
For his performance in Netflix’s Jay Kelly, Adam Sandler has been named the recipient of the Chairman’s Award at the Palm Springs International Film Awards.

For his performance in Netflix’s Jay Kelly, Adam Sandler has been named the recipient of the Chairman’s Award at the Palm Springs International Film Awards.

Inspired by childhood memories of 1990s Iraq under Saddam Hussein, The President’s Cake tells a story of a young girl’s wit and imagination to prepare a cake for the Iraqi president’s birthday.
The documentary Thoughts & Prayers explores the $3 billion active shooter preparedness industry and sheds light on its potential effects.

Jeremy Allen White and Scott Cooper will receive the Cultural Icon Tribute at the 35th Gotham Film Awards, honoring their work on Springsteen: Deliver Me From Nowhere.
Paolo Sorrentino’s latest film La Grazia plunges into the inner life of Italy’s fictional President Mariano De Santis portrayed by longtime collaborator Toni Servillo, and his final days in office.
Sam Riley is a former tennis pro turned resort coach who finds himself at the center of a missing persons mystery in the German thriller film Islands.
A boy from the distant future crashes into our time – bringing rainbows, hope and a mission in the full official trailer for Arco.
Directed by award-winning filmmaker David Osit, the documentary Predators takes a deep dive into Dateline’s To Catch a Predator, pulling back the curtain on the show’s complicated legacy.
In Rosemead, a mother’s love becomes the last line of defense when her son’s mind begins to unravel. Lucy Liu plays Irene, a Chinese-American immigrant, grappling with terminal illness and the chilling discovery of her teenage son’s violent obsessions.

Chloé Zhao’s deeply period drama Hamnet was chosen as the Audience Award for Best Feature Film at the 69th BFI London Film Festival which closed on Sunday with the UK Premiere of Julia Jackman’s 100 Nights of Hero.
Shuffle, directed by Benjamin Flaherty, captures the harrowing experiences of three people caught in the cycle of America’s rehab industry, exposing how profit often outweighs genuine recovery.
We Shall Not Be Moved (No nos moverán), the debut feature film by Mexican filmmaker Pierre Saint-Martin Castellanos is a powerful reflection on the last wounds of the 1968 Tlatelolco massacre.