• Melancholia Voted Best Film of the Year by National Society of Film Critics

    [caption id="attachment_2167" align="alignnone"]Melancholia [/caption]

    “Melancholia”  was chosen as Best Picture of the Year 2011 by the National Society of Film Critics. Kristin Dunst was named best actress for her performance in Lars von Trier’s film, and Brad Pitt was named best actor for his work in “Moneyball” and “The Tree of Life.” Albert Brooks won best supporting actor for his appearance in “Drive,” and Jessica Chastain was named best supporting actress for her work in three films: “The Tree of Life,” “Take Shelter” and “The Help.”

    See below for all votes in Best Picture and other categories for outstanding film achievement.

    The Society, which is made up of 58 of the country’s most prominent movie critics, held its 46th annual awards voting meeting at Sardi’s Restaurant in New York City, using a weighted ballot system. Scrolls will be sent to the winners.

    BEST ACTOR
    *1. Brad Pitt – 35 (Moneyball, The Tree of Life)
    2. Gary Oldman – 22 (Tinker Tailor Soldier Spy)
    3. Jean Dujardin – 19 (The Artist)

    BEST ACTRESS
    *1. Kirsten Dunst – 39 (Melancholia)
    2. Yun Jung-hee – 25 (Poetry)
    3. Meryl Streep – 20 (The Iron Lady)

    BEST SUPPORTING ACTOR
    *1. Albert Brooks – 38 (Drive)
    2. Christopher Plummer – 24 (Beginners)
    3. Patton Oswalt – 19 (Young Adult)

    BEST SUPPORTING ACTRESS
    *1. Jessica Chastain – 30 (The Tree of Life, Take Shelter, The Help)
    2. Jeannie Berlin – 19 (Margaret)
    3. Shailene Woodley – 17 (The Descendants)

    BEST PICTURE
    *1. Melancholia – 29 (Lars von Trier)
    2. The Tree of Life – 28 (Terrence Malick)
    3. A Separation – 20 (Asghar Farhadi)

    BEST DIRECTOR
    *1. Terrence Malick – 31 (The Tree of Life)
    2. Martin Scorsese – 29 (Hugo)
    3. Lars von Trier – 23 (Melancholia)

    BEST NONFICTION
    *1. Cave of Forgotten Dreams – 35 (Werner Herzog)
    2. The Interrupters – 26 (Steve James)
    3. Into the Abyss – 18 (Werner Herzog)

    BEST SCREENPLAY
    *1. A Separation – 39 (Asghar Farhadi)
    2. Moneyball – 22 (Steven Zaillian, Aaron Sorkin)
    3. Midnight in Paris – 16 (Woody Allen)

    BEST FOREIGN-LANGUAGE FILM
    *1. A Separation – 67 (Asghar Farhadi)
    2. Mysteries of Lisbon – 28 (Raoul Ruiz)
    3. Le Havre – 22 (Aki Kaurismäki)

    BEST CINEMATOGRAPHY
    *1. The Tree of Life – 76 (Emanuel Lubezki)
    2. Melancholia – 41 (Manuel Alberto Claro)
    3. Hugo – 33 (Robert Richardson)

    EXPERIMENTAL
    Ken Jacobs, for “Seeking the Monkey King.”

    FILM HERITAGE
    1. BAMcinématek for its complete Vincente Minnelli retrospective with all titles shown on 16 mm. or 35 mm. film.
    2. Lobster Films, Groupama Gan Foundation for Cinema and the Technicolor Foundation for Cinema for the restoration of the color version of George Méliès’s “A Trip to the Moon.”
    3. New York’s Museum of Modern Art for its extensive retrospective of Weimar Cinema.
    4. Flicker Alley for their box set “Landmarks of Early Soviet Film.”
    5. Criterion Collecton for its 2-disc DVD package “The Complete Jean Vigo.”

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  • Special Flight Among Lineup for 9th Human Rights Watch Film Festival in Toronto

    [caption id="attachment_2165" align="alignnone"]Special Flight[/caption]

    The 9th Human Rights Watch Film Festival opens on February 29, 2012 in Toronto Canada at TIFF Bell Lightbox with Fernand Melgar’s documentary Special Flight, a portrait of the legal limbo that faces thousands of detainees in Switzerland’s Frambois detention centre as refugees anxiously await confirmation of their requests for asylum. The festival is a co-presentation between TIFF and Human Rights Watch, and will run until March 9.

    Festival highlights include Jon Shenk’s The Island President (2011), winner of the Cadillac People’s Choice Documentary Award at the Toronto International Film Festival 2011, which follows Maldives President Mohamed Nasheed as he tries to save his country from being inundated by rising sea levels – the result of global warming; Pamela Yates’ Granito: How to Nail a Dictator (2011), a haunting tale of genocide and delayed justice that spans four decades, two films, and director Yates’ own career; Mimi Chakarova’s The Price of Sex (2011), a startling exposé of sex trafficking in Europe and the Middle East; and Sundance and Emmy Award-winning director Lee Hirsch’s The Bully Project (2011), which acts as a catalyst for change by confronting the prejudices which spark bullying and giving voice to those who work tirelessly to protect the vulnerable.

    “The lineup of timely films in this festival inform and remind audiences of human rights issues being faced around the world,” said Helga Stephenson, chairperson of the festival. “The themes that emerge this year – the plight of refugees, the trafficking of young women, bullying among teens – are extremely relevant. We hope the films will provide a springboard for discussion and increase awareness of human rights issues – both locally and globally.”

    The full line-up of films follows.


    Special Flight (Vol spécial)   Dir: Fernand Melgar

    Wednesday, February 29 at 8pm  *OPENING NIGHT*

    In Switzerland’s Frambois detention centre, refugees anxiously await confirmation of their requests for asylum while living in fear of the “special flights” that face those who are rejected, returning them to their countries of origin and crushing their dreams of a new life. Fernand Melgar’s film is a deeply affecting portrait of the legal limbo that faces thousands of detainees every year. Melgar evocatively captures the atmosphere of agonizing tedium and sudden, shocking rupture that characterizes these institutions: deportation notices arrive swiftly, with no option for appeal, and the physical removals from the centre are even more harrowing as the wardens often develop deep connections with the detainees.


    Habibi   Dir: Susan Youssef

    Thursday, March 1 at 8pm

    While shooting her documentary Forbidden to Wander, Susan Youssef travelled the Gaza Strip and observed how restricted access impeded development and stability, deepened poverty and radicalized the political conflict, with the resulting violence and despair permeating communities and individual psyches alike. This experience informed the making of Habibi, a tragic romance about Layla (Maisa Abd Elhadi) and Qays (Kais Nashef), university students whose blossoming passion is interrupted when they are forced to
    return home to their families, their student visas having been revoked during the latest wave of restrictions. The young lovers find themselves trapped between the physical barriers of political oppression and the restrictive, patriarchal ideology of the oppressed.


    The Bully Project   Dir: Lee Hirsch

    Friday, March 2 at 8pm

    News stories across North America attest to the destructive impact of bullying, as dozens of teens every year commit suicide following histories of emotional and physical violence from their peers that went unchecked and unchanged. Sundance and Emmy-award winning director Lee Hirsch spent a year documenting the lives of tormented teens and their families, exposing shocking scenes of verbal and physical abuse and vividly depicting bureaucratic indifference or impotence, parents who are powerless to help, and innocent kids on the cusp of adulthood who desperately cling to the slim hope that “things will get better.” The Bully Project acts as a catalyst for change by confronting the prejudices which spark bullying and giving voice to those who work tirelessly to protect the vulnerable.


    Color of the Ocean (Die Farbe des Ozeans)   Dir: Maggie Peren

    Saturday, March 3 at 8pm

    Located off the coast of northwest Africa, the Canary Islands are both a tourist paradise and a purgatory for refugees. Border guard José (Alex González) is cynical about his work, but his weary attitude is put to the test when he encounters Nathalie (Sabine Timoteo), a German tourist assisting a boatload of refugees she discovered landing on the coast. When one of the refugees, a Congolese man named Zola (Hubert Koundé), is placed in an internment camp with his son, Nathalie determines to help them escape – but the two soon find themselves in yet another precarious situation, in which they are dependent on nefarious smugglers.


    Burma Soldier   Dirs: Nic Dunlop, Annie Sundberg & Ricki Stern

    Sunday, March 4 at 8pm

    Myo Myint’s decision to enlist in the Burmese army at the age of seventeen was not motivated by ideology, but simply because it was the only path to employment, respect and security. In this capacity he supported the brutal military junta that dominated the nation for nearly half a century until he lost a limb to a mortar explosion, and emerged from this trauma as an activist determined to bring democracy to his country. Speaking from the Umpeim Mai refugee camp in northern Thailand as he awaits refugee status, Myint gives a sobering record of his experiences and his suffering at the hands of the military regime he once served, including over a decade in solitary confinement for voicing his disapproval of the junta. Myint’s story, illustrated by archival footage smuggled out of Burma, is a vivid account of an individual’s sacrifice to help change the lives of millions.


    This Is My Land… Hebron   Dirs: Giulia Amati & Stephen Natanson

    Monday, March 5 at 8pm

    The largest city in the occupied West Bank and the site of one of the first Israeli settlements there, Hebron is populated by 160,000 Palestinians and 600 Israeli settlers who require a garrison of 2,000 Israeli soldiers for protection. For these unwilling neighbours, conflict has become a way of life, and directors Giulia Amati and Stephen Natanson capture this charged situation through the multiple, interweaving narratives of residents and observers. Featuring interviews with ordinary Israelis and Palestinians living in the city, activists on both sides, prominent Ha’aretz journalists and members of the Israeli parliament, This Is My Land… Hebron is a vivid portrait of a chasm between cultures.


    The Price of Sex   Dir: Mimi Chakarova

    Tuesday, March 6 at 8pm

    Award-winning photojournalist Mimi Chakarova delves into the world of international sex trafficking in this startling exposé, revealing the cruel conditions that have forced thousands of women into a life defined by fear, shame and violence. With brutal honesty and courageous perseverance, these young women relate how they were bought, sold, and taken far from home to toil in brothels across Eastern and Western Europe and the Middle East. The culmination of an eight-year investigative journalism project that took Chakarova through Moldova, Bulgaria, Turkey, Greece and Dubai, The Price of Sex boldly brings this ever more pressing issue into stark relief, and was awarded Human Rights Watch International’s 2011 Nestor Almendros Award for Courage in Filmmaking.


    Granito: How to Nail a Dictator   Dir: Pamela Yates

    Thursday, March 8 at 8pm

    Part political thriller, part memoir, Granito takes us through a haunting tale of genocide and delayed justice that spans four decades, two films, and director Pamela Yates’ own career. While filming in Guatemala, then under the harsh military dictatorship of General Efraín Ríos Montt, to make her 1982 documentary When the Mountains Tremble, Yates managed to capture the only known footage of the Guatemalan army as it carried out its genocidal campaign against the indigenous Mayan population. Twenty-five years later, this footage becomes evidence in an international war crimes case against the very army commander who permitted Yates to film. Conducting new interviews with activists, witnesses and forensic experts, Yates herself joins this disparate movement of truth-seekers, each of them contributing their own granito, or grain of sand, to the reconstruction of collective memory and the pursuit of justice.


    The Island President    Dir: Jon Shenk

    Friday, March 9 at 8pm  *CLOSING NIGHT*

    Cadillac People’s Choice Documentary Award, Toronto International Film Festival 2011

    Mohamed Nasheed spent two decades leading a pro-democracy movement against a cruel dictatorship in the Maldives, suffering imprisonments and torture until groundswell support elected him president at age 41. Suddenly he found himself facing a new crisis: the possible extinction of his own country. If ocean levels continue to rise at their current rate, over a thousand coral islands of the Maldives will be submerged like a modern Atlantis. Obtaining remarkable access to Nasheed during his first year in office, director Jon Shenk offers both an inspiring personal story and an insider’s look at the dirty business of political deal-making during the 2009 climate change summit at Copenhagen. Featuring stunning cinematography and a haunting score by Radiohead, The Island President is one of the year’s most essential documentaries.

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  • Tropfest NY Film Festival is Looking For Short Films

    [caption id="attachment_2163" align="alignnone"]Manhattan’s Bryant Park[/caption]

    Tropfest, which describes itself as the world’s largest short film festival, announced it is calling for entries for Tropfest New York, which will take place at Manhattan’s Bryant Park on June 23rd.  Filmmakers will have the opportunity to see their short film screened in front of a massive live and online audience, and judged by an industry and celebrity panel for a chance to win $20,000 cash and other prizes.

    Founded 20 years ago in Sydney, Australia, Tropfest is supported by some of the biggest stars in the international film community, Tropfest New York Ambassadors include: Hugh Jackman, Russell Crowe, Nicole Kidman, Anthony Lapaglia, Liev Schreiber, Geoffrey Rush and Charles Randolph.

    Dozens of successful directors, writers, actors and others got their start at Tropfest.  Festival alumni include: Sam Worthington (Avatar, Last Night); Joel Edgerton (The Great Gatsby, Warrior, Animal Kingdom); Alister Grierson (director of the James Cameron-produced Sanctum); and Tony Rogers, whose Tropfest short, Wilfred, was the origin of the popular U.S. TV series of the same name starring Elijah Wood.

    There are a few simple guidelines Tropfest entrants must follow: all short films must be produced specifically for the event and have their premiere at Tropfest New York; films cannot exceed seven minutes, including titles and credits; and each film must contain the Tropfest Signature Item (TSI), which changes each year.  For the inaugural Tropfest New York, the chosen TSI is a staple of New York culinary culture, the “Bagel”.  In Tropfest tradition, filmmakers can include the “Bagel” in their films in any manner they choose.

    The Tropfest New York main event will be open to the public, free of charge. It will take place on Saturday June 23, 2012 at New York City’s Bryant Park, located in midtown on Sixth Avenue between West 40th and West 42nd Street.  An industry and celebrity panel will judge the selected finalists live, under the stars. During the final awards ceremony, the panel will announce the 1st, 2nd, and 3rd place winners as well as awards for Best Actor and Best Actress and a People’s Choice award. Previous Tropfest judges have included some of the biggest names in the international film community

    In addition to the short film competition that serves as the centerpiece for the 3 day-long event, other ticketed festivities will include musical performances and a filmmaker symposium.

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  • Russian hit film Hipsters Coming to New York

    The hit Russian film, Hipsters, (Stilyagi) directed by Valery Todorovsky will open at Cinema Village in New York on February 24, 2012. Hipsters won four Nikas (Russian Oscar) for best film, production design, costumes and sound. The film has played in numerous North American film festivals including Toronto, Seattle, Chicago-winning Best Art Direction, and Washington D.C.


    Hipsters is a lavish, candy-colored musical set in Cold War Russia circa 1955. It tells the story of a communist party youth, Mels (named after Marx, Engels, Lenin, Stalin), whose life is changed when he encounters Moscow’s vibrant underground, American influenced jazz scene and the non-conformist kids, Hipsters, who inhabit it.

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  • IFFR announces Spectrum 2012 line-up

    SMALL ROADS, James Bennin

    In its main section Spectrum, the International Film Festival Rotterdam screens films by experienced directors and maestros of artistic and experimental cinema. In total, Spectrum is made up of seventy-two features and documentaries from thirty-two countries, among which eight films supported by IFFR’s Hubert Bals Fund. The full Spectrum title list is available here.

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  • Trailer for 84th Academy Awards starring host Billy Crystal and Megan Fox

    The Academy of Motion Picture Arts and Sciences has partnered with Funny Or Die to produce a trailer for the 84th Academy Awards. The trailer features host Billy Crystal and celebrity cameo appearances by Robin Williams, Josh Duhamel, Megan Fox, William Fichtner and Vinnie Jones.

    “We wanted to try something a little bit different this year instead of a traditional, clip-based piece,” said Academy Chief Marketing Officer Christina Kounelias. “The trailer has a fun twist that conveys how excited everyone is to have Billy back.”

    Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012.

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  • Independent Lens to Premiere 3 New Documentaries on PBS for Black History Month

    [caption id="attachment_2155" align="alignnone"]Daisy Bates – First Lady of Little Rock[/caption]

    “Independent Lens” will celebrate Black History Month, February 2012, on public television with premieres of three new documentaries.

    “Independent Lens’s” Black History Month program kicks off on February 2, 2012 with the premiere of “Daisy Bates: First Lady of Little Rock,” the story of a seven-year journey by filmmaker Sharon La Cruise to get to know the mostly-forgotten civil rights activist Daisy Bates. Beautiful, glamorous, and articulate, Bates was fearless in her quest for justice, stepping into the spotlight to bring national attention to issues — and some say to herself. Unconventional and egotistical, she became a household name in 1957 when she fought for the right of nine black students to attend the all-white Central High School in Little Rock, Arkansas. Her public campaign culminated in a constitutional crisis — pitting a president against a governor and a community against itself.


    [caption id="attachment_2156" align="alignnone"]The Black Power Mixtape 1967-1975[/caption]
    Fresh from a successful theatrical run, on February 9, 2012 “Independent Lens” presents Goeran Hugo Olsson’s “The Black Power Mixtape 1967-1975.” In the late 1960s and early 1970s, Swedish television journalists came to America to document the burgeoning black power movement. This fascinating film weaves this long-lost trove of film into an irresistible mosaic chronicling the movement’s evolution: footage shot on the streets of Harlem, Brooklyn, and Oakland; interviews with Black Power leaders including Stokely Carmichael, Angela Davis, and Eldridge Cleaver; and contemporary audio interviews with leading African American artists, activists, musicians, and scholars. The film provides a fascinating look at the people, society, culture, and style that fuelled an era of convulsive change.

    [caption id="attachment_2157" align="alignnone"]More Than a Month[/caption]

    Finally, on February 16, 2012, “More Than a Month” follows African American filmmaker Shukree Hassan Tilghman on a cross-country campaign to end Black History Month. Humorous and thought provoking, “More Than a Month” combines cinema verite, man-on-the-street interviews, and inspired dramatizations to explore what the treatment of history tells us about race and power in “post-racial” America. What does it mean that we have a Black History Month? What would it mean if we didn’t?

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  • The Artist and Starbuck Among Vancouver Film Critics Circle nominations

    [caption id="attachment_2153" align="alignnone"]Starbuck[/caption]

    The Artist topped the Vancouver Film Critics Circle nominations, receiving nods for best picture, best actor, best director and best screenplay.

    The Vancouver Film Critics Circle which highlights Canadian films, nominated Café de flore, Small Town Murder Songs and Starbuck for best Canadian film, and Daydream Nation, People of a Feather and Sisters& Brothers for best British Columbia film.

    The nominees for the 2012 Vancouver Film Critics Circle Awards:

    BEST CANADIAN FILM

    Café de flore

    Small Town Murder Songs

    Starbuck

    BEST ACTOR IN A CANADIAN FILM

    Mohamed Fellag, Monsieur Lazhar

    Patrick Huard, Starbuck

    Peter Stormare, Small Town Murder Songs

    BEST ACTRESS IN A CANADIAN FILM

    Keira Knightley, A Dangerous Method

    Vanessa Paradis, Café de flore

    Ingrid Veninger, i am a good person/i am a bad person

    Rachel Weisz, The Whistleblower

    Michelle Williams, Take This Waltz

    BEST SUPPORTING ACTOR IN A CANADIAN FILM

    Vincent Cassel, A Dangerous Method

    Viggo Mortensen, A Dangerous Method

    Seth Rogen, Take This Waltz

    BEST SUPPORTING ACTRESS IN A CANADIAN FILM

    Hélène Florent, Café de flore

    Jill Hennessy, Small Town Murder Songs

    Hallie Switzer, I am a good person/I am a bad person

    BEST DIRECTOR OF A CANADIAN FILM

    David Cronenberg, A Dangerous Method

    Ed Gass-Donnelly, Small Town Murder Songs

    Ken Scott, Starbuck

    Jean-Marc Vallée, Café de flore

    BEST BRITISH COLUMBIA FILM

    Daydream Nation

    People of a Feather

    Sisters&Brothers

    BEST FILM

    The Artist

    The Descendants

    The Tree of Life

    BEST ACTOR

    Michael Fassbender, Shame

    Jean Dujardin, The Artist

    Michael Shannon, Take Shelter

    BEST ACTRESS

    Elizabeth Olsen, Martha Marcy May Marlene

    Meryl Streep, The Iron Lady

    Michelle Williams, My Week With Marilyn

    BEST SUPPORTING ACTOR

    Kenneth Branagh, My Week with Marilyn

    Albert Brooks, Drive

    Christopher Plummer, Beginners

    BEST SUPPORTING ACTRESS

    Jessica Chastain, The Help, Take Shelter, The Tree of Life

    Melissa McCarthy, Bridesmaids

    Shailene Woodley, The Descendants

    BEST DIRECTOR

    Michel Hazanavicius, The Artist

    Terence Malick, The Tree of Life

    Martin Scorsese, Hugo

    BEST DOCUMENTARY

    Cave of Forgotten Dreams

    The Interrupters

    Nostalgia for the Light

    Project Nim

    Surviving Progress

    BEST SCREENPLAY

    Woody Allen, Midnight in Paris

    Michel Hazanavicius, The Artist

    Alexander Payne and Nat Faxon & Jim Rash, The Descendants

    Steven Zaillian and Aaron Sorkin, Moneyball

    BEST FOREIGN LANGUAGE FILM

    A Separation

    Poetry

    The Kid with a Bike

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  • World Premiere of Period Drama Les Adieux à la reine to Open 2012 Berlin Fest

    [caption id="attachment_2151" align="alignnone"]Les Adieux à la reine – – Farewell My Queen[/caption]

    The 62nd Berlin International Film Festival will open on February 9, 2012 with the world premiere of the period drama Les Adieux à la reine (Farewell My Queen) starring as Diane Kruger (Inglourious Basterds), Léa Seydoux (Midnight in Paris) and Virginie Ledoyen (Army of Crime).

    In a screen adaptation of Chantal Thomas’ prize-winning novel of the same name, French Director Benoît Jacquot (Tosca, Villa Amalia, Deep in the Woods, among others) portrays the first days of the French Revolution from the perspective of the servants at Versailles. With ironic overtones, a historical drama unfolds that also draws parallels to the present.

    Versailles in July 1789. Unrest is growing in the court of King Louis the XVI. The people are rebelling – a revolution is imminent. Behind the facades of the royal palaces, everyone is thinking of fleeing, including Queen Marie Antoinette (Diane Kruger) and her entourage. Among her ladies-in-waiting is Sidonie Laborde (Léa Seydoux) who as the Queen’s reader has become quite intimate with her. With great amazement, Sidonie experiences the first hours of the French Revolution.

    The French-Spanish co-production Les Adieux à la reine will participate in the competition of the 62nd Berlin International Film Festival.

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  • BAFTA to honor Martin Scorsese

    The 2012 BAFTA Film Awards Fellowship will be presented to Martin Scorsese at the Orange British Academy Film Awards ceremony, on 12 February.

    Awarded annually by BAFTA, the Fellowship is the highest accolade bestowed upon an individual in recognition of an outstanding and exceptional contribution to film. Previously honoured Fellows include Charlie Chaplin, Alfred Hitchcock, Steven Spielberg, Sean Connery, Elizabeth Taylor, Stanley Kubrick, Anthony Hopkins, Laurence Olivier, Judi Dench and Vanessa Redgrave. Christopher Lee received the Fellowship at the Film Awards last February.

    Tim Corrie, Chairman of BAFTA, said: “Martin Scorsese is a legend in his lifetime; a true inspiration to all young directors the world over. We are delighted to honour his contribution to cinema history and look forward to paying tribute to him in London on 12 February.”

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  • 10 Films Remain in the Running in Visual Effects Category for Oscar

    [caption id="attachment_2148" align="alignnone"]The Tree of Life[/caption]

    The Academy of Motion Picture Arts and Sciences today announced that 10 films remain in the running in the Visual Effects category for the 84th Academy Awards®.

    The films are listed below in alphabetical order:

    “Captain America: The First Avenger”
    “Harry Potter and the Deathly Hallows Part 2”
    “Hugo”
    “Mission: Impossible – Ghost Protocol”
    “Pirates of the Caribbean: On Stranger Tides”
    “Real Steel”
    “Rise of the Planet of the Apes”
    “Transformers: Dark of the Moon”
    “The Tree of Life”
    “X-Men: First Class”

    All members of the Visual Effects Branch will be invited to view 10-minute excerpts from each of the 10 shortlisted films on Thursday, January 19. Following the screenings, the members will vote to nominate five films for final Oscar consideration.

    The 84th Academy Awards nominations will be announced live on Tuesday, January 24, and the Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26.

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  • Director Peter Luisi to be honored with Independent Award at 5th San Joaquin International Film Festival

    Swiss director and screenwriter, Peter Luisi, will be honored in person with the Film Society’s Independent Award at the Opening Night of the 5th San Joaquin International Film Festival (SJIFF). The Opening Night film is Mr. Luisi’s “The Sandman.”

    The Independent Award honors a spirited innovator who empowers independent filmmaking through impactful creativity, exemplary talent and steadfast leadership.

    Mr. Luisi was born in 1975 in Zurich, Switzerland. He studied film production in North Carolina and UC Santa Cruz in the United States of America. In 1999, he founded his own company, Spotlight Media Productions AG. He has since worked as an independent director and screenwriter. Mr. Luisi’s films have garnered eight nominations from the Swiss Film Prize, the national film award of Switzerland. His debut film “Crazy Love Crazy” (2004) won the Zurich Film Award. In early 2011, “The Sandman” won the Audience Award at Filmfestival Max Ophuels Prize in Saarbrücken, Germany; and was nominated for three Swiss Film Prizes, including Best Fiction Film.

    History of the Award: Mr. Luisi will be the second honoree of this award. The first honoree was Jon Gunn, whose film “Like Dandelion Dust” was the Closing Night selection of SJIFF in 2009.

    Swiss Cinema at SJIFF: “The Sandman” is the second film from Switzerland selected to open the San Joaquin International Film Festival: Denis Rabaglia’s “Marcello Marcello” opened the festival in 2009, and the film’s lead actor Francesco Mistichelli was honored with the San Joaquin Film Society’s Discovery Award.

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