Due for release in 2019 from Wild Eye Releasing, CarousHELL is the latest horror offering from filmmaker Steve Rudzinski, director of Red Christmas, Captain Z & the Terror of Leviathan and Everyone Must Die!
Based on a script by Rudzinski and Aleen Isley, and starring Steve Rimpici, Sé Marie and Haley Madison, the horror/comedy tells of a sentient carousel unicorn that gets pushed too far by a brat. The unicorn breaks free of his spinning prison to go on a revenge-driven murder spree on his way to kill the kid.
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LOL Watch Trailer for Killer Unicorn Movie CAROUSHELL
Due for release in 2019 from Wild Eye Releasing, CarousHELL is the latest horror offering from filmmaker Steve Rudzinski, director of Red Christmas, Captain Z & the Terror of Leviathan and Everyone Must Die!
Based on a script by Rudzinski and Aleen Isley, and starring Steve Rimpici, Sé Marie and Haley Madison, the horror/comedy tells of a sentient carousel unicorn that gets pushed too far by a brat. The unicorn breaks free of his spinning prison to go on a revenge-driven murder spree on his way to kill the kid.
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Space Documentary ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW Sets October Air Date on Discovery [Video]
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ABOVE AND BEYOND: NASA‘S JOURNEY TO TOMORROW[/caption]
Rory Kennedy’s documentary “Above and Beyond: NASA’s Journey to Tomorrow” takes a sweeping look at the Government Agency and its goals for the future during Its 60th Anniversary. Above and Beyond: NASA’s Journey to Tomorrow airs October 13 at 9:00/8:00c on Discovery and Science Channel, building on the long-standing history of Discovery’s NASA Programming.
Human beings, more than any other species, are driven by an insatiable curiosity, a remarkable ability to wonder. It is a need to know that lies deep within our DNA as we seek to answer some of time’s most fundamental questions: Where do we come from? Are we alone? What will become of us?
As NASA celebrates its 60th anniversary, Discovery once again shines a spotlight on the historic institution taking us to the moon, to the surface of Mars, to the outer edge of our solar system and beyond. But more than a moving portrait of NASA’s many accomplishments in space, ABOVE AND BEYOND also sheds light on the agency’s lesser-known area of focus – the vital role NASA has played in measuring the health of our home planet. However far NASA may travel, its gaze has always returned to Earth – monitoring our seas and skies, our ice and sands – in an ongoing struggle to meet today’s great challenge – protecting our planet.
Directed, produced, and narrated by Academy Award(R)-nominated and Emmy(R)-winning Rory Kennedy (“Last Days of Vietnam,”) ABOVE AND BEYOND: NASA’S JOURNEY TO TOMORROW examines the extraordinary ways NASA has changed not only our vision of the universe, but also our planet, and ourselves. The documentary special airs October 13 at 9pm ET/PT on Discovery and Science Channel.
In 1961, announcing the moon shot, President Kennedy issued a great challenge, a challenge that in many ways set NASA on its course: “We have given this program a high national priority,” President Kennedy said. “Even though I realize that this is in some measure an act of faith and vision, for we do not now know what benefits await us.” With ABOVE AND BEYOND, filmmaker Rory Kennedy asks: what has become of President Kennedy’s faith in human ingenuity, his grand vision and aspirations?
Looking back over the last 60 years and forward to the next, ABOVE AND BEYOND explores NASA’s commitment to dreaming big. With wide-ranging access to NASA leaders, scientists, and astronauts, Kennedy goes behind the scenes of the world’s greatest space agency. Through interviews with engineers like Adam Steltzner (who led the Mars Curiosity rover mission) and International Space Station (ISS) astronauts like Peggy Whitson (who holds the US record of 665 days in space), the film highlights the next-generation space telescopes, the dazzling prototypes of Mars-bound spacecraft, and the cutting-edge missions to further explore our solar system, galaxy, and larger universe. And yet, even while aiming higher and journeying farther than ever, NASA also continues to point its technology homeward – from the ozone hole to global climate change – in an effort to better understand the past, present, and future health of our planet.
Though it may surprise some, NASA has always explored both space and Earth. As far back as the 1960s, Apollo 8 showcased NASA’s ability to inform human perspective. In its mission, that crew traveled 240,000 miles over three days before the dark side of the moon came into view, something humankind had only dreamed about. In ABOVE AND BEYOND, Apollo 8 astronaut Jim Lovell describes how, when the spacecraft moved around the moon, revealing for the first time the whole Earth in the distance, he could suddenly see, “the earth as it truly is: a grand oasis in the vastness of space.”
Indeed, they had come to explore the moon and instead discovered the earth. From Apollo’s Jim Lovell to the Space Shuttle’s more contemporary Scott Kelly, astronauts have returned home with a new appreciation for our planet’s uniqueness, as well as its incredible fragility. After having spent a year on the ISS (the largest human-made object in space, a scientific laboratory that weighs over 1 million pounds, travels at 17,000 mph and orbits the earth 16 times a day), Kelly states, “If we can do this, we can do anything. We just have to dream it, and dream big, and go do it.”
ABOVE AND BEYOND goes on to highlight, beyond human space exploration, the remarkable role played by telescopes and rovers, including Curiosity which landed on Mars to explore whether that planet could have once supported life. While researchers knew from earlier missions that water had previously existed on the surface of Mars, Curiosity was sent to dig deeper, answering if the water had been sweet or salty, acidic or basic – the kind of water humans could have drunk. “Curiosity has answered our question, and that answer is yes,” explains Steltzner. “The ancient wet environment, three-and-a-half-billion years ago, when life was first starting here on Earth, Mars was an environment that was habitable for life.”
As Ellen Stofan, NASA’s Chief Scientist, 2013-2016, explains, “When we look outward, when we understand the planets, when we go out into the universe, we’re really still trying to look back at ourselves and say, ‘How does our planet work?’ That Mars was once habitable, just like earth, and is no longer makes clear how planetary bodies transform.
Now, more than ever, NASA is using its extraordinary tools to look back at Earth from space. If President Kennedy once set NASA’s challenge at the moon, Rory Kennedy argues that today the agency’s most urgent mission is equally clear – to report back on the health of our own planet. With over 19 different satellites studying the earth, with aircraft and ground teams, NASA can see almost every aspect of the earth’s systems from direct measurement, all that data streaming over years and decades. It is a comprehensive global view of an incredibly complicated planet.
From the rapidly melting Antarctica ice caps, to the bleaching and dying of coral reefs, the data collected by NASA is essential to humankind’s understanding. Informing our challenge today, NASA offers us a record of how the planet is changing and makes undeniably clear the threat of what is to come.
https://www.youtube.com/watch?v=TTOtUQSKGTo
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Tribeca Award Winning Documentary UNITED SKATES to Debut on HBO in 2019 [Trailer]
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UNITED SKATES[/caption]
UNITED SKATES, directed and produced by Dyana Winkler and Tina Brown, and winner of the Documentary Audience Award at this year’s Tribeca Film Festival has been acquired by HBO and will debut on the network in 2019. John Legend is an executive producer of the documentary feature.
As America’s last standing roller rinks are threatened with closure, UNITED SKATES spotlights a community of thousands who fight in a racially charged environment to save the underground African-American subculture of roller skating, which has been overlooked by the mainstream for generations, while giving rise to great musical talents.
The documentary will screen this fall in Los Angeles, New York, Washington, D.C., Chicago and London, among other locations, supported by a robust outreach campaign.
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Watch Beautiful Trailer + Poster for Barry Jenkins’ IF BEALE STREET COULD TALK
Annapurna Pictures has released the official trailer for If Beale Street Could Talk, Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight. If Beale Street Could Talk is his adaptation of James Baldwin’s novel – the first English-language feature film based on the work of the author, to whom the movie is dedicated. The film starring KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Brian Tyree Henry, Michael Beach, Ed Skrein, Diego Luna, Dave Franco, and Pedro Pascal opens in select theaters on November 30.
Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.
Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.
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Double Exposure Investigative Film Festival Launches 4th Edition with Charles Ferguson’s WATERGATE
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Watergate[/caption]
Double Exposure Investigative Film Festival & Symposium, a project of 100Reporters, launches its fourth edition with world, U.S. and Washington premieres of fifteen new, investigative films that speak to our times in a newly urgent language, bridging investigative reporting and visual storytelling. This year’s themes: Demystifying. Exposing. Equalizing. Verifying.
Double Exposure opens with WATERGATE, in which celebrated director Charles Ferguson (INSIDE JOB) recreates the epochal White House scandal for a new generation, using interviews with key players, previously-classified documents and Richard Nixon’s own secret recordings as the spine for Oval Office dialogues with chilling resonance today.
The festival’s closing film, DIVIDE AND CONQUER, tracks the rise and fall of kingmaker Roger Ailes, the driving force behind Fox News, who lost it all following accusations of sexual harassment at the top.
GHOST FLEET investigates the hidden population of modern-day slaves who underpin industrial fishing, held captive at sea for years at a time.
THE PANAMA PAPERS details the unprecedented coordination of over 300 journalists who reveal the biggest global corruption scandal in history.
Our 2018 films explore the psychic cost of community-wide surveillance, uncovered through journalistic sleuthing and the Freedom of Information Act; wrongful criminal confessions; sexual assault and social media; the underside of savior complexes and much more. The films deliver illuminating stories from war-torn Afghanistan to middle America, from a middle-class apartment in Budapest to the Oval Office. Check the full lineup at dxfest.com.
“This year’s slate demonstrates the increasing relevance of film to the most pressing stories of our day,” said Double Exposure founder and co-director, Diana Jean Schemo. “Our Opening Night film revisits a scandal with searing relevance in 2018. And our Closing Night film on Roger Ailes and Fox News brings the story of an era that began with Watergate to our present time of social media, sexual reckoning and rampant truth-bending.”
“This is an extraordinary moment for investigative filmmaking. We are finding more and more filmmakers integrating journalistic practice into their storytelling, and more journalists moving into the visual realm,” said Double Exposure co-creator and co-director, Sky Sitney. “Each film on our slate not only tells an urgent story in itself, but shapes that story through a riveting, new visual language that stands at a crossroads between these two distinct practices.”
HISTORY’s definitive original documentary, WATERGATE, chronicles one of the biggest criminal conspiracies in modern American politics and features a roster of some of the most important media, legal and political figures from the scandal, including Bob Woodward, Carl Bernstein, John Dean, Jill Wine-Banks, Richard Ben-Veniste, and many others. Wednesday, Oct. 10, 7pm, Smithsonian’s National Portrait Gallery. Post screening discussion with director Charles Ferguson and special guests to be announced.
Following Opening Night, all screenings take place at the Naval Heritage Center, and are followed by conversations with the director, film subjects, and others.
STOLEN DAUGHTERS: KIDNAPPED BY BOKO HARAM revisits a shocking story that made global headlines. In 2014, 276 Nigerian school girls were kidnapped from a school in Chibok, Northern Nigeria, and hidden in the vast Sambisa forest for three years by Boko Haram, a violent Islamic insurgent movement. Granted exclusive access to the 82 girls who were freed last year and taken to a secret government safe house in the capital of Abuja, the film explores how the young women might adapt back to life after having experienced such trauma, and how the Nigerian government is navigating, and at times commandeering, their reentry into society. Thursday, Oct. 11, 6pm. Naval Heritage Center.
ROLL RED ROLL goes behind the headlines of a notorious high school sexual assault case to witness the social media-fueled “boys will be boys” culture that let it happen, and defended them when it did. Thursday, Oct. 11, 8:30pm, Naval Heritage Center. Post-screening discussion with director Nancy Schwartzman, film subjects Alexandria Goddard and Rachel Dissell, and others to be announced.
In UNPROTECTED, an acclaimed American charity said it was saving some of the world’s most vulnerable girls from sexual exploitation. Then the girls were raped, and that was only the beginning. Friday, Oct. 12, 4pm, Naval Heritage Center. Post-screening discussion with director Nadia Sussman, and others to be announced.
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The Feeling of Being Watched[/caption]
For THE FEELING OF BEING WATCHED, filmmaker Assia Boundaoui follows the trail of her neighbors’ suspicion that their community just outside Chicago has been under surveillance for over a decade. While investigating their experiences, Boundaoui uncovers tens of thousands of pages of FBI documents that prove her Muslim community was indeed the subject of one of the largest counter-terrorism investigations ever conducted in the U.S. before 9/11, code-named “Operation Vulgar Betrayal.” Friday, Oct. 12, 6pm, Naval Heritage Center. Post-screening discussion with director Assia Boundaoui, and others to be announced.
GHOST FLEET follows a small group of activists who risk their lives on remote Indonesian islands to find justice and freedom for the enslaved fishermen who feed the world’s insatiable appetite for seafood. Bangkok-based Patima Tungpuchayakul, a Thai abolitionist, has committed her life to helping these “lost” men return home. Facing illness, death threats, corruption, and complacency, Patima’s fearless determination for justice inspires her nation and the world. Friday, Oct. 12, 8:30pm Naval Heritage Center. Post-screening discussion with director Shannon Service, producer Jon Bowermaster, and others to be announced.
THE TRUTH ABOUT KILLER ROBOTS is an eerie, eye-opening work of science-nonfiction, that charts incidents in which robots have caused the deaths of humans in an automated Volkswagen factory, in a self-driving Tesla vehicle and from a bomb-carrying droid used by Dallas police. Though they are typically treated as freak anomalies, each case raises questions of accountability, legality and morality. Exploring the provocative views of engineers, journalists, and philosophers, and drawing on archival footage, the film goes beyond sensational deaths to examine more subtle ways that robots pose a threat to society. Saturday, Oct. 13, 10am, Naval Heritage Center. Post-screening discussion with director Maxim Pozdorovkin.
THE UNAFRAID (dirs. Anayansi Prado & Heather Courtney) follows the personal lives of three DACA students in Georgia, a state that has banned them from attending their top state universities and disqualifies them from receiving in-state tuition at any other public college. Shot in an observational style over a period of four years, this film takes an intimate look at the lives of Alejandro, Silvia and Aldo as they navigate activism, pursuing their right to education, and fighting for the rights of their families and communities. Saturday, Oct. 13, 12:30pm, Naval Heritage Center. Post-screening discussion with director Heather Courtney, film subjects and others to be announced.
FALSE CONFESSIONS. Each year innumerable American suspects confess to crimes they did not commit, and experts say that trained interrogators can get anybody to confess to anything.
The film follows indefatigable defense attorney Jane Fisher-Byrialsen, who is determined to put an end to interrogation techniques that all too often pressure innocent people into false confessions. As we weave through four of Fisher-Byrialsen’s cases, all involving false confessions, the film examines the psychological aspect of how people end up confessing to crimes they have not committed and the consequences of these confessions – for those accused, for their families and for society at large. Saturday, Oct. 13, 3pm, Naval Heritage Center. Post-screening discussion with director Katrine Philp, subject Jane Fisher-Byrialsen, and others to be announced.
In making OF FATHERS AND SONS, Syrian-born filmmaker Talal Derki travels to his homeland in Syria, where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate. Osama (13) and his brother Ayman (12) both love and admire their father and obey his words, but while Osama seems content to follow the path of jihad, Ayman wants to go back to school. Winner of the Grand Jury Prize for World Documentary at the Sundance Film Festival, OF FATHERS AND SONS is a work of unparalleled access that captures the chilling moment when childhood dies and jihadism is born. Saturday, Oct. 13, 5:30pm, Naval Heritage Center.
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Divide and Conquer: The Story of Roger Ailes[/caption]
In DIVIDE AND CONQUER Alexis Bloom sheds light on the current moment in American political life by following the arc of Roger Ailes: long-time Republican Svengali and controversial founder of Fox News. By coaching an unrivaled stable of politicians over the course of fifty years, Ailes heavily influenced Republican politics, steering the conservative movement from Nixon to the Tea Party to Trump. Under his tutelage, anger and fear became the coin of the realm, both on the ballot and on national television. This is a story of serial cruelty, both on the public stage and in private life. Like a true Shakespearean figure, ambition and desire were Ailes’ undoing. He was finally toppled when victims of his sexual harassment stepped forward. The accounts of these women—raw and infuriating—are the axis around which Ailes’ story inexorably turns. Saturday, Oct. 13, 8:30pm, Naval Heritage Center. Post-screening discussion with director Alexis Bloom, and others to be announced.
For A WOMAN CAPTURED, director Bernadett Tuza-Ritter follows the life of a European woman who has been held by a Budapest family as a domestic slave for 10 years. She is one of over 45 million victims of modern day slavery today. Drawing courage from the filmmaker’s presence and the camera as witness, the woman captured attempts to escape the unbearable oppression and become a free person. Sunday, Oct. 14, 11am, Naval Heritage Center. Post-screening discussion with director Bernadett Tuza-Ritter.
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People’s Republic of Desire[/caption]
THE PEOPLE’S REPUBLIC OF DESIRE dives deep into world of young stars of live streaming in China, where the shift to a virtual life in place of flesh-and-blood relationships has gone far. The stars build followings among the rich and poor, with the rich lavishing online personalities with gifts worth millions of dollars, and the poor cheering the wealthy patrons on and rooting for their idols. The scene culminates with a once-a-year competition, a cross between the Hunger Games and Black Mirror, in which the winner is the one whose patrons buy the most votes. Sunday, Oct. 14, 1:45pm, Naval Heritage Center. Post-screening discussion with filmmaker Hao Wu.
Filmed over three years, ANGELS ARE MADE OF LIGHT follows students and teachers at a school in an old neighborhood of Kabul that is slowly rebuilding from past conflicts. Interweaving the modern history of Afghanistan with present-day portraits, director James Longley offers an intimate and nuanced vision of a society living in the shadow of war. Sunday, Oct. 14, 4:30pm, Naval Heritage Center. Post-screening discussion with filmmaker James Longley.
In THE PANAMA PAPERS, Alex Winter delivers a powerful, illuminating film that paints a complete picture of the biggest global corruption scandal in history. The “Panama Papers” leak involved the unprecedented coordination of hundreds of journalists from 107 media organizations in more than 80 countries, who broke the story in 2015. The papers included over 11.5 million documents that detail financial and attorney-client information for nearly 214,500 offshore accounts. Winter includes interviews with whistleblowers and key journalists on the investigation, to tell the story of the massive data breach which uncovered murky political and financial corruption, bribes, election rigging and even murder. Sunday, Oct. 14, 7:30pm, Naval Heritage Center. Post-screening discussion with filmmaker Alex Winter, and others to be announced.
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QUEEN OF THE WORLD, Landmark Documentary on Her Majesty Queen Elizabeth II to Debut on HBO
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President Barack Obama and First Lady Michelle Obama are welcomed by Her Majesty Queen Elizabeth II to Buckingham Palace in London, April 1, 2009. Official White House Photo by Pete Souza[/caption]
“Queen of the World,” the Landmark Documentary on Her Majesty Queen Elizabeth II, tells the story of how the Commonwealth and its growth have been a central focus and passion throughout Her Majesty’s life. The documentary will debut MONDAY, OCT. 1 (8:00-9:00 p.m. ET/PT) on HBO, which has U.S. rights to the film.
Produced by Oxford Films, QUEEN OF THE WORLD will offer unique insights into Her Majesty The Queen as a figure on the global stage in her role as head of the Commonwealth, an association of free and independent nations that were once part of the British Empire, and the baton she is passing to the younger members of the Royal Family as they continue to build upon her legacy. Today, there are 2.4 billion Commonwealth citizens, which is almost one-third of the world’s population.
Filmed over more than a year with privileged access to The Queen, her family, her staff and her residences, the documentary tells the story of how the Commonwealth and its growth have been a central focus and passion throughout Her Majesty’s life.
QUEEN OF THE WORLD features behind-the-scenes moments with The Queen and other members of the Royal Family, including Prince Charles and Camilla, Duchess of Cornwall; Princess Anne; Prince William and Catherine, Duchess of Cambridge; Prince Harry and Meghan, Duchess of Sussex; and the Countess of Wessex.
As the family and world leaders discuss the importance of the Commonwealth to The Queen, the film documents the ways she passes her knowledge and experience to the younger generations.
Drawing on footage from The Queen and the Duke of Edinburgh’s private film archives and treasures of the Royal Collection, QUEEN OF THE WORLD will offer a unique perspective on The Queen’s early years as Head of the Commonwealth, when she had the symbols of the then-eight Commonwealth countries embroidered on her Coronation gown. That number had grown to 53 countries by the time the Duchess of Sussex had flowers representing the nations of the Commonwealth embroidered on her wedding veil in 2018.
The documentary begins in 2017 with Her Majesty The Queen recording her annual Christmas message to the Commonwealth before what will be a momentous year for both the Royal Family and for her “family of nations.”
QUEEN OF THE WORLD spotlights some of the programs that The Queen hosts every year to give opportunities to people from around the Commonwealth. At Buckingham Palace, a team of young professionals from the Caribbean join a program inspired by The Queen’s desire to give a helping hand to rising stars in the hospitality industry in countries where tourism is vital to the local economy. The group is given advice before its first royal introduction, to Prince Harry, Duke of Sussex. It’s a lively encounter as Prince Harry, The Queen’s new Commonwealth Youth Ambassador, tells them, “You guys have spent way more time in Buckingham Palace than I ever have – and you’ve only been here two weeks!”
Meghan, Duchess of Sussex, is reunited with her wedding gown and veil for the first time since her wedding day, as Royal Collection specialists prepare the dress for a new public exhibition. She reflects on her wedding day, on the importance of the Commonwealth and on the symbolic significance of the floral Commonwealth emblems sewn into her silk veil.
With access to private home movies, QUEEN OF THE WORLD shows the role that the Royal Yacht Britannia played in The Queen’s early tours of the Commonwealth, when it served not just as a floating palace and traveling embassy, but also as a home away from home. Princess Anne watches footage of her and her brother, Prince Charles, as young children on their first trip on the Royal Yacht after six months apart from their parents during the great post-Coronation Commonwealth tour, in which The Queen and the Duke of Edinburgh traveled 40,000 miles around the globe.
The film also follows a special event at Buckingham Palace during London Fashion Week. The Countess of Wessex explains the significance of the Commonwealth Fashion Exchange, in which designers and artisans from each of the 53 Commonwealth countries create and display new looks. The designs are shown at Buckingham Palace at an exhibition attended by the Countess and Catherine, Duchess of Cambridge, Princess Beatrice and many key figures from the global fashion industry.
As the new Duke and Duchess of Sussex prepare to head for the Pacific on their first major Commonwealth tour together, a new chapter in this remarkable global story is about to unfold.
Oxford Films also produced the documentary “Diana, Our Mother: Her Life and Legacy,” which debuted on HBO in 2017.
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2018 Twin Cities Film Fest Boasts Diverse and Inspiring Lineup, Opens with GREEN BOOK
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Green Book[/caption]
Twin Cities Film Fest today announced a diverse and inspiring lineup of films for their 2018 festival, to be held October 17 to 27. This year’s festival will officially open their ninth year with Peter Farrelly’s Green Book, which recently won the coveted People’s Choice Award this past week at the 2018 Toronto International Film Festival.
When Tony Lip (Mortensen), a bouncer from an Italian-American neighborhood in the Bronx, is hired to drive Dr. Don Shirley (Ali), a world-class Black pianist, on a concert tour from Manhattan to the Deep South, they must rely on “The Green Book” to guide them to the few establishments that were then safe for African-Americans. Confronted with racism, danger—as well as unexpected humanity and humor—they are forced to set aside differences to survive and thrive on the journey of a lifetime.
https://www.youtube.com/watch?v=QkZxoko_HC0
Opening night festivities will also include a screening of Time for Ilhan, a documentary about State Representative and Federal House candidate, Ilhan Omar, who will be in attendance along with director Norah Shapiro and cinematographer Chris Newberry.
https://www.youtube.com/watch?v=vQ8uivoe36U
The Centerpiece Highlight on Friday, October 19 is the Newport Beach Film Festival hit comedy When Jeff Tried to Save the World starring Jon Heder (“Napoleon Dynamite). United Skates, a documentary about roller skating and a community’s battle to save an underground subculture will close out the festival on October 27.
Other visiting guests this year include David Arquette and Tom Arnold with the U.S. premiere of Saving Flora, the story of a 14-year-old girl who kidnaps an elephant from a circus to take it to a nature reserve, screening on October 22. Chef Andrew Zimmern will also be in attendance on Thursday, October 25 for the Midwest premiere of Chef Flynn, a documentary about a ten-year-old who transformed his living room into a supper club and achieved sudden fame.
TCFF will also feature Widows (20th Century Fox) a modern-day thriller from Steve McQueen starring Viola Davis and Liam Neeson, Can You Ever Forgive Me? (Fox Searchlight Pictures) starring Melissa McCarthy, Boy Erased (Focus Features) starring Joel Edgerton and Nicole Kidman and The Favourite (Fox Searchlight Pictures) starring Emma Stone and Rachel Weisz.
In addition to their regular programming this year, TCFF will collaborate with the Jewish Film Festival and the Northstar Science Film Festival, showing a slate of thought provoking films while launching a brand new initiative, TCFF Tech. TCFF Tech is a one-of-a-kind 3-day event spotlighting the impact of technology on social issues, innovation, and entrepreneurship.
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Gustav Möller’s Thriller THE GUILTY is Denmark’s Entry in Oscar Race for Best Foreign Film [Trailer]
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The Guilty[/caption]
Gustav Möller’s minimalist thriller ‘The Guilty‘ has been selected as Denmark’s official entry for the 2019 Foreign Language Oscar category. ‘The Guilty’ is Gustav Möller’s feature debut. The film was selected from a shortlist that included Bille August’s ‘A Fortunate Man’ and Hlynur Pálmason’s ‘Winter Brothers.’
The Guilty’ by Gustav Möller takes place over one single night at an emergency call center, following a policeman’s race against time to save a kidnapped woman, with the phone as his only tool. The film won the Audience Award at its world premiere at Sundance and has since met with a warm critical reception across the board.
https://www.youtube.com/watch?v=AXeeVRazqFM
In Denmark, 139,000 tickets have been sold since it premiered in June, and in France, so far 260,000 cinema-goers have seen the thriller. The film is to be released in US theaters on 19 October by Magnolia Pictures, which also saw the US launch of the three Danish Oscar nominated films ‘A Royal Affair,’ ‘The Hunt’ and ‘A War.’
The Academy of Motion Picture Arts and Sciences will announce the five nominations for the title as Best Foreign Language Film on 22 January. The 2019 winners will be announced on Oscar Night taking place in Los Angeles on 24 February.
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2018 Woodstock Film Festival to Showcase Over 100 Films + Opens with KARL BERGER – MUSIC MIND
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Karl Berger of Karl Berger – Music Mind[/caption]
The fiercely independent 19th Annual Woodstock Film Festival will showcase more than 100 films and open with a live performance by the Karl Berger Band following the screening of the feature documentary Karl Berger – Music Mind, which offers “an inside look into the creative process and unique approach toward music that makes Karl Berger”. Matthew Heineman’s feature narrative debut A Private War, starring Rosamund Pike, Jamie Dornan and Stanley Tucci will close the film festival on the evening of Sunday, October 14th.
There will be a panel discussion after the film screening of Lessons from a School Shooting: Notes from Dunblane, featuring the filmmakers, as well as panelists from the documentary Newtown. In the wake of the 2012 Sandy Hook Elementary School massacre that took the lives of twenty first-graders and their teachers, local clergyman Father Bob Weiss receives a letter from a fellow priest in Dunblane, Scotland, whose community suffered an eerily similar fate in 1996. From across the Atlantic, the two priests forge a poignant bond through the shared experience of trauma and healing. Never before seen film clips of the filmmakers’ upcoming documentary about the mass shooting in Stoneman Douglas high school in Parkland, Florida, will be shown during the panel.
Roger Ross Williams is the first African American director to win an Academy Award with his short film Music By Prudence. Williams has directed a wide variety of acclaimed films including God Loves Uganda, which was shortlisted for an Academy Award, and Life, Animated, which was nominated for an Academy Award in 2017. Williams is on the Board of Governors for the Academy of motion pictures, Arts and Sciences, representing the Documentary branch, as well as being on the Diversity Committee for the Academy. This year Williams is our Special Guest Programmer whose selection spotlights some of his favorite contemporary works by filmmakers of color. Williams said, “I am thrilled to be a guest programmer at this year’s Woodstock Film Festival. The three films I have chosen demonstrate the scope, depth and creativity that is possible when we, as black filmmakers, tell our own stories.” These films include Hale County This Morning, This Evening, Shakedown, and Mr. SOUL!.
NARRATIVE FEATURES
Across The Universe, directed by Julie Taymor Almost Home, directed by Jessica Blank and Erik Jensen Ask For Jane, directed by Rachel Carey Beyond the Night, directed by Jason Noto Cold Brook, directed by William Fichtner Dorst (Craving), directed by Saskia Diesing Dreams by the Sea, directed by Sakaris Stórá Fort Maria, directed by Thomas Southerland and S. Cagney Gentry Ghost Light, directed by John Stimpson Here and Now, directed by Roman Shumun Julia Blue, directed by Roxy Toporowych Keely and Du, directed by Dominique Cardona and Laurie Colbert Lez Bomb, directed by Jenna Laurenzo Little Woods, directed by Nia DaCosta Love Revisited, directed by Nicole van Kilsdonk Only A Switch, directed by Michael Vincent Paris Song, directed by Jeff Vespa A Private War, directed by Matthew Heineman ReRUN, directed by Alyssa Rallo Bennett Socrates, directed by Alex Moratto Spell, directed by Brendan Walter Swimming With Men, directed by Oliver Parker Then Came You, directed by Peter Hutchings Unlovable, directed by Suzi Yoonessi We Only Know So Much, directed by Donal Lardner Ward What They Had, directed by Elizabeth Chomko Wheels, directed by Paul Starkman Wildlife, directed by Paul DanoYounger Days, directed by Paula van der Oest
DOCUMENTARY FEATURES
2030, directed by Johnny Boston The Advocates, directed by Rémi Kessler Carmine Street Guitars, directed by Ron Mann Dreaming of a Vetter World, directed by Bonnie Hawthorne The Feeling of Being Watched, directed by Assia Boundaoui For The Birds, directed by Richard Miron Ghost Fleet, directed by Shannon Service and Jeffrey Waldron Give Us This Day, directed by Jeff and Michael Zimbalist Hale County This Morning, This Evening, directed by RaMell Ross In Our Bones, directed by Alex Kimura The Interpreters, directed by Andres Caballero and Sofian Khan Karl Berger – Music Mind, directed by Julian Benedikt Michelin Stars – Tales from the Kitchen, directed by Rasmus Dinesen Mr. SOUL!, directed by Melissa Haizlip and Samuel Pollard A Murder In Mansfield, directed by Barbara Kopple Netizens, directed by Cynthia Lowen Personal Statement, directed by Julianne Dressner Shakedown, directed by Leilah Weinraub Somaliland, directed by Harry Lee and Ben Powell Stay Human, directed by Michael Franti Suicide: The Ripple Effect, directed by Greg Dicharry and Kevin Hines Up to Snuff, directed by Mark Maxey What Is Democracy?, directed by Astra Taylor The World Before Your Feet, directed by Jeremy WorkmanWRESTLE, directed by Lauren Belfer and Suzannah Herbert
SHORTS
1-0, directed by Nada ElAzhary; 59 Seconds, directed by Mauro Carraro; After Her, directed by Aly Migliori; Antouni (Homeless), directed by Alik Tamar; Are You Still Singing?, directed by Gillian Barnes; A Year, directed by Jisun Jamie Lee; Beast, directed by Leonora Lonsdale; Beautiful Things, directed by Dina Waxman; Black Spirit, directed by Chakib Taleb-Bendiab; Boy Boy Girl Girl, directed by Ross Kauffman; Carolee, Barbara & Gunvor, directed by Lynne Sachs; The Christmas Rabbit, directed by Christophe Lopez-Huici; The Crying Room, directed by Shalom Auslander; Del Rio, directed by Raj Trivedi; Dinner, directed by Anna Gilmore; Edith Piaf (Said It Better Than Me), directed by Joseph Wallace; Ego, directed by Mario Addis; The English Teecher, directed by Andy and Carolyn London; Even Ants Strive for Survival, directed by Ren Xia; Funeral, directed by Leah Shore; Gamble, directed by Chayadol Lomtong; Goose in High Heels, directed by John R. Dilworth; He’s Watching, directed by Arthur Metcalf; Homing In, directed by Parker Hill; Jo, directed by Justine Williams; One Small Step, directed by Andrew Chesworth and Bobby Pontillas; Last Requests, directed by Courtenay Johnson; The Last Seance, directed by Laura Kulik; Lifeboat, directed by Skye Fitzgerald; Lucy, directed by Ruben Gutiérrez; The Magical Mystery of Musigny, directed by Emmett Goodman and John Meyer; Martin, directed by Sholto Crow; Melt Down, directed by Amy Jingyi Xu; Mirror Mirror, directed by Jacob Internicola; Mother, directed by Amanda Palmer; Moved to Tiers, directed by Avery Herzog; The Movie House on Main Street, directed by Teresa Torchiano; My Brother (Mi Hermano), directed by Alexis Gambis; Pour 585, directed by Patrick Smith; Rooster and The Queen, directed by Aaron Weisblatt; Salam, directed by Claire Fowler; Lessons from a School Shooting: Notes from Dunblane, directed by Kim A. Snyder; Shiva Baby, directed by Emma Seligman; Sorceress, directed by Max Blustin; Trump Bites, directed by Bill Plympton; Two Balloons, directed by Mark C. Smith; Unnatural, directed by Amy Wang; The Velvet Underground Played at My High School, directed by Tony Jannelli and Robert Pietri; Vicarious Resilience, directed by Eva Tenuto; Voice, directed by Takeshi Kushida; Welcome to the New World, directed by Jerry Suen & Anni Sultany; The Winds of Downhill, directed by Jedd and Todd Wider; Your Face Global Jam, directed by Ken Mora
YOUTH INITIATIVE
This year, the Woodstock Film Festival will present films written, filmed, directed, produced, and edited by passionate teens. The Woodstock Film Festival’s Youth Initiative is supported by the Thompson Family Foundation. Three out of the ten films were created by students who participated in the Woodstock Film Festival Summer Youth Film Lab, a three week immersive program underwritten by an anonymous donor, that gives teenagers an opportunity to learn about the art of film and practice the full spectrum of the filmmaking process with guidance from accomplished film industry professionals.After The Collapse, directed by Youth Film Lab participant Ethan Laclaverie Past the Fear, directed by Youth Film Lab participant Samuel Levine Mirror Mirror, directed by Youth Film Lab participant Jacob Internicola Along the Water, directed by Marissa Gaylin Can’t Hurry Love, directed by Lola Cook The Hitchhiker’s Guide to Suburbia, directed by Alex Alford and Zak Denley I Am The Only One, directed by Aicha Cherif Inclusion On The Air, directed by Eli Canter Silence, directed by Camille Dobbs Wake Up, directed by Maura PaldenMUSIC VIDEOS
This year, the Woodstock Film Festival is highlighting 11 outstanding music videos from talented artists from the United States, Poland, the United Kingdom, and Luxembourg. These music videos will be screened online at the start of the festival.Boyish – Music by Japanese Breakfast Dumb Dumb– Music by Cipherella Found – Music by Toulouse Glendale– Music by Clans Land of the Fairies – Music by Rami Fortis Magic Meadow Music Video – Music by Journey Blue Heaven Mandarin – Music by Boogrov Paprika – Music by No Metal in this Battle Pora Sotunda – Music by The Mystery of the Bulgarian VoicesSolicitous– Music by Drekoty
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Canadian Premiere of Surfing Documentary MOMENTUM GENERATION to Close Whistler Film Festival
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Momentum Generation[/caption]
MOMENTUM GENERATION, the latest documentary from Award-winning filmmakers Jeff and Michael Zimbalist, will have its Canadian premiere as the Closing Night film of Whistler Film Festival. The documentary follows the biggest names in surfing, including Kelly Slater, Rob Machado, Shane Dorian, Kalani Robb and the late Todd Chesser. Executive produced by Sundance founder Robert Redford with stunning archival footage from the godfather of surf films Taylor Steele, MOMENTUM GENERATION gives audiences an inside look at the lives of these teenagers as they rose to super stardom as the first competitive surfers.
WFF’s Director of Programming Paul Gratton had this to say about the current 2018 lineup: “The increasing importance of the Whistler Film Festival as a launchpad for world-calibre Canadian features is evidenced by the significant number of World Premieres that have already been secured for this year’s festival.”
In addition to the previously announced World Premiere of FUCK YOU ALL, THE UWE BOLL STORY, WFF added nine Canadian films premiering at Whistler this year. Seven of the films are eligible for the five awards in WFF’s coveted Borsos Competition for Best Canadian Feature *, which includes the second largest festival prize in the country featuring a $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and $15,000 post production prize presented by Encore Vancouver.
BELLA CIAO! * (2018, Canada (BC), World Premiere)
Carmen Aguirre and Tony Nardi star in a remarkable story directed by Carolyn Combs of friends, lovers, seekers and thieves. Set at the intersection of the Latin American, First Nations and Italian communities in Vancouver, Bella Ciao! captures the struggle towards solidarity within Canada’s immigrant urban mix. A tribute to the mosaic of diversity and the different generations of distinct cultures that help define Vancouver and by extension, all of Canada today.
IN GOD I TRUST * (2018, Canada (BC), World Premiere)
John Cassini, Marc Senior and Melissa Roxburgh star in this multi-character drama from Vancouver based filmmaker Maja Zdanowski. A distressed young black man, a reckless white nationalist, and a pair of traveling vacationers intertwine in three tales of redemption, violence and faith during a random encounter in Northern Idaho.
INTO INVISIBLE LIGHT * (2018, Canada (MB), World Premiere)
Director Shalegh Carter delivers a powerful story of grief, longing, and one woman’s path to healing through the realisation of her long-buried desire to write. A widow rekindles a past relationship with a writer/professor. Conceived under the sway of both love and art INTO INVISIBLE LIGHT is a story of forgiveness, second chances and the revitalizing power of self-expression.
HONEY BEE * (2018, Canada (ON), World Premiere)
2017 WFF Star to Watch Julia Sarah Stone astounds as an underage truck stop hooker under the sway of a manipulative pimp, sent by authorities to a tough love placement location, a working farm run by a no-nonsense character played by Martha Plimpton. Director Rama Rau continues to explore female sexuality, as she did with her previous documentary look at burlesque queens, THE LEAGUE OF EXOTIQUE DANCERS.
NEVER BE DONE: THE RICHARD GLEN LETT STORY (2018, Canada (BC), World Premiere)
This raw and immersive documentary tells the story of how controversial Vancouver stand-up comedian Richard Lett sabotaged his own promising career, lost everything and lived to tell the tale. Director Roy Tighe’s commitment to presenting Lett’s highest and lowest moments over the past nine years ultimately presents a message of personal redemption, and shines a poignant light on the intensely private struggle of addiction.
NOSE TO TAIL * (2018, Canada (ON), World Premiere)
Aaron Abrams plays a talented but abrasive chef who is struggling to keep his high end restaurant afloat. Over the course of one event-filled day, he must deal with an angry lover, a would-be investor (Ennis Esmer) and unhappy staff, not to mention the realization that his establishment is no longer as trendy as when it first opened. Directed by Jesse Zigelstein, this a character study that will have foodies salivating.
NORTH PRESTON’S FINEST (2018, Canada (ON), World Premiere)
Director Jaren Hayman provides us with an intimate glimpse into the country’s largest black community, painted in recent years as one of Canada’s most established human trafficking hubs. With poignant interviews and stories from residents of all kinds, from pimps and their victims to politicians and the citizens they serve, NORTH PRESTON’S FINEST explores one community’s struggle against crime, economic adversity and systemic racism, and their ardent desire to change the narrative.
RED ROVER * (2018, Canada (ON), World Premiere)
Métis director Shane Belcourt directs a wistful story about a socially awkward geologist who is encouraged to apply for a one-way manned mission to Mars by an extroverted musician he meets in the park. Rising star Cara Gee shines as a muse with her own issues who inspires our unhappy would-be space traveler, who longs for a new beginning.
WOODLAND * (2018, Canada (BC), World Premiere)
Directed by Vancouver based Jon Silverberg, this is about a man’s personal journey that touches on the land, the mythical and the spiritual. Set in 1989, out-of-work photojournalist Jake (Richard Harmon) who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on the remote Haida Gwaii island in the Pacific Northwest. Under the watchful eye of veteran handyman Sparky, Jake sets up a darkroom to develop the photos he shoots, which reveal strange apparitions that he soon discovers are prophecies of his and Sparky’s disturbing future.
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Screen Media to Release ‘audacious, psychotropic’ Horror Film LUZ [ Video]
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Luz[/caption]
Tilman Singer’s audacious, psychotropic horror film LUZ, which made its North American bow at Fantasia Film Festival, and will have its US premiere at Fantastic Fest this week will be released in theaters across the US in first quarter 2019 by Screen Media.
LUZ begins as a young female cabdriver (Luana Velis, in the title role) drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves. Shot entirely on 16mm, this first feature film from Singer pays homage to horror masters Cronenberg, Argento and Fulci, while infusing a fresh take on the genre all of his own.
LUZ is written and directed by Tilman Singer, produced by Dario Mendez Acosta and Singer and stars Luana Velis and Jan Bluthardt.
Filmmaker Tilman Singer concluded:”To see this kind of reaction to our film, visit festivals and now release it in North America is a little bit like shooting a movie itself; It’s hard to fully grasp. Producing LUZ I had no idea where it would go and I am excited for the life that it will have.”

Boy Erased[/caption]
Following the big announcement of Yen Tan’s award-winning AIDS drama 1985 as Opening Night Film, NewFest today announced the full lineup of more than 140 LGBT films from around the world for their 30th annual celebration. The festival runs from October 24 to 30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.
This year’s NewFest will feature several other galas and special screenings, including the New York Centerpiece screening of Ondi Timoner’s