• REVIEW: KALIFORNIA

    by Kelsey Straight

    Laura Mahlberg’s illustration of an old man who starts walking towards California from his caravan entire countries away (in Russia!) is a new take on the classic road movie, except here our protagonist is fifty years past coming-of-age and still in pursuit of better prospects in the west. One could say that the film has come a few decades after its genre’s peak, and the main character coincides with that reality. Visually stunning cinematography offers an array of sensations to the film, and despite a slow-going pace and essentially meek protagonist, audiences will revel in the look and the stories in the eyes of this character, a man full from his years and still searching for more.

    The landscapes evoke in audiences the magic of the countryside when seen in widescreen formats, and the protagonist’s trek through fields of green – full of sheep and ideas for the future – offers a lot to cinema, especially coming from such a niche project. If one’s grandfather confessed that he was going to walk across the entire world in search of California, he’d probably be admitted to an old folk’s home, but Mahlberg’s film sets this man free from his age and into an old world made new again. Change clicks on and off inside of him and proves that coming-of-age is a process that occurs over and over again throughout our lives. We’re never too old to dial a friend across the world and confess to needing something new before everything feels done forever and for always.

    Rating 3 / 5 : See it …..  It’s Good

    http://youtu.be/h4s-sJBRVDA

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  • REVIEW: Silvi (Maybe Love)

     

    by Christopher McKittrick

    During a routine, 47 year-old Silvia (Lina Wendel) is told by her husband that he is moving out. Silvia knew their passionless marriage was essentially over anyway, but it still comes as a shock.  With little to call her own and never being with anyone besides her husband, Silvia begins her search for love, because, as she tells someone else, “Actually, everyone wants someone to hold…someone who loves and comforts you. If that’s not happening… something inside withers away. You become a lone warrior.”

    However, each one of Silvia’s subsequent relationships goes awry, even when she opens herself up to new experiences.  These relationships are bridged with scenes in which she is speaking with someone whose identity isn’t made exactly clear, but they almost seem like therapy sessions.  What she can’t find is a normal relationship.  She tries personal ads, but her date with her first caller goes downhill pretty quickly although they overcome their awkward introduction.  Each relationship she gets in seems to hold great potential, but they all fade for various reasons.  She also has to come to terms with the truth that she has been treated unfairly by her husband during their whole life together.



    Silvi explores the trouble faced by a middle-aged woman just out of a lengthy, loveless marriage trying to find true love. I suppose this is sort of a dramatic German version How Stella Got Her Groove Back, meaning I may be the wrong audience for this.  Still, Silvia’s difficulties and deep sadness is affecting, as is the fact that she never gives up.



    There were certainly some confusing moments – Silvia’s son is briefly introduced in the film, makes out with his girlfriend, and then disappears from the narrative.  I guess this was supposed to be a contrast with Silvia’s love life (or lack thereof), but her sadness is clear from Wendel’s emotive acting.  The “talking head” sequences could have probably been more effective if it was clear who she was speaking to (Silvia has a close friend in the film, so why not use her?)  Director/co-writer Nico Sommer has a great actress and a universal story – one doesn’t have to be a 47 year-old recently-separated woman to connect with Silvia’s search for love – but I can’t say I found much more to connect with beyond Wendel’s strong performance and her character’s admirable persistence.

    Rating 3 / 5 : See it …..  It’s Good

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  • Cannes Selects The The Short Films and Cinéfondation Jury for the 2013 Festival

    The Short Films and Cinéfondation Jury were revealed for the 66th Festival de Cannes (Cannes Film Festival), taking place May 15 – 26, 2013. The members of the jury include Jane CAMPION, President – Film director/New Zealand; Maji-da ABDI Actress, director, producer/Ethiopia; Nicoletta BRASCHI Actress, producer/Italy; Nandita DAS Actress, director/India; and Semih KAPLANOĞLU Director, writer, producer/Turkey.

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  • AN INTRODUCTION TO: Damon Terry, Up-and-Coming Filmmaker

    by DeVon Hyman

    It is an age old conclusion that experience is the best teacher. A hands on tool when applied can be the greatest conduit to redemption, and maturation.  An a youngster, Indy filmmaker Damon Terry;’s life was marred by much trial and tribulation. At his own doing, he became a young man on his way to being a statistic for all intents and purposes. Stereotypically, and similar to many others reared in the environment which spawned his upbringing. Ultimately landing in prison, Terry used the time to reflect and rectify. Overhauling not only his perspective, but his goals in life he was ready for his second chance at freedom, and opportunity. When it came, he hit the grown running; inspired by a restored faith in a highpower, whom he praises at every moment, Damon Terry was moved by a calling to literature and eventually script-writing. A passion was born, a career iniated, and the rest, is the subject for documentation. Often compared to others whose platform of the gospel, has brought upon exponential success, Damon Terry seeks to follow in that path, yet in a uniquely refreshing manner which adds to the intrigue of this brothers existence. I present to you, the life and times of Independent filmmaker Damon Terry. 

    First off for those who are not familiar with your work, please tell us a little about your credentials thus far:

    Praise the Lord everybody, I am a writer of the Gospel, I write films, I create television shows, I create ringtones, I write stage plays, Greeting cards, and I also write books. I have created over 100 single projects in the last four in a half years.

    As a director you have been quite successful with the commercials and such mentioned, describe the point where you made the decision to transition to filmmaker?

    All the work that the Lord has provided such as the commercials that are listed are all hand written work ready to be pitched. The Lord did not just allow me to write films or stage plays, I have written over 20 commercials. I have not directed any of my own but I have worked on featured films behind the scene and television shows and have been taught by some of the best in the business and paid attention to their craft and learned from them. First featured film I worked with director Jeb Stuart and continued on to work with Jeff Rose and Victor Hobson which I watched and learned a lot of great things from and many, many more. The Lord allowed me around such great individuals to learn this craft and now I am able to direct featured films and short films, television shows and stage plays by myself and with help from a great team. Every great director needs a great team of people to make the production happen.

    You own and operate two brands simultaneously correct. What are those brands, and their objective?

    I am owner and founder of Let God be The Truth and every Man a Liar Production LLC. My first main objective is to save souls. Second to promote the truth of the Gospel all over the world to present the miracle that was put in me with no knowledge of writing in script format or God these films are going to touch lives there going to make people aware that God is real and no matter what test or trial that you can be victorious over all things it’s a held accountable Gospel the sermon pieces in the movie is the reason why this is a true Gospel film.

    Your core support if you will has been largely in part within the gospel community, how hard is it as a man of great faith and value to make your mark in the entertainment industry, all be it directing but still, an industry where success comes from pushing the envelope with ideas?

    Actually the support is quite equal with the Gospel community and the non-Gospel community because a lot of people are aware of the miracle that was put in me and on how I started writing my testimony turns the nonbelievers into believers. I have to endure a lot of test and trials as I am a man of God coming into this entertainment business with four in a half years of knowledge of the business in promoting to the world that this is a miracle from God it’s going to make some people feel some type of way. But the most difficult part about pitching the films to the entertainment business is that a lot of them don’t believe in God. I promote to the world that everything that the Lord has put in me which is a true miracle has never ever been successfully presented to the world before and I can prove it.

    Your past is public record of course, and you have been extremely candid in your interviews and more about used to be, and the change that occurred- how did you find your way to the camera?

    My past life I was a gangster I sold a lot of drugs from state to state I terrorized coned tricked and deceived a whole lot of people and in December of 2008 I called out to the lord and said I don’t want to live like this anymore and that is when the Lord told me to write a movie and on that night the Lord deposited a dream inside of me then I woke at 4am and I wrote my first film” Practice What You Preach” and I wrote this 13 page script in 13 hours and from there continued writing and still have not stopped. I found my way to the camera by traveling pitching the movie scripts working behind the scenes with other productions learning the craft.

    “Practice what you preach” was your first script written correct? What’s the premise behind this screenplay. The cliche is highly utilized but what is unique about your spin on it, which ultimately will be played out on the big screen?

    “Practice What you Preach” was the first script that I wrote, and it’s about a preacher that did not practice what he preached a true Gospel drama. You can log onto juntoboxfilms.com and search “Practice What You Preach” and read my 25 minute knock you off your feet screen play book teaser, brace yourselves as you read. And witness the power from the Lord. This is the dream that was put in me. From start to finish. Featured full length industry standard script is also available.

    I must commend you on being a self-taught cinematographer; do you catch any flack from not having said the formal training that some of your contemporaries have?

    My training comes from the Lord so it’s going to be people that’s not going to support in anything that you do, I’m not self-taught I am God taught so I keep going and not allow others criticism to hinder me.

    You are originally from Ohio? What part? So many artists in all genres speak of the obstacle before them by way of living in smaller markets, have you experienced that same tribulation?

     I was born in Wood County; Parkersburg, West Virgina. I was raised in Tazewell Virginia and my parents moved me and my siblings to Columbus Ohio in 1991. To be honest I have had the same trials and tribulations making people aware of what I have to present to the world everywhere I go. The Lord has allowed me to travel to a lot of places and it’s a lot of people aware of what I have to offer from the large entertainment companies to the smaller entertainment companies and also a lot of Churches but I keep my faith and keep pushing. That I am taught from Bishop Edgar A. Posey out of Living Faith Apostolic Church in Columbus Ohio that the greater the test and trial the greater the reward. God is not going to put all this in me and not allow it to be successful. Somebody is going to plant the seed to invest the miracle that was put in me to present to the world. And whoever does so will reap 100 fold blessing on good grounds. 

    What do you say to those who question the entertainment value in “gospel films” or to those who humor that you are taking pages out of the TD Jakes and Tyler Perry handbook?

    A Damon Terry film is a true Gospel drama there is nothing Gospel based about a Damon Terry film everything that is put in me from the Lord a true miracle from the Lord is different there’s nothing old about the Lord all things are new so some people may say that I am something like Tyler Perry or TD jakes but that is not so. Because if my films that are put in me from the Lord were the same as there’s he would not put it in me. People have to understand with the Lord all things are new and I know the scripture says Ecclesiastes chapter 1 verse 9 says That there is no new thing under the sun and that means that the Lord has already done everything, everything is already in place so the Lord will use people that’s going to give him all the praise all the honor all the credit an all the glory to fulfill the ministry all the work that the Lord has put in me is going to change the entertainment industry forever.

    Ultimately for the audience what is the message of your screen plays?

    The main message in a Damon Terry film that the Bible is the inspired word of God that there’s one Lord one Faith and one baptism and that name of the Lord is Jesus in order to obtain salvation we believe an individual must be born of the water and of the Spirit by being baptize in the name of the Lord Jesus Christ for the remission of sin and being filled with the Holy Ghost with the evidence in speaking in other tongues as the Spirit of God gives the utterance. A Damon Terry film is going to show how people can stay saved while going through test and trials it’s going to show how people that are not of the Lord how to seek the Lord and stay in the walks of Lord. A Damon terry film is going to be a true blessing to the world it’s going to save souls it’s going to give hope it’s going to make people want to plant seeds on good grounds and I’m super excited to present it to the world because it’s going to happen.

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  • Kon-Tiki Raft Visits New York City

    The raft from the upcoming Weinstein Company (TWC) film, KON-TIKI, arrived in New York City last week where it remains until Monday, April 22nd.  

    The vessel is a replica of the balsawood raft sailed in the renowned 1947 “Kon-Tiki” voyage, upon which the film is based, and its arrival in New York was in advance of KON-TIKI’s theatrical release, which TWC has set for Friday, April 26th.

    Before being used in directors Joachim Roenning and Espen Sandberg’s KON-TIKI, the fifteen-ton raft crossed the Pacific Ocean under the name “Tangaroa.” The 2006 expedition, which followed the original “Kon-Tiki” route from Peru to Polynesia, was completed in three months by a group of six; included in the crew was Olav Heyerdahl, grandson of Kon-TIki leader and scientist Thor Heyerdahl. His 1947 raft is housed in Oslo’s Kon-Tiki Museum.

    The film Kon-Tiki is based on the story of Norwegian explorer Thor Heyerdahl who crossed the Pacific ocean in a balsa wood raft in 1947, together with five men, to prove that South Americans back in pre-Columbian times could have crossed the sea and settle on Polynesian islands. After gathering financing for the trip with loans and donations, they set off on an epic 101 day-long journey across 4,300 miles, all while the world was watching. KON-TIKI tells about the origin of Heyerdahl’s idea and the events surrounding the group’s voyage. 

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  • William Oldroyd’s ‘Best’ Wins 2013 Sundance London Short Film Competition

    Best, a five-minute film from Surrey, UK filmmaker William Oldroyd, is the winner of the Short Film Competition for the second Sundance London film and music festival, April 25-28, 2013.  The film will screen as part of the official Short Film Programme at the festival.

    In Best, with one man’s wedding moments away, he and his best friend confront their future.

    Oldroyd said: “I am privileged to have my short film presented in my home city as part of this year’s festival. There is no better champion of international, emerging film makers than Sundance Institute, and I am grateful for their endorsement and support. I’m really looking forward to meeting the other participants and glad that Best will now get a wider, more diverse audience.”

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  • Cannes Film Festival Reveals 2013 Official Selections, Bling Ring by Sofia Coppola to Open Un Certain Regard

    [caption id="attachment_3629" align="alignnone" width="550"]The Bling Ring by Sofia Coppola[/caption]

    The Official Selections were revealed for the 66th Festival de Cannes (Cannes Film Festival), taking place May 15 – 26, 2013. The Festival also announced that Thomas Vinterberg, Danish director, scriptwriter and producer, will be this year’s President of the Jury for Un Certain Regard, Festival de Cannes Official Selection; and The Bling Ring by Sofia Coppola, with Emma Watson in the title role, Taïssa Farmiga, Leslie Mann and Kirsten Dunst, will open Un Certain Regard on Thursday 16 May.

    IN COMPETITION

    Opening Film

    Baz LUHRMANN; THE GREAT GATSBY (H.C.)

        ***    

    Valeria BRUNI-TEDESCHIUN;  CHÂTEAU EN ITALIE

    Ethan COEN, Joel COEN; INSIDE LLEWYN DAVIS  

    Arnaud des PALLIÈRES; MICHAEL KOHLHAAS  

    Arnaud DESPLECHIN; JIMMY P. (PSYCHOTHERAPY OF A PLAINS INDIAN)  

    Amat ESCALANTE; HELI  

    Asghar FARHADILE;  PASSÉ (THE PAST)  

    James GRAY; THE IMMIGRANT  

    Mahamat-Saleh HAROUN; GRIGRIS  

    JIA Zhangke; TIAN ZHU DING (A TOUCH OF SIN)  

    KORE-EDA Hirokazu; SOSHITE CHICHI NI NARU (LIKE FATHER, LIKE SON)  

    Abdellatif KECHICHE; LA VIE D’ADЀLE  

    Takashi MIIKE; WARA NO TATE (SHIELD OF STRAW)  

    François OZON; JEUNE ET JOLIE  

    Alexander PAYNE; NEBRASKA  

    Roman POLANSKI; LA VÉNUS À LA FOURRURE  

    Steven SODERBERGH; BEHIND THE CANDELABRA  

    Paolo SORRENTINO; LA GRANDE BELLEZZA (THE GREAT BEAUTY)  

    Alex VAN WARMERDAM; BORGMAN  

    Nicolas WINDING REFN; ONLY GOD FORGIVES    

        ***    

    Closing Film     

    Jérôme SALLE; ZULU (H.C.)


    UN CERTAIN REGARD

    Opening Film 

    Sofia COPPOLA; THE BLING RING  

        ***    

    Hany ABU-ASSAD; OMAR

    Adolfo ALIX JR.; DEATH MARCH  

    Ryan COOGLER; FRUITVALE STATION 1st film  

    Claire DENIS; LES SALAUDS  

    Lav DIAZ; NORTE, HANGGANAN NG KASAYSAYAN (NORTE, THE END OF HISTORY)

    James FRANCO; AS I LAY DYING

    Valeria GOLINO; MIELE 1st film  

    Alain GUIRAUDIE; L’INCONNU DU LAC  

    Flora LAU; BENDS 1st film  

    Rithy PANH; L’IMAGE MANQUANTE  

    Diego QUEMADA-DIEZ; LA JAULA DE ORO 1st film  

    ANONYMOUS  

    Chloé ROBICHAUD; SARAH PRÉFÈRE LA COURSE (SARAH WOULD RATHER RUN) 1st film

    Rebecca ZLOTOWSKI; GRAND CENTRAL


    OUT OF COMPETITION

    J.C CHANDOR; ALL IS LOST

    Guillaume CANET; BLOOD TIES

     

    MIDNIGHT SCREENINGS

    Amit KUMAR; MONSOON SHOOTOUT 1st film

    Johnnie TO; BLIND DETECTIVE

     

    JERRY LEWIS TRIBUTE

    Daniel NOAH; MAX ROSE

     

    SPECIAL SCREENINGS

    Stephen FREARS; MUHAMMAD ALI’S GREATEST FIGHT

    Roberto MINERVINI; STOP THE POUNDING HEART

    Roman POLANSKI; WEEK END OF A CHAMPION

    James TOBACK; SEDUCED AND ABANDONED

    Cinéfondation :
    Taisia IGUMENTSEVA; OTDAT KONCI (BITE THE DUST) 1st film  

    GALA SCREENING, TRIBUTE TO INDIA

    Anurag KASHYAP, Dibakar BANERJEE, Zoya AKHTAR, Karan JOHAR; BOMBAY TALKIES

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  • 13th Annual New York Indian Film Festival to Feature “100 Years of Indian Cinema” Series

    [caption id="attachment_3624" align="alignnone" width="550"]Baavra Mann Directed by Jaideep Varma[/caption]

    The 13th Annual New York Indian Film Festival (NYIFF) announced the lineup for their “100 Years of Indian Cinema” series to mark the global celebration of 100 years of Indian Cinema – since filmmaker D.G Phalke released his first feature film RAJA HARISHCHANDRA on May 3, 1913. 

    The lineup includes three rarely seen masterpieces from different time periods, as well as two world-premiere documentaries that explore different facets of Indian filmmaking.

    NYIFF runs from April 30 – May 4 across New York City. NYIFF’s “100 Years” series will screen exclusively at Tribeca Cinemas. The following are the films featured in the 2013 New York Indian Film Festival “100 Years” series:

    The Human Factor
    Directed by Rudradeep Bhattacharjee
    India 2012. 76 mins. English
    Cast: The Lord Family

    [caption id="attachment_3625" align="alignnone" width="500"]The Human Factor[/caption]
    This documentary investigates song and music in the context of the Indian filmic experience. Although singers, music directors, the lyricists are all publicly celebrated for their work and have attained almost legendary status in popular culture, many unseen – and uncredited – musicians make up the orchestras that played on those songs and the background scores. The Human Factor focuses closely in on the story of the Lords, a family of Parsi musicians whose contribution to Hindi film music parallels that of any of the great music directors or singers, yet is widely unknown. But the story of the Lords is not theirs alone, but represents thousands of other composers. This documentary is crucial to providing an obscure chapter in the history of Indian cinema, replete with rare archival material, which provides viewers with a subaltern history of Bollywood. 

    Baavra Mann
    Directed by Jaideep Varma
    India 2013. 127 mins. Hindi (English Subtitles)
    Cast: Sudhir Mishar
    This documentary zooms in on the personal and professional life of Sudhi Mishra, one of Mumbai cinema’s longest lasting and relevant filmmakers, using his life as a lens to explore declining cultural life in India. 

    Jaane Bhi Do Yaaro
    Directed by Kundan Shah
    India 1983. 132 mins. Hindi
    Cast: Naseeruddin Shah, Ravi Baswani, Om Puri, Pankaj Kapur, Satish Sah, Bhakti Barve, Satish Kaushik, Ashok Banthia, Neena Gupta 

    [caption id="attachment_3624" align="alignnone" width="550"]Baavra Mann Directed by Jaideep Varma[/caption]
    Professional photographers Vinod Chopra and Sudhir Mishra open a photo studio in the prestigious Hajj Ali area in Mumbai, in the hopes of making enough money to sustain themselves. After a disastrous start, they are given some work by the editor of “Khabardar,” a publication that exposes the scandalous lives of the rich and the famous. They accept it and start working with the editor, Shobha Sen, on a story to expose the dealings between an unscrupulous builder, Tarneja, and corrupt Municipal Commissioner D’Mello. While working on their story, Sudhir and Vinod decide to enter a photography contest, taking photos all over the city. On developing their pictures, they notice a man shooting someone, and get caught up in a murder case that ends with them in prison. In the final scene, Vinod and Sudhir are shown several years later being released, still in their prison clothes. They turn to the camera and make a cut-throat gesture, signifying the death of justice and truth in an age of corruption.

    Garam Hawa
    Directed by M.S. Sathyu
    India 1973. 146 mins. Hindi, Urdu
    Cast: Farooq Shaikh, Balraj Sahni, Gita Siddharth

    [caption id="attachment_3626" align="alignnone" width="550"]Garam Hawa[/caption]
    Based on an unpublished Urdu short story by Ismat Chughtai and adapted for screen by Kaifi Azmi, who also wrote its lyrics, this film is deals with the plight of a North Indian Muslim family, in the post-partition India of 1947, as the film’s protagonist grapples with the dilemma of moving to Pakistan or not. The Mirzas, a Muslim family living in a large ancestral house and running a shoe manufacturing business in the city of Agra in the United Provinces of northern India (now Uttar Pradesh) is headed by two brothers; Salim, who guides the family business, and his elder brother Halim, who is engaged in politics and acts as a major leader in the provincial branch of the All India Muslim League, which led the demand for the creation of a separate Muslim state of Pakistan.  

    Kalpana
    Directed by Uday Shanker
    India 1948. 160 mins. Hindi
    Cast: Uday Shankar, Padmini, Usha Kiran, Amala Shankar, Lakshmi Kanta

    [caption id="attachment_3627" align="alignnone" width="550"]Kalpana [/caption]
    Part soap opera, ballet, and political treatise, Kalpana blends surrealism with the high art of Indian classical dance to tell a story loosely based on director Uday Shankar’s own experiences trying to found a dance academy. The film opens with an earnest film director who pitches a screenplay to the owner of a production company. The producer rebuffs the director, claiming he is only interested in films that will net the highest possible box office rather than works with cultural integrity. The director begs him to at least hear him out, and thus the story of Kalpana begins to unfold. Kalpana centers on Udayan, a boy who, despite a difficult childhood, becomes a great dancer. Udayan dreams of opening a dance academy, but must overcome a series of professional challenges, including a crooked theatre promoter, and navigate the competing affections of two women, Uma and Kamini. Dance is used as the primary tool of expression throughout the film, lending Kalpana a unique style that is still unrivaled in Indian cinema.  

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  • Miss Lovely and Beyond All Boundaries Take Top Awards at 2013 Indian Film Festival of Los Angeles

    The 11th annual Indian Film Festival of Los Angeles (IFFLA) wrapped on Sunday evening (April 14) with a red carpet and gala fete that included the Los Angeles premiere of Deepa Mehta’s MIDNIGHT’S CHILDREN, and the presentation of the festival’s Grand Jury and Audience Choice Awards.

    Ashim Ahluwalia’s MISS LOVELY took home the Grand Jury Prize for Best Feature, with an honorable mention for SHIP OF THESEUS directed by Anand Gandhi. The Grand Jury Prize for Best Documentary went to Sushrut Jain for BEYOND ALL BOUNDARIES, and for Best Short to UNRAVEL directed by Meghna Gupta, with an honorable mention for TATPASCHAT directed by Vasudev Keluskar.

    GRAND JURY AWARDS

    BEST FEATURE: MISS LOVELY directed by Ashim Ahluwalia
    HONORABLE MENTION: SHIP OF THESEUS directed by Anand Gandhi

    BEST DOCUMENTARY: BEYOND ALL BOUNDARIES directed by Sushrut Jain
    BEST SHORT FILM: UNRAVEL directed by Meghna Gupta
    HONORABLE MENTION: TATPASCHAT directed by Vasudev Keluskar

     AUDIENCE AWARDS

    BEST FEATURE: FILMISTAAN directed by Nitin Kakkar
    BEST DOCUMENTARY: BEYOND ALL BOUNDARIES directed by Sushrut Jain
    BEST SHORT: UNRAVEL directed by Meghna Gupta

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  • Crossing the Divide and Deaf Jam Among Films to Screen at 2013 Toronto International Deaf Film & Arts Festival

    The Toronto International Deaf Film & Arts Festival (TIDFAF) will take over the the prestigious Randolph Theatre Randolph Academy for the Performing Arts, for the 4th biannual international film & arts festival May 9 -12, 2013.

    TIDFAF kicks off its Red Carpet Gala opening night (May 9) with documentary short Crossing the Divide (Cathy Heffernan, 2012, England) (main top image) and the Canadian debut of director Judy Lief’s international award-winning feature film Deaf Jam (2010 , USA) (pictured above)(www.deafjam.org). In attendance:  Cathy Heffernan, Judy Lief and Deaf Jam featured poet Tahini.

    http://youtu.be/g7tVQoWcE2U

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  • Youssou N’Dour: Return to Goré, The Story of Lovers Rock and Filling The Gap From African Disapora Fest to Run in Harlem Theatre April 19 – 25

    [caption id="attachment_3612" align="alignnone" width="550"]Youssou N’Dour: Return to Goré[/caption]

    Three popular titles that premiered in the African Diaspora International Film Festival will have a run at the newly opened three screen movie theatre, MIST CINEMA in Harlem. The 3 films – Youssou N’Dour: Return to Goré, The Story of Lovers Rock and Filling The Gap will screen from April 19 to April 25, 2013.

    Youssou N’Dour: Return to Goré

    [caption id="attachment_3613" align="alignnone" width="550"]Youssou N’Dour: Return to Goré[/caption]

    Starring Youssou N’Dour, the Senegalese singer now Minister of Culture in Senegal, Return to Gorée is a moving testimony of the power of music to create dialogue and celebrate life. In Return to Gorée, Youssou N’Dour tours the USA and Europe recruiting outstanding musicians to adapt his own song to jazz arrangements in preparation for a concert on the Gorée Island given to celebrate the creativity of Africans in the New World and the music they created against all odds, jazz.

    2007. Pierre-Yves Borgeaud. 108 mins. Switzerland/Luxembourg. Color, Released by ArtMattan Films

     

    The Story of Lovers Rock

    This is first and foremost a film about Black Social Dance. The US parallel would be the “slow-dance,” the “Bop,” “Sunset Bop.” Under dark blue or red lights in a crowded room young men and women came together to experience the ritual intimacy of dance, flirtation and love to the sound of romantic music.

    Lovers Rock, often dubbed ‘romantic reggae’ is a uniquely black British sound that developed in the late 70s and 80s against a backdrop of riots, racial tension and sound systems. Live performance, comedy sketches, dance, interviews and archive shed light on the music and the generation that embraced it. Lovers Rock allowed young people to experience intimacy and healing through dance- known as ‘scrubbing’- at parties and clubs. This dance provided a coping mechanism for what was happening on the streets. Lovers Rock developed into a successful sound with national UK hits and was influential to British bands (Police, Culture Club, UB40) These influences underline the impact the music was making in bridging the multi-cultural gap that polarized the times. The film sheds light on a forgotten period of British music, social and political history.

    http://youtu.be/uyJwZwkqg8U

    2011, Menelik Shabazz. 96mins. UK. Color, Released by ArtMattan Films

     

    Filling The Gap

     

    Filling The Gap highlights the contributions of African immigrants and African-Americans to U.S. History prior to the Civil War. Conceived as an effort to alter the way African-American children see themselves and their ancestors, this docu-drama highlights the inventive and inspired contributions of little-known Americans of African descent and their incredible creativity in the 1840s, the period leading to the Civil War in American history.

    Listen to Director Tyrone Young explain the value of this film in his own words!

    http://youtu.be/XIeRRzFoKqc

    2010, Tyrone Young, 83 min, USA, Docu-Drama, Released by ArtMattan Films

    Additional information:

    MIST CINEMA
    46 West 116th Street
    New York, NY 10026
    Tel: 646·688·5886
    ————————–

    SHOWTIMES April 19 to April 25

    1 pm Filling the Gap

    3 pm The Story of Lovers Rock

    5 pm Return to Goree

    7:15 pm The Story of Lovers Rock

    9:15 pm Return to Goree

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  • 9 Short Films and 18 Student Films Selected for 2013 Cannes Film Festival

    Nine films will compete in 2013 for the Short Film Palme d’or,  at the 66th Festival de Cannes. For the first time, a Palestinian film will take part in the Short Films Competition.  

    In the Cinéfondation Selection, 18 films (14 fiction films and 4 animated films) were selected from 277 film schools from all around the world. The Cinéfondation Selection features films from film students from a diversity of film schools, with a third of the schools being selected for the first time and one country – Chile – which has never previously been selected.

    SHORT FILMS IN COMPETITION:

    Ali  ASGARI; BISHTAR AZ DO SAAT (More than two Hours); 15′; Iran

    Mohammed  ABOU NASSER, Ahmad ABOU NASSER; CONDOM LEAD; 14′; Palestine, Jordan    

    Gudmundur Arnar GUDMUNDSSON; HVALFJORDUR (Whale Valley); 15′; Iceland, Denmark

    SASAKI Omoi; INSEKI TO IMPOTENCE (The Meteorite and Impotence); 10′; Japan

    Gilles COULIER; MONT BLANC; 14′; Belgium    

    Elzbieta BENKOWSKA; OLEN; 14’; Poland    

    Annarita ZAMBRANO; OPHELIA; 15’; France    

    MOON Byoung-gon; SAFE; 13’; South  Korea    

    Adriano VALERIO; 37°4 S; 11’; France    

     

    THE 2013 CINÉFONDATION SELECTION 

    Evgeny BYALO; THE NORM OF LIFE; 23’ ;  High Courses for Scriptwriters and Film Directors, Russia

    Ana CARO; THE MAGNIFICENT LION BOY; 10’; NFTS, United Kingdom

    Eliška CHYTKOVÁ; O ŠUNCE (Ham Story); 6’; Tomas Bata University in Zlίn, Czech Republic

    Navid DANESH; DUET; 24’; Karnameh Film School, Iran

    Gan DE LANGE; BABAGA; 26’; The Sam Spiegel Film & TV School, Israel

    Anahita GHAZVINIZADEH; NEEDLE; 21’; The School of the Art Institute of Chicago, USA

    Sarah HIRTT; EN ATTENDANT LE DÉGEL (Waiting for the Thaw); 20’; INSAS, Belgium

    Alejandro IGLESIAS MENDIZÁBAL; CONTRAFÁBULA DE UNA NIÑA DISECADA (Fable of a Blood-Drained Girl); 25’; CCC, Mexico

    Joey IZZO; STEPSISTER; 18’; San Francisco State University, USA

    JOW Zhi Wei; AU-DELÀ DE L’HIVER (After the Winter); 19′; Le Fresnoy, France

    Tudor Cristian JURGIU; ÎN ACVARIU (In the Fishbowl); 20′; UNATC, Romania

    KIM Soo-Jin; SEON (The Line); 27′; Chung-Ang University, South Korea

    Camila LUNA TOLEDO; ASUNCIÓN; 21′; Pontificia Universidad Católica, Chile

    Jefferson MONEO; GOING SOUTH; 15′; Columbia University, USA

    Małgorzata RŻANEK; DANSE MACABRE; 5′; Academy of Fine Arts in Warsaw, Poland

    Sebastián SCHJAER; MAÑANA TODAS LAS COSAS (Tomorrow All the Things); 17′; UCINE, Argentina

    Vladilen VIERNY; EXIL; (Exile); 16′; La fémis, France

    Matúš VIZÁR; PANDY (Pandas); 12′; FAMU, Czech Republic

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