• WITCHING & BITCHING Added to Toronto International Film Festival + Masters Program Lineup

    WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI)WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI)

    The 38th Toronto International Film Festival today announced the films in the Masters program, which highlights the work of the world’s most compelling cinematic creators. The program features a diverse collection of new films including world premieres from Quebecois directors Robert Lepage and Pedro Pires and Finnish filmmaker Pirjo Honkasalo; and North American premieres by Jia Zhangke, Jafar Panahi, Kim Ki-duk, Edgar Rietz and Claire Denis. One additional title has also been announced in the Midnight Madness program: the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas de Zugarramurdi).

    A TOUCH OF SIN (TIAN ZHU DING) Jia Zhangke, China/Japan North American Premiere
    An angry miner, enraged by the corruption of his village leaders, takes action. A rootless migrant discovers the infinite possibilities that owning a firearm can offer. A pretty receptionist working in a sauna is pushed to the limit when a wealthy client assaults her. A young factory worker goes from one discouraging job to the next, only to face increasingly degrading circumstances. Four people, four different provinces.

    ABUSE OF WEAKNESS (ABUS DE FAIBLESSE) Catherine Breillat, France/Belgium/Germany World Premiere
    An extraordinary collaboration between two legends of French cinema, Catherine Breillat’s brutally candid autobiographical drama stars Isabelle Huppert as a stroke-afflicted filmmaker manipulated by a notorious con man.

    BASTARDS (LES SALAUDS) Claire Denis, France North American Premiere
    Supertanker captain Marco Silvestri is called back urgently to Paris. His sister Sandra is desperate; her husband has committed suicide, the family business has gone under, and her daughter is spiraling downwards. Sandra holds powerful businessman Edouard Laporte responsible. Marco moves into the building where Laporte has installed his mistress and her son, but he isn’t prepared for Sandra’s secrets, which muddy the waters. Starring Vincent Lindon and Chiara Mastroianni.

    CLOSED CURTAIN (PARDE) Kambozia Partovi and Jafar Panahi, Iran North American Premiere
    A house by the sea; the curtains are pulled shut, the windows covered with black. Inside, a man is hiding with his dog. He is writing a screenplay, when suddenly a mysterious young woman appears and refuses to leave, much to the writer’s annoyance. But at daybreak, another arrival will flip everyone’s perspective.

    CONCRETE NIGHT Pirjo Honkasalo, Finland/Sweden/ Denmark World Premiere
    A 14-year-old boy in a stifling Helsinki slum takes some unwise life lessons from his soon-to-be-incarcerated older brother, in Finnish master Pirjo Honkasalo’s gorgeously stylized and emotionally devastating work about what we pass on to younger generations, and the ways we do it.

    HOME FROM HOME – CHRONICLE OF A VISION (DIE ANDERE HEIMAT – CHRONIK EINER SEHNSUCHT) North American Premiere
    Edgar Reitz, Germany/France
    Edgar Reitz tells this dramatic story of love and family against the backdrop of rural Germany in the mid-19th century, a time when entire poverty-stricken villages emigrated to faraway South America. The story centers on two brothers who have to decide whether they will stay or go.

    HOW STRANGE TO BE NAMED FEDERICO: SCOLA NARRATES FELLINI (CHE STRANO CHIAMARSI FEDERICO: SCOLA RACCONTA FELLINI) Ettore Scola, Italy International Premiere
    On the 20th anniversary of Federico Fellini’s death, Ettore Scola, a devoted admirer of the incomparable maestro, commemorates the lesser-known aspects of Fellini’s personality, employing interviews, photographs, behind-the-scenes footage as well as Fellini’s drawings and film clips.

    MOEBIUS Kim Ki-duk, South Korea North American Premiere
    South Korea’s celebrated perennial provocateur Kim Ki-duk (Pieta) returns with this twisted family chronicle perched somewhere between psychological thriller, grotesque comedy and perverse ode to the pleasures of sadomasochism.

    NORTE, THE END OF HISTORY (NORTE, HANGGANAN NG KASAYSAYAN) Lav Diaz, Philippines North American Premiere In Philippine cinematic luminary Lav Diaz’s latest work, partially influenced by Dostoyevsky’s Crime and Punishment, a man is accused of murder while the real killer roams free.

    OUR SUNHI (URI SUNHI) Hong Sangsoo, South Korea North American Premiere Korean auteur Hong Sang-soo’s latest follows an aspiring young filmmaker who becomes the object of desire for three very different men, in this smart, resonant dramedy.

    Quebecois filmmakers Robert Lepage and Pedro Pires’s Triptych (Triptyque) was previously announced as part of the Canadian features lineup.

    MIDNIGHT MADNESS

    WITCHING & BITCHING (LAS BRUJAS DE ZUGARRAMURDI) Alex de la Iglesia, Spain/France World Premiere Desperate dad José and his friends run from a coven of witches hell-bent on their souls and on the 25,000 wedding rings the guys stole from a Cash-for-Gold shop in a desperate attempt to escape their lives of wife troubles. Witching & Bitching marks the seventh film by cult-favorite Spanish genre specialist Alex de la Iglesia (The Last Circus) to be screened at TIFF.

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  • Documentary THE KILL TEAM to be Released in 2014

    Kill team 02

    Oscilloscope Laboratories announced today that it will release Academy Award-nominated director Dan Krauss’ “powerful and incendiary” documentary THE KILL TEAM in 2014. THE KILL TEAM premiered at this year’s Tribeca Film Festival where it won the festival’s Grand Jury Prize for Best Documentary. The film has also screened at HotDocs, AFI Docs, and the San Francisco International Film Festival, where it picked up yet another jury prize.

    Described as Equal parts infuriating and illuminating, THE KILL TEAM looks at the devastating moral tensions that tear at soldiers’ psyches through the lens of one highly personal and emotional story. Private Adam Winfield was a 21-year-old soldier in Afghanistan when he attempted with the help of his father to alert the military to heinous war crimes his platoon was committing. But Winfield’s pleas went unheeded. Left on his own and with threats to his life, Private Winfield was himself drawn into the moral abyss, forced to make a split-second decision that would change his life forever.

    With extraordinary access to the key inpiduals involved in the case – including Private Winfield, his passionately supportive parents, and Winfield’s startlingly candid compatriots in the so-called “Kill Team”— Krauss expertly constructs a film that is a balanced and nuanced look at the personal stories so often lost inside the larger coverage of the longest war in US history.

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  • First Wave of Films Announced for 2013 Austin Film Festival

    NEBRASKA, written by Bob Nelson and directed by Alexander PayneNEBRASKA, written by Bob Nelson and directed by Alexander Payne

    The Austin Film Festival (AFF) celebrating its 20th anniversary, announced the first ten films in this year’s lineup taking place from October 24th to 31st, 2013. The 2013 Festival will also include a special retrospective series of films presented by Panelists, showcasing films that have inspired their own work. One retrospective film track: “Out of the Vault: Jonathan Demme” will include films selected by the 2013 Extraordinary Contribution to Filmmaking award recipient and Academy Award® winning director, Jonathan Demme, including a work in progress of his latest film, Fear of Falling, written by Wallace Shawn — an adaptation of the Henrik Ibsen play ‘The Master Builder’ based on the story of an architect increasingly caught up in his own fantasies.

    Additional retrospectives include: Vince Gilligan, creator of Breaking Bad, and AFF’s 2013 Outstanding Television Writer award recipient, presenting William Friedkin’s classic crime thriller The French Connection, written by Ernest Tidyman. Shane Black, writer and director of Iron Man 3 and Kiss Kiss Bang Bang, will present Morrie Ryskind’s screwball comedy, My Man Godfrey. Jim Taylor, long-time collaborator of Alexander Payne and writer of Sideways, About Schmidt and Citizen Ruth, will host a screening of Election, his 1999 screenplay following a high school student election that is taken to the extreme. Norman Steinberg will show the revolutionary comedy that he co-wrote with Mel Brooks and Richard Pryor, Blazing Saddles.

    Other Festival highlights include:

    NEBRASKA, written by Bob Nelson and directed by Alexander Payne. After receiving a sweepstakes letter in the mail, a cantankerous father (Bruce Dern) thinks he’s struck it rich, and wrangles his son (Will Forte) into taking a road trip to claim the fortune. Shot in black and white across four states,Nebraska tells the stories of family life in the heartland of America.

    COFFEE, KILL BOSS (World Premiere), the first feature film from director Nathan Marshall, follows ten executives who secretly meet to sell off their company but instead become victims of an outrageous murder scheme. The script, written by Sigurd Ueland — a 2010 Austin Film Festival Screenplay Competition Semifinalist — is a dark comic romp through the halls of corporate America.

    INNOCENCE (World Premiere), written and directed by Hilary Brougher (director, Stephanie Daley), produced by Christine Vachone (Bluebird, Boys Don’t Cry), follows a young woman who discovers that her elite private school harbors a dark secret. This suspenseful horror film, based on Jane Medelsohn’s 2000 novel explores themes of loss, love, and theInnocence will screen as a part of AFF’s Dark Matters Category.

    THE ODD WAY HOME (World Premiere), directed by Rajeev Nirmalakhandan, co-written by Nirmalakhandan and Jason Ronstadt, and produced by Peter Touche. The film follows Maya (Rumer Willis), the product of a neglected childhood, and Duncan (Chris Marquette), a slave to his obsessions of order and pattern, as they journey through the American Southwest, finding happiness in the unlikeliest of places.

    SIREN (North American Premiere), Television writer Jesse Peyronel’s feature script directorial debut. Starring Vinessa Shaw (3:10 to Yuma, The Hills Have Eyes) and Rob Kazinsky (Pacific Rim), Siren is a dark fairytale about a woman with an unusual curse: an alluring scent. She is irresistible to every man she meets, but when confronted with a man immune to her power, she is presented with the possibility of real love.

    SPEAK NOW (World Premiere), directed by Noah Harald and written by Erin Cardillo, Speak Now is a Romantic Dramedy following high school friends reuniting for a wedding. Old offenses and newly mounting scandal plunge the group back into a pool of high-school drama. Entirely improvised from an outline and character studies, the whole feature was shot in three days. Speak Now will screen as part of Austin Film Festival’s new WRITE/REC Series, focusing on the best in low-budget storytelling.

    TAKE AWAY ONE (World Premiere), the first feature film written and directed by seasoned tv editor William Lorton (Face Off, Bridezillas), this documentary film follows Lorton’s aunt, Mary Baratta-Lorton, and her mysterious unsolved murder. Mary, in her short 38 years, rose from obscurity to become one of the most famous teachers in the US. Personally inept with math, yet placed as a UC Berkeley student-teacher in one of the roughest inner-city classrooms of the San Francisco Bay Area – Mary’s intuitive strategy of teaching arithmetic with hands-on manipulative materials quickly blossomed into a nation-wide career as an author, lecturer, and movement leader.

    MOM, DAD, I’M MUSLIM (US Premiere), a documentary film, written and directed by Anat Tel Mendelovich and distributed by Seventh Art Releasing, examines the trials of May Davidovich, a 22-year old devout Muslim searching for equilibrium between her belief in Islam and her parents’ devotion to Judaism. The religious conflict between May and her parents makes for a fascinating case study on the balance between pursuing spiritual fulfillment and inherent family expectations.

    SOMBRAS DE AZUL, (World Premiere), the Spanish-language feature film debut of local Austin writer/director, Kelly Daniela Norris, who re-imagines her own experience of bereavement following the death of her brother by weaving together real memory and personal reflection through the sights and sounds of Cuba. 

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  • Chicago International Film Festival Announces First Films for 2013

    The Inevitable Defeat of Mister and PeteThe Inevitable Defeat of Mister and Pete 

    The Chicago International Film Festival announced the first 21 feature-length and short films, a preview of the more than 150 films that will be presented during the 49th edition of the festival taking place October 10 – 24, 2013.  Films include THE INEVITABLE DEFEAT OF MISTER AND PETE directed by George Tillman which follows 13-year-old Mister whose mother, played by Chicago native Jennifer Hudson, is apprehended by the police, leaving Mister and his nine-year-old brother Pete alone to forage for food while dodging child protective services and the destructive scenarios of the projects. 

    Films Include:

    BIG BAD WOLVES (Directors: Aharon Keshales, Navot Papushado • Israel): When the lead suspect in a brutal child murder is released due to a police blunder, a vigilante police detective and a grieving father take the law into their own hands in this fantastically intense, darkly funny revenge thriller from one of the pioneers of Israeli horror cinema.

    BLUE IS THE WARMEST COLOR (Director: Abdellatif Kechiche • France): Teenager Adèle’s life is turned upside down the night she meets blue-haired Emma in this scandalous winner of the top prize at Cannes. Adèle’s passionate sexual awakening and the couple’s ensuing relationship – spanning several years – are depicted in searing, intimate detail with sharp, controlled direction and breathtaking performances from the two leads.

    ELAINE STRITCH: SHOOT ME (Director: Chiemi Karasawa • USA): A ferocious, funny and poignant portrait of the one-of-a-kind Broadway legend as she reaches her 87th year, “Elaine Stritch: Shoot Me” showcases the brash, uncompromising Tony and Emmy Award-winner both onstage and off. Stritch’s inimitable personality is on full display in this hilarious, affectionate tribute.

    THE GIRLS ON LIBERTY STREET (Director: John Rangel • USA): A teenager on the verge of leaving for the army, Brianna spends her last week at home trying to mend tensions with her friends and family. Eschewing melodrama, the film imbues this simple story with a deft style and effortlessly natural performances, creating an assured portrait of a young woman in transition.

    GRIGRIS (Director: Mahamat-Saleh Haroun • Chad): Despite a paralyzed leg that keeps him on the fringes of society, Grigris comes alive at the local nightclub, tearing up the dance floor every night. When a relative falls critically ill, the desperate Grigris turns to black market kingpin Moussa to pay the hospital bills and soon finds himself in over his head.

    HELI (Director: Amat Escalante • Mexico): In a misguided attempt to finance his elopement with 12-year-old Estela, police cadet Beto steals two large packages of cocaine, setting off a string of increasingly violent consequences for him and for Estela’s family in this unflinching look at the cycle of drugs and violence in contemporary Mexico.

    THE INEVITABLE DEFEAT OF MISTER AND PETE (Director: George Tillman • USA): During a sweltering summer in New York City, 13-year-old Mister’s hard-living mother (Jennifer Hudson) is apprehended by the police, leaving Mister and his nine-year-old brother Pete alone to forage for food while dodging child protective services and the destructive scenarios of the projects. “The Inevitable Defeat of Mister and Pete” is a beautifully observed, moving film about salvation through friendship.

    LIKE FATHER, LIKE SON (Director: Kore-eda Hirokazu • Japan): The lives of success-driven architect Ryota and his shy wife Midori are turned upside down when they discover that, due to a hospital mix-up six years earlier, their son Keita is not their own. The foundations of their identities as loving parents begin to crumble as they meet their biological child.

    THE MISSING PICTURE (Director: Rithy Panh • Cambodia): How do you document a genocide when no footage of the atrocities exists? Rithy Panh attempts to answer this question in this Cannes prize-winning film recounting a childhood under the Khmer Rouge, illustrating his memories with hand carved clay figures. This innovative documentary explores the intersection of historical memory and the power of images.

    MONSOON SHOOTOUT (Director: Amit Kumar • India): As heavy monsoon rains lash Mumbai, rookie cop Adi raises his gun to a criminal and must decide whether or not to pull the trigger. “Monsoon Shootout” presents three alternate scenarios, each sending Adi spiraling on a downward journey that pits him against fate and a system that presents a quagmire of moral ambiguity.

    MY SWEET PEPPER LAND (Director: Hiner Saleem • Iraq): A godforsaken border town in newly-autonomous Kurdistan serves as the setting for this Western-inspired tale of justice and honor. Both Baran, a former Kurdish independence war hero, and Govend, a beautiful young woman defying tradition to become a teacher, are determined to see order and civilization restored to their damaged country.

    THE PRIEST’S CHILDREN (Director: Vinko Bresan • Croatia): Troubled by his small island’s rapidly dwindling population, the dogmatic young Father Fabijan sabotages the town’s birth control. Soon the picturesque island town is awash with pregnant women, and the absurd unintended consequences of the plan begin piling up in this irreverent, hilarious dark comedy.

    SALVO (Directors: Fabio Grassadonia, Antonio Piazza • Italy): Mafia hitman Salvo is solitary, callous, and ruthless. His deep-rooted cold-bloodedness is tested, however, when, on his latest job, he discovers his target’s sister, a blind woman named Rita. Disturbed by her unseeing stare, Salvo spares her life, fully aware of the inexorable consequences of this ill-fated choice.

    UNDER THE RAINBOW (Director: Agnès Jaoui • France): “Look At Me” writer-director-star Agnès Jaoui returns with a witty, charming, modern day mélange of familiar fairy tales. When young Laura meets Sandro at a party, she thinks she may have met her Prince Charming. And then she meets Maxime. Laura must choose between them as they, and their families, deal with the tragicomic realities of romance.

    WALESA: MAN OF HOPE (Director: Andrzej Wajda • Poland): Legendary director Andrzej Wajda tells the inspiring story of Lech Walesa, Nobel laureate and Poland’s first post-Soviet president. The charismatic Wałesa rises from the shipyard to union leadership and becomes the voice and face of the growing solidarity movement, standing up to the feared Soviet Union and leading Poland’s fight for independence.

    DIE WELT (Director: Alex Pitstra • Tunisia): In the summer of 2011, Tunisia is finally free of its dictatorial shackles, but 23-year-old Abdallah still dreams of escaping to Europe. Following a chance encounter, Abdallah’s passion to reach the other side of the Mediterranean burns brighter than ever before, prompting a desperate gamble for escape.

    WILL YOU STILL LOVE ME TOMORROW? (Director: Arvin Chen • Taiwan): Introvert Weichung’s measured life as a family man is shaken when a chance encounter revives feelings from his long suppressed gay past, forcing him to choose between love and security. Fantastical flourishes color this bittersweet romantic comedy that is all at once wise and funny in its exploration of formal notions of family, sexuality, and friendship.

    Short Films: Highlights from this year’s program include: 23-year-old Tim attempts to seduce the ladies, but his stutter gets in the way in “Stammering Love.” In “Needle,” a young girl’s feelings about her parents’ divorce are explored when she goes to get her ears pierced. A teenager develops an awkward attraction in “Peach Juice.”

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  • Six Documentaries You Shouldn’t Miss This Year 2013

    Six Early 2013 Documentaries You Shouldn’t Miss, Hey Bartender, Koch, Room 237, Bending Steel, A Band Called Death, The Project,

    With the cost of movie-quality cameras becoming affordable in recent years, there’s hardly anything stopping somebody from picking up a camera and making a documentary about just about anything. In many ways, the last decade or so has really been the golden age of documentaries. With audiences paying more attention to big screen documentaries than ever, the quality of what is coming out from documentary filmmakers is astounding. Of course, that also means that more and more documentaries are being released to theaters than ever before – often unfortunately in limited release – and that means you’ve likely missed some great ones.

    Here is a list of six of my favorite documentaries of the year. Unlike my indie film list, I found it impossible to limit this to only five choices because I’ve seen so many great documentaries this year. Again, these might not necessarily be the best documentaries of 2013 so far, but they shouldn’t be missed if you’re looking for a moving or thought-provoking experience.

    KOCH

    KOCH-film
    Being a native New Yorker, I get a kick out of people from other places who are convinced that New York City is a dangerous place to live. I think people are hung up on the New York City of the 1970s, or, in other words, New York City before Ed Koch. Koch served as Mayor of New York for three terms and for all those years he might have been the most colorful personality in the entire country with eccentric, completely New York personality. Koch the documentary, which was made only a few months before his death earlier this year, is a thorough biography of one of New York’s most memorable “characters.” The movie is incredibly funny, as the former mayor holds little back when sharing his opinions on society and politics, and though New Yorkers will get the most out of it I feel people all over the country will enjoy and be inspired by Koch.

    ROOM 237

    room-237
    Stanley Kubrick left us too soon and with too few movies to remember him by. Of course, if Kubrick was more productive — in the last twenty years of his life he only made three movies — his movies wouldn’t be Kubrick movies. Kubrick marked his films by an incredible attention to detail and layers of hidden themes and meanings. But perhaps his most perplexing is The Shining, an adaptation of Stephen King’s horror novel, and decades after its 1980 release people still debate on what the movie really means. Room 237 takes a look at five theories surrounding The Shining and what it “really” means. The documentary is loaded with clips from The Shining and other Kubrick films, and any fan of Kubrick’s movies will doubtlessly enjoy delving even further into the mysteries of The Shining.

    BENDING STEEL

    bendingsteel

    I love documentaries like King of Kong that explore the high-stakes world of low-stakes competition. Bending Steel follows Chris, a man of below-average size who devotes himself to becoming an old-time circus strongman. Despite this being little more than a sideshow attraction to most people, Chris immerses himself in this subculture while he works hard and bending a seemingly impossible to budge bar of steel. Chris overcomes the adversity in his life, his lack of comfort in front of audiences, and even a hurricane to realize his dream of performing his craft on stage on Coney Island.

    A BAND CALLED DEATH

    A Band Called Death
    Every once in a while, someone will make a discovery about art that completely changes the “textbook narrative.” A Band Called Death is about a Detroit band made up of three African-American brothers who were playing the punk sound before anyone else… but quickly faded into obscurity. It wasn’t until only a few years ago that the music world finally took notice. A Band Called Death follows the long, strange trip from obscurity to respected pioneers that Death has taken after decades of never getting any credit or even attention for their music.

    HEY BARTENDER

    hey-bartender

    I love a well-made drink. Who doesn’t? But if your kind of drink is whatever you can get cheaply at happy hour, Hey Bartender will change your mind very quickly. The documentary explores the revival in cocktail culture, in which dedicated bartenders devote their lives to finding new flavors and new mixes to please the palates of drinkers all over the globe. Like Bending Steel, Hey Bartender explores the high-stakes world of low-stakes competition as bartenders all over the world hope to be recognized for perfecting their craft, and, most of all, please their customers. You’ll never look at a well-mixed martini the same again!

    THE PROJECT

    The Project

    We all have heard about pirates off the coast of Somalia, but how many of us really know anything about them? The Project takes a hard look at the problem of piracy in the lawless seas and focuses on how little is being done about these horrific crimes. It looks at a group of well-meaning Westerners who come to Somalia to create a military force to battle against the pirates and shows all the hardships and red tape these individuals face when they’re just trying to do the right thing. But most excitingly it culminates in a real-life battle against pirates that was caught on tape only weeks before The Project premiered at this year’s Tribeca Film Festival. The Project demonstrates that sometimes the best intentions are met with the most resistance, but individuals dedicated to making the world a better place will never quit.

    How about you? Were there any documentaries you saw this year that you hope others won’t miss? Let us know what documentaries that should be on all of our radars in the comments!

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  • THE RUGBY PLAYER, Film Honoring Life of United Flight 93 Hero Mark Bingham And His Mother Alice Hoagland To Make New York Premiere at NewFest

    THE RUGBY PLAYER, Film Honoring Life of United Flight 93 Hero Mark Bingham  And His Mother Alice Hoagland, Champion of LGBT Rights and Airline Safety, To Make New York Premiere at NewFest 25th Anniversary on Sept. 11, 2013

    THE RUGBY PLAYER, which explores the unique bond between Mark Bingham, one of the passengers of United Flight 93 on 9/11, and his mother, Alice Hoagland, a former United Airlines flight attendant, makes its New York premiere at the 25th anniversary of NewFest, the NY LGBT Film Festival.

    Winner of the HBO© Audience Award for Best Documentary at the 2013 Miami Gay and Lesbian Film Festival, THE RUGBY PLAYER, which explores the unique bond between Mark Bingham, one of the passengers of United Flight 93 on 9/11, and his mother, Alice Hoagland, a former United Airlines flight attendant, makes its New York premiere at the 25th anniversary of NewFest, the NY LGBT Film Festival in partnership with Outfest on Wednesday, Sept. 11, 2013 at 5 p.m. at The Film Society of Lincoln Center’s Walter Reade Theatre. Within the shadow of a national tragedy, THE RUGBY PLAYER is an uplifting and stereotype-shattering documentary that tells the story of a mother, a son and what it takes to be a hero.

    As an aspiring filmmaker growing up, Mark used his video camera as a form of personal expression, teenage rebellion, and as a diary capturing daring, hilarious and intimate moments of his life with his wide circle of family and friends. Mark left behind hundreds of hours of video documenting the final decade and a half of his life, from his teenage years until weeks before he died.

    “These moments have allowed us to create a portrait of an individual that goes beyond the news headlines and sound bites and gets at the true heart of the human spirit,” said THE RUGBY PLAYER director Scott Gracheff. “In a very real way, Mark shot the film of his life and we’ve tried our best to tell that story as truthfully as possible.”

    THE RUGBY PLAYER shows Mark developing from a gawky teenager into a self-assured leader, demonstrating a fearlessness and disregard for danger that often amazed his family and friends. A rugby player in high school, at the University of California, Berkeley and then with the San Francisco Fog, Mark applied the knowledge and character he acquired from the sport to challenges in his life, including coming out as a gay man to his family and friends in his early 20s. Mark’s legacy continues through The Bingham Cup, a biennial international gay rugby tournament started in 2002 and named in Mark’s honor. His story serves as an inspiration for gay athletes coming out even amongst prejudice, intolerance and homophobia, which should serve no place in organized sports.

    Mark’s mother, Alice, along with Mark’s high school and college friends, former partners, family members, and his ‘gay parents’ reminisce about Mark throughout the film, tracing their interactions with him up until the day he boarded United Flight 93 on September 11, 2001. With wrenching clarity, loved ones recall the last moments they saw or spoke with him. Alice heartbreakingly recounts the phone call she received from Mark from aboard the hijacked plane, their final conversation and her last desperate advice to him. Evidence from phone calls that Mark and fellow passengers made that day, as well as the recording made by Flight 93’s “black box” recorder suggests that a group of passengers, including Mark, heroically battled the hijackers for control of the plane. Thwarted by a lack of time and altitude, they lost their struggle for the cockpit controls, but spared Americans the sight of the Capitol Building- the presumed target of Flight 93- in ruins.

    The film also follows Alice’s journey to rebuild her life in the aftermath of 9/11. Devastated by her loss but inspired by the memory of her son, Alice pours her efforts into becoming a nationally known writer, speaker and researcher on the issues of aviation security, petitioning the federal government and the airlines to commit to ever higher safety standards. Alice also advocates frequently in the national media for LGBT rights, including the right of same-sex couples to marry. By weaving together Mark and Alice’s stories, THE RUGBY PLAYER creates an intimate portrait of how a son’s heroism can inspire a nation, and how a mother’s love can turn unfathomable loss into unshakable resolve.

    THE RUGBY PLAYER was 10 years in the making by a team of filmmakers including Director Scott Gracheff, Producer Holly Million and Director of Photography/Producer Chris Million. The team also includes Content Advisor Todd Sarner, Mark Bingham’s childhood friend who also appears in the film. The goal for the film is national broadcast. The filmmaking team is also planning an extensive national screening tour and robust community outreach campaign, and is seeking grants and corporate sponsorships to support this tour.

    http://youtu.be/1Gx4i4I3CvE

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  • deadCENTER Film Festival Announces 2014 Dates

    deadCENTER Film Festival

    The 14th annual deadCENTER Film Festival, named for its central geographic location (in Oklahoma City, the center of the U.S.), announced 2014 dates – the festival will take place Wednesday, June 11 through Sunday, June 15, 2014 in downtown Oklahoma City. Filmmakers may submit their films for review beginning on Monday, Aug. 19.

    Films will be selected in the following categories: narrative feature, documentary feature, narrative short, documentary short, student film, Oklahoma film and short screenplay. Submissions can be made online at www.deadcenterfilm.org. The early bird deadline is Nov. 30 and entry fees vary based on the type of submission: $40 for narrative and documentary features, $25 for narrative and documentary shorts and Oklahoma films, $20 for college films and screenplays. High school films are free to submit.

    image via Facebook

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  • Complete List of Official Selection Films + Descriptions of 35 Films in Lineup for 51st New York Film Festival

    THE FILM SOCIETY OF LINCOLN CENTER announces Main Slate of selections  for the 2013 NEW YORK FILM FESTIVAL

    The New York Film Festival unveiled the names of the 35 films that will comprise the main slate of official selections for the 51st edition film that will run September 27-October 13, 2013. American and British comedies are a significant presence in this year’s lineup of of main slate official selections with Richard Curtis’s ABOUT TIME, a romantic comedy about a family whose men have the ability to travel in time, starring Bill Nighy and Rachel McAdams; Declan Lowney’s ALAN PARTRIDGE, which brings Steve Coogan’s legendary television character to the big screen for the first time; Roger Michell’s LE WEEK-END, featuring Jim Broadbent and Lindsay Duncan as a couple visiting Paris with hopes of rekindling their relationship; and Alexander Payne’s NEBRASKA, about a father and son (Bruce Dern and Will Forte) on a road trip to pick up a million dollar prize that may or may not await them; and the previously announced Centerpiece and Closing Night Gala selections, Ben Stiller’s THE SECRET LIFE OF WALTER MITTY and Spike Jonze’s HER.

    Documentary filmmaking legends Claude Lanzmann and Frederick Wiseman each make their third appearances in NYFF’s main slate. Lanzmann returns with THE LAST OF THE UNJUST, a portrait of Benjamin Murmelstein, the last Jewish elder of Theresienstadt, once despised by many of its surviving inhabitants. Wiseman turns his camera toward the University of California, Berkeley, with his latest film, AT BERKELEY.

    Films & Descriptions


    ABOUT TIME (2013) 123min
    Director: Richard Curtis
    Country: UK
    Richard Curtis adds a touch of time-travel to this hilarious romantic comedy, a perfect vehicle for the comic talents of Bill Nighy, Rachel McAdams, Lindsay Duncan, and emerging star Domhnall Gleeson. A Universal Pictures release.

    ABUSE OF WEAKNESS (Abus de Faiblesse) (2013) 105min
    Director: Catherine Breillat
    Country: France
    Catherine Breillat’s haunting film about her 2004 stroke and subsequent self-destructive relationship with star swindler Christophe Rocancourt, starring Isabelle Huppert.

    ALAN PARTRIDGE (2013) 90min
    Director: Declan Lowney
    Country: UK/France
    In the long-awaited big-screen debut of Steve Coogan’s singular comic creation, the vain and obliviously tactless Alan Partridge must serve as an intermediary when North Norfolk Digital is seized at gunpoint by a down-sized DJ.

    ALL IS LOST (2013) 107min
    Director: J.C. Chandor
    Country: USA
    Robert Redford as you’ve never seen him before, gives a near-wordless all-action performance as a lone sailor trying to keep his yacht afloat after a collision with a discarded shipping container in the middle of the Indian Ocean. A Roadside Attractions release.

    AMERICAN PROMISE (2013) 135min

    AMERICAN PROMISE
    Directors: Joe Brewster and Michèle Stephenson
    Country: USA
    Two Brooklyn filmmakers follow their son Idris and his friend Suen from their enrollment in the Dalton School as children through their high school graduations in this devastating, years-in-the-making documentary that takes a hard look at race and class in America.

    AT BERKELEY (2013) 244min
    Director: Frederick Wiseman
    Country: USA
    Another masterfully constructed documentary from Frederick Wiseman, examining the University of California, Berkeley from multiple angles – the administrators, the students, the surrounding community – to arrive at a portrait that is as rich in detail as it is epic in scope.

    BASTARDS (Les Salauds) (2013) 100min
    Director: Claire Denis
    Country: France/Germany
    Claire Denis’s jagged, daringly fragmented and deeply unsettling film inspired by recent French sex ring scandals is the rarest of cinematic narratives—a contemporary film noir, perfect in substance as well as style.

    BLUE IS THE WARMEST COLOR (La Vie d’Adèle) (2013) 179min

    BLUE IS THE WARMEST COLOR (La Vie d’Adèle)
    Director: Abdellatif Kechiche
    Country: France
    The sensation of this year’s Cannes Film Festival is an intimate – and sexually explicit – epic of emotional transformation, featuring two astonishing performances from Adèle Exarchopoulos and Léa Seydoux. A Sundance Selects release.
    Please be advised that this film has scenes of a sexually explicit nature.

    BURNING BUSH (Hořicí Keř) (2013) 234min
    Director: Agnieszka Holland
    Country: Czech Republic
    A passionately brilliant Czech mini-series from Agnieska Holland about the events that followed student Jan Palach’s public self-immolation in protest against the Soviet invasion after Prague Spring.

    CAPTAIN PHILLIPS (2013) 143min
    Director: Paul Greengrass
    Country: USA
    Paul Greengrass has crafted an edge-of-your-seat thriller based on the true story of the seizure of the Maersk Alabama cargo ship in 2009 by four Somali pirates, with remarkable performances from Tom Hanks and four first-time actors, Barkhad Abdi, Faysal Ahmed, Barkhad Abdirahman and Mahet M. Ali. A Sony Pictures release.

    CHILD OF GOD (2013) 104min
    Director: James Franco
    Country: USA
    James Franco’s uncompromising excursion into American Gothic, adapted from Cormac McCarthy’s 1973 novel, about an unstable sociopath in early 60s rural Tennessee who descends into an animal-like state – not for the faint-hearted.

    GLORIA (2013) 110min

    Gloria
    Director: Sebastián Lelio
    Countries: Chile/Spain
    A wise, funny, liberating movie from Chile, about a middle-aged woman who finds romance but whose new partner finds it painfully difficult to abandon his old habits.

    HER (2013)
    Director: Spike Jonze
    Country: USA
    In Spike Jonze’s magical, melancholy comedy of the near future, lonely Joaquin Phoenix falls in love with his new all-purpose operating system (the voice of Scarlett Johansson), leading to romantic and existential complications. A Warner Bros. Pictures release.

    THE IMMIGRANT (2013) 120min
    Director: James Gray
    Country: USA
    In James Gray’s richly detailed period tragedy, set in a dusty, sepia-toned 1920s Manhattan, a young Polish immigrant (Marion Cotillard) is caught in a dangerous battle of wills with a shady burlesque manager (Joaquin Phoenix). A Radius-TWC release.

    INSIDE LLEWYN DAVIS (2013) 105min
    Directors: Ethan Coen, Joel Coen
    Country: USA/France
    Joel and Ethan Coen’s picaresque, panoramic and wryly funny story of a singer/songwriter is set in the New York folk scene of the early 60s and features a terrific array of larger-than-life characters and a glorious score of folk standards. A CBS Films release.

    THE INVISIBLE WOMAN (2013) 111min
    Director: Ralph Fiennes
    Country: UK
    Ralph Fiennes directs and stars as Charles Dickens in this adaptation of Claire Tomalin’s revelatory 1992 biography, which brought the upright Victorian author’s secret 13-year affair with a young actress to light. A Sony Pictures Classics Release.

    JEALOUSY (La Jalousie) (2013) 77min
    Director: Philippe Garrel
    Country: France
    Another intimate, handcrafted work of poetic autobiographical cinema from French director Philippe Garrel, in which his son Louis and Anna Mouglalis star as actors and lovers trying to reconcile their professional and personal lives.

    JIMMY P: PSYCHOTHERAPY OF A PLAINS INDIAN (2013) 114min
    Director: Arnaud Desplechin
    Country: France
    In Arnaud Desplechin’s intelligent and moving depiction of a successful “Talking Cure,” the encounters between patient (Benicio del Toro) and therapist (Mathieu Amalric) are electric with discovery.

    THE LAST OF THE UNJUST (Le Dernier des injustes) (2013) 218min

    THE LAST OF THE UNJUST (Le Dernier des injustes)
    Director: Claude Lanzmann
    Countries: France/Austria
    This moral and cinematic tour de force from the creator of SHOAH will cause you to reconsider your understanding of Adolph Eichmann and of Benjamin Murmelstein, the last Jewish elder of Theresienstadt and the film’s central figure.

    LIKE FATHER, LIKE SON (Soshite Chichi ni Naru) (2013) 120min
    Director: Hirokazu Kore-eda
    Country: Japan
    Hirokazu Kore-eda’s sensitive drama takes a close look at two families’ radically different approaches to the horribly painful realization that the sons they have raised as their own were switched at birth. A Sundance Selects release.

    THE MISSING PICTURE (L’image manquante) (2013) 92min
    Director: Rithy Panh
    Country: Cambodia
    Filmmaker Rithy Panh’s brave new film revisits his memories of four years spent under the Khmer Rouge and the destruction of his family and his culture; without a single memento left behind, he creates his “missing images” with narration and painstakingly executed dioramas. A Strand release.

    MY NAME IS HMMM… (Je m’appelle Hmmm…) (2013) 121min

    MY NAME IS HMMM… (Je m’appelle Hmmm…)
    Director: agnès B
    Country: France
    In this deeply personal, incandescent first feature from designer agnès B, a young girl holding her family together and bearing the weight of sexual abuse runs away from home and enjoys a carefree idyll with a kindly Scottish trucker.

    NEBRASKA (2013) 115min
    Director: Alexander Payne
    Country: USA
    This masterful film from Alexander Payne, about a quiet old man (Bruce Dern) whose mild-mannered son (Will Forte) agrees to drive him from Montana to Nebraska to claim a non-existent prize, shades from the comic to multiple hues of melancholy and regret. A Paramount Pictures release.

    NOBODY’S DAUGHTER HAEWON (Nugu-ui ttal-do anin Haewon) (2013) 90min
    Director: Hong Sang-soo
    Country: South Korea
    A young student at loose ends after her mother moves to America tries to define herself one encounter and experience at a time, in reality and in dreams, in another deceptively simple chamber-piece from South Korean master Hong Sang-soo.

    NORTH, THE END OF HISTORY (Norte, Hangganan ng Kasaysayan) (2013) 250min

    NORTH, THE END OF HISTORY (Norte, Hangganan ng Kasaysayan)
    Director: Lav Diaz
    Country: Philippines
    Filipino director Lav Diaz’s twelfth feature – at four-plus hours, one of his shortest – is a careful rethinking of Dostoyevsky’s Crime and Punishment, with a tortured anti-hero who is a haunting embodiment of the dead ends of ideology.

    OMAR (2013) 96min
    Director: Hany Abu-Assad
    Country: Palestinian Territories
    A tense, gripping, ticking clock thriller about betrayal, suspected and real, in the Occupied Territories, from Hany Abu-Assad (Paradise Now).

    ONLY LOVERS LEFT ALIVE (2013) 123min

    onlyloversleftalive
    Director: Jim Jarmusch
    Country: USA
    Jim Jarmusch’s wry, tender and moving take on the vampire genre features Tilda Swinton and Tom Hiddleston as a centuries-old couple who watch time go by from separate continents as they reflect on the ever-changing world around them. A Sony Pictures Classics release.

    THE SECRET LIFE OF WALTER MITTY (2013)
    Director: Ben Stiller
    Country: USA
    Ben Stiller stars in and directs this sweet, globe-trotting (but New York-based) comic fable about an up-to-the-minute everyman, co-starring Kristen Wiig as the woman of his dreams, Sean Penn as a legendary photographer and Shirley MacLaine as Walter’s mother. A Twentieth Century Fox release.

    THE SQUARE (2013) 104min
    Director: Jehane Noujaim
    Country: USA/Egypt
    Jehane Noujaim’s tense, vivid verité portrait of events as they unfolded in Tahrir Square through Arab Spring and beyond, in a newly revised, up-to-the-minute version.

    STRANGER BY THE LAKE (L’Inconnu du lac) (2013) 97min

    STRANGER BY THE LAKE (L’Inconnu du lac)
    Director: Alain Guiraudie
    Country: France
    Alain Guiraudie’s lethally precise, sexually explicit film, which unfolds entirely in the vicinity of a gay cruising ground, is both a no-holds-barred depiction of a hedonistic subculture and a perverse and unnerving tale of amour fou. A Strand release.
    Please be advised that this film has scenes of a sexually explicit nature.

    STRAY DOGS (Jiao You) (2013) 138min
    Director: Tsai Ming-liang
    Country: Taiwan/France
    Tsai Ming-liang’s fable of a homeless family living the cruelest of existences on the ragged edges of the modern world is bracingly pure in its anger and its compassion, and as visually powerful as it is emotionally overwhelming.

    A TOUCH OF SIN (Tian Zhu Ding) (2013) 133min

    A TOUCH OF SIN (Tian Zhu Ding)
    Director: Jia Zhangke
    Country: China
    Jia Zhangke’s bloody, bitter new film builds a portrait of modern-day China in the midst of rapid and convulsive change through four overlapping stories of marginalized and oppressed citizens pushed to murderous rage. A Kino Lorber release.

    LE WEEK-END (2013) 93min
    Director: Roger Michell
    Country: UK
    A magically buoyant, bittersweet comedy drama about a middle-aged and middle class English couple who go to Paris for a weekend holiday, starring two of Britain’s national treasures, Jim Broadbent and Lindsay Duncan. A Music Box Films release.

    WHEN EVENING FALLS ON BUCHAREST OR METABOLISM (2013) 89min

    WHEN EVENING FALLS ON BUCHAREST OR METABOLISM
    Director: Corneliu Porumboiu
    Countries: Romania/France
    A rigorously structured and fascinatingly oblique new film from Corneliu Porumboiu that examines the life of a film director during the moments on a shoot when the camera isn’t rolling.

    THE WIND RISES (Kaze Tachinu) (2013) 126min
    Director: Hayao Miyazaki
    Country: Japan
    The great Japanese animator Hayao Miyazaki’s new film is based on the life of Jiro Hirokoshi, the man who designed the Zero fighter. An elliptical historical narrative, THE WIND RISES is also a visionary cinematic poem about the fragility of humanity.

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  • Sundance Film Festival Rock and Roll Documentary “MUSCLE SHOALS” Gets a Fall 2013 Release Date | TRAILER

    muscle-shoals

    The rock and roll documentary “MUSCLE SHOALS” which premiered earlier this year at the 2013 Sundance Film Festival will open September 27, 2013 at the IFC Center in NY and nationwide on VOD, and October 11th in LA. At the heart of the story is Rick Hall who managed to convince musical superstars like Bob Dylan, Aretha Franklin, and Etta James to come to Alabama and record their hit albums. He is responsible for creating the “Muscle Shoals sound” and The Swampers, the house band at FAME that eventually left to start their own successful studio

    Directed by Greg ‘Freddy” Camalier, “MUSCLE SHOALS” is a documentary about a place filled with magic and music, legend and folklore, where the river is inhabited by a Native American spirit who has lured some of the greatest Rock and Roll and Soul legends of all time, and drawn from them some of the most uplifting, defiant, and important music ever created. In Muscle Shoals, Alabama, music runs through the hills, the river, and the spirit of the people. It is a place where, even before the Civil Rights Movement really took shape, the color of your skin didn’t matter inside the studio.

    At its heart is Rick Hall who founded FAME Studios. Overcoming crushing poverty and staggering tragedies, Hall brought black and white together in Alabama’s cauldron of racial hostility to create music for the generations. He is responsible for creating the “Muscle Shoals sound” and The Swampers, the house band at FAME that eventually left to start their own successful studio.

    Aretha Franklin in Muscle ShoalsAretha Franklin in Muscle Shoals

    Jimmy Cliff, Bob Dylan, Aretha Franklin, Etta James, Alicia Keys, Wilson Pickett, The Rolling Stones, Bob Seger, Paul Simon, The Staple Singers, Lynyrd Skynyrd, Percy Sledge and countless other stars have all been lured to this remote and mystical place in the backwoods of Alabama to work with the musicians and producers there.

    Raw and candid interviews, inspiring music, live performances, and the magic of the milieu itself capture and convey this tale. Interviewees include legendary musicians Gregg Allman, Bono, Clarence Carter, Jimmy Cliff, Aretha Franklin, Mick Jagger, Alicia Keys, Ed King, Keith Richards, Percy Sledge, and Steve Winwood among many others.

    http://youtu.be/jU09t0smAWI

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  • Controversial Polish drama, AFTERMATH, Gets a US Release Date | TRAILER

    Aftermath

    AFTERMATH, winner of the Yad Vashem Award at the 2013 Jerusalem Film Festival and the Critics’ Prize at the 2012 Gdynia Film Festival in Poland, will open at Lincoln Plaza in New York on November 1st, and at The Royal and other Laemmle Theaters in Los Angeles on November 8. A national release will follow.

    AFTERMATH, written and directed by Władysław Pasikowski, tells the story of two brothers, Jozek (Maciej Stuhr) and Franek (Ireneusz Czop) who discover a secret and are forced to revise their perception of their father, their entire family, their neighbors, and the history of their nation. Franek, the older brother, returns home to Poland after many years living in Chicago and discovers that his younger brother is being mysteriously threatened and shunned by local townspeople. What follows is a gothic tale of intrigue as the brothers are drawn into investigating the village’s dark secrets.

    Upon the release of this film in its native Poland, AFTERMATH received intense criticism from Polish nationals, who accused the film of being “anti-Polish propaganda” and a gross manipulation of historical truth. AFTERMATH has so riled the Polish right wing that it has been banned from some local cinemas, while its leading actor, Maciej Stuhr, has received death threats.

    http://youtu.be/KZapH2vo-cs

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  • Milwaukee Film Festival Announced Line-up for 2013 Rated K: For Kids Program

    Wolf Children by Mamoru HosodaWolf Children by Mamoru Hosoda

    The Milwaukee Film Festival announced the line-up for its Rated K: For Kids program, formerly known as the Milwaukee Children’s Film Festival. According to the festival, Rated K will continue to present the best international children’s films for ages 3-12 years. Rated K: For Kids will feature four feature-length films, including a 25th anniversary screening of children’s classic THE LAND BEFORE TIME, and three of “the best international features on the children’s film festival circuit.” Rated K also features three separate short film showcases, programmed for age-specific audiences: Size Small (ages 3+), Size Medium (ages 6+), and Size Large (ages 10+).

    RATED K: FOR KIDS LINE-UP:


    THE LAND BEFORE TIME
    (USA, Ireland / 1988 / Director: Don Bluth)

    Trailer
    http://www.youtube.com/watch?v=zZA41HbwPLs
    The plucky young Apatosaurus Littlefoot must find the life-supporting, plant-filled Great Valley after his homeland is destroyed by an earthquake and a frightening battle that leaves him orphaned. Along the way he’s joined by fellow dino-kids Cera, Petrie, Ducky and Spike, and these decidedly different species of dinosaurs learn the value of teamwork and diversity as they brave the dangerous journey toward a new beginning. This 35 mm screening provides the perfect chance for 20- to 30-somethings to revisit a childhood favorite (celebrating its 25th anniversary!) or to introduce its handmade charms (Don Bluth’s superb animation) to an entirely new generation.

    TAKING CHANCES
    (Netherlands, Belgium / 2011 / Director: Nicole van Kilsdonk)
    Trailer: n/a
    When Kiek, a spunky and fearless young lady often found astride her skateboard, learns her father is being sent to a war zone to deliver medical aid, she can’t help but worry. Sure, he’s not actually fighting in the war itself, but accidents happen, and Kiek feels she has to take measures in order to ensure his safety. Immersed in the logic of a child coping with the effects of war on her family, Taking Chances includes tense scenes surrounding potential deaths of a mouse and a family dog (much of which is done through cheeky animation), but it is perfect viewing for older, imaginative kids. Subtitles will not be read aloud.

    WOLF CHILDREN
    (Japan / 2012 / Director: Mamoru Hosoda)
    Trailer:
    http://www.youtube.com/watch?v=ns8PWyfEz60
    The latest flight of fancy from Mamoru Hosoda ( Summer Wars), this English-dubbed anime tells the tale of Hana, a woman who falls in love and forms a unique family with a man able to shape-shift between man and wolf. Tragedy leads Hana to take her children to the Japanese countryside, all the better for two kids who frequently transform into woodland creatures. A lyrical, gentle tale of children learning to fit in despite their differences (even if theirs are furrier than most!), Hosoda’s tale of family ties is imbued with a natural wonder and sense of the fantastic impossible to resist.

    ZARAFA
    (France / 2012 / Directors: Rémi Bezançon, Jean-Christophe Lie)
    Trailer
    http://www.youtube.com/watch?v=YhSdlenkDEc

    Young Maki has escaped the grasp of evil slave-traders when he forms an unbreakable bond with the orphaned giraffe Zarafa. He’s swept up in a globe-trotting adventure in order to bring his beloved giraffe back home, meeting a female pirate and hot-air balloonist along the way. Based on the true story of the Paris Zoo’s first giraffe, Zarafa is a tale of bravery and loyalty that doesn’t shy away from engaging with dramatic historical issues such as racism and colonialism but whose positive message and sweet conclusion (not to mention gorgeous 2-D animation) will satisfy both adventurous and sensitive young viewers. Subtitles will be read aloud.

    Kids Shorts: Size Small
    This all-ages, all-animated lineup of short films is guaranteed to delight viewers young and old, with the final installment of Mo Willems’ Knuffle Bunny (MFF 2010) series and an adaptation of Madison-based Kevin Henkes’ Caldecott-winning story Kitten’s First Full Moon counted among its diverse animation styles. These colorful bursts of energy are perfect for the whole family. Subtitles will be read aloud.

    Aston’s Presents (Sweden / 2012 / Directors: Uzi Geffenblad, Lotta Geffenblad)
    Choir Tour (Latvia / 2012 / Director: Edmunds Jansons)
    Chopin’s Drawings (USA / 2011 / Director: Dorota Kobiela)
    Eskimal (Mexico / 2011 / Director: Homero Ramirez Tena)
    How Shammies Guessed (Latvia / 2012 / Director: Edmunds Jansons)
    Kitten’s First Full Moon (USA / 2011 / Director: Gary McGivney)
    Knuffle Bunny Free (USA / 2012 / Director: Karen Villarreal)
    The Little Bird and the Leaf (Switzerland / 2012 / Director: Lena Von Döhren)
    Mira’s Night (USA / 2011 / Director: Elyse Kelly)
    A Tangled Tale (USA / 2013 / Director: Corrie Francis Parks)

    Kids Shorts: Size Medium
    A mix of live-action and animation highlights the Size Medium program, packed with shorts celebrating the logic and wonder that can only be examined through a child’s perspective. Andrea Dorfman (MFF 2011) returns with her puppet stop-motion tale Big Mouth, one of many shorts that deal with common issues like bullying and taking care of the environment. Subtitles will be read aloud.

    Big Mouth (Canada / 2012 / Director: Andrea Dorfman)
    Boris the Rat Dresses Warmly (Finland / 2012 / Directors: Kaisa Penttilä, Leena Jääskeläinen)
    Chinti (Russia / 2012 / Director: Natalia Mirzoyan)
    Colosse – A Wood Tale (USA / 2012 / Director: Yves Geleyn)
    The Fox and the Chickadee (Canada / 2012 / Director: Evan Derushie)
    Frog Weather (Germany / 2011 / Director: Pauline Kortmann)
    Jonah and the Crab (USA / 2012 / Director: Laurel Cohen)
    My First Spellbook (Scotland / 2011 / Director: Gavin Laing)
    Paulie (USA / 2012 / Director: Andrew Nackman)
    Shame and Glasses (Italy / 2013 / Director: Alessandro Riconda)
    Wing (Denmark / 2011 / Directors: Asger Grevil, Mette Vestergaard Madsen)

    Kids Shorts: Size Large
    This batch of shorts for the older kids (10+) deals with social and historical issues such as divorce and racism, but with a hopeful, lighthearted touch — perhaps none more so than MFF favorites The Rauch Brothers returning with Eyes on the Stars, a tribute to the second African-American man to reach outer space, Ronald E. McNair. Subtitles will not be read aloud.

    Bot (USA / 2010 / Director: Mustafa Lazkani)
    Eyes on the Stars (USA / 2012 / Director: The Rauch Brothers)
    A Girl Named Elastika (Canada / 2012 / Director: Guillaume Blanchet)
    High Noon (Venezuela / 2013 / Director: Ivan Mazza)
    I’m Going to Mum’s (New Zealand / 2012 / Director: Lauren Jackson)
    Krake (Germany / 2012 / Director: Regina Welker)
    The Maiden and the Princess (USA / 2011 / Director: Ali Scher)
    Monster, Me (USA / 2013 / Director: Milt Klingensmith)
    Song of the Spindle (USA / 2011 / Director: Drew Christie)
    Sounds for Mazin (Netherlands / 2012 / Director: Ingrid Kamerling)
    Turning a Corner (USA / 2012 / Director: David B. Levy)

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  • ‘ANOTHER HOUSE’ to Open, ‘ADORE’ to Close 37th Montreal World Film Festival

    L’AUTRE MAISON (ANOTHER HOUSE)L’AUTRE MAISON (ANOTHER HOUSE)

    L’AUTRE MAISON (ANOTHER HOUSE), the first fiction feature by Quebec director Mathieu Roy (Surviving Progress) will open the 37th Montreal World Film Festival on August 22, and ADORE the new film by French director Anne Fontaine, will close the festival on September 2. The Montreal World Film Festival will be held August 22 to September 2, 2013.

    ANOTHER HOUSE stars Marcel Sabourin in the role of the father, Roy Dupuis in the role of Gabriel, the jet-setting reporter, Émile Proulx-Cloutier in the role of Eric, the pilot in training, and Florence Blain in the role of Maia. The film also features French actress Julie Gayet and the Senegalese musician Zal Sisshoko.

    Henri Bernard, 86, suffers from memory loss and periodically escapes from his house in search of a more comfortable one. His two sons, Gabriel, a war reporter, and Éric, a pilot-in-training, disagree on how to deal with their father’s condition. However, the two brothers will have to renew the ties that bind them in order to accompany their father to the enigmatic destination he’s looking for.

    ADORE ADORE

    Set in Australia and starring Naomi Watts, Robin Wright, James Frecheville and Xavier Samuel, ADORE was scripted by Christopher Hampton, winner of the best screenplay Oscar in 1988 for Stephen Frears’ Dangerous Liaisons. 

    Roz and Lil are the best of friends, and have been since childhood, growing up as neighbors in an idyllic beach town. As adults, their teenaged sons have developed a friendship as strong as that which binds their mothers. One perfect summer the boys, along with their mothers, are confronted by the simmering emotions that have been mounting between them… Afraid of facing the ire and judgment of their insular seaside community, they continue the relationships in secret over the years. Once the affairs are discovered, the revelation threatens to tear apart their lives and those of the young men, who must eventually choose between following a well-worn path or their true desires.

    “The short novel (The Grandmothers) by Doris Lessing from which my film was adapted,” explained Ms. Fontaine, “contains everything I like to develop: an ambiguous and strange love story, a contained universe that is yet open to the world, and the opportunity to push exceptional actors to plumb their deepest personal truths… I hope Canadian audiences, who I know to be open minded, will be sensitive to this portrait of particular passions.”

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