• 2011 Shanghai International Film Festival announces Golden Goblet winners

    [caption id="attachment_1482" align="alignnone" width="560"]MR. TREE (China) directed by Han Jie[/caption]

    Shanghai’s 14th International Film Festival (SIFF) wrapped yesterday and announced the 2011 winners of the Golden Goblet Award. The Chinese movie “Mr. Tree” and “The Young Man Sings Folk Song in the Opposite Door” were the biggest winners

    “Mr. Tree” received awards for Jury Grand Prix and Best Director; and  “The Young Man Sings Folk Song in the Opposite Door” grabbed three awards for Best Screenplay, Best Actress and Best Music.


    Award for Best Feature Film
    HAYDE BRE (Turkey) directed by Orhan Oguz
    What attracted to us was its stark, honest, unflinching look at a mother dealing with a modern world and her separation from her rural background, a woman caught up in a changing world and the painful struggle she faces. The film was effective, sometimes disturbing, but always true to its intentions.

    Jury Grand Prix
    MR. TREE (China) directed by Han Jie
    Mr.Tree, you’re almost blind and the weird position of your right hand to keep balance so you don’t fall. You are guilty of patricide, torn and twisted inside but you can see the fortune and lead the people. OK, we follow you.

    Award for Best Director
    Han Jie for MR. TREE (China)
    Being clear and understandable with a complex theme while staying subtle to avoid being simplistic and having the ability to create abstract and mysterious emotion, that is an accomplished direction.

    Award for Best Screenplay
    Zhang Ming for THE YOUNG MAN SINGS FOLK SONG IN THE OPPOSITE DOOR (China)
    There are elements we are always happy to find in a screenplay, such as a sense of truthfulness, hard to create but easy to recognize. The jury found all these qualities in the skilful and touching screenplay of the film.

    Award for Best Actor
    Sevket Emrulla in HAYDE BRE (Turkey)
    Sevket Emrulla’s job in this film is just perfect, simple but full of meaning.

    Award for Best Actress
    Lv Xingchen in THE YOUNG MAN SINGS FOLK SONG IN THE OPPOSITE DOOR (China)
    Your performance creates a true and mutative inner world of a modern Chinese woman, and enrichs the woman’s aspirations to its full extent. It is outstanding.

    Award for Best Cinematography
    Tiwa Moeithaisong for FRIDAY KILLER (Thailand)
    The extremely exquisite combination of moving and tranquil scenes makes the film full of wit and humour, deeply impressing all of us.

    Award for Best Music
    Wen Zi for THE YOUNG MAN SINGS FOLK SONG IN THE OPPOSITE DOOR (China)
    The film reminds that songs linger on when images are fading away, spirits resurrected when our flesh was betrayed and buried. Long live to lyrical voices from our lovers and ancestors.

    Jury Award
    FRIDAY KILLER (Thailand) directed by Yuthlert Sippapak
    The jury was most entertained by a colorful, atmospheric, good-looking gangster epic paying open tribute to Quentin Tarantino.

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  • 2011 Provincetown International Film Festival award winners

    [caption id="attachment_1477" align="alignnone" width="560"]DIRTY GIRL (directed by Abe Sylvia) won the HBO Audience Award Best Narrative Feature.[/caption]

    The 2011 Provincetown International Film Festival which ran June 15th thru 19th, announced its award winners on Sunday night.  Prizes were given to the following films:

    DIRTY GIRL (directed by Abe Sylvia) won the HBO Audience Award Best Narrative Feature.  **US Premiere at PIFF**

     

    [caption id="attachment_1478" align="alignnone" width="560"]BUCK (directed by Cindy Meehl)[/caption]

    BUCK (directed by Cindy Meehl) won the HBO Audience Award Best Documentary Feature

     

    [caption id="attachment_1479" align="alignnone" width="480"]HELLO CALLER (directed by Andrew Putschoegl)[/caption]
    HELLO CALLER (directed by Andrew Putschoegl) won the HBO Audience Award Best Short Film


    [caption id="attachment_1480" align="alignnone" width="560"]27 (directed by Neil Forbes) [/caption]

    27 (directed by Neil Forbes) won the Student Film Grand Jury Prize (sponsored by The Gale Fund of the Cape Cod Community Foundation)

    Other awards include, the 2011 Filmmaker on the Edge Award (sponsored by the Coolidge Corner Theatre Foundation) was given to writer/director Darren Aronofsky (REQUIEM FOR A DREAM, THE WRESTLER, BLACK SWAN).  Actress Vera Farmiga (DOWN TO THE BONE, UP IN THE AIR, HIGHER GROUND) received the Excellence In Acting Award.  The Career Achievement Award (sponsored by Cape Air) was given given to Albert Maysles (GIMME SHELTER, GREY GARDENS, SALESMAN).

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  • KLITSCHKO, boxing documentary from 2011 Tribeca Film Festival, Opens in NYC on October 21

    KLITSCHKO, a documentary directed by Sebastian Dehnhardt, which had its World Premiere at the 2011 Tribeca Film Festival will open in New York at Cinema Village on Friday, October 21, and in Los Angeles at the end of October.  Many other cities will follow.

    Corinth Releasing is proud to present the US Theatrical premiere of KLITSCHKO, a documentary directed by Sebastian Dehnhardt.   KLITSCHKO had its World Premiere at the 2011 Tribeca Film Festival to critical acclaim and very enthusiastic audience reaction.  The film will open in New York at Cinema Village on Friday, October 21, and in Los Angeles at the end of October.  Many other cities will follow.

    Six-foot-six Ukrainian brothers Vitali and Wladimir Klitschko moved to Germany to begin careers in heavyweight boxing in 1996, and the sport was never the same. After a 15-year reign over the ring, they made history in 2008, becoming the first brothers in the sport to hold world titles at the same time. Through an engaging mix of candid interviews and absorbing fight footage, KLITSCHKO offers a captivating glimpse into the makings of these champion boxing brothers.

    Vitali and Wladimir Klitschko are two exceptional boxers, both icons and role models in their native Ukraine and around the world. But they also represent the original Cold War nightmare: The Mighty Russian Boxer. The myth of the strongest man in the world has a new face now; actually two, The Klitschkos.

    But who are these smart gentlemen of boxing, each with a PhD and fluent in four languages? Will Wladimir dominate Heavy Weight Boxing for another five years; and will Vitali, the politician, someday become the President of Ukraine? Will they really stick with the promise they made to their mother, never to fight against each other?

    Award winning German director Sebastian Dehnhardt followed the Klitschkos on their most personal journey. Included in the film is long forgotten archival footage; interviews with people around the world who shared never-before-heard details; time spent with the brothers in the sacred locker room just minutes before their fights.  The result is an incredible and intimate portrait of these two boxers.

    This feature documentary showcases the childhood of both brothers marked by socialist drills in the midst of the Cold War, growing up on Soviet Military Bases, and the impact that the Chernobyl Nuclear disaster had on their family. The film traces their path through life, their move from Germany to the United States and back  to Europe and their rise to International Boxing Super-Stardom.

    2011  In German, Russian and English, with English subtitles  112 min  Not Rated

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  • 2011 Seattle International Film Festival Competition Awards and Golden Space Needle Audience Awards

    [caption id="attachment_1473" align="alignnone" width="550"]Grand Jury Prize, Gandu, directed by ‘Q’ Kaushik Mukherjee[/caption]

    The 37th Seattle International Film Festival, wrapped on June 12th after a 25-day run with the announcement of the SIFF 2011 Competition Awards and Golden Space Needle Audience Awards. The Indian film ‘Gandu’ directed by “Q” Kaushik Mukherjee took the Grand Jury Prize for Best New Dierctor. ‘Gandu’ is described as film about A poor young man in Kolkata befriends a Bruce Lee-obsessed rickshaw driver and begins a strange descent into a world of drugs and rap-fueled fantasy in this gritty, resolutely anti-Bollywood adventure.

    SIFF 2011 COMPETITION AWARDS
    Three Competition Awards including Best New Director, Best Documentary and the FIPRESCI Prize were announced today. Winners in the juried New Director and Documentary competition will receive $2,500. All of the winners will receive a Space Needle inspired glass award by artist James Mongrain.

    SIFF 2011 Best New Director
    Grand Jury Prize
    Gandu, directed by “Q” Kaushik Mukherjee (India, 2010)
    Jury Statement: “We chose to give the prize to a movie that bowled us over with its kinetic, brash humor and style-hoping dexterity, a portrait of tortured youth that refreshingly pokes fun at adolescent self-centeredness while simultaneously exploring the anger, despondency and malaise of a generation.”

    The New Directors Competition jury was comprised of: Robert Abele, Film and TV Critic/Journalist; Peter Goldwyn, Samuel Goldwyn Films; and Sara Rose, Acquisitions Executive

    SIFF 2011 Best Documentary
    Grand Jury Prize
    Hot Coffee, directed by Susan Saladoff (USA, 2011)
    Jury Statement: “Going beyond a well-known headline that was the butt of many jokes, Hot Coffee makes dry legal boilerplate spring to life in portraying human dramas with tragic consequences. It makes us all question our simple assumptions – it’s a film that needs to be seen.”

    Special Jury Prizes
    To Be Heard, directed by Roland Legiardi-Laura, Amy Sultan, Deborah Shaffer and Edwin Martinez (USA, 2010)
    Jury Statement: “By filmically living with and sharing the dramas of a remarkably affecting group of young people over a period of years, To Be Heard wins the hearts of viewers with a roller coaster emotional ride…it’s immediacy and poignancy make it a film that truly lives beyond the frame.”

    Sushi: The Global Catch, directed by Mark Hall (USA, 2011)
    Jury Statement: “The film brings to the forefront the urgent and occasionally competing arguments of overfishing that don’t necessarily have easy answers – truly a film that is food for thought.”

    The Documentary jury was comprised of: Krysanne Katsoolis, Cactus Three; Richard Lorber, Kino Lorber Inc.; and Katherine Tulich, Hollywood Foreign Press and International Federation of Film Critics.

    SIFF 2011 FIPRESCI Prize for Best New American Film
    SIFF is very pleased to announce its continued partnership with FIPRESCI, the International Federation of Film Critics. FIPRESCI, in existence for more than 65 years, with members in over 60 countries, supports cinema as an art and as an outstanding and autonomous means of expression. SIFF is one of three festivals in the United States to host a FIPRESCI jury, and this year, FIPRESCI presented an award to Best New American Film selected from the New American Cinema program.

    FIPRESCI Prize
    On the Ice, directed by Andrew Okpeaha MacLean (USA, 2011)
    Jury Statement: “For presenting a universal, near-Biblical tragedy set in a little known culture recreated with compelling detail. A story told with outstanding naturalistic performances with a confident, compelling narrative.”

    The FIPRESCI jury was comprised of members of the International Federation of Film Critics: Peter Keough, USA; Gideon Kouts, France; and Lucy Virgen, Mexico

    SIFF 2011 Golden Space Needle Audience Awards
    The Golden Space Needle Audience Awards are given in the following categories: Best Film, Best Documentary, Best Director, Best Actor, Best Actress, and Best Short Film. More than 80,000 ballots were cast by SIFF audiences to determine the winners. Golden Space Needle Award winners receive a hand-made glass creation by artist James Mongrain. Additionally, the Golden Space Needle award winner for Best Short film will receive a brand new Mac computer, fully loaded with the latest filmmaking software from The Mac Store, and will receive $1,000 of film stock from Eastman Kodak.

    Best Film Golden Space Needle Award
    Paper Birds, directed by Emilio Aragón (Spain, 2010)
    First runner up: Tilt, directed by Viktor Chouchkov Jr. (Bulgaria, 2010)
    Second runner up: Simple Simon, directed by Andreas Öhman (Sweden, 2010)
    Third runner up: The Whistleblower, directed by Larysa Kondracki (Canada/Germany, 2010)
    Fourth runner up: King of Devil’s Island, directed by Marius Holst (Norway, 2010)

    Rounding out the top ten: My Afternoons With Margueritte, directed by Jean Becker (France, 2010); Spud, directed by Donovan Marsh (South Africa, 2010); Service Entrance (The Women of the Sixth Floor), directed by Philippe Le Guay (France, 2011); Almanya, directed by Yasemin Samdereli (Germany, 2011); Old Goats, directed by Taylor Guterson (USA, 2010).

    Best Documentary Golden Space Needle Award
    To Be Heard, directed by Roland Legiardi-Laura, Amy Sultan, Deborah Shaffer, Edwin Martinez (USA, 2010)
    First runner up: Being Elmo: A Puppeteer’s Journey, directed by Constance Marks (USA, 2011)
    Second runner up: Buck, directed by Cindy Meehl (USA, 2011)
    Third runner up: How to Die in Oregon, directed by Peter D. Richardson (USA, 2011)
    Fourth runner up: Hot Coffee, directed by Susan Saladoff (USA, 2011)

    Rounding out the top ten: Holy Rollers: The True Story of Card Counting Christians, directed by Bryan Storkel (USA, 2011); The Interrupters, directed by Steve James (USA, 2011); Circus Dreams, directed by Signe Taylor (USA, 2011); 12 Angry Lebanese, directed by Zeina Daccache (Lebanon, 2010); A Lot Like You, directed by Eliaichi Kimaro (Tanzania/USA, 2011).

    Best Director Golden Space Needle Award
    Larysa Kondracki, The Whistleblower (Canada/Germany, 2010)
    First runner up: Emilio Aragón, Paper Birds (Spain, 2010)
    Second runner up: Mohammad Rasoulof, The White Meadows (Iran, 2009)
    Third runner up: Yasemin Samderelli, Almanya (Germany, 2011)
    Fourth runner up: Maryam Keshavarz, Circumstance (Iran, 2011)

    Rounding out the top ten: Carlos Saura, Flamenco, Flamenco (Spain, 2010); Robbie Pickering, Natural Selection (USA, 2011); Megan Griffiths, The Off Hours (USA, 2011); Raul Ruiz, The Mysteries of Lisbon (Portugal, 2010); Mike Mills, Beginners (USA, 2010).

    Best Actor Golden Space Needle Award
    Bill Skarsgård, Simple Simon (Sweden, 2010)
    First runner up: Matt Smith, Womb, (Germany/Hungary/France, 2010)
    Second runner up: Imanol Arias, Paper Birds (Spain, 2010)
    Third runner up: Matt O’Leary, Natural Selection (USA, 2011)
    Fourth runner up: Ron Eldard, Roadie (USA, 2011)

    Rounding out the top ten: Ewan McGregor, Beginners (USA, 2010); Peter Stormare, Small Town Murder Songs (Canada, 2010); Toni Servillo, A Quiet Life (Italy, 2010); Peter Mullan, Tyrannosaur (UK, 2011); Gerard Depardieu, My Afternoons with Margueritte (France, 2010).

    Best Actress Golden Space Needle Award
    Natasha Petrovic, As If I Am Not There (Ireland/Macedonia/Sweden, 2010)
    First runner up: Bodil Jorgensen, Nothing’s All Bad (Denmark, 2010)
    Second runner up: Rachel Weisz, The Whistleblower (Canada/Germany, 2010)
    Third runner up: Rachael Harris, Natural Selection (USA, 2011)
    Fourth runner up: Magaly Solier, Amador (Spain, 2011)

    Rounding out the top ten: Eva Green, Perfect Sense (UK, 2011); Yahima Torres, Black Venus (France, 2010); Sara Forestier, The Names of Love (France, 2010); Katja Kukkola, Princess (Finland, 2010); Sandra Hüller, Above Us Only Sky (Germany, 2011).

    Best Short Film Golden Space Needle Award
    The Fantastic Flying Books Of Mr. Morris Lessmore, directed by William Joyce (USA, 2011)
    First runner up: North Atlantic, directed by Bernardo Nascimento (Portugal, 2010)
    Second runner up: Interview, director Sebastian Marka (Germany, 2010)
    Third runner up: Amazonia, director Sam Chen (USA, 2010)
    Fourth runner up: Cataplexy, director John Salcido (USA, 2010)

    Lena Sharpe Award for Persistence of Vision, Presented by Women in Film/Seattle
    This award is presented to the female director whose feature film receives the highest number of audience ballots.
    Being Elmo: A Puppeteer’s Journey, directed by Constance Marks (USA, 2011)

    SIFF 2011 FutureWave and Youth Jury Awards
    The SIFF FutureWave jury was comprised of five high-school students that viewed nine FutureWave features to award the prize of Best FutureWave Feature. The Films4Families jury was comprised of five elementary and middle school students that viewed six Films4Families films to award the prize for Best Films4Families Feature. SIFF’s WaveMaker Award for Excellence in Youth Filmmaking was awarded at the FutureWave Shorts program on May 30 at SIFF Cinema as part of the ShortsFest Weekend. More than 100 short films were submitted from young filmmakers aged 13-18, from Canada, USA, Sweden, Ireland, South Africa, and the United Kingdom. The WaveMaker Award was selected from the 19 presented finalists. TheFilmSchool faculty member Rick Stevenson also awarded several partial scholarships to TheFilmSchool’s Prodigy Camp for outstanding storytelling.

    Youth Jury Award for Best FutureWave Feature
    Detention, directed by Joseph Kahn (USA, 2011)
    Jury Statement: “For its unpredictable and genuinely exciting story that is based on today’s teenager, but effectively immersed in a fantasy world. It is obvious that Detention was made with a passion for creative filmmaking and we are eager to share it with our generation.”

    Youth Jury Award for Best Films4Families Feature
    Circus Dreams, directed by Signe Taylor (USA, 2011)
    Jury Statement: “For showing the ups and downs of training and performing in a children’s circus and the importance of pursuing your dreams.”

    WaveMaker Award for Excellence in Youth Filmmaking (Grand Jury Prize)
    The Million Dollar Watch, directed by Joseph Yao (USA, 2010)
    Jury statement: “For its creativity, vision, and scope on an operatic scale.”

    WaveMaker Special Jury Prize
    Deaf Perspective, directed by Rogan Shannon (USA, 2011)
    Jury statement: “For opening our eyes (and ears) to a new perspective on the world.”

    Joseph Yao (The Million Dollar Watch, USA, 2010) and Blair Scott (Reflection, USA, 2010) also received a scholarship to TheFilmSchool’s Prodigy Camp, a weeklong, immersive, overnight film camp for youth aged 12–18 held in late June.

    FutureWave Shorts Audience Award
    Deaf Perspective, directed by Rogan Shannon (USA, 2011)
    First runner up: The Million Dollar Watch, directed by Joseph Yao (USA, 2010)
    Second runner up: Reflection, directed by Blair Scott (USA, 2010)
    Third runner up: Henry, directed by Amelia Elizalde (USA, 2011)
    Fourth runner up: Noticed, directed by Reel Youth CampOut (Canada, 2010)

    SIFF 2011 Short Film Jury Awards
    As a qualifying festival of the Academy of Motion Picture Arts and Sciences, short films that receive the Grand Jury Prize for Best Narrative short film and Best Animation short film awards at SIFF may qualify to enter the Short Films category of the Academy Awards® for the concurrent season without the standard theatrical run, provided the film otherwise complies with the Academy rules. Winners will also receive a $1,000 cash prize.

    Grand Jury Prize for Best Narrative Short
    Time Freak, directed by Andrew Bowler (USA, 2010)
    Jury statement: “A hilarious, original take on time travel that reminds us all to embrace the moment.”

    Grand Jury Prize for Best Documentary Short
    Library of Dust, directed by Ondi Timoner and Robert James (USA, 2010)
    Jury statement: “This real-life ghost story is a startling reminder of the strength of spirit and compels us to recognize the tragedy of overlooking the spirits of those still with us.”

    Grand Jury Prize for Best Animated Short
    The Eagleman Stag, directed by Mikey Please (USA, 2010)
    Jury statement: “With a monochromatic palette, it provides a colorful tale of life and rebirth.”

    Special Jury Prizes
    Narrative – Howard From Ohio, directed by SJ Chiro (USA, 2011)
    Jury statement: “It’s a simple tale with a straightforward honesty seldom seen on screen.”

    Our Ship, directed by Garon Campbell (South Africa, 2011)
    Jury statement: “A heartwarming story that underscores the importance of family loyalty.”

    Animation – New Digs, directed by Martin Sen (South Africa, 2010)
    Jury statement: “A charmingly ironic tale about having faith in the people who love you.”

    The Short Film jury was comprised of: Kellie Ann Benz, The Shorts Report; Bill Murray, Northwest Screenwriters Guild; Jason Plourde, Three Dollar Bill Cinema and Tom Skerritt, actor and founder, TheFilmSchool.

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  • Academy of Motion Picture Arts and Sciences Extend Invitations to 178 New Membes

    [caption id="attachment_1471" align="alignnone" width="550"]Anthony Mackie in [/caption]

    The Academy of Motion Picture Arts and Sciences has extending invitations to join the organization to 178 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.  Those who accept the invitation will be the only additions in 2011 to the Academy’s roster of members.

    “These individuals are among the best filmmakers working in the industry today,” said Academy President Tom Sherak.  “Their talent and creativity have entertained moviegoers around the world, and I welcome each of them to our ranks.”

    The Academy’s membership policies would have allowed a maximum of 211 new members in 2011, but as in other recent years, several branch committees endorsed fewer candidates than were proposed to them.  Voting membership in the organization has now held steady at just under 6,000 members since 2003.

    In an unprecedented gesture, the list of new members includes documentary filmmaker Tim Hetherington, who was killed in action in Libya in April.  Hetherington had been a 2010 nominee for his film “Restrepo,” but died prior to the Academy’s spring meetings to select new members.  The Documentary Branch proposed that Hetherington’s name be included among the year’s invitees.  The governors agreed.

    The 2011 invitees are:

    Actors
    Russell Brand – “Arthur,” “Get Him to the Greek”
    Gerard Butler – “The Ugly Truth,” “300”
    Vincent Cassel – “Black Swan,” “Eastern Promises”
    Robbie Coltrane – “Harry Potter and the Deathly Hallows Part 1,” “Mona Lisa”
    Bradley Cooper – “Limitless,” “The Hangover”
    John Corbett – “Sex and the City 2,” “My Big Fat Greek Wedding”
    Rosemarie DeWitt – “The Company Men,” “Rachel Getting Married”
    Peter Dinklage – “Find Me Guilty,” “The Station Agent”
    David Duchovny – “Things We Lost in the Fire,” “The X-Files”
    Jesse Eisenberg – “The Social Network,” “The Squid and the Whale”
    Jennifer Garner – “Arthur,” “Juno”
    John Hawkes – “Winter’s Bone,” “The Perfect Storm”
    Thomas Jane – “The Mist,” “The Thin Red Line”
    Nastassja Kinski – “An American Rhapsody,” “Tess”
    Beyonce Knowles – “Dreamgirls,” “Austin Powers in Goldmember”
    Mila Kunis – “Black Swan,” “Forgetting Sarah Marshall”
    Jennifer Lawrence – “Winter’s Bone,” “The Burning Plain”
    Tea Leoni – “Ghost Town,” “Spanglish”
    Anthony Mackie – “The Hurt Locker,” “Million Dollar Baby”
    Lesley Manville – “Another Year,” “Topsy-Turvy”
    Rooney Mara – “A Nightmare on Elm Street,” “The Social Network”
    Dominic Monaghan – “X-Men Origins: Wolverine,” “The Lord of the Rings: The Return of the King”
    Connie Nielsen – “Brothers,” “Gladiator”
    Ellen Page – “Inception,” “Juno”
    Wes Studi – “Avatar,” “The Last of the Mohicans”
    Mia Wasikowska – “Jane Eyre,” “The Kids Are All Right”
    Jacki Weaver – “Animal Kingdom,” “Cosi”

    Animators
    Geefwee Boedoe – “Let’s Pollute,” “Monsters, Inc.”
    Alessandro Carloni – “How to Train Your Dragon,” “Over the Hedge”
    Sylvain Chomet – “The Illusionist,” “The Triplets of Belleville”
    Jakob Hjort Jensen – “How to Train Your Dragon,” “Flushed Away”
    Biljana Labovic – “The Cow Who Wanted to Be a Hamburger,” “Idiots and Angels”
    Tomm Moore – “The Secret of Kells,” “Backwards Boy”
    Teddy Newton – “Day & Night,” “Ratatouille”
    Bob Peterson – “Up,” “Finding Nemo” (also invited to the Writers Branch)
    Javier Recio Gracia – “The Lady and the Reaper,” “The Missing Lynx”
    Andrew Ruhemann – “The Lost Thing,” “City Paradise”
    Kristof Serrand – “How to Train Your Dragon,” “Sinbad: Legend of the Seven Seas”
    Shaun Tan – “The Lost Thing,” “Dr. Seuss’ Horton Hears a Who!”
    Simon Wells – “Mars Needs Moms,” “The Prince of Egypt”

    Art Directors
    Anahid Nazarian – “The Virgin Suicides,” “The Godfather, Part III”
    Lauren E. Polizzi – “Cowboys & Aliens,” “Transformers: Revenge of the Fallen”

    At-Large
    George Aguilar
    Barry Bernardi
    Christopher Dodd
    Ted Gagliano
    James L. Honore
    Dawn Hudson
    Beverly Pasterczyk
    Randall Poster
    Ric Robertson
    David Schnuelle
    Randy Spendlove
    Beverly Joanna Wood

    Casting Directors
    Nina Gold – “The King’s Speech,” “Jane Eyre”
    Jina Jay – “The Reader,” “Layer Cake”
    Lora Kennedy – “The Town,” “Syriana”

    Cinematographers
    Frank Byers – “Illegal Tender,” “Boxing Helena”
    Patrick Cady – “Lottery Ticket,” “Broken Bridges”
    Danny Cohen – “The King’s Speech,” “Pirate Radio”
    Lukas Ettlin – “The Lincoln Lawyer,” “Middle Men”
    Steven Fierberg – “Love & Other Drugs,” “Secretary”
    Barry Markowitz – “Crazy Heart,” “Sling Blade”
    Charles Minsky – “Valentine’s Day,” “Pretty Woman”
    Lawrence Sher – “The Hangover,” “Garden State”
    Eric Steelberg – “Up in the Air,” “(500) Days of Summer”

    Costume Designers
    Odile Dicks-Mireaux – “An Education,” “The Constant Gardener”
    Sarah Edwards – “Salt,” “Michael Clayton”
    Danny Glicker – “Up in the Air,” “Milk”

    Directors
    Gregg Araki – “Kaboom,” “Nowhere”
    Susanne Bier – “In a Better World,” “After the Wedding”
    Neil Burger – “Limitless,” “The Illusionist”
    Lisa Cholodenko – “The Kids Are All Right,” “Laurel Canyon” (also invited to the Writers Branch)
    Debra Granik – “Winter’s Bone,” “Down to the Bone” (also invited to the Writers Branch)
    Tom Hooper – “The King’s Speech,” “The Damned United”
    John Cameron Mitchell – “Rabbit Hole,” “Shortbus”
    Yojiro Takita – “Departures,” “Himitsu”

    Documentary
    Jon Alpert – “China’s Unnatural Disaster: The Tears of Sichuan Province,” “Lock-up: The Prisoners
    of Rikers Island”
    Amir Bar-Lev – “The Tillman Story,” “Fighter”
    Lesley Chilcott – “Waiting for ‘Superman’,” “It Might Get Loud”
    Carl Deal – “Capitalism: A Love Story,” “Trouble the Water”
    Charles Ferguson – “Inside Job,” “No End in Sight”
    Tim Hetherington – “Restrepo” (posthumous)
    Sebastian Junger – “Restrepo”
    Thomas Lennon – “The Warriors of Qiugang,” “The Blood of Yingzhou District”
    Diane Weyermann – “Waiting for ‘Superman’,” “Food, Inc.”
    Ruby Yang – “The Blood of Yingzhou District,” “The Warriors of Qiugang”

    Executives
    William J. Damaschke
    Richard M. Fay
    Donna Langley
    Leslie Moonves
    Vanessa L. Morrison
    Bill Pohlad
    Rich Ross
    Jeff Small
    Thomas Tull

    Film Editors
    Tariq Anwar – “The King’s Speech,” “American Beauty”
    Naomi Geraghty – “Limitless,” “Reservation Road”
    Jon Harris – “127 Hours,” “Layer Cake”
    Darren Holmes – “How to Train Your Dragon,” “The Iron Giant”
    Pamela Martin – “The Fighter,” “Little Miss Sunshine”
    Joel Negron – “Transformers: Dark of the Moon,” “The Karate Kid”
    Terilyn A. Shropshire – “Jumping the Broom,” “Eve’s Bayou”
    Angus Wall – “The Social Network,” “The Curious Case of Benjamin Button”
    Andrew Weisblum – “The Black Swan,” “The Wrestler”

    Live Action Short Films
    Luke Matheny – “God of Love,” “Earano”

    Makeup Artists and Hairstylists
    Judy Chin – “Black Swan,” “Requiem for a Dream”
    Kathrine Gordon – “3:10 to Yuma,” “Ocean’s Eleven”
    Trefor Proud – “W.,” “Topsy-Turvy”
    Cindy Jane Williams – “Burlesque,” “Hancock”
    Wesley Wofford – “Big Mommas: Like Father, Like Son,” “A Beautiful Mind”

    Music
    Terence Blanchard – “Inside Man,” “Malcolm X”
    Fernand Bos – “Crazy Heart,” “Cold Mountain”
    Graeme Revell – “Darfur Now,” “Lara Croft: Tomb Raider”

    Producers
    Iain Canning – “Oranges and Sunshine,” “The King’s Speech”
    Cean Chaffin – “The Social Network,” “Fight Club”
    Kevin Feige – “Thor,” “Iron Man”
    Gary Goetzman – “Where the Wild Things Are,” “Mamma Mia!”
    Sisse Graum Jorgensen – “In a Better World,” “After the Wedding”
    Jeffrey Levy-Hinte – “The Kids Are All Right,” “Laurel Canyon”
    Todd Lieberman – “The Fighter,” “The Proposal”
    Robert Lorenz – “Letters from Iwo Jima,” “Mystic River”
    Celine Rattray – “The Kids Are All Right,” “Grace Is Gone”
    Emile Sherman – “The King’s Speech,” “Candy”
    Emma Thomas – “Inception,” “The Dark Knight”
    Gareth Unwin – “The King’s Speech,” “Exam”

    Production Designers
    Howard Cummings – “I Love You, Beth Cooper,” “John Grisham’s The Rainmaker”
    Therese DePrez – “Black Swan,” “How to Lose a Guy in 10 Days”
    Guy Hendrix Dyas – “Inception,” “The Brothers Grimm”
    Jess Gonchor – “True Grit,” “Capote”
    Jane Musky – “Something Borrowed,” “Finding Forrester”
    Eve Stewart – “The King’s Speech,” “Topsy-Turvy”

    Public Relations
    Susan Ciccone
    Alissa Grayson
    Jeffrey Hall
    Jill Ann Jones
    Mark Markline
    Carmelo Pirrone
    Ira Rubenstein
    David Schneiderman
    Loren Schwartz
    Lance Volland

    Set Decorators
    Judy Farr – “The King’s Speech,” “Death at a Funeral”
    Gene Serdena – “The Fighter,” “House of Sand and Fog”

    Sound
    Andrew DeCristofaro – “Hall Pass,” “Crazy Heart”
    Joe Dorn – “The Wolfman,” “Spider-Man 3”
    Marc Fishman – “Bridesmaids,” “Crash”
    Lora Hirschberg – “Inception,” “The Dark Knight”
    Chris Jargo – “Robin Hood,” “American Gangster”
    John Midgley – “The King’s Speech,” “Star Wars Episode I: The Phantom Menace”
    Ed Novick – “Inception,” “The Dark Knight”
    Hammond Peek – “King Kong,” “The Lord of the Rings: The Return of the King”
    Brian Vessa – “Nemesis,” “Lambada”
    Mark Weingarten – “The Social Network,” “The Curious Case of Benjamin Button”

    Visual Effects
    Tim Alexander – “Rango,” “Harry Potter and the Goblet of Fire”
    Rob Bredow – “Cloudy with a Chance of Meatballs,” “The Polar Express”
    Tim Burke – “Harry Potter and the Deathly Hallows Part 1,” “Gladiator”
    Peter Chesney – “No Country for Old Men,” “Men in Black”
    Paul Franklin – “Inception,” “The Dark Knight”
    Kevin Tod Haug – “The Twilight Saga: Eclipse,” “Quantum of Solace”
    Florian Kainz – “Mission: Impossible III,” “The Perfect Storm”
    Marshall Krasser – “Iron Man 2,” “Titanic”
    Sean Phillips – “Alice in Wonderland,” “The Polar Express”
    Peter G. Travers – “Watchmen,” “The Matrix Reloaded”
    Brian Van’t Hul – “Coraline,” “I, Robot”
    Mark H. Weingartner – “Sex and the City 2,” “Inception”

    Writers
    Stuart Blumberg – “The Kids Are All Right,” “Keeping the Faith”
    Lisa Cholodenko – “The Kids Are All Right,” “Laurel Canyon” (also invited to the Directors Branch)
    Debra Granik – “Winter’s Bone,” “Down to the Bone” (also invited to the Directors Branch)
    Karen McCullah Lutz – “The Ugly Truth,” “Legally Blonde”
    Aline Brosh McKenna – “27 Dresses,” “The Devil Wears Prada”
    Bob Peterson – “Up,” “Finding Nemo” (also invited to the Short Films and Feature Animation Branch)
    David Rabe – “The Firm,” “Casualties of War”
    Anne Rosellini – “Winter’s Bone”
    David Seidler – “The King’s Speech,” “The King & I”
    Scott Silver – “The Fighter,” “8 Mile”
    Kirsten Smith – “The Ugly Truth,” “Legally Blonde”
    Aaron Sorkin – “The Social Network,” “A Few Good Men”
    Daniel Waters – “Batman Returns,” “Heathers”

    Additionally, the Academy invited John Coffey, Risa Gertner and Robert C. Rosenthal to Associate membership. Associate members are not represented on the Board and do not have Academy Awards® voting privileges.

    source: AMPAS

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  • Otelo Burning is opening film for 2011 Durban International Film Festival

    [caption id="attachment_1469" align="alignnone" width="560"]Otelo Burning[/caption]

    The 32nd edition Durban International Film Festival’s taking place from July 21 to 31, 2011, opens with the World Premiere of a film shot in Durban – Otelo Burning, directed by Sara Blecher. Beginning in the late 1980s, the story is set around youngsters from Lamontville township who discover surfing as an empowering escape from the political violence of the times. Surfing facilitates the shaping of a new culture and lifestyle for them, and this reflects a real process that continues to take place in Durban. Adventures and drama follow. There is romance, rivalry, and tragedy, and, ultimately, choices have to be made. 

    The film includes excellent and credible performances by a quartet of talented actors – Thomas Gumede, Sihle Xaba, Jafta Mamabolo and Tsepang Mohlomi. Otelo Burning is to an extent based on Sihle’s own story.  Matthew Oats and Hamilton Dlamini also star in the film.




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  • 2011 Staten Island Film Festival; Lovinder Singh Gill’s “Stalemate” Wins Best Picture

    [caption id="attachment_1467" align="alignnone" width="550"]Defining Beauty: Ms. Wheelchair America, narrated by Katey Sagal, is a captivating feature length documentary that proves a beauty pageant is more than just a sash and a crown. This inspiring piece follows five women with disabilities on their journeys towards the 2010 Ms. Wheelchair America Pageant and explores the lives they lead in the face of adversity[/caption]

    The 2011 Staten Island Film Festival finally came to an end and held its closing award ceremonies, and the the big winner was Lovinder Singh Gill’s “Stalemate” which won the award for Best Picture. “StaleMate” is a story about how we are 100% sure that we want something and then, in a split second, we realize we never wanted it in the first place.  Kayleigh has finally found the perfect man; unfortunately, he comes in the form of two men she is dating, Richard and Arthur. They are wonderful in different ways and are complimentary pieces to the same puzzle – Kayleigh’s heart.

    Winners:

    Best Actress, Lori Martini, from “Caught”

    Best Actor, Ernest Borgnine, “Night Club”

    Best Documentary Short, “From the Ground Up”

    Best Documentary Feature, “Defining Beauty: Ms. Wheelchair America”

    Best Drama Short, “Bright”; Best Thriller, “Between the Floors”

    Best Comedy Short, “Morning Honey”

    Best Cinematography, “Crossroads”

    Best New Filmmaker, Sean Marlon Newcombe, “Scenes From a Campaign”

    Best Staten Island Local Short, “Green Apples & Wannabes”

    Best Staten Island Local Feature, “Nightclub”

    Best Short Screenplay, “Sexcut”

    Best Feature Screenplay, “The 7-Day Diary”

    Audience Choice Short, “Gus”

    Audience Choice Documentary, “P-Star Rising”

    Audience Choice Comedy, “Sexcut”

    Audience Choice Drama, “Close-Up”

    Audience Choice Feature, “Desert Rain”

    Best Director, Salvatore Petrosino, “Crossroads”

    Best Short Film, “Gus”; Best Picture, “Stalemate”

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  • Academy Shakes Up Best Picture Rules Again

    The governors of the Academy of Motion Picture Arts and Sciences voted on Tuesday (6/14) to add a new twist to the 2011 Best Picture competition, and a new element of surprise to its annual nominations announcement.  The Board voted to institute a system that will now produce anywhere between five and 10 nominees in the category.  That number won’t be announced until the Best Picture nominees themselves are revealed at the January nominations announcement.

    “With the help of PricewaterhouseCoopers, we’ve been looking not just at what happened over the past two years, but at what would have happened if we had been selecting 10 nominees for the past 10 years,” explained Academy President Tom Sherak, who noted that it was retiring Academy executive director Bruce Davis who recommended the change first to Sherak and incoming CEO Dawn Hudson and then to the governors.

    During the period studied, the average percentage of first place votes received by the top vote-getting movie was 20.5.  After much analysis by Academy officials, it was determined that 5% of first place votes should be the minimum in order to receive a nomination, resulting in a slate of anywhere from five to 10 movies.

    “In studying the data, what stood out was that Academy members had regularly shown a strong admiration for more than five movies,” said Davis.  “A Best Picture nomination should be an indication of extraordinary merit.  If there are only eight pictures that truly earn that honor in a given year, we shouldn’t feel an obligation to round out the number.”

    If this system had been in effect from 2001 to 2008 (before the expansion to a slate of 10), there would have been years that yielded 5, 6, 7, 8 and 9 nominees.

    The final round of voting for Best Picture will continue to employ the preferential system, regardless of the number of nominees, to ensure that the winning picture has the endorsement of more than half of the voters.

    Other rules changes approved by the Board include:

    In the animated feature film category, the need for the Board to vote to “activate” the category each year was eliminated, though a minimum number of eligible releases – eight – is still required for a competitive category.   Additionally, the short films and feature animation branch recommended, and the Board approved, refinements to the number of possible nominees in the Animated Feature category.  In any year in which eight to 12 animated features are released, either two or three of them may be nominated.  When 13 to 15 films are released, a maximum of four may be nominated, and when 16 or more animated features are released, a maximum of five may be nominated.

    In the visual effects category, the “bakeoff” at which the nominees are determined will expand from seven to 10 contenders.  The increase in the number of participants is related to a change made last year in which the number of films nominated in the visual effects category  was increased from three to five.

    Previously, the Board approved changes to the documentary feature and documentary short category rules that now put those categories’ eligibility periods in line with the calendar year and thus with most other awards categories.  The change means that for the 84th Awards cycle only, the eligibility period is more than 12 months; it is from September 1, 2010 to December 31, 2011.

    Other modifications of the 84th Academy Awards rules include normal date changes and minor “housekeeping” changes.

    Rules are reviewed annually by individual branch and category committees.  The Awards Rules Committee then reviews all proposed changes before presenting its recommendations to the Academy’s Board of Governors for approval.

    The 84th Academy Awards nominations will be announced live on Tuesday, January 24, 2012, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

    Academy Awards for outstanding film achievements of 2011 will be presented on Sunday, February 26, 2012, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network.  The Oscar presentation also will be televised live in more than 200 countries worldwide.

    [ press release via AMPAS ]

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  • Sicilian Film Festival in Miami Announces 2012 Dates

    The Sicilian Film Festival, 7th Edition will be held April 11-17, 2012 at the Miami Beach Cinematheque.  The seven-day festival was created in Miami in 2006 by the Sicilian-born sculptor, musician, writer, and designer Emanuele Viscuso. Now residing in Miami Beach, Viscuso seeks to underline the importance of Sicily and Southern Italy, its cinema, literature, art, food and wine, fashion, and culture on an international platform.  While based primarily in Miami, the SFF holds events in both the United States and other cities worldwide.

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  • Record Number of Entries in Academy’s 2011 Nicholl Screenwriting Competition

    The Academy of Motion Picture Arts and Sciences’ Nicholl Fellowships in Screenwriting competition has received a record 6,730 entries for 2011, including a first-time entry from Ecuador.  The Academy will award up to five fellowships of $30,000 each in November.

    The Nicholl Fellowships competition is open to screenwriters who have not earned more than $5,000 writing for film or television.  Entry scripts must be feature length and the original work of a sole author or of exactly two collaborative authors.  The scripts must have been written originally in English.  Adaptations and translated scripts are not eligible.

    This year, entries have come from all 50 states in the U.S., as well as from Argentina, Australia, Austria, the Bahamas, Bangladesh, Belgium, Brazil, Bulgaria, Cameroon, China, Croatia, Cyprus, Czech Republic, Denmark, Ecuador, Egypt, Finland, France, Germany, Ghana, Greece, Hong Kong, Iceland, India, Iran, Ireland, Israel, Italy, Japan, Kenya, Malaysia, Mexico, the Netherlands, New Zealand, Nigeria, Norway, Pakistan, the Philippines, Portugal, Romania, the Russian Federation, Serbia, Singapore, Slovakia, South Africa, South Korea, Spain, Sweden, Switzerland, Thailand, Taiwan, Turkey, Ukraine, United Arab Emirates, United Kingdom, Venezuela and Vietnam.

    Since the program’s inception in 1985, 118 fellowships have been awarded, and a number of fellows have achieved considerable success.  Ehren Kruger, a 1996 fellow, wrote “Transformers: Dark of the Moon” opening later this month.  “The Details,” written and directed by 1998 fellow Jacob Aaron Estes, premiered at the 2011 Sundance Film Festival.  Andrew W. Marlowe, a 1992 fellow, created and executive produces ABC’s “Castle,” for which Terri Miller, also a 1992 fellow, is a writer-producer.  Mike Rich, a 1998 fellow, wrote “Secretariat,” which opened last October.  Susannah Grant, a 1992 fellow, earned an Oscar® nomination in 2000 for her “Erin Brockovich” screenplay.

    Several other Nicholl fellows have had success in the film industry.

    Fellowships are awarded with the understanding that the recipients will each complete a feature-length screenplay during their fellowship year.  The Academy acquires no rights to the works of Nicholl fellows and does not involve itself commercially in any way with their completed scripts.

    [via AMPAS]

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  • The Weinstein Company to release “W.E.,” Madonna’s directorial debut

    [caption id="attachment_1460" align="alignnone" width="550"]Madonna on the set of W.E.[/caption]

    The Weinstein Company (TWC) announced yesterday that it will release “W.E.,” Madonna’s directorial debut of a feature film  in the U.S. W.E. is a romantic drama co-written by Madonna and Alek Keshishian. It stars Abbie Cornish (LIMITLESS), Oscar Isaac (DRIVE), James D’Arcy (MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD), Andrea Riseborough (NEVER LET ME GO), Natalie Dormer (“The Tudors”), Richard Coyle (PRINCE OF PERSIA: THE SANDS OF TIME), James Fox (SHERLOCK HOLMES) and Laurence Fox (“Inspector Lewis”).

    Spanning six decades, W.E. juxtaposes a contemporary love story with that of King Edward VIII and American divorcée Wallis Simpson.

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  • 2011 Brooklyn Film Festival Winners; ‘Battle for Brooklyn’ is big winner

     

    [caption id="attachment_1458" align="alignnone" width="550"]Battle for Brooklyn [/caption]

    The Brooklyn Film Festival (BFF) announced the winners of this year’s festival held June 3 – June 12, 2011 at IndieScreen and Brooklyn Heights Cinema. Fittingly enough, a film about Brooklyn, ‘Battle For Brooklyn’ by Suki Hawley & Michael Galinsky took the Grand Chameleon Award and the award for Best Documentary.  BATTLE for BROOKLYN is an intensely intimate look at the very public and passionate fight waged by owners and residents facing condemnation of their property to make way for the controversial Atlantic Yards project, a massive plan to build 16 skyscrapers and a basketball arena for the New Jersey Nets in the heart of Brooklyn. Shot over seven years and compiled from almost 500 hours of footage, BATTLE for BROOKLYN is an epic tale of how far people will go to fight for what they believe in.

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    W Zappatore by Massimiliano Verdesca was the other big winner, taking the awards for Best Documentary and Best Actress for Sandra Milo. This hilarious, quirky Italian comedy explores the question: is it better to play the music of Satan or listen to the word of God? Marcello Zappatore is 33 years old. He earns a living by playing electric guitar in a Satanist heavy metal band. However, Marcello has a physical problem: an uncomfortable itch on the side of his rib cage that soon turns out to be stigmata. Is it divine intervention or just time for a change? Marcello does not know the answer, and the stigmata is causing him many problems. In one go, he loses his girlfriend and the flat they share, and is kicked out of his band. Marcello now finds himself ready to undertake a very personal voyage between two very different and incompatible worlds… that of God and that of Rock.

    2011 Brooklyn Film Festival winners:

    GRAND CHAMELEON AWARD
    BATTLE FOR BROOKLYN by Suki Hawley & Michael Galinsky

    Best Narrative Feature
    W. ZAPPATORE by Massimiliano Verdesca

    Best Documentary
    BATTLE FOR BROOKLYN by Suki Hawley & Michael Galinsky

    Best Narrative Short
    RITA by Antonio Piazza & Fabio Grassadonia

    Best Animation
    A MORNING STROLL by Grant Orchard

    Best Experimental
    DAME FACTORY by Melanie Abramov

    Best New Director
    SLAVA ROSS for Siberia Monamour

    Spirit Awards
    Feature Narrative
    Documentary
    Short Narrative
    Experimental
    Animation
    AMY GEORGE by Yonah Lewis & Calvin Thomas
    SCRAPPER by Stephan Wassmann
    GOWANUS 83 by Michael Wood
    TO BE IN ME by Marina Mello
    AMAR by Isabel Herguera
    Audience Awards
    Feature Narrative
    Documentary
    Short Narrative
    Experimental
    Animation
    DAVID by Joel Fendelman
    BED STUY DO OR DIE by Daniel Bishop
    TEARDROP by Damian John Harper
    POSE by Ivaylo Getov
    FALLING UP by Djuna Wahlrab
    Certificates of Outstanding Achievement
    Screenplay
    Producer
    Cinematography
    Editing
    Original Score
    Actor Female
    Actor Male
    ANNA KERRIGAN for Five Days Gone
    S. SCHAEFER, D. CRESPO, C. SILBER for My Last Day Without You
    MAGELA CROSIGNANI for Mary Marie
    TAKASHI DOSCHER for Snow on tha Bluff
    “FALL ON YOUR SWORD” for Aardvark
    MARIELENA LOGSDON for Babyland & SANDRA MILO for W. Zappatore
    RASSELAS LAKEW for The Athlete

     

     

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