• “MONSIEUR LAZHAR” “THE INTOUCHABLES” Win TIFF’s Film Circuit People’s Choice Awards

    [caption id="attachment_1958" align="alignnone" width="552"]Monsieur Lazhar[/caption]

    Philippe Falardeau’s Monsieur Lazhar and Olivier Nakache and Éric Toledano’s The Intouchables are the winners of the 2012 Film Circuit People’s Choice Awards. Monsieur Lazhar was named Best Canadian Film and The Intouchables was selected as the Best International Film. 

    The Film Circuit People’s Choice Awards is part of the TIFF’s (Toronto International Film Festival) national film outreach program Film Circuit.

    Nominated for an Academy Award, Monsieur Lazhar follows the story of Bachir Lazhar (Mohamed Fellag), an Algerian immigrant hired to replace an elementary school teacher who died tragically. As he helps the class through their long healing process, Bachir must also cope with his painful former life—and a secret too great to reveal. Monsieur Lazhar won the City of Toronto Best Canadian Feature Award at the 2011 Toronto International Film Festival and was recognized through TIFF’s Canada’s Top Ten in 2011. 

    [caption id="attachment_3039" align="alignnone" width="550"]The Intouchables[/caption]

    Olivier Nakache and Éric Toledano’s The Intouchables has become a worldwide sensation. Nominated for nine César Awards, with Best Actor honors going to Omar Sy, The Intouchables tells the story of the improbable friendship between Philippe (François Cluzet), a wealthy quadriplegic, and Driss (Sy), a young offender of Senegalese descent who is hired as his live-in caregiver. 

    Read more


  • Indie Romantic Comedy, NOT ANOTHER HAPPY ENDING to Close Edinburgh International Film Festival

    The indie romantic comedy, NOT ANOTHER HAPPY ENDING starring Karen Gillan and Stanley Weber, has been selected as the Closing Night film of the 67th Edinburgh International Film Festival (EIFF).

    NOT ANOTHER HAPPY ENDING is directed by John McKay (Crush, We’ll Take Manhattan), and also stars Amy Manson, Iain de Caestecker, Kate Dickie, Freya Mavor, Gary Lewis and Henry Ian Cusick.  

    When struggling, maverick publisher Tomas Duval discovers his only successful author Jane Lockhart is blocked he knows he has to unblock her or he’s finished – with her newfound success, she’s become too damn happy and she can’t write when she’s happy. The only trouble is, the worse he makes her feel, the more he realizes he is in love with her… 

    Read more


  • BREATHE IN Starring Felicity Jones, Guy Pearce and Amy Ryan to Open Edinburgh International Film Festival

    Award-winning director-writer Drake Doremus’ new film, BREATHE IN, starring Felicity Jones, Guy Pearce and Amy Ryan, will be the Opening Night film at the 67th edition of the Edinburgh International Film Festival (EIFF).

    BREATHE IN director Drake Doremus, winner of the 2011 Sundance Film Festival Grand Jury Prize for LIKE CRAZY, said: “I’m very excited that BREATHE IN has been selected to play the Edinburgh International Film Festival and to be given the opening night slot is overwhelming. I now look forward to visiting Edinburgh and celebrating not just the event but the Festival’s recognition of a film I am incredibly proud of.”

    As summer turns to fall, music teacher Keith Reynolds (Guy Pearce) privately reminisces about his days as a starving artist in the city. While his wife, Megan (Amy Ryan), and daughter, Lauren (Mackenzie Davis), look forward to Lauren’s final year of high school, Keith clings to those evenings he’s called on to sub as a cellist with a prestigious Manhattan symphony. Megan decides the family should host a foreign exchange student. Sophie (Felicity Jones), a British high school senior, settles in comfortably, but soon challenges the family dynamics. She reinvigorates the impulsiveness of Keith’s personality which ultimately pushes their seemingly perfect family into unfamiliar territory.

    Read more


  • 10 Documentaries Selected for 2013 IFP Independent Filmmaker Labs

    [caption id="attachment_3882" align="alignnone" width="550"]Approaching the Elephant[/caption]

    The Independent Filmmaker Project (IFP) announced today the ten documentaries selected for the 2013 Independent Filmmaker Labs, IFP’s  annual year-long fellowship for first-time feature directors.  The key creative teams of the selected films will participate in three week-long sessions over the course of 2013, with the first – the Time Warner Foundation Documentary Completion Lab – taking place May 13-17 in New York City.

    The selected projects for the 2013 Documentary Lab and Lab Fellows are:

    Approaching the Elephant

    Given uncommon freedom and individual rights, a group of young children enroll in a newly opened ‘free school,’ where rules are created democratically – students and teachers have an equal vote – and classes are voluntary. Fellows: Amanda Wilder (Director/DP), Jay Craven (Producer). Brooklyn, NY

    Bringing Tibet Home

    Tibetan artist Tenzing Rigdol sets out on a mission to bring Tibet closer to Tibetan exiles through an unprecedented art project, inspired by his late father’s unfulfilled wish to breathe his last breath in his homeland. Losing his father made Tenzing realize that wishing to return home is common among all Tibetan exiles.  Thus an art project was born to make this common dream a reality as the artist struggles to bring 20,000 kilos of native soil from Tibet to Tibetan exiles in India. Fellows: Tenzin Tsetan Choklay (Director/ Producer /Writer/DP/Editor); Milica Zec (Editor). Queens, NY

    Do I Sound Gay?

    Determined to overcome his shame about “sounding gay,” director David Thorpe embarks on a hilarious, poignant, taboo-shattering exploration of the phenomenon of the “gay voice.” With Margaret Cho, Tim Gunn, Dan Savage, David Sedaris and George Takei. Fellows: David Thorpe (Director/Writer); Howard Gertler (Producer). Brooklyn, NY.

    Evolution of a Criminal

    Deep in the heart of Texas, what begins as an innocent tale of family, sacrifice, and financial hardship quickly escalates into a true-crime thriller. Fusing together compelling interviews, striking re-enactments, and home video, we are forced to ask ourselves how a 16 year-old honor roll student evolved into a bank robber. Darius Clark Monroe (Director); Jen Gatien (Producer); Doug Lenox (Editor). Brooklyn, NY.

    Farmer Veteran

    Watching a chicken hatch makes combat veteran Alex Sutton smile, so he decides to become a farmer. The sense of purpose he once felt as a soldier returns, but his crippling PTSD remains. Along with his wife, Jessica, he toils through four seasons on a different kind of battlefield and wonders if, for him, the war will ever end. Fellows:  D.L. Anderson (Director/Producer/Editor); Alix Blair (Director/DP); Mikel Barton (Editor). Durham, NC.

    In Country

    War is hell. Why would anyone want to spend their weekends there? “In Country” is a cinematic feature documentary following a “platoon” of historical reenactors who are recreating the Vietnam War in the woods of Oregon.  Not just a film about the aftermath of the Vietnam War or the fantasies of grown men; it’s a meditation on how the drums of war continue to draw men to battle despite devastating consequences. Fellows: Megan O’Hara (Director/Producer); Mike Attie ((Director/Producer/DP); Lindsay Utz (Editor).  San Francisco, CA; Seattle, WA.

    Kasamayaki (Made in Kasama)

    Shaken by the tsunami and nuclear disasters, a grown daughter returns to her rural Japanese artist community to reconnect with her estranged parents and hometown. Meditative moments at the pottery wheel punctuated by tense family conversations, sudden earthquakes and radiation level readings,Kasamayaki exposes the fragility of life and the imperfect nature of human relationships. Fellow: Yuki Kokubo (Director/ Producer/DP/Editor). Brooklyn, NY

    The Life and Mind of Mark DeFriest

    Mark DeFriest is an American prison legend, an escape artist who has spent 32 years behind bars, most of it in long-term isolation, with little light, hope, or human contact. When the doctor whose diagnosis originally condemned DeFriest to prison admits he was wrong, a new chance for freedom is borne. But is it too late for redemption?  Fellows:  Gabriel London (Director/Writer/DP); Daniel Chalfen (Producer); Nick Clark (Editor). New York, NY

    Mateo

    Mateo follows L.A.’s most notorious troubadour, Matthew Stoneman, as he fulfills his most recent obsession, “Una Historia de Cuba,” a record of original compositions recorded over the course of six years piece meal style in Havana, Cuba. Ultimately, “Mateo” is a study of barriers — cultural, geographic, and moral — and a man who doesn’t believe in any of them. Fellows: Aaron Naar (Director/Writer/Producer/DP/Editor); Nicole Vaskell (Editor). Los Angeles, CA

    Roots and Webs

    If you lose your family, you must build it anew. Amid the desolate Oregon wilderness, the lives of two former soldiers intersect. Roger, a former US Army sniper in Vietnam, and Kouy, a platoon leader with the Khmer Freedom Fighters who fought against Cambodia’s Khmer Rouge, come together each autumn for the matsutake mushroom hunt. The two each wrestle with wounds from Southeast Asian wars, attempting to find the high-priced mushroom before snowfall. An odyssey into the woods, into the memory of war and survival, we tell a story of family from this enigmatic woodland realm. Fellows: Sara Dosa (Director); Josh Penn (Producer). Berkeley, CA.

     

    Read more


  • “Toussaint Louverture” to Open 2013 The People’s Film Festival

    [caption id="attachment_3880" align="alignnone" width="550"]Toussaint Louverture[/caption]

    The second annual People’s Film Festival (TPFF) runs May 30 –June 2, 2013 in Harlem, New York at The Magic Johnson Theater, and kicks off with the feature film “Toussaint Louverture”  a two-part epic film directed by Philippe Niang, depicting the life of the Haitian leader. Louverture (Jimmy Jean-Louis) led the first successful slave revolt in world history, defeating Napoleon Bonaparte and winning independence from France.

    Other films on the lineup include the North American premiere of “25,000 Miles,” a film about Swiss endurance athlete Serge Roetheli’s thirst for adventure and desire to raise money and awareness for children suffering across the globe propelled him to run a distance equal to the earth’s circumference; and “Bullets over Brownsville,” described as a cautionary tale that chronicles the lives of four Brooklyn housing project residents caught in an absurd web of violence.”

    See the film lineup

    Read more


  • Full Frame Documentary Film Festival Announces 2014 Dates

    After another year of of drawing record attendance and selling out a record 46 events , the annual four-day Full Frame Documentary Film Festival will definitely be back for 2014. The 17th annual Full Frame Documentary Film Festival is confirmed for April 3-6, 2014.

    The 2013 festival screened 96 films, including 10 World Premieres, 9 North American and 2 US Premieres.  In other good news, in February, The Academy of Motion Picture Arts and Sciences notified Full Frame that it had been chosen as an Academy Award® qualifying festival in the Documentary Short Subject category. Full Frame is also a qualifying event for the Producer Guild of America Awards.

    Read more


  • Hollywood producer Hunt Lowry to Receive 2013 Oklahoma Film ICON Award at deadCenter Film Festival

    [caption id="attachment_3876" align="alignnone" width="640"]deadCENTER Film Festival in Oklahoma[/caption]

    Hollywood producer and Oklahoma City native Hunt Lowry will receive the 2013 Oklahoma Film ICON Award at at 2013 deadCENTER Film Festival in Oklahoma. This year’s festival is June 5 to 9, and features a lineup of 115 comedies, dramas, hard-hitting documentaries and short films from Oklahoma and around the world

    The Oklahoma Film ICON Award is given annually to an outstanding Oklahoman whose success in the film industry brings honor to the state and helps increase the profile of the local film industry.  This is the second year for the award.  Last year’s recipients were Oscar-winning producer Gray Frederickson and actor James Marsden from Stillwater. 

    Lowry, a Casady grad, is best known for producing the Oscar-winning epic “The Last of the Mohicans” and the legal thriller “A Time to Kill,” starring Matthew McConaughey, Sandra Bullock and Samuel L. Jackson.  He started his career on classic comedies like “Airplane!” and “Top Secret” before shifting gears to bring the intense family drama “Surviving” home to be filmed in Oklahoma City.  He captured the teen market with his Gaylord Films “A Walk to Remember,” “What a Girl Wants,” “A Cinderella Story,” and the “Divine Secrets of the Ya-Ya Sisterhood.”  During the past decade, Lowry has produced successful comedies like the “Blue Collar Comedy Tour: The Movie,” and “Thou Shalt Laugh.”  Independent film lovers hail the cult classic “Donnie Darko” as Lowry’s masterpiece.

    Read more


  • Documentary “THE ACT OF KILLING” Wins Top Jury and Audience Awards at International Madrid Documentary Festival

    [caption id="attachment_3873" align="alignnone" width="550"]The Act of Killing[/caption]

    The Act of Killing, by Joshua Oppenheimer, Chistine Cynn and Anonymous won the top prizes, the Jury First Prize and the Audience Award at the just wrapped Documeta Madrid – International Madrid Documentary Festival. The jury commented,“We award the first prize to a film that raised considerable controversy and succeeded at making us feel extremely uncomfortable through a unique construction of fantasy and horror that elicits a brutal reality that remains in impunity.”  The filmmakers received a trophy and 10,000 € Euro.

    Complete list of official awards:

    OFFICIAL SELECTION  – FEATURE LENGTH DOCUMENTARY FILMS

    FIRST PRIZE OF THE JURY, 
    The Act of Killing,  by Joshua Oppenheimer, Chistine Cynn & Anonymous. 

    SECOND PRIZE OF THE JURY,

    [caption id="attachment_3874" align="alignnone" width="550"]Metamorphosen[/caption]
    Metamorphosen, by Sebastian Mez.

    SPECIAL PRIZE OF THE JURY, 
    Vergiss mein nicht (Forget me not), by David Sievking

    SPECIAL MENTION OF THE JURY
    Terra de Ninguém (No man’s land),by Salomé Lamas

    AUDIENCE AWARD TO THE BEST FEATURE LENGTH DOCUMENTARY FILM, 
    The Act of Killing,  by Joshua Oppenheimer, Chistine Cynn & Anonimous.

    OFFICIAL SELECTION – SHORT LENGTH DOCUMENTARY FILM

    FIRST PRIZE OF THE JURY,
    Gwizdek (The Whistle), by Grzegorz Zariczny.

    SECOND PRIZE OF THE JURY,
    La strada di Raffael  (Raffael’s way),by Alessandro Falco

    SPECIAL PRIZE OF THE JURY, 
    Madera (Wood), by Daniel Kvitko

    AUDIENCE AWARD TO THE BEST SHORT DOCUMENTARY FILM, 
    Geluiden voor Mazin (Sounds for Mazin), by Ingrid Kamerling

    NON OFFICIAL AWARDS

    CANAL +  award to the best Spanish Documentary
    Pepe el Andaluz, by Alejandro Alvarado & Concha Barquero.

    FREAK Special Award
    Geluiden voor Mazin (Sounds for Mazin), by Ingrid Kamerling

    MASTER IPECC Special Award to the Best Short Documentary Film
    A Conserveira,  by David Battle.

    Read more


  • Brooklyn Film Festival Announces Lineup for 2013 Festival, themed MAGNETIC; Opens with HairBrained

    [caption id="attachment_3871" align="alignnone" width="550"](USA) Dir. Billy Kent[/caption]

    Brooklyn Film Festival (BFF) announced the film line-up for its 2013 festival, themed MAGNETIC, scheduled to run from May 31 through June 9 in Brooklyn, New York. The festival will open with Festival alumnus Billy Kent’s HairBrained starring starring Brendan Fraser, Alex Wolff, Julia Garner and Parker Posey. In the film, 14-year old genius/outcast Eli Pettifog (Wolff) is rejected from Harvard, he ends up at Ivy-League wannabe Whittman College. It’s hate at first sight. Eli’s 41-year-old dorm mate Leo (Fraser), a former gambler whose world has imploded, has dropped out of life to enroll in college. This odd duo become unlikely friends.

    Opening Night Film:

    HairBrained (USA) Dir. Billy Kent – World Premiere
    Brooklyn Film Festival alumnus Billy Kent (The Oh In Ohio – BFF 2006 Audience Award) returns with his latest feature film HairBrained, a madcap coming-of-age comedy filmed in New York and starring Brendan Fraser, Alex Wolff, Julia Garner and Parker Posey. When 14-year old genius/outcast Eli Pettifog (Wolff) is rejected from Harvard, he ends up at Ivy-League wannabe Whittman College. It’s hate at first sight. Eli’s 41-year-old dorm mate Leo (Fraser), a former gambler whose world has imploded, has dropped out of life to enroll in college. This odd duo become unlikely friends. 

    Closing Night Film:

    Cut to Black (USA) Dir. Dan Eberle – World Premiere
    BFF 2008 alumnus Dan Eberle (The Local) , writes, produces, directs and stars as a disgraced ex-cop hired by a wealthy former friend to rid his estranged daughter Jessica of a stalker. Shot in lavish black and white tones, Cut to Black is a gorgeous cinematic tribute to classic noir, set against stark, gritty urban modernity. 

    Narrative Feature Highlights:

    Detonator(USA) Dir. Damon Maulucci & Keir Politz – East Coast Premiere 
    Starring Lawrence Levine, Joe Swanberg, Sophia Takal, Ben Fine and Robert Longstreet
    A story of revenge and deceit over the course of one long night in Philadelphia when Sully, the former frontman of a prominent Philly punk band, confronts his troubled past. With Brooklyn Film Fest alumns Lawrence Levine and Sophia Takal (2010 Best Feature – Gabi on the Roof in July).

    Somewhere Slow(USA) Dir. Jeremy O’Keefe – East Coast Premiere
    Jessalyn Gilsig – from ‘Glee’ and ‘Vikings’ – gives a fearless performance as a woman on the 
    edge in this intimate, raw and at times funny tale of two unlikely outlaws fleeing from life on a 
    road trip through New England.

    Flying Blind (UK) Dir. Katarzyna Klimkiewicz – New York Premiere
    A passionate post 9/11 love story of an older woman with a younger Muslim man in a world 
    where security is paramount and nothing is what it seems. A timely exploration that raises 
    questions about the new reality of drone strikes and urban terror plots. 

    Sleeping with the Fishes (USA) Dir. Nicole Gomez Fisher – World Premiere
    Brooklyn filmmaker Nicole Gomez Fisher tells the story of Alexis Fish (Gina Rodriguez), a 
    woman whose life as she once knew it no longer exists. After the death of her cheating husband, 
    Alexis returns home to pick up the pieces.

    Narrative Feature Line-Up (In Alphabetical Order):

    A Wife Alone (USA) Dir. Justin Reichman – World Premiere
    Black Out (The Netherlands) Dir. Arne Toonen – East Coast Premiere
    Cut to Black (USA) Dir. Dan Eberle – World Premiere
    Detonator (USA) Dir. Damon Maulucci & Keir Porlitz – East Coast Premiere
    Emmanuel and the Truth About Fishes (USA) Dir. Francesca Gregorini – East Coast Premiere
    Giraffes (Jirafas) (Cuba) Dir. Enrique Álvarez – USA Premiere
    HairBrained (USA) Dir. Billy Kent – World Premiere
    Hank and Asha (USA) Dir. James E. Duff – East Coast Premiere
    Sado Tempest (Japan) Dir. John Williams – East Coast Premiere
    Sleeping with the Fishes (USA) Dir. Nicole Gomez Fisher – World Premiere
    Soft in the Head (USA) Dir. Nathan Silver – New York Premiere
    Somewhere Slow (USA) Dir. Jeremy O’Keefe – East Coast Premiere

    Documentary Feature Highlights:

    Dragon Girls(Germany) Dir. Inigo Westmeier – USA Premiere
    Winner, 2013 Hot Docs Best International Feature Dragon Girls tells the story of three Chinese girls training to become martial arts experts far away from their families and homes. Their intense daily regimen takes place at the Shaolin Kung Fu School, located right next to the Shaolin Monastery in central China, where Kung Fu originated.

    Mr. Angel (USA) Dir. Dan Hunt – New York Premiere

    Buck Angel was born female yet knew he was male on the inside. This intimate documentary follows him for six years, tracing his aspirations to become a porn star. A moving story about universal lessons of acceptance, which also challenges our notions of gender and sexuality. Without Shepherds(Pakistan) Dir. Cary McClelland – New York Premiere A rare and essential glimpse into the turbulent reality of Pakistan today, following six Pakistanis who are navigating different aspects of society, including Imran Khan – a former cricket star who is now competing in the first national election in ten years.

    Furever(USA) Dir. Amy Finkel – New York Premiere
    Brooklyn filmmaker Amy Finkel explores the growing world of pet memorials, where grieving pet owners engage in taxidermy, cloning, mummification, freeze-drying, and many other methods to keep the memory of their pet alive.

    Documentary Line-Up (In Alphabetical Order):

    Ben: In the Mind’s Eye (USA) Dir. Iva Radivojevic – New York Premiere
    Caffe Capri (USA) Dir. Casimir Nozkowski – World Premiere
    Cavedigger (USA) Dir. Jeffrey Karoff – East Coast
    Dragon Girls (Germany) Dir. Inigo Westmeier – USA Premiere
    Exit Point (Poland) Dir. Jagoda Szelc – USA Premiere
    Eternal Amazon (Brazil) Dir. Belisario Franca – USA Premiere
    Forbidden Voices (Switzerland) Dir. Barbara Miller – New York Premiere
    Furever (USA) Dir. Amy Finkel – New York Premiere
    Glass Eyes of Locust Bayou (Canada) Dir. Simon Mercer – USA Premiere
    A Hole in the Sky (France) Dir. Antonio Tibaldi & Àlex Lora Cercós – USA Premiere
    Miles & War (Germany/Switzerland) Dir. Anne Thoma – USA Premiere
    Mr. Angel (USA) Dir. Dan Hunt – New York Premiere
    Not For Sale (USA) Dir. Matthew C. Levy – New York Premiere
    The Real Motel Life (USA) Dir. Winnie Cheung – World Premiere
    Rogalik (Poland) Dir. Pawel Ziemilski – USA Premiere
    Scattered (USA) Dir. Lindsay Lindenbaum – USA Premiere
    Venom & Fire (USA) Dir. Brandon Faris – USA Premiere
    Without Shepherds (Pakistan) Dir. Cary McClelland – New York Premiere

    Read more


  • REVIEW: Greedy Lying Bastards

    by Kelsey Straight

    The conflicting ideals of science and politics have created misconceptions regarding climate change, as revealed by Craig Scott Rosebraugh’s documentary, Greedy Lying Bastards. Rosebraugh presents a fundamental struggle between scientific fact and political fabrication: where fact requires evidence, fabrication allows anything to masquerade as reality. The presentation of climate change as “the greatest hoax ever” does not come from humanitarianism, unfortunately, but from the oil industry and those politicians with direct ties to the oil industry. Rosebraugh’s documentary presents a world of individuals who need the earth for different reasons, either as a money-making resource, or as a home for our families and an environment for cultures. If we do not take care of the land that allowed our societies to grow, than the land will not take care of who we are in return.

    Using data visuals, footage of political debates, and stories from families and societies directly affected by natural disasters, such as the forest fires in Colorado and the rising sea levels on the island of Tuvalu, Rosebraugh examines all parties at play with climate change. We live in the world we make up for ourselves, but we exist on a planet that can no longer sustain the needs of our industries, never mind the needs of itself. Greedy, Lying, Bastards assertively urges viewers to see that no debate exists between hemispheres, and climate change is a reality we cannot change with lies.

    http://youtu.be/sPax5-vCvA0

    Read more


  • REVIEW: The Sightseers

     

    by Kelsey Straight

    The quirky English humor and quintessential characters of Ben Wheatley’s The Sightseers both disturb us and make us laugh, often without establishing which was the appropriate response. The story follows Chris and Tina on their caravan holiday to a collection of eclectic sights, including the Crich Tramway Museum, the Ribblehead Viaduct, and the Keswick Pencil Museum. Having left her mother and their small English home, a stifling setting where Tina has lived until the age of thirty-four, Tina falls in love with a red-bearded serial killer, Chris. Their odyssey through the countryside is more geared towards personal identity than touristy locations, however. Tina exchanges her baggy 1980’s blue jeans for acid-wash thrift store leggings, and her codes of morality for codes of murder. All the while, Chris gathers material for the book he never begins writing, and Tina discovers that she is less his muse than he is hers. Their story unravels in the rainy countryside instead of on Chris’s blank pages, and every scene becomes a conflict they create for themselves.

     

    The Sightseers presents two ordinary individuals who establish their own “raison d’etre,” and none could be more significant than the faculty to end another’s life. As Chris and Tina murder the travelers around them, they create a series of dead-ends in terms of how they relate to their world and to the people inside of it. At one point, while visiting a historical ruin, Chris rings an old bell. Although he might not ask for whom it tolls, the audience will answer for him. England might be an island, but man ever was, and the bell tolls as much for Chris and Tina’s victims as it is does for the victims they make of themselves.

    http://youtu.be/RQLE6QWleCo

    Read more


  • REVIEW: Stories We Tell

    by DeVon Hyman

    “There is something kind of deeply uncomfortable with the idea of putting your life out there”
     -Sarah Polley, AMNY, May 2013

    True to the fact. A certain level of inner peace would have to be the prerequisite to an initiative being undertaken in the manner in which acclaimed Filmmaker Sarah Polley has done with her much heralded “Stories We Tell” which hit theaters on Friday.  

    Centered on a candid look at the reality which was Polley’s birth and actual parents whom were responsible for her existence. For much of her life Polley has been under the belief that her mothers husband was indeed her biological father, only to learn recently and come to terms with that not being the truth.  Her birth in actuality was the product of an affair which her late mom partook in.

    Earth Shattering.

    For a family, for an individual; what better remedy than to come to terms fully with, and be able to share being therapy to a tremendous gray area of emotion. Including narration and on-camewra interviews with many of the parties whom some would say have been victimized by this dark secret, Polly has tinkered with a wealth of different perspectives. Questions, amassed , Polly provides credence to the families copeability and acceptance to a thity-year-old secret.

    Using a back to the future formula in a sense Polley takes what was and lets it squaredance with what is, sans the theory of what will be.  A never ending tale, at best; why is not important, how is a foregone conclusion, only what remains.

    “The idea that people are talking about it and retelling the story and hearing what people’s’responses are, and what questions come out of it for them, for me was part of the whole curiosity of seeing how different people approach the same material”

    The struggle of whether not it was the right time to share this with the world is an on-going battle whic Polly recognizes.  Its takes a strong person to be that forthcoming.  A person of self-respect and content. I have to take my hat off to the mere thought. The execution, should be of extreme interests to all.

    Review Grade: 3 – See it …..  It’s Good

    “Stories We Tell” is in theaters Friday May 10

    http://youtu.be/YJg0Qg8QRUU

    Read more