A teenager develops an awkward attraction in “Peach Juice.”

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  • Six Documentaries You Shouldn’t Miss This Year 2013

    Six Early 2013 Documentaries You Shouldn’t Miss, Hey Bartender, Koch, Room 237, Bending Steel, A Band Called Death, The Project,

    With the cost of movie-quality cameras becoming affordable in recent years, there’s hardly anything stopping somebody from picking up a camera and making a documentary about just about anything. In many ways, the last decade or so has really been the golden age of documentaries. With audiences paying more attention to big screen documentaries than ever, the quality of what is coming out from documentary filmmakers is astounding. Of course, that also means that more and more documentaries are being released to theaters than ever before – often unfortunately in limited release – and that means you’ve likely missed some great ones.

    Here is a list of six of my favorite documentaries of the year. Unlike my indie film list, I found it impossible to limit this to only five choices because I’ve seen so many great documentaries this year. Again, these might not necessarily be the best documentaries of 2013 so far, but they shouldn’t be missed if you’re looking for a moving or thought-provoking experience.

    KOCH

    KOCH-film
    Being a native New Yorker, I get a kick out of people from other places who are convinced that New York City is a dangerous place to live. I think people are hung up on the New York City of the 1970s, or, in other words, New York City before Ed Koch. Koch served as Mayor of New York for three terms and for all those years he might have been the most colorful personality in the entire country with eccentric, completely New York personality. Koch the documentary, which was made only a few months before his death earlier this year, is a thorough biography of one of New York’s most memorable “characters.” The movie is incredibly funny, as the former mayor holds little back when sharing his opinions on society and politics, and though New Yorkers will get the most out of it I feel people all over the country will enjoy and be inspired by Koch.

    ROOM 237

    room-237
    Stanley Kubrick left us too soon and with too few movies to remember him by. Of course, if Kubrick was more productive — in the last twenty years of his life he only made three movies — his movies wouldn’t be Kubrick movies. Kubrick marked his films by an incredible attention to detail and layers of hidden themes and meanings. But perhaps his most perplexing is The Shining, an adaptation of Stephen King’s horror novel, and decades after its 1980 release people still debate on what the movie really means. Room 237 takes a look at five theories surrounding The Shining and what it “really” means. The documentary is loaded with clips from The Shining and other Kubrick films, and any fan of Kubrick’s movies will doubtlessly enjoy delving even further into the mysteries of The Shining.

    BENDING STEEL

    bendingsteel

    I love documentaries like King of Kong that explore the high-stakes world of low-stakes competition. Bending Steel follows Chris, a man of below-average size who devotes himself to becoming an old-time circus strongman. Despite this being little more than a sideshow attraction to most people, Chris immerses himself in this subculture while he works hard and bending a seemingly impossible to budge bar of steel. Chris overcomes the adversity in his life, his lack of comfort in front of audiences, and even a hurricane to realize his dream of performing his craft on stage on Coney Island.

    A BAND CALLED DEATH

    A Band Called Death
    Every once in a while, someone will make a discovery about art that completely changes the “textbook narrative.” A Band Called Death is about a Detroit band made up of three African-American brothers who were playing the punk sound before anyone else… but quickly faded into obscurity. It wasn’t until only a few years ago that the music world finally took notice. A Band Called Death follows the long, strange trip from obscurity to respected pioneers that Death has taken after decades of never getting any credit or even attention for their music.

    HEY BARTENDER

    hey-bartender

    I love a well-made drink. Who doesn’t? But if your kind of drink is whatever you can get cheaply at happy hour, Hey Bartender will change your mind very quickly. The documentary explores the revival in cocktail culture, in which dedicated bartenders devote their lives to finding new flavors and new mixes to please the palates of drinkers all over the globe. Like Bending Steel, Hey Bartender explores the high-stakes world of low-stakes competition as bartenders all over the world hope to be recognized for perfecting their craft, and, most of all, please their customers. You’ll never look at a well-mixed martini the same again!

    THE PROJECT

    The Project

    We all have heard about pirates off the coast of Somalia, but how many of us really know anything about them? The Project takes a hard look at the problem of piracy in the lawless seas and focuses on how little is being done about these horrific crimes. It looks at a group of well-meaning Westerners who come to Somalia to create a military force to battle against the pirates and shows all the hardships and red tape these individuals face when they’re just trying to do the right thing. But most excitingly it culminates in a real-life battle against pirates that was caught on tape only weeks before The Project premiered at this year’s Tribeca Film Festival. The Project demonstrates that sometimes the best intentions are met with the most resistance, but individuals dedicated to making the world a better place will never quit.

    How about you? Were there any documentaries you saw this year that you hope others won’t miss? Let us know what documentaries that should be on all of our radars in the comments!

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