• Actress Jan Broberg Talks About Starring in MANIAC with Elijah Woods, and Living Her Real-Life MANIAC Experience

    Jan Broberg in MANIACJan Broberg in MANIAC

    A victim, twice over, Jan Broberg has emerged as a spokewoman for resiliency and the importance of letting life’s experience serve as a motivation and teaching tool rather than a deterrent. The unfortunate victim of abduction and subsequent brainwashing as a child on two different occasions, Broberg has experienced redemption and solace thereafter.On seperate occasions, which spans a period of four years in total, Jan Broberg was the victim of a kidnapping, where she was restrained in the back of a mobile home, held down and brainwashed by continuous recordings of a monstrouous voice. Hard to explain, even more harder to imagine or survive for that matter. Jan Broberg has emerged victorious in her quest to put that horror behind her, and encourage others that they too can persevere. Playing the role of Rita, also a victim of Frank Zito, played by lead actor Elijah Wood in the filmMANIAC, Broberg has once again been given a platform for the war against what some would consider demons, while she considers it a muse. In this candid interview with the actress, learn about her life, her times of tragedy, as well as redemption and vow to be an example for others who have overcome or are seeking the knowledge to do so.

    VIMOOZ: Have you ever been drawn to a film in such a personal manner before?

    Jan Broberg: You know drawn to it in a personal manner, I can say that I haven’t watched many horror films so the genre was not my first choice. I’ve always loved suspense, but I do love the psycho-thriller genre, and I always hoped to be in one. In this film, it is the first time I have been drawn to the correlation with my personal experiences. While in production, I was thinking about the fear that I went through and I revisited the fear and the loneliness that resulted. You know, feelings are REAL but to be able to access them and the advantage of knowing that I am safe, and I can come back was great. In the past I’ve had roles where I was emmotional; I played a mom whose child had died, and that was challenging but not to this degree in a movie where the fear was this intense.

    VIMOOZ: You have been very candid in sharing your tragedy. I can’t help but to recognize a similarity between reality, and film in the case of the role that you play as Rita. With that being the case, were there any moments of unease while in production?

    Jan: Everybody was so supportive because of the process. The objective is being technically sound, and as always in any producion safety is paramount. Everybody involved was very sensitive to the casts need of an environment where we felt safe, and were able to go to unsafe places in action without worry. I didnt even feel…(pause) like when Elijah is holding my head under the water, thats REAL. As an actor / actress you have to completely imagine yourself in that moment, and the object is to eliminate feelings, but the scenes where the special effects take over you kind of get to take off. In Maniac, the greatest feeling I had was was during the drowning scene and even in that Elijah, the director, the support team were there; There was a lot of rehearsal time, learning SAFETY signals and techniques. As you watch the film, you see me struggling, fighting back and that intensified everything. With my background, being in desperate circumstances I have always come back and I felt safe enough to completely go crazy (laughs)

    VIMOOZ: Was it your idea to perform your own stunts; is that a norm for you?

    Jan: It was an exciting and challenging proposition by the crew. In the script it detailed several scenes of violence and stages of killing that would take place, and they asked would I be comfortable performing. I Absolutely desired to perform all the scenes myself. Practice, preparation was my priority. There was no option! i think they would have allowed me to, if I rejected seeing as though I never had done it before. I was gamed. I practiced at my parents home, funny as it may sound, with my nephews who were visiting from Arizona. They assisted and I got to see how long I could endure. Its one thing to hold my breath but the difference was that I was being held/fighting. It was a process. In other scenes gadgets are made: there’s a process of building prosthetics and all of that. All of that stuff happens over weeks before filming and gives you a chance at preparation. I was a little taken aback at first because I didnt know all the stages but I knew I would be killed. I also knew there would be brief nudity from the back. The torture I found out about as I got in depth with the role, it was a litle jolting; being scalped (giggles) I wondered ‘What would that be like?’

    VIMOOZ: How much of an inspiration has your story been for your career choice. It is undertandable that it motivates you in a general sense that you have emerged as a survivor and spokeperson, but what I am asking is how much a of role did it play in your decision to pursue an acting career?

    Jan: Interestingly enough I was already into acting prior to being kidnapped. When I was about 6 years old I was in a musical at Idaho State University, back in my home state; my neighbor had children and they ended up being the lead in “Sound of Music”. It was my first play and afterwards I was taken by theater and I had done a number of plays before the first kidnapping . I Already had the bug you could say. Post-trauma all of those emmotions that developed, I gained the ability to go to deeper places in my role playing than maybe other people can. There is a reality and naturalness that comes to character when you have experiences.. I did alot of self-help, I have counselors., advisors, family, a great support system. My ordeal was 4 years long and I didn’t talk to people; no one knows what I was going through. I was fortunate to have a great community of supprters.and after taking a while, when I oepned up it was very therapeutic. Throughout, I used acting as a means of healing. The fear of what could happen actually saved my life. I was being terrorized by a man that abducted me and brainwashed me. On stage I could express this rage / terror, I was able to tell the feelings through the roles I was getting. The ability to go to places I was not allowed to by this man who held me hostage was overwhelmingly useful. Because of it, theater will forever hold a special place in my heart. Had it not been for that, I more than likely would have committed suicide. I was depresed, and the commitment to theater camp gave me something to take my mind off of things. Most importantly, I never went through with it because I couldnt leave my cast. LOL I have always been advocate of what theater does for us. “Art has a huge role to play in our lives as people.” Couldn’t leave my team !

    VIMOOZ: You are published correct, “Stolen Innocence” tell us about that

    Jan: My mother took a 90 page, FBI file, notes, diaries, journal entries, and all as well as interviews of each other putting together a story. It started as a family history, a way of filling me in on what I had missed while I was gone. My mother wrote what happened on my parents’ end and I told details of what happened on mine. It was a cathartic journey; as she wrote, people who heard what we had encouraged us to print. We ended up being contacted by Justice Charles Gill, who was in attendance at a conference where I was a key note speaker. That acually happened to be the first time that I told my story in that kind of a setting, now its become second nature. When he approached us we discussed how well versed he was in criminal justice as a result of 30 years on the bench and in practice, he was very familiar with pedophilia and special victim circumstances. He remarked that my story, our story, encompassed everything that he had seen and known to be true. He also encouraged us to share it and with that we began to get some editing done, and turned a 800 page manuscript into about a 300 page book. The amazing part is that all of it is true. So well received that the second edition is under works, and in it my mother shares with you many of the updates and the aftermath resulting from how documented the story is. Alot of things have happened. I’ll tell you one occurence where the man who kidnapped me showed up at a speaking engagement of mine with a van and a gun in efforts to terrorize me some more. At that point it grew even more, and I was interviewed by Diane Sawyer for Good Morning America. But yes the book will unveil many of the current events. Stay Tuned !

    VIMOOZ: And i understand a documentary is in the works ?

    Jan: A documentary is definitely in the works. I want and need for all of this to inspire people to live the life that they love. There is a way out and my books, documentary will show that.

    VIMOOZ: Maniac opened in theaters June 21st, playing locally @ the IFC Center and available on VOD; how does it feel ?

    Jan: I am really excited. Hopefully this film will be one of those soon to be classics, with a buzz abroad; one that people embrace and do the background on so they have empathy for Elijah Wood’s character. The cinematography is beautiful. I loved my role; Rita is very complex; she makes fun of the very people who have made her rich. For me, people who aren’t really confident in themselves result to putting others down. That was a point of reference for me, that RIta has a story. ‘There is a sadness behind the bitch that I play.’ The depth in her story is intriguing. I hope my work and relation to the role comes across to the audience. Her past, Her terror, the disappointment. She has everything except maybe LOVE. For that people should have empathy for her. I am excited the world gets to experience MANIAC and all its crevices. We all relate to being afraid, its part of human nature. This kind of scary in the film, can and should be scary to everyone. The movie is very relatable. It has the potential to be a cult classic

    VIMOOZ: Well aside from MANIAC, you have recently wrapped up work in IRON MAN 3, and we spoke about the forthcoming documentary are there any other projects to announce or anything that you want to leave the readers with?

    Jen: More than anything we want the people to know and understand my amazing story and let that help to inform others, and maybe educate people on the warning signs and ways to protect children. My parents have always been transparent in admission of some of the mistakes they made, and I have been forthcoming about the effects of the brainwashing and abduction; especially when considering that it can come from a person that is close to you; your family, a family member or friend; some one whom has already had the time to groom you as a victim. Our hope is to educate about prevention. Secondly, the goal is to inspire others who need to heal. WE want them to know that experiences or tragedies do not have to define the rest of your life. Let my story, and recovery serve as a piece to the puzzle and know that you are not alone. In my own way, I feel like this work, the book, the documentary; this message is a way of Paying IT FORWARD.

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  • Six Film Projects Awarded Tribeca Film Institute TFI New Media Fund Grants

    WHO IS DAYANI CRISTAL?WHO IS DAYANI CRISTAL?

    Six film projects have be selected as recipients for the 2013 Tribeca Film Institute (TFI) New Media Fund. The TFI New Media Fund was established in 2011 through a long-term partnership with the Ford Foundation’s  JustFilms Initiative to support non-fiction film projects that go beyond traditional screens, exploring storytelling that is interactive, cross-platform and participatory.

    The recipients of grants are:

    CHASING THE SUN
    Key participants:  Paul Shoebridge, Michael Simons (The Goggles)
    Description: Suppose we found a lost continent — impossible, but just imagine an opportunity to do things differently, to do anything besides business as usual. Chasing the Sun is an immersive online story about the Arctic.
    Location: Canada: Vancouver, BC

    THE YES MEN ARE REVOLTING
    Key participants: Andy Bichlbaum, Mike Bonanno, Laura Nix, Mary Notari, The Public Society, Glocal
    Description: The Yes Men Are Revolting ends with an urgent call to action—and with a tool, the Action Switchboard, that will help viewers answer that call. This human-moderated digital platform helps a global audience initiate and join direct actions that serve specific activist goals; it also provides training and other resources for carrying out media actions. Effectively, the Action Switchboard invites the film’s audience to join in the story the film and extend it in new and powerful ways.
    Location: New York, Los Angeles

    WHO IS DAYANI CRISTAL?
    Key participants: Gael Garcia Bernal, Marc Silver, Lina Srivastava
    Description: Deep in the scorching Sonoran desert beneath a cicada tree border patrol discovers a decomposing body. Lifting a t-shirt, they expose a tattoo that reads ‘Dayani Cristal.’ An anonymous body in the Arizona desert sparks the beginning of a search across a continent to seek out the people left behind and the meaning of a mysterious tattoo. “Who Is Dayani Cristal?” is a film and cross-platform exploration of stories underlying poverty, immigration, and the human rights of migrants who make journey across the US-Mexico border.|
    Location: Mexico: Mexico City, UK: London, United States: New York

    THIS IS MY BACKYARD (Logs of War)
    Key participants: Anjali Nayar, Jude Mwenda, Andrew Hill, Daniel Burwen, Leonardo Bonanni
    Description: Silas Siakor, winner of the Goldman Environmental Prize, risked everything to cut off warlord Charles Taylor from the illegal timber trade that was helping fund Liberia’s 14-year civil war. Now, Siakor tries to kick-start his country’s struggling economy through a sustainable logging industry.  “This is My Backyard” is a multi-platform project that crowd sources and disseminates information about land and resources in West Africa.
    Locations: Kenya: Nairobi; Liberia: Monrovia; United States: New York, Boston, San Francisco

    AMERICAN PROMISE
    Key participants: Michèle Stephenson & Joe Brewster
    Description: American Promise follows two African American boys and their families for 12 years as they navigate the terrain of race, privilege and opportunity at a rigorous New York City private school. To further the work of the film, the team are creating a web series and a goal-setting mobile app called “Promise Tracker”.
    Location: New York

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  • “AFRICAN GOTHIC” based on Reza de Wet’s master piece – Diepe Grond – to premiere at Durban International Film Festival

    Connie Jackson as Alina, the housekeeper, Damon Shalit as Frikkie and Chella Ferrow as Sussie in African Gothic directed by Gabriel Bologna which will have its SA Premiere at DIFFConnie Jackson as Alina, the housekeeper, Damon Shalit as Frikkie and Chella Ferrow as Sussie in African Gothic directed by Gabriel Bologna which will have its SA Premiere at DIFF

    AFRICAN GOTHIC, the new international film version of Reza de Wet’s iconic masterpiece, Diepe Grond, will have its South African and African premiere at the 2013 Durban International Film Festival.

    Chella Ferrow as Sussie and Damon Shalit as Frikkie in African Gothic directed by Gabriel Bologna, which will have its SA Premiere at DIFFChella Ferrow as Sussie and Damon Shalit as Frikkie in African Gothic directed by Gabriel Bologna, which will have its SA Premiere at DIFF

    AFRICAN GOTHIC, directed by Gabriel Bologna, is described as a gritty, poignant drama set in a decaying farmhouse in the desolate heart of the parched Free State, about a dangerous and passionate relationship between deeply troubled lovers, their benign domestic worker and a hapless lawyer who pays them a visit. The production features two South African-born actors from Johannesburg who play the pivotal roles of Frikkie and Sussie: Damon Shalit plays the menacing Frikkie, and Chella Ferrow plays his beautiful and complex, sweetheart from childhood.

    The Durban International Film Festival takes place in Durban, South Africa from July 18 to 28, 2013.

    http://youtu.be/YscH8QR5hhc

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  • Demarest Films and Cinedigm Announce New Partnership; Sets August 23 Release Date for “SHORT TERM 12”

    Short Term 12

    Demarest Films and Cinedigm today announced a new co-acquisition and distribution partnership; and their first collaboration will be Destin Daniel Cretton’s 2013 SXSW Film Festival dual Grand Jury and Audience Award winner SHORT TERM 12. SHORT TERM 12 will be released theatrically August 23rd.

    SHORT TERM 12 is the touching and uplifting story of Grace (Brie Larson), a twenty-something social worker who has channeled the demons of her own troubled past into a passion for helping at-risk teens. Her newest ward, Jayden (Kaitlyn Dever), forces Grace to relive her own difficult upbringing just as she and her boyfriend Mason (John Gallagher Jr.) are on the cusp of making a decision that will change their lives. This is writer/director Cretton’s second feature following the 2012 Sundance Film Festival selection I AM NOT A HIPSTER. The film also features Rami Malek and newcomer, Keith Stanfield.

    “We have been looking for ways to work with Sam and William since they formed Demarest Films. We are thrilled they felt as passionate about SHORT TERM 12 as we did and are very happy to bring them in as partners on this powerful film,” said Chris McGurk, Chairman and CEO, Cinedigm. “This arrangement is truly unique as it’s not a traditional distribution or production relationship – it’s a fully-fledged partnership that allows us to share equally in the upsides of our indie films, from theatrical all the way thru the vast ancillary opportunities our distribution expertise and infrastructure provides. It’s great to be working with such an innovative team and this arrangement should expand acquisition opportunities for both parties in the future.”

    “Cinedigm is on the cutting edge of the independent film renaissance and we are thrilled to be partnering with them and tapping into the vast potential that digital distribution provides,” said Sam Englebardt, Co-founder and CEO, Demarest Films. “SHORT TERM 12 is a great initial project as it’s not only a strong, award-winning film with beautiful performances, but we also believe the long tail ancillaries of this project will be significant. We expect this to be the first of many films that we co-release with Cinedigm and a model that we are excited to replicate with other distribution partners as well.

     http://youtu.be/Cook_OOKWlw

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  • “THE NEW BLACK” and “SLOMO” Win Audience Awards at AFI DOCS

    THE NEW BLACK directed by Yoruba RichenTHE NEW BLACK directed by Yoruba Richen

    THE NEW BLACK directed by Yoruba Richen received the Audience Award for Best Feature, and SLOMO directed by Joshua Izenberg received the Audience Award for Best Short at AFI DOCS presented by Audi (formerly Silverdocs). The festival announced the Audience Award winners earlier today wrapping up the five day festival. THE NEW BLACK examines how African-American voters have become bitterly divided on the issue of gay marriage because of homophobia rampant in one of the pillars of the African-American community – the church. Focusing on the fight for marriage equality in Maryland, it argues that this hot-button issue is a matter of civil rights.

    SLOMO directed by Joshua IzenbergSLOMO directed by Joshua Izenberg

    This year’s Audience Award for Best Short went to SLOMO directed by Joshua Izenberg. The film asks what would really happen if you quit your lucrative job and just did what you wanted all day, like subject John Kitchin, a doctor who traded his medical practice for rollerblades and sandy beaches, and explores the neurological and spiritual joys of slow acceleration.

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  • Actress Meg Ryan Honored at 2013 Taormina Film Festival

    MEg Ryan at 2013 Taormina Film Festival

    Actress Meg Ryan was honored with the Taormina Arte Award Lancia at the 2013 Taormina Film Festival in Italy.

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  • Actress Marisa Tomei Honored at 2013 Taormina Film Festival

    Marisa Tomei at 2013 Taormina Film Festival

    Actress Marisa Tomei attended the 2013 Taormina Film Festival in Italy where she was honored with the Taormina City Prize.

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  • Academy Announces Submission Dates For 2013 Oscars

    academy-awards1

    The Academy of Motion Picture Arts and Sciences announced category submission deadlines for 86th Academy Awards consideration.

    The dates are as follows:

    Scientific and Technical Awards  – Friday, July 12
    Documentary Short Subject  – Tuesday, September 3
    Documentary Feature  – Monday, September 23
    Live Action Short Film  – Tuesday, October 1
    Animated Short Film  – Tuesday, October 1
    Foreign Language Film  – Tuesday, October 1
    Animated Feature Film  – Friday, November 1
    Original Score  – Monday, December 2
    Original Song  – Monday, December 2
    Official Screen Credits Form  – Monday, December 2
    All submissions are due by 5 p.m. PT

    Academy Awards for outstanding film achievements of 2013 will be presented on Oscar Sunday, March 2, 2014, at the Dolby Theatre at Hollywood & Highland Center and televised live on the ABC Television Network. 

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  • TRAILER: Bobcat Goldthwait’s BigFoot Horror Film “WILLOW CREEK” Releases Trailer

    WILLOW CREEK

    A trailer has been released for horror film WILLOW CREEK which premiered earlier this year at Boston Independent Film Festival.  Bobcat Goldthwait, known for his “gruff but high-pitched voice” who has also directed WORLD’S GREATEST DAD, 2009; GOD BLESS AMERICA, 2012, wrote and directed the BIg Foot “found-footage” horror film.

    willow-creek-poster

    Jim and his girlfriend Kelly are in Willow Creek, California, to retrace the steps of Bigfoot researchers Patterson and Gimlin, who, in 1967, recorded the most famous film of the legendary monster. Kelly is a skeptic, along for the ride to spend time with her boyfriend between acting gigs. Jim, a believer, hopes to capture footage of his own, so his camera is constantly rolling.

    The small town is a mecca to the Bigfoot community; sasquatch statues guard the local businesses, murals of the missing link line the roads, and Bigfoot burgers are the town delicacy. The couple interview locals who range from skeptic to believer and from manic to completely menacing. Some of the stories they hear are of chance encounters with a gentle creature, while others are tales of mysterious eviscerations.

    On the day that Jim and Kelly plan on hiking into the woods to look for proof, they are given a simple warning: “It’s not a joke. You shouldn’t go there.” Despite the ominous message and Kelly’s own reservations, they head deep into the forest to set up camp. The events that follow will make them wish they had simply spent the night at the Bigfoot Motel. [IFFB]

    http://youtu.be/eHcqBIPecRE

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  • Kathleen Hanna Documentary “THE PUNK SINGER” to Get a Fall 2013 Release

    Kathleen Hanna The Punk Singer

    The punk roc documentary THE PUNK SINGER directed by Sini Anderson will be released in the Fall 2013 by Sundance Selects. The Punk Singer: The Documentary about Kathleen Hanna focuses on Kathleen Hanna credited as a founder of the third wave of feminism and Riot Grrrl movement.

    Kathleen Hanna, lead singer of the punk band Bikini Kill and dance-punk trio Le Tigre, rose to national attention as the reluctant but never shy voice of the riot grrrl movement. She became one of the most famously outspoken feminist icons, a cultural lightning rod. Her critics wished she would just shut-up, and her fans hoped she never would. So in 2005, when Hanna stopped shouting, many wondered why. Through 20 years of archival footage and intimate interviews with Hanna, “THE PUNK SINGER” takes viewers on a fascinating tour of contemporary music and offers a never-before-seen view into the life of this fearless leader. SXSW

    http://youtu.be/xuhtI_Kgn3E

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  • French Films “DELICATE GRAVITY” and “STRANGER BROTHERS” Take Top Awards at 2013 Palm Springs International ShortFest

    DELICATE GRAVITY DELICATE GRAVITY

    French films took the top prizes at the 2013 Palm Springs International ShortFest – DELICATE GRAVITY (Délicate Gravité) directed by Philippe André was awarded the BEST OF FESTIVAL AWARD, and STRANGER BROTHERS (Faux Frères) directed by Lucas Delangle was awarded the BEST OF FESTIVAL AWARD. Both films are now eligible to be submitted to the Academy of Motion Picture Arts and Sciences for Oscar consideration.

    The 2013 Palm Springs International ShortFest award winners are:

    JURY AWARDS

    BEST OF FESTIVAL AWARD
    DELICATE GRAVITY (Délicate Gravité) (France), Philippe André
    Yvan Attal and Anne Parillaud are wonderful as two lonely spirits who come together by chance when a cell phone call to a wrong number provides the catalyst for a meeting.

    PANAVISION GRAND JURY AWARD
    STRANGER BROTHERS (Faux Frères) (France), Lucas Delangle
    Guillaume returns to the village where he grew up to pick up the car he inherited from his father years before. Once there, he encounters his step brother, and things get a little more complicated.

    FUTURE FILMMAKER AWARD – Winner received a $2,000 cash prize and a GoPro Hero 3 Camera courtesy of Radiant Images.
    RHINO FULL THROTTLE (Nashorn Im Galopp) (Germany), Erick Schmitt
    Bruno roams the streets of Berlin, gazing behind the many facades and surfaces as he seeks the soul of the city. Unexpectedly, he meets an ally in his quest and immediately falls in love. But she is also on a quest, and it’s one that has her leaving Bruno and Berlin very soon.

    Jury Special Mention – The jury would like to give a special mention to the short film The Wall from Norway for its grit, humanity and creativity.


    AUDIENCE AWARDS

    AUDIENCE FAVORITE LIVE ACTION SHORT
    WALKING THE DOGS (UK), Jeremy Brock
    Emma Thompson stars as Queen Elizabeth in this delicious rendering of the infamous 1982 incident in which a man broke into the Queen’s bedroom while her security guard was out in the palace grounds walking the dogs.

    Runner-up – GREAT (Germany), Andreas Henn

    AUDIENCE FAVORITE DOCUMENTARY SHORT
    NOT ANYMORE: A STORY OF REVOLUTION (USA), Matthew VanDyke
    Shot on the ground with a hand held camera and told in striking first person, the Syrian struggle for freedom as experienced by a 32 year old rebel commander, Mowya, and a 24 year old female journalist, Nour, in Aleppo, Syria is exposed like no TV newscast could do.

    Runner-up – SLOMO (USA), Josh Izenberg

    AUDIENCE FAVORITE ANIMATION SHORT
    A GIRL NAMED ELASTIKA (Canada), Guillaume Blanchet
    A spirited girl made of rubber bands journeys across her corkboard universe in this delightful stop-motion film.

    Runner-up – CHOPPER (Netherlands), Lars Damoiseaux, Frederik Palmaers

    The ShortFest Online Audience Award went to SHELVED (New Zealand), directed by James Cunningham. The film will be available to view on the PSIFF website for the next three months.


    JURY CATEGORY AWARDS 

    BEST ANIMATION SHORT
    First Place ($2,000) – ARTS & CRAFTS SPECTACULAR #2 (Germany),Ian Ritterskamp & Sébastien Wolf
    This surreal claymation extravaganza wryly celebrates the close encounter of such disparate pop figures as Popeye and Yoko Ono during a be-in at a museum somewhere in time.

    Second Place ($500) –Chopper(Netherlands), Lars Damoiseaux & Frederik Palmaers

    BEST LIVE ACTION SHORT OVER 15 MINUTES
    First Place ($2,000) – WILD HORSES (USA), Stephanie Martin
    Mireille Enos stars in this story of cruelty, courage, love and memory as two generations of women bear witness to the brutality common to wild horse roundups in the American West.

    Second Place ($500) – SPRING TIDES (Les Grandes Marées) (France), Mathias Pardo

    BEST LIVE ACTION SHORT 15 MINUTES AND UNDER
    First Place ($2,000) – WE KEEP ON DANCING (Australia), Jessica Lawton
    Two distinctly disparate characters come together over a broken down Volkswagen Beetle in this sweet, amusing tale of love, loss and… car trouble.

    Second Place ($500) – NOT FUNNY (No Tiene Gracia) (Spain), Carlos Violadé

    BEST DOCUMENTARY SHORT
    First Place ($2,000) – LETTERS FROM PYONGYANG (Canada), Jason Lee
    The tragedy of a divided Korea is powerfully evoked in this profound personal journey undertaken by filmmaker Jason Lee, who ventures with his father from South to North, across the Korean peninsula, in search of clues of his family’s unsettled past.

    Second Place ($500) – DECEMBER 25 (Australia), Wendy Dent

    STUDENT CATEGORIES

    BEST STUDENT ANIMATION
    First Place – HARALD (Germany), Moritz Schneider
    Harald is a champion wrestler with a monster mother for his coach. Though his true love is growing flowers, coach mom doesn’t wanted him distracted by such trifles, so when she takes away his latest plant, Harald is forced to sieze the day.

    Second Place – THE MAGNIFICENT LION BOY (UK), Ana Caro

    BEST STUDENT LIVE ACTION SHORT OVER 15 MINUTES
    First Place – MAGMA (Poland), Pawel Maslona
    Dedicated furniture salesman Janusz always knows just how to close a sale but after an extremely rare accident at work, he finds his carefully constructed life unraveling.

    Second Place – PAULINE IN A BEAUTIFUL WORLD (USA), William Thompson

    BEST STUDENT LIVE ACTION SHORT 15 MINUTES AND UNDER
    First Place – JUMP (Australia), Aimee Lee Curran
    In a visually dazzling story about the importance of family when pursuing your dreams, Jump tells the tale of 12-year-old Edwin, a circus clown like his father, who dreams of becoming a trapeze artist..

    Second Place – RELICS(USA), Jennie Allen

    BEST STUDENT DOCUMENTARY SHORT
    First Place – EMPTY NEST (Myanmar), Zaw Naing Oo
    In one small pocket of Yangon, the urban center of Myanmar, Daw Ni Lang lives very modestly with her husband and young son. It’s a hard life, but she’s managed to raise four children who are all well-educated… if only they would call home a little more often.

    Second Place – JONATHAN (Ecuador), Abe Zverow

    BEST STUDENT CINEMATOGRAPHY
    Leigh Lisbão Underwood (cinematographer), THE BOY SCOUT (USA)
    Trapped in their car for days after an unexpected snowstorm strands them on a remote mountain road during an impromptu trip, Grant and Leah confront a life-or-death choice… With another storm on the way, should they stay or should they go.

    Second Place – Tam Morris (cinematographer), JUMP (Australia)

    BEST US FILM SCHOOL STUDENT FILM AWARD
    First Place – MY FATHER’S TRUCK (Xe Tai Cua Bo) (Brazil/Vietnam), Mauricio Osaki
    10-year-old Mai Vy skips school one day to help her father with his passenger truck for hire. Set along the countryside of Northern Vietnam, Mai Vy is soon confronted with varying shades of morality and harsh realities as she learns how things outside the classroom really are.

    ADDITIONAL PRIZES The Alexis Award for Best Emerging Student Filmmaker went to OSTRICHLAND (USA), directed by David McCracken. T

    Bridging the Borders Award presented by Cinema Without Borders went to THAT WASN’T ME (Aquel No Era Yo) (Spain) directed by Esteban Crespo. The runner-up was TRYOUTS (USA), directed by Susana Casares.

    The next Palm Springs International Film Festival will be held January 3-13, 2014.

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  • “HAVING YOU,” and “HOW TO FOLLOW STRANGERS” Awarded Top Honors at 2013 Lower East Side Film Festival

    HAVING YOUHAVING YOU

    “HAVING YOU,” and “HOW TO FOLLOW STRANGERS” were awarded top honors at the 2013 Lower East Side Film Festival (L.E.S* Film Festiva), which ran June 13 – 23 in New York City.

    Prix D’or Winner, “HOW TO FOLLOW STRANGERS” is directed by Chioke Nassor and stars Broad City’s Ilana Glazer. There is a true story of a woman who died in her apartment and it took people a year to find her body decomposing in a crisp Chanel suit. A young man becomes obsessed with this urban tragedy and disappears, wondering if anyone will notice. A young woman who shares his commuting schedule DOES notice…

    Best Feature Winner, HAVING YOU, is directed by Sam Hoare and stars Golden Globe Nominated Anna Friel, Golden Globe and BAFTA Nominee Romola Garai, and BAFTA Nominee Phil Davis. Jack has finally managed to propose to his infertile girlfriend when his life is turned upside down by the arrival of an old one-night stand that introduces him to his seven year old son.

    The Full List of Winners are:

    PRIX D’OR – Best of Fest – How To Follow Strangers. Dir. By Chioke Nassor
    BEST FEATURE – Having You. Dir. By Sam Hoare
    AUDIENCE AWARD – i hate myself 🙂 Dir. By Joanna Arnow
    BEST LIVE ACTION SHORT – The Caretaker. Dir. Lauren Lillie
    BEST DOC SHORT – Wright’s Law. Dir. By Zack Conkle
    BEST ANIMATION – Fear of Flying. Dir. By Conor Finnegan
    L.E.S* NEIGHBORHOOD AWARD – The Birdman. Dir. By Jessie Auritt.

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