
Jeremy Zagar’s We The Animals, based on the celebrated novel by Justin Torres, and winner of the Innovator Award at the 2018 Sundance Film Festival will open on August 17 in New York and Los Angeles with a national rollout to follow.

Jeremy Zagar’s We The Animals, based on the celebrated novel by Justin Torres, and winner of the Innovator Award at the 2018 Sundance Film Festival will open on August 17 in New York and Los Angeles with a national rollout to follow.
The Song of Sway Lake[/caption]
Kew Gardens Festival of Cinema returns with a film lineup of 110 films and Regal Entertainment Group as the lead sponsor for the 2nd annual 10-day event in Queens, taking place from August 3rd to August 11th, 2018. While the festival organizers are saddened to leave the Kew Gardens Cinemas in Kew Gardens, they are very excited for what this means for the future of the film festival. For it’s sophomore year, Kew Gardens Festival of Cinema will be moving into its new home at Regal Entertainment Group’s UA Midway Stadium 9 in Forest Hills, Queens.
The Opening Night Film at the Midway will be the New York Premiere of Ari Gold’s award-winning and critically acclaimed “The Song of Sway Lake” starring Rory Culkin on Friday, August 3rd at 6:30pm. On Sunday, August 12th, the festival’s Awards Dinner Gala returns to Terrace on the Park in Flushing Meadows-Corona Park.
To kick-off the sophomore edition, Kew Gardens Festival of Cinema has partnered with Queens Museum to bring A MIDSUMMER NIGHT’S FEAST: A Celebration of Food, Art and Cinema. This spectacular one-night event, taking place inside the Queens Museum on Tuesday, July 31st from 6:00 p.m. to 9:00 p.m., will feature over 30 food vendors from Queens and other parts of NYC.
On Thursday, August 9th, the Queens Museum will be presenting a festival selected film, as part of their Passport Thursdays Outdoor Screening series.
On Saturday, August 12th, The Center At Maple Grove will play host to two panels – The Jury’s Out: Meet the 2018 Festival Jurors, and A Change Overdue: Diversity in Cinema, a discussion on diversity in an independent film featuring invited filmmakers from the Festival. Friday, August 10th, UA Midway Stadium 9 will play host to the Festival’s Midnight Madness Grindhouse Horror Night.
The Unorthodox[/caption]
The Unorthodox, the first feature film directed by Eliran Malka, will make its world premiere as the opening film for this year’s 35th edition of the Jerusalem Film Festival on July 26, 2018. The Festival will close with a festive screening of the animated film, Isle of Dogs, by American director Wes Anderson which earlier this year opened the 2018 Berlin Film Festival.
Isle of Dogs[/caption]
Wes Anderson’s new film transports us to Japan to tell the story of Atari, the nephew of a corrupt mayor. When the mayor banishes all dogs from the city of Megasaki, Atari highjacks a plane to Trash Island to find his pet. Joined by a pack of courageous canines, he embarks on a journey that will determine the fate of the region.
Through a long line of films including, The Royal Tenenbaums and The Grand Budapest Hotel, Anderson has established himself as one of the most esteemed and original filmmakers in the world. In Isle of Dogs, his second animated film, he creates a lush and exciting world, and continues to develop his unique cinematic language.
The multi award-winning short film Candy & Ronnie, written and directed by Pittsburgh native filmmaker Skyko, has been selected for the 2018 Pittsburgh Independent Film Festival on Saturday June 23rd at 7PM, at Baverso Theater / Ryan Arts Center. The director and his producer-wife Lucy Macedo will be in attendance for a Q&A.
Michael Moore, Oscar®-winning filmmaker and Traverse City Film Festival founder and president, announced today that Jane Fonda will be honored with the festival’s Lifetime Achievement Award. The award will be presented to Fonda during the festival’s 14th annual edition, running July 31 to August 5 along the beautiful shores of Lake Michigan in Traverse City, Michigan.
A two-time Oscar® winning actress (and seven-time Oscar® nominee), four-time Golden Globe® winner, two-time BAFTA winner, and Emmy® Award winner, Fonda is an American icon whose work both on screen and off has inspired audiences and women for decades.
“I can think of no other artist who has given more to her country,” said Moore. “What an honor for our festival audience to welcome and to be inspired by the work of this American Icon. Her voice is as needed today as much as ever.”
Moore will personally host the legendary actress, author, and activist at the Traverse City Film Festival, one of the most popular cultural events in the Midwest. The 2018 program is expected to result in more than 100,000 admissions to its roster of nearly 100 movies.
Fonda’s body of work includes “Coming Home” (for which she won the Academy Award® for Best Actress in 1978), “Klute” (for which she won the Academy Award® for Best Actress in 1971), ”They Shoot Horses, Don’t They?”, “Julia,” “The China Syndrome,” “On Golden Pond,” and “The Morning After” (films for which she received five additional Academy Award® nominations), and more than 40 other films. Since 2015, she has starred in the irresistible Netflix sitcom “Grace and Frankie,” and just this past spring in the hit film “Book Club.”
Fonda is also the subject of the revealing new HBO documentary “Jane Fonda in Five Acts” directed by Susan Lacy, which will screen at the festival, with Fonda and Lacy in attendance.
The festival will also present a 40th anniversary screening of “Coming Home,” a screening of “Julia”, and a free nighttime screening of “Nine to Five” projected on a 65-foot screen at the festival’s open space on the shores of Lake Michigan.
Fonda’s lifetime commitment to social change has also inspired a generation of artists and activists. She chairs the Georgia Campaign for Adolescent Pregnancy Prevention, sits on the boards of Women’s Day Media Center, which she helped found, and V-Day: Until the Violence Stops. She established the Jane Fonda Center for Adolescent Reproductive Health at the Emory School of Medicine and has long been a leading advocate for environmental issues, human rights, and the empowerment of women and girls.
Paolo Taviani and Vittorio Storaro[/caption]
The Locarno Festival will pay tribute to the remarkable career of the Taviani brothers and also honor the memory of Vittorio Taviani, who died last April during the upcoming 71st edition. Director and screenwriter Paolo Taviani will be a guest in Piazza Grande and the tribute will be accompanied by the screening their film Good morning Babilonia (1987) in a new print restored by Italy’s National Film Archive (CSC) and Istituto Luce-Cinecittà.
Hallmarked by an expressive language in which both poetry and politics run deep, the Tavianis made a number of outstanding films in the history of Italian cinema. From the 1960s the two master directors produced work that was socially committed but also highly poetic, telling real stories that were often fraught with contradictions and bringing vital issues of political and civic engagement to the attention of a wider public. The Taviani’s talents were first shown to a Locarno audience in 1974 (San Michele aveva un gallo) and then later 1982 (La notte di San Lorenzo), a milestone screening in the Festival’s long history.
Paolo and Vittorio Taviani began directing films in 1954 with a series of documentaries on social subjects. The short feature San Miniato, luglio ’44, made in collaboration with Cesare Zavattini, belongs to this period. They went on to work with Joris Ivens on L’Italia non è un paese povero (1960). Their full-length feature film debut came in 1962 when, together with Valentino Orsini, they made Un uomo da bruciare, starring Gian Maria Volonté in a portrait of political activism that was inspired by Salvatore Carnevale, a Sicilian trade unionist murdered by the mafia. It was the first title in what was to become an impressively long filmography, as I sovversivi (1967) and Sotto il segno dello scorpione (1969) renewed the intense creative partnership to which they devoted their entire careers. As the years went by the Tavianis explored new styles and also began to achieve international recognition. San Michele aveva un gallo (1972) and Allonsanfàn (1974), with Marcello Mastroianni and Lea Massari, were selected for the Directors’ Fortnight, but it was in 1977, with Padre Padrone, based on an autobiographical novel by Gavino Ledda, that they won the Golden Palm and Critics’ Prize at Cannes. They received their awards from jury president Roberto Rossellini, and in Italy were also awarded a special David di Donatello and a Nastro d’Argento.
After Il prato (1979) the Tavianis made another remarkable film, La notte di San Lorenzo (1982), a choral portrait of life in rural Tuscany during the Second World War. Screened at Locarno in Piazza Grande, this was the Tuscan brothers’ first film with music by Nicola Piovani and it won them the Grand Prix at Cannes, plus David di Donatello and Nastro d’Argento awards for direction and screenwriting. The Tavianis then moved on to another literary adaptation, Kaos (1984). Based on Pirandello’s Novelle per un anno, it won a David di Donatello for best screenplay. Two years later they received a Golden Lion for career achievement at the Venice International Film Festival and in 1987 they embarked on a major international production with Good morning Babilonia, the story of two Tuscan brothers who emigrate to the USA to seek their fortune. They were to return to historical settings for Il sole anche di notte (1990), Fiorile (1993), Le affinità elettive (1996) and Tu ridi (1998). During the following decade the Tavianis made several features for television, including Resurrezione (2001) and Luisa Sanfelice (2004). They also continued to produce literary adaptations such as La masseria delle allodole (2007) and Maraviglioso Boccaccio (2015).
In 2012 the Tavianis returned to Berlin with Cesare deve morire and won the Golden Bear, as well as two David di Donatello awards for best direction and best film. The last feature on which they worked together was Una questione privata in 2017, eventually credited only to Paolo as director because of his brother’s failing health. Their last work in partnership, after a lifelong career together in filmmaking, rounded off a cycle whose closure leaves a strong sense of loss on the international cinema scene.
Carlo Chatrian, Artistic Director of the Locarno Festival: “Among the many pictures which could rightfully be screened to mark the extraordinary career of the Tavianis, Good morning Babilonia is a period drama that combines the beauty of Italian cathedrals with the nascent movie industry in California. Today – in an epoch in which the film art seems to be becoming somehow immaterial – it has a special resonance. It is not just a homage to the great Italian tradition of art and craft workshops, but also an insightful interpretation of what cinema is about, which includes craft skills in its collective artistic vision. In my view this, together with a consistently maintained ethical position, is one dimension of the Taviani brothers’ approach to filmmaking that deserves to be remembered. I am therefore especially happy and honored to be able to welcome Paolo Taviani to recall the splendid contribution that he, together with his brother Vittorio, made towards the ageless cinema we celebrate every year in Locarno.”
The Locarno Festival will pay tribute to Paolo Taviani in Piazza Grande and the tribute will be accompanied by a world premiere screening of the restored print of Good morning Babilonia (1987) by the Italian National Film Archive (CSC) and Istituto Luce-Cinecittà.
The 71st Locarno Festival will take place from 1 to 11 August 2018.
The original documentary special, “Detroit: Comeback City,” which recounts the saga of the rise, fall and rebirth of Detroit through the iconic Michigan Central Station will premiere on HISTORY on Sunday, July 1 at 9pm ET/PT.
Narrated by Academy Award(R)-winner and Detroit native JK Simmons, the film chronicles how Detroit went from the engine of American capitalism to a city of ruins that is now on the cusp of an exciting rebirth. The story of the city is told by real Detroiters who recount the stories of their relatives who helped build the city and the country. Among the interview subjects are Alice Cooper, Professor Henry Louis Gates Jr., Pulitzer Prize-winner Dr. Heather Ann Thompson, Bill Ford and NASA Astronaut Jerry Linenger.
From Henry Ford’s automated assembly lines å turned Detroit into a wheelhouse of innovation to the factories that made the city WW2’s arsenal of democracy, we will hear from those who found freedom and prosperity in the Motor City, including those who fled racism in the South to build a new life, and those who lived through the city’s 1967 riots and the city’s eventual downturn – leading to Detroit’s painful filing for bankruptcy in 2013.
The anchor of the story is the iconic Michigan Central Station (MCS). Designed by Warren & Wetmore and Reed and Stem, the firms that designed New York City’s Grand Central Terminal, MCS was built in the early 20th Century to announce Detroit’s dream for the future. The station was an emblem of Detroit’s innovative power, but after six decades it was shut down and abandoned, a painful symbol of the city’s demise.
Ford Motor Company has purchased Michigan Central Station, and recently announced plans to transform the building into an innovation hub.
“Part of History’s mission is to not just tell stories of the past, but capture history as it unfolds,” said Eli Lehrer, Executive Vice President of Programming, HISTORY. “Working together with organizations like Ford Motor Company, we are able to breathe new life into the past by working together to save our most precious landmarks for future generations.”
Terry Gilliam, Anna Paquin, Stephen Moyer[/caption]
Among the guests coming to the festival, the 53rd Karlovy Vary IFF will welcome Director Terry Gilliam, actor Anna Paquin and director Stephen Moyer, actor Rory Cochrane, Actor Caleb Landry Jones, Romain Gavras and producer John Lesher.
Hulu has acquired the whistleblower doc Crime + Punishment that premiered earlier this year at the Sundance Film Festival, and will partner with IFC Films to release the documentary simultaneously in theaters and on Hulu on August 24th.
After debuting at the 2018 Sundance Film Festival, Crime + Punishment went on to win the U.S. Documentary Special Jury Award for Social Impact Filmmaking, and has garnered numerous awards, including the Grand Jury Prize at the 2018 Independent Film Festival in Boston. Stephen Maing directed, produced and filmed, and Academy Award Winner Laura Poitras serves as an executive producer.
Crime + Punishment is a galvanizing and visually striking documentary that goes behind the scenes and undercover to expose discriminatory policing practices, intimidation and corruption within the New York Police Department. Told from multiple perspectives and precincts throughout New York City, Maing cinematically chronicles a band of minority whistleblower officers known as The NYPD 12, as well as the efforts of ex-cop turned private investigator, Manuel Gomez as they seek to expose the illegal use of arrest and summons quotas.
With unprecedented fly-on-the-wall access, the film artfully weaves an ensemble of interconnected stories and evidence from The NYPD 12, who put their careers on the line and mount a David vs. Goliath legal challenge – only to find themselves weathering harassment and retaliation from within their own departments.
“It was an act of bravery and defiance by all the cops and families who allowed their stories to be documented over the past four years so I’m heartened to know their efforts will not be in vain and this story made widely accessible,” said Maing. “It’s exciting to have Hulu’s amazing partnership and share this film theatrically, pursue an ambitious social impact campaign and present these previously unheard voices of active duty officers into the national dialogue around police reform. I am grateful for the collaborations and support I’ve received along the way, but most importantly to the brave participants of the film who have stepped forward for the sake of other citizens and officers.”
Crime + Punishment is the latest film to join Hulu’s award-winning documentary slate, which includes the recently-released TINY SHOULDERS: RETHINKING BARBIE and MARCH OF THE PENGUINS 2: THE NEXT STEP, as well as Grammy and Emmy Award winning film THE BEATLES: 8 DAYS A WEEK – THE TOURING YEARS, TOO FUNNY TO FAIL, OBEY GIANT, BECOMING BOND, DUMB and BATMAN AND BILL.
Actor, director, screenwriter, producer and musician Tim Robbins, who won an Oscar for best supporting actor for his performance in Mystic River (2003) and who was nominated for a best director Oscar for Dead Man Walking (1995) will be honored at this year’s 53rd Karlovy Vary International Film Festival with the Crystal Globe for Outstanding Contribution to World Cinema.
Thanks to his family background, Tim Robbins had contact with the world of art from an early age. He began his acting career at theaters in New York, and after completing his education he worked as an actor and director with the experimental theatre ensemble The Actor’s Gang, which under his guidance earned widespread audience acclaim and more than a hundred critics’ awards.
After appearing in several smaller film and television roles, Robbins gained more widespread attention thanks to his part in director Ron Shelton’s sports film Bull Durham (1988). Proof that Robbins was an actor of great promise came with his performance in the drama Jacob ’s Ladder (1990). A decisive moment in his acting career was his collaboration with the outstanding director Robert Altman – Robbins’ appearance in the main role in Altman’s The Player (1992) earned him a Golden Globe and the best actor award at the Cannes Film Festival.
That same year, Robbins showed that he was a multifaceted auteur by filming his directorial debut Bob Roberts (1992) according to his own screenplay. Besides appearing in the title role, he also wrote (in collaboration with his brother David) the music for the film and even sang many of the songs himself.
Soon thereafter, Robbins again joined with Robert Altman to shoot Short Cuts (1993). The ensemble cast won a Special Golden Globe and also took home the Volpi Cup from the Venice Film Festival.
There followed appearances in the Coen brothers’ The Hudsucker Proxy (1994), another outing with Robert Altman (the comedy from the world of fashion Prêt-à-Porter, 1994), and his work with Frank Darabont on The Shawshank Redemption (1994), which was nominated for seven Oscars.
Also around this time, Robbins successfully continued with his work as director and screenwriter. Dead Man Walking (1996) earned him an Oscar nomination for best director, while Susan Sarandon won an Oscar for best actress. His next auteur outing, Cradle Will Rock (1999), which premiered at Cannes, explored the relationship between the individual artist and society during a tumultuous time in the U.S. though this time in another era. As with Dead Man Walking, Robbins produced, and the music was written by his brother David.
After Stephen Frears’s romantic comedy High Fidelity (2000) and Michel Gondry’s bizarre Human Nature (2001) – the latter of which was based on a script by Charlie Kaufman – Robbins appeared in one of his most successful roles in Clint Eastwood’s crime drama Mystic River (2004), for which both Robbins and lead actor Sean Penn won an Oscar and a Golden Globe. Recently Robbins has been seen in Marjorie Prime (2017) and HBOs The Brink (2016) and Here And Now (2018).
At the Karlovy Vary International Film Festival, Tim Robbins will present his two auteur films Bob Roberts and Cradle Will Rock. In addition, he will appear on stage for a special concert performance by Tim Robbins and The Rogues Gallery Band.
The International Film Music Competition returns for the 7th edition during the 14th Zurich Film Festival this coming Fall. The celebrity jury will be presided over by Cliff Martinez. Martinez made a name for himself as Steven Soderberg’s and Nicolas Winding Refn’s preferred composer and during the mid eighties as the Red Hot Chili Peppers’ drummer. Winding Refn’s THE NEON DEMON won Best Soundtrack in 2016 at the International Film Festival in Cannes. The musical evening and award ceremony take place on October 4 at the Tonhalle Maag.
This year’s International Film Music Competition Jury is presided over by film music composer Cliff Martinez. Martinez was drummer of the Red Hot Chili Peppers in the mid-eighties and played on the first two albums of the band. Later, he made a name for himself as a film composer and was nominated for several awards, including a Grammy and César. With the series TOO OLD TO DIE YOUNG expected in 2019, the American continues his collaboration with DRIVE-director Nicolas Winding Refn.
He will be joined by German conductor and returning jury member Frank Strobel, who will once again conduct the approx. 100-piece Tonhalle Orchestra Zurich during this year’s musical event on October 4. The jury further comprises Swiss film music composer and pianist Christine Aufderhaar and Swiss film director Sabine Gisiger. The short film HAPPINESS by Steve Cutts forms the basis of this year’s competition.
List of jury members:
Cliff Martinez (film music composer / USA / Jury President)
Frank Strobel (conductor, musician / Germany)
Christine Aufderhaar (film music composer, musician / Switzerland)
Sabine Gisiger (film director / Switzerland)
The expert jury will select five works out of the 304 submissions from 44 countries. These nominated compositions will be performed live by the renowned Tonhalle Orchestra Zurich in front of a public audience at the Tonhalle Maag on October 4. The jury will then choose the winner of the Golden Eye for ‘Best International Film Music 2018’. The presentation of the award endowed with a CHF 10’000 cash prize is followed by a grand film music concert under the title ‘Thriller’.
THE HEIRESSES by Marcelo Martinessi Wins Top Prize at 65th Sydney Film Festival[/caption]
The Heiresses, the debut feature of Paraguayan filmmaker Marcelo Martinessi, won the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films, at the 65th Sydney Film Festival. Winner of the Berlinale Silver Bear Alfred Bauer Prize for opening new perspectives and the Silver Bear for Best Actress for Ana Brun, this complex relationship drama takes an unusual look at the lives of wealthy Paraguayan families through the tribulations of a lesbian couple.
https://www.youtube.com/watch?v=dD_LxrE9vVA