I FEEL GOOD by Benoît Delépine, Gustave Kervern[/caption]
The official program of the 71st edition of the Locarno Festival was announced at a press conference today, Wednesday July 11, 2018. The line-up for the official juries was also announced as were tributes to Wolf-Eckart Bühler, Pierre Rissient, Francis Reusser and Claude Lanzmann. The 71st Locarno Festival will take place from August 1 to 11, 2018.
In the program introduction, Carlo Chatrian, Artistic director, notes “This year’s program also includes films that, instead of portraying the conflicts raging around the world, concentrate on private stories, while allowing the present to resonate like the echoes of a thunderstorm. Examples are Yara by Abbas Fahdel, who following his epic Homeland (Iraq Year Zero) has left the war zone to plunge into the Lebanese countryside; or the portrait which Ethan Hawke – Excellence Award 2018 – dedicates in the eponymous film to the musician BLAZE, conflicted but charming hero, a rebel against the system and a profoundly free spirit, fated for a tragic end. These are just two films that create a bond between the self and the world, between the details of an individual life and the universal truths revealed by their story. Another of their common traits is also found in many other titles: the courage shown by their protagonists when faced with an insurmountable obstacle. Perhaps that’s why these and so many other films this year simply take a name for their title (Diane, Alice T., M., Menocchio, Sibel, Ray & Liz, Siyabonga). It may well be a sign of renewed trust in film as an art form capable of telling the stories of men and women without filtering them through symbolism, proof that the human face may be back as the be-all and end-all of a film. If so, I should like to present this year’s program as a single, magnificent and very long portrait gallery of unique faces, disarming even when well aware of the artfulness of their fiction. From Stan Laurel to the young Israeli Menahem and his disturbing statements in M.; from Mae West’s opulence to the sublime beauty of Julio Bressane’s muse in Sedução da Carne; from the discreet charm of Ingrid Bergman to the appeal of Noée Abita in Genèse; from the madcap elegance of Irene Dunne to the disenchanted appeal of Mary Kay Place in Diane.”
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71st Locarno Festival Announces Complete Film Program Lineup, Jury + Tributes
[caption id="attachment_30681" align="aligncenter" width="1023"] I FEEL GOOD by Benoît Delépine, Gustave Kervern[/caption]
The official program of the 71st edition of the Locarno Festival was announced at a press conference today, Wednesday July 11, 2018. The line-up for the official juries was also announced as were tributes to Wolf-Eckart Bühler, Pierre Rissient, Francis Reusser and Claude Lanzmann. The 71st Locarno Festival will take place from August 1 to 11, 2018.
In the program introduction, Carlo Chatrian, Artistic director, notes “This year’s program also includes films that, instead of portraying the conflicts raging around the world, concentrate on private stories, while allowing the present to resonate like the echoes of a thunderstorm. Examples are Yara by Abbas Fahdel, who following his epic Homeland (Iraq Year Zero) has left the war zone to plunge into the Lebanese countryside; or the portrait which Ethan Hawke – Excellence Award 2018 – dedicates in the eponymous film to the musician BLAZE, conflicted but charming hero, a rebel against the system and a profoundly free spirit, fated for a tragic end. These are just two films that create a bond between the self and the world, between the details of an individual life and the universal truths revealed by their story. Another of their common traits is also found in many other titles: the courage shown by their protagonists when faced with an insurmountable obstacle. Perhaps that’s why these and so many other films this year simply take a name for their title (Diane, Alice T., M., Menocchio, Sibel, Ray & Liz, Siyabonga). It may well be a sign of renewed trust in film as an art form capable of telling the stories of men and women without filtering them through symbolism, proof that the human face may be back as the be-all and end-all of a film. If so, I should like to present this year’s program as a single, magnificent and very long portrait gallery of unique faces, disarming even when well aware of the artfulness of their fiction. From Stan Laurel to the young Israeli Menahem and his disturbing statements in M.; from Mae West’s opulence to the sublime beauty of Julio Bressane’s muse in Sedução da Carne; from the discreet charm of Ingrid Bergman to the appeal of Noée Abita in Genèse; from the madcap elegance of Irene Dunne to the disenchanted appeal of Mary Kay Place in Diane.”
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1st North Bend Film Festival Is Ready, Unveils Lineup, SHIRKERS is Centerpiece Film
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Shirkers[/caption]
The North Bend Film Festival is right around the corner and yesterday announced the full line-up for its inaugural edition, including Cinema Vista and Something Strange feature and short film programs. In addition to the films, the weekend of August 23rd to the 26th will be rich with events that embrace the town of North Bend, once the original shooting location for David Lynch’s Twin Peaks, such as a special Twin Peaks Tour, a scenic mountainside hike (offering attendees a rare chance for excursion!), and ‘Damn Fine Coffee’ mixers to kick off the mornings just right.
Cinema Vista offers a spectrum of vanguard cinema with centerpiece screening SHIRKERS and retro screening of the iconic Pacific Northwest queer feature MY OWN PRIVATE IDAHO.
Centerpiece Film
Shirkers (Washington Premiere)
USA | 2018 | 96 Min | Dir. Sandi Tan
Cinema-loving teenager Sandi Tan and two friends had a big idea in 1992: They’d shoot their own super-low-budget assassin thriller on their native streets of Singapore, along with help from an American mentor named Georges. Then, one day, Georges disappeared along with all of their work. Twenty-five years later, Tan has turned her investigation into Georges’ motives, using newly recovered footage and firsthand accounts, into one of 2018’s best documentaries, an autobiography turned love letter to filmmaking dreams, especially those that have gone unfulfilled.
My Name is Myeisha
USA | 2018 | 84 Min | Dir. Gus Krieger
A bold and visionary musical unlike anything on screen today, Gus Krieger’s MY NAME IS MYEISHA blends hip-hop, beat-boxing, dance and spoken word lyricism to tell the heartbreaking story of a teenage girl killed by police while she sat unconscious in a locked car. It’s essential filmmaking in a dynamic and energetic combination of storytelling methods precisely executed from beginning to end.
Sarah Plays A Werewolf (West Coast Premiere)
Switzerland/Germany | 2017 | 86 Min | Dir. Katharina Wyss
Off the stage, 17-year-old Sarah drifts through her community in anonymity. But on her high school’s theater’s stage? The shy girl unleashes torrents of fiery passion, stemming from personal secrets mostly involving her unpleasant home life. As Sarah falls deeper into her performances, though, her loneliness intensifies, causing the troubled teenager to lose herself in multiple ways. Drenched in an overriding sense of despair, Swiss filmmaker Katharina Wyss’ devastating feature-length debut is a coming-of-age stunner.
My Own Private Idaho (1991)
USA | 1991 | 104 Min | Dir. Gus Van Sant
Set in the 1990’s runaway-dominated streets of the Pacific Northwest and loosely based on Shakespeare’s Henry IV, this seminal film by Gus Van Sant (GOOD WILL HUNTING, MILK) tells the tale of a narcoleptic street kid named Mike (River Phoenix) who befriends a fellow hustler (Keanu Reeves) on his journey to find his estranged mother. Film presented in collaboration with Three Dollar Bill Cinema
Closing Night Film
Anna and the Apocalypse (West Coast Premiere)
United Kingdom | 2018 | 92 Min | Dir. John McPhail
For Anna and her friends, high school graduation can’t come soon enough. Unfortunately for them, they must face a horde of yuletide undead creatures before passing on to adulthood. A zombie apocalypse-Christmas-comedy-musical (yes, you read that right), “Anna” is a salute to a genre you didn’t think you needed, while keeping you on the edge of your seat with its hilarity and heart.
Piercing (Pacific Northwest Premiere)
USA | 2018 | 81 Min | Dir. Nicolas Pesce
After kissing his wife and baby goodbye for a seemingly normal business trip, Reed (Christopher Abbott) checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie (Mia Wasikowska).
Relaxer (Washington Premiere)
USA | 2018 | 91 Minutes | Dir. Joel Potrykus
Joel Potrykus’ latest film follows an obsessive couch potato slacker taking on his most epic challenge yet: to beat the impossible final level of PAC-MAN without ever leaving the couch. His desperate quest is fraught with gross-out humor and darkly comedic perils as all sense of time is lost and takes a turn towards downright mania in a satisfyingly exhilarating conclusion.
Don’t Leave Home (Pacific Northwest Premiere)
USA | 2018 | 86 Min | Dir. Michael Tully
For her latest exhibition, American artist Melanie Thomas is focused on an old Irish myth surrounding Father Alistair Burke, whose portrait of an 8-year-old Siobhan led to the little girl’s unexplained disappearance. After receiving an invite from the enigmatic Burke to visit him in Ireland, Melanie finds that reality and myth aren’t mutually exclusive. Drenched in classical Euro-horror dread and other strange flourishes, writer-director Michael Tully’s genre hybrid is a delightfully unnerving head trip. Director Michael Tully in attendance. Screening presented by Snoqualmie Valley Real Estate.
Time Share (Washington Premiere)
Mexico/Netherlands | 2018 | 96 Minutes | Dir. Sebastian Hoffman
A father’s holiday from Hell begins when a clerical mix-up forces his family to share their vacation home with another family. But lurking beneath the paradise resort is a shady organization with designs far worse than double bookings. Director Sebastian Hoffman’s psychological thriller expertly juxtaposes terror and surrealist comedy through weaving stories of the family man and a beaten down employee setting out for revenge from within. Screening presented by Snoqualmie Valley Real Estate.
Billy (North American Premiere)
Netherlands | 2018 | 90 Min | Dir. Theo Maassen
Ventriloquist Gerard de Groot and his puppet Billy have been inseparable for the last ten years. Until the moment they fall in love with different women and Gerard decides to take a break from his wild dummy. Easier said than done. Theo Maassen’s promising debut is a sharp tragic comedy mixing raunchy humor and deep thoughts about a career as an artist.
CINEMA VISTA SHORTS BLOCK
Boundaries are made to be pushed. This visionary group of shorts showcases the work of some of today’s most innovative and forward-thinking filmmakers. Across all genres, these films represent the vanguard of cinema with stories of life, death, justice and injustice, monsters both real and imagined, and the horror and beauty that reside inside the human heart. At times tragic, fantastical, terrifying, rousing, but always exhilarating, these shorts are at the forefront of filmmaking. MOBIUS, dir. Sam Kuhn In the wake of her lover’s death, a high school student comes to terms with her suburban malaise in this dreamlike and TWIN-PEAKS-esque dose of small-town oddness. BIOPHILIA, dir. Marina Michelson Rachel and her boyfriend, a pair of Brooklynites, decide to try their hand at farming. But when a sheep dies on their watch, Rachel must make a tough decision. EUPHORIA, dir. Wynter Rhys Too focused on his adoring followers and eager paparazzi, a famous artist constantly neglects his 6-year-old daughter. His rabid fan base is ready to change that. JOUSKA, dir. Wynter Rhys A man’s dark past and guilt-ridden thoughts come to a head as he navigates a nightmare land that’s like ALICE IN WONDERLAND laced with PCP. BAILAORA, dir. Rubin Stein Clearing out bodies on the streets of a war-torn Spain, a group of soldiers encounter a young dancer whose moves have an effect beyond explanation. THE DAY MUM BECAME A MONSTER, dir. Joséphine Hopkins Divorces are extremely tough on all children, but especially for young Candice. As if being abandoned by her father isn’t hard enough, her mother begins exhibiting some very troubling new behavior.SOMETHING STRANGE SHORTS BLOCK
Sometimes stories are told to make sense of a nonsensical world, to impose logic on life’s confusion. Sometimes stories celebrate this bewilderment, utilizing the strange and unexpected instead of explaining it. These surreal short films feature superheroes, tampon monsters, vengeful robots, hungry forests, ghastly futures and purgatorial loops. Collected together, this block captivates as much as it challenges convention. END TIMES, dir. Bobby Miller After randomly stumbling across a dying squirrel in a public park, a man’s day goes from odd to WTF in this delightfully morbid comedy from the director of THE CLEANSE. LOVELY LEGS, dir. Abby Thompson In an isolated forest, a young man is ready to finally part ways with his female sex robot. As they say, though, it’s always hard to say goodbye. OVUM, dir. Cidney Hue Undergoing a mind-altering medical procedure, a woman is forced to make the toughest decision of her life. A FOREST, dir. Thomas Geffrier Ready to keep the good times going, Marie leaves a party with a couple en route to a hot threesome. She’ll soon wish that she’d have just gone home alone. CIRCLE, dir. Martin Melnick Loosely based on the myth of Eurydice, this off-kilter, genre-bending allegory follows a woman whose past traumas send on a fateful and dangerous trip through Purgatory. ALLEN ANDERS: LIVE AT THE COMEDY CASTLE – CIRCA 1987, dir. Laura Moss During an infamous on-stage performance in 1987 at New York City’s Comedy Castle, stand-up comic Allen Anders lost his mind. This is the uncovered footage. BFF GIRLS, dir. Brian Lonano A trio of nerdy American girls transform into powerful and fearless Japanese superheroes in order to take down a villainous tampon monster. A coming-of-age tale like none other.JURY
FEATURES JURY: Cinema Vista Program
Haleigh Foutch Horror Editor, Collider Matt Ralston Producer, LOVE AND SAUCERS Vanessa Meyer Programming Manager, FrontièresFEATURES JURY: Something Strange Program
Shannon McGrew Owner, Nightmarish Conjurings Nick Bruno, Programmer, Portland Int’l Film FestivalSHORTS JURY
William Day Frank Producer, PSYCHOPATHS, MODEL HOME Ryan Oliver Journalist, The Playlist Emily Von Seele Journalist, Bloody DisgustingVR JURY:
Dumeetha Luthra Founder, Take Pause VR Jesse Damiani Journalist, VR Scout, ForbesPreviously announced titles for 2018 include:
Profile (West Coast Premiere) Cyprus, Russian Federation, UK, USA | 2018 | 103 Min | Dir. Timur Bekmambetov Amy, a struggling freelance journalist looking for her next big story, pitches her editor on investigating the recruitment of European women by ISIS. Pretending to be recently converted to Islam and using an alias, she creates an incriminating Facebook profile where she begins to like and share posts themed around Islamic extremism. It doesn’t take long for Bilel, a Jihad fighter in Syria, to set his eyes on this seemingly vulnerable prey. Black Mother (Pacific Northwest Premiere) USA | 2018 | 77 Min | Dir. Khalik Allah Powerfully hypnotic and formally singular, filmmaker/photographer Khalik Allah’s second feature is documentary storytelling at its boldest. Fueled by reflective voiceovers and dreamlike visuals, presented in digital, Super 8mm and black-and-white Bolex, BLACK MOTHER transports the viewer into a Jamaica populated by clergymen and prostitutes. The result is an examination of religion, sex, and national identity that’s one truly unforgettable cinematic meditation. Braid (West Coast Premiere) USA | 2018 | 82 Min | Dir. Mitzi Peirone Two fugitive women elude capture and seek refuge at the estate of their rich and very much psychotic childhood friend where they enter a terror fueled game of make believe. A candy color, hallucinogen-fueled lunacy binge, writer-director Mitzi Peirone’s feature debut takes you on an entrancing journey of insanity through its gorgeously framed imagery, vibrant palette and cryptic narrative riddles. Model Home (World Premiere) USA | 2018 | 82 Minutes | Dir. Patrick Cunningham For a Latina single mother and her imaginative young son, being allowed to live in a dream house rent free seems too good to be true. As the mother’s obsessive and unstable mental state emerges, so too does living the American Dream devolve into a waking nightmare. Director Patrick Cunningham’s fascinating debut is a horrifying singular vision that speaks to Hispanic American identity.
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Melbourne International Film Festival Unveils 2018 Program Lineup of 374 Films
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The Merger[/caption]
The Melbourne International Film Festival (MIFF) today unveiled its 2018 program featuring 254 feature films, 120 shorts and 19 virtual reality experiences over 18 action-packed days of cinema.
In addition to Paul Dano’s highly anticipated Wildlife, as the Opening Night Gala film, for its middle weekend Centrepiece Gala, the festival revealed that uproarious Australian comedy The Merger would have its world premiere.
Based on comedian Damian Callinan’s acclaimed stage show of the same name, The Merger is the tale of a struggling small town footy team that recruits refugees to survive. Starring John Howard, Josh McConville, Fayzaal Bazzi, Kate Mulvany and Callinan himself, The Merger is a film with big laughs, a big heart and lashings of sweet and sour chicken kiev.
MIFF will screen The Coming Back Out Ball Movie to bring the festival to a close. Directed by Sue Thomson and supported through the MIFF Premiere Fund, The Coming Back Out Ball Movie is a triumphant and life-affirming love letter to Australia’s original fighters for queer equality – a film that will have audiences laughing, crying and ready to dance, darling.
Reflecting an extraordinary year of filmmaking, this year’s 15 Headliners represent the most buzzed about international cinema:
After receiving a 15-minute standing ovation, Nadine Labaki – one of 90 female directors in this year’s program – offers Capharnaüm, winner of this year’s Jury Prize at Cannes. Centred on a 12-year-old child attempting to divorce himself from his parents, Labaki’s neorealist fable is notable for the astonishing performances she draws out from her cast of non-professional actors.
In Burning, South Korean auteur Lee Chang-dong adapts author Haruki Murakami’s short story of romantic longing into a riveting and dramatic thriller. Wildly praised at Cannes, Burning set a new record for the highest-ever score in Screen International’s poll of critics at the festival.
Doubling down on the sensory experience of their past works, Colombian-born filmmakers Ciro Guerra and Cristina Gallego bring a distinct perspective to the time-honoured rags-to-riches drug saga. Mythical in its storytelling, Birds of Passage combines eye-popping traditional costumes and culture, an immersive atmosphere of surreal imagery and glorious widescreen cinematography.
Equally intense in its visceral qualities, Climax is an ecstatic and nightmarish orgy of sex, drugs and 90s club music from legendary provocateur Gaspar Noé. Winner of the Art Cinema Award at Cannes, Climax reaffirms Noé as modern cinema’s most incisive and inventive observer of humanity’s animal darkness.
Oscar nominated Debra Granik – a guest of this year’s festival – returns to feature filmmaking with Leave No Trace, a humane depiction of the bond between father and daughter and the universal desire to live by your own rules.
Recipient of the Cannes Best Director prize, Pawel Pawlikowski’s Cold War is a love story that wends its way through a partitioned Europe. Inspired by Pawlikowski’s own parents’ story, Cold War offers audiences a lyrical and emotional work replete with virtuosic black-and-white visuals and a keen sense of music.
Decades in the making, director Terry Gilliam’s near-mythical riff on Cervantes’ fantastic tale, The Man Who Killed Don Quixote, finally makes its way to Melbourne. Starring Adam Driver alongside Gilliam stalwart Jonathan Pryce, it’s the story of a cynical ad man trapped in the delusions of an old shoemaker who believes himself to be Don Quixote.
The 2018 festival program highlights the rise of Australia’s next generation of filmmakers. Alena Lodkina’s visually stunning feature debut Strange Colours is a story of family and estrangement set amid the alien landscape of Australia’s opal miners. With most of the characters played by actual opal miners, it’s a hypnotic dusky reverie, filled with quiet grace and power. Fellow Lab alumnus Ted Wilson however, delivers a feel-good film of family, cricket and one man’s hunt for David Boon, in his delicately poised Under the Cover of Cloud.
The MIFF Premiere Fund-supported Acute Misfortune is the debut feature from renowned independent theatre director, Thomas M. Wright. A lyrical adaptation of journalist Erik Jensen’s acclaimed biography of infamous Archibald Prize-winning artist Adam Cullen played by Daniel Henshall, who will return from New York for the film’s world premiere. Also supported through the Fund, director Miranda Nation’s Undertow is a psychological thriller of grief, abuse and obsession set against the backdrop of local footy culture.
From rising filmmaker Ben Hackworth comes Celeste, a literally operatic character study of loss and power and the things that tear us apart. A sumptuously shot psychological thriller starring Radha Mitchell and Nadine Garner, Celeste is a riveting statement of intent from one of Australia’s boldest cinematic voices.
The stories of Australia’s Indigenous population will be brought to life in one of the most dynamic showcases of Indigenous content in the festival’s history.
An exhilarating and immersive film that will be shown at Melbourne’s Planetarium, Carriberrie tells the expansive story of Indigenous Australian song and dance. Featuring Aboriginal dance theatre group Bangarra and actors Jack Charles and David Gulpilil, Carriberrie is an intimate and breathtaking showcase of Aboriginal performance and Australian landscape.
A starkly different documentary and a powerful call to action, the MIFF Premiere Fund-supported Undermined: Tales from the Kimberley, from award-winning director Nicholas Wrathall (Gore Vidal: The United States of Amnesia), unearths the true cost of doing business in Australia’s world-famous Kimberley region; a place where mega-mining and pastoral developments threaten not just the environment but more than 200 Indigenous communities and their peoples’ sacred links to Country.
In a ground-breaking work of interactive filmmaking, Thalu: Dreamtime is Now takes audiences on a journey into the modern Dreamtime stories of the western Pilbara-based Ngarluma. Directed by award-winning Ngarluma man Tyson Morwarin, this is a rare opportunity for audiences to hear these stories and to experience them through the medium of virtual reality.
A tribute to an outcast musical genius; the astonishing story of three identical triplets separated at birth; the tale of a motorcycling legend; an unrestrained insight into one of music’s most provocative stars; and the story of Australia’s original working class man, all mark out this year’s documentary selection.
In a coup for Melbourne audiences, MIFF will screen the world premiere of Jimmy Barnes: Working Class Boy – Mark Joffe’s captivating and compassionate portrait of one of Australia’s most well-known musical figures. Based on the best-selling memoir of the same name, the film joins Jimmy as he retraces his earliest steps through the hard streets of Glasgow and revisits childhood ghosts in South Australia. It’s a raw, yet darkly funny story set against a backdrop of never-seen-before archival footage and interviews along with captivating musical moments.
Equally unflinching and honest, MATANGI/MAYA/M.I.A. presents outspoken musician M.I.A at her most candid. Winner of the Special Jury Award (World Cinema Documentary) at Sundance, this film is as dynamic, eclectic and electrifying as the artist herself.
In his feature documentary debut, director Jeremy Sims turns his lens on Australia’s greatest ever professional motorcyclist – Wayne “The Wollongong Whiz” Gardner. In a film that’s as free-spirited, introspective, honest and cheeky as the man himself, Wayne offers a revealing portrait of a man who, during his career, was certainly hard to miss.
Like something out of The Twilight Zone, Three Identical Strangers tells the incredible true story of triplets separated at birth…but that’s just the beginning of an even more astonishing saga. Having taken Sundance by storm, Three Identical Strangers is both a remarkable real-life tale and bona fide thriller, which will leave audiences gobsmacked.
Inspired by former Prime Minister Paul Keating’s searing eulogy for Geoffrey Tozer, the Premiere Fund-supported The Eulogy explores the remarkable and tragic story of Australia’s greatest-ever, and perhaps most overlooked, pianist. Directed by Janine Hosking, the film includes Keating re-staging his famous funeral oration, as celebrated conductor Richard Gill AO embarks on a journey to restore Tozer’s legacy.
From Givenchy to Gaultier, Armani to Alpha60, fashion design and style have long been influenced by cinema. In 2018, MIFF brings some of the most iconic style films to the big screen; films that launched style icons and influenced style for decades to come. In a program specially curated by Artistic Director Michelle Carey, Fashion x Cinema covers multiple genres, with each film unified by a sense of timelessness and jaw-dropping beauty.
[caption id="attachment_28266" align="aligncenter" width="1200"]
McQueen[/caption]
This programming strand features: McQueen, director Ian Bonhôte’s ode to one of fashion’s most storied designers; Yellow is Forbidden, where veteran documentarian Pietra Brettkelly tells the haute couture Cinderella story of China’s Guo Pei – the designer behind the famed yellow dress worn by Rihanna at the 2015 Met Gala; and Westwood: Punk, Icon, Activist – an observational look at the orange-haired punk icon who rewrote the rules for the generation of designers who followed in her footsteps. Retrospective titles include: Funny Face, the film that saw Audrey Hepburn join forces with Givenchy; Berry Gordy’s rarely screened Mahogany, where Diana Ross plays an aspiring fashion designer torn between activism and a career of luxury; and Peter Weir’s inimitable Australian classic, Picnic at Hanging Rock.
African Film Rediscovered is a retrospective program of recently restored and newly recovered classic African films, showcasing films from three decades and ten countries to celebrate the diversity and unique perspective of African cinema.
Featuring Chronicle of the Years of Embers, the stirring, 1975 Palme d’Or winner by Mohammed Lakhdar-Hamina (Algeria); Selma Baccar’s pioneering feminist essay-film, Fatma 75 (Tunisia); and Shadi Abdel Salam’s haunting classic The Night of Counting the Years (Egypt). African Film Rediscovered is an in-depth look at the continent’s most seminal filmmaking.
The Italo-Crime retrospective takes a focused look at Eurocrime and poliziotteschi – a genre of Italian crime thrillers from the 60s and 70s.
Considered a defining moment in the poliziotteschi genre, the retrospective kicks off with The Violent Four, a down and dirty cinema vérité-inspired thriller set in the seedy Milan underworld. Other films include: Confessions of a Police Captain, an anti-buddy cop classic that quite literally cuts the red tape and leaves it full of bullet holes; Milan Caliber 9, one of Quentin Tarantino’s greatest inspirations; and the Oscar-winning Investigation of a Citizen Above Suspicion – a Kafkaesque collision of fascist noir and absurdist satire that trails the powerful police chief hunting down a vicious killer: himself.
Spearheaded by this year’s Palme d’Or winning Australian film, All These Creatures, MIFF Shorts will feature 90 films, as well as a specially curated (by the Harvard Film Archive) program of the intimate diary films of Bostonian artist, Anne Charlotte Robertson. Winner of the Grand Jury Prize at this year’s Sundance, director Álvaro Gago delivers Matria; Israel’s Miki Polonski offers Shmama, the story of a mother and her daughter trapped in their own relationship; Australian Kerinne Jenkins brings the festival Cattle, a narrative of unspoken fears and inexplicable occurrences; and Iranian director Mojtaba Mousavi presents Mr. Deer – the tale of a deer attempting to rekindle the humanity of his fellow train passengers.
In its largest iteration to date, the 2018 program has left no stone unturned. Presenting its core international and local selections alongside their regular programming strands – Experimentations, Music on Film, Night Shift, Retrospectives, Special Events and Talks – MIFF 2018 will beckon audiences everywhere to come and see another side of film.
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Mozilla Firefox + Rooftop Films to Present a Film Screening About Society’s Relationship With The Internet on July 21 in NYC
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The Birth of the Camera Phone – Jonathan Ignatius Green[/caption]
Mozilla, the non-profit organization behind the Firefox browser, is partnering with Rooftop Films to bring a memorable evening of film and discussion called “Terms of Service”to the roof and courtyard of The Old American Can Factory, in beautiful Brooklyn, New York on Saturday, July 21 at 8PM ET. “Terms of Service” is free with RSVP on the Rooftop Films website.
The July 21st screening in New York will be the first of four free screenings in different cities featuring short films relating to the internet. Rooftop Films and Mozilla will also bring short film programs to Austin, Toronto, and Berlin in the fall.
“Mozilla’s not-for-profit mission is to ensure the Internet is a global public resource, open and accessible to all,” said Michaela Smiley, Senior Brand Strategist at Mozilla. “Film is a powerful way to communicate what’s at stake when the web gets unhealthy, which is why we are incredibly excited to partner with Rooftop Films to bring these stories to New Yorkers and beyond.”
“As the subtitle for Mozilla’s IRL podcast states, online life is real life,” said Dan Nuxoll, artistic director of Rooftop Films. “Too often we speak of the internet as if it is something that exists separate from our lived reality, when in fact it is a network interwoven with nearly every aspect of our daily life. The films that we have chosen for this program explore some of the many unexpected connections made possible by the networked world, and we are excited to be partnering with such an innovative organization as Mozilla to connect these films with bigger audiences in New York and all over the world.”
Featured Films
Ok Google Now – Brett Gaylor and Darren Pasemko The Birth of the Camera Phone – Jonathan Ignatius Green Kiem Holijanda – Sarah Veltmeyer A Day in the Park – Diego Porral Cellular – Christian Kozlowski Wave – Benjamin Cleary Artifice – Kevin Bryne
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Sam Elliott in THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT to World Premiere at Fantasia International Film Festival
Robert D. Krzykowski’s The Man Who Killed Hitler and Then the Bigfoot will World Premiere on July 20th, 2018 at the 22nd edition of Montreal’s Fantasia International Film Festival.
Screen legend Sam Elliott (TOMBSTONE, ROAD HOUSE) stars as Calvin Barr, a legendary World War II veteran who many years ago assassinated Adolf Hitler – an incredible secret that he’s frustratingly unable to share with the world. One day, just as he’s coming to terms with rounding out his life, Calvin gets a visit from the FBI and Royal Canadian Mounted Police. They need him to take out Bigfoot.
A wondrous feature debut from writer/director Robert D. Krzykowski, featuring visual effects by celebrated two-time Academy Award Winner Douglas Trumbull (2001: A SPACE ODYSSEY, BLADE RUNNER), who also co-produced alongside genre icons John Sayles and Lucky McKee.
A fantastical discourse on the melancholia of old age and a singular blast of entertaining wit, The Man Who Killed Hitler and Then the Bigfoot also stars Aidan Turner, Caitlin FitzGerald, Ron Livingston, and Larry Miller.
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Patriot Releasing Sets October Release Date for Indie Film KINKY Starring Vivica A. Fox
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Vivica A. Fox in Chocolate City[/caption]
The independent romance/drama film ‘Kinky’, starring Vivica A. Fox is set to bow on October 12th nationwide via Patriot Releasing. ‘Kinky’, written and directed by Jean Claude Lamarre (Chocolate City), also starring Dawn Richard (Danity Kane), Robert Ri’Chard (Coach Carter), Eurika Pratts (Black Magic) and Gary Dourdan (CSI), is described as a “racy”, African American ’50 Shades Of Grey’-inspired sex drama. ‘Kinky’ will also serve to launch Patriot Releasing’s broader efforts to distribute 10 films a year that appeal to African American women.
‘Kinky’ is set in the affluent community of Buckhead, Atlanta and tells the story of a Dr. Joyce Richardson, a beautiful African-American surgeon who begins a sexual journey with billionaire investor, Darrin Wethington. After a few months of dating, the couple begin exploring their most kinky sexual fantasies, leading them into a world of BDSM and hardcore sexual exploration.
Having found theatrical success with the indie hit ‘Chocolate City’ through their collaboration with Nulite Entertainment, combined with a new $50 million credit facility, Patriot CEO/Chairman Michael Mendelsohn (Running With The Devil, U.S.S Indianapolis) has also acquired the black female-lead comedy spec, ‘Wedding Guest List’ from Nulite for a 2019 production start date. “The focus of Patriot Releasing is to celebrate, collaborate and support writers and directors with diverse voices,” states Mendelsohn. The company recently wrapped production on the RZA-directed ‘Cut Throat City’ starring Kat Graham, Wesley Snipes, and Terrence Howard. Patriot Releasing has just completed a ‘Chocolate City 3’ sequel, currently in Post production.
Regarding ‘Kinky’, Mendelsohn is confident the movie will resonate with its core audience: “I am thrilled to team up with Jean Claude on another remarkable film. Jean Claude’s ability to write and direct movies that resonate with his locked-in audience is magic, and I want to be remembered for creating magic in Hollywood.”
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2018 Durban International Film Festival Announces Films in Competition and Jury
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Spell Reel[/caption]
The Durban International Film Festival today announced the films and jury members for competition at this year’s 39th edition of the festival, which takes place from July 19 to 29, 2018.
Award categories are Best Feature Film, Best South African Feature Film, Best Documentary, Best SA Documentary, Best Short Film, Best African Short Film, Best South African Short Film, Best Actor Award, Best Actress, Best Direction, Best Cinematography, Best Screenplay, Best Editing, Artistic Bravery, Audience Choice Award, Wavescape Audience Choice Award and the Amnesty International Durban Human Rights Award.
Feature films in competition are Clint (India) directed by Harikumar Ramakrishna Pilla, Farewell Ella Bella (SA) directed by Lwazi Mvusi, The Foolish Bird (Ben Niao) (China) directed by Ji Huang, Otsuka Ryuji, High Fantasy (SA) directed by Jenna Bass, Mayfair (SA), directed by Sara Blecher, The Movie Of My Life (O Filme Da Minha Vida) (Brazil) directed by Selton Mello, Pororoca (Romania, France) directed by Constantin Popescu, Rafiki (Kenya, South Africa) directed by Wanuri Kahiu, The Recce (SA) directed by Ferdinand Van Zyl, The Reports on Sarah and Saleem (Palestine, Netherlands, Germany, Mexico) directed by Muayad Muayad, Supa Modo (Germany, Kenya), directed by Likarion Wainaina, The Tale (USA) directed by Jennifer Fox, A Trip To The Moon (Un Viaje A La Luna) (Argentina) directed by Joaquín Cambre.
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Silas[/caption]
Documentary films in competition are We could be Heroes (Denmark, Morocco, Tunisa, Brazil) directed by Hind Bensari, Silas (Canada/South Africa/Kenya) directed by Anjali Nayar and Hawa Essuman, Whispering Truth To Power (South Africa/Netherlands) directed by Shameela Seedat, New Moon directed by Philippa Ndisi-Herrmann, Kinshasa Makambo (Democratic Republic Of The Congo/France/Switzerland/Germany/Norway) directed by Dieudo Hamadi, Amal (Egypt/Lebanon/Germany) directed by Mohamed Siam, Spell Reel, (Germany/Portugal/France/Guinea-Bissau) directed by Filipa César, Shakedown (Usa) directed by Leilah Weinraub, The Silk and the Flame (Fei’e Pu Huo) (United States) directed by Jordan Schiele, The State Against Nelson Mandela and the Others (France) directed by Nicolas Champeaux and Gilles Porte.
All SA documentaries and features are also eligible for the SA Best Documentary and SA Best Feature awards.
Fiction section jurors are Bongiwe Selane, the award-winning SA producer with a string of credits behind her including her debut SA block buster feature Happiness is a Four-Letter- Word; Hakeem Kae Kazim, the well-known British-Nigerian actor who has gained international acclaim for his performance in the Oscar nominated film Hotel Rwanda. He has countless credits in major international films such as The Triangle with Sam Neill, Pirates of the Caribbean III, X-Men Origins: Wolverine with Hugh Jackman and many more. Nse Ikpe-Etim Nigerian is a multiple award-winning actress who DIFF audiences will remember from her role in the celebrated Meg Rickards’ film Tess.
The documentary film jury includes Uzanenkosi on of the SA’s busiest and most prolific producers, who created InterSEXions the award-winning first of its kind, world over drama series that won an unprecedented 11 SAFTA awards. Nakai Matema, a veteran Zimbabwean Producer who has produced several ground-breaking documentaries including Rehad, Desai’s My Land, My Life and Leo Phiri’s A Fighting Spirit from the STEPS for the Future series. Nigerian filmmaker Mahmood Ali-Balogun who has directed numerous films including multiple award-winning film Tango With Me, and has been on the juries of numerous festivals such as Cairo International Film Festival, Toronto International Film Festival, Abuja International Film Festival and African International Film Festival (AFRIFF). Dorothee Wenner is a Berlin-based freelance filmmaker, writer and curator who has been on the selection committee of Berlin’s International Forum since 1990 and serves as the Berlinale’s Delegate for India and sub- Saharan Africa.
The Shorts Jury includes Alicia Price, Head of the Film Department at SAE Cape Town and Leon Van Der Merwe, a founding member, Chief Operating Officer, board member and director of the Cape Town International Film Market and Festival (CTIFMF).
The Amnesty International Durban jury is convened by its chair Coral Vinsen with members Professor Margaret Daymond, Lazola Kati , Betty Rawheath and Nelvia Rawheath.
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Watch Trailer + Poster for Portuguese Horror Film THE FOREST OF THE LOST SOULS
The Portuguese horror film The Forest of the Lost Souls which had its world premiere at the Fantasporto Film Festival on February 26, 2017, will be released in August by Wild Eye Releasing as their first theatrical release.
The psychological “coming of age” horror film is written and directed by directed by José Pedro Lopes.
Ricardo and Carolina are complete strangers that meet seemingly by chance in the “Forest of the Lost Souls”, a place where many people go to commit suicide. These two, a young woman and an old man, are no different than the others as they also came to the forest for this very reason.
They decide to briefly postpone killing themselves in order to explore the forest and also to continue talking to one another, as Ricardo and Carolina find themselves intrigued by one another.
However, as the pair go further into the forest it becomes clear that one of them has other reasons for being in the forest and is not who they would have the other believe them to be and is actually a psychopath…
The Forest of the Lost Souls will open theatrically August 5 in L.A and other cities.
Wild Eye Releasing, whose recent releases include well-received sci-fi thriller Soft Matter and James Klass’s House on Elm Lake, represents horror, exploitation, dark arthouse, cult and documentary films from around the world.
https://www.youtube.com/watch?v=nQXzASuWHzs
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“Shoplifters” by Hirokazu Kore-eda wins Top Award at 36th Munich International FilmFest
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Shoplifters[/caption]
The 36th Munich International Film festival drew to a close today Saturday, July 7, 2018 with the award ceremony and “Shoplifters” by Hirokazu Kore-eda won the ARRI/Osram Award for best international film.The Audience Award went to the film “Wackersdorf – Be Alert, Courageous and Solidaric” by Oliver Haffner.
ARRI/Osram Award
“Shoplifters” by Hirokazu Kore-eda received the ARRI/Osram Award for best international film. “In his film ‘Shoplifters’, Hirokazu Kore-eda breaks up the smallest cell of society, the family, into shards that gain the right to rearrange and reinvent themselves. The protagonists change their names and functions, developing their own ethics and morality, not bound by the biological laws of family or ultimately of society. In doing so, ‘Shoplifters’ opens up new possibilities and ultimately offers… hope,” said the jury. The jury of the ARRI/Osram Award was comprised this year of multitalented actress, composer, singer, and performing artist Meret Becker; cult American actress Amanda Plummer; and Blixa Bargeld, co-founder of the German industrial band Einstürzende Neubauten. The latest films by ten renowned directors were in competition for the ARRI/Osram Award for best international film in the CineMasters section of the festival.CineVision Award
“Border” by Ali Abbasi was honored with the CineVision Award for best new international film. The jury explained its decision thusly: “‘Border’ is not only a very unsettling film; it’s disturbing as well. In the deepest sense of the word, this film disturbs us in the comfort of our certainties and norms and convictions. What is beauty? What is normal? What does monstrosity look like? This film shows us how many wonderful but also horrible things there are all around us that we no longer notice because our senses are dulled. The main character in the wonderful film ‘Border’ has a delicate sense of smell. She is a hounded, anxious outsider whose perspective allows us to take a terrifying look underneath our mask of normality and behold the grotesque face of humanity.” Honorable mention was given to the Taiwanese film “The Great Buddha+” by director Hsin-Yao Huang, who uses “whimsical imagery and fantastical, comic dialogue to illustrate the lives of two naive underdogs who attempt to cope in a completely absurd world while their normality is also full of wonderfully noticed absurdity. It’s an ambiguous view of society that’s given a playful and surprising form,” said the jury.FIPRESCI Prize
“All Good” by Eva Trobisch received the 2018 FIPRESCI Prize. The jury of the International Federation of Film Critics was comprised of Jan Storø from Norway, Peter Krausz from Australia, and Andrzej Fogler from Poland. They explained their decision as follows: “The FIPRESCI Prize goes to “All Good” by Eva Trobisch for its intelligently directed and prescient story of the way a troubling incident experienced by a woman spirals into an increasingly challenging situation.”Audience Awards
The festival’s audience awards were also presented on the final day of the festival. The Bayern 2 and SZ Audience Award went to the film “Wackersdorf – Be Alert, Courageous and Solidaric” by Oliver Haffner. The film depicts the story surrounding the protests against the construction of a nuclear reprocessing plant in Wackersdorf in rural Bavaria in the early 1980s. This year’s Kinderfilmfest Audience Award went to “100% Coco” by Tessa Schram. For the first time, the prize includes the sum of 1,000 euros, sponsored by SZ Familie. The film is about 13-year-old Coco, whose eccentric fashion style appears distasteful until she becomes famous as “Style Tiger”.ONE FUTURE PRIZE
This year’s ONE FUTURE PRIZE, awarded by the Interfilm Academy, went to “A Letter to the President” by Roya Sadat. The jury, comprised of Navina Neverla, Verena Marisa, and Tomasz Rudzik, explained its decision in these words: “‘A Letter to the President’ is a moving, utterly sophisticated film that tells of the contradictions in the Afghan legal system and the inequality of men and women ten years after the official withdrawal of the Taliban. This film tells the story of an unflinchingly strong woman who, in spite of all adversity and deeply rooted patriarchal structures, is prepared to stand up for her own freedom as well as for that of other women. An immediate, convincing story given lots of atmosphere, written dramatically, acted and directed superbly, and told in the sensitive images of classical narrative cinema, ‘A Letter to the President’ tells of one woman’s struggle against deeply rooted prejudice and overpowering patriarchal structures. Her integrity and her courage to resist are an example to us all. All this is told by the equally brave young Afghan director Roya Sadat, the first female practitioner of her craft in the post-Taliban era.” Honorable mention went to the documentary “Welcome to Sodom” by Florian Weigensamer and Christian Krönes. In the jury’s words: “This film tells of a dystopia that has long been part of our globalized reality. ‘Sodom’ is a place that concerns all of us, a global topic that raises the most pertinent questions about environmental politics as well as about social and cultural issues.”
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‘I Do Not Care If We Go Down in History as Barbarians’ Wins Top Prize at 53rd Karlovy Vary International Film Festival
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Olmo Omerzu, Jiří Konečný, Ada Solomon, Radu Jude (Film Servis Festival Karlovy Vary)[/caption]
“I Do Not Care If We Go Down in History as Barbarians” from Romanian film director Radu Jude won the Crystal Globe for Best Feature Film at the 53rd Karlovy Vary International Film Festival. In the film Radu Jude takes up a massacre perpetrated by the Romanian Administration through the Romanian Army on the Eastern Front in 1941, an actual event that a young activist artist decides to stage. “As we are in the Czech Republic and my film was made with the Czech co-production, I would like to thank all the Czech people involved, primarily Jiří Konečný”, said Radu Jude.
Barry Levinson received the Právo Audience Award for his thirty-year old movie Rain Man. Levinson also received the Crystal Globe for Outstanding Artistic Contribution to World Cinematography at the Closing Ceremony. “This is really a wonderful festival and an incredible experience for us. And also an extraordinary honour for a boy from Baltimore to be now granted an award for outstanding artistic contribution to world cinema here in the Czech Republic. Film is an artistic form that interconnects the whole world. While differing feelings drive us apart, we should bear in mind that we are in fact all quite similar,” the director expressed his gratitude.
https://www.youtube.com/watch?v=jv4q3sWs8wE
The 54th Karlovy Vary IFF will be held from June 28th to July 6th, 2019.
53rd Karlovy Vary IFF Awards
OFFICIAL SELECTION – COMPETITION
GRAND JURY Mark Cousins, United Kingdom Zrinka Cvitešić, Croatia Marta Donzelli, Italy Zdeněk Holý, Czech Republic Nanouk Leopold, NetherlandsGRAND PRIX – CRYSTAL GLOBE (25 000 USD)
“I Do Not Care If We Go Down in History as Barbarians” / „Îmi este indiferent dacă în istorie vom intra cabarbari” Directed by: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018SPECIAL JURY PRIZE (15 000 USD)
Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018BEST DIRECTOR AWARD
Olmo Omerzu for the film Winter Flies / Všechno bude Czech Republic, Slovenia, Poland, Slovakia, 2018BEST ACTRESS AWARD
Mercedes Morán for her role in the film Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018BEST ACTOR AWARD
Moshe Folkenflik for his role in the film Redemption / Geula Directed by: Joseph Madmony, Boaz Yehonatan Yacov Israel, 2018SPECIAL JURY MENTION
Jumpman / Podbrosy Directed by: Ivan I. Tverdovskiy Russia, Lithuania, Ireland, France, 2018SPECIAL JURY MENTION
History of Love / Zgodovina ljubezni Directed by: Sonja Prosenc Slovenia, Italy, Norway, 2018EAST OF THE WEST – COMPETITION
EAST OF THE WEST JURY Peter Badač, Slovakia Iris Elezi, Albania Myriam Sassine, Lebanon Dounia Sichov, France Andrei Tănăsescu, RomaniaEAST OF THE WEST GRAND PRIX (15 000 USD)
Suleiman Mountain / Suleiman gora Directed by: Elizaveta Stishova Kyrgyzstan, Russia, 2017EAST OF THE WEST SPECIAL JURY PRIZE (10 000 USD)
Blossom Valley / Virágvölgy Directed by: László Csuja Hungary, 2018DOCUMENTARY FILMS – COMPETITION
DOCUMENTARY FILMS JURY Raúl Camargo, Chile M. Siam, Egypt Diana Tabakov, Czech RepublicGRAND PRIX FOR BEST DOCUMENTARY FILM (5 000 USD)
Putin’s Witnesses / Svideteli Putina Directed by: Vitaly Mansky Latvia, Switzerland, Czech Republic, 2018DOCUMENTARY SPECIAL JURY PRIZE
Walden / Walden Directed by: Daniel Zimmermann Switzerland, Austria, 2018PRÁVO AUDIENCE AWARD
Rain Man / Rain Man Directed by: Barry Levinson USA, 1988 CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Tim Robbins, USA CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA Barry Levinson, USA FESTIVAL PRESIDENT’S AWARD Robert Pattinson, United Kingdom FESTIVAL PRESIDENT’S AWARD FOR CONTRIBUTION TO CZECHCINEMATOGRAPHY Jaromír Hanzlík, Czech RepublicNON-STATUTORY AWARDS
AWARD OF INTERNATIONAL FILM CRITICS (FIPRESCI)
Awarded by The International Federation of Film Critics (FIPRESCI). FIPRESCI JURY René Marx, France Marita Nyrhinen, Finland Alejandra Trelles, Uruguay Sueño Florianópolis / Sueño Florianópolis Directed by: Ana Katz Argentina, Brasil, France, 2018THE ECUMENICAL JURY AWARD
THE ECUMENICAL JURY Michael Otřísal, Czech Republic Milja Radovic, United Kingdom David Sipoš, Slovenia Redemption / Geula Directed by: Joseph Madmony, Boaz Yehonatan Yacov Israel, 2018Commendations
Winter Flies / Všechno bude Directed by: Olmo Omerzu Czech Republic, Slovenia, Poland, Slovakia, 2018 Miriam Lies / Miriam miente Directed by: Natalia Cabral, Oriol Estrada Dominican Republic, Spain 2018FEDEORA AWARD
Awarded by the Federation of Film Critics of Europe and the Mediterranean (FEDEORA) to the best film from the East of the West – Competition. FEDEORA JURY Stefan Dobroiu, Romania Natascha Drubek, Germany Nenad Dukić, Serbia Suleiman Mountain / Suleiman gora Directed by: Elizaveta Stishova Kyrgyzstan, Russia, 2017EUROPA CINEMAS LABEL AWARD
For the best European film in the Official Selection – Competition and in the East of the West – Competition. EUROPA CINEMAS LABEL JURY Daira Āboliņa, Latvia Simon Blaas, Netherlands Balázs Kalmanovits, Hungary Jan Makosch, Germany “I Do Not Care If We Go Down in History as Barbarians” / „Îmi este indiferent dacă în istorie vom intra ca barbari” Directed by: Radu Jude Romania, Czech Republic, France, Bulgaria, Germany, 2018WORKS IN PROGRESS, DOCS IN PROGRESS AND EURIMAGES LAB PROJECT AWARD AT KVIFF 2018
WORKS IN PROGRESS (100,000 Euro) JURY Matthijs Wouter Knol, Germany Rossitsa Valkanova, Bulgaria Rickard Olsson, Sweden During Works in Progress, eleven projects were presented from countries of Central and Eastern Europe, the Balkans, the former Soviet Union, and now also the Middle East. A prize in the value of 100,000 Euro will be given to the project. The whole award consists of post-production services in UPP (60,000 Euro), Soundsquare (30,000 Euro), and a cash prize of 10,000 Euro from Barrandov Studio. All This Victory / All This Victory Director: Ahmad Ghossein Producer: Georges Schoucair, Myriam Sassine, Marie-Pierre Macia, Claire Gadéa, Fabian Massah Lebanon, France, GermanyDOCS IN PROGRESS (5,000 Euro)
JURY Tanja Georgieva, Germany Noemi Schory, Israel Shane Smith, Canada Ten projects from Central and Eastern Europe, the Balkans, the former Soviet Union, and the Middle East were presented within Docs in Progress event which introduced new documentary films that will premiere after the Karlovy Vary IFF. The winning film received a cash prize in the amount of 5,000 Euro. The Projectionist / The Projectionist Director: Yuriy Shylov Producer: Gennady Kofman, Olha Beskhmelnytsina, Dirk Simon, Miroslaw Dembinski Ukraine, Germany, Poland A Special Mention was awarded to the Polish project Little Poland by Matej Bobrik.EURIMAGES LAB PROJECT AWARD (50,000 Euro)
JURY David Kořínek, Czech Republic Dorien van de Pas, Netherlands Christoph Terhechte, Germany KVIFF is the first of four international film festivals in Europe to be awarding the Eurimage prize. KVIFF has selected projects for the Eurimage prize that surpass traditional film methods and are based on international cooperation. The prize was awarded in the value of 50,000 Euro. Eight Eurimages projects were presented at the KVIFF. Normal / Normal Director: Adele Tulli Producer: Valeria Adilardi, Laura Romano, Luca Ricciardi Italy, Sweden
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10 Film Finalists to Compete for 3rd Memphis Film Prize $10,000 Grand Prize
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Mattteo Servente, director of WE GO ON, Winner 2017 Memphis Film Prize[/caption]
The 10 film finalists for the 3rd annual Memphis Film Prize (August 3-5) with the top award of $10,000 cash were announced today. The ten finalists will play at the Memphis Film Prize Fest, August 3-4 at the Malco Theater in Overton Square. The ten shorts will play throughout the two days of the festival, and a combination of judges and the audience help determine the Grand Prize winner.
The 10 films (and filmmakers) that will compete for the $10,000 Grand Prize include; Daniel R. Ferrell’s DEAN’S LIST; Donald R. Meyers’s HYPNOTIC INDUCTION; Kevin Brooks’s LAST NIGHT; Will Robbins’s MINORITY; Robb Rokk’s OUTSIDE ARCADIA; Kyle Taubken’s PATRICK; Jason S. Lockridge’s THE STIX; Drew Fleming’s TRAVELING SOLDIER; Arnold G. Edwards II’s WAYWARD SON; and Marcus Santi’s YOU DON’T KNOW JACK SQUAT: THE TRIAL.
“Across the board, these filmmakers poured their hearts and souls into their projects and put the indie film spotlight on Memphis and Shelby County,” said David Merrill, the Memphis filmmaker liaison. “I couldn’t be prouder of the work that was done and of our ten Memphis Film Prize finalists.”
Gregory Kallenberg, founder and executive director of the Film Prize Foundation, said, “This was our largest group of participating filmmakers and, by far, our best crop of rough cuts to choose from. While I don’t envy their task, I can’t wait for our Memphis Film Prize fans to help choose our $10,000 winner in August!”
2018 Memphis Film Prize Jury
Thelma Adams (Journalist and Film Critic – Real Clear/Life, contributing writer for Variety)
Nelson Kim (Journalist and Film Critic – Hammer to Nail)
Victoria Negri ((Writer, Director, Producer, and Actor – GOLD STAR; Director of 2 WEEKS, Producer of THE FEVER AND THE FRET)
Brandon Oldenberg (Academy Award-winning filmmaker – THE FANTASTIC FLYING BOOKS OF MR. MORRIS LESSMORE)
Farah White (Producer and Actor – DAYLIGHT’S END, THE LADIES OF THE HOUSE)
The Memphis Film Prize combines elements of a film competition and festival, inviting filmmakers from all over the world to create and present a 5-15 minute short film with just one rule – it must be shot in Shelby County, TN. Filmmakers shot their films beginning in February and submitted them in June, when a rough cut of the films were due to contest organizers.
2018 MEMPHIS FILM PRZE FINALISTS
DEAN’S LIST Director: Daniel R. Ferrell Running Time: 7:02 min A young college student who is coming off his best semester has to deliver a backpack to his eccentric associate so he can attend college for the next year. HYPNOTIC INDUCTION Director: Donald R. Meyers Running Time: 15:00 min A hypnotherapist helps a man quit smoking, but there appears to be something else he needs to quit. LAST NIGHT Director: Kevin Brooks Running Time: 9:47 min A man spends his last day of freedom with his wife and daughter. MINORITY Director: Will Robbins Running Time: 6:07 min A convenience store clerk is frightened by a man minding his own business. OUTSIDE ARCADIA Director: Robb Rokk Running Time: 15:00 min Decades after tragic events, a brother and sister use a peculiar machine to break free. PATRICK Director: Kyle Taubken Running Time: 14:58 min Two strangers with different backgrounds get to know one another over crummy coffee and shared struggles in an old church basement. THE STIX Director: Jaron S. Lockridge Running Time: 9:48 min Two rural county sheriff detectives work a day on patrol due to a manpower shortage. With only 30 minutes before end of shift, they get a call that will forever change their lives. TRAVELING SOLDIER Director: Drew Fleming Running Time: 7:28 min After a shy, lonesome soldier strikes up a conversation with a young waitress, they find themselves wrapped up in an unexpected romance while he’s at war. WAYWARD SON Director: Arnold G. Edwards II Running Time: 14:46 min A PTSD-stricken vet must choose between peacefully waiting out the final days of his house arrest and breaking parole to save a befriended teen from an abusive stepfather. YOU DON’T KNOW JACK SQUAT: THE TRIAL Director: Marcus Santi Running Time: 14:51 min Jack Squat reluctantly takes on the worst team at his University (women’s soccer). He may or may not have crossed lines.
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5 Projects Selected for Sundance Institute ‘s 2018 Documentary Edit and Story Lab
Christopher McNabb, Damon Davis and Sabaah Folayan work on “Whose Streets?” at the 2016 Documentary Editing Lab. © 2016 Sundance Institute | Photo by Jonathan Hickerson. Five projects will convene at the Sundance Resort in Utah for the Sundance Institute flagship Documentary Edit and Story Lab on July 6.