• Watch Captivating MAKING COCO: THE GRANT FUHR STORY Trailer on Controversial NHL Goalie

    Making Coco: The Grant Fuhr Story Movie Poster The new trailer is here for Making Coco : The Grant Fuhr Story, Don Metz’s captivating cinematic chronicle on one of the most celebrated, yet enigmatic goalies in the history of the NHL.  The feature has been announced as the closing Gala film at the Calgary International Film Festival. Featured contributors in the documentary include Wayne Gretzky, Mark Messier, Martin Brodeur, Brett Hull, Chris Pronger and many more of the NHL’s royalty. Fuhr, along with a number of his teammates, will provide a never-before-seen exclusive look into the high-flying Oilers dynasty of the 80’s, what made them so successful, and the infamous challenges that they faced. All-time rivals will speak to what it was like playing against the greatest goalie on the greatest team in the NHL’s 100-year history. Those closest to Grant will take the audience on a journey behind the mask to understand who the mixed-race superstar truly is. Barely 19, Grant ‘Coco’ Fuhr became starting goalie for the most exciting team in NHL history. In his mid-30’s, he played 76 consecutive and 79 total games in an 82-game season to set two league records, then followed that ironman performance by playing 73 the following season on a completely rebuilt knee. During the decade and a half between, he employed his acrobatic style and cat-like reflexes to backstop five Stanley Cup champions and two Canada Cup winners, cementing a reputation as the ultimate “money goalie”. He also got himself demoted to the minors for calling the hometown fans jerks, announced his retirement at the age of 26 in an attempt to force a famously hard-nosed general manager to renegotiate a long-term contract, and was suspended for an entire NHL season for conduct deemed “dishonourable and against the welfare of the league” for substance use, only to return and redeem himself as one of the game’s true greats. “I think he’s the best goaltender in the history of the NHL.” – Wayne Gretzky Upstream Flix is partnering again with Award winning producer Adam Scorgie (Ice Guardians, The Culture High, Inmate #1: The Rise of Danny Trejo) in conjunction with Oilers Entertainment Group VP Don Metz and Co-Producer Shane Fennessey for Making Coco: The Grant Fuhr Story. Upstream Flix plan to release the film in late 2018.

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  • Boots Riley to Deliver Keynote Address at Indie Memphis Film Festival’s Black Creators Forum

    Boots Riley Boots Riley still riding high off the success of Sorry To Bother You, will attend the Indie Memphis Film Festival to deliver the keynote address at the Black Creators Forum (November 1st – 5th), discussing his interdisciplinary background as a musician, labor organizer, and filmmaker. Riley will talk about how filmmakers can use backgrounds in other arts to make films in radical new ways. He will also present a classic film of his choice during the film festival. Another special event is a live film presentation by Zia Anger entitled My First Film. Anger will offer live-commentary on previously unseen work, by way of a split screen and text edit, as she attempts to recount the stories behind her lost and abandoned work — including her first feature — and her struggles in an industry that’s often hostile to women filmmakers beyond the short film stage of their careers. This combination screening/performance/artist’s talk includes innovative new formats, including short videos airdropped directly to audience members. Senior Programmer Miriam Bale said, “I have attended dozens or maybe hundreds of talks about the lack of women feature film directors, an issue I care deeply about. But after awhile, they all sound the same. Zia Anger has figured out a new way to discuss these issues, in an incredibly moving, personal, and creative way. I’ve never seen anything like it!” After developing My First Film at the Spectacle Theater in Brooklyn, Indie Memphis will be the festival debut of this traveling live cinema event. The Black Creators Forum at the Indie Memphis Film Festival will conclude with a free public celebration, the Black Filmmakers Pitch Rally (with crowdfunding partner Seed&Spark) on Friday, November 2nd at Memphis’ Playhouse on the Square, featuring a jury-selected $10,000 “bounty prize” provided by Epicenter Memphis for projects to garner support for production in Memphis. Production must begin in Memphis before August 1, 2019 to claim the bounty cash or forfeit it to next year’s prize. Sponsors and donors are encouraged to match the inaugural prize offer leading up to the rally. Half of the pitching filmmakers have been selected from the finalists of the Indie Memphis Black Filmmaker Residency for Screenwriting program. The remaining six slots are available for feature films, both narrative and documentary, proposing to shoot in Memphis. Applications to pitch are open through September 16th.

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  • New Orleans Film Festival Announces 28 Finalists of Inaugural Screenplay Competition

    2018 New Orleans Film Festival The New Orleans Film Festival selected the 28 finalists of its inaugural Screenplay Competition, from over 700 submissions, in Feature, Short, Episodic and Louisiana Screenplay categories. All finalists will be provided with an All-Access Pass to the 29th New Orleans Film Festival running October 17 to 25, 2018. Finalists will take advantage of the screenings, panels, roundtables, and numerous opportunities to connect with other writers, filmmakers, and industry professionals. Winners in each category will be announced at a special reception during the festival. The winner of Feature Screenplays category will receive a cash prize of $1000; Short and Episodic Screenplay category winners will receive a cash prize of $500. For Louisiana residents: the Louisiana Film & Entertainment Association (LFEA) is sponsoring a $1000 prize for the best screenplay from a Louisiana-based writer and a runner-up prize of $500.

    29th New Orleans Film Festival – Screenplay Competition Finalists

    Feature Screenplay Finalists

    All See None by Zev Aaron – Traumatized by the discovery of two dead inmates, an architect tries to sabotage the construction of a prison he’s designed. When the prison corporation that hired him finds out, he and his young daughter must run for their lives. Zev Aaron Bio – Zev Aaron was born in 1990 in New York and presently lives there. He received a B.A. in History from the University of Pennsylvania and an M.A. in Liberal Studies from The New School. He has made a series of experimental analog shorts and is currently shooting two narrative shorts, one on 16mm and one on 35mm. Audrey, 2.0 by Imogen Grace – A Hollywood actress struggling to make a comeback begins to form a deep and dangerous attachment to her android body double, in this lo-fi sci-fi set in a near future. Imogen Grace Bio – Imogen is a screenwriter based in Toronto, Canada. She studied dramatic arts in New York City and has written and directed short films that have appeared in international film festivals. Her feature screenplay Audrey, 2.0 is an official selection of Oaxaca Film Festival and Catalina Film Festival. She is the co-founder of the women in film initiative The Bechel Bill. Delos by María A. Otero – A Mexican girl with unusual powers struggles to deal with her impending womanhood, her disastrous family, the constant torment of bullies and her crumbling sense of identity while fighting to keep her sanity and avoid her breaking point. María A. Otero Bio – María Otero was born in Mexico in 1996. She started writing as soon as she learned how to at age 6. A few years later, before she was allowed to watch “grown-up” movies, she defied her parent’s rules and saw Schindler’s List. This changed her life. From that moment on, she lived for films. She divides her time between MX and NYC. Johnny Ace by Moon Molson – On the night of Christmas Day in 1954, two Houston Homicide Detectives are called to the City Auditorium to investigate the accidental suicide of R&B singer Johnny Ace and discover that the death of the legendary crooner is anything but an “open and shut” case of drunken Russian Roulette. Moon Molson Bio – Moon Molson’s short films Pop Foul (2007), Crazy Beats Strong Every Time (2011), and The Bravest, The Boldest (2014) all premiered at the Sundance Film Festival, have screened at over 250 international film festivals, and won over 100 awards worldwide. He is a 2015 Guggenheim Fellow in Film-Video and currently an Assistant Professor in Visual Arts at Princeton University. Kibou by Cassie Hayasaka and Keith Hayasaka – In a political and cultural backdrop acutely relevant today as 75 years ago, a young Japanese-American loses everything – his freedom, cultural identity, and the love of his life – when his family is split up by the government and forced to relocate to a desolate internment camp during WWII. When faced with the prospect of post-war renewal, the bonds of family and loyalty to country threaten to eclipse his happiness. Cassie Hayasaka and Keith Hayasaka Bio – Cassie and Keith Hayasaka have collectively lived all over the United States but now call the Pacific Northwest home. Drawing on diverse experiences and socioeconomic/cultural backgrounds, they strive to craft engaging narratives while exploring timely issues of race, social disparity, and family. Plaçage by G. Michelle Robinson – In early 19th Century New Orleans, it was not uncommon for a White man to enter into consensual common-law union with a woman of color. The practice was called Plaçage. Emilie, a 17-year-old mixed-race woman, has been raised in a life of relative luxury in just such a household. Her sister, Marie Elaine, is about to embark into the same lifestyle. But for Emilie, enchanted by stories of the West she reads of in penny novels, the life she’s known holds no allure. G. Michelle Robinson Bio – Originally from Washington State, Michelle is a Brooklyn-based actor and writer. She’s been on TV and film, most notably a recurring role on HBO’s Boardwalk Empire, and theatre, including the 2002 Edinburgh Fringe First winning Black to My Roots. Shock by Rosie Rosato – Baltimore City has become a haven for queers all over the state of Maryland. Everything is temporary here; both this kind of love, and this kind of life. Mandatory conversion therapy plucks everyone at random from the city for a country retreat at a center outside of town. Zooey, a 24-year-old painter who is startled by how much falling in love has changed her life, has recently lost her girlfriend Sam. Zooey and her group of friends navigate their city, and live their lives the way they feel they should for as long as they can. Shock is a social horror that slides in and out of memories; it is a soft boil through and through. Rebellion can exist in small acts, like falling in love, and staying true to yourself. Shock questions our permanence and our strength to be honest with ourselves. Rosie Rosato Bio – Rosie Rosato is a Brooklyn, NY based screenwriter/filmmaker from Baltimore, MD. She bleeds genres, playing with Horror, Drama, and Syfy, suspending disbelief to dive deep into ourselves. Shock, a queer-social-horror based in her hometown, is her current project in pre-production. Shock is Rosato’s first feature-length script. Rosato holds a BFA in Film/Video from Pratt Institute. True Blue Masters by Hadley Witcher – An aspiring young copywriter investigates water rights and stumbles into an underhanded political scheme surrounding the emerging gaming industry in 1990s New Mexico. Hadley Witcher Bio – Hadley Witcher received her BFA from Cornell University, then settled in Tesuque, New Mexico, where she worked in photography and video production. She also wrote commentary and film reviews for KUNM, Albuquerque’s NPR affiliate. She later moved to her native Philadelphia area with her husband and two children. She earned her MFA in Creative Writing at Rosemont College in 2017.

    Episodic Screenplay Finalists

    Banshees by Cari Daly – After her Irish mob-boss husband is arrested by the FBI, a mother of three with plans to escape, steps up to lead the family business. Cari Daly Bio – Cari Daly is the granddaughter of Irish immigrants who may not have been on the right side of the law. She made good by attending NYU’s Tisch School of the Arts, receiving her BFA in Directing and Dramaturgy, followed by the AFI Conservatory, where she received her MFA in Screenwriting. She won’t break your kneecaps…she promises… Deadline by Branden Hampton – A relentless black journalist struggles through the world’s top journalism school in the midst of racism, politics and corruption in Chicago. Branden Hampton Bio – Branden T. Hampton is an award-winning director, producer, musician and writer from Atlanta, Georgia. The award-winning documentary “FEARLESS” that he co-directed/co-produced was nominated at the Chicago/Midwest Emmys for two College Production Awards and has premiered at major international film festivals. He is a proud graduate of Howard University and Northwestern University’s Medill School of Journalism. Generation-Y by Chelsea Holmes-McKnight – Gen-Y (Generation-Y) follows the life of Elisha Danbrooke, an African American woman whose world is turned upside down when she discovers she’s contracted an incurable STD. Throughout the series, viewers will learn how she navigates through the dating world with this stigma. Chelsea Holmes-McKnight Bio – My name is Chelsea Holmes-McKnight, I am from Charlotte, North Carolina. I began writing in high school for the newspaper and yearbook, but my love for storytelling developed during my college years. I originally went to school to become a journalist, yet after taking several fiction writing courses, I was hooked. The rest is history. The Quickening by Brittany Worthington – Eleanor Murphy Ballard is a 19th-century housewife who is not only struggling to conceive a child with her wealthy husband but struggling to conceal her past and true identity as a runaway slave. She is forced to confront her true self when a close friend finds herself pregnant with nowhere to go. It is soon revealed that Eleanor aided in providing illegal abortions to women across the city. Pulled back into that world with the promise that she might find the daughter she gave up nearly a decade ago, Eleanor starts down a path towards becoming Chicago’s most-notorious abortionist. But with the Council of the Suppression of Vice and a Chicago mobster after her, Eleanor must face some hard choices as she confronts who she is and what she truly wants. Brittany Worthington Bio – Brittany Worthington is a native Michiganer –Grand Rapids, MI to be exact– who completed her MFA in screenwriting at the University of Texas at Austin. Brittany is currently pursuing her screenwriting career in Los Angeles. She was recently named the second place finalist in the LAUNCH Million Dollar Screenplay competition. The Realm by Crystal Ellington – Episodic fantasy drama The Realms explores the notion that there is life after death. The protagonist, Kyna, is struck with amnesia at the time of her death, and must navigate the new realm to uncover the truth behind her life and death. In order to unlock the details of her existence, she must master the role of Guardian, one who assists the dead with life’s unfinished business. With each soul assisted, she unlocks a key to her life and death. As she gets closer to the truth, tensions rise in the world of the living and the dead. The barrier between the realms is thinning. All hell is about to break loose. Crystal Ellington Bio – Born and raised in Florida, Crystal studied journalism and communication at Ashford University. After a brief stint as an on-air radio personality, she moved to Europe for a couple years before returning to her hometown to care for her two daughters. She now works in banking and spends her free time indulging her passion for writing. The Reservoir by Dylan Allen (Teleplay), Eddy Vallante + Dylan Allen (Story) – In an age when water is rapidly becoming the new oil, an ambitious engineer reluctantly returns home after public doubt is cast on the sustainability of the local reservoir. But as she reconnects with the family she fled and the community she left behind, she begins to struggle with the reason she’s back: to flood her hometown. Amalgamated Picture Co. – Amalgamated Picture Co. is an award-winning production house based in Brooklyn, NY. Their most recent short film THE PRIVATES won Hammer to Nail’s Spring ‘17 Short Film Contest and was released as a Vimeo Staff Pick Premiere. It was featured on Short of the Week, io9, Film Shortage and won New Hampshire FF’s Best NH Short Narrative award.

    Short Screenplay Finalists

    Flight by Alexis Stratton – In 1950s small-town South Carolina, Dee helps her lover Sam break free from the South by cutting off their hair. Alexis Stratton Bio – Alexis Stratton has spent their life in many homes, from New Orleans to South Korea. They received an MFA in Creative Writing from the University of South Carolina, and they currently work as a freelance writer. Previously, they wrote and directed two short films, “Crosswalk” and “GHOST_GIRL,” which have been screened at festivals in the U.S. and beyond. Freya by Jo Fox and Sophia Tamaro – A grieving painter finds solace and creative inspiration through sexual encounters with strangers. Jo Fox and Sophia Tamaro Bios – A former doctor and teacher, Yorkshire writer/producer and married mother-of-two, Jo is a Nicholl Fellowship Quarterfinalist, with a passion for sharp dialogue and rich characterisation. | Writer/director and UK Film School graduate, multilingual German/Italian born Sophia has a flair for intriguing, original stories and is committed to increasing diversity in film. My Black Friend by James M. Martin – A new premiere subscription service seeks to help young, woke, progressives avoid costly social mistakes related to issues of race and help demonstrate their allegiance to black causes; all without actually needing to get involved. James M. Martin Bio – James M. Martin is a lifelong writer and college educator who loves creating worlds that are outside of the norm. If there’s a way to work a bit of the unusual or the outright weird into everyday situations, he’s all for it. As a writer, director, and editor he knows he should be doing less, but sometimes has trust issues. Strangers on the Outside by Derek Weissbein – After discovering they can recapture the feeling of falling in love for the first time by inhabiting the bodies of others, a couple begins playing an addictive game to reinvigorate their monotonous relationship while ignoring the ethical and physical implications. Derek Weissbein Bio – Derek Weissbein is a screenwriter located in Los Angeles. He was featured on the 2016 Hollywood Blacklist with his screenplay, Layla and Other Assorted Love Songs, about Eric Clapton and George Harrison. He has since been attached to write three more biopics. Although he enjoys bringing non-fiction stories to life, he is just as passionate about telling grounded sci-fi stories. The Frog by Tate Nova & Courtney Powell – A young woman working as a maid on a remote Hawaiian island drinks an herbal tincture she hopes will solve all her problems, but she discovers her troubles have just begun. Tate Nova & Courtney Powell Bios – Courtney Powell and Tate Nova have been making films together in New York City since 2015. Their first film, The Surf Report, was an official selection of the New Orleans Film Festival in 2016 and they are excited to show their new film The Future Is Bright at #NOFF2018. Wa Wa by Amy Wang – A 5-year-old girl attempts to overcome feelings of inadequacy and isolation at a boarding school for overworked parents. Amy Wang Bio – Amy Wang is a Chinese-Australian filmmaker who grew up in the suburbs of Sydney, Australia. She graduated from the American Film Institute where her thesis film screened at numerous festivals around the world including being nominated for the Grand Prix at Clermont-Ferrand. She’s a recipient of the Young Directors Award at Cannes Lions 2018 and is a Bluecat Screenplay Winner.

    Louisiana Screenplay Finalists

    Bird by Renso Amariz – A young woman who can’t leave her apartment has a difficult time finding love, until an alluring, fast living, neighbor shows up. The two women find comfort in each other, but there is a bigger secret on why she can’t leave her apartment that will change the lives of both women. Renso Amariz Bio – Renso Amariz spent 9 years working as a military photojournalist. Since leaving the military, he has followed his passion for storytelling and focusing on film. He’s written and produced several shorts, and one ill-fated feature. Currently he’s working with Invisible Pictures and writing a digital series for internet release. Empyrean by Meghann McCracken – In 2047 Silicon Valley, genetics researcher, Nia Donne, becomes embroiled in an international cover-up with implications for all of humanity. Meghann McCracken Bio – Meghann’s plays have been read, produced, or honored at the Last Frontier Theatre Conference (Alaska), The Playwrights’ Center (Minneapolis), Southern Rep (New Orleans) and American Blues Theatre (Chicago). She also has been a quarterfinalist for the Nicholl Fellowship in Screenwriting. She has a B.A. in Film Production from U.C., Santa Cruz. She lives in New Orleans with her husband and son. Gun Island by Max Cusimano – A federal agent is called to a remote Louisiana island to investigate a high-profile murder and uncovers a conspiracy involving the American arms industry. Max Cusimano Bio – Max is a Louisiana native who gained an arguably overrated film degree from USC and spent a few years wandering about Southern California. Ridley Scott said some nice things about his short film, “The Rhapsody” (see IMDB.) Max’s documentary feature “New City” is available on Amazon Prime. He lives in New Orleans with his wife, daughter, and two dogs. Homesick by Adrian Ferrara & Gavin Ferrara – When a horrific virus that turns those infected into savage, animalistic creatures sweeps through the grounds of a children’s summer camp, a precocious eight-year-old girl and her friends must fight to survive their summer of fun. Adrian Ferrara & Gavin Ferrara Bios – Screenwriters Adrian and Gavin Ferrara are cousins who co-own New Orleans-based, award-winning production company Flittermouse Films. Growing up in a show business family led them to pursue careers in filmmaking and screenwriting, an endeavor that would eventually culminate in the production of several films and the creation of numerous screenplays. Looking to the future, they hope to continue creating together! Little Lying Wild by Samantha Aldana & Bryce Parsons-Twesten – In Belize, Carmen, an outcast girl with an obsession for stories is the only witness of a depraved murder that happens in her village. Being seen as a liar for constantly spinning tall tales, Carmen has to prove to her people that what she has seen this time is not an illusion. Samantha Aldana & Bryce Parsons-Twesten Bios – Samantha Aldana is a Belizean-American award-winning director/writer. Her love of stories was born from the fusion of storytelling traditions of the American South and the folktales of Belize. At the age of 12, she began putting her stories on screen. Samantha’s work has been featured on PBS, The Film Shortage, Comic Con, and other festivals and platforms around the world. | Bryce Parsons-Twesten grew up on a farm in Southern Illinois. He is the literary manager of PRIME, a theatre company that specializes in 24-hour play festivals. He worked previously with Samantha Aldana, co-writing THE MELANCHOLY MAN which has won “Best Narrative Film” in the Audience Awards Women’s Film Challenge and various other honors. Seven Kinds of Soup by Kim Turner – Following the sudden death of her husband, a woman must navigate her way through her grief with the help of her friends and a mythic creature who may be a manifestation of that grief. Kim Turner Bio – Kim Turner is a writer and a graduate of the Conservatory at Second City in Chicago. Additionally, she studied writing at iO and the Annoyance Theater. Her screenplay, Christy’s Got Cancer!, was one of twelve works selected for the inaugural Meryl Streep Screenwriters’ Lab in 2015. Kim resides in Mandeville and daily tests the physiological limits for human caffeine ingestion. Swanson by Shaq Cosse – In parallel time periods, ACE’s life mirrors the challenges of growing up in an adopted family and working in a group home for teenage boys placed out of their homes. While working in the group home, Ace comes up with the idea to start a bootleg therapy practice, which he’s strongly urged against because of his lack of formal training. Ace must now deal with the dangers of his illegitimate practice, everyday group home problems, and the memories of his own dark past. Each episode will take us on a journey through a flashback into Ace’s past, which will present a theme mirroring a theme going on in the present day, inside of the group home. Shaq Cosse Bio – Shaq Cosse is a hip hop journalist from New Orleans, LA who has spent the last six years publishing stories in national media about the rise of New Orleans’ underground music, and art culture. After spending a year and a half living and gathering research inside of one of Louisiana’s most notorious out-of-home facilities for teenage boys, Shaq has embarked on the journey of telling the stories of his, “lil homies”. The Funeral Band Pilot by Nicholas Manuel Pino – On his first day as the newest member of “Thicker than Blood Brass Band,” John, a now teenager displaced by Katrina, learns all about the unique community he’s been disconnected from for so long and the traditions that follow them to the grave. Nicholas Manuel Pino Bio – Nicholas Manuel Pino is a Chilean-American Award-Winning Writer/Director/DP and composer. His passion is writing comedy with heart. In 2017, he was awarded the “Emerging Voices” fellowship from New Orleans Film Festival.

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  • 2018 Brooklyn Horror Film Festival Unveils Full Line-up, STARFISH, WELCOME TO MERCY, and More

    [caption id="attachment_31701" align="aligncenter" width="1200"]Welcome To Mercy Welcome To Mercy[/caption] The Brooklyn Horror Film Festival today unveiled the remainder of the massive line-up for the third edition, with highly anticipated TIFF Midnight Madness premieres IN FABRIC and THE WIND, World Premiere of brand new Vinegar Syndrome restoration of clown slasher BLOOD HARVEST and first-ever Secret Screening. The films also completed the brand new Head Trip program lineup of films that push the boundaries of horror with Starfish and The Clovehitch Killer, and introduces the expansion of six shorts blocks, including the return of the showcase of locally made chills Home Invasion (previously Local’s Only) and new LGBT block Slayed: LGBT Horror Shorts, co-presented by NewFest. The festival will return to Nitehawk Cinema, Syndicated, LIU Kumble Theatre, Videology, and the Wythe Hotel Cinema; and this year the IFP’s Made in NY Media Center. STARFISH (East Coast Premiere) USA | 2018 | 101 Min | Dir. A.T. White Presented by Brooklyn Fireproof Stages Stricken with grief, Aubrey is having a difficult time coping with the death of her best friend, Grace. To combat the overwhelming sadness, she breaks into Grace’s apartment and quietly picks up where her late friend left off, caring for her pets and using her possessions, not to mention sleeping in her bed. The next morning, though, everything’s changed. The streets outside are desolate, fires engulf the city, and people are being attacked by something inhuman. There’s only one person who can potentially save the world: Aubrey, thanks to clues found on mixtapes left by Grace. An endlessly creative gambit that fuses multiple genres, including cosmic horror, director A.T. White’s STARFISH is one of the most ambitious feature debuts in years. It’s also one of the year’s best films, an emotionally potent, frequently terrifying, and wholly disorienting mash-up of a film that plays like ETERNAL SUNSHINE OF THE SPOTLESS MIND as remixed by H.P. Lovecraft. WELCOME TO MERCY (World Premiere) USA | 2018 | 104 Min | Dir. Tommy Bertelsen After returning to her family’s native Latvia to mourn her father’s death, American single mother Madaline begins suffering from inexplicable visions and physical scars, all of which point to the gift—or curse, rather—the Holy Stigmata. To seek help, Madaline travels to an island convent and ingratiates herself within the sisterhood of nuns. But much to her detriment, Madaline’s new acquaintances pray to something far more sinister than the Holy Spirit, leading her to realize that those newfound afflictions come from anywhere but Heaven. Providing an effectively retro spin on modern religious horror, WELCOME TO MERCY utilizes the best sacrilegious genre tropes, everything from evil nuns to weaponized crosses, to weave a powerful story of tested faith and hard-earned redemption. Anchored by a fierce performance from lead actress Kristen Ruhlin, who also wrote the screenplay, WELCOME TO MERCY packs a serious punch. IN FABRIC (East Coast Premiere) UK | 2018 | 118 Min | Dir. Peter Strickland There’s something off about the vintage department store in which single mother Sheila finds herself looking for a fancy new dress. The store’s employees are nearly robotic in their stone-faced dedication to sales, the mannequins seem to be whispering to one another, women nearly trample each other to enter as its doors, and its television commercials are hypnotically sinister. Nevertheless, Sheila buys a lavish red dress. Little does she know, her life will soon be overcome by a series of random misfortunes, supernatural phenomena, and living nightmares. And, it seems, the dress is to blame. Having already proven his singular merits with the giallo-minded brain-scrambler BERBERIAN SOUND STUDIO and the gorgeously erotic DUKE OF BURGUNDY, British filmmaker Peter Strickland ups the ante with IN FABRIC, his most awe-inspiring film to date. Combining the aesthetics and influences of his two previous films into a barrage of visually dazzling surrealism, IN FABRIC is an inventive, unsettling and mesmerizing ghost story about the doomed pursuit of happiness. Cynicism has rarely been this stunning. THE WIND (East Coast Premiere) USA | 2018 | 87 Min | Dir. Emma Tammi A devastating scene sets the stage for a haunting account of demonic terror on the American frontier in the 1800’s. Lizzy and Isaac welcome a couple, Emma and Gideon from Illinois, who take up residence in a nearby abandoned cabin. Not long after, Emma fears she is being hunted down by an evil spirit who wants her unborn baby and violently succumbs to her mania. This event reawakens Lizzy’s buried memories of her encounters with the demons on the land and when Isaac leaves to accompany Gideon back to Illinois, Lizzy is left alone to wage battle against the evil on the land. Emma Tammi’s narrative feature debut makes astoundingly affective use of the American Western frontier. The wide open, barren and desolate wastelands combined with the atmospheric sounds of the elements and unrelenting gusts of wind (or are they whispers from the dead?) create a sense of helplessness unmatched by the claustrophobia of a haunted house and makes a strong case that we need more western horror films in our lives. POSSUM (US Premiere) UK | 2018 | 85 Min | Dir. Matthew Holness Following an undisclosed shame, former puppeteer Philip returns to his shabby Norfolk childhood home and only surviving family member, gratingly unpleasant stepfather Maurice. Hanging off the edge of his own sanity, Philip tries to destroy his horrid memories which are encapsulated in the form of Possum, a large and hideous spider puppet. But Possum only pretends to be dead. Under-appreciated character actor Sean Harris (recently recognizable as MISSION: IMPOSSIBLE antagonist Solomon Lane) stars with an insanely nuanced and chilling portrayal of isolation and trauma. Shot on 35mm with a fittingly yellow-and-brown-rotted palette and a puppet that delivers some seriously disturbing imagery, writer-director Matthew Holness’ first feature is a twisted psychological thriller that deep-dives into a bleak surrealist nightmare. PARTY HARD, DIE YOUNG (North American Premiere) Austria | 2018 | 93 Min | Dir. Dominik Hartl To celebrate graduating from high school, Julia and her classmates take off for a party-resort in Croatia to experience the banger to end all bangers. As the epic party rages on, Julia’s best friend Jessica mysteriously disappears leaving nothing but a suspicious text and a Snapchat photo with her face scratched out. Then another friend slips off a roof to her death—and Julia receives another Snapchat photo. Uh oh. Energetic and aesthetically gorgeous (mostly shot at the actual X-Jam Festival), Austrian director Dominic Hartl’s glossy homage to ‘90s teen slasher films is high on style while choosing to embrace new age connectivity when so many recent genre films would rather run from it, updating the slasher for the iPhone and EDM generation. THE CLOVEHITCH KILLER (East Coast Premiere) USA | 2018 | 109 Min | Dir. Duncan Skiles Young churchgoing boy scout Tyler’s reputation takes a hit when his crush finds a pornographic bondage picture in his dad’s truck, believing it to be his. Ostracized from his group of friends, he falls in with Kassi, a teenage orphan obsessed with the Clovehitch Killer, a serial killer with a penchant for the clove hitch knot who once terrorized their town and was never found. After discovering more photos hidden in his dad’s work shed he’s left to fear the worst. Rising talent Charlie Plummer is excellent as the innocent Tyler, but it’s Dylan McDermott playing his father, Don, who really owns the film with his paternal suburban transformation that’s every bit as campy and creepy as you would hope it to be. Directed by newcomer Duncan Skiles and written by Christopher Ford, frequent collaborator of Jon Watts on films such as CLOWN and COP CAR, this small town thriller has a sinister edge and sports an exciting narrative device that flips the story on its head. GHOST MASK: SCAR (US Premiere) South Korea | 2018 | 81 Min | Dir. Takeshi Sone Miyu travels from Japan to Seoul, Korea trying to track down her older sister who has been missing for two years. Shortly after she arrives she meets plastic surgeon Hana, who invites her home to meet her lover Hyoshin. The three women cohabitate as Miyu’s search for her sister intensifies meanwhile Hyoshin, haunted by disturbing nightmares, becomes suspicious of Hana and Miyu’s relationship. A tragic story of two Japanese sisters separated at childhood and plagued by jealousy, negligence and abandonment, GHOST MASK: SCAR is directed and shot by prolific cinematographer Takeshi Sone (he also shot recent festival hit ONE CUT OF THE DEAD) and features a ricocheting narrative that comes together beautifully in a bloody, gonzo final act. BLOOD HARVEST (World Premiere of New Restoration) USA | 2018 | 88 Min | Dir. Bill Rebane Within the slasher movie canon, there are the indisputable giants: Jason Voorhees, Freddy Krueger, Michael Myers. But what about Marvelous Mervo? Sure, he’s not the omnipresent icon that those other homicidal maniacs are, but there’s something to be said about a madman who’s played by eccentric ’80s music star Tiny Tim dressed like a clown and who leaves victims’ bodies hanging upside down in a barn like cattle. If that sounds weird enough on its own, just wait until you experience the entirety of BLOOD HARVEST, one of the strangest ’80s slasher movies you’ll ever see. BHFF is thrilled to host the world premiere of a newly restored print of director Bill Rebane’s unnerving and often uncomfortably hilarious oddity, courtesy of Vinegar Syndrome. Full of gnarly kills, Tiny Tim’s signature brand of weirdness, and relentless unpredictability, BLOOD HARVEST is ripe for watch-it-with-a-rowdy-crowd rediscovery. SECRET SCREENING ??? | ??? | ?? Min | Dir. ??? For the first time ever, the Brooklyn Horror Film Festival is excited to present a mystery film, and, sorry, we won’t give any easy-to-solve hints for all of you proud cinema sleuths out there! Okay, fine, we’ll give you a little something: Our inaugural “Secret Screening” film will either be a can’t-miss new horror gem that everyone, both genre folks and general film lovers alike, will be talking about for years to come or an unexpected yet prescient genre classic from deep in the vaults. Sorry, that’s all you’re going to get. Now let the speculation begin! Home Invasion 2018 – annual showcase of local NYC films featuring the popular shorts block and a spotlight screening of Yedidya Gorsetman’s dark indie sci-fi EMPATHY, INC. EMPATHY, INC. (East Coast Premiere) USA | 2018 | 96 Min | Dir. Yedidya Gorsetman In the “high risk, high reward” world of venture capitalists, rising star Joel lets it all ride on a deal that, sadly for he and his actress wife, painfully falls apart, leaving him with no other choice than to move in with his wife’s parents for financial reasons. Feeling like a huge failure, Joel unexpectedly finds some hope via a run-in with an old friend, whose business partner asks Joel to invest in a new experiential technology called XVR, or Xtreme Virtual Reality, the latest product of which allows wealthy folks to see life through the eyes of the less fortunate. Unfortunately for Joel, XVR’s makers’ intentions aren’t what they seem. Shot in stark black-and-white and going into exceedingly dark narrative places, NYC-bred director Yedidya Gorsetman’s EMPATHY, INC. is the best kind of lo-fi sci-fi, an intimate character piece rooted in big ideas and blending doses of brutal horror into its cerebral tapestry. Comparable to an extended and decidedly bleak BLACK MIRROR episode, EMPATHY, INC. is a homegrown slice of pure genre-mashing ambition.

    2018 BHFF Shorts

    HOME INVASION Covering the expansive scope of the genre from coming-of-age body horror to child-eating boogeymen, our annual local filmmaker showcase proves you don’t have to go far to find the future of horror. It’s right here at home—standing right next to you. An Actor Prepares, dir. Carey Knight, The Trouble With One-Night Stands, dirs. A.K. Espada, Belén Ferrer, Hushed, dir. Chase Kuertz, El Cuco is Hungry, dir. Daniel Garcia, Abeyance, dir. Charles Beale, The Woods, dir. Robbie Lemieux, Fell, dir. Holly Voges, Lucy’s Tale, dir. Chelsea Lupkin, 4:48 Psychosis, dir. Ariel Sinelnikoff, Witch Hunt, dirs. Conor Shillen, Justin Paul Ramirez, Midnight Delivery, dir. Nathan Crooker, The Invaders, dir. Mateo Márquez BHFF shorts are back with a vengeance! Full line-up of new and returning blocks and even more ways to leave you shaking in your seat! NIGHTMARE FUEL There’s no messing around here—it’s time to go straight for the jugular. Sleep will be scarce thanks to the sadists, human-eating fairies, shape-shifting demons, and faith-based reapers that inhabit these shorts. Milk, dir. Santiago Manghini (Canada), Welcome to Bushwick, dir. Henry Jinings (USA), Special Day, dir. Teal Greyhavens (USA), BEC, dir. Tony Morales (Spain), Salt, dir. Rob Savage (United Kingdom), Mother Rabbit, dir. Emma Skoog (Sweden), Nose Nose Nose EYES!, dir. Jiwon Moon (South Korea), The Girl in the Snow, dir. Dennis Ledergerber (Switzerland), Feast on the Young, dir. Katia Mancuso (Australia) HEAD TRIP At its boldest, horror doesn’t play by any rules. As you’ll see in these unclassifiable shorts, complete with punk-rock lunatics, malevolent aliens, lovesick fish, and nefarious pre-teens, the genre’s scope is boundless. The Beaning, dir. Sean McCoy (USA), Tick, dir. Ashlea Wessel (Canada), Voyager, dir. Kjersti Helen Rasmussen (Norway), Atomic Spot, dir. Stéphanie Cabdevila (France), Le otto dita della morte, dir. Frédéric Chalté (Canada), A Death Story Called Girl, dir. Nathalia Bas-Tzion Beahan (USA), 42 Counts, dir. Jill Gevargizian (USA), Proceeds of Crime, dir. James Chappell (Australia) CREEPING TERROR What’s more frightening than visceral shocks? When it comes to these shorts, it’s the dread-soaked and methodically unsettling horror marked by otherworldly presences, murderous weather, and soul-claiming ghouls. Jump-scares need not apply. Blood Runs Down, dir. Zendashe Brown (USA), Circle, dir. Martin Melnick (USA), Acid, dir. Just Philippot (France), Essere Amato, dir. Nathalia Bas-Tzion Beahan (USA), Bye Bye Baby, dir. Pablo S. Pastor (Spain) SLAYED: LGBT HORROR SHORTS Co-Presented by NewFest Representing the underrepresented, this collection of divinely crafted queer shorts mines chills from unexpected places, such as a close-minded church community, a sinister artist, and an erotically haunting dreamland, to explore connection and love through a horror lens. The Sermon, dir. Dean Puckett (United Kingdom), Disposition, dir. Eric Thirteen (USA), Payment, dir. Ben Larned (USA), Instinct, dir. Maria Arida (USA), Islands, dir. Yann Gonzalez (France)

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  • Toronto International Film Festival Cancels Canadian Premiere of GALVESTON

    [caption id="attachment_31148" align="aligncenter" width="1200"]Galveston Galveston[/caption] The Toronto International Film Festival has pulled the Canadian premiere Galveston from the lineup and replaced it with the World Premiere of A Private War. The Festival issued the following statement regarding their decision to withdraw Galveston from the 2018 Festival lineup: “We have recently learned director and cast for Galveston are no longer available to attend the Canadian Premiere in Toronto due to work commitments. Our Gala Presentations require filmmaker and key cast to be present at the premiere screening at Roy Thomson Hall, and unfortunately we cannot move forward with Galveston in this selection. At this time, all our other programming slots are in place so we have regretfully withdrawn the film. We wish Mélanie Laurent and the film’s production team the very best, and hope Toronto audiences will have the opportunity to see Galveston in the near future.” https://www.youtube.com/watch?v=3XFKu8UNi7I TIFF announced that A Private War will replace Galveston in the Gala selection. Pre-purchased tickets for the cancelled screenings of Galveston will be valid for the added screenings of A Private War.

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  • A PRIVATE WAR Starring Rosamund Pike and Jamie Dornan to World Premiere at Toronto International Film Festival [Trailer]

    [caption id="attachment_31587" align="aligncenter" width="1000"]A PRIVATE WAR A PRIVATE WAR[/caption] Matthew Heineman’s A Private War will make its world premiere at the 43rd Toronto International Film Festival, joining the Festival’s Gala Presentations lineup.  The film marks the feature narrative debut of critically acclaimed director Matthew Heineman ( Cartel Land, City of Ghosts) whose previous work in documentary filmmaking has earned him an Academy Award nomination, two Primetime Emmy Awards, and two DGA wins for Outstanding Directorial Achievement in Documentary Award. A Private War, a biopic based on the true story of award-winning war correspondent Marie Colvin, stars Rosamund Pike ( Gone Girl, Hostiles) in one of her most intense roles to date. Based on a blistering 2012 Vanity Fair article by Marie Brenner, the drama follows Colvin to the front lines of conflicts around the globe as she risks everything to reveal the truth. Pike is joined by supporting cast which includes Jamie Dornan ( The Fall, Fifty Shades of Grey ), Stanley Tucci ( The Lovely Bones, Spotlight), and Tom Hollander ( The Night Manager). “It has been a deeply personal journey sharing the extraordinary story of Marie Colvin in A Private War,” stated filmmaker Matthew Heineman. “We are so thrilled to be able to finish the film in time to premiere at TIFF and honored to share with the audiences there.” At a time when journalism itself is under attack, Marie Colvin is one of the world’s most celebrated war correspondents. She is an utterly fearless and rebellious spirit, driven to the front lines of conflicts around the globe to give voice to the voiceless, while constantly testing the limit between bravery and bravado. After being wounded by a grenade in Sri Lanka, she wears a distinctive eye patch and is still as comfortable sipping martinis with London’s elite as she is confronting dictators. Colvin sacrifices loving relationships, and over time her personal life starts to unravel as the trauma she has witnessed takes its toll. Yet her mission to show the true cost of war leads her to embark — along with renowned war photographer Paul Conroy (Dornan) — on the most dangerous assignment of her life, in the besieged Syrian city of Homs. The 43rd Toronto International Film Festival runs from September 6 to 16, 2018. https://www.youtube.com/watch?v=u4mHCilwdk0

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  • 2018 Devour! The Food Film Fest to Present 74 Culinary Films Under Theme “The Power of Food and Film to Transform”

    [caption id="attachment_31694" align="aligncenter" width="1200"]Jiro Dreams of Sushi Jiro Dreams of Sushi[/caption] The world’s largest culinary film festival, Devour! The Food Film Fest (Devour!) will present 74 food-and beverage-focused films from 21 countries, running the gamut from eye-opening feature length documentaries to quirky and engaging short flicks at the eighth edition.  Devour’s 2018 programming centers around this year’s overall theme of “The Power of Food and Film to Transform”. “Film is a powerful medium that can help shine a spotlight on important issues, spark conversations, inspire others and promote meaningful change,” said Devour! Managing Director Lia Rinaldo. “We are experiencing a cultural shift where many of us are rejecting the status quo and looking to transform our lives. As a result, the culinary industry, among others, is going through this period of upheaval and transition, which we strived to reflect in this year’s slate of inspiring and impactful films that explore topics from food waste, sustainability, food security, environmental impact, gender equality, discrimination and politics, to name a few.” The 2018 lineup includes 28 thought-provoking feature films including eOne’s Jiro Dreams of Sushi about 85-year-old sushi chef Jiro Ono, the proprietor of a three-star Michelin sushi restaurant inauspiciously located in a Tokyo subway station. The film will open the festival on Wednesday, October 24 and was personally selected by 2018 Festival Guest Curator Sam Kass, the former White House Chef for the Obama family and a healthy food activist. Each year, the festival’s opening guest presents their favorite food film of all time; the only retro title in the program. Film highlights include the Thursday night gala film André – The Voice of Wine about André Tchelistchef, the godfather of California winemaking, directed by his nephew Mark Tchelistchef who will be in attendance; the Canadian premiere of returning filmmaker Gab Taraboulsy’s feature length biopic Funke, chronicling Chef Evan Funke as he sets up one of the hottest restaurants in Los Angeles, Felix Trattoria; the world premiere of the Canadian documentary Six Primrose, which chronicles the dramatic impact of accessing healthy food on the community of Dartmouth, NS; and the inspiring documentary Charged: The Eduardo Garcia Story, chronicling Chef Eduardo’s recovery following a freak accident. Chef Eduardo Garcia is attending the Festival as a featured chef and will participate in the Celebrity Chef Dinner on Friday, October 26, alongside other top chefs still to be announced. Devour! will screen several films that document the success of women and the challenges they face in the male-dominated culinary industry. A Fine Line, directed by Joanna James, explores why only six per cent of head chefs and restaurant owners are women and documents the rise of some of the most celebrated women in the industry including the World’s Best Female Chef and Devour! alumna Dominique Crenn and Emmy Award-winning TV Host Lidia Bastianich. Canadian Director Maya Gallus’ The Heat: A Kitchen (R)evolution profiles seven female chefs facing daunting professional obstacles, harassment and toxic environments. Thirty-six per cent of this year’s film program is directed by women. The Festival will close with a feature drama from prominent Nova Scotia director Thom Fitzgerald. Splinters is an intimate drama about sexual identity, family and life in small-town Nova Scotia, filmed on an apple farm in the Annapolis Valley, mere minutes from the film fest’s location. This year’s program marks the festival’s largest program of Canadian content on screen at 32 percent of the films, including 17 per cent from Atlantic Canada. Devour! will showcase 45 short films, including David Ma’s Hollywood-inspired recipe video series filmed in the aesthetic style of famous filmmakers: What if Alfonso Cuaron Made Pancakes?, What if Michael Bay Made Waffles?, What If Quentin Tarantino Made Spaghetti & Meatballs and What If Wes Anderson Made S’mores?. Additional programming includes six visually stunning films about Nova Scotia from the award-winning team behind the The Perennial Plate, and selections from returning filmmaker Kevin Kossowan’s James Beard Award Nominated Canadian series, From the Wild: Bay of Fundy and From the Wild: Devour! Edition. A highlight of the festival program is the return of the Devour Road Show Celebrity Chef Dinner on Saturday, October 27, where a special program of five short films will be screened right in the barrel cellar of Lightfoot & Wolfville Winery, with chefs pulling their inspiration for their dishes right from the films. All films are eligible for the Devour! Golden Tine Awards in five categories–Best Short Documentary, Best Short Drama, Best Feature Documentary, Best Feature Drama and Best Animation–chosen by an esteemed jury: Anita Stewart (Founder of Food Day Canada), Greg Rubidge (Syndicado Film Sales) and Dan Clapson (Eat North). The Awards Brunch will take place on Sunday, October 28 at Lightfoot & Wolfville Winery. The 2018 Festival film screenings are:

    FEATURE-LENGTH FILMS

    All the Time in the World Suzanne Crocker | Canada THURSDAY NIGHT GALA SCREENING: André – The Voice of Wine Mark Tchelistcheff | USA/Germany As Needed (Quanto Basta) Francesco Falaschi | Italy/Brazil The BBQ Stephen Amis | Australia FRIDAY NIGHT SPOTLIGHT GALA SCREENING: Charged: The Eduardo Garcia Story Phillip Baribeau | USA Chef Flynn Cameron Yates | USA Constructing Albert Laura Collado & Jim Loomis | Spain/Estonia The Devil We Know Stephanie Soechtig & Jeremy Seifert | USA The Empire of Red Gold Xavier Deleu & Jean-Baptiste Malet | France A Fine Line Joanna James | USA From Seed to Seed Katharina Stieffenhofer | Canada Funke Gab Taraboulsy | USA/Italy The Heat: A Kitchen (R)evolution Maya Gallus | Canada OPENING NIGHT GALA SCREENING: Jiro Dreams of Sushi David Gelb | USA Knife Skills Thomas Lennon | USA Once Again Kanwal Sethi | Germany/India/Austria Our Blood is Wine Emily Railsback | USA A Polar Year (Une année polaire) Samuel Collardy | France Scotch: A Golden Dream Andrew Peat | Taiwan/Scotland Secret Ingredient Gjorce Stavreski | Macedonia The Silver Branch Katrina Costello | Ireland Six Primrose True Faux Films | Canada Soufra Thomas Morgan | USA CLOSING NIGHT GALA SCREENING: Splinters Thom Fitzgerald | Canada The Superfood Chain Ann Shin | Canada Tazzeka Jean-Phillipe Gaud | France There is No Place Like Home (A Casa Tutti Bene) Gabriele Muccino | Italy ULAM: Main Dish Alexandra Cuerdo | USA

    SHORT FILMS

    America: The Ice Cream Truck The Perennial Plate | USA Bao Domee Shi | USA The Best Place to Tell Stories Kevin Kossowan | Canada The Birth of Bread Matthew Pendergast | UK The Bite House The Perennial Plate | Canada Borscht & Fresh Bread Sarah Gignac | Canada A Brief History of Acadians in Nova Scotia (and their food) The Perennial Plate | Canada A Butcher’s Heart Wouter Jansen | Netherlands Café de Temporada Maria Luisa Santos | USA Chapters of Food: Mole is Mexico Barbara Anastacio | Mexico Conad Compilation Stef Viaene | Italy The Common Chameleon Tomer Eshed | Germany Corky Ty Primosch | USA Cosmic Connection James Boo | USA Cups & Robbers Jim Simone | USA Embrace the Blue Douglas Keir Blackmore | Canada The Foolish Side of Food Luca Goudon | Italy From the Wild: Bay of Fundy Kevin Kossowan | Canada From the Wild: Devour! Edition Kevin Kossowan | Canada Gefilte Rachel Fleit | USA The Grey Zone Brian Gersten | USA How Mr and Mrs Gock Saved the Kumara Felicity Morgan-Rhind | New Zealand Is You Is My Baby Kelly Perine & Bry Sanders | Canada/USA John Bil Shane Pendergast | Canada Lightfoot & Wolfville The Perennial Plate | Canada Make Love: Bar Ape James Reid | Canada Mitsuharu Tsumura of Maido Jim Kane | Peru Nova Scotia The Perennial Plate | Canada On the Shores of This Bay The Perennial Plate | Canada Proud to be Prairie James Reid | Canada Pulled Strings Vicki Chau | Canada Red Velvet Mahmoud Samir & Youssef Mahmoud | Egypt A Rising Tide The Perennial Plate | Canada Soul of a Nosh James Boo | USA Style Points James Boo | USA Thin Skinned Aaron Tilley | UK Tibor Petra O’Toole | Canada Tungrus Rishi Chandna | India Virgilio and Malena Martinez Jim Kane | Peru What If Alfonso Cuaron Made Pancakes? David Ma | USA What If Michael Bay Made Waffles? David Ma | USA What If Quentin Tarantino Made Spaghetti & Meatballs? David Ma | USA What If Wes Anderson Made S’mores? David Ma | USA Wild Mushroom and Venison with Jon Parry Jamie Orlando Smith | UK

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  • LA Film Festival to Feature First Ever VR and Immersive Story Telling Showcase

    ,
    [caption id="attachment_31646" align="aligncenter" width="1200"]Age of Sail, John Kahrs Age of Sail, John Kahrs[/caption] The LA Film Festival announced the lineup of The Portal, the Festival’s inaugural VR and Immersive Story Telling showcase to be held at Loyola Marymount University’s new Playa Vista Campus. The Portal is a two-year partnership with Loyola Marymount University’s School Film and Television. “It’s exciting, and a testament to the storytelling, that virtual reality is now attracting talent like Rosario Dawson, Brie Larson, Diego Luna, Ian McShane, Alicia Vikander and Oprah Winfrey,” said Jacqueline Lyanga, Guest Director VR & Immersive Storytelling. “Immersive storytelling is venturing into exciting new territory with adventurous mixed reality, social interactivity, guided motion and haptics, all of which LA audiences will be able to experience for free at The Portal this fall as part of LA Film Festival.” “It’s fitting that, as we open the doors to our new Playa Vista campus, we also welcome Film Independent’s first-ever VR and Immersive storytelling showcase,” said Peggy Rajski, new Dean of LMU’s School of Film and Television. “Jacqueline’s thoughtful program provides audiences with ample opportunities to immerse themselves into the experiences and stories of others, including many whose voices are typically unheard. At LMU SFTV we deeply value storytelling that shines a light into the places we rarely traverse, but which enrich us when given the opportunity to do so.” The Portal features some of the most exciting new animated, documentary and fictional narratives from virtual reality exhibitions at film festivals around the world, including Cannes, Rotterdam, Sundance, SXSW, Tribeca and Venice. The Portal will be located at the new LMU Playa Vista Campus 12105 W. Waterfront Drive, in the heart of Silicon Beach and is free to the public.

    The Portal

    LA Film Festival’s inaugural showcase of immersive storytelling from visionary creators working in Augmented Reality (AR), Mixed Reality (MR) and Virtual Reality (VR) featuring, 360, room-scale VR and interactive works and installations utilizing haptic technology that bring touch and motion to the immersive experience. 1000 Cut Journey, dirs. Courtney Cogburn and Elise Ogle, USA, LA Premiere In this immersive virtual reality experience, in order to foster a greater understanding of the social realities of racism, you become Michael Sterling, a Black male, and encounter racism as a young child, an adolescent, and a young adult. Age of Sail, dir. John Kahrs, USA, North American Premiere Set on the open ocean in 1900, this animated film tells the story of William Avery (voiced by Ian McShane), an old sailor adrift and alone in the North Atlantic who finds redemption and hope in his darkest hours. Arden’s Wake: Expanded, dir. Eugene Chung, USA, US Premiere The animated story of young woman who lives in a post-apocalyptic world with her father in a lighthouse perched atop an endless sea. Academy Award-winner Alicia Vikander stars as the voice of Meena. Awavena, dir. Lynette Wallworth, USA/Brazil/Australia, LA Premiere This mixed-reality work is a tale of metamorphosis, and a collaboration between the Amazonian Yawanawa community and an artist that tells the story of a people ascending from the edge of extinction and the ascendance of their first female shaman. BattleScar, dir. Martín Allais and Nico Casavecchia, USA/France, LA Premiere An animated coming of age story that follows a year in the life of Lupe, played by Rosario Dawson, living in late 1970’s New York City as she discovers the Punk scene of the Bowery and the secret underworld of the Lower East Side. Biidaaban: First Light, dir. Lisa Jackson, Canada, LA Premiere Set in a highly realistic future Toronto reclaimed by nature, where people commute by canoe, users engage with the written text of the Wendat, Kanien’kehá:ka (Mohawk) and Anishinaabe (Ojibway) and gain insight into the complex thought systems of this land’s first peoples. Crow: The Legend, dir. Eric Darnell, USA, North American Premiere This animated story of a bird with a beautiful voice is inspired by Native American legend is executive produced by John Legend, and features the voices of Sarah Eagle Heart, Diego Luna Tye Sheridan, Oprah Winfrey and Constance Wu. Dinner Party, dir. Angel Manuel Soto, USA, LA Premiere Dinner Party is a short virtual reality thriller that dramatizes the incredible story of Betty and Barney Hill, who in the 1960s reported the first nationally known UFO abduction case in the United States. Geomancer, dir. Lawrence Lek, UK, North American Premiere A computer-generated animation about the creative awakening of artificial intelligence set in Singapore 2065, that tells the story of an environmental satellite that wishes to become an artist. Queerskins, dirs. Illya Szilak and Cyril Tsiboulski, USA, LA Premiere A diary and a box of belongings offers a devoutly Catholic mother living in rural Missouri, USA in 1990 a second chance to know Sebastian, the estranged son she has lost to AIDS as they take a magic realist journey down a country road. Space Explorers: A New Dawn (Ep.1) and Taking Flight (Ep. 2), dirs. Félix Lajeunesse and Paul Raphaël, Canada, USA A cinematic VR series narrated by Brie Larson about the new age of space exploration. Witness the lives of NASA astronauts as they navigate the trials and sacrifices of their training and missions. Terminal 3, dir. Asad J. Malik, USA, LA Premiere An interactive, augmented-reality documentary that explores contemporary Muslim identities in the U.S. through the lens of an airport interrogation using Microsoft’s Hololens technology to interrogate the holograms of passengers. Vestige, dir. Aaron Bradbury, USA/UK/France, LA Premiere Journey into the mind of Lisa as she remembers her lost love, Erik, through a series of fragmented memories that become entangled with a haunting vision triggering new memories and pathways as we navigate through the story. Zikr: A Sufi Revival, dir. Gabo Arora, USA, LA Premiere Zikr: A Sufi Revival takes four participants on an interactive, virtual reality journey into a world of ritual, music and dance by opening up an experience to the Sufi practice of inclusion, acceptance, art, joy and understanding

    360 DOCUMENTARY CINEMA

    Free Solo, dirs. Elizabeth Chai Vasarhelyi and Jimmy Chin, USA, World Premiere Experience Alex Honnold’s free solo climb up Yosemite’s 3,000-foot high El Capitan wall with no ropes or safety gear in 360 VR. The full-length documentary film version of FREE SOLO is playing in LA Film Festival’s Gala section. Into the Now, dir. Michael Muller, USA, LA Premiere An exploration of marine life and ocean conservation that follows director Michael Muller as he tackles his lifelong fear of sharks by learning to dive without protection and cage-free with great white sharks. Sun Ladies, dirs. Christian Stephen and Celine Tricart, USA, LA Premiere The story of a group of Yazidi women in Sinjar, Iraq who started a female-only fighting unit called the Sun Ladies to protect the honor and dignity of their people. This documentary features animation created by artist Wesley Allsbrook (Dear Angelica) and was produced and narrated by Maria Bello. This is Climate Change: Fire, dirs. Danfung Dennis and Eric Strauss, USA In just the last three decades, changes in climate have doubled the amount of land burned by wildfires in the western United States. Follow the dedicated fighters – by air and on the ground – whose jobs have turned into year-round battles against these catastrophic blazes.

    Panels at The Portal

    The showcase will also feature panels about Women’s Voices in VR, Animation and immersive Documentary on Saturday September 22 and Sunday September 23.

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  • DESTROYER Starring Nicole Kidman, BIRDS OF PASSAGE Among 10 Films in Official Competition at 62nd BFI London Film Festival

    [caption id="attachment_31640" align="aligncenter" width="1200"]DESTROYER Starring Nicole Kidman DESTROYER Starring Nicole Kidman[/caption] Encompassing a mixture of oddball comedies, genre-bending kaleidoscopic dramas, entertaining crime capers, haunting ghost stories and nail-biting thrillers, the 62nd BFI London Film Festival revealed the ten contenders for the Official Competition, with 50% of the films from a female director or co-director. The Festival will welcome as Jury President Academy Award-nominated director of ROOM (LFF Official Competition 2015), Lenny Abrahamson, whose long-awaited film adaptation of Sarah Waters’ horror novel THE LITTLE STRANGER will be released this September. For the first time, the winner of the Best Film will receive their Award in front of a public audience at a special screening on Saturday October 20th at Vue Leicester Square. The 10 films in Official Competition are: BIRDS OF PASSAGE sees co-directors Cristina Gallego and Ciro Guerra (Embrace of the Serpent, LFF 2015) return to the Festival with their latest offering – a sprawling, spiritual exploration of family conflict and tribal warfare, laced with heady symbolism and surrealist flashes. Set during the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia bear witness to the thrilling rise and fall of the indigenous Wayuu clan in remote Colombia. A mystical meditation on colonialism, tribalism and modernism. Nicole Kidman is astonishing, and almost unrecognizable, in Karyn Kusama’s (The Invitation, LFF 2015) brooding thriller DESTROYER. Kidman plays Erin, a jaded police detective haunted by her past and still reeling from the trauma of her experience years later, who is forced to confront her demons in order to close the case that almost destroyed her. The film also stars Sebastian Stan, Tatiana Maslany and Toby Kebbell. Alice Rohrwacher (The Wonders, LFF 2014) returns to the Festival with HAPPY AS LAZZARO. A delightfully singular time and genre-bending rumination on the fate of innocence when faced with corruption and greed. Set in rural Italy, this is the tale of Lazzaro, a beautiful peasant so sweet natured he is often mistaken for simple-minded. A magnificent blend of Italian class struggle, folk tales, biblical allegory and pop culture reference, Rohrwacher deservedly shared the Best Screenplay award at Cannes for this kaleidoscopic work. The World Premiere of HAPPY NEW YEAR, COLIN BURSTEAD. is Ben Wheatley’s triumphant return to the Festival after Free Fire (LFF 2016). A poignantly funny and razor-sharp observation of English family dysfunction. Colin has rented a stately country home for his extended family’s New Year celebrations. He’s the centre of attention until his estranged brother David unexpectedly arrives, throwing the family dynamic far off orbit. Starring Joe Cole, Charles Dance, Mark Monero, Hayley Squires, Asim Chaudhry, Doon Mackichan, Bill Paterson, Neil Maskell and Sam Riley. Peter Strickland (The Duke of Burgundy, LFF 2014) returns to the Festival with IN FABRIC, starring Marianne Jean-Baptiste and Gwendoline Christie. A haunting ghost story, laced with lashings of oddball humour and set against the backdrop of a busy winter sales period in a strange department store, it follows the life of a cursed dress as it passes from person to person, with devastating consequences. JOY, directed by Sudabeh Mortezai (whose debut feature Macondo competed for the LFF’s Sutherland Award in 2014), presents a vital and hugely affecting drama that tackles the vicious cycle of sex trafficking in modern Europe. It follows the life of Joy, a young Nigerian woman, who works the streets to pay off debts to her exploiter Madame, while supporting her family in Nigeria and hoping for a better life for her young daughter in Vienna. Iconic director Zhang Yimou presents SHADOW, set during China’s Three Kingdom’s era (AD 220-280). Blood spills in this visually stunning feature, as a great king and his people will be expelled from their homeland, with jaw-dropping combat scenes. Director Zhang presents mind-blowing visual design that revolutionises the colour palette, using water, calligraphy and graphic interpretations of yin and yang. Academy Award© winner László Nemes follows up his critically acclaimed debut Son of Saul (Official Competition nominee LFF 2015) with his feverishly ambitious second feature, SUNSET. Set in 1913, nearing the end of the Austro-Hungarian Empire and on the eve of the First World War. Írisz Leiter is a hat maker who returns to Budapest years after her parents, respected milliners, sent her to be fostered under mysterious circumstances. A fugue-like meditation on the end of an empire; the brilliantly willful Írisz is our witness to the flickering innocence of a Europe about to be plunged into hell. THE OLD MAN & THE GUN, directed by David Lowery, stars Robert Redford, in what will be his final big screen performance after recently announcing retirement. A brilliantly entertaining crime caper, based on the true story of Forrest Tucker, the self-styled ‘Houdini’ whose many audacious prison breaks included an Alcatraz flight in a homemade kayak, and whose last robbery was committed when he was 79. Offering bittersweet reflections on time and age, THE OLD MAN & THE GUN is a testament to a free-spirit who steadfastly refused to go quietly. The film also stars Sissy Spacek and Casey Affleck TOO LATE TO DIE YOUNG is a woozily gorgeous evocation of life on the fringe of society. Set during the summer of 1990, after Pinochet’s fall, democracy has returned to Chile. Three youngsters drive up to a woodland commune below the Andes, where they idle the summer away while their parents debate the future. In their isolated community, Sofia, Lucas and Clara face their first loves and fears while building up for New Year’s Eve. Youthful desire, ennui and mischief have rarely felt so tangible. The film is directed by Dominga Sotomayor.

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  • Miami Film Festival Unveils 2019 Poster + First GEMS 2018 Titles

    Miami Film Festival 2019 Poster Miami Film Festival unveiled the official poster for the 36th edition of the Festival taking place March 1 to 10, 2019, designed by renowned Spanish artist, illustrator and painter Ana Juan. “Ana Juan’s delightful creation to represent Miami Film Festival’s 36th season evokes the color and playfulness of Miami, with a beautiful femininity that captures our moment,” said Miami Film Festival’s executive director Jaie Laplante. Juan, a frequent contributor of cover art to The New Yorker magazine, has had numerous solo exhibitions of her work over the past 30 years and received a multitude of international awards and prizes, including the National Illustration Award from Spain’s Ministry of Culture in 2010. Of her creation for this year’s Miami Film Festival poster, Juan stated: “A flower is color, color is life, life is passion and passion makes a dream become true: The dream of cinema.” The Festival also announced the first four titles for its fall season festival extension, MIAMI FILM FESTIVAL GEMS 2018, scheduled for Oct. 11 – 14. The four films are further distinguished as the first nominees announced for the Festival’s Jordan Ressler First Feature Award competition, which presents a jury-selected $10,000 cash prize to the best film by a filmmaker making their feature narrative debut. The Award is courtesy of the South Florida family of the late Jordan Ressler, an aspiring screenwriter whose life was tragically cut short before he could realize his dream. The Ressler family recently renewed their commitment to the Award through 2023. The four announced nominees are: DIAMANTINO (Portugal, directed by Gabriel Abrantes & Daniel Schmidt). A delirious off-beat comedy about the world’s premiere soccer star and underwear model who tumbles from grace due to an evildoer’s plot. Winner of the 2018 Grand Prix NESPRESSO at La Semaine de la Critique, Cannes. THE HEIRESSES (LAS HEREDERAS) (Paraguay, directed by Marcelo Martinessi). Two upper-class women who have discreetly been a couple for more than 30 years go through a crisis when their worsening financial situation forces them to begin selling off their family heirlooms, and one partner goes to jail for fraud. Winner of numerous international prizes, including the Alfred Bauer Prize and Best Actress for Ana Brun at the 2018 Berlin Film Festival. HOPELESSLY DEVOUT (MI QUERIDA COFRADÍA) (Spain, directed by Marta Díaz de Lope Díaz). Winner of Audience Award at 2018 Malaga Film Festival, an uproarious screwball comedy in the spirit of early Almodóvar films. When the devout Carmen is passed over for leadership of her local religious guild in southern Spain in favor of a man, her initial despair turns into determination to turn the tables on this sexist situation. [caption id="attachment_31636" align="aligncenter" width="1200"]BOYS CRY directed by Damiano D’Innocenzo BOYS CRY directed by Damiano D’Innocenzo[/caption] BOYS CRY (Italy, directed by Damiano D’Innocenzo & Fabio D’Innocenzo). Two teenage boys living in the suburbs of Rome fall into service of the local mafia, but their loss of innocence takes them to unexpected places. Winner of the prestigious Nastro d’Argento (Silver Ribbon), Italy’s National Syndicate of Film Journalists Award, for Best First Feature Film of the Year.

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  • Filmmaker Megan Griffiths to Independently Release Her Acclaimed Indie Drama SADIE [Trailer]

    sadie Filmmaker Megan Griffiths will independently release her acclaimed drama Sadie which premiered at SXSW in March and features a breakout turn by newcomer Sophia Mitri Schloss in the title role. Melanie Lynskey, John Gallagher Jr., Tony Hale, Danielle Books and Keith L. Williams co-star, and the film features a score by Pearl Jam’s Mike McCready. Working with creative distribution strategist Mia Bruno, the film which won the Gryphon Jury Award at the 2018 Giffoni Film Festival in Italy, will begin its roll-out in New York and Los Angeles on October 12th. Sadie is the powerful, unsettling and darkly funny story of a young girl (Sophia Mitri Schloss) who will stop at nothing to preserve her father’s place on the home front. Sadie is the daughter of a soldier and she models herself after his military example. When her mom, Rae (Melanie Lynskey), begins dating a new man, Cyrus (John Gallagher Jr.), Sadie vows to come between them, whatever it takes. Cyrus becomes the enemy, and if she’s learned anything from the world she inhabits, it’s that the enemy deserves no mercy. Sadie was written and directed by Griffiths, director of film festival hits Lucky Them (Toronto 2013, starring Toni Collette and Johnny Depp), Eden (winner of the 2012 SXSW Audience Award), and The Off Hours (Sundance 2011). Griffiths is also an established television director, helming episodes of Animal Kingdom, Graves, and Room 104 (for which she was nominated for a GLAAD Award). She is currently in development on a project with Philip Fleishman and Steven Soderbergh. Sadie was produced by Lacey Leavitt and Jennessa West, co-produced by Jonathan Caso and executive produced by Eliza Shelden. The project was supported by the Sundance Institute (Creative Producing Lab) and IFP (No Borders/IFP Week). Variety said in their review, “Equal parts coming-of-age story and slow-burn thriller, writer-director Megan Griffiths’ quietly absorbing and methodically disquieting drama is a genuine rarity.” Walking away from more traditional distribution deals, Griffiths and company chose to pursue their own creative distribution model to ensure that Sadie would be released with specificity and care and that no stone would be left unturned in efforts to connect with communities and reach an audience. They will build a theatrical and TVOD release to lead into their Amazon SVOD release, which they opted into as part of the Amazon Festival Stars program. In an attempt to benefit other filmmakers by de-mystifying independent film distribution, the filmmaking team plans to be fully transparent about their experiences, including an ongoing blog on the subject hosted on the film’s official site SadieFilm.com. “This film is incredibly meaningful to me, and it’s been so empowering to create a strategy that will allow us to connect more directly with our audience and engage on the film’s themes around youth and violence,” said Griffiths. “Sadie was made to start a conversation, and the larger the audience, the more powerful that conversation can be.” https://www.youtube.com/watch?v=2Kwn_GrQnQM

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  • Matteo Garrone’s DOGMAN to UK Premiere at London Film Festival on European Art Cinema Day [Trailer]

    DOGMAN Award-winning director Matteo Garrone’s critically acclaimed DOGMAN, will receive its UK Premiere on European Art Cinema Day, October 14th, at 62nd BFI London Film Festival.  Curzon Artificial Eye and BFI LFF will host simultaneous live previews taking place across approximately 40 cinemas UK-wide, including the BFI Film Audience Network (FAN). Matteo Garrone, director of the Golden Globe-nominated Gomorrah (winner of the Cannes Jury Prize) presents the true story of one of Italy’s most notorious crimes. Dubbed an ‘urban Western’, DOGMAN takes place in an Italian suburb somewhere between metropolis and wild nature. Marcello (Marcello Fonte; Best Actor, 2018 Cannes Film Festival), a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorizes the entire neighborhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance. The BFI London Film Festival premiere of DOGMAN, and UK wide previews, are taking place on European Art Cinema Day on 1October 14th, ahead of the theatrical and On Demand release on October 19th, 2018. Growing year-on-year, the third European Art Cinema Day is a global initiative, with events taking place all over the world, across more than 600 venues. It is organized by CICAE in partnership with Europa Cinemas. The 62nd BFI London Film Festival in partnership with American Express takes place from Wednesday October 10 – Sunday October 21, 2018. https://www.youtube.com/watch?v=LI2JE_xjAaY

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