• Daniel Sawka’s Immigration Drama ICEBOX to Debut on HBO in December

    ICEBOX Director-writer Daniel Sawka’s feature debut Icebox tells the story of Óscar, played by Anthony Gonzalez (“Coco”), a 12-year-old Honduran boy who is forced to flee his home and seek asylum in the United States, only to find himself trapped in the U.S. immigration system.  HBO Films has acquired the worldwide rights to the film, which will debut Friday, December 7 on HBO. Icebox which also stars Omar Leyva, Johnny Ortiz, Matthew Moreno, Jessica Juarez and Genesis Rodriguez, premiered in the Discovery section at this year’s Toronto International Film Festival. Icebox As Óscar attempts to reach his uncle, Manuel (Leyva), in Arizona, he is apprehended by Border Patrol and placed in “the Icebox,” a detention facility where he joins scores of other migrant children being held without their families. Faced with a seemingly impenetrable immigration system, Óscar struggles to navigate a path to freedom, with a journalist (Rodriguez) and his uncle, himself a recent immigrant, as his only lifelines. “The narrative and characters in Icebox are inspired by so many personal stories that were told to me through years of research and outreach – stories that unfortunately have become all too prevalent in today’s world,” says Daniel Sawka. “I can’t think of a better partner than HBO Films with which to present this incredibly timely issue.” Filmed on location in New Mexico, the film was shot primarily in Spanish with English subtitles. Sawka originally wrote and directed Icebox as a short film for his 2016 American Film Institute MFA thesis project. This short was subsequently shortlisted for the 2018 Academy Awards(R), won the Grand Jury Award at AFI fest, and screened at Telluride Film Festival.

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  • Cinema Eye Honors Announces 2018 Audience Choice, Heterodox, Broadcast, Unforgettables and Nonfiction “Shorts List”

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    [caption id="attachment_32398" align="aligncenter" width="1200"]Won’t You Be My Neighbor? Won’t You Be My Neighbor?[/caption] The Cinema Eye Honors unveiled the first awards announcements for their 12th Annual awards, including The Unforgettables, their annual list of notable and significant nonfiction film subjects;  The Shorts List, an annual list of the year’s ten top Nonfiction Short Films; and nominees in four categories: Broadcast Film; Broadcast Series; the Heterodox Award, which recognizes fiction films that actively blur the line between fiction and documentary; and the annual Audience Choice Prize. The full list of nonfiction film and craft nominees, including the five nominees for Outstanding Nonfiction Short Film, will be revealed on Thursday, November 8. Eight films – Elizabeth Chai Vasarhelyi and Jimmy Chin’s Free Solo, Stephen Loveridge’s Mantangi/Maya/M.I.A., Bing Liu’s Minding the Gap, Alexandria Bombach’s On Her Shoulders, Julie Cohen and Betsy West’s RBG, Sandi Tan’s Shirkers, Tim Wardle’s Three Identical Strangers and Morgan Neville’s Won’t You Be My Neighbor? – were nominated for the Audience Choice Prize and also saw their subjects recognized amongst this year’s Unforgettables. Rashida Jones and Alan Hicks’ Quincy and Dava Whisenant’s Bathtubs Over Broadway round out this year’s Audience Choice nominees. This is the first year that Cinema Eye will have an award to recognize Outstanding Nonfiction Series for Broadcast. Inaugural nominees in the Series category are Steve James’ America to Me (STARZ), Trey Borzilleri & Barbara Schroeder’s Evil Genius (Netflix), Zackary Canepari, Drea Cooper & Jessica Dimmock’s Flint Town (Netflix) Liz Garbus’ The Fourth Estate (Showtime) Matthew Heineman’s The Trade (Showtime) and Chapman Way & Maclain Way’s Wild Wild Country (Netflix). The 12th Annual Cinema Eye Honors will be presented on Thursday, January 10, 2019 at the Museum of the Moving Image in New York City.

    AUDIENCE CHOICE PRIZE NOMINEES

    Bathtubs Over Broadway Directed by Dava Whisenant Free Solo Directed by Elizabeth Chai Vasarhelyi and Jimmy Chin Matangi/Maya/M.I.A. Directed by Stephen Loveridge Minding the Gap Directed by Bing Liu On Her Shoulders Directed by Alexandria Bombach Quincy Directed by Rashida Jones and Al Hicks RBG Directed by Julie Cohen and Betsy West Shirkers Directed by Sandi Tan Three Identical Strangers Directed by Tim Wardle Won’t You Be My Neighbor? Directed by Morgan Neville

    NONFICTION SHORTS LIST

    (Five nominees in this category will be announced on Thursday, November 8) Baby Brother Directed by Kamau Bilal Concussion Protocol Directed by Josh Begley The Earth is Humming Directed by Garrett Bradley My Dead Dad’s Porno Tapes Directed by Charlie Tyrell A Night at the Garden Directed by Marshall Curry Las Nubes Directed by Juan Pablo González Sister Hearts Directed by Mohammad Gorjestani Skip Day Directed by Patrick Bresnan and Ivete Lucas Volte Directed by Monika Kotecka and Karolina Poryzala Zhalanash – Empty Shore Directed by Marcin Sauter

    HETERODOX AWARD NOMINEES

    American Animals Directed by Bart Layton Obscuro Barrocco Directed by Evangelia Kranioti Skate Kitchen Directed by Crystal Moselle The Tale Directed by Jennifer Fox We the Animals Directed by Jeremiah Zagar

    BROADCAST FILM NOMINEES

    Baltimore Rising Directed by Sonja Sohn HBO Believer Directed by Don Argott HBO The Final Year Directed by Greg Barker HBO I Am Evidence Directed by Trish Adlesic and Geeta Gandbhir HBO Nobody Speak: Trials of the Free Press Directed by Brian Knappenberger Netflix This is Home: A Refugee Story Directed by Alexandra Shiva Epix

    BROADCAST SERIES NOMINEES

    America to Me Directed by Steve James Starz Evil Genius Directed by Trey Borzilleri and Barbara Schroeder Netflix Flint Town Directed by Zackary Canepari, Drea Cooper and Jessica Dimmock Netflix The Fourth Estate Directed by Liz Garbus Showtime The Trade Directed by Matthew Heineman Showtime Wild Wild Country Directed by Chapman Way and Maclain Way Netflix

    UNFORGETTABLES NONFICTION SUBJECTS OF 2018

    Annette Ontell 306 Hollywood América América Issei Sagawa Caniba Alex Honnold Free Solo Julita Salmerón Lots of Kids, a Monkey and a Castle Nick Bollettieri Love Means Zero M.I.A. Matangi/Maya/M.I.A. Kiere Johnson, Bing Liu and Zack Mulligan Minding the Gap Abu Osama Of Fathers and Sons Nadia Murad On Her Shoulders Ruth Bader Ginsburg RBG Scotty Bowers Scotty and the Secret History of Hollywood Georges Cardona, Jasmine Ng, Sophie Siddique and Sandi Tan Shirkers Edward Galland, David Kellman and Robert Shafran Three Identical Strangers Fred Rogers Won’t You Be My Neighbor?

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  • WOMAN AT WAR Wins Best Film at 2018 Byron Bay Film Festival

    [caption id="attachment_32394" align="aligncenter" width="2000"]Woman at War Woman at War[/caption] Woman at War, the Cannes award-winning follow-up to Icelandic director Benedikt Erlingsson’s Of Horses and Men, took both Best Dramatic Feature and Best Film at the 12th Byron Bay Film Festival.  The film follows a 50-year-old independent woman and passionate environmental activist who secretly wages a one-woman war on the local aluminum industry. Woman at War was selected as Iceland’s entry for Best Foreign Language Film at the 91st Academy Awards. https://www.youtube.com/watch?v=TFxz4oNfBV0 Jirga, a redemption tale set in Afghanistan, won the Best Byron Film – the Locals Award, for its director, Bangalow-based Benjamin Gilmour. The film which was in the spotlight at the Festival’s closing gala, Sharkwater: Extinction, won BBFF2018’s Best Environmental Film Award. The film was the last work by the late shark conservationist Rob Stewart, who was well known and widely loved in Byron Shire and along the North Coast. In honor of the work that Rob Stewart achieved, Ms Skippon-Volke announced that from 2019 the award would be known as the Rob Stewart Best Environmental Film Award – giving further gravitas to the importance of recognizing Environmental Films and the strong impact they have in changing minds and behavior. An audience favorite, Backtrack Boys, set in Armidale, won the festival’s Best Documentary Award, beating four international nominees and the Taree-based autobiographical doco Teach A Man to Fish, made by Grant Leigh Saunders. The award for Best Music Documentary went to Michael Franti’s Stay Human, which opened the festival and set its informal theme of nurturing hope over cynicism. Best Surf Film went to Big Wata, set in Sierra Leone; Best Animation went to the French short Bavure; and the Best Cinematography Award went to Cielo for its entrancing photography of the sky above Chile’s Atacama desert. The Best Young Australian Filmmaker Award went to Melbourne-based Greta Nash for her film The Locker Room. The festival had another trophy added to its 2018 awards list – an Encouragement Prize sponsored by Canon, gifting a professional camera to a deserving Young Australian filmmaker. This year’s prize went to brothers Jay and Shaun Perry, for their work creating their short film The Intentions of F Scott Fitzgerald. Byron Shire band Parcels took home the Best Music Video Award for their film, Tied Up Right Now, and the coveted InteractiveVR award was awarded to a unique Virtual Reality Music Video Experience – Chorus.

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  • AFI FEST Announces 2018 Shorts Lineup, Winners Eligible for Academy Awards

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    [caption id="attachment_32390" align="aligncenter" width="1200"]God Never Dies (Dios Nunca Muere) God Never Dies (Dios Nunca Muere)[/caption] The Shorts lineup at AFI FEST 2018 presented by Audi will feature 47 films from filmmakers from all over the world, showcasing their distinct international viewpoints. As the only juried section of the festival, the Grand Jury Award winners for Live Action and Animated Short will be eligible for the 2019 Best Live Action Short and Best Animated Short Academy Awards®. The Shorts jury is comprised of Alison Becker (actor on PARKS AND RECREATION, CURB YOUR ENTHUSIASM), Chinonye Chukwu (director/writer), Alicia Malone (host on Turner Classic Movies), Michael Mohan (co-creator of the Netflix original series EVERYTHING SUCKS!), Eliza Skinner (comedian and writer on THE LATE LATE SHOW WITH JAMES CORDEN) and Sasheer Zamata (comedian, actress, writer and former SNL cast member).

    AFI FEST takes place November 8 to 15, 2018, in the heart of Hollywood. Screenings, Galas and other events will be held at the TCL Chinese Theatre, the TCL Chinese 6 Theatres, the Egyptian Theatre and The Hollywood Roosevelt.

    SHORTS

    III – A sudden meeting of a man and a woman begins a hypnotic act — a game of pleasure and discomfort. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. DIR Marta Pajek. SCR Marta Pajek. Poland 49 MILE SCENIC DRIVE – The compelling and amusing story behind one of San Francisco’s most visually arresting signposts and the design change that tarnished a legacy. DIR Bradley Smith, Tyler McPherron. USA ADA – Ada is an unlikeable competitive walker who makes a dress out of toilet paper and has an unfortunate run-in with a hose. DIR Eleanore Pienta. USA ALL INCLUSIVE – Under the spell of mass entertainment on the high seas. DIR Corina Schwingruber Ilić. Switzerland APPLIED PRESSURE – Ease the pain from past physical and mental distress. The body remembers. Aches may linger. Lay prone, breathe deeply, release tension, let go of the pain. DIR Kelly Sears. USA BABY BROTHER – My baby brother moves back in with our parents. DIR Kamau Bilal. USA BIRDIE – A casual gesture of friendliness quickly spirals into a paralyzing moment for a woman on a train. DIR Shelly Lauman. Australia BLOOMSTREET 11 (BLOEISTRAAT 11) – As summer progresses, the bodies of inseparable best friends start to morph and shift as puberty interrupts their bond. DIR Nienke Deutz. Belgium, Netherlands CAT DAYS (NEKO NO HI) – Jiro, a little boy, feels sick. His father takes him to the doctor. She diagnoses a harmless condition, but it shakes the core of the boy’s identity. DIR Jon Frickey. Germany, Japan COME ON MANDY – A wheelchair-bound woman trying to get her dog to come when she calls. DIR Joshua Wilmott. USA CONCUSSION PROTOCOL – By the end of the 2017-18 season, more than 250 players in the NFL will have sustained concussions. For his latest project, data artist Josh Begley tracked these injuries. DIR Josh Begley. USA COUNTERFEIT KUNKOO – In a city that houses millions, Smita discovers a strange prerequisite for renting a house in middle-class Mumbai. She would make an ideal tenant, except for one glaring flaw — she is an Indian woman without a husband. DIR Reema Sengupta. India CYCLISTS (BICIKLISTI) – During the final race of the cycling season, two men in the lead compete for more than the Grand Trophy. DIR Veljko Popovic. Croatia, France DESERT RATS – Out in the Salt Flats, people think nothing can survive, but Lily did. DIR Shaz Bennett. USA DOWN THERE – A blissful night is unexpectedly interrupted by a sound from downstairs. Different reactions are triggered as well as indifference. DIR Zhengfan Yang. China, France DULCE – In coastal Colombia, a mother teaches her daughter how to swim, so that she may go to the mangroves and harvest piangua shellfish with other women in the village. DIR Angello Faccini, Guille Isa. Colombia, USA EGG – A woman is locked in her home with an egg. She eats the egg, she repents. She kills it. She lets the egg die of hunger. DIR Martina Scarpelli. France, Denmark FAUVE – Set in a surface mine, two boys sink into a seemingly innocent power game with Mother Nature as the sole observer. DIR Jeremy Comte. Canada GINGERBREAD – In 1862, during the bloodiest days of the Civil War, Abraham Lincoln reluctantly agrees to join Mary Todd in a séance to contact their recently departed son. DIR Kendell Courtney Klein. USA GOD NEVER DIES (DIOS NUNCA MUERE) – Living in hidden America, Paula, a Mexican farmworker, struggles to raise her two children on her own. DIR Barbara Cigarroa. USA, Ireland GOOD PEOPLE – Overwhelmed by guilt after an intense affair, Emma returns home to her family hoping to reconnect with her husband. An AFI Conservatory thesis film. DIR Gregory Kohn. USA HAIR WOLF – The staff of a black hair salon fend off a strange new monster: white women intent on sucking the lifeblood from black culture. DIR Mariama Diallo. USA HALF A CHICKEN – Bryan struggles to keep to his chicken alive. DIR Sarah Ginsburg, Will Lennon. USA INSTINCT – A psychosexual thriller about Isabelle, a lonely gallery owner, who meets a dangerously seductive performance artist and discovers they have more in common than expected. An AFI Conservatory thesis film. DIR Maria Alice Arida. USA IRISH PRINCE – When an older Irish gentleman reveals to his pals how he met his wife, the story turns out to be a lot more familiar than expected. DIR Joey Garfield. USA JEOM – A strange and wonderful story about a special connection between father and son. DIR Kangmin Kim. USA A LITTLE BREAK (LES PETITES VACANCES) – While on their summer break, two young women explore their sexuality. DIR Louise Groult. France MAGIC ’85 – During the height of the AIDS epidemic in LA, Gabriel, a lonely hospice worker, helps lead his patients to a conscious death. An AFI Conservatory thesis Film. DIR Annika Kurnick. USA MAGIC ALPS – An Afghani refugee arrives in Italy with his goat and seeks political asylum for both of them. DIR Andrea Brusa, Marco Scotuzzi. Italy MATRIA – Faced with the challenges presented by her daily routine, Ramona tries to take refuge in the relationship that ties her to her daughter and granddaughter. DIR Alvaro Gago. Spain METEORITE – Bird men suffer mysterious falls in the search for where the sun rises. An altered reality through rites that converge in one objective: die to generate life. DIR Mauricio Sáenz. Mexico NORMAL APPEARANCES – An unsettling supercut of the women of #BachelorNation watching themselves being watched. DIR Penny Lane. USA THE ORPHAN (O ÓRFÃO) – Jonathas is adopted but then returned due to his “different” way. Inspired by true events. DIR Carolina Markowicz. Brazil PERIOD. END OF SENTENCE. – In an effort to improve feminine hygiene, a machine that creates low-cost biodegradable sanitary pads is installed in a rural village in Northern India. DIR Rayka Zehtabchi. USA PIU PIU – A restless young woman yearns to escape the confines of romance in order to find her superpower. DIR Naima Ramos-Chapman. USA REBIRTH IS NECESSARY – A video-art film exploring the magic and dynamism of Blackness in a realm where time and space are altered. DIR Jenn Nkiru. UK SHE (AJO) – To escape an early marriage arranged by her father, Zana has to make a courageous decision. DIR More Raca. Kosovo A SIEGE (OSTROM) – A lonely woman in war-torn Sarajevo embarks on a journey to find water, and neither her neighbors nor sniper fire can stop her. DIR István Kovács. Hungary THE SUMMER OF THE ELECTRIC LION (EL VERANO DEL LEON ELECTRICO) – Hidden in a house far from the city, Alonso accompanies his dear sister, Daniela. She expects to become the seventh wife of The Lion, a prophet who (according to stories) electrocutes you when you touch him. DIR Diego Céspedes. Chile UMBRA (TARIKI) – A few minutes after midnight, a young woman realizes that her partner has disappeared after sex. Worried, she goes out to find him in the dark streets. DIR Saeed Jafarian. Iran WAR PAINT – A young, South LA black girl experiences a series of events that intersect racism and sexism during the Fourth of July holiday. An AFI Directing Workshop for Women film. DIR Katrelle Kindred. USA THE WATER SLIDE – Tragedy strikes the world’s tallest water slide. DIR Nathan Truesdell. USA WHERE THE WATER RUNS – During the most drastic and prolonged drought in California history, a water truck delivery driver uses his resources to return water to the communities that need it most. An AFI Conservatory thesis film. DIR DuBois Ashong. USA WHILE I YET LIVE – Five acclaimed African-American quilters from Gee’s Bend, Alabama, talk about love, religion and the fight for civil rights as they continue the tradition of quilting that originally brought them together. DIR Maris Curran. USA X – X, a young black kid, wanders through Los Angeles while confronting the difficult realities of adolescence while being black in America. DIR Yara Shahidi. USA YAEL (CONCEPTION: YAEL) – Becoming a mother is one of the most transformative life experiences. DIR Margaret Cheatham Williams, Jordan Bruner. USA YASAMIN – Amid the Iranian Hostage Crisis, Yasamin moves to the USA and navigates the trials and tribulations of assimilation through the waxing of a unibrow. DIR Julia Elihu. USA

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  • 2018 IDFA to Open with Afghan Documentary KABUL, CITY IN THE WIND

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    [caption id="attachment_32383" align="aligncenter" width="1200"]Kabul, City in the Wind Kabul, City in the Wind[/caption] Kabul, City in the Wind by Aboozar Amin, a sobering, intimate and warm account of daily life in Kabul during the silent intervals between suicide bombings, will open this year’s 31st International Documentary Film Festival Amsterdam (IDFA) on Wednesday November 14th.
    The bombings that happened, and those that will, define life for the film’s characters; a father who works as a bus driver, and two young boys whose policeman father is away due to murder threats.
    Kabul, City in the Wind “Amini introduces himself as an original uncompromising artist of film, he absorbed the work of Abbas Kiarostami and made it his very own,” Artistic Director Orwa Nyrabia comments. Aboozar Amini (Bamiyan, Afghanistan, 1985) arrived in the Netherlands as a teenager and graduated from the Gerrit Rietveld Academie in 2010. Amini returned to reside in Afghanistan after his studies in the Netherlands. Kabul, City in the Wind is a co-production between Afghanistan, Japan and the Netherlands and was made with support from the IDFA Bertha Fund. IDFA also revealed the the complete list of nominees for the Feature-Length Documentary, First Appearance and Dutch Documentary competitions. IDFA’s main competition consists of 12 titles by established filmmakers; the IDFA Competition for First Appearance consists exclusively of first films, including opening film opening film; and 11 unique films – both in terms of subject matter and form – compete in the IDFA Competition for Dutch Documentary.

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  • Ruth Bader Ginsburg Drama ON THE BASIS OF SEX to Receive SF Honors Award

    ON THE BASIS OF SEX Ruth Bader Ginsburg biographical drama On the Basis of Sex, directed by Mimi Leder will be presented with the third annual SF Honors award from SFFILM, along with a public screening event Saturday, November 10, 6:30 pm at the Castro Theatre. Lead actors Felicity Jones and Armie Hammer and screenwriter (and nephew of Ruth Bader Ginsburg) Daniel Stiepleman will attend in person and participate in a special pre-screening award presentation followed by an in-depth post-screening conversation about their work. “Nothing could represent Bay Area values better than the remarkable early career of Ruth Bader Ginsburg and how she and her husband collaborated to remove gender bias from the laws of our country,” said SFFILM’s Executive Director Noah Cowan. “Mimi Leder has told this story beautifully with a magnificent lift from two of our finest young actors, Felicity Jones and Armie Hammer, and we are proud to name it this year’s SF Honors recipient. This award, a major event in the San Francisco cultural season, would not be possible without the support of Todd Traina and Diane B. Wilsey, significant long-time supporters of the cultural infrastructure of the Bay Area and of SFFILM.” On the Basis of Sex tells an inspiring and spirited true story that follows young lawyer Ruth Bader Ginsburg as she teams with her husband Marty to bring a groundbreaking case before the US Court of Appeals and overturn a century of gender discrimination. The feature will premiere later this year, in line with Justice Ginsburg’s 25th anniversary on the Supreme Court. https://www.youtube.com/watch?v=28dHbIR_NB4 Now in its third edition, SF Honors adds a Bay Area voice to the end-of-year awards conversation with an annual award and tribute designed to bring particular attention to innovation and audacity in current cinema, featuring a screening and onstage conversation with the creators and cast of one of the best films of the year. The inaugural SF Honors award was presented in 2016 to Damien Chazelle’s La La Land, with a public screening event and onstage conversation featuring writer/director Damien Chazelle, stars Ryan Gosling and Emma Stone, and composer Justin Hurwitz at the Castro Theatre. In 2017, SFFILM honored Joe Wright’s Darkest Hour, with Wright, lead actor (and eventual Academy Award winner) Gary Oldman, co-star Ben Mendelsohn, writer/producer Anthony McCarten, and supervising sound editor Craig Berkey taking the stage to discuss their critical and popular hit film. SF Honors is made possible by a $1 million, ten-year gift from SFFILM’s Board Vice President Todd Traina and philanthropist Diane B. Wilsey.

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  • DOCNYC 2018: Syrian Women Find Strength Through Theater in WE ARE NOT PRINCESSES [Trailer]

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    We Are Not Princesses With intimate footage and stunning animation, We Are Not Princesses follows how a theater workshop group of Syrian refugee women, living in a Beirut refugee camp, find laughter and purpose behind the scenes,  as they come together to perform the ancient Greek play, Antigone. This film focuses on the strong, resilient, and often hilarious Syrian women who are moving forward in spite of the ever-worsening situation back home. We Are Not Princesses directed by Bridgette Auger and Itab Azzam will World Premiere at DOC NYC on November 14, 2018. We Are Not Princesses In 2014, the Open Art Foundation put together a theater workshop with Syrian women refugees in Beirut to create a space for community and to provide tools to help the women process their trauma as a result of the ongoing conflict in Syria. We Are Not Princesses focuses on the strong, resilient, and often hilarious Syrian women who are moving forward in spite of the ever-worsening situation back home. With intimate footage and stunning animation, the film follows how this group of women find laughter and purpose behind the scenes, as they come together to perform the ancient Greek play, Antigone. Whether they are gossiping at a seaside café or engaging in long-forgotten pleasures at a night-time fairground, these poignant scenes are where intense discussion and transformation take place. Smoking cigarettes and wearing makeup become acts of rebellion against societal and patriarchal authority. And never far from the surface are the horrifying backstories which brought the women to Beirut. Mona tells of the death of her child; Fedwa hyperventilates as she attempts to rehearse the story of her son whom she was unable to bury; Heba remembers her starving brother’s last wish for noodles and yogurt. These stories provide context for the Syrian war, and also establish the women’s point of access into the story of Antigone, a story through which the women begin the work of processing their personal and national traumas. We Are Not Princesses focuses strong Syrian women picking up the pieces of their broken society and moving forward. WORLD PREMIERE SCREENING AT DOC NYC Wednesday, November 14, 2018 at 7:45 PM – Cinepolis Chelsea

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  • THE HATE U GIVE, UNITED SKATES Win Audience Awards at 54th Chicago International Film Festival

    [caption id="attachment_32085" align="aligncenter" width="1200"]THE HATE U GIVE THE HATE U GIVE[/caption] George Tillman, Jr.’s powerful and moving The Hate U Give has been voted winner of the Audience Award for Best English-language feature at this year’s 54th Chicago International Film Festival.   Amandla Stenberg stars as Starr Carter, a young woman who is constantly switching between two worlds: the poor, mostly black neighborhood where she lives and the rich, mostly white prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Now, facing pressures from all sides of the community, Starr must find her voice and stand up for what’s right. Pernille Fischer Christensen’s Becoming Astrid, a biopic about Astrid Lindgren (author of the Pippi Longstocking books), takes home the best foreign-language feature Audience Award. Variety called the film “a gorgeous piece of heritage filmmaking,” and it played to packed houses at ChiFilmFest! [caption id="attachment_29156" align="aligncenter" width="1200"]UNITED SKATES UNITED SKATES[/caption] Dyana Winkler and Tina Brown’s United Skates, a rousing tribute to roller skating’s pivotal role in the African American community, wins the Documentary Audience Award honor. Facing discriminatory policies and rink closures, committed skaters from around the country—including Chicago’s own Buddy Love—fight to preserve a space for people to come together and express themselves in sliding, bouncing, snapping glory. The Audience Award for Best Short Film goes to Darius Clark Monroe’s Black 14, a reflection on power and control in 1960’s America that uses archival footage to tell the story of a racial protest at the University of Wyoming.

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  • A71 Entertainment to Release Punk Rock Slasher THE RANGER on DVD

    The Ranger Following the film’s Toronto premier at the Toronto After Dark Film Festival, the genre festival favorite punk rock slasher THE RANGER has been acquired by A71 Entertainment for a release in Canada on Bluray and DVD in early January 2019. In the spirit of RETURN OF THE LIVING DEAD and CLASS OF 1984, THE RANGER follows a group of young punks who are forced to flee the city to lay low, only to run into a park ranger who shares a mysterious past with one of their own. The film has been lauded for its standout performances from Chloë Levine (THE TRANSFIGURATION, THE OA) as the pink-haired punk with a secret, and Jeremy Holm (HOUSE OF CARDS, MR. ROBOT) as the maniacal ranger, ready to get his hands bloody in defense of the woods. Granit Lahu (THE SINNER), Jeremy Pope, Bubba Weiler (PUZZLE), Amanda Grace Benitez (SCHOOL OF ROCK), Jeté Laurence (PET SEMATARY) and horror icon Larry Fessenden (HABIT, WE ARE STILL HERE) round out the cast. THE RANGER marks the directorial debut of Jenn Wexler, a past Shudder Labs master and producer of the SXSW Grand Jury Prize-winner, MOST BEAUTIFUL ISLAND. A co-production of Glass Eye Pix and Hood River Entertainment, THE RANGER was written by Wexler and Giaco Furino, and produced by Andrew van den Houten (BREAKING & EXITING, THE WOMAN), Larry Fessenden (MOST BEAUTIFUL ISLAND, THE HOUSE OF THE DEVIL), Ashleigh Snead (THE BLOCK ISLAND SOUND), Heather Buckley and Wexler (LIKE ME, DARLING), “We’re absolutely thrilled to have A71 distribute THE RANGER on home video in Canada,” says Wexler. “The film was born in Montreal’s Frontieres Co-Production Market so it means so much to us that horror fans in Canada will be able to add the film to their collections.” The Ranger came out swinging at 2018 SXSW Film Festival, where it world-premiered in the Midnighters section. The film was selected as opening night feature of this year’s FrightFest UK and has been an official selection at festivals around the world, including Fantasia International Film Festival, Sydney Film Festival, Bucheon International Fantastic Film Festival, Sitges Film Festival and Toronto After Dark, among many others. https://www.youtube.com/watch?v=xJ0BG3-fxzA

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  • 25 Animated Feature Films Submitted for 2018 Oscar Competition

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    [caption id="attachment_32260" align="aligncenter" width="1200"]Tito and the Birds / Tito e os Pássaros Tito and the Birds / Tito e os Pássaros[/caption] Twenty-five features have been submitted for consideration in the Animated Feature Film category for the 91st Academy Awards®. Films submitted in the Animated Feature Film category also qualify for Academy Awards in other categories, including Best Picture. Several of the films have not yet had their required Los Angeles qualifying run. Submitted features must fulfill the theatrical release requirements and comply with all of the category’s other qualifying rules before they can advance in the voting process. Sixteen or more films must qualify for the maximum of five nominees to be voted. Nominations for the 91st Academy Awards will be announced on Tuesday, January 22, 2019. The 91st Oscars® will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network. The Oscars also will be televised live in more than 225 countries and territories worldwide. The submitted features, listed in alphabetical order, are: “Ana y Bruno” “Dr. Seuss’ The Grinch” “Early Man” “Fireworks” “Have a Nice Day” “Hotel Transylvania 3: Summer Vacation” “Incredibles 2” “Isle of Dogs” “The Laws of the Universe – Part I” “Liz and the Blue Bird” “Lu over the Wall” “MFKZ” “Maquia: When the Promised Flower Blooms” “Mirai” “The Night Is Short, Walk on Girl” “On Happiness Road” “Ralph Breaks the Internet” “Ruben Brandt, Collector” “Sgt. Stubby: An American Hero” “Sherlock Gnomes” “Smallfoot” “Spider-Man: Into the Spider-Verse” “Tall Tales” “Teen Titans Go! To the Movies” “Tito and the Birds”

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  • Glenn Close to Receive Maltin Modern Master Award at Santa Barbara International Film Festival

    [caption id="attachment_32359" align="aligncenter" width="1200"]Glenn Close in The Wife Glenn Close in The Wife[/caption] Glenn Close, most recently gracing the silver screen in Sony Pictures Classics’ The Wife. will receive the prestigious Maltin Modern Master Award at the 34th annual Santa Barbara International Film Festival. “Glenn Close is one of the great actresses of our time. Versatility is her hallmark, and there is clearly nothing she can’t do. She became a star with her first feature film, The World According to Garp, and has gone on to play everyone from Cruella de Vil to aging silent-film star Norma Desmond in the stage musical of Sunset Blvd. I can’t wait to spend an evening with her onstage at the Arlington Theater,” states Maltin. Directed by Berlin Silver Bear-winner Björn Runge, The Wife is adapted by Jane Anderson from the Meg Wolitzer novel of the same name. After nearly forty years of marriage, JOAN and JOE CASTLEMAN (Glenn Close and Jonathan Pryce) are complements: Where Joe is brash, Joan is shy. Where Joe is casual, Joan is elegant. Where Joe is vain, Joan is self-effacing. And where Joe enjoys his very public role as Great American Novelist, Joan pours her considerable intellect, grace, charm, and diplomacy into the private role of Great Man’s Wife, keeping the household running smoothly, the adult children in close contact, and Joe’s pills dispensed on schedule. At times, a RESTLESS discontentment can be glimpsed beneath Joan’s smoothly decorous surface, but her natural dignity and keen sense of humor carry her through the rough spots. The Wife debuted in theaters this summer. https://www.youtube.com/watch?v=d81IM0loH7o The Modern Master Award was established in 1995 and is the highest accolade presented by SBIFF. Created to honor an individual who has enriched our culture through accomplishments in the motion picture industry, it was re-named the Maltin Modern Master Award in 2015 in honor of long-time SBIFF moderator and renowned film critic Leonard Maltin. Past recipients include Denzel Washington, Michael Keaton, Bruce Dern, Ben Affleck, Christopher Plummer, Christopher Nolan, James Cameron, Clint Eastwood, Cate Blanchett, Will Smith, George Clooney and Peter Jackson. The 34th annual Santa Barbara International Film Festival will take place from Wednesday, January 30th through Saturday, February 9th.

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  • Specials Program of 60th Nordische Filmtage Lübeck to Feature Provocative Cinema + Ingmar Bergman Retrospective

    [caption id="attachment_32353" align="aligncenter" width="1200"]Bergman – a Year in a Life Bergman – a Year in a Life[/caption] Provocative cinema, historical film epics, and an homage to Swedish master director Ingmar Bergman are the hallmarks of the Specials section of the 60th Nordic Film Days Lübeck,  which runs from October 30 to November 4. In honor of the centenary of Bergman’s birth, the festival, which showed the maestro’s classic “Sawdust and Tinsel” at the very first NFL in 1956, will this year screen two relatively unknown Bergman gems – “From the Life of the Marionettes” (GER/SWE 1980), and “The Touch” (SWE/US 1970), in some cases newly digitized. In addition, the documentaries “Bergman – a Year in a Life” (SWE/NOR 2018), “Ingmar Bergman” (SWE 1971), and “The Memory of Ingmar Bergman” (FIN 2018) use personal remembrances, or special times in the director’s life, to take a look back at his life and work. Another film takes a very different approach to Bergman’s oeuvre. “Bergman revisited” (SWE 2018) is a compilation of short films – some irreverent, some experimental, some classic – by six Swedish filmmakers that completely reinterpret motifs from Bergman’s life and art. The Specials section also has a showcase for another world-renowned Swede. Pernille Fischer Christensen’s film “Becoming Astrid” is a complex portrait of beloved children’s and young adult author Astrid Lindgren, with Alba August giving an outstanding performance in the title role. The film focusses on the author’s early writing years, which were formative in her later life and work. The Specials section is also screening “Border”(SWE/DEN 2018), directed by Ali Abbasi, which won the main prize in the “Un Certain Regard” section at Cannes, and Sweden’s submission for the 2018 Oscar “U – July 22” (NOR 2018), Erik Poppe’s controversion treatment of the massacre at a Norwegian youth camp. Two period dramas from Denmark will take audiences back to the past: Bille August’s “A Fortunate Man” (DEN 2018), an adaptation of the eponymous Danish book classic, and the German-Danish co-production “In Love and War” (DEN/GER/CZE 2018), which was the first production to benefit from the new German-Danish Coproduction Development Initiative. The Specials section is rounded out with the newest film adaptation of a Jussi Adler Olsen book – “The Purity of Vengeance” (DEN/GER 2018), directed by Christoffer Boe, was shot partially in Hamburg. It’s another thrilling case for Detective Carl Mørck and his Department Q team.

    60th Nordische Filmtage Lübeck Specials

    A Fortunate Man / Lykke-Per / Per im Glück Dänemark / Österreich / 2018 / 167 Min. Director(s): Bille August Bille August’s brilliant film adaptation of the classic Danish novel “A Fortunate Man” features young star Esben Smed Jensen in the title role. Becoming Astrid / Unga Astrid / Astrid Schweden / Dänemark / Deutschland / 2017 / 123 Min. Director(s): Pernille Fischer Christensen It’s the kind of life you’d expect to find in an Astrid Lindgren story – her life story, in fact. This biopic covers her early years and first stabs at writing. Bergman – A Year in a Life / Bergman – ett år, ett liv / Bergman – ein Jahr, ein Leben Schweden / Norwegen / 2018 / 116 Min. Director(s): Jane Magnusson Based on the fateful year of 1957, documentary film maker Jane Magnusson unfurls master director Ingmar Bergman’s fascinating work and life. Bergman Revisited / Bergman Revisited / Bergman Revisited Schweden / 2018 / 84 Min. Director(s): Pernilla August, Tomas Alfredson, Jane Magnusson, Linus Tunström, Lisa Aschan, Patrik Eklund Six contemporary short films that present surprising new interpretations of Ingmar Bergman’s life and work – some lyrical, some surreal, some uproariously funny. Border / Gräns / Border Schweden / Dänemark / 2018 / 101 Min. Director(s): Ali Abbasi Sweden’s entry for the 2019 Foreign Language Oscar. Customs officer Tina has a unique sense of human emotions – until she has an encounter that changes her life. From the Life of the Marionettes / Ur Marionetternas Liv / Aus dem Leben der Marionetten Deutschland / Österreich / 1980 / 104 Min. Director(s): Ingmar Bergman A galvanizing trip into the evil within humanity, filmed by Ingmar Bergman with Robert Atzorn and Gaby Dohm for German television in 1980. In Love and War / I krig og kærlighed / In Love and War Dänemark / Deutschland / Tschechien / 2018 / 135 Min. Director(s): Kasper Torsting An injured soldier returns from the frontline and becomes a deserter for the sake of love.  Epic tale about the fragility of emotions in World War One. Ingmar Bergman / Ingmar Bergman / Ingmar Bergman Schweden / 1971 / 55 Min. Director(s): Stig Björkman This fascinating and restored Ingmar Bergman portrait was shot during the American coproduction of “The Touch” in 1971. The Memory of Ingmar Bergman / Minnet av Ingmar Bergman / Erinnerung an Ingmar Bergman Finnland / 2018 / 57 Min. Director(s): Jörn Donner Producer and documentary filmmaker Jörn Donner takes a highly personal look back at his friend Ingmar Bergman. The film includes rare archive material. The Purity of Vengeance / Journal 64 / Verachtung Dänemark / Deutschland / 2018 / 119 Min. Director(s): Christoffer Boe Chief inspector Carl Mørck is back. “The Purity of Vengeance” is the thrilling film adaptation of the bestseller by acclaimed Danish author Jussi Adler-Olsen. The Touch / Beröringen / Die Berührung Schweden / USA / 1970 / 115 Min. Director(s): Ingmar Bergman Ingmar Bergman’s restored love story from 1971 with Elliot Gould, Max von Sydow and Bibi Anderson hadn’t seen a public screening for over 40 years. U – July 22 / Utøya 22. juli / Utøya 22. Juli Norwegen / 2018 / 95 Min. Director(s): Erik Poppe Controversial drama about an 18-year-old girl during the July 22, 2011 mass murder on the Norwegian island of Utøya. The film was shot in real time in one take.

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