• Keith Carradine Honored at Maine International Film Festival with Mid-Life Achievement Award

    David Carradine

    Award-winning actor, songwriter, and producer Keith Carradine was honored at this year’s Maine International Film Festival (MIFF) with the 2013 Maine International Film Festival (MIFF) Mid-Life Achievement Award.  Carradine was presented with his award at the Monday, July 15 screening of Nashville.  Carradine’s song for the film, “I’m Easy,” garnered both an Academy Award and a Golden Globe for Best Original Song. Carradine can currently be seen, starring in AIN’T THEM BODIES SAINTS, which received the award for best cinematography at the 2013 Sundance Film Festival and is featured at MIFF this year.  “AIN’T THEM BODIES SAINTS” will be released on August 16, 2013.

    Each year MIFF honors an individual who has made significant contributions to the art of cinema. Past winners include: Thelma Schoonmaker (Raging Bull, The Departed), Lili Taylor (I Shot Andy Warhol, Mystic Pizza), Arthur Penn (Bonnie and Clyde), Terrence Malick (The Thin Red Line, Badlands), Malcolm McDowell (A Clockwork Orange), John Turturro (Miller’s Crossing, The Big Lebowski) , Ed Harris (Empire Falls, Pollack), Peter Fonda (Easy Rider), Sissy Spacek (In the Bedroom), Jos Stelling (Duska), Walter Hill (The Warriors), and Bud Cort (Harold and Maude).

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  • African Diaspora International Film Festival – Washington D.C. to Feature 7 Films; Opens with D.C. Premiere of African Independence

    AFRICAN INDEPENDENCEAFRICAN INDEPENDENCE written, directed and produced by scholar, filmmaker and PBS History Detectives host, Professor Tukufu Zuberi.

    The African Diaspora International Film Festival – Washington D.C. (ADIFF- DC) will celebrate its 7th anniversary in Washington D.C. from August 16 to 18, 2013 with a lineup of 7 films. The African Diaspora International Film Festival – D.C. will open with the Washington D.C. Premiere of AFRICAN INDEPENDENCE, an award-winning, feature-length documentary written, directed and produced by scholar, filmmaker and PBS History Detectives host, Professor Tukufu Zuberi.

    AFRICAN INDEPENDENCE retraces the history of the independence movement throughout Africa using archival footage as well as interviews with such personalities as President Kenneth Kaunda of Zambia,Hon. SamiaYaaba Nkrumah, daughter of Dr. Kwame Nkrumah- Ghana’s first President, President F.W. de Klerk of South Africa and many others. 

    ADIFF-D.C. will also present the Washington D.C. Premiere of award winning film from Senegal THE PIROGUE by Moussa Toure, official selection in the Un Certain Regard section of 2012 Cannes Film Festival. This powerful drama in which a group of 30 men and a woman sail to Europe in a pirogue, facing the sea and the possibility of never reaching their destination in exchange for the myth of a better life in Europe, was called by A.O. Scott of The New York Times “a remarkably clear-eyed, quietly ambitious film [that] deals with emotionally charged events matter-of-factly, rather than melodramatically.”

    In collaboration with the Swiss Embassy, ADIFF will screen the Senegal/Switzerland/Luxembourg musical documentary RETURN TO GORÉE by Pierre-Yves Borgeaud which follows Senegalese musician and current Culture Minister of Senegal, Youssou N’Dour, as he recruits musicians to prepare for a concert on the Gorée Island that today symbolizes the slave trade and stands to honor its victims.

    Also in the program is the Washington D.C. premiere screening of NISHAN, a new thriller set in Addis Ababa, Ethiopia about a young businesswoman who dreams of leaving Ethiopia to seek her fortune abroad. When her father mortgages the house to support her emigration, an unsigned document creates a disastrous domino effect in this thrilling feature debut by Ethiopian filmmaker Yidnekachew Shumete Desalegn.

    Other films on the program include the Washington D.C. premiere showing of award-winning dance film from South Africa THE AFRICAN CYPHER and the presentation of German film OTOMO by Frieder Schlaich starring award-winning actor Isaach de Bankolé (Miami Vice, Casino Royal, Ghost Dog, The Way of the Samourai; Otomo; Chocolat) about the last 24 hours in the life of an African immigrant in Germany. 

    ADIFF Washington D.C. will close with the premiere screening of the Shakespeare play TANGO MCBETH by Philadelphia based independent filmmaker Nadine M. Patterson.

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  • Central Florida Film Festival Returns to Ocoee, Florida August 30 thru September 1

    cenflo

    This year’s Central Florida Film Festival returns over the Labor Day weekend in Ocoee, Florida, running from Friday, August 30th thru Sunday, September 1st at the West Orange Cinemas. Horror ‘scream queen’ Felissa Rose and “Supernatural’s” Richard Speight Jr., are two of the Hollywood Celebrities expected to be in attendance.

    CENFLO will celebrate the 30th anniversary of the horror cult classic, “SLEEPWAWAY CAMP,” which will screen on Saturday evening at 7:45 pm followed by a Question and Answer by the film’s star, Felissa Rose who will also pose for photos after the screening. Felissa played young Angela in the film that has also brought four sequels over the years.

    Earlier on Saturday (1:00 pm) “Supernatural’s” Richard Speight Jr., will highlight a short series of films with his movie “America 101.” Richard will also perform a Question and Answer with two other filmmakers during the program.

    image via Facebook

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  • Academy of Motion Picture Arts and Sciences Names 2013–2014 Board of Governors

     Academy of Motion Picture Arts and Sciences

    Ten first-time governors have been elected to the Academy of Motion Picture Arts and Sciences Board of Governors. In addition, eight incumbents have been reelected and one previous governor is returning to the board. This year’s election increases the Academy’s governing body from 43 to 48.

    The first-time governors are Judianna Makovsky and Deborah Nadoolman, representing the Costume Designers Branch; Rick Carter and Jan Pascale, Designers Branch; Alex Gibney, Documentary; Lynzee Klingman, Film Editors; Amy Pascal, Executives; Kathryn Blondell and Bill Corso, Makeup Artists and Hairstylists; and Nancy Utley, Public Relations.

    The reelected governors are Ed Begley, Jr., Actors Branch; John Bailey, Cinematographers; Kathryn Bigelow, Directors; Charles Fox, Music; Jon Bloom, Short Films and Feature Animation; Curt Behlmer, Sound; Richard Edlund, Visual Effects; and Robin Swicord, Writers.

    Mark Johnson, representing the Producers Branch, is returning to the board after a hiatus.

    The Academy’s 16 branches, including the recently created Costume Designers Branch, are each represented by three governors, who may serve up to three consecutive three-year terms. For the first time, the Makeup Artists and Hairstylists Branch is represented by three governors; the branch was previously represented by one.

    Governors who were not up for reelection and who continue on the board are Annette Bening and Tom Hanks, Actors Branch; Jim Bissell, Designers; Richard P. Crudo and Dante Spinotti, Cinematographers; Jeffrey Kurland, Costume Designers; Lisa Cholodenko and Michael Mann, Directors; Michael Apted and Rob Epstein, Documentary; Dick Cook and Robert Rehme, Executives; Mark L. Goldblatt and Michael Tronick, Film Editors; Leonard Engelman, Makeup Artists and Hairstylists; Arthur Hamilton and David L. Newman, Music; Gale Anne Hurd and Kathleen Kennedy, Producers; Cheryl Boone Isaacs and Rob Friedman, Public Relations; Bill Kroyer and John Lasseter, Short Films and Feature Animation; Don Hall and Scott Millan, Sound; Craig Barron and John Knoll, Visual Effects; and Bill Condon and Phil Robinson, Writers.

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  • WATCH Official Trailers for 2013 Rural Route Film Festival

    BAIKONUR BAIKONUR

    Rural Route will screen what the festival describes as “4 of the BEST new independent films to the beautiful big screen” at the Museum of the Moving Image in Queens, New York City on August 3 and 4, 2013.  The 4 films are TALL AS THE BAOBAB TREE directed by Jeremy Teicher, SALT directed by Diego Rougier, THE MOSUO SISTERS directed by Marlo Poras and BAIKONUR directed by Veit Helmer.

    Festivial Official Trailer

    http://youtu.be/6NAUxFILLdo

    TALL AS THE BAOBAB TREE

    http://youtu.be/og05DpepTi0

    SALT

    http://youtu.be/3GGtGu4DZuM

    THE MOSUO SISTERS

    http://youtu.be/1QT-e9e5siQ

    BAIKONUR

    http://youtu.be/_-90Pfde1rM

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  • “THE HAPPY SAD” to Open in NYC August 16

    THE HAPPY SAD

    Rodney Evan’s latest film, THE HAPPY SAD, that follows two couples, one black and one white, whose lives collide as they navigate open relationships and sexual identity, opens in NYC on August 16, 2013. 

    Two young couples in New York – one black and gay, one white and heterosexual – find their lives intertwined as they create new relationship norms, explore sexual identity, and redefine monogamy. The film therefore uses the multicultural ensemble to explore the questions that alternative twenty- and thirty-year olds face in a culture where there appears to be endless possibilities for sex but also a resistance to any definitive model for a “proper” relationship. It juxtaposes the storylines of the two main couples Marcus (Leroy McClain) and Aaron (Charlie Barnett) , Stan (Carmeron Scoggins) and Annie (Sorel Carradine) ) to highlight the ethical dilemmas facing men and women who are trying to create new ways to be in a loving relationship, while recognizing that monogamy might not be for them. 

     http://youtu.be/GKp_fZ4M-zE

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  • “FRUITVALE STATION” Opens Big at the Box Office

    FRUITVALE STATION

    “FRUITVALE STATION” opened big in limited release in its first weekend with $377,285 from just 7 theaters for a $53,898 per-theater-average.   Winner of both the Grand Jury Prize for dramatic feature and the Audience Award for U.S. dramatic film at the 2013 Sundance Film Festival, director Ryan Coogler’s FRUITVALE STATION follows the true story of Oscar Grant (Michael B. Jordan), a 22-year-old Bay Area resident .. whose life takes a tragic turn, however, when BART officers shoot him in cold blood at the Fruitvale subway stop on New Year’s Day. 

    Complete list of grosses for new indie films in limited release via Indiewire

    The Debuts:

    FRUITVALE STATION
    Distributor: The Weinstein Company
    Weeks in Release: 1
    Gross:  $377,285
    Theaters: 7
    Average: $53,898
    Cumulative Total: $377,285

    CRYSTAL FAIRY
    Distributor: IFC Films
    Weeks in Release: 1
    Gross:  $24,000
    Theaters: 2
    Average: $12,000
    Cumulative Total: $24,000

    DEALIN’ WITH IDIOTS
    Distributor: IFC Films 
    Weeks in Release: 1
    Gross:  $12,000
    Theaters: 1
    Average: $12,000
    Cumulative Total: $12,000

    THE HUNT
    Distributor: Magnolia
    Weeks in Release: 1
    Gross:   $44,000
    Theaters: 4
    Average: $11,000
    Cumulative Total: $44,00

    VIOLA
    Distributor: Cinema Guild
    Weeks in Release: 1
    Gross:  $6,275
    Theaters: 1
    Average: $6,275
    Cumulative Total: $6,275

    STILL MINE
    Distributor: IDP/Samuel Goldwyn
    Weeks in Release: 1
    Gross:  $21,000
    Theaters: 4
    Average: $5,250
    Cumulative Total: $21,000

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  • “AMOROUS PANCHO VILLA” “A COMMON MAN” Win Top Awards at 2013 Madrid International Film Festival

    AMOROUS PANCHO VILLA AMOROUS PANCHO VILLA

    AMOROUS PANCHO VILLA won the big prize at the 2013 Madrid International Film Festival, the Best Film of the Festival along with the award for Best Foreign Language Feature. Other winners include A COMMON MAN which won the awards for Best Feature Film, Best Director for Chandran Rutnam, and Best Lead Actor for Sir Ben Kingsley,

    AMOROUS PANCHO VILLA is described as “Following the underhanded murder of Pancho Villa on the outskirts of Parral, Chihuahua, on July 20, 1923, the whole city mourned his death. The wake for the revolutionary hero was held in downtown Parral, at the Hidalgo Hotel, owned by Pancho Villa, by his closest collaborators and all sorts of admirers. Standing out among the mourners were the four women with whom Cillas was having intimate relationships at the time of his death, which made for an awkward confrontation. In a conversation with the past, Luz Corral, his first wife, recognized as such by both the Mexican and US governments, offers a review of Pancho Villa’s affairs of the heart- the high spirited general marries 18 times- and military and philosophical adventures, and goes into his unusual passion and hunger for life and justice in an intimate and human portrait of the Centaur of the North. As expected, the tension between the women grows and intensifies, with the personal interests of each of them coming to the fore, culmination in a dramatic surprise ending of communion in memory of Francisco Villa.”

    A COMMON MANA COMMON MAN

    A COMMON MAN is a psychological thriller film starring Oscar Award winner Ben Kingsley and Ben Cross and directed by veteran film maker Chandran Rutnam. Set in Colombo, Sri Lanka, a mysterious man (Kingsley) has planted 5 bombs in the politically-scarred city that are set to explode unless four major terrorists are immediately released from prison. When he calls in his demands to the Deputy Inspector General of the Colombo Police Department (Cross), it sets in motion an ideological and deadly confrontation between the truth and duty.

    The complete list of winners of 2013 Madrid International Film Festival

    Best Film of the Festival
    AMOROUS PANCHO VILLA
    Lourdes Deschamps
    Jorge Rubio Salazar
    Juan Andres Bueno
    Luz Maria Deschamps

    Best Director
    A COMMON MAN
    Chandran Rutnam

    Best Director of a Short Film
    SOUTHERN DYSCOMFORT
    Patrick McEveety

    Best Director of a Foreign Film
    COUNTING HAPPINESS
    Venetia Evripiotou

    Best Lead Actor
    A COMMON MAN
    Sir Ben Kingsley

    Best Lead Actress
    SONIA’S STORY
    Alba Grigatti

    Best Supporting Actor
    ETERNITY
    Ralph Johnson

    Best Supporting Actress
    BOLERO
    Lucy Rayner

    Jury Award
    THE PREACHER’S DAUGHTER
    Michelle Mower

    Best Feature Film
    A COMMON MAN
    Paul Mason
    Manohan Nanayakkara
    Radha Krishnan

    Best Foreign Language Feature
    AMOROUS PANCHO VILLA
    Lourdes Deschampes
    Jorge Rubio Salazar
    Juan Andres Bueno
    Luz Maria Deschamps

    Best Original Screenplay of a Feature Film
    BETSY & LEONARD
    Luke Foster

    Best Unproduced Script Based on a Drama
    ARBAA HADARIM
    Tamar Komem

    Best Unproduced Script Based on a Novel
    SICILIAN SECRETS
    David Healey

    New Star Scriptwriting Award
    HOPES NOCTURNAL & THE ABYSS OF PAIN
    David Sabbath

    Best Unproduced Script Based on a Historical Drama
    SCOTCH VERDICT
    Suzanna Stroh

    Best Unproduced Short Script
    DATING ALFIE
    Paul Ellington

    Best Short Film
    HEADS UP
    Alex Merkin
    Robert Krakovski
    Ben Carlin

    Best Editing of a Short Film
    DATE IN TIME
    Norman Hussey

    Best Original Screenplay of a Short Film
    HIDE & SEEK
    Cecilia Rossiter

    Best Foreign Language Short
    PAIN STAKING
    Adolfo Martinez Perez

    Best Special Effects
    THE SWALLOW TAILED PAPER
    Francesca Mercandelli
    Paolo Luiselli

    Best Producer
    SURKHAAB
    Vivek Kumar
    Barkha Madan

    Best Soundtrack
    IMBOLC
    Jenny McCaffrey

    Best Directing of a Feature Documentary
    PROJECT CENSORED: THE MOVIE
    Christopher Oscar
    Doug Hecker

    Best Directing of a Short Documentary
    FROM QUEENS TO CAIRO
    Sherif Sadek

    Best Feature Documentary
    COWBOY CHRISTMAS
    H.D. Motyl

    Best Editing of a Feature Documentary
    RISING ABOVE THE BLUES: THE STORY OF JIMMY SCOTT
    Yoon-ha Chang
    Raif Kemper

    Best Short Foreign Documentary
    MEMOIRS OF A SCATTERBRAIN
    Jan Thijssen

    Best Editing of a Feature Film
    ETERNITY
    Nick Swinglehurst
    Alex Galvin

    Talented New Director
    REVOLVE
    Bryan Becker
    Brandon Miradi

    Best Cinematography
    FAT CAT
    Evgeny Sinelnikov

    Best Short Documentary
    DELTA 180: CHANGING LIVES IN THE MISSISSIPPI DELTA
    Anne Rayner

    Best Music
    DISSENT
    Enrico Ascoli
    Luigi Esposito

    Best Makeup and Hair
    ISN’T THIS LOVE?
    Ioanna Sourmeli-Terzopoulou

    Best Costume
    THOSE CITY GIRLS
    Suchismits Dasgupta

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  • 29 Documentary Films to Receive Grants from Sundance Institute

    sundance-institute1

    29 feature-length documentary films have been selected to receive more than $550,000 in grants from the Sundance Institute’s Documentary Film Program and Fund (DFP). Grantees were selected from 772 submissions from 88 countries and include filmmakers working in Chile, Libya, Cuba, Cambodia and Pakistan as well as a broad range of experience, from first-time feature documentary filmmakers to Academy Award nominee Arthur Dong and veteran filmmaker Ed Pincus working with Lucia Small.

    DEVELOPMENT

    Chicago Boys (Chile) 
    Director: Carola Fuentes
    The film tells how a group of Milton Friedman’s disciples – backed by a military dictatorship in the ‘70s – managed to turn Chile into the first and most extreme model of neoliberalism in the world.

    Children
    Director: Maite Alberdi
    Chilean support for people with Down Syndrome ends at 25, but life expectancy is now in the 50s. A group of friends are facing a stage they were never prepared for, because no one ever expected them to grow up or get old.

    Concerning Violence (Sweden) 
    Director: Goran Hugo Olsson
    From the depths of the Swedish film archive comes newly discovered, powerful footage of the most daring moments in Third World liberation movements. Accompanied by classic text from The Wretched of the Earth by Franz Fanon, the new film will offer timeless reflections on violence and liberation.        

    Eddie Adams: SAIGON ’68 (U.S.A.)
    Director: Douglas Sloan
    The most influential photograph to come out of the Vietnam War transformed the lives of both photographer Eddie Adams and General Loan, who summarily executed the prisoner. The film explores the surprising backstory and launches a broader inquiry into our perception and understanding of the visual image.

    Flickering Time Bomb (New Zealand) 
    Director: Pietra Brettkelly
    Three men align in a passionate campaign to save Afghanistan’s rapidly deteriorating Film Archive, in a country whose culture and history are once again under threat of an uncertain future.

    Freedom Fields (Libya)           
    Director: Naziha Arebi
    At the new dawn of a nation once cut off from the world, a dynamic group of women from fractured sides of the revolution come together with one hunger in common, to empower the women of Libya through sport. Their dream: to form the first national Libyan women’s football team.

    Hotel Nueva Isla (Cuba/Spain) 
    Directors: Irene Gutierrez and Javier Labrador
    Jorge lives with his four neighbors in the formerly luxurious Hotel Nueva Isla in Old Havana. Now in ruins, it is a shelter for people living on the fringes of society. Evacuation becomes imminent, but Jorge resists abandoning the building.

    School of Last Resort (U.S.A.) 
    Directors: Landon Van Soest and Jeremy Levine
    Three students at an experimental school for criminal youth struggle to fulfill their hopes in one of the most dangerous cities in the country.

    Simple Justice (U.S.A.) 
    Directors: Marion Lipschutz and Rose Rosenblatt
    After 435 days in prison, a Chinese immigrant in Indianapolis is free on bail. Can her attorney clear the charges of murder and attempted feticide, or will she go to jail for her crime – attempting suicide while pregnant?

    The Storm Makers (Cambodia / France) 
    Director: Guillaume Suon
    Filmmaker Guillaume Suon turns his cinematic lens on globalization and contemporary Cambodia.

    Southwest of Salem: The Story of the San Antonio Four (U.S.A.) 
    Director: Deborah S. Esquenazi
    Four Chicana lesbians languish in Texas prisons, found guilty of sexually assaulting two girls ages 7 and 9. Now, advocates and attorneys believe that a spurned suitor’s revenge, homophobia and ‘junk science’ were key factors in their conviction. The film also explores the tedious process of exonerating innocents in Texas.

    Untitled Colorado Documentary (U.S.A.) 
    Director: Eric Juhola
    The film follows a landmark case in Colorado, where a 6-year-old male-to-female transgender girl is banned from using the girls’ bathroom at her elementary school.

    PRODUCTION / POST-PRODUCTION

    Barring Race (U.S.A.) 
    Director: Noel Schwerin
    At an infamous prison in California, inmates and staff confront a U.S. Supreme Court ruling and a novel anti-violence program order, revealing America’s locked down racial order, and the hidden risks of transformative change.

    Chameleon
    Director: Ryan Mullins
    Chameleon is a chronicle of the extraordinary escapades of Anas Aremeyaw Anas, a deep-cover investigative journalist in Ghana.           

    Elephant in the Room (Working Title) (U.S.A.) 
    Directors: Lucia Small and Ed Pincus
    Two filmmakers of different generations turn the camera on each other to explore friendship, legacy and living with terminal illness. A film that spans the years of their friendship,Elephant in the Room (working title) offers a raw, personal glimpse into a creative partnership and the delicate process of capturing life’s precious moments.

    The Hand that Feeds (U.S.A.) 
    Directors: Rachel Lears and Robin Blotnick
    Twelve undocumented immigrant workers take on a well-known New York City restaurant chain owned by powerful investors. This David-and-Goliath story explores what it takes for ordinary people to stand up for their dignity, and win.

    The Killing Fields of Dr. Haing S. Ngor (U.S.A.)
    Director: Arthur Dong
    The periods before, during, and after the Khmer Rouge’s tyrannical rule over Cambodia are seen through the eyes of Dr. Haing S. Ngor, who escaped to America and recreated his experiences in The Killing Fields, winning an Oscar® for his first film. He became the de facto worldwide ambassador for truth and justice in his homeland, only to be gunned down in Chinatown Los Angeles – a case still muddled with transnational conspiracy theories.

    Marmato (U.S.A.) 
    Director: Mark Grieco
    If Colombia is the new El Dorado of the global gold rush then Marmato, a mining town with over 500 years of history, is the new frontier. In its mountain there are $20 billion in gold, but its 8,000 inhabitants are at risk of being displaced by an open-pit mining project planned by a Canadian mining company.

    Midway (U.S.A.) 
    Director: Chris Jordan
    Both elegy and warning, Midway explores the interconnectedness of species, with the albatross on Midway as a mirror of our humanity.

    The Overnighters (U.S.A.) 
    Director: Jesse Moss
    Moths to a flame, broken, desperate men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor risks everything to help them.

    Private Violence (U.S.A.) 
    Director: Cynthia Hill
    Have you ever wondered, “Why doesn’t she leave?” Private Violence follows domestic violence advocate Kit Gruelle as she accompanies women on the pathway from victim to survivor.

    Radical Love (U.S.A.) 
    Director: Hillevi Loven
    Cole, a transgender Christian teen in rural North Carolina, searches for love and a spiritual community to call home.

    Street Fighting Man (U.S.A.) 
    Director: Andrew James
    In a new America where the promise of education, safety and shelter are in jeopardy, three Detroit men fight to build something lasting for themselves and future generations.

    Untitled Project (Faroe Islands/UK) 
    Director: Mike Day
    The pilot whale hunters of the Nordic Faroe Islands believe that hunting is vital to their way of life, but when a local doctor makes a grim discovery about the effects of marine pollution, environmental changes threaten to end the controversial tradition and change the community forever.

    DISCRETIONARY

    The Dream of Shahrazad (South Africa) 
    Director: Francois Verster
    Weaving together music, politics and storytelling, this film explores recent Middle East events through the metaphor of The 1001 Nights.

    Out in The Night (formerly The Fire Next Time) (U.S.A.) 
    Director: Blair Doroshwalther
    A lifetime demanding self-defense. One night they fought back.

    AUDIENCE ENGAGEMENT

    25 To Life (U.S.A.) 
    Director: Mike Brown
    William “Reds” Brawner kept his HIV status a secret for over twenty years. Now Will seeks redemption from his nebulous and promiscuous past as he builds his own family. Audience Engagement support will be applied to the films’ outreach goals: to help decrease unsafe practices among the target population, reveal complexity in adult relationships, and dispel fear and misunderstandings surrounding the epidemic.

    A Fierce Green Fire (U.S.A.) 
    Director: Mark Kitchell
    Narrated by Robert Redford, Ashley Judd, Van Jones, Isabel Allende and Meryl Streep, this exploration of the environmental movement looks at fifty years of global activism and the battle for a living planet. The Audience Engagement award supports work with environmental groups large and small as they mobilize and build grassroots campaigns.

    Girl Model (U.S.A.) 
    Directors: Ashley Sabin and David Redmon
    Girl Model follows a 13-year-old Siberian girl and the American scout who discovers her through the complex, global human supply chain of the unregulated and often murky world of the international modeling industry. The Audience Engagement award supports a girl-fueled campaign to encourage the Department of Labor to extend child labor protections to under age models.

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  • WATCH 3 Official Clips from Fruitvale Station

    fruitvale-station 2

    The award winning indie drama FRUITVALE STATION opens in theaters on Friday July 12, 2013 and the film is receiving lots of early buzz. The film is the true story of Oscar, a 22-year-old Bay Area resident who wakes up on the morning of December 31, 2008 and feels something in the air. Not sure what it is, he takes it as a sign to get a head start on his resolutions: being a better son to his mother, whose birthday falls on New Year’s Eve, being a better partner to his girlfriend, who he hasn’t been completely honest with as of late, and being a better father to T, their beautiful 4 year old daughter. He starts out well, but as the day goes on, he realizes that change is not going to come easy. He crosses paths with friends, family, and strangers, each exchange showing us that there is much more to Oscar than meets the eye. But it would be his final encounter of the day, with police officers at the Fruitvale Bart station that would shake the Bay Area to its very core, and cause the entire nation to be witnesses to the story of Oscar Grant.Watch 4 clips from the film, read the review, read about the film, and let us know what you think.

    Tough Love

    http://youtu.be/_ygRv78C1hY

    I’m Scared

    http://youtu.be/_y2vevmt9Xk

    Don’t Make Me Go Through This Alone

    http://youtu.be/n1bv_c-O2lQ

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  • REVIEW: Fruitvale Station

    fruitvalestation

    FRUITVALE STATION is based on one of those horrific, real-life stories of when a police officer makes a heinous, unjustifiable decision.

    The film opens with amateur footage shot on a cell phone of the actual frantic, fatal moments in the early morning hours of New Year’s Day 2009 recreated in Frutivale Station’s harrowing climax. The recreation begins a little over twenty-four hours before, with Oscar (Michael B. Jordan), a twenty-two year old small-time dope dealer and ex-con, arguing with Sopina (Melanie Diaz), his girlfriend and the mother of his four year-old child, Tatiana (the adorable Ariana Neal) about Oscar recently cheating on her. The movie then follows Oscar throughout the rest of his New Year’s Eve – which also happens to be his mother’s birthday – as he tries to follow through on his resolution to give up dealing dope and get his job back at the supermarket, which he was recently fired from for constantly being late. However, it’s New Year’s Eve and Sopina wants to go out to San Francisco to party. Though Oscar’s mother (the wonderful Octavia Spencer) begs him to take the train to avoid driving drunk, it turns out to be the wrong decision when Oscar is confronted by someone from his past and is later detained by the police in a frightening, chaotic scene.

    The final thirty minutes of Fruitvale Station are alternately scary and heartbreaking, but the preceding fifty minutes does just about everything it can to make sure the audience sees Oscar as a sympathetic character. For example, the film illustrates that:
    – Oscar is nice to strangers, as shown by him helping a pretty young girl he meets in the supermarket learn how to fry fish by calling his darling grandma.
    – Oscar is kind to animals, as evidenced by the care he shows to a stray dog.
    – Oscar is caring father, as evidenced by him constantly playing with his daughter.
    – Oscar is a nice guy, as evidenced by the perpetual smile on his face.
    – Oscar is committed to his family, as evidenced by his demeanor at his mother’s birthday dinner.
    – Oscar is committed to turning his life around, as evidenced by his very first words in the film and his actions throughout the film. He also drinks nothing more than a swig out of a bottle on New Year’s Eve.

    This includes scenes and situations that only the real-life Oscar would have been witness to, and thus their authenticity is questionable. The real-life Oscar may have been all of these things and more, but first time feature writer/director Ryan Cooglar risks making “movie Oscar” sympathetic to the point that it is over the top. Movie Oscar is an overwhelmingly charming individual, and though he has some moments of aggression and cowardice, there is little to dislike about him. Had movie Oscar lived the film shows no doubt that he would’ve become a model citizen on the straight and narrow, though it’s impossible to know how Oscar’s life would have gone. Of course, it’s still impossible not to feel sympathy for his character during the film’s climax.

    Octavia Spencer in Fruitvale Station

    Though those parts of the film might seem manipulative, there are parts that are chillingly authentic. Octavia Spencer’s performance as Oscar’s mother brings the film to another level. The interaction between her and Michael B. Jordan shows that Jordan has a bright future. Melanie Diaz also demonstrates her character’s pain effectively (but apropos of nothing, Sophina has the biggest hoop earrings I have ever seen in my life). Since the case revolved around cell phone footage, it’s also really clever that the importance of cell phones in our lives these days is demonstrated by superimposing Oscar’s text messaging on the screen. Lastly, Cooglar is wise to give the police officers some sympathy by making the most aggressive, scariest one (Kevin Durand) later the most calming.

    As a whole, the film is a powerful look at the last hours in the life of a young man trying to transcend his environment. However, Cooglar would have served the true story better by not being so obviously cinematically manipulative with the material (the horrific circumstances alone make Oscar sympathetic). As his first film this is forgivable, but it’s a lesson he will need to learn to grow as a director.

    Fim Review Rating 3 out of  5 : See it … It’s Good

    http://youtu.be/CxUG-FjefDk

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  • Indie Comedy AWFUL NICE to Get a Spring 2014 Release Date

    awful-nice

    Todd Sklar’s comedy AWFUL NICE, which had its world premiere at the 2013 SXSW Film Festival is expected to get a Spring 2014 release by Screen Media.

    The film, AWFUL NICE, centers on estranged brothers Jim (James Pumphrey) and Dave (Alex Rennie) who are forced to travel to Branson together to renovate and flip the lake house they’ve inherited from their just-deceased father. A series of hilarious mishaps and costly misadventures follow as they attempt to restore the dilapidated house and rebuild their strained relationship.

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