• Premiere of “CBGB” to Open CBGB Music & Film Festival in New York City

    CBGBCBGB

    The film “CBGB” will have its US festival premiere at the opening film of this year’s CBGB Music & Film Festival the five-day festival/conference that will take place in New York City from Wednesday, October 9 to Sunday, October 13, 2013. Based on the behind-the-scenes story of the beginnings of the US punk movement, CBGB features a talented ensemble cast channeling the prime movers of the era.

    Starring Alan Rickman (HARRY POTTER, LOVE ACTUALLY) as late CBGB owner Hilly Kristal, the film CBGB chronicles the creation of the music landmark and musical movement that spawned Blondie, Television, The Ramones, Talking Heads, Dead Boys and The Police. Other stars in the film include Malin Akerman (WATCHMEN, THE PROPOSAL) as Debbie Harry of Blondie, Taylor Hawkins (Foo Fighters) as Iggy Pop, Mickey Sumner (FRANCIS HA) as Patti Smith, Rupert Grint (HARRY POTTER) as Cheetah Chrome of Dead Boys, and Johnny Galecki (THE BIG BANG THEORY) as record exec Terry Ork among many others.

    The CBGB Film Festival will premiere an estimated 40 new movie titles, featuring Q&A sessions with directors, producers and/or actors. In addition to CBGB, a number of important music films will also have their worldwide premieres at CBGB Film Festival, including Louder Than Love: The Grand Ballroom Story (directed by Tony D’Annuncio and documenting the Detroit music scene) and Looking For Johnny, The Legend of Johnny Thunders (directed by Danny Garcia about legendary punk guitarist Johnny Thunders of the New York Dolls). “Attending the CBGB Film Festival in New York City in its first year was an honor and a total blast at the same time,” says director Garcia, who makes his second premiere at CBGB Film Festival (last year he debuted the acclaimed The Rise and Fall of The Clash). “I’m really looking forward to returning for this year’s edition.” This year’s festival will bolster its feature film line-up with the addition of short films from around the globe.

    An abbreviation for “Country, BlueGrass, and Blues”, CBGB holds a very important place in rock ‘n’ roll history when it began its auspicious origin as a music club on The Bowery in NYC’s East Village. Founded by the late Hilly Kristal in 1973, CBGB became a hotbed for American punk and new music.

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  • ‘CHEAP THRILLS’ ‘BIG BAD WOLVES’ Among Winners of Fantasia International Film Festival

    CHEAP THRILLS directed by E.L. KatzCHEAP THRILLS directed by E.L. Katz

    The Fantasia International Film Festival wrapped up this year’s festival and confirmed record attendance numbers after screening over 131 features from 31 countries and more than 220 shorts over three weeks. Fantasia also announced this year’s prize-winners with SXSW’s Audience Award winner CHEAP THRILLS directed by E.L. Katz winning the New Flesh Award for Best First Feature. BIG BAD WOLVES by Aharon Keshales and Navot Papushado won the award for Cheval Noir Award for Best Film; and Hou Chi-Jan won the award for Best Director for WHEN A WOLF FALLS IN LOVE WITH A SHEEP.

    Fantasia International Film Festival Winners with Jury Statements via Fantasia International Film Festival

    New Flesh Award for Best First Feature: CHEAP THRILLS by E.L. Katz

    Winner of this year’s SXSW’s Audience Award, the Fantasia jury calls CHEAP THRILLS, “Darkly humourous, smart and bloody in ways that will make many viewers squirm with glee. This abundantly confident first feature provides a thoroughly entertaining snapshot of modern blue collar desperation in a world addicted to easy money and childish amusement.”

    Special Mention: HALLEY by Sebastian Hofmann

    The jury for the First Feature Competition consisted of Jury President Charles de Lauzirika (Filmmaker), Ramachandra Borcar (Musician), Manon Dumais (Film Critic, Voir), Jason Lapeyre (Filmmaker) and Stéphane du Mesnildot (Film Critic, Les cahiers du cinema).

    Cheval Noir Award for Best Film: BIG BAD WOLVES by Aharon Keshales & Navot Papushado

    Statement: With elements of horror, crime thriller, revenge drama, and wicked black comedy, BIG BAD WOLVES takes genre-bending to bold new levels. This sense of originality, along with its subversive political subtext, assured visual style, and impeccable ensemble cast, is what separates the film from the rest of the pack.

    Best Director: Hou Chi-Jan for WHEN A WOLF FALLS IN LOVE WITH A SHEEP

    Best Screenplay: Aharon Keshales & Navot Papushado for BIG BAD WOLVES

    Best Actor: Cho Jae-hyun for THE WEIGHT by Jeon Kyu-hwan

    Best Actress: Nathalie Boutefeu for LES GOUFFRES by Antoine Barraud

    Special Mention: ACROSS THE RIVER by Lorenzo Bianchini & LES GOUFFRES by Antoine Barraud

    The grand jury for the Cheval Noir Competition was comprised of Jury President Laura Kern (Managing Editor of Film Comment), Jean-Pierre Bergeron (Actor, Filmmaker), Samuel Jamier (Co-Director of the New York Asian Film Festival), Jarod Neece (Senior Programmer, South by Southwest Film Festival), Travis Stevens (Producer, CEO of Snowfort Pictures)

    Satoshi Kon Award for Achievement in Animation (Tied): BERSERK: THE GOLDEN AGE ARC III – THE ADVENT & THE GARDEN OF WORDS

    Fantasia’s Animation Jury is pleased to award the Satoshi Kon Award for Achievement in Animation to two equally exceptional films. Each of these astounding films represent, in their unique way, the various ends of the spectrum in animation story telling, one as an epic giant battle to save a world, one as an intimate poetic study of relationship.

    Statement: BERSERK: THE GOLDEN AGE ARC III – THE ADVENT, directed by Toshiyuki Kubooka: this film is “fantastic” in every sense of the word, from start to finish. An intense visual attack of the senses, “The Advent” goes deep into the dark side, to look horror, pain and death in the face, without shying away.

    Statement: THE GARDEN OF WORDS (KOTONOHA NO NIWA) directed by Makoto Shinkai: this delicate film of poetic observations of life is extremely beautiful and every single scene is a masterpiece of composition. The colours, the exceptional backgrounds, and the intimate, well-observed relationships will win everyone over.

    Special Mention: AFTER SCHOOL MIDNIGHTERSby Hitoshi Takekiyo

    Best Animated Short Film: KICK-HEART by Masaaki Yuasa

    The animation jury is pleased to award the Best Animated Short to KICK-HEART by Masaaki Yuasa. KICK-HEART stood out for its overall originality, unique sense of timing, and its engrossing and vibrant style of motion and visuals.

    Special Mention: JAMON by Iria Lopez

    Statement: We award this Best First Film for its adept and consistent visual style, clever storytelling and overall sophistication.

    Special Mention: THE WINDOW by Yeun Sang-ho

    Statement: We recognize this film for its outstanding script and skilled realization of very difficult subject matter.

    The jury for the animation prizes consisted of Jury President Patrick Bouchard (Director), Luc Chamberland (Director and Animator) and Keltie Duncan (Programmer and Technical Coordinator at the Ottawa International Animation Festival).

    Best International Short: RESET by Marcus Kryler & Fredrik Åkerström

    The international short jury consisted of Jury President Sten-Kristian Saluveer (Programmer, Director and Producer), Garrick Dion (Senior VP of Development, Bold Films) and Frédérick Maheux(Filmmaker).

    Audience Awards:

    Best Asian Feature:

    Gold HK/FORBIDDEN SUPER HERO by Yuichi Fukuda

    Silver LESSON OF THE EVIL by Takashi Miike

    Bronze HOW TO USE GUYS WITH SECRET TIPS by Lee Wonsuk

    Best International Feature:

    Gold CURSE OF CHUCKY by Don Mancini

    Silver OXV: THE MANUAL by Darren Paul Fisher

    Bronze BROKEN CIRCLE BREAKDOWN by Felix Van Groeningen

    Best Canadian or Quebec Feature:

    LES 4 SOLDATS by Robert Morin

    Best Animation Feature:

    THE GARDEN OF WORDS by Makoto Shinkai

    Guru Prize For Most Energetic Film:

    Gold HK/FORBIDDEN SUPER HERO by Yuichi Fukuda

    Most Innovative Film:

    OXV: THE MANUAL by Darren Paul Fisher

    Best Short Film:

    Gold LE CHEVREUIL by Rémi St-Michel

    Silver L’ÉTRANGER by Olaf Svenson

    Bronze JACK ATTACK by Antonio Padovan & Bryan Norton

    Best Documentary:

    REWIND THIS! by Josh Johnson

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  • Tom Hanks Films to Open and Close BFI London Film Festival

    Tom Hanks CAPTAIN PHILLIPS to open, SAVING MR. BANKS to close 57th BFI London Film FestivalTom Hanks CAPTAIN PHILLIPS to open, SAVING MR. BANKS to close 57th BFI London Film Festival

    The 57th BFI London Film Festival will open on Wednesday 9 October with the European Premiere of CAPTAIN PHILLIPS, directed by Academy Award nominee Paul Greengrass (United 93, The Bourne Supremacy) and starring two time Academy Award winner Tom Hanks (Forrest Gump, Philadelphia). The festival will close on Sunday 20 October with the European Premiere of SAVING MR. BANKS, described as the extraordinary untold story of how one of the most beloved tales of all time, Mary Poppins, was brought to the big screen. SAVING MR. BANKS is directed by John Lee Hancock (The Blind Side) and also stars Tom Hanks as Walt Disney and two-time Academy Award- winner Emma Thompson (Sense and Sensibility, The Remains of the Day, Howards End) as the London based author of Mary Poppins, P.L. Travers.

    CAPTAIN PHILLIPS starring Tom HanksCAPTAIN PHILLIPS starring Tom Hanks

    CAPTAIN PHILLIPS is described as director Paul Greengrass’s multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is – through Greengrass’s distinctive lens – simultaneously a pulse-pounding thriller and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama’s commanding officer, Captain Richard Phillips (two time Academy Award® winner Tom Hanks), and his Somali counterpart, Muse (Barkhad Abdi). Set on an incontrovertible collision course off the coast of Somalia, both men will find themselves paying the human toll for economic forces outside of their control. The film is directed by Academy Award® nominee Paul Greengrass, from a screenplay by Billy Ray based upon the book, A Captain’s Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea, by Richard Phillips with Stephan Talty. The film is produced by Scott Rudin, Dana Brunetti, and Michael De Luca. Sony Pictures release the film in UK cinemas on 18 October, 2013.

    SAVING MR. BANKS starring Tom HanksSAVING MR. BANKS starring Tom Hanks

    SAVING MR. BANKS is described as a poignant, sharply funny and moving story of personal journey and discovery, which reveals how P.L. Travers’ emotional connection to her characters and exhaustive apprehension to Walt Disney’s creative vision nearly dismantled the entire twenty-year endeavor to transform a work of personal significance into one of the most endearing classic films in cinematic history. The film is directed by John Lee Hancock, produced by Alison Owen, Ian Collie and Philip Steuer, and written by Kelly Marcel and Sue Smith. Walt Disney Studios releases the film in UK cinemas winter 2013.

    The 57 th BFI London Film Festival runs from Wednesday 9 October thru Sunday 20 October, 2013.

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  • Swiss Films “THE BLACK BROTHERS” “HILLSIDE” “GERGIEV – A CERTAIN MADNESS” are First Films Announced for 2013 Zurich Film Festival

    gergiev-a-certain-madness

    The 9th Zurich Film Festival (ZFF) announced its first films – three Swiss films that will have their world premiere at the upcoming festival.  The films are the remake of the youth’s classic THE BLACK BROTHERS by Oscar-winner Xavier Koller, Markus Imboden HILLSIDE, the cinema adaptation of the eponymous bestseller by Markus Werner, as well as the documentary GERGIEV – A CERTAIN MADNESS, in which the photographer Alberto Venzago the Russian conductor Valery Gergiev exception comes into focus.

    THE BLACK BROTHERS
    Xavier Koller

    A world premiere celebrates the remake of the classic YA THE BLACK BROTHERS Tetzner Lisa and Kurt Held in the newly created program section “Children and family films.” The 1940/41, published a fictionalized novel dark chapter Ticino social history: Material hardship forced many farming families to hire out their underage sons in the northern Italian cities, where they were under inhuman conditions as chimney sweeps agents risking their lives daily. The novel portrays vividly how Giorgio rebels against his fate with his fellow establishes a protective collar and finally the dangerous escape ventured back into the home.

    As a director, acting Oscar winner Xavier Koller. Giorgio is played by the rediscovery Finn handle, which makes his screen debut here. Beside him, Moritz Bleibtreu act in the role of ruthless trafficker Luini, Waldemar Kobus as Kaminfegermeister Rossi and Richy Müller as Father Roberto.

    HILLSIDE
    Markus Imboden

    No less excited waiting for the film adaptation HILLSIDE. Markus Werner was presented in 2004 with the novel a profound relationship thriller. Two men, random acquaintances, whose characters could not be more, can be applied to a dialogue about the capriciousness of love and beyond in a female phantom, which they always bring each other closer – dangerously close. The cinematic presentation concerned with Markus Imboden an award-winning director whose last work, Der Verdingbub became the local Blockbuster. Imboden was available to a performer Trio: Martina Gedeck embodies the female phantom, Henry and Max Hübchen Simonischek the male antagonists.

    GERGIEV – A CERTAIN MADNESS
    Alberto Venzago

    Third in league is the documentary GERGIEV – A CERTAIN MADNESS by Alberto Venzago. The realized production with great expenditure of time focused on the Russian conductor Valery Gergiev, a force of nature in the international music scene. Every year at Easter complete the Maestro and 115 musicians from the St. Petersburg Mariinsky Theatre, a veritable tour de force: the Trans-Siberian Express traveling over 10,000 kilometers strike up to every night in a different place. “We need to bring culture to the people – not the other way around”, Gergiev justified this commitment. With GERGIEV – A CERTAIN MADNESS Alberto Venzago proves once more that he equally at home in the movie – and a firm grasp – as in the photograph.

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  • REVIEW: LEE DANIELS’ THE BUTLER

    Lee Daniels’ The Butler 

    By now, you’ve likely heard all about LEE DANIELS’ THE BUTLER, the story of an African-American man who served on the White House staff through eight administrations. In the film Forest Whitaker stars as Cecil Gaines, who is loosely based off actual White House butler Eugene Allen. Of course, don’t be fooled by the marketing – reading the Washington Post article the film was initially based on, shows that the film is fictionalized to a great degree. Because of that, in some ways The Butler is like a real-life version of Forest Gump, though by no means do I mean to compare the obviously completely different protagonists (to be like Forest Gump, Cecil would have had to do something like stop the Cuban Missile Crisis by misplacing JFK’s silverware).

    Whereas the real-life Eugene was born in Virginia, Cecil is a child of cotton fields in the Deep South. After a horrific childhood tragedy he slowly grows into his role as a servant and constantly impresses the right people until he is hired by the White House. However, his service to white presidents in the racially turbulent 1950s, 1960s, and 1970s puts him at odds with his eldest son Louis (David Oyelowo), and while we witness Cecil’s humorous encounters with numerous presidents we also witness his rocky relationship with Louis, who gradually becomes involved in the Civil Rights Movement.

    If you go to see the The Butler to see caricatures of former presidents, be prepared – their appearances are limited to glorified cameos that are often played for laughs. The idea seems to be to show the presidents at their worst, so you see Eisenhower (a miscast Robin Williams) cowering over his decision to enforce Brown v. Board of Ed, Lyndon Johnson (Liev Schreiber) on the toilet, Nixon (an even more miscast John Cusack) pandering for votes and drunkenly insisting he’ll never resign, and Ronald Reagan (Alan Rickman) trying to hide things from Nancy (Jane Fonda). Only John F. Kennedy (James Marsden) gets off without looking ridiculous, partially because Marsden plays him straighter than the other presidential actors and partially because, well, I’m sure you know how Hollywood feels about the Kennedys. I mean, you’d think a White House butler would’ve seen a mistress or two running around Kennedy’s office, right? As for Gerald Ford and Jimmy Carter, they get a pass via a montage that zooms through late 70s/early 80s American history, which, inexplicably, ends with a lengthy shot of Princess Diana. This leads to a major all-serious tonal shift in the last half hour of the film that is far removed from Eugene Allen’s actual life.

    Aside from the presidents, the film does have an impressive cast beyond the always great Whitaker. Oyelowo’s Louis is a great foil for Cecil, even if the Louis character is entirely fictional. I was also surprised by how good Cuba Gooding Jr. is as Cecil’s fellow butler Carter. Considering the last film I saw Gooding in was opposite Dolph Lundgren in the direct-to-video One in the Chamber, his funny performance here could put his career back on track. Another surprise is Oprah Winfrey, who plays Cecil’s oft-drunk wife Gloria. She’s a better actress than I expected, but most of her lines are delivered as sassy quips, even the lines of her dialogue that aren’t supposed to be sassy quips. She also curiously seems to age at half the rate that Cecil ages. Still, the shame of that is that there about a half-dozen far more proficient middle-aged African-American actresses who deserved the role over her and could have done something more than a two-dimensional sassy wife.

    In that sense, the engaging father/son story and the more comedic upstairs/downstairs presidential comedy seem like two completely different movies. While the drawing card is obviously the presidents, it’s the far weaker part of the film. Surprisingly, it’s the fictional story of Cecil and Louis that is the most moving. It makes me wonder if the real-life Eugene Allen’s story would’ve been better told as a documentary. Director Lee Daniels went from directing films with small scope like Shadowboxer, Precious, and The Paperboy to The Butler, and I think that explains why the film’s weaker parts are the ones that meant to be more “epic” in scope. I believed in the scenes of Louis facing harsh racism as an activist. I did not believe the scenes of Cusack’s goofy Nixon handing campaign buttons to the butler staff. I’d think screenwriter Danny Strong, who wrote HBO political movies Recount and Game Change, would have had a better handle on the political material.

    Lee Daniels’ The Butler

    Despite the August release date, The Butler is the most obvious Weinstein Company Oscar bait since The King’s Speech. While being Oscar bait isn’t necessarily a bad thing (The King’s Speech alone is evidence of that), I figure you’ve seen enough Oscar bait movies to know how thick The Butler lays it on. It’s a very good movie, but it misses the “great” mark by trying to be too goofy and too preachy at the same time.

    Film Review Rating 3 out of 5 : See it … It’s Good

    http://youtu.be/9uBXH_DLxsU

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  • New Indie Films, Documentaries in Theaters This Weekend Friday August 9

    Lovelace, Jug Face, I Give It a Year, Prince Avalanche, Blood, In a World..., Off Label

    Sometimes a good movie is hard to find. This is the first in a weekly feature here at VIMOOZ covering the most notable releases of non-mainstream films. Though some of these films are in such limited release they might not be playing in your area, it’s a good idea to write down any titles that interest you that you might be able to catch later on VOD or other streaming services.

    LOVELACE

    LOVELACELOVELACE
    Directors: Rob Epstein & Jeffrey Friedman
    Starring: Amanda Seyfried, Peter Sarsgaard, Sharon Stone, Robert Patrick, Juno Temple, Adrian Brody
    Though it’s impossible to verify the figures, there’s little doubt the 1972 pornographic film Deep Throat is one of the most profitable — not to mention influential — films of all time. Its star, Linda Lovelace, became a pornographic icon. Lovelace tells the story of the titular star (portrayed by Amanda Seyfried)and her troubled life behind the scenes, particularly her relationships with her abusive husband (Peter Sarsgaard). It premiered at this year’s Sundance Film Festival to mixed reviews

    JUG FACE

    JUG FACEJUG FACE
    Director: Chad Crawford Kinkle
    Starring: Lauren Ashley Carter, Sean Bridgers, Kaitlin Cullum
    Though it’s already available on VOD, this horror movie out of the Slamdance Film Festival will get a limited release beginning this weekend. Though because of the scares, you might want to watch it in the privacy of your old home. Ada (Lauren Ashley Carter) is a pregnant girl who lives in a backwoods cult community who discovers she might be the next one sacrificed in a bizarre community ritual.

    I GIVE IT A YEAR

    I Give It A YearI Give It A Year

    Director: Dan Mazer
    Starring: Rose Byrne, Rafe Spall, Anna Faris and Simon Baker
    Already a hit across the pond, I Give It a Year is a British comedy about an eccentric newlywed couple who everyone thinks won’t last. Being that I’ve known a few couples who fall into that category I imagine that this can only get messy.

    PRINCE AVALANCHE

    PRINCE AVALANCHEPRINCE AVALANCHE

    Director: David Gordon Green
    Starring: Paul Rudd, Emile Hirsch
    Though David Gordon Green’s most recent directing credits include The Sitter, Your Highness, and Pineapple Express, don’t forget that he began his career directing indie dramas like George Washington and All the Real Girls. Despite Paul Rudd starring in this it falls in the latter category. Rudd and Emile Hirsch star as polar opposites who are working together to work on a highway after a wildfire. I saw it at this year’s Tribeca Film Festival and enjoyed it for its contemplative nature.

    BLOOD

    BloodBlood
    Director: Nick Murphy
    Starring: Paul Bettany, Stephen Graham, Mark Strong, Brian Cox
    Another British film finally getting its U.S. release, Blood is a thriller about two brothers (Paul Bettany and Stephen Graham) who are corrupt policemen assigned to investigate a crime that they themselves committed.

    IN A WORLD…

    IN A WORLD...IN A WORLD…
    Director: Lake Bell
    Starring: Lake Bell, Fred Melamed, Demetri Martin, Michaela Watkins, Ken Marino, Rob Corddry, Nick Offerman
    Ever notice how you hardly ever hear a female voice narrating movie trailers? I mean, most of us are aware that there are only a handful of people who do those voiceovers, but none of them are female. Carol (Lake Bell) is a vocal coach who decides that she will go where no female voice has gone before. In a World… has since received positive reviews and received a screenwriting award at the Sundance Film Festival for Lake Bell, who I guess wasn’t satisfied with just acting, producing and directing.

    OFF LABEL (Documentary)

    Off LabelOff Label
    Directors: Donal Mosher & Michael Palmieri
    I think it’s obvious that Americans are whole are over-medicated. Off Label delves into the lives of eight Americans whose lives are basically defined by the pills they take daily as it explores the tightening hold pharmaceutical companies hold on the United States.

    ZIPPER: CONEY ISLAND’S LAST WILD RIDE (Documentary)

    ZIPPERZIPPER

    Director: Amy Nicholson
    When exactly does “city improvement” cross the line to “culture destruction?” ZIPPER takes a look at New York City’s push to “revitalize” the Coney Island amusement area by pushing out independently owned carnival games and restaurants in favor of chain restaurants and entertainment complexes. This documentary focuses on the fate of a popular carnival ride and how it’s fate parallels the fate of Coney Island as a whole. ZIPPER runs at New York’s IFC Center through August 13.

    OTHER NOTABLE WEEKEND INDIE, FOREIGN & DOCUMENTARY RELEASES:
    Ashley
    Whensday
    Long Shot: The Kevin Laue Story
    Chennai Express

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  • World Premiere of Spike Jonze’s HER to Close New York Film Festival | TRAILER

    Her

    Spike Jonze’s HER, starring Joaquin Phoenix, Amy Adams, Rooney Mara, Olivia Wilde and Scarlett Johansson will make its World Premiere as the Closing Night Gala presentation for the upcoming 51st New York Film Festival running September 27 – October 13, 2013.

    Written and directed by Jonze, HER is set in Los Angeles, in the near future and follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive and unique entity in its own right. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice (Scarlett Johansson), who is insightful, sensitive and surprisingly funny. As her needs and desires grow in tandem with his own, their friendship deepens into an eventual love for each other. HER is an original love story that explores the evolving nature—and the risks—of intimacy in the modern world. The Warner Bros. Pictures film is set for a limited release on November 20.

    Spike Jonze said, “I’m very excited that it’s a premiere in the city. The New York Film Festival is where we premiered our first movie and that’s really special. It was our first U.S. premiere of BEING JOHN MALKOVICH and we had all our friends there and it feels so nice to come back to NYFF.”

    http://youtu.be/rS8zOLOcPMQ

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  • 39 Shorts on Lineup for Short Cuts Canada Program at 2013 Toronto International Film Festival

    COCHEMARE Maciek Szczerbowski and Chris LavisCOCHEMARE Maciek Szczerbowski and Chris Lavis

    The Toronto International Film Festival revealed the lineup of 39 shorts in this year’s Short Cuts Canada program. Dedicated to presenting the best short films from emerging and established Canadian filmmakers, the lineup includes 15 returning filmmakers and a host of 3D and animated films. New this year, 24 hours after their Festival premiere, films will be available to screen at YouTube.com/TIFF until September 19. The Festival also announced the YouTube Award for Best Canadian Short Film, which includes a $10,000 cash prize. The 38th Toronto International Film Festival runs September 5 to 15, 2013.

    A GRAND CANAL Johnny Ma, 19’ World Premiere
    A Greek tragedy told in a Chinese pop song. Tragic events of a boat captain trying to collect a debt to save his fleet of boats, as remembered by his 10-year-old son.

    A TIME IS A TERRIBLE THING TO WASTE Leslie Supnet, 3’ Toronto Premiere
    An animated squirrel ponders the essence of time.

    AN EXTRAORDINARY PERSON (Une Personne extraordinaire) Monia Chokri, 30’ North American Premiere
    A 30-year-old scholar, intelligent and beautiful yet socially crippled, is forced to attend a bachelorette party where her quest for authenticity leads to an unavoidable confrontation with old acquaintances.

    ANATOMY OF ASSISTANCE Cory Bowles, 13’ World Premiere
    15-year-old Talia is defiant, refuses the system and thinks she’s got it all figured out. When she challenges the assistance envelope given to her by her school, she’s suddenly thrust into a daisy chain of errors that lead her to face a larger system: growing up.

    BEASTS IN THE REAL WORLD Sol Friedman, 8’ World Premiere
    An experimental mixed-media short that explores the tenuous connections between a naturalist, a rare land mammal, and a pair of sushi chefs.

    CANDY Cassandra Cronenberg, 8’ World Premiere
    Cassandra Cronenberg’s experimental short is a convention-busting portrait of human transactions — love, sex, money, art — that takes place over one beautiful, intoxicating night. As Candy wanders through it all, the audience is immersed in a visual poem in which an ocean of light is found in the dark.

    THE CHAPERONE 3D Fraser Munden and Neil Rathbone, 11’ World Premiere
    The Chaperone tells the true story of a lone teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in 1970s Montreal. This film recreates the scene using hand-drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D.

    COCHEMARE Maciek Szczerbowski and Chris Lavis, 12’ North American Premiere
    Blending animation, live action, and stereoscopic 3D, Cochemare is an immersive, tactile, and sensory experience. As the viewer journeys from the mystical Forest of Storms to the orbiting International Space Station, the film forces the audience to confront notions of voyeurism, femininity, and the separation of body and mind.

    CRIME: JOE LOYA – THE BEIRUT BANDIT Alix Lambert and Sam Chou, 2’ World Premiere
    In his 20s, Loya achieved notoriety as the smooth-talking Beirut Bandit, who robbed dozens of Southern California banks. When the police caught up with him in 1989, they discovered a Mexican-American from East Los Angeles who had once been a promising student. Imprisoned for seven years, he grew more violent until two years of solitary confinement prompted a remarkable self-transformation.

    DAYBREAK (Éclat du jour) Ian Lagarde, 11’ World Premiere
    In a wealthy Montreal suburb, Xavier and his friends are dealing with pre-teen boredom. They hang out at the park, ride their bikes, and mess with each other; it’s yet another suburban summer afternoon. But beneath the smiles lies a growing tension, a certain violence which leads the group to a collective release of unexpected intensity; a ritualistic initiation into adolescence.

    DER UNTERMENSCH Kays Mejri, 9’ World Premiere
    Der Untermensch depicts the treatment of homosexuals in concentration camps during the Second World War, through aesthetic contemporary movement. The dancer portrays the work, growth and rebirth of those incarcerated souls by embodying a gay Aryan during the Nazi reign.

    DROP Chris Goldade, 12’ World Premiere A World War II paratrooper lands in enemy territory — and right onto a modern-day suburban driveway — where he is confronted by an unemployed freeloader who’s still living in his parent’s house. This dark comedy with an original premise and deadpan performances makes the perils of war uncomfortably funny.

    THE END OF PINKY Claire Blanchet, 8’ World Premiere
    The End of Pinky revolves around three fallen angels seeking companionship and humanity in the shadows of the red-light district, in a mythic, magically realized Montreal. The film’s hand-drawn pencil and pastel animation, rendered in stereoscopic 3D, conjures a seedy world whose sepia-toned palette evokes cheap whiskey and nicotine stains.

    FIRECRACKERS Jasmin Mozaffari, 15’ World Premiere
    Lou and Chantal are two shit-disturbers from a town whose only remaining attraction is truck-stop prostitution. Their dreams of escaping are shattered when Lou’s savings are stolen by her mom’s alcoholic boyfriend. With nowhere left to go and nothing left to lose, Lou heads into the night, with a bottle of whiskey in hand and no regrets.

    FORECLOSURE Wayne Robinson, 13’ World Premiere
    Sigmund is a docile and obedient worker who is given an opportunity of a lifetime when his manager, Mr. Wolfman, assigns him the task of completing a dossier on their company’s profit margin. Upon sitting down to start working however, Sigmund is confronted with his worst nightmare: naked people.

    GLORIA VICTORIA Theodore Ushev, 7’ North American Premiere
    Gloria Victoria, the third film in a trilogy on the relationship between art and power, unfolds on the still-smouldering rubble of a furious 20th century. From the Russian front to the Chinese Revolution, from Dresden to Guernica, giant black birds circle above mass graves while vampires and reapers move forward to the sounds of an exalting bolero from Shostakovich’s Leningrad Symphony.

    IMPROMPTU Bruce Alcock, 10’ World Premiere
    When Chuck’s wife spontaneously invites her co-workers home for dinner, the last-minute gathering seems to have all the makings of a disaster — but it leads instead to a quiet epiphany about embracing the chaos of life’s rich pageantry. Impromptu reminds the audience of the redemptive power of food, wine, music and love, as seen through the eyes of a modern man.

    IN GUNS WE TRUST Nicolas Lévesque, 12’ North American Premiere
    In Kennesaw, a small American town in the state of Georgia, a good citizen is an armed citizen. By law, since 1982, each head of household must own at least one working firearm with ammunition.

    JIMBO Ryan Flowers, 25’ World Premiere
    Stricken, but not struck down, by a slew of mental illnesses, Jimmy Leung’s drive to become an action movie star becomes something of a reality as he and director Ryan Flowers train to become healthy and stable, and make a movie together.

    LAY OVER Jordan Hayes, 13’ World Premiere
    A girl meets a boy on an eight-hour layover.

    METHOD Gregory Smith, 8’ World Premiere
    Officer Daniel O’Shea must go to extraordinary lengths to get a confession.

    NOAH Walter Woodman and Patrick Cederberg, 17’ World Premiere
    In a story that plays out entirely on a teenager’s computer screen, Noah follows its eponymous protagonist as his relationship takes a rapid turn for the worse.

    NOUS AVIONS Stéphane Moukarzel, 18’ World Premiere
    Montreal, 1999. Like every Sunday, a modest Pakistani immigrant family picnics in a dead end next to the airport, closely watching planes land. On this special day where the Legendary Concord is expected — a rare treat in town — 17-year-old Akram, the eldest son of three kids, who is in his teenage crisis, creates a family commotion when he decides to take off to live his own life.

    NUMBERS & FRIENDS Alexander Carson, 7’ World Premiere
    In his search for happiness in North America, a European man discovers the pleasures of fantasy baseball. Using his new appreciation for sports as a metaphor to re-imagine his life choices, he begins to find new meaning in the world around him.

    OUT Jeremy Lalonde, 9’ World Premiere
    A young man comes out to his family. But is he coming out of the closet, or out of the coffin?

    PARADISE FALLS Fantavious Fritz, 17’ World Premiere
    Two adventurous youths explore a haunted mansion and fall in love with its ghost, deep in the heart of suburban hell.

    PARADISO Devan Scott, 13’ World Premiere
    After being sent to heaven as the result of the biblical Armageddon, Cain Tibbons meets Saint Peter, whom he must persuade to help him rescue his brother from hell. However, Cain’s story might not be all it seems.

    PILGRIMS Marie Clements, 8’ World Premiere
    Robbe, a German tourist, is partaking on a life-long dream of visiting the west coast of Canada. His fantasy of the great Indian culture is one thing, but to be a part of it requires Robbe to undergo a dangerous rite of passage: a journey of self-evaluation.

    PORTRAIT AS A RANDOM ACT OF VIOLENCE Randall Okita, 4’ Toronto Premiere
    Portrait as a Random Act of Violence is a piece that incorporates performance and sculpture to examine themes of harm, protest, and destructive and restorative transformations.

    RELAX, I’M FROM THE FUTURE Luke Higginson, 5’ World Premiere
    Percy Sullivan’s suicide attempt gets interrupted by a man claiming to be from the future.

    REMEMBER ME (Mémorable moi) Jean-Francois Asselin, 15’ Canadian Premiere
    Mathieu seeks any (and every) way to attract attention to himself.

    ROLAND Trevor Cornish, 11’ World Premiere
    Roland, an employee at Crafty’s Art and Supply, must deal with an irrational man who needs to use the washroom and is confused by the store’s strict employee-only washroom policy. A full bladder and some company red tape has Roland’s day take a dire turn.

    SAM’S FORMALWEAR Yael Staav, 15’ World Premiere
    Sam Parish, once the high-school prom king, is now the former king of formalwear and ex-husband to his then-prom queen. On the eve of his daughter’s prom, Sam grasps at an opportunity to feel like the king once more, oblivious to the consequences.

    SEASICK Eva Cvijanovic, 3’ World Premiere
    Seasick is a meditative exploration of one’s love of the sea to the soundtrack of traditional Croatian music.

    THE SPARKLING RIVER Felix Lajeunesse and Paul Raphaël, 18’ World Premiere
    A group of Chinese travellers have appeared on an alpaca farm, seemingly by accident. A young woman who is among them tries to connect with the farm’s proprietor. The Sparkling River uses 3D-stereoscopy to lure the viewer into a contemplative and dreamlike state. The film explores enduring themes of memory, migration and place.

    SUBCONSCIOUS PASSWORD Chris Landreth, 11’ Canadian Premiere
    Subconscious Password uses a common social gaffe — forgetting somebody’s name — as the starting point for a mindbending romp through the unconscious. Inspired by the classic American TV game show Password, the film features a wealth of animated celebrity guests who try to prompt Charles to remember the name.

    WE WANTED MORE Stephen Dunn, 15’ World Premiere
    A psychological thriller about a singer who loses her voice on the precipice of her first world tour, We Wanted More is a hypnotic fever dream about the sacrifices a young artist makes for her career.

    YELLOWHEAD Kevan Funk, 19’ World Premiere
    A middle-aged worksite safety inspector defiantly maintains a tireless occupational routine, traversing across Canada’s lonely northern landscape from one expansive industrial operation to the next. As the cracks in his crumbling personal life become more and more apparent, he slips deeper into willful ignorance and denial, providing a striking parallel to the altered physical landscape and exploitative industry that surrounds him.

    YOUNG WONDER James Wilkes, 6’ World Premiere
    Armed with only the sword of Evil’s Bane, automatic weapons and a bazooka, 8-year-old Sebastian and his 11-year-old brother Chris battle their way through a legion of pop culture menaces en route to getting snacks. Young Wonder combines kinetic and visually stunning storytelling with sincere observations on the nature of boys and play.

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  • Toronto International Film Festival Unveils Canadian Films on 2013 Lineup

    Enemy directed Denis Villeneuve, starring Jake GyllenhaalEnemy directed Denis Villeneuve, starring Jake Gyllenhaal

    The 38th Toronto International Film Festival which runs September 5 to 15, 2013, unveiled a lineup of Canadian features packed with world premieres ranging from first time filmmakers to Canadian indie icon Bruce McDonald and Denis Villeneuve,  The City of Toronto and Canada Goose Award for Best Canadian Feature Film will be given to one of many outstanding Canadian filmmakers, with the Award for Best Canadian First Feature Film being presented to the breakout Canadian filmmaker with the most impressive debut feature at the Festival. 

    SPECIAL PRESENTATIONS

    ENEMY Denis Villeneuve, Canada/Spain World Premiere
    Based on The Double by Nobel Laureate José Saramago, this film explores the troubled psyche of a man who is torn between his mistress and his wife. Jake Gyllenhaal gives a brilliant performance as both Adam and Anthony — a man and his double — engaged in a lethal and erotic battle.

    THE F WORD Michael Dowse, Canada/Ireland World Premiere
    When Wallace meets Chantry, it could be love at first sight… except she lives with her long-term boyfriend. And so Wallace, acting with both best intentions — and maybe a little denial — discovers the dirtiest word in romance: friends. Starring Daniel Radcliffe, Zoe Kazan, Adam Driver and TIFF Rising Star Megan Park.

    GABRIELLE Louise Archambault, Canada North American Premiere
    Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin at the recreation centre where they are choir members, they have been inseparable. However, because they are different, their loved ones are fearful of their relationship. As the choir prepares for an important music festival, Gabrielle does everything she can to gain her independence.

    THE HUSBAND Bruce McDonald, Canada World Premiere
    Henry is married, has a son, and a decent job in advertising. Trouble is his wife is in jail for sleeping with a 14-year-old boy. Struggling to keep it together and prepare for her release, an encounter with the boy — his rival — sends Henry on a path of self-destruction. Starring Maxwell McCabe-Lokos, August Diehl, Sarah Allen, Jodi Balfour and Stephen McHattie

    TOM AT THE FARM (Tom à la ferme) Xavier Dolan, Canada/France North American Premiere
    Tom, a young advertising copywriter, travels to the country for a funeral. There, he’s shocked to find out no one knows who he is, or his relationship to the deceased, whose brother soon sets the rules of a twisted game. In order to protect the family’s name and grieving mother, Tom now has to play the peacekeeper in a household whose obscure past bodes even greater darkness for his trip to the farm.

    WATERMARK Jennifer Baichwal and Edward Burtynsky, Canada World Premiere
    Watermark is a feature documentary film that brings together diverse stories from around the globe about our relationship with water: how we are drawn to it, what we learn from it, how we use it, and the consequences of that use. Shot in stunning 5K ultra high-definition video and full of soaring aerial perspectives.

    DISCOVERY

    ALL THE WRONG REASONS Gia Milani, Canada World Premiere
    Loss of one’s identity drives this ensemble film from first-time feature writer/director Gia Milani. Cory Monteith stars as an ambitious department store manager whose wife (Karine Vanasse) copes with a loss as co-worker (Kevin Zegers) battles back from a traumatic injury and cashier (Emily Hampshire) takes advantage of it all.

    RHYMES FOR YOUNG GHOULS Jeff Barnaby, Canada World Premiere
    Kids on the Red Crow reservation are doomed. If you can’t pay your “truancy tax”, that’s you up at the residential school, beat up and abused. At 15, Aila is the weed princess of Red Crow. After being thrown into the school’s dungeon, she decides to fight back.

    SARAH PREFERS TO RUN (Sarah préfère la course) Chloé Robichaud, Canada Toronto Premiere
    Sarah is a gifted runner. Her life changes when she’s offered admission to Quebec’s best university athletics program in Montreal — far from her home. Sarah doesn’t have her mother’s financial support for the move, but she leaves anyway with her friend Antoine. Though barely out of their teens, they get married because they want the best scholarships and loans. Sarah doesn’t want to hurt anyone with the choices she makes, it’s just that she loves running more than anything else.

    CONTEMPORARY WORLD CINEMA

    A JOURNEY (Une Jeune Fille) Catherine Martin, Canada World Premiere
    Chantal is a secretive young girl who lives with her sick mother and unemployed father. When her mother dies, she leaves the family home for the Gaspé Peninsula. Bringing with her a photo of a beach where her mother longed to return, Chantal tries to find the place — but her efforts are in vain. After wandering around for days, she runs out of money and finds refuge with Serge, a taciturn farmer, on his small farm in the back country. Serge hires Chantal, and gradually they take to each other, forming a strong bond.

    THE ANIMAL PROJECT Ingrid Veninger, Canada World Premiere
    A story about a father, a son, and six characters dressed in furry suits. An unorthodox acting teacher (Aaron Poole) attempts to push a group of eager young performers out of their comfort zones, while struggling with his own ability to live an authentic and fulfilling life with his teenage son.

    CINEMANOVELS Terry Miles, Canada World Premiere
    As a young woman (Lauren Lee Smith) prepares a memorial film retrospective for her late estranged father, his work begins to influence her life in strange and significant ways. Also starring Jennifer Beals and Ben Cotton.

    LE DÉMANTÈLEMENT Sébastien Pilote, Canada North American Premiere
    Gaby owns a lamb farm. He has two daughters that he raised like princesses. One day, the oldest asks him for some financial support so she doesn’t end up losing her house. Gaby decides to dismantle the farm.

    THE DICK KNOST SHOW Bruce Sweeney, Canada World Premiere
    The Dick Knost Show is a character-based satire on sports-talk culture. Dick Knost is a star sports talk host. He’s prickly, acerbic and chronically impulsive. After dismissing the danger of concussions in hockey, he suffers a series of concussions himself, and faces the danger of losing his job, his friends and his identity.

    EMPIRE OF DIRT Peter Stebbings, Canada World Premiere
    Like many Native families, Lena Mahikan grew up in the cycle of abuse. Her father, a residential school survivor, was an alcoholic until he killed himself when Lena was 10. Her mother, only 14 years her senior, turned to the slots. By the time Lena was 15, she was pregnant and, before giving birth, was kicked to the curb by her mom. The cycle continues and Lena is now watching helplessly as her own daughter, Peeka, spirals out of control, landing herself in the hospital following a drug overdose. As a final attempt at survival, Lena decides to return home and face her own mother and a past she’s desperate to escape.

    SIDDHARTH Richie Mehta, Canada North American Premiere
    After sending away his 12-year-old son Siddharth for work, Mahendra (a chain-wallah who fixes broken zippers on the streets) is relieved — his financial burdens will be alleviated. But when Siddharth fails to return home, Mahendra learns he may have been taken by child traffickers. With little resources and no connections, he travels across India in pursuit, with the hope that whatever force took his child away will return him unharmed.

    STAY Wiebke von Carolsfeld, Canada/Ireland World Premiere
    Stay is about people at a crossroads, struggling to find a home. Abbey finds herself in love with Dermot, a disgraced professor who retreated to the rugged expanse of Connemara. Their happy existence is upended when Abbey finds out that she is pregnant and Dermot refuses to consider fatherhood.

    VANGUARD

    Asphalt Watches Seth Scriver and Shayne Ehman, Canada World Premiere
    Asphalt Watches is a true story. It is a feature-length animation based on a real-life hitchhiking trip taken by the two directors, Shayne Ehman and Seth Scriver in the year 2000. The film details the hilarious and amazing journey of Bucktooth Cloud and Skeleton Hat as they travel eastward across Canada.

    GERONTOPHILIA Bruce LaBruce, Canada North American Premiere
    The always provocative Bruce LaBruce is back with a new romantic comedy (of sorts).18-year-old Lake has a sweet activist girlfriend, but one day discovers he has an unusual attraction for the elderly. Fate conspires to land him a summer job at a nursing home where he develops a tender relationship with Mr. Peabody. Discovering that the patients are being over-medicated to make them easier to manage, Lake decides to wean him off his medication and help him escape, resulting in a humorous and heartfelt road trip that strengthens their bond.

    MASTERS

    TRIPTYCH (Triptyque) Robert Lepage and Pedro Pires, Canada World Premiere
    Triptych is a contemporary urban saga that tells the story of Michelle, a schizophrenic bookseller; Marie, a singer and actress; and Thomas, a German neurologist. These three lives become the primary locus of personal identity and emotion, with their many manifestations, variations, and implications, through each character’s inner development and burning desire for self-expression.

    Canadian films previously announced in the TIFF Docs programme include: Jody Shapiro’s Burt’s Buzz, Barry Avrich’s Filthy Gorgeous: The Extraordinary World of Bob Guccione, Alanis Obomsawin’s Hi-Ho Mistahey! and Allan Zweig’s When Jews Were Funny.

    Previously announced Canadian features in the Gala programme include Jonathan Sobol’s The Art of the Steal, Don McKellar’s The Grand Seduction and Jeremiah Chechik’s The Right Kind of Wrong.

    Derek Lee and Clif Prowse’s Afflicted was previously announced in the Midnight Madness programme.

     

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  • “MAD SHIP” “OUT OF PRINT” Win Top Awards at 4th New Hope Film Festival

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    MAD SHIP directed by David MortinMAD SHIP directed by David Mortin

    The 4th annual New Hope Film Festival, in the heart of Bucks County, Pennsylvania’s riverside art colony, New Hope, announced the 2013 awards on Sunday, with MAD SHIP, directed by David Mortin winning the Danny Award – Best Picture. In the film a Scandinavian immigrant, driven to madness by ruined dreams and the tragic death of his wife, embarks on a quixotic mission to build a homemade ship and sail out of the prairie dust bowl at the height of the Great Depression. The award for Best Documentary went to OUT OF PRINT, directed by Vivienne Roumani, Featuring interviews with Scott Turow, Ray Bradbury, Jeffrey Toobin, Amazon.com founder and CEO Jeff Bezos, self-publishing success story Darcie Chan and many more, OUT OF PRINT is described as an in-depth look at publishing’s milestones and what it means to adapt that history to the rapid expansions of the information age.

    Film Jury Awards

    Danny Award- Best Picture – MAD SHIP, Directed by David Mortin, Canada

    Best Director- Khrushch Roman, for PECHORIN, Russian Federation

    Best Documentary- OUT OF PRINT, Directed by Vivienne Roumani, USA

    Best Short Film- SPAGHETTI FOR TWO, Directed by Matthias Rosenberger, Germany

    Indie Spirit Award- MY WAY, Co-Directed by Dominique Mollee, Vinny Sisson, USA

    Best Animated Film- RECIPE FOR LOVE, Directed by Gwyneth Christoffel, Canada

    Best Biography- GEIL OF DOYLESTOWN, Directed by Karl Stieg, USA

    Artistic Spirit Award- SURVIVING MOMMIE DEAREST, Directed by Christina Crawford, USA

    Best Student Film- SWEETLY BROKEN, Directed by Chung Lam, Czech Republic

    Best Adaptation- THE ASSIGNMENT, Directed by Cam Peters, Canada

    New Hope Award- ALL ME:THE LIFE AND TIMES OF WINFRED REMBERT, Directed by Vivian Ducat, USA

    Cultural Spirit Award- SHELL SHOCKED, Directed by John Richie, USA

    Best Horror Film- METAMORPHOSIS, Directed by David Yohe, USA

    Best Comedy- SONNY DAYS, Directed by Tom Megalis, USA

    Screenplay Jury Awards

    Best Screenplay- TAKING THE KING, Nelson Blish, USA

    Best Narrative Feature- all I ever wanted was EVERYTHING, Shari MacDonald, USA, Costa Rica

    Best Short Screenplay- TRANSHUMANS, Alex Sobol, USA

    Best Mid-Atlantic Screenplay- SCARLETT SUNSHINE, Faith Brody Patane, USA

    Best Futuristic Screenplay- PRION, Tom McCarron, USA

    Best Dramatic Screenplay- HALFWAY HOME, David Schroeder, USA

    Music Video Jury Awards

    Best Music Video- OLD COATS, Directed by Andy Strohl, USA

    Best Pop Video- MY DREAM GIRL, Directed by Carlos Hurtado, USA

    Best Alternative Video- LIFE IN PICTUREs, Directed by Herman Wang, Canada

    Best Hip Hop Video- TOP OF MY GAME, Directed by Gabriella Loutfi, USA, Jamaica

    Best Cultural Spirit Award- LET YOUR LIGHT SHINE, Produced by John Ryan, USA

    Best Folk Video- WHAT ARE WE WAITING FOR, Directed by Funk Brothers, Canada

    Best Inspirational Video- MIRACLE, Directed by Marcin Starzecki, Poland

    Audience Choice Awards

    Best Webisode- CHART STAR, Directed by Kate McGraw, Australia

    Best Music Video- MIRACLE, Directed by Marcin Starzecki, Poland

    Best Art House Feature- SINCE I DON’T HAVE YOU, Directed by Gavin Rapp, USA

    Best Documentary- GAMERS, Directed by Christine Farina, USA

    Best Short Film- AUTUMN, Directed by Susan Barry, USA

    Best Student Film- THE MERCURY CYCLE, Directed by Cody Hoerig, USA

    Best Mid-Atlantic Film- ONE WALL: KINGS OF CONEY ISLAND, Directed by Joe Glickman, USA

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  • Helsinki International Film Festival Announces its Opening, Closing and Gala Films

    Blue Is the Warmest Color ( La Vie d'Adèle – Chapitre 1 & 2 – "The Life of Adèle – Chapters 1 & 2")Blue Is the Warmest Color ( La Vie d’Adèle – Chapitre 1 & 2 – “The Life of Adèle – Chapters 1 & 2”)

    Finland’s largest film festival, the Helsinki International Film Festival (HIFF) under the theme Love & Anarchy, will take place September 19th to 29th, 2013. The 26th edition of the festival will kick off with Cannes Palme d’Or winner BLUE IS THE WARMEST COLOR (French: La Vie d’Adèle – Chapitre 1 & 2 – “The Life of Adèle – Chapters 1 & 2”). In the film, director Abdellatif Kechiche tells the love story of two young women. The festival’s Closing Film is FRANCES HA by Greenberg director Noah Baumbach. In this black-and-white drama comedy Greta Gerwig plays a young dancer who tries, at times desperately, to find herself and her place in New York City.

    The HIFF Gala Film this year is THE GRANDMASTER, the new film by director Wong Kar-wai which opened the Berlinale this year. The film, which spans the five first decades of the 20th Century in China, depicts the life of legendary kung fu master Ip Man, portrayed by Tony Leung. The Finnish Film Gala selection is HEART OF A LION by Dome Karukoski (Lapland Odyssey, Forbidden Fruit). In this intense drama, neo-nazi Teppo (Peter Franzén) tries finding himself as a stepfather for the colored son of the woman he has fallen passionately in love with (Sari, played by Laura Birn). Other films featured in HIFF’s Spotlight Selection include Gus Van Sant’s PROMISED LAND and PIONEER, a high-octane thriller by Norwegian director Erik Skjoldbjærg.

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  • 16 Short Films on Lineup for 1st Short Animation Film Festival in Arlington MA

    Gordon Bernstein's A NOVEL TREATMENT FOR ENDOPARASITESGordon Bernstein’s A NOVEL TREATMENT FOR ENDOPARASITES

    The first-ever Short Animation Film Festival is scheduled to take place this Friday night, August 9, 2013 at Robbins Farm Park on Eastern Avenue in Arlington, Massachusetts. The free event co-sponsored by the Friends of Robbins Farm Park, the Arlington International Film Festival (AIFF), and the Arlington Center for the Arts (ACA) will feature music and a screening of the animation shorts. The lineup of 16 short animation films include two that are world premieres: Gina Kamentsky’s “GIVE ME A PIE” and Gordon Bernstein’s “A NOVEL TREATMENT FOR ENDOPARASITES”.

    There will also be a screening of two episodes of the popular and Emmy-award-winning web series, “It’s Jerry Time”. Animated film shorts “SENSORIUM” and “TAXONOMY” will be shown as a tribute to the late world-renowned animation artist, Karen Aqua.

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