• Werner Herzog 2 Docs Among 2012 Chicago Film Critics Association Awards Nominess

    [caption id="attachment_2064" align="alignnone"]Uncle Boonmee Who Can Recall His Past Lives[/caption]

    “The Tree of Life,” led the Chicago Film Critics Association Awards with seven nominations including Best Picture and nods for Malick for Best Director and Best Original Screenplay, Brad Pitt for Best Supporting Actor, Jessica Chastain for Best Supporting Actress, Emmanuel Lubezki for Best Cinematography and Hunter McCracken for Most Promising Performer.

    Critics favorite, “The Artist,” garnered filmmaker Michel Hazanavicius nods for Director and Original Screenplay as well as nominations for Original Score and a Best Actor slot for star Jean Dujardin.

    Legendary filmmaker Werner Herzog received two nominations in the Best Documentary category for his 2011 films “Cave of Forgotten Dreams” and “Into the Abyss.” Other nominees include The Interrupters, Pina, Project Nim and Tabloid.

    Uncle Boonmee Who Can Recall His Past Lives was nominated for Best Foreign Film, along with In a Better World, Incendies, A Separation and The Skin I Live In.

    The winners of the CFCA Awards, now in their 23rd year, will be announced on the morning of December 19, 2011 and will be presented at a ceremony on January .

    BEST PICTURE
    The Artist
    The Descendants
    Drive
    Hugo
    The Tree of Life

    BEST DIRECTOR
    Michel Hazanavicius (-) The Artist
    Terrence Malick (-) The Tree of Life
    Alexander Payne (-) The Descendants
    Nicolas Winding Refn (-) Drive
    Martin Scorsese (-) Hugo

    BEST ACTOR
    George Clooney (-) The Descendants
    Jean Dujardin (-) The Artist
    Michael Fassbender (-) Shame
    Gary Oldman (-) Tinker, Tailor, Soldier, Spy
    Michael Shannon (-) Take Shelter

    BEST ACTRESS
    Kirsten Dunst (-) Melancholia
    Elizabeth Olsen (-) Martha Marcy May Marlene
    Anna Paquin (-) Margaret
    Meryl Streep (-) The Iron Lady
    Michelle Williams (-) My Week With Marilyn

    BEST SUPPORTING ACTOR
    Albert Brooks (-) Drive
    Nick Nolte (-) Warrior
    Patton Oswalt (-) Young Adult
    Brad Pitt (-) The Tree of Life
    Christopher Plummer (-) Beginners

    BEST SUPPORTING ACTRESS
    Jessica Chastain (-) The Tree of Life
    Melissa McCarthy (-) Bridesmaids
    Carey Mulligan (-) Shame
    Octavia Spencer (-) The Help
    Shailene Woodley (-) The Descendants

    BEST ORIGINAL SCREENPLAY
    The Artist (-) Michel Hazanavicius
    Martha Marcy May Marlene (-) Sean Durkin
    Midnight In Paris (-) Woody Allen
    A Separation (-) Asghar Farhadi
    The Tree of Life (-) Terrence Malick

    BEST ADAPTED SCREENPLAY
    The Descendants (-) Alexander Payne, Nat Faxon & Jim Rash
    Drive (-) Hossein Amini
    Hugo (-) John Logan
    Moneyball (-) Steven Zaillian & Aaron Sorkin
    Tinker Tailor Soldier Spy (-) Bridget O’Connor & Peter Straughan

    BEST ANIMATED FEATURE
    The Adventures of Tintin
    Arthur Christmas
    Puss In Boots
    Rango
    Winnie the Pooh

    BEST DOCUMENTARY
    Cave of Forgotten Dreams
    The Interrupters
    Into the Abyss
    Pina
    Project Nim
    Tabloid

    BEST FOREIGN FILM
    In a Better World
    Incendies
    A Separation
    The Skin I Live In
    Uncle Boonmee Who Can Recall His Past Lives

    BEST CINEMATOGRAPHY
    Drive (-) Newton Thomas Sigel
    Hugo (-) Robert Richardson
    Melancholia (-) Manuel Alberto Claro
    The Tree of Life (-) Emmanuel Lubezki
    War Horse (-) Janusz Kaminski

    BEST ORIGINAL SCORE
    The Artist (-) Ludovic Bource
    Drive (-) Cliff Martinez
    The Girl with the Dragon Tattoo (-) Trent Reznor & Atticus Ross
    Hanna (-) The Chemical Brothers
    Hugo (-) Howard Shore

    MOST PROMISING PERFORMER
    Liana Liberato (-) Trust
    Brit Marling (-) Another Earth
    Hunter McCracken (-) The Tree of Life
    Elizabeth Olsen (-) Martha Marcy May Marlene
    Shailene Woodley (-) The Descendants

    MOST PROMISING FILMMAKER
    J.C. Chandor (-) Margin Call
    Simon Curtis (-) My Week With Marilyn
    Drake Doremus (-) Like Crazy
    Sean Durkin (-) Martha Marcy May Marlene
    Tate Taylor (-) The Help

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  • Palm Springs International Film Festival (PSIFF) to honor Gary Oldman with the International Star Award

    [caption id="attachment_2062" align="alignnone"]Gary Oldman in Tinker, Tailor, Soldier, Spy[/caption]

    The 23rd annual Palm Springs International Film Festival (PSIFF), which runs January 5-16, 2012, will present Gary Oldman with the International Star Award.  The International Star Award recognizes an actor or actress who has achieved both critical and commercial international recognition throughout their body of work.

    Oldman is currently starring in Focus Features’ Tinker, Tailor, Soldier, Spy, directed by Tomas Alfredson and based on the novel by John le Carré.

    “Gary Oldman is a performer whose ability to portray the most extreme of characters is a testament to the enormity of his talent,” said Festival Chairman Harold Matzner.  “In Tinker, Tailor, Soldier, Spy, as the embodiment of John le Carré’s classic spymaster George Smiley, he combines cunning, pathos, and cold determination when he is brought out of retirement to ferret out a double agent during the Cold War.  To this consummate talent who consistently challenges audiences to anticipate the unexpected when he performs, the Palm Springs International Film Festival is honored to present the 2012 International Star Award to Gary Oldman.”

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  • Mississippi’s Oxford Film Festival Release 2012 Film Lineup

    [caption id="attachment_2060" align="alignnone"]Butterfly Rising[/caption]

    The Oxford Film Festival announced the selections for its 2012 Festival scheduled to run February 9-12, 2012. The festival will screen 11 feature films (narrative and documentary), and over 50 shorts (narrative, documentary, experimental, animated), including music videos.

    Narrative Feature

    Butterfly Rising (Mississippi), Dir: Tanya Wright, When her brother dies, singer Lilah Belle sets out to escape her grief and embarks on a road trip, but not before coaxing the new-to-town, most scandalous woman in Artesia– Rose Johnson– to go with her. These two broken souls steal a vintage truck and head out on the open road to a fated encounter with the mythical, magical ‘Lazarus of the Butterflies’. What occurs with the strange Butterfly Man transforms their destinies and binds the women together– forever. MISSISSIPPI Premiere.

    Cellmates (formerly White Knight) (California), Dir. Jesse Baget, Leroy Lowe, grand dragon of the Texas Ku Klux Klan confronts everything he’s been taught to hate when he’s sentenced to three years of hard labor on a prison work farm, where Warden Merville, dead set on rehabilitating Leroy, chooses Emilio, a Hispanic field worker, to be his cellmate. REGIONAL Premiere.

    Dick Night (California), Dir. Andy Viner, Rachel hasn’t been out of the house since being left at the altar two months ago, but some rebound sex tonight and she’ll be over Mark for good… if she can just deal with these vampires. MISSISSIPPI PREMIERE.

    Frontman (UK), Dir. Ben Hyland, When the former frontman of ‘Stanley and the Knives’ suddenly dies his old friends and band mates are forced back together after twenty-five years apart. Cracks soon start to appear in their relationships and it becomes clear why they split up in the first place. Frontman is a musical journey of five strangers, becoming friends for the second time. REGIONAL Premiere.

    How to Cheat (California), Dir. Amber Sealey, Mark’s decided to do something bad.. MISSISSIPPI Premiere.

    Documentary Feature

    Happy (California, non-competition), Dir. Roko Belic. A look at the search for happiness.

    Holy Rollers: The True Story of Card Counting Christians (Washington), Dir. Bryan Storkel, Holy Rollers follows the rise of the Churchteam, arguably the largest and most well funded blackjack team in America. In their short existence, they have taken millions from casinos. But since every team member is a Christian and some are pastors, there is a constant battle to answer this question: How can you be Christian and play blackjack for a living? In their first year, the team took $1.6 million from casinos, but slowly the teams success starts to fall apart. They haven’t closed a bankroll in over six months and the team is down $450,000. The investors are getting nervous and something has to change. In addition , questions start being raised as to whether someone from the team might be stealing from the bankroll. Is it possible? Of course. But do they trust the players on the team? Absolutely. Maybe. REGIONAL Premiere.

    Patriot Guard Riders, (Washington) Dir. Ellen Frick; Another American Soldier Has Died. Who cares? The suffering of soldiers and their families is largely invisible to most Americans. But not to these Americans. ‘Patriot Guard Riders’ is a documentary about a 200,000 strong motorcycle group who attend military funerals to honor the fallen, and to protect grieving families from the Westboro Baptist Church, who descends on the funerals and harasses them. REGIONAL PREMIERE.

    Rhino Resurrected, (California), Dir. Keith Shapiro; Against all odds, a beloved and historic record store is brought back to life for two eventful weeks. Can a vibrant community re-emerge in today’s transformed music world? REGIONAL PREMIERE

    Showtime (Mississippi), Dir. Ben Guest; This film follows four friends from rural Mississippi on their quest to win a state championship in basketball. Loss. Struggle. Friendship. Love. WORLD PREMIERE.

    This is What Love in Action Looks Like (Tennessee), Dir. Morgan Jon Fox,  ’This is What Love In Action Looks Like’ documents the widely controversial and inspirational story of what The New York Times referred to as ‘A modern day message in a bottle.’ MISSISSIPPI Premiere.

     


    Animated Short
    Spirit of the Bluebird (Canada), Dir. Xstine Cook
    Birdboy (Spain), Dir. Pedro Rivero
    Dance in B minor (UK), Dir. Myria Christophini
    Dwellings, Dir. Aaron Wendel
    Entanglement, Dir. Renae Radford
    5 Minutes Each (Canada), Dir. Vojin Vasovic
    Gilded Age Gladiator, Dir. Brad Lambert
    The Owl Who Had a Wish Tangled to Its Foot, Dir. Burak Niyazi Kurt
    Documentary Short

    Awaken the Dragon (Tennessee), Dir. Laura Zdan, A short documentary exploring the unknown world of dragon boating, the world’s largest flat water racing canoes, propelled by a crew of 20 plus a drummer and a steers person. The film allows the audience to travel to three areas of the United States to discover the hidden sport to absorb the gripping visuals, sounds, and feelings that come with dragon boat racing. REGIONAL PREMIERE.

    Back in Oxford (Mississippi), Dir. Jordan Berger; A student documentary exploring the underground rap culture in Oxford, MS. An interesting view of this small town, told through a lens many people are not familiar with. WORLD PREMIERE

    The Beacon (Mississippi), Dir. Camilla Ann Aikin; The Beacon is the story of a 52 year old diner, an Oxford, Mississippi institution. It is a place full of colorful characters and stories, fiercely loyal customers and employees, and deep ties to the South’s complicated past. WORLD PREMIERE.

    Cardboard Titanics (Alabama), Dir. Sam Frazier, Delusional people build, row, and race boats made solely of cardboard and duct tape in an insane effort to recapture the American dream.

    Irma (Nebraska), Dir. Charles Fairbanks, Irma is an intimate musical portrait of Irma Gonzalez, the former world champion of women’s professional wrestling. Filmed in Ciudad Nezahualcoyotl – a notorious district of Mexico City – Irma contradicts everything we have come to expect from stories reported from Mexico. Featuring music written and performed by Ms. Gonzalez, Irma’s story surges with love and deceit, masculine strength, feminine charms, and an extraordinary sense of humor. MISSISSIPPI Premiere.

    The New Debutantes (Oregon), Dir. Jarratt Taylor; Ms. Pat knows growing up isn’t easy. She hopes her class in social etiquette gives kids the skills to make it. WORLD PREMIERE.

    On the Porch with T-Model Ford (Mississippi),Dir. Tyler Keith, Tyler Keith interviews T-Model Ford about his life and music on a porch before a show in Mississippi. WORLD PREMIERE.

    Proud Larry’s In Between the Scenes (Mississippi), Dir. Zachary Scott Thompson. Proud Larry’s is a great window into the Oxford Scene’s past and in its future.  This short film highlights past memories of Oxford music scene veterans as well as those who are shaping the scene today. The music featured is provided by Oxford’s own Balance. WORLD PREMIERE.

    Saint (California), Dir. John Rory Fraser, One man’s quest to re-masculate Jesus. WORLD PREMIERE.

    Sonny (UK), Dir. Sophie Smith, The historic Mississippi River town of Helena in the Arkansas Delta, has been the home of the longest running blues radio show in the world. The King Biscuit Time blues show, which began in 1941 has featured ‘Sunshine’ Sonny Payne as the DJ since 1951… WORLD PREMIERE.

    To Live and Die in Avoyelles Parish (Mississippi), Dir. Joe York. The latest documentary from the Southern Foodways Alliance details a different hog-roasting celebration: the Cochon de Lait Festival. The annual Mother’s Day tradition sees some 30-odd hogs hoisted up on metal racks that resemble giant coat hangers and cooked for several hours near a roaring blaze. The results, named for the suckling pigs that often are used in the recipe, are tender white flesh encased in the crispy skin known as “cracklin.’”

    Training Wheels (Tennessee), Dir. Sarah Fleming, At the age of 6, after a devastating encounter with a pile of garbage, Tommy decided that learning how to ride a bicycle just wasn’t worth it. Now, fifteen years later, 21-year-old Tommy Kha is rethinking that decision. MISSISSIPPI Premiere.

    William Tyler: Behold the Spirit (Tennessee), Dir. Zack Wilson; William Tyler invites you to explore his music through his own thoughts, words, and images. WORLD PREMIERE.

    Year of Our Lord on Thacker Mountain Radio (Mississippi), Dir. Thad Lee,T.R. Pearson speaks about the book he made with Langdon Clay about Lucas McCarty and the Moorhead Trinity House of Prayer. The book is Year Of Our Lord. Lucas and the church choir perform after Pearson’s tale of how and why the book was made. WORLD PREMIERE.

    Yokna (Mississippi), Dir. Gretchen Wood; Yokna looks at the sustainable agriculture movement in Oxford, MS by focusing on Yokna Bottoms Farm six miles south of town. Through documenting the farm’s second Spring growing season, the film shows how the farm and community have a reciprocating influence on each other. WORLD PREMIERE.
    Experimental Short
    Dear Father
    Dumbo Sketch #1
    Knot
    The Lady in the Boxcar (Mississippi)
    Landscape of the Mind
    Only in Dreams
    Plural
    Saskatchewan
    Soundtrack (Spain)
    Texas Hill Country
    Voicemail (New York)
    Mississippi Music Videos
    Fall Apart / The Cooters (dir: Thad Lee)
    The Road Less Traveled / Jake Wood (dir: Daniel Lee Perea)
    Positions in Space / Ash W. (dir: Ashley W.)

    Full lineup will be announced at a later date.
    Narrative Short

    After-School Special (California), Dir. Jacob Chase. A man and a woman have an awkward encounter at an indoor playground in this Neil LaBute penned slice-of-life starring Sarah Paulson and Wes Bentley. MISSISSIPPI Premiere.

    Ballerina (Arkansas), Dir. Bryan Stafford, Frank Gross seems to be a man who has it all: a quiet home in the suburbs, a good job, a daughter that loves him. Then, on a day much like today, there comes a knock at a door and his orderly world slides sideways into the darkness beyond what we know. Ballerina is a provocative, thoughtful drama about love, time, what we can prevent, and what we can’t no matter how much we might want to. MISSISSIPPI Premiere.

    Bathing and the Single Girl (California). Dir. Christine Elise McCarthy. A raw & irreverent comedic look at the unspoken horrors of dating – and bathing with – younger men. MISSISSIPPI Premiere.

    The Best Day (Mississippi), Dir. Coop Cooper, On the day of her 10th birthday, happy-go-lucky Jenny discovers she and her family are pawns in a cruel experiment that repeats over and over… and Daddy likes things just the way they are.

    Expiration Date (Mississippi), Dir. Felicity Flesher, A young student is forever changed when an expired cup of ramen noodles enters his life.

    Fatakra (New York), Dir. Soham Mehta. Sparks fly as a family reunites. MISSISSIPPI Premiere.

    The Fall of Henry (Mississippi), Dir. Glenn Payne, One bad night, one misstep begins a confrontation between two people with their own perspectives about how and why things went badly. As the encounter goes on, every motive and sense of responsibility comes under scrutiny. When something goes wrong, is there really blame to be assigned? And how far back can it go? Look closely.

    Fresh Skweezed (Tennessee), Dir. Ryan Parker, Maggie, a street smart 11 year old, is stifled by a shaky home-life and constant torment from the neighborhood bully. With a fair share of moxie and a talent for the hustle, this little spitfire is fighting for more than just stability in her turbulent surroundings. Her life’s turned sour and she has no choice but to make a stand. MISSISSIPPI Premiere.

    Gypsy Heart (Mississippi), Dir. Daniel Lee Perea, A mysterious hitch-hiker get picked up by a man on a road trip. But what can you ever really know about a stranger? WORLD PREMIERE.

    Hellion (Texas), Dir. Kat Candler, Little seven-year old, Petey, falls prey to his older brothers’ hellion ways. REGIONAL PREMIERE. (World Premiere at Sundance in January).

    Humble Circumstances (Mississippi), Dir. Ethan Milner; Three long distance friends are looking to reunite on a camping trip but need a few more supplies. A young woman, a gas station attendant, is looking to close her store for the night but is held up by a would-be thief. Through a winding unfolding of events their worlds collide and will inevitably end in blood shed.

    Illumination (Mississippi), Dir. Michael Williams, Alex, a flawed family man, is forced to endure a personal journey of enlightenment under extraordinary circumstances.

    The Last Payphone in Los Angeles (California), Dirs. Tim Harms, T. Lynn Mikeska; A day in the life of a busy Los Angeles payphone. WORLD PREMIERE.

    Man at the Door (Mississippi), Dir. Alan Arrivée; When a middle class white woman, who has recently separated from her husband and moved to Chicago, goes downstairs to her apartment lobby with a UPS slip in hand, she finds an illegal Mexican laborer at her doorstep, bleeding from a stab wound and begging to be let in. The decision she makes forces her to face the dangers of the city and its seemingly alien inhabitants.

    Ms. Marvel’s Day Off (Georgia), Dir. Ruckus Skye. What does a super hero do when they’re not working? MISSISSIPPI Premiere.

    The Ninth Floor (Mississippi), Dir. Jordan Berger, Alex Embers, a despondent young man experiences reoccurring dreams about an imaginary lover in the midst of WWII. Alex feels he must help her. When his dreams and reality become intertwined, he is faced with the decision of leaving the meaningless world he has always known for a chance to save the only girl he has ever loved.

    Old Oak (Mississippi) Dir.Kevin M. Jones; Set in 1956, Old Oak tells the story of the last meal of a Death Row inmate. He asks for and is granted special permission to be escorted to his favorite diner for the occasion. Honey, the 10-year old daughter of the waitress, observes closely and narrates the story as the evening unfolds. USA Premiere.

    The Orderly (Arkansas). Dir. Daniel Campbell. THE ORDERLY is a comedy set in the early 1950s about a timid orderly that finds himself late for his first day of work and his first assignment: transporting two psychiatric patients to another facility 8 hours away, with only 6 hours to get them there. With each minute and mile that passes, Norville desperately struggles to keep his own sanity along this tense, bizarre and chaotic ride. MISSISSIPPI Premiere.

    Red Moon (California) Dir: Jimmy Marble; Red Moon chronicles the life and times of famed submarine commander, Alexei Ovechkin, Russian hero and hapless werewolf. MISSISSIPPI Premiere.

    Terrebonne (New York, filmed partially in Mississippi), Dir. Jeremy Craig, Set on the imperiled coast of Louisiana, Terrebonne is the meditative story of a brother and sister who encounter unexpected trouble when they venture deep into the swamp in search of the mythic ivory-billed woodpecker.  MISSISSIPPI Premiere.

    The Birthday Present (Arkansas). Dir. Sean Bridgers and Ffish. It’s Joey’s birthday. Her busy parents leave her a present she is sure to like.  MISSISSIPPI Premiere.

     

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  • Dallas-Fort Worth Film Critics Association Name WE NEED TO TALK ABOUT KEVIN Best Cutting Edge Independent Film of 2011

    [caption id="attachment_1389" align="alignnone"]WE NEED TO TALK ABOUT KEVIN[/caption]

    The Dallas-Fort Worth Film Critics Association, a group of 29 broadcast, print and online journalists from throughout North Texas, voted the comedy-drama THE DESCENDANTS as the best film of 2011, according to the results of its 18th annual critics’ poll released today.

    Rounding out the composite list of the top 10 films of the year were THE ARTIST (2), EXTREMELY LOUD AND INCREDIBLY CLOSE (3), MIDNIGHT IN PARIS (4), THE TREE OF LIFE (5), HUGO (6), 50/50 (7), DRIVE (8), SHAME (9) and MONEYBALL (10).

    For Best Actor, the association named George Clooney for THE DESCENDANTS. Runners-up included Jean Dujardin for THE ARTIST (2), Michael Fassbender for SHAME (3), Brad Pitt for MONEYBALL (4) and Michael Shannon for TAKE SHELTER (5).

    Michelle Williams was voted Best Actress for MY WEEK WITH MARILYN. Next in the voting were Tilda Swinton for WE NEED TO TALK ABOUT KEVIN (2), Meryl Streep for THE IRON LADY (3), Charlize Theron for YOUNG ADULT (4) and Kirsten Dunst for MELANCHOLIA (5).

    In the Best Supporting Actor category, the winner was Christopher Plummer for BEGINNERS. He was followed by Albert Brooks for DRIVE (2), Max von Sydow for EXTREMELY LOUD AND INCREDIBLY CLOSE (3), Armie Hammer for J. EDGAR (4) and Kenneth Branagh for MY WEEK WITH MARILYN (5).

    For Best Supporting Actress, the association named Shailene Woodley for THE DESCENDANTS. Runners-up included Berenice Bejo for THE ARTIST (2), Octavia Spencer for THE HELP (3), Melissa McCarthy for BRIDESMAIDS (4) and Carey Mulligan for SHAME (5).

    Alexander Payne was voted Best Director for THE DESCENDANTS. Next in the voting were Michel Hazanavicius for THE ARTIST (2), Terrence Malick for THE TREE OF LIFE (3), Martin Scorsese for HUGO (4) and Woody Allen for MIDNIGHT IN PARIS (5).

    The association voted A SEPARATION as the best foreign-language film of the year. Runners-up were THE SKIN I LIVE IN (2), INCENDIES (3), 13 ASSASSINS (4) and a tie between OF GODS AND MEN and CERTIFIED COPY (5).

    CAVE OF FORGOTTEN DREAMS won for Best Documentary over PROJECT NIM (2), THE INTERRUPTERS (3), PAGE ONE: INSIDE THE NEW YORK TIMES (4) and BUCK (5).

    RANGO was named the best animated film of 2011, with THE ADVENTURES OF TINTIN as runner-up. Alexander Payne, Nat Faxon and Jim Rash won the Best Screenplay award for THE DESCENDANTS over Woody Allen for MIDNIGHT IN PARIS.

    The award for Best Cinematography went to Emmanuel Lubezki for THE TREE OF LIFE, followed by Janusz Kaminski for WAR HORSE.

    The association voted WE NEED TO TALK ABOUT KEVIN as the winner of the Russell Smith Award, named for the late Dallas Morning News film critic. The honor is given annually to the best low-budget or cutting-edge independent film.

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  • IFC Midnight to release thriller Rites Of Spring

    IFC Midnight will release director Padraig Reynolds’ thriller Rites Of Spring. The film, with a screenplay also by Reynolds, stars A.J. Bowen, Anessa Ramsey, Sonny Marinelli, Katherine Randolf, Marco St. John, Hannah Bryan, Sarah Pachelli, James Bartz, Shanna Forestall, Skylar Burke, and Andrew Breland. No release date has been announced.

    In Rites Of Spring, a group of kidnappers abduct the daughter of a wealthy socialite and hide out in an abandoned school in the middle of the woods. But feelings of guilt soon overtake the kidnappers, dividing the group and putting their entire plan in jeopardy. The evening further spirals out of control when their poorly chosen hideout becomes a hunting ground for a mysterious creature that requires springtime ritualistic sacrifices.

    IFC Midnight is a sister division to IFC Films and Sundance Selects.

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  • 12 Film Projects Selected for Sundance Institute January Screenwriters Lab

    Sundance Institute has selected 12 projects for its annual January Screenwriters Lab, an immersive, five-day (January 13-18) writers’ workshop at the Sundance Resort in Utah. Participating independent screenwriters – drawn from around the world, including the United States, China, South Africa, and Europe – will have the opportunity to work intensely on their feature film scripts with the support of established writers in an environment that encourages innovation and creative risk-taking.

    Michelle Satter, Director of the Sundance Institute Feature Film Program, said, “We are very excited to support these filmmakers who are giving voice to a world in transition with a diverse range of stories, genres and contemporary themes. Fueled by their creativity and a deeply personal stake in these stories, the filmmakers are infusing their scripts with rich characters, authentic worlds and uniquely singular visions.”

    The Fellows will work with a distinguished group of creative advisors, including Lab Artistic Director Scott Frank, Lisa Cholodenko, Geoffrey Fletcher, Naomi Foner, John Gatins, Susannah Grant, John Lee Hancock, Nicole Holofcener, Malia Scotch Marmo, Walter Mosley, Jessie Nelson, Martin Rejtman, Howard Rodman, Susan Shilliday, Zach Sklar, Dana Stevens, and Joachim Trier.

    “Our Feature Film Program continues to build its legacy of identifying and supporting innovative artists, and each of these projects holds potential for contributing to that legacy in new and different ways,” said Keri Putnam, Executive Director of Sundance Institute. “The January Screenwriters Lab is the first step in a year-round program of creative and strategic support that has recently expanded to include a robust plan to help filmmakers connect to ever-increasing audiences.”

    2012 January Screenwriters Lab Fellows and Projects:

    Jonas Carpignano (writer/director) / A Chjàna (Italy/U.S.A.): After leaving his native Burkina Faso in search of a better life, Ayiva makes the perilous journey to Italy; though he finds compatriots along the way, they are unprepared for the intolerance facing immigrants in their newly-claimed home.

    Jonas Carpignano is an Italian-American filmmaker currently based in New York City and Rome. While raised and educated in New York, he has spent periods of time in Italy where he began his career working as an assistant director. Since enrolling at NYU’s Tisch School of the Arts, Carpignano has made several short films that have screened in numerous prestigious festivals throughout the world. Recently, he was awarded the Martin Scorsese Young Filmmaker Award, and his latest short film A Chjàna won the Controcampo Award for Best Short Film at the 68th Venice Film Festival.

    Ioana Uricaru (writer/director) / After the Wedding (U.S.A./Romania): Mara, a Romanian immigrant with a young son, soon discovers her recent marriage to an American is not enough to secure their place in the country. As she learns more about the system, an unfamiliar culture, and her husband, she must decide how far she will go to preserve her new family.

    Ioana Uricaru was born and raised in Romania, relocating to Los Angeles in 2001. She co-directed the Romanian omnibus Tales From the Golden Age (Official Selection, 2009 Cannes Film Festival) and her short film Stopover premiered at the 2011 Sundance Film Festival. In addition to After the Wedding, Uricaru is currently developing the feature Paperclip, which was a recipient of the 2011 Sundance/Sloan Commissioning Grant.

    David Lowery (writer/director) / Ain’t Them Bodies Saints (U.S.A.): Embracing the atmosphere and tone of a modern-day Western, Ain’t Them Bodies Saints tells the story of an outlaw who escapes from prison and sets out across the Texas countryside to reunite with his wife and the daughter he never met.

    David Lowery is a filmmaker from Texas. His work, including the award-winning short film Pioneer, has screened and won awards at film festivals around the world, including Sundance, SXSW, Festival Internacional de Cortos FIB (Spain), and Ashland Independent Film Festival. Filmmaker Magazine named him one of the 25 New Faces of Independent Film in 2011.

    Marielle Heller (writer/director) / Diary of a Teenage Girl (U.S.A.): In the haze of 1970’s San Francisco, a teenage artist with a brutally honest perspective tries to navigate her way through an affair with her mother’s boyfriend. Adapted from the graphic novel by Phoebe Gloeckner.

    Marielle Heller is a New York based screenwriter, actor and playwright. Her theatrical production of The Diary of a Teenage Girl premiered in New York City in 2010 at 3LD in association with New Georges. Along with writing partner Caitlin Goldberg-Meehan, Heller has written a pilot for ABC titled The Big Apple, and is developing a movie for the Disney Channel. As an actor, she has performed in theatre all over the world, including at Berkeley Rep, The Barbican in London, Birmingham Rep, Soho Rep, San Diego Rep, and Magic Theater.

    Ryan Coogler (writer/director) / Fruitvale (U.S.A.): Fruitvale is the true story of Oscar, a 22-year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of 2008.

    A filmmaker from the Bay Area, Ryan Coogler spent most of his life dodging tackles on the football field before discovering a love for making movies in college. After earning a degree in Finance from Sacramento State, he headed south to attend USC’s MFA program, where he made several award-winning short films including Locks (Tribeca Film Festival, Dana and Albert Broccoli Award for Filmmaking Excellence), Gap (Jack Nicholson Award for Achievement in Directing), and Fig (HBO Short Filmmaking Award, DGA Student Filmmaker Award). After graduating, he returned home to Richmond, California, where he works as a guidance counselor for juvenile delinquents.

    Chloé Zhao (writer/director) / Lee (U.S.A): As his two best friends plan to leave for college, a Lakota teen wonders if his future on the reservation is pre-ordained when a tragedy forces him to take dangerous action to protect his family.

    Chloé Zhao is an MFA thesis candidate at NYU’s Graduate Film Program. Her short film Daughters premiered at the Clermont-Ferrand International Short Film Festival and won Best Student Live Action Short at the Palm Springs International ShortFest. Zhao was raised in China and England and currently lives in Brooklyn.

    Susanna Fogel (co-writer/director) and Joni Lefkowitz (co-writer) / Life Partners (U.S.A.): A straight girl drunkenly promises her lesbian best friend she won’t get married until gay marriage is legal – a promise that becomes awkward when her boyfriend proposes and her friend remains a slacker who’s years away from even thinking about marriage.

    Susanna Fogel and Joni Lefkowitz have co-written several scripts for film and television, most notably The Washingtonienne for HBO, What Was I Thinking? for New Line and Lynda Obst Productions, and an original web series for Warner Brothers entitled Joni and Susanna, which Lefkowitz produced and Fogel directed. They are currently developing an independent comedy It Is What It Is, which is set to star Evan Rachel Wood, Olivia Thirlby and Sigourney Weaver.

    Daniel Mulloy (writer/director) / Mitrovica (Great Britan/Kosova): In post-war Kosova, an Albanian woman scavenges with her young son; when she is approached by a Serbian stranger, she doesn’t realize his offer of help will ultimately tear her life apart.

    Daniel Mulloy’s short films, including Baby, Dad, and Antonio’s Breakfast, have premiered at the Sundance Film Festival and between them won over ninety international awards, including several BAFTAs, a BIFA and a European Academy Award nomination. In addition to Mitrovica, Mulloy is currently developing the feature film A Cold Day with Focus Features; both films will star Arta Dobroshi.

    Logan Kibens (co-writer/director) and Sharon Greene (co-writer) / Operator (U.S.A.): In this existential comedy, when a programmer is hired to create the ideal personality for an automated call center, his attempts to quantify what it means to be human throws his life into chaos.

    Logan Kibens has written and directed over 50 short films. She was awarded the 2011 HBO/DGA Directing Fellowship and was selected as one of Film Independent’s 2011 Project:Involve fellows after completing her CalArts thesis film, Recessive. The short has screened nationally and internationally at film festivals including Outfest, Frameline, Reeling, and Zinegoak, among others. Kibens worked as a commercial editor for eight years, and is an award-winning projections designer for theatre and dance.

    Sharon Greene is a Chicago playwright turned screenwriter. Her play, Fake Lake, was on the
    Best Plays of 2008 list of both Time Out Chicago and The Chicago Tribune, and was supported by a grant from the NEA. A recent graduate of USC’s Writing for Screen and Television program, her original television pilot Cherryland was nominated for the Student Humanitas Prize for Drama.

    Pengfei Song (writer/director) / Underground Fragrances (China): As Beijing races to keep up with China’s growth, and its poor are pushed underground to live in crude tunnels, a young migrant worker finds community and compassion, putting a human face on China’s rapid development.

    Pengfei Song was born into a family of Peking Opera performers in Beijing. After graduating from high school, he went to Paris to study film directing at L’Institute International Image et du Son. Upon his return, he discovered a new China, which inspired him to develop Underground Fragrances to reflect the changing lives of the people of Beijing. The project, which will be his first feature, was selected for Cinemart and the TorinoFilmLab in 2011.

    Etienne Kallos (writer/director) / Vrystaat (Free State) (South Africa): Set during the annual corn harvest in the Free State, Vrystaat explores the rites of passage into manhood for a new generation as they navigate identity and sexuality within the fractured realm of post-Colonial Africa.

    Etienne Kallos is a Greek/South African filmmaker with an MFA in film directing from NYU. His work has screened at festivals worldwide, including Sundance, Cannes, Berlin, and Telluride. His film Eersgeborene was the first Afrikaans-language film to be awarded a Lion for Best Short Film at the 2009 Venice Film Festival. He recently developed Vrystaat at the Cannes Cinefondation Residence program in Paris.

    Adam Mansbach (writer) / We’re Entertainment (U.S.A.): On the Gulf Coast of Florida, a failed actress working as a children’s party entertainer shows the new guy the ropes; together they share a day that changes them both in unexpected ways.

    Adam Mansbach’s most recent book, Go the Fuck to Sleep, was a #1 New York Times bestseller. His novels include The End of the Jews, winner of the California Book Award, and Angry Black White Boy, which is taught at more than a hundred universities. His work has appeared in the New York Times Book Review, GQ, Esquire, The Believer, and on National Public Radio’s All Things Considered. He has a graphic novel and two other novels forthcoming, as well as a sitcom in development at CBS.

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  • Tribeca Film to release Northeast

    Tribeca Film will release Northeast, director Gregory Kohn’s film about a consummate NY playboy, Will (David Call), wrestling with the reality of getting older as he finds himself at an uninvited crossroads.

    Starring David Call (Gossip Girl, Tiny Furniture), Eleonore Hendricks (The Pleasure of Being Robbed), Megan Tusing, Laura Ford, Lauren Shannon, Jason Selvig and Tate Ellington (Remember Me), Northeast will be available nationwide On Demand beginning December 26, 2011 with select theatrical January 2012.

    Will (David Call), an unemployed and aimless playboy in Brooklyn, New York, has spent his 20’s skating on easy charm from one casual, distant affair to the next. Noticing his friends’ happiness as they gradually settle into steady jobs and committed relationships, Will decides to trade apathy for effort in order to find someone with whom he can start the next chapter of his life. Shot on 16mm with artful direction and honest performances, Northeast is a vividly natural portrayal of the pressure of impending adulthood.

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  • Lula, The Son of Brazil to open in NY on January 13

    [caption id="attachment_2051" align="alignnone"]Lula, The Son of Brazil[/caption]

    Lula, The Son of Brazil, directed by Oscar nominee Fábio Barreto (Quatrilho) and chosen as Brazil’s entry to the 2011 Academy Awards, will open in New York at Lincoln Plaza Cinemas and Quad Cinemas on January 13, 2012. A national release will follow.

    Based on the book by Denise Paraná, Lula, The Son of Brazil is a richly produced, deeply moving story of the early years of Brazil’s most beloved president, Luis Inacio Lula da Silva (Lula).  Not to be construed as a film about a politician, or a president, this is more to the point an incredible story of perseverance, family, love, honor, resilience, heroism… a story so fantastic, that it could work as fiction.

    Born into extreme poverty in 1945, Lula was guided by a strong mother (Gloria Pires in an award-winning performance as Dona Lindu) who faced overwhelming obstacles to raise her children with the drive and courage to live life without fear.  Lindu, who was abandoned by her husband just before Lula’s birth, never wavered from her strict commitment to seeing that her kids live a better life.  She raised eight children on her own, and with an unbridled tenacity, she saw to it that each child lived life to the fullest.

    Lula spent the better part of his childhood growing up just outside of Santos, Brazil.  When he wasn’t in school, he helped support the family.  He hustled – shining shoes, selling fruit, working as a delivery boy…   Life was getting better and, as fate would have it, he was soon accepted to study at SENAI, a technical school from which he graduated in 1963.  As a full-fledged member of the union, Lula found his path to a life in politics.  However it wasn’t until he experienced an intense personal transformation following the startling death of his first wife and unborn son, that Lula found the courage and ambition he needed to take full control of his destiny.  This “common man” who overcame incredible adversity would soon rise to become one of the world’s most extraordinary men.

    By 2010, Time Magazine had declared Lula one of the “Most Influential People in the World” and Forbes ranked him as “One of the World’s Most Powerful People.”  He was named the “Man of the Year” by Le Monde and El Pais, and Esquire hailed him as “One of the Most Influential People of the 21st Century.”

    Celebrating its 50th year, L.C. Barreto has such a rich history that it can be said it gets mixed up with the history of Brazilian and Latin American Cinema. Since 1961, L.C. Barreto has produced more than 80 films according to the highest artistic and technical standards.  Founders Luiz Carlos and Lucy Barreto produced two Academy Award nominees for Best Foreign Film: Quatrilho, in 1996, directed by their son Fábio Barreto (Lula, Son of Brazil) and 1998’s Four Days in September, directed by their eldest son, Bruno Barreto (Dona Flor and Her Two Husbands).

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  • Filmmakers Ian Olds and Paul Felten Win $15,000 SFFS Hearst Screenwriting Grant

     

    [caption id="attachment_2049" align="alignnone" width="530"]Ian Olds and Paul Felten with Advisor John Lee Hancock at Sundance (Image via Sundance)[/caption]

    Ian Olds and Paul Felten have been selected to receive this year’s $15,000 San Francisco Film Society/Hearst Screenwriting Grant for the continuing development of their script The Western Habit. Additionally, Jason Cortland received an honorable mention commendation for his script Lumberjunkies.

    “The SFFS/Hearst Screenwriting Grant comes at a crucial moment in the life of our script The Western Habit,” noted cowriter Olds. “The film is at a tipping point and this grant will allow us the crucial time to develop and craft the best possible version of this story. Making independent films is such a slog at times, but the Film Society’s financial and moral support will galvanize us to finish the script and move it toward production.”

    WINNERS
    Ian Olds is a director of both narrative and documentary work. Most recently he directed Fixer: The Taking of Ajmal Naqshband, which was acquired by HBO and nominated for an Emmy for Outstanding Investigative Journalism. His credits include the Iraq war documentary Occupation: Dreamland, which was short-listed for an Academy Award for Best Documentary Feature and won a 2006 Independent Spirit Award. Olds’ narrative short films have played numerous festivals around the world including Sundance and Rotterdam. He has received a Princess Grace Award and a Rockefeller Foundation Media Arts Fellowship, and was named one of the 25 New Faces of Independent Film by Filmmaker magazine in 2009. Olds received his MFA from Columbia University’s film department and was a fellow at the Sundance Institute’s Screenwriters Lab in 2011. Olds began his career as the editor and cowriter of Cul de Sac: A Suburban War Story. Olds is currently codirecting an experimental feature film with James Franco.

    Paul Felten received his MFA from Columbia University’s film department and is a 2011 Sundance Screenwriting Fellow. His prose has appeared in The Brooklyn Rail and the anthology Before and After: Stories from New York. Felten and Olds have cowritten several scripts including the script for Olds’ short film Bomb, which premiered at the Sundance Film Festival in 2007.

    The Western Habit
    An Afghan journalist is exiled from his war-torn home to a small, bohemian community in Northern California. He struggles to find a new life for himself while juggling a low-paying job on the local police blotter, a meddling avant-garde theater director and a sexually charged relationship with his roommate, who is also the town sheriff. For information visit fixerdoc.com.

    HONORABLE MENTION
    Jason Cortland studied writing and film at the University of Oregon and earned a Master’s degree in screenwriting at the University of Texas. In 1998 he was a postgraduate fellow at the James Michener Center for Writers. Since 1996, he has collaborated on writing and directing films, videos, and multi-channel installations with Julia Halperin. Their feature film Now, Forager has been profiled in the Village Voice and Indiewire, and will premiere in early 2012. Their short video Interstate (part one) screened at the Berlin Director’s Lounge and was featured in the Journal of Short Film, Volume 6. Cortlund’s work has been honored by Texas Commission on the Arts, Texas Filmmaker’s Production Fund, Austin Film Fund, Houston Film Commission, Hershey Foundation, City of Austin Cultural Contracts, Pacific Northwest Writer’s Association and Centrum Institute.

    Lumberjunkies
    In a small logging town in Northern Oregon, two brothers circumvent the decline of the timber industry by stealing trees off public lands at night. Following a series of accidents, they have a falling out. The youngest goes to work for their estranged father on a legitimate salvage logging crew. With loyalties shifted, a history of family betrayal leads to an explosion of violence.

    The 2010 SFFS/Hearst Screenwriting Grant was awarded to Eric Escobar for East County, a drama set in the economic downturn in which a deputy sheriff who is drowning in debt moonlights for his brother’s eviction agency.

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  • Daughters of the Dust and Reality Bites to screen at 2012 Sundance Film Festival

    [caption id="attachment_2047" align="alignnone"]Daughters of the Dust[/caption]

    Daughters of the Dust (1991) and Reality Bites (1994) have been selected for the From the Collection screenings at the 2012 Sundance Film Festival. Both titles are part of The Sundance Collection at UCLA (The Collection), a film preservation program designed to archive work that has been supported by a Sundance Institute program. The Festival takes place January 19 through 29 in Park City, Salt Lake City, Ogden and Sundance, Utah.

    Daughters of the Dust / U.S.A., 1991 (Director and screenwriter: Julie Dash) – Set in the early 1900s, the Pazants family prepares to migrate from their Sea Island home to the mainland, leaving their land and legacy behind. Daughters of the Dust was the first dramatic feature film to explore the traditions of the Gullah, the descendants of African slaves who once worked the plantations and later inhabited the many islands dotting the South Carolina and Georgia coastlines. It is a story about the struggle between tradition and progress.Cast: Adisa Anderson, Alva Rogers, Barbara O, Cheryl L. Bruce, Cora Lee Day, Kaycee Moore, Tommy Hicks, Trula Hoosier. Daughters of the Dust screened at the 1991 Sundance Film Festival, where it earned the Excellence in Cinematography Award.

    Reality Bites / U.S.A., 1994 (Director: Ben Stiller, Screenwriter: Helen Childress) – Recent college graduate Lelaina Pierce is making a video about her circle of friends. Along the way, she must choose whether to give her heart to Michael, a charming, but materialistic, video executive, or her grungy, but too cool, friend, Troy. When Michael declares his love for Lelaina, the pressure is on Troy to decide whether to drop his mask of indifference and risk rejection, or play it safe and risk losing the love of his life. The feature-film directorial debut for Ben Stiller, Reality Bites was the film about young adults of the nineties that we were all waiting for. Cast: Ben Stiller, Ethan Hawke, Janeane Garofalo, Steve Zahn, Winona Ryder. Reality Bites screened at the 1994 Sundance Film Festival.

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  • Christopher Plummer to be honored by Santa Barbara International Film Festival

    Academy Award® nominee Christopher Plummer will receive the Santa Barbara International Film Festival’s highest honor, the Modern Master Award.

    The Modern Master Award is the highest honor presented by SBIFF. Established in 1995, it was created to honor an individual who has enriched our culture through his/her multi-faceted accomplishments in the motion picture industry. Past recipients include Michael Douglas, Jodie Foster, Sir Anthony Hopkins, Diane Keaton, Sean Penn, Jeff Bridges, Peter Jackson, George Clooney, Will Smith, Cate Blanchett, Clint Eastwood, James Cameron, and Christopher Nolan.

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  • The Artist Tops 69th Golden Globes Awards nominations

    [caption id="attachment_2043" align="alignnone" width="550"]The Flowers of War[/caption]

    The Artist continues to dominate award season, snagging 6 nods when the 69th Golden Globes Awards nominations were announced this morning. Another Weinstein Company release, My Week With Marilyn, received 3 nominations.  The Flowers of War, In The Land of Blood and Honey, The Kid With A Bike, A Separation, and The Skin I Live In all received 1 nomination for Best Foreign Film.

    The 69th Golden Globes Awards nominations

    BEST MOTION PICTURE – DRAMA
    THE DESCENDANTS
    THE HELP
    HUGO
    THE IDES OF MARCH
    MONEYBALL
    WAR HORSE

    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
    GLENN CLOSE     ALBERT NOBBS
    VIOLA DAVIS     THE HELP
    ROONEY MARA     THE GIRL WITH THE DRAGON TATTOO
    MERYL STREEP     THE IRON LADY
    TILDA SWINTON     WE NEED TO TALK ABOUT KEVIN

    BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
    GEORGE CLOONEY     THE DESCENDANTS
    LEONARDO DICAPRIO     J. EDGAR
    MICHAEL FASSBENDER     SHAME
    RYAN GOSLING     THE IDES OF MARCH
    BRAD PITT     MONEYBALL

    BEST MOTION PICTURE – COMEDY OR MUSICAL
    50/50
    THE ARTIST
    BRIDESMAIDS
    MIDNIGHT IN PARIS
    MY WEEK WITH MARILYN

    BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
    JODIE FOSTER     CARNAGE
    CHARLIZE THERON     YOUNG ADULT
    KRISTEN WIIG     BRIDESMAIDS
    MICHELLE WILLIAMS     MY WEEK WITH MARILYN
    KATE WINSLET     CARNAGE

    BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
    JEAN DUJARDIN     THE ARTIST
    BRENDAN GLEESON     THE GUARD
    JOSEPH GORDON-LEVITT     50/50
    RYAN GOSLING     CRAZY, STUPID, LOVE.
    OWEN WILSON     MIDNIGHT IN PARIS

    BEST ANIMATED FEATURE FILM
    THE ADVENTURES OF TINTIN
    ARTHUR CHRISTMAS
    CARS 2
    PUSS IN BOOTS
    RANGO

    BEST FOREIGN LANGUAGE FILM
    THE FLOWERS OF WAR     (CHINA)
    (Jing Ling Shi San Chai)
    IN THE LAND OF BLOOD AND HONEY     (USA)
    GK Films; FilmDistrict
    THE KID WITH A BIKE     (BELGIUM)
    (Le Gamin au Velo)
    A SEPARATION     (IRAN)
    (Jodaeiye Nader az Simin)
    THE SKIN I LIVE IN     (SPAIN)
    (La piel que habito)

    BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
    BERENICE BEJO     THE ARTIST
    JESSICA CHASTAIN     THE HELP
    JANET MCTEER     ALBERT NOBBS
    OCTAVIA SPENCER     THE HELP
    SHAILENE WOODLEY     THE DESCENDANTS

    BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
    KENNETH BRANAGH     MY WEEK WITH MARILYN
    ALBERT BROOKS     DRIVE
    JONAH HILL     MONEYBALL
    VIGGO MORTENSEN     A DANGEROUS METHOD
    CHRISTOPHER PLUMMER     BEGINNERS

    BEST DIRECTOR – MOTION PICTURE
    WOODY ALLEN     MIDNIGHT IN PARIS
    GEORGE CLOONEY     THE IDES OF MARCH
    MICHEL HAZANAVICIUS     THE ARTIST
    ALEXANDER PAYNE     THE DESCENDANTS
    MARTIN SCORSESE     HUGO

    BEST SCREENPLAY – MOTION PICTURE
    WOODY ALLEN     MIDNIGHT IN PARIS
    GEORGE CLOONEY, HESLOV, BEAU WILLIMON     THE IDES OF MARCH
    MICHEL HAZANAVICIUS     THE ARTIST
    ALEXANDER PAYNE, NAT FAXON, JIM RASH     THE DESCENDANTS
    STEVEN ZAILLIAN, AARON SORKIN     MONEYBALL

    BEST ORIGINAL SCORE – MOTION PICTURE
    LUDOVIC BOURCE     THE ARTIST
    ABEL KORZENIOWSKI     W.E.
    TRENT REZNOR, ATTICUS ROSS     THE GIRL WITH THE DRAGON TATTOO
    HOWARD SHORE     HUGO
    JOHN WILLIAMS     WAR HORSE

    BEST ORIGINAL SONG – MOTION PICTURE
    “HELLO HELLO” — GNOMEO & JULIET
    Music by: Elton John; Lyrics by: Bernie Taupin
    “THE KEEPER” — MACHINE GUN PREACHER
    Music & Lyrics by: Chris Cornell
    “LAY YOUR HEAD DOWN” — ALBERT NOBBS
    Music by: Brian Byrne; Lyrics by: Glenn Close
    “THE LIVING PROOF” — THE HELP
    Music by: Mary J. Blige, Thomas Newman, Harvey Mason, Jr.; Lyrics by: Mary J. Blige, Harvey Mason, Jr., Damon Thomas
    “MASTERPIECE” — W.E.
    Music & Lyrics by: Madonna, Julie Frost, Jimmy Harry

    BEST TELEVISION SERIES – DRAMA
    AMERICAN HORROR STORY (FX)
    Twentieth Century Fox Television
    BOARDWALK EMPIRE (HBO)
    Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment
    BOSS (STARZ)
    Lionsgate Television in association with Grammnet NH Productions, Roya Productions and Old Friends Productions
    GAME OF THRONES (HBO)
    Bighead, Littlehead, 360 Television, Grok and Generator Productions in association with HBO Entertainment
    HOMELAND (SHOWTIME)
    SHOWTIME Presents, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21

    BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
    CLAIRE DANES     HOMELAND
    MIREILLE ENOS     THE KILLING
    JULIANNA MARGULIES     THE GOOD WIFE
    MADELEINE STOWE     REVENGE
    CALLIE THORNE     NECESSARY ROUGHNESS

    BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
    STEVE BUSCEMI     BOARDWALK EMPIRE
    BRYAN CRANSTON     BREAKING BAD
    KELSEY GRAMMER     BOSS
    JEREMY IRONS     THE BORGIAS
    DAMIAN LEWIS     HOMELAND

    BEST TELEVISION SERIES – COMEDY OR MUSICAL
    ENLIGHTENED (HBO)
    Ripcord Productions in association with HBO Entertainment
    EPISODES (SHOWTIME)
    SHOWTIME Presents, Hat Trick Productions, Crane Klarik Productions
    GLEE (FOX)
    Ryan Murphy Television in association with Twentieth Century Fox Television
    MODERN FAMILY (ABC)
    Levitan-Lloyd Productions in association with Twentieth Century Fox Television
    NEW GIRL FOX
    Chernin Entertainment in association with Twentieth Century Fox Television

    BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
    LAURA DERN     ENLIGHTENED
    ZOOEY DESCHANEL     NEW GIRL
    TINA FEY     30 ROCK
    LAURA LINNEY     THE BIG C
    AMY POEHLER     PARKS AND RECREATION

    BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
    ALEC BALDWIN     30 ROCK
    DAVID DUCHOVNY     CALIFORNICATION
    JOHNNY GALECKI     THE BIG BANG THEORY
    THOMAS JANE     HUNG
    MATT LEBLANC     EPISODES

    BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    CINEMA VERITE (HBO)
    A Pariah Production in association with HBO Films
    DOWNTON ABBEY (MASTERPIECE) (PBS)
    A Carnival/Masterpiece Co-production
    THE HOUR (BBC AMERICA)
    Kudos Film and Television/BBC America co-production.
    MILDRED PIERCE (HBO)
    A Killer Films/John Wells Production in association with Metro-Goldwyn-Mayer and HBO Miniseries
    TOO BIG TO FAIL (HBO)
    A Spring Creek and A Deuce Three Production in association with HBO Films

    BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    ROMOLA GARAI     THE HOUR
    DIANE LANE     CINEMA VERITE
    ELIZABETH MCGOVERN     DOWNTON ABBEY (MASTERPIECE)
    EMILY WATSON     APPROPRIATE ADULT
    KATE WINSLET     MILDRED PIERCE

    BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    HUGH BONNEVILLE     DOWNTON ABBEY (MASTERPIECE)
    IDRIS ELBA     LUTHER
    WILLIAM HURT     TOO BIG TO FAIL
    BILL NIGHY     PAGE EIGHT (MASTERPIECE)
    DOMINIC WEST     THE HOUR

    BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    JESSICA LANGE     AMERICAN HORROR STORY
    KELLY MACDONALD     BOARDWALK EMPIRE
    MAGGIE SMITH     DOWNTON ABBEY (MASTERPIECE)
    SOFIA VERGARA     MODERN FAMILY
    EVAN RACHEL WOOD     MILDRED PIERCE

    BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    PETER DINKLAGE     GAME OF THRONES
    PAUL GIAMATTI     TOO BIG TO FAIL
    GUY PEARCE     MILDRED PIERCE
    TIM ROBBINS     CINEMA VERITE
    ERIC STONESTREET     MODERN FAMILY

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