• Sundance Institute to Host a Week of Independent Film Producing Initiatives

    Nine Projects Selected for Creative Producing Labs and Fellowships

    Los Angeles, CA — Sundance Institute today announced the participants for its annual Creative Producing Labs and Creative Producing Summit, both held in the same week at the Sundance Resort in Sundance, Utah.

    Nine projects have been selected to participate in the Labs (July 18-22) and receive ongoing creative and strategic support throughout the year, as well as direct granting to further development and production. The Fellows represent five projects from the Feature Film Program and four from the Documentary Film Program.

    Immediately following the Labs, leaders in independent film and a wider group of Sundance Institute-supported projects will join the Fellows for the Creative Producing Summit (July 22-24).

    “The Sundance Institute Creative Producing initiatives are a unique combination of intensive focus on the producers’ individual projects and larger discussions with industry leaders about the state of the independent film community and where it’s headed,” said Keri Putnam, Executive Director of Sundance Institute. “These initiatives are an opportunity for producers to explore and develop their projects in a forward-thinking, supportive community. We thank the many experts that will participate.”

    FEATURE FILM CREATIVE PRODUCING LAB

    The Feature Film Creative Producing Lab is a five-day Lab where narrative feature film producers work with an accomplished group of Creative Advisors to develop their creative instincts, communication and problem-solving skills in all stages of film production. This year’s Creative Advisors include producers Paul Mezey (Cold Souls), Jay Van Hoy (Beginners), Alix Madigan (Winter’s Bone) and Amy Kaufman (Sin Nombre).

    The Fellows and projects selected for the Feature Film Creative Producing Fellowship are:

    Ad Inexplorata
    Producing Fellow: Danielle DiGiacomo
    Captain William D. Stanaforth is a NASA pilot alone on a one-way mission toward the unknown. (Writer/Director Mark Elijah Rosenberg)

    In the past decade, Danielle DiGiacomo has worked as the Community Manager at IFP and Head of Documentary Acquisitions at IndiePix Films, produced the first two Cinema Eye Honors for Nonfiction Film, and associate produced Jennifer Venditti’s Billy the Kid (Best Documentary Feature, Los Angeles Film Festival 2007 & SXSW 2007) and Samantha Buck’s 21 Below. In 2010, she produced three short films (two premiered at the 2011 Cannes’ Short Film Corner) and Associate Produced one feature, Andrew Semans’ Nancy Please. She is currently producing Chris Kelly’s documentary The Cause of Progress and Samantha Buck’s Best Kept Secret. (Mark Silverman Honoree)

    Ain’t Them Bodies Saints
    Producing Fellows: James M. Johnston & Toby Halbrooks
    Ain’t Them Bodies Saints tells the story of an outlaw who, in the 1970s, escapes from prison and sets out across the Texas countryside to reunite with his wife and the daughter he never met. Along the way, however, his past starts to catch up with him. (Writer/Director: David Lowery)

    James M. Johnston and Toby Halbrooks, collectively known as Sailor Bear, produced the award winning and critically acclaimed short film Pioneer.  Johnston also produced the feature films St. Nick and Carried Away, operates two successful vegan restaurants with his wife, and has directed and produced several short films of his own. Halbrooks came to film after touring the world for six years as a member of the rock group The Polyphonic Spree. He has been working in Dallas as a commercial producer/director for the last 6 years.

    The Maglev Story
    Producing Fellow:  Melissa Lee
    Actions speak louder than words in this offbeat romance set in Shanghai between a reclusive Japanese hikikomori (“shut-in”) boy and a broken-hearted Chinese girl. Well, at least this unlikely couple hopes so. (Writer/Director Anthony Ng)

    Melissa Lee graduated magna cum laude with a BA in Literature from Harvard University and received her MFA in Producing from USC. She has produced two feature films: Dear Lemon Lima, co-starring Academy Award winner, Melissa Leo, which was released theatrically earlier this year; and Circumstance, which premiered at the 2011 Sundance Film Festival, received the U.S. Dramatic Audience Award, and is being released theatrically in August 2011.  A Hong Kong native, Melissa splits her time between Los Angeles and China. (Steve Bing Fellow)

    One & Two
    Producing Fellow:  Kim Sherman
    Set at an isolated farmhouse, One & Two is a look at the bond between siblings in an abusive and neglectful home, told through a sci-fi lens. (Director Andrew Droz Palermo, Co-Writers Andrew Droz Palermo & Neima Shahdadi)

    Kim Sherman is a Missouri-based filmmaker and musician. Most recently, Sherman produced the feature A Horrible Way To Die from director Adam Wingard and Sun Don’t Shine from Amy Seimetz. Sherman has won numerous advertising awards for her directorial commercial work and produced a handful of daring and groundbreaking narrative shorts, including the experimental drama, A Face Fixed, by director Andrew Droz Palermo. Sherman serves as one half of the psych-folk duo, Jerusalem and the Starbaskets. Their latest full-length album, Dost, is out now on De Stijl Records.

    Sadie
    Producing Fellow: Lacey Leavitt
    A young girl living in a trailer park with her mother while her father serves repeated tours overseas resorts to inappropriate measures to preserve her family when a handsome and mysterious stranger threatens to tear it apart. (Writer/Director Megan Griffiths)

    Lacey Leavitt is a Seattle-based producer whose first two narrative features, The Off Hours (director Megan Griffiths) and The Catechism Cataclysm (director Todd Rohal), premiered at the 2011 Sundance Film Festival.  She also produced and co-directed the roller derby documentary Blood on the Flat Track (Strand Releasing) and produced Dan Brown’s award-winning short film Your Lucky Day, starring Rider Strong. She recently co-produced Safety Not Guaranteed, executive produced by Mark and Jay Duplass, and is in pre-production on Hayden Lake, the new feature directed by Ryan Page and Christopher Pomerenke (Blood Into Wine), which she is line producing. (Sheila C. Johnson Fellow)

    DOCUMENTARY FILM CREATIVE PRODUCING LAB

    Participants for the five-day Documentary Film Creative Producing Lab are selected from a pool of Sundance Institute Documentary Film Program grantees and invited to participate in one-on-one consultations, and presentations aimed at honing the craft of producing documentaries.

    Producers Bonni Cohen (Producer, The Island President) Ellen Schneider (Founder, Active Voice), Joslyn Barnes (Producer, Black Power Mixtape) and publicist Nancy Willen will serve as Creative Advisors at the Lab.

    The Fellows and projects selected for the Documentary Film Creative Producing Lab are:

    Ai Wei Wei: Never Sorry
    Producing Fellow: Alison Klayman
    Ai Weiwei: Never Sorry follows three tumultuous years in the life of Ai Weiwei, when he became a superstar of the art world, a “dissident” in the headlines, a first-time father, and an online god to tens of thousands of Chinese netizens. But can an artist change China?

    Alison Klayman is a freelance journalist and documentary filmmaker.  Living in China from 2006 to 2010, Klayman shot and produced radio and television feature stories for programs. Ai Wei Wei: Never Sorry is her first feature documentary. Klayman speaks Mandarin Chinese and graduated from Brown University in 2006.

    Betting the Farm
    Producing Fellows: Cecily Pingree and Jason Mann
    In a desperate attempt to save their farms, a group of Maine farmers launch a new, organic milk company. Will their gamble rescue them – and with them an entire way of life – or will it leave them worse off than when they started?

    Cecily Pingree is an independent filmmaker who began her film work with Big Mouth Productions in New York. She has worked on stories ranging from the controversy surrounding media consolidation to rural health in Africa to fishing and farming issues in Maine.

    Jason Mann has worked as a cinematographer and editor on numerous documentary projects. Most recently, he collaborated with Cecily Pingree on Meet Your Farmer, a series of eight short films about Maine farmers.

    Cesar’s Last Fast
    Producing Fellow: Lisa Remington
    Cesar’s Last Fast is a multi-platform feature documentary film about the private sacrifice behind Cesar E. Chavez’s struggle for the humane treatment of farm workers, and the impact Chavez’s inspirational and complex legacy has on new generation of organizers fighting today.

    Lisa Remington is an independent documentary producer who recently teamed with Lawrence Bender (producer) and Lucy Walker (director) on Participant Media’s chilling nuclear weapons documentary Countdown to Zero. Lisa regularly consults with emerging and established filmmakers in early stage fundraising strategies to create actionable production plans and lives in Los Angeles.

    JR: Inside Out
    Producing Fellow: Alastair Siddons
    The French artist JR wins the TED Prize 2011. He gives his wish, and in turn, his art back to the people, and creates a global participatory art project called ‘Inside Out’. He becomes the ‘printer’ and invites people to stand up for what they care about through the power of their own image. From Tunisia to the Bronx, Lisbon to Iran, the film follows individuals and communities pasting their portraits in the streets. Now they don’t just see the art, they make it.

    Alastair Siddons is a London based film maker who has worked across a range of formats including documentary, drama and music video. His first feature was the large scale documentary Turn It Loose. The film followed six b-boys from very different corners of the globe preparing to battle in the world championships held in Soweto, South Africa. The film was produced by Partizan Films and picked up for international distribution by MK2.

    My Good Name is Stalin
    Producing Fellow: Kavita Pillay
    My Good Name Is Stalin is the story of two young men named Stalin and Lenin in Kerala, India – home to the world’s first democratically elected communist government – as they struggle to reconcile their shifting notions about communism and capitalism in the Age of Migration.

    Kavita Pillay is a Boston-based media consultant and film producer. My Good Name Is Stalin is her first feature-length documentary.

    CREATIVE PRODUCING SUMMIT

    The Creative Producing Summit is a three-day, invitation-only gathering that connects 40 independent filmmakers with 30 top independent film professionals including producers, agents, distributors, and other executives to build a dialogue on film producing and the state of independent film. Programmed events include case study sessions, panels, roundtable discussions, one-on-one meetings and pitching sessions. Panelists include Josh Braun (Submarine Entertainment), Victoria Cook (Frankfurt Kurnit Klein & Selz), Liesl Copland (William Morris Endeavor), Eric d’Arbeloff (Roadside Attractions), Marian Koltai-Levine (PMK*BNC), Alex Kruglov (Hulu.com), Tim League (Alamo Drafthouse), Susan Margolin (New Video), Celine Rattray (Maven Pictures), John Sloss (Cinetic Media), Dan Steinman (Creative Artists Agency), Ricky Strauss (Participant Media) and Nancy Utley (Fox Searchlight). For a full list of panelists visit http://www.sundance.org/programs/creative-producing-summit/.

    Sundance Institute receives major support for its Creative Producing Initiatives from B.Co., Cinereach Foundation, the Corporation for Public Broadcasting, The Charles Engelhard Foundation, the Ford Foundation, The Hollywood Foreign Press Association, Sheila C. Johnson, the Open Society Institute, SAGindie, the Skoll Foundation, and Sundial Pictures, LLC.

     

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  • Martin Scorsese’s “George Harrison: Living in the Material World” to debut on HBO

     

    Martin Scorsese’s new documentary film, ‘George Harrison: Living in the Material World’ will debut in two parts – on October 5 and 6 – exclusively on HBO.

    GEORGE HARRISON: LIVING IN THE MATERIAL WORLD focuses the imaginative and inspired eye of one of cinema’s most preeminent filmmakers on one of the world’s most influential men. The film takes viewers on the musical and spiritual voyage that was George Harrison’s life, much of it told in his own words. The result is deeply moving and touches each viewer in unique and individual ways.

    Academy Award(R)-winning director Martin Scorsese traces Harrison’s life from his musical beginnings in Liverpool through his life as a musician, a seeker, a philanthropist and a filmmaker, weaving together interviews with Harrison and his closest friends, performances, home movies and photographs. Much of the material in the film has never been seen or heard before. The result is a rare glimpse into the mind and soul of one of the most talented artists of his generation and a profoundly intimate and affecting work of cinema.

    The film includes interviews with Eric Clapton, Terry Gilliam, Eric Idle, George Martin, Paul McCartney, Yoko Ono, Tom Petty, Phil Spector, Ringo Starr and Jackie Stewart. They speak honestly and frankly about George’s many talents and contradictions.

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  • Star-Studded Lineup For 2011 Hollyshorts Film Festival

     

    From August 12-18, 2011, the 7th HollyShorts is showcasing 300 short form projects including short films, music videos, web series, and commercials. The full lineup has been released and includes the premiere of acclaimed writer Jamie Linden (Dear John, We Are Marshall) short film “The Envelope in the Glovebox” which he used to pitch into the star-studded feature film adaptation Ten Year, that stars Channing Tatum, Kate Mara, Rosario Dawson, Justin Long, Anthony Mackie, and Scott Porter. “The Envelope in the Glovebox” written and directed by Linden will be featured at the HollyShorts opening night celebration at Arclight Hollywood, Thursday August 11.

    Also joining Linden in the festival’s opening night celebration is Jacob Chase’s short film “After-School Special” which was written by Neil Labute (In the Company of Men, Nurse Betty), and produced by Andrew Carlberg. At HollyShorts opening night, the festival will also present Labute with a special Maverick Filmmaker Award. His short film “Sexting” will screen during the festival.

    The opening night celebration will also honor the award-winning production team of Kevin Chinoy and Francesca Silvestri with the inaugural HollyShorts Maverick Producer’s Award and feature a screening of their top shorts including Kristen Kiwi Smith’s “The Spleendectomy,” starring Anna Faris, Jennifer Aniston and Andrea Buchanan’s “Room 10;” Jennifer Aniston’s “Free Burma,” starring  Woody Harrelson; Kate Hudson’s “Cutlass,” starring Dakota Fanning, Virgina Madsen, Kurt Russell, and Kirsten Stewart; and Sean Baker, Spencer Chinoy and Dan Milano’s hit “Greg The Bunny.”

    HollyShorts will also showcase two Oscar® winning short films Luke Matheny’s God of Love (Best Short Film, Live Action winner) and Andrew Ruhemann and Shaun Tan’s The Lost Thing (Best Animation winner) .

    This year’s in competition short films includes top talent and recognizable stars such as: Jason Ritter, Bobby Canavale (The Other Guys), Alicia Witt (Friday Night Lights),  Anthony Michael Hall (The Dark Knight), Dante Basco (First Glance),  Beau Bridges (Max Payne) Brian Geraghty (The Hurt Locker), Carla Gugino (Watchmen), David Morse (The Green Mile),  Devon Gummersall (Independence Day), Ernie Hudson (Ghost Busters), Gil Bellows (Unthinkable),  Hector Elizondo (Monk),  Jackie Harris (Yes Man),  Alan Arkin (Little Miss Sunshine), Joel Edgerton (Warrior), Rider Strong (Boy Meets World), David Dastmalchian (Sushi Girl),  Jon Huertas (Castle),  Robin Wright Penn (The Girl with the Dragon Tattoo), Tom Arnold (Roseanne), Paul Ben Victor, Tom Hardy (Dark Knight Rises), Victor Rasuk (How To Make it America).

    This year’s festival programs will include such genres as: Animation, Family, Horror, Drama, Thriller, Romance, Action, Experimental, Comedy, Sci-Fi, Documentary, Web Series, Commercials and Music Videos.

    Below is the lineup of the accepted short form projects in competition at the 7th Annual HollyShorts Film Festival.


    SHORT FILMS

    “¡UNA CARRERITA, DOCTOR!” by Julio O. Ramos- USA          

    “5 Minutes Each” by Vojin Vasovic-Canada      

    “52” by Josh Levy-Canada        

    “6Gun” by Hebron Simckes-Joffe-USA 

    “8 BITS” by Valere Amirault-France       

    “A Made Man” by Eric B. Fleischman-USA        

    “A Nice Old-Fashioned Romance” by Ara Soudjian-USA

    “A Reuben By Any Other Name” by Jeremy Lann-USA   

    “A Taste of Love” by Chase Weston-USA         

    “After The Denim” by Gregory D. Goyins and Scott Rosenfelt-USA       

    “After You Left” by Jef Taylor-USA      

    “Agent 6” by Jason Kent Carpenter-USA

    “Ajumma!  Are You Krazy???” by Brent Anbe-USA        

    “Alambamento” by Mário Bastos-USA  

    “All American Tooles” by M. David Melvin-USA 

    “Angrophobia, Stupid” by Josh Burk”-USA       

    “Apocalypse Story” by Jeffrey P. Nesker-Canada         

    “Apples” by Gary Perez-USA    

    “Appleton” by Jimmy Costa-USA          

    “Appy Ever After” by Rupert Le Poer Trench-Australia   

    “Augenblicke” by Martin Bargiel-Germany         

    “AyA” by Michael Walker-Japan

    “Baby” by Daniel Mulloy-UK     

    “Babyland” by Marc Fratello-USA         

    “Balzan’s Contract” by Armand Attard-UK         

    “Bathing & the Single Girl” by Christine Elise McCarthy-USA      

    “Bear Force One” by Andy Mogren-USA

    “Ben is Back” by Elad Zakai-Israel        

    “Benny” by Huay-Bing Law-USA

    “Big Country Blues” by Brian Ross-USA

    “Blink” by Alka Joshi and Yoni Klein-USA         

    “Blink” by Rick Rosenthal-USA 

    “Blood Ties” by Ken Ochiai-USA          

    “Bloodtraffick” by Jennifer Thym-China

    “Book Club” by Kate Yorga-Canada     

    “Break” by Ray Pang-Singapore

    “Brother Rob” by Sofian Khan-USA       

    “Bullies On Vacation” by Devon Gummersall-USA         

    “Burden” by Michael David Lynch-USA 

    “Byron” by Yolande Geralds-USA         

    “Certified” by Luke Guidici-USA

    “Checkpoint” by Ruben Amar-USA       

    “Choke” by Michelle Latimer-Canada    

    “City of Murals” by Ricky Rose-USA    

    “Clara’s Carma by Robert Brinkmann-USA        

    “Clay” by David Kashkooli-USA

    “Close.” by Tahir Jetter-USA    

    “Clubscene: The Bartenderer” by Adriano Valentini-Canada        

    “ColourBleed” by Peter Szewczyk-UK    

    “Cookie” by Enuka Okuma-USA

    “CRUSH” by Matthew A. Brown-Germany          

    “Dark Side of the Lens” by Mickey Smith-UK    

    “Dead in the Room” by Adam Pertofsky-USA   

    “Desire” by Eric Heights-USA   

    “Devolution: Reckoning” by Gavin Heffernan-USA        

    “Dollhouse” by Shabnam Piryaei-USA  

    “Double Black” by Sara Woomer-USA  

    “DreamGiver” by Tyler Carter-USA        

    “Ellen” by Hausmann-Stokes-USA        

    “En Heritage” by Reda Mustafa-France 

    “Endgame” by Wim Vanacker-France   

    “Escape Of The Gingerbread Man!!!” by Tod Polson-USA         

    “ESHA” by Reza Dahya-Canada

    “Ex-Sex” BY Michael Mohan-USA        

    “Extraordinary Feats of the Seventh Period” by Will Bridges-UK

    “Fallout” by Paul DeNigris-USA

    “First Dates” by Sam Wasserman-USA 

    “Fit to be Tied” by Alex Feldman-USA  

    “Follow Me” by Valen Hernandez-USA  

    “For my dad…” by Brandon Smith-USA

    “Fully Famous” Tony Davison-Australia

    “Fun House” by Daniel Mitchell-USA     

    “Ghost Perv” by Tyson Persall-USA     

    “God of Love” by Luke Matheny-USA   

    “GoldenBox” by Matt MacDonald-USA 

    “Good Morning, Beautiful” by Todd Cobery-USA          

    “Great American Pigeon Race” by Diane Namm-USA    

    “Gus” by Andrew Martin-Australia         

    “Hairpin” by Laura Scrivano-Australia    

    “Happenchance” by Thomas Michael-Canada    

    “Hear Me” by Kenn Michael-USA          

    “Him Himself” Pierre Dawalibi-Lebanon 

    “Hollow” by Rob Sorrenti-UK    

    “Hollywood Superhero” by Jonathan Pezza-USA

    “House Paintings” by Joel Maguen-USA

    “How To Eat Bacon” by Lea W Dizon-USA        

    “Imbalance” by R.B.  Ripley-USA         

    “Incarnate” by JorDan Fuller-USA         

    “John Doe Short Film” by Shawnette Heard-USA          

    “Just the 2 of Us” by Mat Brooks-UK   

    “Karim” by Carl Seaton-USA    

    “Karl Dahl and the Golden Cube” by Chris Olsen- USA  

    “Kavi” by Gregg Helvey-USA   

    “Knight to D7” by Nathan Scoggins-USA          

    “Last Lonely Saturday” by Seth Craven-USA     

    “Lavan” by Guilhad Emilio  Schenker-Israel       

    “Left in the Desert” by Nick Novicki-USA          

    “Lest We Forget” by Chris Godfrey-Australia     

    “Letter from Lorca” by Gregory Torrillo-USA      

    “Lift” by Ann Marie Allison-USA

    “Little Larry” by Jill Carter-Canada         

    “Lone” by Jon Huertas-USA     

    “Love Is Retarded” by Bill Escudier-USA          

    “Lucky Boy” by Thor Gold-USA

    “Match” by Kate Barker-Froyland-USA  

    “Maybe…” by Pedro Resende-Portugal

    “McCracken Live!” by Andrew Moorman-USA    

    “Misdirection” by Doron Kipper-USA     

    “Mother of Pearl” by Roger Nelson-Australia     

    “Mrs Peppercorn’s Magical Reading Room” by Mike Le Han-UK

    “My Undeadly” by Dave Reda-USA      

    “Nice Tie, Italiano!” by Evan Hart-USA  

    “Night Window” by Manuel Figueroa-USA         

    “Nobody But Her” by Phillip Jordan-USA          

    “November & Sebastian” by Vancouver Film School-Canada     

    “Nowhere Road” by Benjamin Dynice-USA        

    “Panic, Fear: Part One” by John Francis Conway-USA   

    “Paper Flower” by Brent Green-USA     

    “Patient Zero” by Jacob Chase-USA     

    “Penny” by Benj Thall-USA       

    “Pepper” by Kim Noonan-USA 

    “Phoebe” by Matt Blundell-USA

    “Photographs” by Brendan Clogher-USA          

    “Pillow Talk” by John Wynn-USA          

    “Pizzangrillo” by Marco Gianfreda-Italy 

    “Protect The Nation” by C. R. Reisser-Germany 

    “Puntu” by Eva Gallego Valdes-Spain  

    “Purple Flowers” by Julian Ryan-Australia         

    “Rape Kit” by Bryan Loudon-USA         

    “Red Moon” by Jimmy Marble-USA      

    “Revolution” by Abdi Nazemian-USA    

    “RITA” by Antonio Piazza-Italy  

    “Roid Rage” by Ryan Lightbourn-USA  

    “Roshambo Apocalypse” by Samir Salem-USA

    “Rumbleseat” by Michael Roberts- Canada 

    “Satan Since 2003” by Carlos Puga-USA          

    “Sati” by Heather de Michele-USA        

    “Sergeant Slaughter, My Big Brother” by Greg Williams-UK       

    “Seven Layer Dip” by Monique Ganderton-USA

    “Sexting” by Neil Labute-USA   

    “Seymour Sally Rufus by Cindy Baer-USA        

    “Shadows” by Nuno Dias-Portugal       

    “Shuffle” by Garrett Bennett-USA         

    “Sin World” by Siu Lung Lee-China       

    “Sissy” by Bonnie Root-USA   

    “Snovi” by Reshad Kulenovic-USA       

    “Sold” by John Irwin-USA        

    “Solitude” by Timothy Lems-UK

    “Source” by Will Simmons-USA

    “Spit” by Benjamin Hayes-USA

    “St. Christophorus: Roadkill” by Gregor Erler-Germany  

    “Stanley Pickle” by Vicky Mather-UK    

    “Stasis” by Christian Swegal- USA       

    “Stork” by Erik Sandoval-USA 

    “Strange Thing Happens” by Martin Toro-USA   

    “Stupid Question” by Jessie Kahnweiler- USA   

    “Sudden Death!” by Adam Hall-USA     

    “Suffer” by Kimani Ray Smith-Canada  

    “Sugartown” by JT Mollner-USA

    “Sweepers” by Justin Davey- USA       

    “Tattoo” by Paul Helin- Finland 

    “Tchang” by Gonzalo Visedo & Daniel Strombeck- Spain      

    “Tell-Tale” by Greg Williams- UK

    “Temazcal” by Daniel Holechek-USA    

    “Text” by Josh Russell-USA     

    “The Ally” by Slobodan Gajic-USA       

    “The Barber of Birmingham:  Foot Soldier of the Civil Rights Movement”-by Robin Fryday and Judith Helfand-USA         

    “The Birds Upstairs” by Christopher Jarvis- USA

    “The Board Meeting” by Maggie Franks- USA   

    “The Bullet Catcher” by Jonathan Thompson-USA         

    “The Dancer” by Seth Stark”- USA        

    “The Enemy Within” by John Kennedy- USA     

    “The Gadfly by Stev Elam-USA

    “The Haymaker” by Daniel D’Alimonte- Canada 

    “THE HO DOWN” by Daniel Campos- USA       

    “The House I Keep” by Jhene Erwin- USA         

    “The Intern” by Bryan DeGuire- USA     

    “The Last King Blood” by Jonathan Vender-USA

    “The Life Smugglers” by David W. Wells- USA  

    “The Lost Thing” Andrew Ruhemann and Shaun Tan-Australia     

    “The Maiden and The Princess” by Ali Scher-USA         

    “The Man Who Knew How To Fly” by Robi Michael- USA

    “The Man Who Talked To His Bulb by Ari Dassa- USA   

    “The NInjews: ‘Goy-L’ Trouble” by Josh Bass- USA       

    “The Notice” by Sonny Saito-USA        

    “The Novel” by Paolo Licata-Italy          

    “The Pact” by Nicholas McCarthy- USA

    “The Pond” by Dan Hannon-USA           

    “The Process” by Nathan Boey-Canada

    “The Proposition” by Edward Stein- USA          

    “The Road Home” by Rahul Gandotra- UK         

    “The Room at the Top of the Stairs” by Briony Kidd- Australia   

    “The Salesman” by Mike Testin- USA    

    “The Small Assassin” by Chris Charles-USA      

    “The Thing That Happened” by Andrew Walton- USA     

    “The Vacuum Kid” by “Katharine Mahalic-USA   

    “The Virgin Forest” by Brian O’Hare- USA          

    “The Wait” by Ron Hamad- USA

    “The Winking Boy” by Marcus Dineen-Australia 

    “Their Eyes Were Watching Gummy Bears” by Raafi Rivero-USA

    “There’s Something About Barry” by Peter Vass- USA   

    “Thief” by Julian Higgins-USA  

    “Three Guys and a Couch” by Adam Ward- USA

    “Tilt-A-World” by Al Thompson- USA     

    “Time For Change” by James Cunningham- New Zealand

    “Time Freak” by Andrew Bowler- USA   

    “Touch” by Jen McGowan-USA

    “Trixie” by Dave Kebo-USA      

    “True Love” by Al Lewis- USA  

    “Two Lives for Antonio Espinosa” by Rodrigo Fonseca- Brazil   

    “Vincent Minor – The Trap Official Music Video” by Chris Coats- USA     

    “Wanting Alex” by Chris Akers- USA     

    “We Shall Not Be Moved: The Nashville Sit-Ins” by Dave Porfiri-  USA   

    “While God is watching us” by Stefano Cipani- USA      

    “White Horse” by Michael Graham- USA

    “Will You Marry Me” by Adam Christian Clark- USA       

    “‘Women'” by Kyle  Gilbertson- USA     

    “Worm” by Ryan Vernava- UK  

    “Worn” by Marc Carlini- USA    

    “Yearbook” by Carter Smith- USA        

    “Yelp: With Apologies to Allen Ginsberg’s ‘Howl'” by Tiffany Shlain- USA          

    “An Evening With My Comatose Mother” by Jonathan Martin-USA          

    “Dissection Of A Storm” by Julio Soto-Spain    

    “Estás Segura Conmigo” by Eric Yang-USA     

    “Fistful of Sandwich” by Philippe Leone-UK        

    “Five Second Short Films”-USA

    “I Met A Girl, Ask Me How!” by Vanessa Newell – USA

    “Matisyahu Short Doc Project” by Michael Thelin-USA   

    “Me and The Chef” by Emily Cho – USA         

    “Spice It Up!” by Feodor Chin-USA       

    “Stalked” by Matthew Irving-USA          

    “The Blue Wall” by Dave Rodgriguez – USA     

    “The Kid” by Madeline Puzzo – USA   


    MUSIC VIDEOS

    “20 Minutes of Oxygen” by Mike Jackson-Canada

    “Cold Star” by Kai Stänicke-Germany

    “Das Racist-‘Who’s That? Broown!” by Thomas De Napoli-USA

    “David Berkeley-‘Some Kind of Cure'” by Greg Murnion-USA

    “Demolition Disco-Big Mama” by Maximilian Gerlach-Germany

    “Kaizers Orchestra: Hjerteknuser” by Thomas Berg-Norway

    “La Semaine Prochaine” by Bailey Kobe and Mona Khun-USA

    “Lowlight – ‘Wake'” by John Charter-USA

    “Murder ‘No room For Mistakes'” by William Stahl-Denmark

    “Rocky Rivera ‘Trick Habit'” by Patricio Ginelsa-USA

    “Save The Last Chord” by Marc Ruiz-USA

    “Shot Me in the Heart Music Video” by David Wong-USA

    “Simoom – ‘Cutting Seams'” by Sean McCarthy-USA

    “Sleeping with Frank” by Lily Baldwin-USA

    “‘So Petty’ by Everything Under EU” by Rishi Ganju and Benjamin Zuiker-USA

    “Text Message: A Love Story” by Lindsay Rosenberg-USA

    “The Sting by 8STOPS7” by Edgar Santos-USA

    “WhoMadeWho ‘Every Minute Alone'” by William Stahl-Denmark


    COMMERCIALS

    “‘FACE OFF’/ Reebok commercial” by Neil Payne-USA

    “Freaky Old Man” by Imani Shakur-USA

    “Halo Seals” by Jorge Marcial-USA

    “Miller Lite Scarf” by Brandon Robinson-USA

    “Post-Mortem” by Ezra Stanley-USA

    “Quicken Loans – Thanks A Million” by Marc Ruiz-USA

    “The Aerialist” by Mollye Asher-USA

    “Traveler” by Ezra Stanley-USA

    “Your Shape” by Lesley Lopez-USA


    WEB SERIES

    “Casual: The Series” by Jay Diaz-USA

    “Fish Out Of Water: Joyride” by Ben Barnes-USA

    “GUN PAW” by Eric Coppa-Cross-USA

    “Lenox Avenue” by Al Thompson-USA

    “Mobsters Episode 4: ‘Carmine or Brian?'” Jeremy Foley”-USA

    “Santa Preys for X-mas” by D.J. Markuson-USA

    “Twenty Something Ninja Turtles” by Pedro Castro-USA

    “Tilt-A-World” by Al Thompson-USA


    OUT OF COMPETITION

    “Deader Living” by Destin Pfaff

    “Puppet Suicide” by Peter Gilroy

    “Revenge of the Nerds” by Malcolm Barrett

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  • LA Shorts Fest 2011 Opening Night Film Program includes shorts from Hollywood Stars, Eva Mendes, Jessica Biel and Rachel Weisz

    [caption id="attachment_1522" align="alignnone" width="550"]Eva Mendes[/caption]

    The 15th LA Shorts Fest running July 21 – 29, 2011 at Laemmle Sunset 5 Hollywood kicks off next Thursday and features a stellar Opening Night Film Program of 6 films, from some big name stars including Eva Mendes, Jessica Biel, newly married Rachel Weisz, Terry Gilliam and the North American Premiere of Pixar’s La Luna.

    Opening Night Film Program

     

    The Wholly Family
    Family / Italy / 20 min

    An American couple and their son Jake are on holiday in Naples. During a tour, Jake stops at a stall, attracted by the carved shapes of Pulcinella that will accompany him in a dreamlike journey through the symbols of Naples.

    Director: Terry Gilliam
    Producer: Gabriele Oricchio, Amy Gilliam
    Writer: Terry Gilliam

    Cast: Cristiana Capotondi, Nicholas Connolly

    California Romanza
    Comedy / USA / 19 min

    As Lena comes out of a recent breakup, she has a difficult time getting in the mood for Christmas. She is set to visit her yearly family gathering, but as she approaches her beloved Auntie JoJo and Uncle Pop‘s home, a manic situation is unfolding. Kissy Puss, the family cat and unofficial child of her Aunt and Uncle has gone missing!

    Director: Eva Mendes
    Producer: Kevin Chinoy, Francesca Silvestri
    Writer: Massy Tadjedin

    Cast: Christina Ricci, Kathy Najimy, Daniel Stern

    Sodales
    Action/Adventure / USA / 14 min

    A battle for freedom ensues as two warrior princesses face off against an evil leader and his minions. As the fight for a sacred key continues, they encounter a myriad of enemies that they must vanquish if there is any hope to maintain their freedom. All is going according to plan in their plight…until Mom shows up.

    Director: Jessica Biel
    Producer: Kevin Chinoy, Francesca Silvestri
    Writer: Jessica Biel

    Cast: Emily Skinner, Tyler Wilkins

    The Thief
    Drama / USA / 15 min

    A tall, dark stranger enters the home of Rosemarie while she is showering. Intending to rob and steal, the thief and Rosemarie find themselves in an incredibly surreal situation that takes them on a unique journey.

    Director: Rachel Weisz
    Producer: Kevin Chinoy, Francesca Silvestri
    Writer: Laurie Colleyer

    Cast: Rosemarie Dewitt, Joel Edgerton

    North American Premiere of Pixar’s La Luna – La Luna
    Animation / USA / 7 min

    A coming of age tale about a boy who, on his first work outing with his Papa and Grandpa, discovers his family‘s unusual line of work. The boy is faced with the decision of whether to follow the example of his Papa and Grandpa or to find his own way in the midst of it all.

    Director: Enrico Casarosa
    Producer: Kevin Reher , John Lasseter
    Writer: Enrico Casarosa

    A Work Of Persol
    Documentary / USA / 29 min

    In 2009, Persol began collaborating with 20 of the world‘s brightest contemporary artists. Each artist borders on an obsession for detail, and designs his or her own creations with a unique process of hand-craftsmanship. “A Work of Persol” celebrates the passion and process inherent in these 20 artists‘ creative processes.

    Director: Joe Kayser
    Producer: Jennifer Golub
    Writer: Joe Kayser

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  • Ti West’s The Innkeepers to open 2011 Sidewalk Film Festival

    The South Eastern premiere of Ti West’s The Innkeepers will serve as the Opening Night Film of the 2011 Sidewalk Film Festival and will screen at the beautiful 2,200 seat Alabama Theatre.

    Described as one of the most exciting and original filmmakers on the independent scene today, Ti West (The Roost, Trigger Man and The House of the Devil) directs, edits and co-produces his original screenplay about two employees of a soon-to-be-closed hotel, who get more than they bargained for when they set out to prove that the hotel is as haunted as its reputation, in The Innkeepers. The film stars Sara Paxton, Pat Healy and Kelly McGillis.

    After over one hundred years of service, The Yankee Pedlar Inn is shutting its doors for good. The last remaining employees – Claire (Sara Paxton) and Luke (Pat Healy)- are determined to uncover proof of what many believe to be one of New England’s most haunted hotels. As the Inn’s final days draw near, odd guests check in as the pair of minimum wage “ghost hunters” begin to experience strange and alarming events that may ultimately cause them to be mere footnotes in the hotel’s long unexplained history.

    The Innkeepers made its World Premiere at SXSW in March of 2011 and was an official selection of the 2011 LA Film Festival.

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  • Philippine Indie Film Director still drawing flak for comments that he hires theater actors because … you can pay them in cat food

    The Philippine Educational Theater Association (PETA) is demanding an apology from independent film director Rafael Santos after the comments he made last month in an interview with ANC’s “Cityscape.”

    In the interview, Santos reportedly said he usually gets theater actors because he “personally find[s] the theater actors are better to work with because they don’t complain.”

    “You can feed them Skyflakes 3 meals a day and pay them in cat food basically,” he said.

    “They’re never late. They cry when you want them to cry. ….. So that’s why I like working with theater people,” Santos added.

    Santos is the director of the short film “Samarito,” which is an entry in this year’s Cinemalaya Film Festival, and stars theater actors.

    Santos later apologized.

    “I am truly sorry for the things I said especially because it is not what I think about theater actors. They are the best to work with and they do it for the passion of art,” he said.

    Santos added that “the lesson here is awareness in what you will say because it can hurt.”

    In an official statement PETA said theater actors do not deserve what Santos has said and that they “must be given due respect.”

    PETA added that although they are aware that Santos already apologized to Cinemalaya about the incident, they still want “a public apology on television addressed directly to the theater community.”

     

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  • Country singer Chely Wright coming-out Documentary among winners at 2011 San Francisco International LGBT Film Festival

    [caption id="attachment_1516" align="alignnone" width="550"]Frameline35 Outstanding Documentary Feature – Wish Me Away [/caption]

    The San Francisco International LGBT Film Festival wrapped up on Sunday, June 26, 2011 and announced the Frameline35 Awards. Frameline35 Outstanding Documentary Feature was presented to Wish Me Away from directors Bobbie Birleffi & Beverly Kopf; the touching film follows the coming-out story of country singer Chely Wright, the first country music star to ever come out as openly gay.  Other awards include Frameline35 Outstanding First Feature awarded to the French film The Evening Dress (La Robe Du Soir) from director Myriam Aziza about twelve-year-old Juliette and her attraction to her French teacher, Madame Solenska.

    Frameline Award

    Margaret Cho

    Juried Awards

    Frameline35 Outstanding Documentary Feature
    Wish Me Away directors Bobbie Birleffi & Beverly Kopf

    Honorable Mention for Documentary Feature
    Hit So Hard director P. David Ebersole

    Frameline35 Outstanding First Feature
    The Evening Dress director Myriam Aziza

    Honorable Mention for First Feature
    Codependent Lesbian Space Alien Seeks Same director Madeleine Olnek

    Audience Awards

    Frameline35 AT&T Audience Award, Best Documentary
    Gen Silent director Stu Maddux

    Frameline35 AT&T Audience Award, Best Feature
    Tomboy director Céline Sciamma

    Frameline35 AT&T Audience Award, Best Short
    BaldGuy (Skalla Mann) director Maria Block

    Volunteer of the Year Award

    Volunteer of the Year: Bob Sullivan, who has been volunteering with Frameline for 18 years and this year screened over 50 programs to make his selection! Thanks to the Small Change Foundation.

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  • 10 Films To Take Top Honors at 2011 Artivist Film Festival

    [caption id="attachment_1514" align="alignnone" width="550"]Artivist Spirit Feature Award Winner – Love Hate Love – Don Hardy, Dana Nachman, directors[/caption]

    The 2011 Artivist Film Festival announced its 2011 film awards in five categories: Human Rights, Children’s Advocacy, Environmental Preservation, Animal Advocacy and Artivist Spirit. The awards will be presented to the filmmakers at the Closing Night Awards Program of the 2011 Artivist Film Festival in Los Angeles, August 18-20.

    In a first-of-its-kind program for film festivals, all ten films will be showcased in a series of preview screenings in six U.S. cities, July 8-10: Atlanta, Austin, Chicago, Seattle, Sedona (AZ.) and Washington D.C. The screenings will precede the films debut at the festival in Los Angeles, to be held at the historic Egyptian Theater in the heart of Hollywood.

    *****

    Artivist Film Festival 2011 Films Awards

    Human Rights

    Feature: “Because They Were Beautiful” (Indonesia, Netherlands) – Frank van Osch, director

    Short:  “Umoja: No Men Allowed” (Kenya, Australia) – Elizabeth Tadic, director


    Children’s Advocacy

    Feature: “Surfing Soweto” (South Africa) – Sara Blecher, director

    Short:  “Grace” (Philippines, Switzerland) – Meagan Kelly, director

    Environmental Preservation

    Feature: “Spoil” (Canada, U.S.) – Trip Jennings, director

    Short:  “The Leaves Keep Falling” (Vietnam, USA) – Julie Winokur, director

    Animal Advocacy

    Feature: “Green” (Indonesia, France) – Patrick Rouxel, director

    Short:“Saving Pelican 895” (USA) – Irene Taylor Brodsky, director

    Artivist Spirit

    Feature: “Love Hate Love” (USA) – Don Hardy, Dana Nachman, directors

    Short:  “Crooked Beauty” (USA) – Ken Paul Rosenthal, director

    2011 Award-Winning Film Synopses:

    Because They Were Beautiful – Filmmaker Frank van Osch, photographer Jan Banning (World Press Photo Award 2004) and journalist Hilde Janssen, traveled throughout Indonesia to search for former “comfort women”: young women who were abducted and forced to serve as sex slaves to the Japanese Armed Forces during World War II. Many comfort women had already passed away, and the ones still alive are now all in their 80s. Still considered a taboo subject in many parts of Asia, the comfort women in “Because They Were Beautiful” depict for us a little-known but important page of history, bravely describing the systematic

    Crooked Beauty – This poetic yet powerful film chronicles artist-activist Jacks McNamara’s transformative journey from childhood abuse to psych-ward patient to pioneering mental-health advocate. It is an intimate portrait, interwoven with poignant testimonials, of McNamara’s intense personal quest to live with courage and dignity, as well as a powerful critique of standard psychiatric treatments.

    Grace – The lives of scavengers in the Philippines are revealed through the story of a courageous young girl. Thirteen-year-old Mary-Grace Rapatan has lived on top of a notorious garbage dump in the Philippines her entire life, picking through mountains of trash to feed her family while persevering to get an education. The film shows the determination and potential of this young teenager despite the challenges she faces.

    Green: Her name is Green, and she is alone in a world that now doesn’t belong to her. Green is a female orangutan, a victim of deforestation and resource exploitation. The recipient of over 20 international film festival awards, including the United Nations’ International Forest Film Festival “Best of the Festival” award, “Green” is an emotional, heart-wrenching journey of Green’s final days in her beloved Indonesian rainforest. The film is a visual ride, presenting the treasures of rainforest biodiversity and the devastating impacts of logging and land clearing for palm oil plantations.

    Love Hate Love – Executive Producer Sean Penn presents this story of the victims of terrorism and how they must rebuild their lives. It’s been eight years since Liz Alderman’s son Peter was murdered by terrorists. Every day since then, Liz is faced with the same two options–succumbing to the depths of despair or finding a way to survive. Esther Hyman knows about this choice as well: Her sister was killed when the bus she was riding to work was blown up. And Ben Tullipan now lives minus his two legs and his hearing because of the one-ton bomb that went off just a few yards away. Their lives, shattered by terrorists, are now on a new path, and they’re taking thousands of people along for the ride. “Love Hate Love” follows these survivors as they search for honor, meaning and a new future.

    Saving Pelican 895 – Nearly 9,000 birds were found in the oily waters of the Gulf Coast in the wake of the 2010 BP oil spill. One of them was a young pelican coated by oil near his nest in Louisiana. This is the story of the 895th bird to be rescued and rehabilitated by a dedicated team of wildlife experts and every day people, many of whom travel the world responding to oil disaster.

    Spoil – Three world-renowned photographers build relationships with indigenous Gitga’at guides throughout a ten-day photo expedition in their search for the rare, elusive spirit bear. Their mission is to create images of this rare bear and the ecosystem that it relies on, before a proposed oil pipeline from the Alberta tar sands threatens to spoil it. The spirit bear, globally rarer than the panda, lives only on the north coast of British Columbia, and the film gives a visually stunning and inspiring display of the interconnectedness of this coastal ecosystem, which has existed in symbiosis with the indigenous communities there for thousands of years.

    Surfing Soweto – “Dogtown And the Z Boys” meets “Rebel Without A Cause” on the streets of Soweto, South Africa. Over the course of the last three years, Cinga Productions followed and documented the lives of three of the most notorious train surfers in Soweto: Bitch Nigga, Lefa and Mzembe. We see them on the top of trains hurtling through Soweto, venture into the heroin dens of Hilbrow, and go into jails with names like Sun City – all in the hope of understanding their frustrations and documenting the lives of the new generation of youth in Soweto. This is the story of a forgotten generation, born after the demise of apartheid but too early to reap the benefits of freedom.

    The Leaves Keep Falling – During the Vietnam War, the U.S. military sprayed some 12 million gallons of Agent Orange herbicide on Vietnam. This defoliant was used to immediately destroy crops, clear vegetation, and remove the dense forest that provided food and cover for Viet Cong forces. Forty years later, the dioxin from Agent Orange is still wreaking havoc on three generations of Vietnamese civilians. The film is an intimate portrait of two Vietnamese families whose children, among the millions, must live with the devastating consequences of the pesticide.

    Umoja: No Men Allowed – Set in Kenya, an unlikely battle of the sexes erupts in tribal Samburu land. This is the amusing and life-changing story of a group of tribal Samburu women in Northern Kenya who reclaim their lives, turning age-old patriarchy on its head, when they set up a women’s only community. Cast out by their husbands after being raped by British soldiers, the women have bonded together to establish the village of Umoja, but their prosperity incurs the wrath of men, including their tribal leaders, leading to a gender war.

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  • Award-Winning documentary film Fordson: Faith, Fasting, Football to open exclusively at select AMC Theatres

    The award-winning documentary film, Fordson: Faith, Fasting, Football, has a release date; the film about high school football and Arab-Americans living in post 9-11 America will open exclusively at select AMC Theatres in 11 cities on Sept. 9, 2011.

    The 11 cities include Atlanta, Chicago, Dearborn, Mich., Dallas, Houston, Orange County, Calif., Los Angeles, New York, N.Y., Brunswick, N.J., San Jose, Calif., San Francisco, and in the Greater Washington D.C. region, including Gaithersburg, Md., and Alexandria, Va.

    The film received the Special Grand Jury Award at the Slamdance Film Festival, Special Jury Prize at the DEADCenter Film Festival, the Audience and Founders Award at the 2011 Politics on Film Festival, the Best Documentary Award at the Detroit-Windsor Film Festival and was named Champion of the World Cup Film Awards.

    ‘Fordson: Faith, Fasting, Football’ is a feature length documentary film that follows four talented high school football players from Dearborn Michigan as they gear up for their big senior year rivalry game during the last ten days of Ramadan, a month when Muslims traditionally fast every day from sunrise to sundown.

    The film begins on September 11, 2009 and concludes at the end of Ramadan ten days later. The story is set against the backdrop of the stunningly beautiful Fordson High School, a public high school built by Henry Ford in 1922, which was once all white, but now boasts a 98% Arab population. As our team readies itself to play its affluent, cross town rival, we unearth the adversity faced by a community that is desperately holding onto its Islamic faith while struggling to gain acceptance in post 9-11 America.

    ‘Fordson’ documents not only the players’ outer struggle to overcome the hunger and thirst of fasting as they prepare for the big game, but also their inner struggle to reconcile their Arab heritage with their American birthright. It is an inspirational story of an immigrant community’s resilience, that attempts to answer the question, ‘Who is an American?’

    Through the eyes of the team, their coaches, and their fans, we get an unprecedented glimpse inside the lives of a community that is home to the largest concentration of Arabs in any city outside of the Middle East, and their determination to hold on to the American Dream.

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  • Great Date Movie! Delhi Belly-opening today

    “Delhi Belly” is the hilarious, raunchy and new Bollywood Movie from director Abhinay Deo, starring international dream guy Imran Khan, along with Vir Das and Kunaal Roy Kapur playing his hapless yet sweet roommates.

    In an almost old Hollywood twist of mistaken identity, and strange, missing bag of something mysterious (Drugs? Money? What?), “Delhi Belly” is really so much fun, like a sweeter, more Eastern version of a deft Judd Apatow film. This is also Bollywood-lite, low on the dance numbers and empty calories, and a great Western intro to the genre. Go, go, go! You and your Saturday night date will adore it. It has something for the girls and the guys, although it does get a bit audibly raunchy (the title is international slang for food poisoning.) Enjoy!

    Tashi, Arup and Nitin – flatmates, buddies and partners in crime. Tashi is to get married in a month but still doesn’t know if his fiancé is THE ONE! Arup can’t make up his mind who he wants to kill first – his girlfriend who has just dumped him or his stupid, annoying boss whose idea of creativity is sketching a smiling banana! And Nitin is about to discover that eating delicious tandoori chicken off a street vendor is going to give him the worst case of Delhi Belly he’s ever known! Three regular blokes, living the regular life EXCEPT for one small detail – they are on the hit list of one of the world’s deadliest crime syndicates. Will they be able to get away before the ‘s#!t hits the roof’ and it comes crashing down?

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  • Azazel Jacobs’ New Film “Terri” Will Win Your Heart

    “Terri,” the new film by Azazel Jacobs (“Momma’s Man”) starring John C. Reilly and newcomer Jacob Wysocki, is a wholly new and refreshing coming-of-age film.

    Wysocki plays the lead character Terri Thompson in “Terri” ( a pretty astonishing star turn), an overweight high school student who is abandoned by his parents to his mentally flagging Uncle James (Creed Bratton of “The Office,” doing a complete and memorable 180 from anything we’ve seen him in) in a small, wooded Midwestern town. Like a blown-out breeze of a kid, Terry shlumps into class wearing only his pajamas, and can barely muster up the effort to care about the itinerant teasing and badgering gently yet deftly inflicted upon him by his classmates. The weight on his shoulders seems undefined yet pretty dense. Wysocki’s performance defines the film as a new type of teen movie- a mainstream film with actual teenagers in it- not at one extreme of the adorable, sassy extreme, or the wicked-slash-drug-doing-slash classic indie film-versionized other. Wysocki’s “fat kid” portrayal here is neither jolly or wisecracking nor self-loathing and hell-bent on destruction. He appears to be, quite simply, tired and bored- like most teenagers historically represent themselves. He is deadpan funny and gracefully enlightening in this exacting, momentous performance.

    Jacobs has a keen way of filling us in on the details without telling us much- which is, quite happily for the audience, how one’s high school experience probably was for most of us. It works so very well here, his way of letting the film breathe, and just as we are getting a feeling of the movie’s off-kilter atmosphere, in strides John C. Reilly.

    Who doesn’t love him, first of all? He can do no wrong, it seems, and casting Reilly, as Vice Principal “Mr. Fitzgerald,” was the perfect complement to a cast of characters that is rounded out only by their own sense of feeling terribly lost. Mr. Fitzgerald is someone who wants to make a difference, and does this by befriending and trying to become a defacto mentor to all of the misfits in the school. Soon, Fitzgerald is inviting Terri into his office for malted milk balls and guy talk. What happens may sound predictable, but in the hands of Reilly and Wysocki, something truly beautiful develops: A real friendship, with genuine give and take, and the realization that everyone, always, is forever growing up.

    Bridger Zadina plays Chad- truly one of the sweetest, funniest and most oddball high school outcasts in recent cinematic history, and Olivia Crocicchia plays Heather, the object of first systematic lust, then derision, by the entire high school student body. Heather first comes across as every high school girl termed “slut” always does- oddly powerful and simultaneously powerless. The scene in the shed will leave many recalling how an innocent night can turn somehow oddly dangerous right after one hits puberty, and the turn the film takes is quickly brought back to life, just as soon as the characters sober up themselves. The film seems to have the steady heart of an actual life rhythm, and really is one of those films that leaves you guessing – is it Jacobs, the actors, the writing, or all three that pumps the life blood through it? Novelist Patrick DeWitt (author of “Ablutions” and “My Brothers Sisters”) turned in an amazing freshman effort here, and Jacobs himself told me that they were in constant communication as DeWitt turned in first pages. It all works perfectly well.

    Not formally perfect, stylized or over-produced in the least, Terri is a movie to watch, enjoy and revel in. We will hopefully be seeing much more of Azazel Jacobs work in the future. Go and see this film this weekend. Vimooz highly recommends it…

    Review by Francesca McCaffery

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  • Paladin takes “The Whale,” narrated by Ryan Reynolds

    THE WHALE, a new documentary about a lonely young killer whale who causes upheaval in a small town and amazement around the world when he tries to make friends with humans, will be released theatrically by Paladin, it was announced by company president, Mark Urman.

    THE WHALE was directed by noted journalist Michael Parfit and veteran producer-cinematographer Suzanne Chisholm, who encountered the young orca whale, nicknamed Luna, at the height of his celebrity and spent several years chronicling his adventures both in print and on film.

    Ryan Reynolds, who hails from the very region in Western Canada where the story unfolds, narrates the film and served as executive producer, along with Scarlett Johansson and Eric Desatnik. THE WHALE will play its first commercial engagements in late summer and expand in the fall.

    Set on the rugged western coast of Vancouver Island, THE WHALE describes what happens when Luna, a baby orca, gets separated from his family and unexpectedly starts making contact with people along a scenic fjord called Nootka Sound. Because orcas are highly social creatures who spend their lives traveling with their pods, Luna attempts to find a surrogate family among the area residents, much to their delight. But as word spreads about Luna, people become torn between their love for the lonely young whale and fears that human contact might harm him.

    Luna’s saga is seen through the eyes of the colorful characters who live and work along the Sound and who fall in love with the whale — including a cook on an old freighter, a fisheries officer conflicted by what he thinks Luna needs and what he is told to do, a grandmother who is arrested for petting Luna, and a Native American elder whose tribe believes Luna is the reincarnation of a chief.

    The film also describes how Parfit and Chisholm themselves, who first went to Nootka Sound on assignment for Smithsonian, grow so concerned about Luna’s fate that they get involved in trying to help him, crossing the traditional line between journalist and subject and becoming characters in the very story they are telling. Their efforts to find ways to safely give Luna the attention he seems so determined to get are a major part of the film’s climax.

    “THE WHALE is a wondrous experience,” said Urman. “It speaks volumes about our complex and ever-changing relationship with nature.  Michael and Suzanne have told this story so effectively that, while it has all the power of truth, it also has all the emotion and beauty of a perfect fable.”

    “We’re thrilled to be releasing THE WHALE with Paladin,” said producer Chisholm. “The team’s experience and success is extraordinary, and we could not have found a better place for this movie.” Parfit adds: “Working with people like Ryan Reynolds on the narration, and Mark Urman and his team on distribution has been a great example of how collaborative film is. The fact that all of them love Luna as much as we do is wonderful.”

    Parfit, an award-winning writer, director, and cinematographer, has authored four books, scripted two Imax films and has written many major articles for National Geographic  and Smithsonian magazines. A heavily illustrated feature, written by Parfit, about the couple’s adventures with Luna and how they brought the story to the big screen, appears in Smithsonian’s double summer issue, currently on stands. The article is also on the Smithsonian website, here: http://www.smithsonianmag.com/science-nature/Luna-A-Whale-to-Watch.html#.

    Please visit THE WHALE on Facebook: http://www.facebook.com/thewhalemovie.

    THE WHALE deal caps a particularly busy season for Paladin, following the highly successful release of Tom Shadyac’s “I Am,” which has grossed over $1.5 million, making it the highest grossing non-studio, non-3D documentary release of the year.  The company launches the award-winning “Love Etc.” on July 1st and recently announced the fall release of Tiffany Shlain’s Sundance favorite, “Connected.”  Also opening this summer for the company is Marcus Dean Fuller’s “One Fall,” and coming in autumn is Margaret Whitton’s romantic comedy, “A Bird of the Air.”

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