VIMooZ

Being overwhelmed at Tribeca is not unusual; there is a huge amount of cinema to choose from. Vimooz is here to help! Here are some films that we find to be highlights of the fest, either hidden gems we’ve mentioned, films generating a buzz, or films that are simply not to be missed. These are some documentary feature highlights, put into general categories to give an idea of what kinds of films they are. Of course, many of these films crossover into different categories, and could be included in any or all of them, as complex as they are. But when delving through the many choices Tribeca offers, it helps to have an idea of what subject a film fits into.

Making its international premiere at the the 2011 Tribeca Film Festival, the documentary film ‘Give Up Tomorrow’ from director Michael Collins, documents the plight of 19 year-old Paco Larrañaga.

The documentary Renée world premiere at the 2011 Tribeca Film Festival. Directed by Eric Drath, the film documents the transsformation of all-American boy Richard Raskind to Renée – the first transsexual player in the women’s US Open.

Vimooz.com spoke one-on-one with both the talented director of  “The Last Rites of Joe May,” and the film’s iconic American star, Dennis Farina.

The synopsis from the Tribeca Film Festival’s site : “Sixty-something Chicagoan Joe May—a short-money hustler of Rolex knockoffs and bootleg DVDs—returns home from a hospital stay to find out that his apartment has been rented to single mother Jenny (Jamie Anne Allman) and her young daughter Angelina (Meredith Droeger) because everyone thought he was dead. Begrudgingly, Joe accepts Jenny’s offer to share the apartment. Joe plots his comeback scheme, but instead a domino effect occurs with everything going against him.”

“The Last Rites of Joe May”  plays this week at Tribeca at Chelsea Clearview Cinemas on Tuesday, April 26th and Friday, April 29th, both showtimes are at 4 pm. Arrive by 3:15 pm to wait for “Rush” tickets. Enjoy!

The Bang Bang Club is the real life story of a group of four young combat photographers – Greg Marinovich, Joao Silva, Kevin Carter and Ken Oosterbroek – bonded by friendship and their sense of purpose to tell the truth. These photographers risked their lives and used their camera lenses to tell the world of the brutality and violence associated with the first free elections in post Apartheid South Africa in the early 90s. This intense political period brought out their best work – two won Pulitzers during the period – but cost them a very heavy price.

Based on the book of the same name by Marinovich and Silva, the new  film, directed by Steven Silver, stars Ryan Phillipe, Malin Akerman and Taylor Kitsch and explores the thrill, danger and moral questions associated with exposing the truth.

Vimooz.com’s Francesca McCaffery had the chance to hear about their new film from its fascinating stars Ryan Phillippe, Malin Akerman and Taylor Kitsch, and real-life combat photojournalist Greg Marinovich, (whom Phillippe plays in the film), as they weigh in on the challenges of making such a topical film, the moral dilemmas faced by war photographers, and the beauty of shooting in a place such as South Africa.

VIMOOZ recently conducted an interview with Bill Morrison, director of The Miners’ Hymns. The film has its world premiere at the 2011 Tribeca Film Festival.

In The Miners’ Hymn, experimental filmmaker and frequent TFF alum Bill Morrison combines newly shot aerial scenes that he filmed himself with historic found-footage images of the mining communities of Northeast England that he culled from the British national archives. Morrison creates a moving and formally elegant tribute to this vanished era of working-class life, enriched by an original score by avant-garde Icelandic composer Jóhann Jóhannsson.

For 32 years, Leka Konstantinovic was the personal film projectionist for Yugoslavian president and noted film enthusiast Josip Broz Tito. Comprised of interviews with Konstantinovic and other important figures in the brief but glowing history of Yugoslavian cinema, as well as archival clips from more than 60 films, Cinema Komunisto is a vibrant, fascinating celebration of a film industry—and a nation—that no longer exists. Cinema Komunisto has its North American premiere in the World Documentary Competition section at the 2011 Tribeca Film Festival.

Love During Wartime has its North American premiere in the World Documentary Competition of the 2011 Tribeca Film Festival.

In the film, Jasmin and Assi are newlyweds, but building a life together seems impossible: She’s an Israeli, he’s a Palestinian. When their homelands turn their backs on them, they choose to live in exile. This tender tale of a love infiltrated by politics follows a real-life Romeo and Juliet on their odyssey from the Middle East through an inhospitable Europe. As their hopes rise and then fade with each bureaucratic hurdle, will their love survive?

Carol Channing: Larger Than Life is playing at the 2011 Tribeca Film Festival, and we had the opportunity to interview the director Dori Berinstein.