• Watch Official Trailer for Indie Comedy BERNARD AND HUEY

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    Bernard and Huey The official trailer dropped for the indie comedy Bernard and Huey, directed by Dan Mirvish, co-founder of the Slamdance Film Festival.  Freestyle will release Bernard and Huey in select theaters starting June 8th. Bernard and Huey is the story of roguish Huey (David Koechner) and nebbishy Bernard (Jim Rash), who are unlikely friends in late 1980s New York. Years later, a bedraggled Huey crashes at Bernard’s upscale bachelor pad. As the two reconnect, Bernard starts a relationship with Huey’s estranged daughter Zelda (Mae Whitman), an aspiring graphic novelist. Huey slowly gets his mojo back and tries to seduce various women in Bernard’s life, while reconnecting with his family. As the two friends return to their old ways, at least one of them finds himself in danger of marrying a woman old enough to be his wife. Bernard and Huey is directed by American filmmaker Dan Mirvish, co-founder of the Slamdance Film Festival, and director of the films Omaha (The Movie), Stamp and Deliver, Open House, and Between Us previously. The screenplay is written by Oscar/Pulitzer-winner Jules Feiffer.  https://www.youtube.com/watch?v=t1AIDBQR1lg  

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  • 20 Feature Films Selected For 2018 IFP Filmmaker Labs

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    [caption id="attachment_29372" align="aligncenter" width="1280"]Lost Bayou by Brian C Miller Richard Lost Bayou by Brian C Miller Richard[/caption] The Independent Filmmaker Project (IFP) has selected 20 feature films for the IFP Filmmaker Labs, IFP’s year-long fellowship for first-time filmmakers currently in post-production on their debut feature. Combining documentary and narrative features together for the first time, the program begins today, running May 21-25 at the Made in NY Media Center by IFP located in DUMBO, Brooklyn. The Filmmaker Labs continues its dedication to supporting underrepresented voices, with over 60% of this year’s attending Lab Fellows, and over 70% of the directors specifically, being diverse in regards to gender, ethnicity, sexual oreientation, and disability. Furthermore, this year’s Labs projects represent a range of creative visions from all over the world, with films shot around the United States, as well as Brazil, Costa Rica, Ghana, Lebanon, Mexico, Russia, South Korea, and the United Kingdom. “In today’s independent film landscape, with modes of distribution and exhibition in seemingly constant flux, the Filmmaker Labs remain firm in their commitment to supporting the next generation of boundary-pushing filmmakers,” says Joana Vicente, IFP’s Executive Director. “By removing the boundaries between non-fiction and fiction storytelling labs, these ambitious, wildly diverse and highly international Lab projects will receive more opportunities than ever to have their voices heard.”

    2018 IFP DOCUMENTARY LAB FELLOWS

    512 Hours :For 512 hours, hundreds of thousands of visitors from around the world flocked to experience the latest exhibition by acclaimed performance artist, Marina Abramović. Her idea was simple: remove the distractions from everyday life and experience something new. What that experience would be, Abramović had no idea. It was an experiment, she recognized, that could succeed or fail. Adina Istrate (Director, Producer), Giannina La Salvia (Director, Producer), Irina Albita (Co-Producer) Bloodthicker :Bloodthicker is the story of Young Juve, T.Y. and Lil’ Soulja Slim, three young rappers and friends whose fathers were three of the most influential Southern rappers. Their journeys to success are fraught with the appeals of excess and the trappings of street culture, immutably influenced by their fathers’ distinct legacies. Zac Manuel (Writer, Director, DP, Editor), Chris Haney (Writer, Producer), Justin Fontenot (Executive Producer). Border South: Under intense U.S. pressure to stem immigration from Central America, Mexico cracks down on the old trails north, forcing migrants into more dangerous territory. Told against the backdrop of the North American migrant trail, Border South weaves together migrant stories from different vantage points. Raúl O. Paz Pastrana (Director, Producer, DP), Ellen Knechel (Editor, Co-Producer). The Burning Field: The Burning Field is a uniquely intimate portrait of life in an environmental wasteland, as seen through the eyes of four Ghanian children who spend their days burning computers and other electronic appliances in the largest unregulated e-waste dump on earth. Justin Weinrich (Writer, Director, Producer, DP, Editor). Charm Circle: Catalyzed by her sister’s upcoming polyamorous wedding, filmmaker Nira Burstein delves into the most significant partnership she’s been witness to—that of her parents, which is in a constant state of chaos. A meditation on love, family, dreams and sacrifice, Charm Circle explores what makes marriage a tie that binds. Nira Burstein (Writer, Director, DP), Jameka Autry (Producer). Chèche Lavi (Looking for Life): A month before the presidential election of 2016, thousands of Haitian refugees appear at the US-Mexico border in Tijuana. Among them are Robens and James, two friends whose American dream unravels in the eye of a complex geopolitical storm. With no way forward and no way back, what comes next for these travelers? Sam Ellison (Director, DP), Abraham Ávila (Producer), Rachel Cantave (Producer). Flood: A filmmaker tries to fix her problems with her evangelical father in a screenplay with a happy ending. When her plan backfires, she quits writing lines, starts to listen, and becomes a character in her own movie. Katy Scoggin (Writer, Director, Producer, DP) The In Between: At the intersection of northern Mexico and Southwest Texas exists a symbiotic community spanning two countries. Through a collection of interweaving vignettes, The In Between explores the border and is a poetic ode to the greater reality of it, offering a nuanced and intimate portrait of a place and its people at the heart of Mexican-American identity. Robie Flores (Director, Producer, DP, Editor), Alejandro Flores (Producer, DP). A Machine to Live In: This sci-fi documentary paints a complex portrait of life and myth in the space-age city of Brasilia, a sixties-era architectural mega-project, and the flourishing landscape of cults, religious movements, and transcendental spaces that have emerged around it. The film is assembled from found documents and texts from key figures who were called to chronicle this monumental social experiment. Yoni Goldstein (Writer, Director), Meredith Zielke (Director, Editor), Sebastian Alvarez (Producer). Socks on Fire — Uncle John and the Copper Headed Water Rattlers :A failed poet takes up cinematic arms when he returns home to Hokes Bluff, Alabama to discover that his aunt has locked his drag-queen uncle out of the family home. Through a series of stylized reenactments and an editorial investigation into family VHS footage, Socks on Fire documents the fluidity of identity, personality, and performance in one particular place, among one particular family. Bo McGuire (Writer, Director), Tatiana Bears (Producer), Max Allman (Editor).

    2018 IFP NARRATIVE LAB FELLOWS

    1982: An 11-year-old boy is determined to tell a girl in his class that he loves her but has trouble finding the courage to do so until the unexpected occurs; an air invasion reaches Beirut and the school is being evacuated. He gets even more determined. Oualid Mouaness (Director, Writer). Aquí y Ahora: Lara’s world takes an unexpected turn when she decides to leave her home country of Costa Rica for the first time to join a dance company in Berlin. Paz León (Director, Writer). Clementine: A heartbroken woman steals away to her estranged lover’s lake house and becomes entangled with a teenage girl. Lara Jean Gallagher (Director, Writer), Aimee Lynn Barneburg (Producer), Alexander Morris (Editor). House of Hummingbird: Seoul, 1994 — In the year the Seongsu bridge collapsed, a teenage girl named Eunhee wanders the city searching for love. Bora Kim (Director, Writer, Producer), Zoe Sua Cho (Producer, Editor). Lost Bayou: After news of her mother’s death, a struggling addict ventures out into the Louisiana swampland to reconnect with her estranged “traiteur” (Cajun faith healer) father, only to discover he is hiding a troubling secret aboard his houseboat. Brian C Miller Richard (Director, Editor), Kenneth Reynolds (Producer), Hunter Burke (Producer, Writer). Nhomlaau: A young South Sudanese woman is staggering away from a past event that contradicts the way she was brought up. Tormented with guilt and condemnation, she tries to discover who she really is and seek liberty. Asantewaa Prempeh (Director, Writer), Natalie Eakin (Producer), Emily Iason (Producer). Noah Land: Omer struggles to fulfill his father’s dying wish to be buried under the “Noah Tree” – a tree his father swears he planted but the surrounding village believes that the tree was planted centuries ago by Noah the prophet. Cenk Ertürk (Director, Writer), Alp Ertürk (Producer). Sanzaru: As dementia engulfs her employer, a fragile home health aide begins to question her own sanity. Xia Magnus (Director, Writer), Alyssa Polk (Producer), Joshua Raymond Lee (Editor). Saul at Night: With an odd worldwide curfew in place, one man’s life of solitude is interrupted when he meets another woman who suffers from the same bizarre affliction that he does. Cory Santilli (Director), Kentucker Audley (Co-producer), Bart Breve (Editor). Siberia and Him: Two men fall into forbidden love in a rundown town of Siberia, Russia. Viatcheslav Kopturevskiy (Director, Writer), Anya Elnikova (Producer), Wayland Bell (Cinematographer).

     2018 Filmmaker Lab Leaders

    Jennifer MacArthur, Producer (Whose Streets?) and Media Strategist (Borderline Media) Heidi Reinberg, Producer (93QUEEN) Shrihari Sathe, Producer (It Felt Like Love; A Woman, A Part) Pierce Varous, Producer (Always Shine, H.); Founder, Nice Dissolve Under the leadership of IFP Deputy Director & Head of Programming, Amy Dotson, Senior Director of Programming, Milton Tabbot, and Senior Program Manager & Producer, Zach Mandinach, the Labs will support the creative teams as they prepare to finish and release their films into the world. Now in its fourteenth year, the IFP Filmmaker Labs support first-time feature filmmakers when they need it most: through the completion, marketing, and distribution of their debut narrative and documentary features. Each year, IFP selects ten narrative feature films and documentary feature films currently in post-production for the Labs. Through their participation, Filmmaker Labs Fellows receive support from IFP Staff and mentorship from leading industry members and filmmakers. Selected Fellows take part in three modules of the Lab: the Time Warner Foundation Completion Lab in May, IFP Week in September, and a Marketing & Distribution Lab in November. Over the course of these first five days of the Lab program, known as the Time Warner Foundation Completion Lab, Lab Fellows will receive knowledge, resources and mentorship in regards to editing, music composing & supervison, sound design, post-production budget, as well as developing marketing materials and festival stratagies, sales & distribution plans, and building a sense of career sustainability as independent artists. Alumni of the IFP Labs recently came off a successful year, on the festival ciricuit and in theatrical release. Recent projects of note include Elan and Jonathan Bogarín’s 306 Hollywood, Christina Choe’s Nancy, Paula Eiselt’s 93QUEEN, Nijla Mu’min’s Jinn, RaMell Ross’ Hale County This Morning, This Evening, Sandi Tan’s Shirkers, Cathy Yan’s Dead Pigs, and more. Past Lab Fellows launching new work this past year include Dee Rees, Chloé Zhao, Alexandre Moors, Matt Ruskin, Nanfu Wang, Laura Checkoway, Penny Lane, and PJ Raval, as well as many others that continue to expand their careers in audio storytelling, new media, and television, with past Lab Fellows writing or directing for shows such as Atlanta, The Girlfriend Experience, Girls, Queen of the South, and Queen Sugar. image credit

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  • First Ever Lumbee Film Festival to Spotlight Films by American Indians

    The first ever Lumbee Film Festival takes place June 23rd, 2018 at the UNC Pembroke Thomas Family Entrepreneurship Center, brought to you by the Lumbee Tribe of North Carolina, Cucalorus Film Foundation, and the North Carolina Arts Council. (PRNewsfoto/Lumbee Film Festival) The first ever Lumbee Film Festival showcasing bold, original new films made by American Indians, especially members of the Lumbee Tribe living in North Carolina and across the United States takes place on Saturday, June 23, 2018 at the UNC Pembroke Entrepreneurship Incubator. The Festival features a panel discussion with community organizers, filmmakers and tribe members discussing cultural extraction, cultural appropriation, and other issues faced by indigenous communities and their work within the cultural sector. The Festival also presents the “Lumbee Filmmaking Challenge” as the grand finale screening, in which every submitted film under three minutes — no jury, no rules — will be shown. The Lumbee Filmmaking Challenge encourages creativity and storytelling in many forms, from many voices – young and old, far and near – anyone with a cell phone can make a short video and send it in. American Indian filmmakers can submit narrative, documentary or experimental films of any length or genre to the festival by June 7, 2018. Submissions can be made through the Cucalorus website . There is no entry fee – so submit a film for free! “It is wonderful to have an opportunity for the community to come for free to see films made for and by American Indians, amplifying our voices, our challenges and our accomplishments. I think I am most excited about ‘What Lumbee Means To Me’ as we express our pride in our people, culture, place and traditions,” said Festival Director Kim Pevia. Pevia is joined on the staff by graphic designer Chad Locklear and a programming committee including artist Ashley Minner and filmmaker Malinda Maynor Lowery. The Lumbee Film Festival is a partnership between the Lumbee Tribe of NC, Cucalorus, and the NC Arts Council. It takes place at the UNCP Entrepreneurship Incubator at 202 Main Street- downtown Pembroke, NC on Saturday, June 23, 2018.

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  • PRISON LOGIC, MINDING THE GAP, WEED THE PEOPLE Among Winners of 2018 Nashville Film Festival

    [caption id="attachment_29341" align="aligncenter" width="1023"]Prison Logic by Romany Malco Prison Logic[/caption] The 49th Annual Nashville Film Festival concluded its 10-day festival on Friday with the highly-anticipated announcement of the 2018 Award Winners. The top feature film awards went to Prison Logic directed by Romany Malco, winning the Narrative Competition Grand Jury Prize, and Minding the Gap directed by Bing Liu taking the Documentary Competition Grand Jury Prize.

    Feature Film Awards

    Narrative Competition Grand Jury Prize – Romany Malco, Prison Logic Documentary Competition Grand Jury Prize – Bing Liu, Minding the Gap Belmont University New Directors Competition Grand Jury Prize – Jim Cummings, Thunder Road Animation Compeition Grand Jury Prize – Benjamin Renner & Patrick Imbert, The Big Bad FOX and Other Tales Music Films/Music City Grand Jury Prize – Scott Balcerek, Satan & Adam

    Short Film Awards

    Live Action Short – Grand Jury Prize – Cyril Aris, The President’s Visit US Narrative Short – Julio O. Ramos, Debris International Narrative Short – Nicolas Boucart, Icarus Animated Short – Grand Jury Prize – Trevor Jiminez, Weekends Documentary Short – Grand Jury Prize – Gordon Quinn, ’63 Boycott Experimental Short – Grand Jury Prize – Douwe Dijkstra, Green Screen Gringo Student Short – Grand Jury Prize – Maria Eriksson-Hecht, Schoolyard Blues Young Filmmakers Short – Alex Alford & Zak Denley, The Hitchhiker’s Guide to Suburbia

    Episodic Awards

    Short Form – The Passage Long Form – Tammy’s Tiny Tea Time – The Full Series

    VR | 360

    Grand Jury Prize – I Am a Man, created by Derek Ham Honorable Mention – MicroGiants, created by Yifu Zhou

    Graveyard Shift Awards

    Graveyard Shift Grand Jury Prize for Feature Film – Mickey Reece, Mickey Reece’s Alien Graveyard Shift Grand Jury Prize for Short Film – Bo MaGuire, Socks on Fire: Uncle John and the COPPER Headed Water Rattlers Graveyard Shift, Best Actress – Cate Jones, Mickey Reece’s Alien Graveyard Shift, Best Actor (tie) – C.J. Jones, Door in the Woods Graveyard Shift, Best Actor (tie) – Jacob Ryan Snovel, Mickey Reece’s Alien Special Jury Prize for Imagination Philosophical and Scientific Rigor and Visual Inventiveness, Graveyard Shift – The LaPlace’s Demon

    Tennessee Awards

    Tennessee First Grand Jury Prize Feature – Brett Hanover, Rukus Tennessee First Grand Jury Prize Narrative Short – Hillary Bell, Hunter Tennessee First Grand Jury Prize Documentary Short – Karen Bullis, Kathy Lee Heuston, Clarksville, 1937 Tennessee First Grand Jury Prize Student Short – Jason Luckett, Pilots

    Song

    Best Original Song – “Talk to Me,” from Blindspotting. Written by Anthony Hamilton

    Audience Awards

    Narrative Competition – Prison Logic Documentary Competition – Weed the People New Directors Competition – Mountain Rest Music Films/Music City Competition – If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd (tie) Music Films/Music City Competition – Stay Human (tie) Special Presentations – Sammy Davis Jr.: I’ve Gotta Be Me Spectrum – Into the Okavango Graveyard Shift – The Odds Tennessee First – Other Versions of You

    Non-Cash Awards

    Honorable Mention, Narrative Competition – Robert Machoian, Rodrigo Ojeda-Beck, When She Runs Best Actor, Narrative Competition – Romany Malco, Prison Logic Best Actress, Narrative Competition – Elise Van’t Laar in Craving Best Screenplay – Vivien Qu, Angels Wear White Best Music – Carl Thiel, Prison Logic Special Jury Prize for Breakout Performances by a Young Actress – Meijun Zhou & Vicky Chen in Angels Wear White Honorable Mention, Documentary Competition – Laura Nix, Inventing Tomorrow Special Jury Prize for Openly and Honestly Expressing Love at a Critical Time – Ron Yassen, Crossroads Honorable Mention, New Directors Competition (tie) – Bierta Zeqiri, The Marriage Honorable Mention, New Directors Competition (tie) – Takashi Doscher, Still Honorable Mention, Music Films/Music City Competition – Stephen Kijack, If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd Honorable Mention, Graveyard Shift Competition – Christopher Kirkley, Zerzura Honorable Mention, Best International Short – Estefania Cortés, Miss Wamba Honorable Mention, Best U.S. Short – Carey Williams, Emergency Honorable Mention, Best Animated Short – Florian Brauch, Kim Tailhades, Matthieu Pujol, Romain Thirion, Yohan Thireau, Hybrids Special Jury Prize, Actor in a Narrative Short – Tom Doran, Time Traveller Special Jury Prize, Actress in a Narrative Short – Shaquita Lopez, Audition Special Jury Prize for Unique and Important Storytelling – Fabien Gorgeart, The Devil is in the Details Honorable Mention, Documentary Short – Shelby Hadden, Tightly Wound Honorable Mention, Documentary Short – Maris Curran, While I Yet Live Honorable Mention, Experimental Short – Eve Duhame, Julian Vallée, Strangers Honorable Mention, Best Graveyard Shift Short – John Boisen, Björn Fävremark, Paralys Honorable Mention Colleg Student Short – Alireza Ghasemi, Lunch Time Honorable Mention, Best Tennessee Narrative Short – Chad Cunningham, The Order Special Jury Prize for Best Tennessee Animated Short – John McAmis, QWERTY Special Jury Prize for Cinematography – Luca Caruso-Moro, Every Grain of Rice Special Jury Prize for Music Films/Music City – Bathtubs Over Broadway

    Sponsored Awards

    VER Prize for Cinematography – Ashley Connor, Mountain Rest Lipscomb University Prize of the Ecumenical Jury – Nicolo Donato, Across the Waters

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  • Rooftop Films Kicked off 2018 Summer Series with an Evening of Short Films at Green-Wood Cemetery [Photos]

    Rooftop Films Kicked off 2018 Summer Series with an Evening of Short Films at Green-Wood Cemetery After the rain caused the opening night to move to Sunday May 20,  Rooftop Films opened up its Summer Series last night with the first ever outdoor film screening in Green-Wood Cemetery. Rooftop Films always kicks off the Summer Series with a program of short films, and this program included wild and adventurous works from all over the world, including three recipients of Rooftop Films Filmmakers Fund grants: Mauricio Arango’s To The Dead, Marc Johnson’s Ultraviolet, and Niki Lindroth Von Bahr’s award winning animated masterpiece, The Burden. Despite being pushed back a day due to weather, the event was a huge success, with more than 650 guests in attendance. The screening took place along Sylvan Water, located in the scenic and historic Green-Wood Cemetery. The evening also included live music from L’Rain, gorgeous projection mapping on Green-Wood Chapel designed by Brendan Bercik, and an after-party featuring a DJ set from DJ Tara, courtesy of Lay’s Poppables, as well as drinks from Corona Extra, Ketel One Family Made Vodka, and Fever-Tree. [gallery ids="29327,29328,29329,29330,29331,29332,29333,29334"] Photos (Courtesy of Emily Hawkes) | Rooftop Films

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  • President Barack Obama and Michelle Obama to Produce Documentaries , Docu-series for Netflix

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    President Barack Obama and Michelle Obama to Produce Documentaries , Docu-series for Netflix President Barack Obama and Michelle Obama have entered into a multi-year agreement to produce films and series with Netflix. The Obamas will produce a diverse mix of content, including the potential for scripted series, unscripted series, docu-series, documentaries and features. These projects will be available to the 125 million member Netflix households in 190 countries. The Obamas have established Higher Ground Productions as the entity under which they will produce content for Netflix. “One of the simple joys of our time in public service was getting to meet so many fascinating people from all walks of life, and to help them share their experiences with a wider audience,” said President Obama. “That’s why Michelle and I are so excited to partner with Netflix – we hope to cultivate and curate the talented, inspiring, creative voices who are able to promote greater empathy and understanding between peoples, and help them share their stories with the entire world.” “Barack and I have always believed in the power of storytelling to inspire us, to make us think differently about the world around us, and to help us open our minds and hearts to others,” said Mrs. Obama. “Netflix’s unparalleled service is a natural fit for the kinds of stories we want to share, and we look forward to starting this exciting new partnership.” “Barack and Michelle Obama are among the world’s most respected and highly-recognized public figures and are uniquely positioned to discover and highlight stories of people who make a difference in their communities and strive to change the world for the better,” said Netflix Chief Content Officer Ted Sarandos. “We are incredibly proud they have chosen to make Netflix the home for their formidable storytelling abilities.”

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  • Netflix Acquires Cannes Film Festival Award Winners ‘Happy As Lazzaro’ and ‘Girl’

    [caption id="attachment_29316" align="aligncenter" width="1200"]Happy as Lazzaro Happy as Lazzaro[/caption] Netflix has acquired Cannes Film Festival 2018 award winnersHappy As Lazzaro” and “Girl.” “Happy as Lazzaro” premiered in competition and was awarded Best Screenplay for Alice Rohrwacher, and the Camera d’Or for best first film was awarded to Lukas Dhont for “Girl.” “Girl” premiered in Un Certain Regard at the Cannes Film Festival where it was awarded Best Actor for Victor Polster

    “HAPPY AS LAZZARO”

    Alice Rohrwacher was awarded Best Screenplay for Happy as Lazzaro (it was a tie with Nader Saeivar for 3 Faces) Synopsis: This is the tale of a meeting between Lazzaro, a young peasant so good that he is often mistaken for simple-minded, and Tancredi, a young nobleman cursed by his imagination. Life in their isolated pastoral village Inviolata is dominated by the terrible ­Marchesa­ Alfonsina de Luna, the queen of cigarettes. A loyal bond is sealed when Tancredi asks Lazzaro to help him orchestrate his own kidnapping. This strange and improbable alliance is a revelation for Lazzaro. A friendship so precious that it will travel in time and transport Lazzaro in search of Tancredi. His first time in the big city, Lazzaro is like a fragment of the past lost in the modern world. Writer & Director: Alice Rohrwacher Cast: Adriano Tardiolo, Luca Chikovani, Alba Rohrwacher, Agnese Graziani, Tommaso Ragno, Sergi Lopez, Natalino Balasso, Gala Othero Winter, David Bennent, Nicoletta Braschi. Producer: Carlo Cresto-Dina Co-producers: Tiziana Soudani, Alexandra Henochsberg, Grégory Gajos, Arthur Hallereau, Pierre-François Piet, Michel Merkt, Michael Weber, Viola Fügen About Alice Rohrwacher Alice Rohrwacher directed Le Meraviglie (The Wonders), winner of the Grand Jury Prize at the 2014 Cannes Film Festival. Born in 1981 in Fiesole, she studied in ­Turin and ­Lisbon. She has worked in ­music and ­documentary projects. She has also worked as an editor and composer for theatre. Her first feature Corpo Celeste made its world premiere in the Directors’ Fortnight (Cannes 2011). [caption id="attachment_29317" align="aligncenter" width="1200"]Girl by Lukas Dhont Girl by Lukas Dhont[/caption]

    “GIRL”

    The Camera d’Or, for best first film, was awarded to Girl Vincent Polster won the Best Actor Prize for Un Certain Regard for his performance in Girl Lukas Dhont’s Un Certain Regard entry Girl was awarded this year’s Queer Palm award. (The Queer Palm launched in 2010 and selects its winner from all LGBTQ-themed films across the official selection of the Cannes film festival, Un Certain Regard, Directors’ Fortnight, Critics’ Week and the unofficial ACID section.) Synopsis: Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy. Director: Lukas Dhont Cast: Victor Polster, Arieh Worthalter, Oliver Bodart, Tijmen Govaerts, Katelijne Damen, Valentijn Dhaenens, Magali Elali, Alice de Broqueville Screenwriters: Lukas Dhont, Angelo Tijssens Producer: Dirk Impens Production companies: Menuet, Frakas Productions, Topkapi Films International Sales: The Match Factory About Lukas Dhont Lukas Dhont was born in Ghent, Belgium. He graduated with a diploma in audiovisual arts from the KASK School Of Arts in Ghent. His short films, Corps Perdu and L’Infini, received numerous prizes. L’Infini was the Belgian entry for the Academy Awards in 2015. Throughout his studies, he focused on fiction but also explored the possibilities of documentary. In 2016, Lukas Dhont participated in the Cannes Cinéfondation residency with the script for his first feature film, Girl. This film combines themes the filmmaker has already explored, like dance, transformation and identity. Lukas Dhont collaborates regularly with choreographer and dancer Jan Martens with whom he co-signed a performance titled “The Common People.”

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  • 5 Indie Films Win $100,000 in Funding from SFFILM and Westridge Foundation

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    SPRING 2018 SFFILM WESTRIDGE GRANT WINNERS Five filmmaking teams will receive a total of $100,000 in funding in the inaugural round of SFFILM Westridge Grants to help support the screenwriting and project development stages of their narrative feature films. SFFILM Westridge Grants, which are awarded twice annually, are designed for US-based filmmakers whose stories take place primarily in the United States and focus on the significant social issues and questions of our time. The next application period is now open. SFFILM Westridge Grants provide film projects support in their critical early stages, safeguarding filmmakers’ creative processes and allowing artists to concentrate on thoughtfully developing their stories while building the right strategy and infrastructure to guide them through financing and production. In addition to cash grants, recipients will benefit from SFFILM’s comprehensive and dynamic artist development program, SFFILM Makers, as well as support and counsel from SFFILM and Westridge Foundation staff and the 2018 FilmHouse Mentor Advisory Board. All grantees will spend one week in the Bay Area attending a retreat geared towards honing their craft, strengthening their scripts, and making connections to other filmmakers and industry professionals. The panelists who reviewed the finalists’ submissions were Noah Cowan, SFFILM Executive Director; Lauren Kushner, SFFILM Senior Manager of Artist Development; Nicole Perlman, screenwriter (Guardians of the Galaxy, Captain Marvel) and 2018 FilmHouse screenwriting mentor; Shelby Rachleff, Westridge Foundation Program Manager; and Caroline von Kühn, SFFILM Director of Artist Development. “The Westridge Foundation is an incredible new ally in empowering US-based filmmakers grounded in Bay Area values,” said Caroline von Kühn, SFFILM Director of Artist Development. “This grant supports artists grappling with important topics in our country’s culture. This group of inaugural winners, through their valuable perspectives and historically underrepresented voices, will shape how we engage in conversations about these topics, collectively and with one another.” “We are proud to provide resources to these filmmakers in the crucial early stages of telling their unique, important stories,” said Shelby Rachleff, Westridge Foundation Program Manager. “Westridge is thrilled to partner with SFFILM both in supporting these five outstanding projects, and in helping to amplify the powerful and nuanced voices of the filmmakers who are bringing them to life.”

    SPRING 2018 SFFILM WESTRIDGE GRANT WINNERS

    Back Seat Lana Wilson, writer/director; Shrihari Sathe, producer – screenwriting – $20,000 An immigrant woman leaves her young son alone in the back seat of a car, setting off a firestorm of controversy in the liberal community where she lives. As the town’s latent xenophobia bubbles to the surface, and the woman’s parenting abilities are scrutinized in increasingly disturbing ways, she fights to prove that she’s a worthy mother — to the town, to her children, and to herself. Mandeville Russell Nichols, writer – screenwriting – $20,000 A traumatized Black boy, whose brother was killed by a cop, volunteers for an experiment that tests his powers of prediction to prevent future murders. Miss Juneteenth Channing Godfrey Peoples, writer/director; Neil Creque Williams, producer – development – $20,000 Turquoise, a former beauty pageant queen turned hardworking single mother, enrolls her rebellious daughter, Kai, in the “Miss Juneteenth” pageant to compete for the grand prize — a college scholarship. Determined to keep Kai from making her same mistakes in life, Turquoise saves her tips from working at a juke joint to buy her daughter the grandest pageant dress of all. However, Kai is more interested in her school’s dance team and chasing her high school crush. Stay Awake Jaime Sisley, writer/director; Kelly Thomas and David Ariniello, producers – development – $20,000 For years, teen brothers Ethan and Derek Reynolds have tried to help their mother, Michelle, overcome her prescription drug addiction with little success. When Michelle goes missing after another binge, Ethan and Derek begin to question whether they should continue trying to find and help Michelle, or move on with their lives at the expanse of saving her. Taliesin Maya Perez, writer – screenwriting – $20,000 Based on actual events, Taliesin tells the story of a young Black couple hired to work at the infamous Taliesin home of architect Frank Lloyd Wright. The remote location becomes a pressure cooker, and tensions around race and gender boil over with tragic consequences — the most horrific mass murder in Wisconsin history.

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  • Sundance Institute Awards Over Half a Million Dollars to Groundbreaking Documentary Projects

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    [caption id="attachment_29305" align="aligncenter" width="1200"]Central Airport THF Central Airport THF[/caption] The Sundance Institute will award $585,000 in targeted grants to twenty-three projects from independent nonfiction storytellers. 57% of the supported projects are helmed by women, and 48% are from outside the U.S.; 34% of grantees are first-time feature filmmakers. “These artists are hard at work on projects that capture the world as it is, as well as imagining it as it could be,”  said Hajnal Molnar-Szakacs, the recently-appointed Director of the Sundance Institute’s Documentary Film Fund. “The stories here deeply reflect my team’s collaborative vision for this fund and we are thrilled to highlight voices with richly diverse sensibilities and perspectives. In our current cultural and political moment, independent storytelling is vital: to help make meaning and present a layered, complex interpretation of truth.” Sundance Institute has a long history and firm commitment to championing the most distinctive nonfiction films from around the world. Recently-supported films include Hale County This Morning This EveningI Am Not Your Negro; Last Men in Aleppo; An Insignificant Man;  Casting JonBenet; Strong Island; Hooligan SparrowNewtown and Weiner.

    Sundance Institute 2018 Documentary Fund grantees

    DEVELOPMENT

    Body Parts (United States) Director: Kristy Guevara-Flanagan Producer: Helen Hood Scheer Body Parts (working title) is a documentary feature exploring the nude female body in Hollywood media—hyper-sexualized, under attack, exploited on- and off- screen. From a wide range of perspectives, the film examines how actresses protect their bodies, how studios push back, and how unions have fought for better standards. The film also looks at how the female and queer gaze are redefining desire and sexuality. From the first body doubles in the 1920s to the digital enhancements of the internet age, the film asks: when scenes are about sex, to whom are they sexy? By what standards? How do race, age and body type factor in? The Hunt (United States) Directors: Michael Dweck and Gregory Kershaw Producers: Michael Dweck and Gregory Kershaw The Hunt is an immersive, cinematic documentary that will explore the mysterious and magical world of Italian truffle hunters and their quest for the world’s rarest and most valuable ingredient. The film will follow an ensemble of spirited old truffle hunters and their prized dogs who lead them through secret Piedmont forests during the yearly “gold rush” when the elusive white Alba truffle is in season. The narrative will capture their struggle to hold onto a centuries-old tradition in the face of globalization, climate change, and their own mortality in a place where mystery and magic still flourish. Mars (Switzerland, France) Director: Dea Gjinovci Producers: Britta Rindelaub, Jasmin Basic and Sophie Faudel Ibadeta and Djeneta Demiri have been in a coma for several years, victims of the “syndrome of resignation”. Traumatized, their bodies mysteriously stopped working. In central Sweden, the whole family is still trying to rebuild a normal life, far from their native Kosovo. But so far, their asylum applications have been refused one after the other. Furkan, 10, is the youngest in the family. He tries to escape this situation by building his own rocket to fulfill his dream: to go live on Mars to save his sisters. The Mole Agent (Chile) Director: Maite Alberdi Producer: Marcela Santibañez Romulo is a private investigator who has been hired to do a study of a retirement home where residents are thought to be victims of abuse. To this end, he trains an 83-year-old man, to live as The Mole Agent inside the home. Once the mole has infiltrated the facility, he struggles to assume his role as he gradually becomes more familiar with the residents and the routine at the home in pursuit of the truth. Untitled Religious Activism Documentary (United States) Director: Penny Lane Producer: Gabriel Sedgwick A wildly entertaining and surprising look at the intersection of faith and activism, that follows one of the most controversial religious movements in modern American history. Third River Film (United States) Director and Producer: Robb Moss The third of a trilogy, the film explores the lives of five friends over forty years, from being young to becoming old–a film about time, friendship, and the mysteries of aging.

    PRODUCTION

    Enemies of the State (United States) Director: Sonia Kennebeck Producer: Ines Hofmann Kanna An average American family becomes entangled in a bizarre web of espionage and corporate secrets when their hacker son is targeted by the U.S. government, making them all Enemies of the State. Mississippi Red (United States) Director: Kelly Duane de la Vega Producer: Jessica Anthony In Mississippi, women have fewer rights or protections than in any other part of the country. Mississippi Red looks at the status of women in the deep South through the lens of race, religion and the political establishment with a constellation of close-to-the-bone stories that revolve around the fight to pass an equal pay law through a resistant male dominated state legislature. Untitled Safe Schools Project (United States) Director: Todd Chandler Producer: Danielle Varga Untitled Safe Schools Project explores the landscape of 21st century school safety in the United States, illuminating the complex ways in which we as a nation struggle to understand and prevent violence, and endeavor to create safer schools.​ Scheme Birds (United Kingdom, Sweden) Directors: Ellen Fiske, Ellinor Hallin Producers: Ruth Reid, Mario Adamson Scheme Birds is the story of Gemma, a teenage troublemaker, growing up in a world of violence and pigeons. From childhood to motherhood, her life unfolds on screen as childish games turn towards serious crime. The Silhouettes (Iran, Philippines) Director: Afsaneh Salari Producers: Jewel Maranan, Afsaneh Salari At the height of the USSR’s invasion of Afghanistan in 1982, 1.5 million Afghans took a long journey to the border of Iran to flee war. Taghi, born after that generation and unwilling to inherit the limitations of his parents’ refugee status, navigates outside the protective walls of his family to trace his identity and the doors to his future in the homeland he never knew. As war continues to rage in Afghanistan, what future awaits him in which land? TransFormed (United States) Director: Lisa Leeman Producers: Lisa Leeman, Thomas G. Miller What are the costs of living an authentic life?  Twenty-six years after intimately chronicling artist Gabi P.’s gender transition in the groundbreaking film  Metamorphosis (Sundance’s Filmmakers Trophy; POV), Lisa Leeman reconnects with Gabi.  Now age 65, one year sober, and a devout Christian, Gabi stands at a new and unexpected crossroads. Probing universal themes of aging, faith, and identity, TransFormed is a story of struggle and resiliency- against the backdrop of society’s persistent transphobia. When Claude Got Shot (working title) (United States) Director and Producer: Brad Lichtenstein Three strangers are tragically united and changed forever by a weekend of gun violence in When Claude Got Shot, an intimate and unflinching personal documentary that investigates the problem of gun violence in America’s black communities. Made possible with support from The Kendeda Fund Untitled (United States, Kenya) Director: Daphne Matziaraki Producers: Toni Kamau, Maya Craig This feature documentary explores land use in Africa. It examines the ubiquitously 21st Century question of who controls natural resources, and at what cost?

    POST PRODUCTION

    Caballerango (Mexico, United States) Director: Juan Pablo González Producers: Jamie Gonçalves, Makena Buchanan, Ilana Coleman A family reflects on a young man’s disappearance in a Mexican village under the watchful eyes of the horse who saw him last. Central Airport THF (Germany, France) Director: Karim Aïnouz Producer: Felix von Boehm Co-Producers: Charlotte Uzu, Joana Mariani, Diane Maia Berlin’s historic defunct Tempelhof Airport remains a place of arrivals and departures. Today its massive hangars are used as one of Germany’s largest emergency shelters for asylum seekers, like 18-year-old Syrian student Ibrahim and Iraqi physiotherapist Qutaiba. As they adjust to a transitory daily life of social services interviews, German lessons and medical exams, they try to cope with homesickness and the anxiety of whether or not they will gain residency or be deported. The Gospel of Eureka (United States) Directors: Michael Palmieri and Donal Mosher Producer: Charlotte Cook Love, faith and civil rights collide in a southern town as evangelical Christians and drag queens step into the spotlight to dismantle stereotypes. Gospel drag shows and passion plays set the stage for one hell of a show. Narrated by Mx Justin Vivian Bond. In Real Life (United States) Director: Liza Mandelup Producers: Bert Hamelinck, Lauren Cioffi This intimate contemplation on modern youth follows 16-year-old Austyn Tester as he flirts with the world of social media fame. Driven by a wide-eyed desire for stardom, Austyn cultivates a singularly positive online persona that’s at odds with growing up in small town Tennessee.  After trading in a high school education for management and devoted fangirl followers, Austyn confronts his own motivation and questions whether he’s cut out for the business of virtual connection. Kids (Australia) Director: Maya Newell Producers: Sophie Hyde, Rachel Nanninaaq Edwardson, Larissa Behrendt, Maya Newell Like many Indigenous kids before him, 10-year-old Dujuan is fighting an enemy he cannot see, which makes him strike out at everything. When he cannot run, nor fight alone, he realises that not only has he inherited the trauma and dispossession of his land, but also the resilience and resistance of many generations of his people which holds the key to his future. Made with and alongside those represented, this feature doc by Australian filmmaker Maya Newell (Gayby Baby) is the second in her series about child perspectives. Midnight Family (United States, Mexico) Director: Luke Lorentzen Producers: Kellen Quinn, Daniela Alatorre, Elena Fortes, Luke Lorentzen In Mexico City’s wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As they try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Midnight Traveler (United States, Afghanistan) Director: Hassan Fazili Producer: Emelie Mahdavian Midnight Traveler follows a family of Afghan filmmakers on the run from the Taliban. Told from refugee-Director Hassan Fazili’s unique first-person perspective, their story provides unprecedented access to the complex refugee encounter with the West. The Seer and the Unseen (United States) Director: Sara Dosa Producer: Shane Boris The Seer and the Unseen is an unexpected environmental film about invisible elves, the free market and the surprising power of belief told through the story of an Icelandic woman’s quest to save a threatened landscape and the beloved home her family has lived in for generations. Unfolding through vérité magical realism, the film explores the unseen forces that shape our visible worlds and transform our natural landscapes – and, the profound meaning of home.

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  • Cannes Film Festival 2018 Awards – SHOPLIFTER Wins Palme d’or, Spike Lee’s BLACKKKLANSMAN Wins Grand Prix

    [caption id="attachment_29297" align="aligncenter" width="926"]BlacKkKlansman BlacKkKlansman[/caption] The 71st Cannes Film Festival came to a close today, with the announcement of the 2018 winners, decided by the Feature Film Jury presided over by Cate Blanchett.  Shoplifters (Manbiki Kazoku directed by Kore-Eda Hirokazu was awarded the Palme d’or and BlacKkKlansman by Spike Lee won the Grand Prix.

    FEATURE FILMS

    [caption id="attachment_29298" align="aligncenter" width="926"]MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu MANBIKI KAZOKU(Shoplifters) by KORE-EDA Hirokazu[/caption]

    PALME D’OR

    MANBIKI KAZOKU (Shoplifters) by KORE-EDA Hirokazu After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, barely making enough money to survive through petty crime, they seem to live happily together until an unforeseen incident reveals hidden secrets, testing the bonds that unite them…

    GRAND PRIX

    BLACKKKLANSMAN (BlacKkKlansman) by Spike LEE Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and almost became the head of the local chapter.

    JURY PRIZE

    CAPHARNAÜM (Capernaum) by Nadine LABAKI INT. COURTROOM ZAIN, a 12-year-old boy, faces THE JUDGE. THE JUDGE: Why are you suing your own parents? ZAIN: For giving me life.

    BEST PERFORMANCE BY AN ACTOR

    Marcello FONTE in DOGMAN by Matteo GARRONE

    BEST DIRECTOR

    ZIMNA WOJNA (Cold War) by Pawel PAWLIKOWSKI

    BEST SCREENPLAY (tie)

    Alice ROHRWACHER for LAZZARO FELICE (Happy as Lazzaro) Jafar PANAHI for SE ROKH (3 Faces)

    BEST PERFORMANCE BY AN ACTRESS

    Samal YESLYAMOVA in AYKA by Sergey DVORTSEVOY

    SPECIAL PALME D’OR

    LE LIVRE D’IMAGE (The Image book) by Jean-Luc GODARD

    SHORT FILMS

    PALME D’OR

    ALL THESE CREATURES by Charles WILLIAMS

    MENTION DISTINCTION BY THE JURY

    YAN BIAN SHAO NIAN (On the order) by WEI Shujun

    CAMÉRA D’OR

    GIRL by Lukas DHONT presented at UN CERTAIN REGARD The CST Jury decided to award the VULCAIN PRIZE FOR ARTIST-TECHNICIAN to: SHIN Joom-Hee artistic director, of BURNING for his exceptional contribution to the portrayal of his characters.

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  • Cannes Film Festival 2018: ‘BORDER’ ‘SOFIA’ ‘GIRL’ ‘DONBASS’ Win Un Certain Regard Prizes

    [caption id="attachment_29152" align="aligncenter" width="1200"]Border directed by Ali Abbasi GRÄNS (BORDER) by Ali Abbasi[/caption] Un Certain Regard 2018 at Cannes Film Festival presented 18 films in competition. 6 of them were first films. The Opening film was DONBASS by Sergei Loznitsa which went on to win the prize for Best Director. Under the presidency of Benicio Del Toro (Puerto Rican-American actor), the Jury was comprised of Annemarie Jacir (Palestinian director and writer), Kantemir Balagov (Russian director), Virginie Ledoyen (French actress) and Julie Huntsinger (American executive director, Telluride Film Festival). “We feel that out of 2000 films considered by the Festival, the 18 we saw in UN CERTAIN REGARD – from Argentina to China – were all in their own way winners. Over the past 10 days, we were extremely impressed by the high quality of the work presented, but in the end we were the most moved by the following 5 films.

    “UN CERTAIN REGARD” PRIZE

    GRÄNS (BORDER) by Ali Abbasi Customs officer Tina is known for her extraordinary sense of smell. It’s almost as if she can sniff out the guilt on anyone hiding something. But when Vore, a suspicious-looking man, walks past her, her abilities are challenged for the first time ever. Tina can sense Vore is hiding something she can’t identify. Even worse, she feels a strange attraction to him. As Tina develops a special bond with Vore and discovers his true identity, she also realizes the truth about herself. Tina, like Vore, does not belong to this world. Her entire existence has been one big lie and now she has to choose: keep living the lie or embrace Vore’s terrifying revelations.

    PRIZE FOR BEST SCREENPLAY

    SOFIA by Meryem Benm’Barek Sofia, 20, lives with her parents in Casablanca. Suffering from pregnancy denial, she finds herself breaking the law by giving birth to a baby out of wedlock. The hospital gives her 24 hours to provide the father’s papers before informing the authorities…

    PRIZE FOR BEST PERFORMANCE

    Victor Polster for GIRL by Lukas Dhont Determined 15-year-old Lara is committed to becoming a professional ballerina. With the support of her father, she throws herself into this quest for the absolute at a new school. Lara’s adolescent frustrations and impatience are heightened as she realizes her body does not bend so easily to the strict discipline because she was born a boy.

    PRIZE FOR BEST DIRECTOR

    Sergei Loznitsa for DONBASS In the Donbass, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs.  In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love.  A journey through the Donbass unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death.  This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.

    JURY SPECIAL PRIZE

    CHUVA É CANTORIA NA ALDEIA DOS MORTOS (The Dead and The Others) by João SALAVIZA and Renée NADER MESSORA There are no spirits or snakes tonight and the forest around the village is quiet. Fifteen year old Ihjãc has nightmares since he has lost his father. He is an indigenous Krahô from the north of Brazil. Ihjãc walks into darkness, his sweaty body moves with fright. A distant chant comes through the palm trees. His father’s voice calls him to the waterfall: it´s time to organize the funerary feast so the spirit can depart to the dead´s village. The mourning must cease. Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

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  • ‘SEARCHING’ ‘MINDING THE GAP’ ‘IN THE LIFE OF MUSIC’ Win Audience Awards at 34th Los Angeles Asian Pacific Film Festival

    [caption id="attachment_29286" align="aligncenter" width="1024"]John Cho stars in the LAAPFF Audience Award Winning film SEARCHING - directed by Aneesh Chaganty.  Photo Courtesy of Screen Gems John Cho stars in the LAAPFF Audience Award Winning film SEARCHING – directed by Aneesh Chaganty. Photo Courtesy of Screen Gems[/caption] The 34th Los Angeles Asian Pacific Film Festival (LAAPFF) came to a close this past weekend and announced their audience awards for best films at this year’s film extravaganza that began on May 3 and ended on May 12, 2018. The thriller, mystery film “SEARCHING” – directed by first time feature filmmaker Aneesh Chaganty – won the LAAPFF Audience Award for Outstanding North American Narrative Feature Film. The film, starring John Cho and Debra Messing, was a double award winner at the 2018 Sundance Film Festival, as well. Audiences at LAAPFF were impressed by the cast, the screenplay, and the direction of the film that centered on a father’s search for his missing teenage daughter and has to turn to the Internet to try and find her. Audiences were abuzz about the film throughout the eight-day festival. “SEARCHING” will open nationally in August in theaters through Screen Gems. The personal documentary “MINDING THE GAP” – directed by Bing Liu – won the LAAPFF Audience Award for Outstanding North American Documentary Feature. Audiences were moved by the filmmaker’s intimate story of three friends who come of age in their twenties and have to face growing up and possibly giving up their skateboarding days. The film also won the LAAPFF Special Jury Prize for Best Director and was an award winner at the 2018 Sundance Film Festival, as well. In the International Narrative Feature category, the LAAPFF Audience Award went to “IN THE LIFE OF MUSIC” – directed by Caylee So and Visal Sok – for telling a powerful inter-generational tale that explores love, war, and a family’s relationship to the song Champa Battambang, made famous by Sinn Sisamouth, the King of Cambodian music. The film depicts the lives of people whose world is inevitably transformed by the emergence of the Khmer Rouge. The film also won the LAAPFF Special Jury Prize for Best Director in the International Narrative Feature category. In the International Documentary Feature category, the audience gave the award to “LATE LIFE: THE CHIEN-MING WANG STORY” – directed by Frank W. Chen. This moving film chronicles the life of Taiwanese pro-baseball player Chien-Ming Wang, who was once so dominating on the mound that he was named New York Yankees’ starting pitcher for the inaugural game at New Yankee Stadium in 2009. But after a terrible ankle injury, Wang’s pitches lost their effectiveness, and he soon fell off major league rosters. LATE LIFE follows Wang through his grueling workout routines and unglamorous minor league pit stops as he mounts his remarkable comeback. He is helped along the way by his loyal agent, trainers, Yankees fans, and his family, creating a de-facto support network that keeps him going.

    2018 LAAPFF AUDIENCE AWARD WINNERS

    NORTH AMERICAN NARRATIVE FEATURE

    SEARCHING Directed by Aneesh Chaganty

    NORTH AMERICAN DOCUMENTARY FEATURE

    MINDING THE GAP Directed by Bing Liu

    INTERNATIONAL NARRATIVE FEATURE

    IN THE LIFE OF MUSIC Directed by Caylee So and Visal Sok

    INTERNATIONAL DOCUMENTARY FEATURE

    LATE LIFE: THE CHIEN-MING WANG STORY Directed by Frank W. Chen

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