The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.-
#PIFF41 2018 Portland International Film Festival Announces Lineup
The Portland International Film Festival (PIFF 41) has revealed the lineup for this year’s 41st edition of the Festival, which begins on Thursday, February 15th and runs through Thursday, March 1st. The Opening Night selection is the new comedy The Death of Stalin from writer/director Armando Iannucci (Veep, In the Loop). The film, adapted from the graphic novel by Fabien Nury, stars Steve Buscemi, Olga Kurylenko, Jason Isaacs, and Michael Palin.
In addition to the Opening Night film, the Festival will host the Portland premiere of a handful of Oscar-nominated films, including Ildikó Enyedi’s On Body and Soul (Hungary), nominated for the Best Foreign Language Film Academy Award, Laura Checkoway’s Edith & Eddie (United States), which is in competition for the Best Documentary (Short Subject) Oscar, and Reed Van Dyk’s Dekalb Elementary (United States), nominated for the Best Short Film (Live Action) Academy Award.
Also present in the lineup are multiple Best Foreign Language Film Academy Award submissions, including Tatiana Huezo’s Tempestad (Mexico), Jonas Carpignano’s A Ciambra (Italy), Deepak Rauniyar’s White Sun (Nepal), Ryôta Nakano’s Her Love Boils Bathwater (Japan), Lucrecia Martel’s Zama (Argentina), Hafsteinn Gunnar Sigurðsson’s Under the Tree (Iceland), and many others. Submissions for the Best Animated Feature Film Academy Award in the festival include Kenji Kamayama’s Napping Princess (Japan), Alberto Vázquez and Pedro Rivero’s Birdboy: The Forgotten Children (Spain), and Benjamin Renner and Patrick Imbert’s The Big Bad Fox & Other Tales (France).
As in past years, the Festival features an abundance of short films. This year’s lineup boasts eight discrete short film programs, including two blocks devoted entirely to films made in Oregon, an animated shorts program, a collection exploring innovative experimental short form works, and a program of short films by Charlie Chaplin featuring live musical accompaniment by silent film composer and pianist Robert Israel. Israel has performed solo, and with orchestras, worldwide, in addition to past performances at the festival.
Other highlights of PIFF 41 include screenings of Andrew Haigh’s (45 Years) Lean on Pete, Morgan Neville’s (20 Feet from Stardom) Won’t You Be My Neighbor?, Valeska Grisebach’s (Longing) Western, Portland-based director Sky Fitzgerald’s (50 Feet from Syria) 101 Seconds, the late Abbas Kiarostami’s (A Taste of Cherry) final film 24 Frames, Thomas Riedelsheimer’s (Rivers and Tides) Leaning Into the Wind: Andy Goldsworthy, Joseph Kahn’s (Detention) Bodied, Xuan Liang and Chun Zhan’s animated debut Big Fish & Begonia, Sergei Loznitsa’s (My Joy) A Gentle Creature, former Portlander Aaron Katz’ (Cold Weather) Gemini, a trio of features (Claire’s Camera, The Day After, and On the Beach At Night Alone) from South Korean director Hong Sang-Soo (The Day He Arrives), Christina Costantini and Darren Foster’s documentary debut Science Fair, Michael Matthew’s debut feature Five Fingers for Marseilles, Joshua Bonnetta and J.P. Sniadecki’s (People’s Park) El Mar La Mar, Rungaro Nyoni’s debut feature I Am Not a Witch, Ben Russell’s (A Spell to Ward Off the Darkness) Good Luck, Justin Benson and Aaron Moorhead’s (Spring) The Endless, Neïl Beloufa’s (Tonight and the People) Occidental, Samuel Maoz’ (Lebanon) Foxtrot, Warwick Thornton’s (Samson & Delilah) Sweet Country, Hélène Cattet and Bruno Forzani’s (Amer) Let the Corpses Tan, Milad Alami’s (Nordic Factory) The Charmer, Cory Finley’s feature debut Thoroughbreds, and many others.
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38th London Critics’ Circle Film Awards: “Three Billboards Outside Ebbing, Missouri” Named Film of the Year
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Three Billboards Outside Ebbing, Missouri[/caption]
The UK’s leading film critics handed out their annual prizes on Sunday night at the 38th London Critics’ Circle Film Awards and Martin McDonagh’s drama Three Billboards Outside Ebbing, Missouri was named Film of the Year, while McDonagh also collected Screenwriter of the Year and star Frances McDormand won Actress of the Year.
Several winners were on-hand to collect their awards: Timothée Chalamet was named Actor of the Year for Call Me By Your Name, Hugh Grant won supporting actor for Paddington 2, Lesley Manville won supporting actress for Phantom Thread, Harris Dickinson won the young performer prize for his work in Beach Rats, and God’s Own Country writer-director Francis Lee took the Philip French Award for Breakthrough British/Irish Filmmaker.
The evening’s high point was the presentation of the Dilys Powell Award for Excellence in Film to Kate Winslet, introduced by her friend and costar Jude Law. The critics voted for Paul Verhoeven’s Elle as Foreign-Language Film of the Year, Raoul Peck’s I Am Not Your Negro as Documentary of the Year and Christopher Nolan’s Dunkirk as recipient of the Attenborough Award as British/Irish Film of the Year.
Sally Hawkins and Daniel Kaluuya were named British/Irish actress and actor, respectively; Sean Baker won best director for The Florida Project; Dennis Gassner won the Technical Achievement Award for his production design on Blade Runner 2049, and We Love Moses was named British/Irish Short Film of the Year.
Full list of winners:
FILM OF THE YEAR Three Billboards Outside Ebbing, Missouri FOREIGN-LANGUAGE FILM OF THE YEAR Elle DOCUMENTARY OF THE YEAR I Am Not Your Negro BRITISH/IRISH FILM OF THE YEAR: The Attenborough Award Dunkirk DIRECTOR OF THE YEAR Sean Baker – The Florida Project SCREENWRITER OF THE YEAR Martin McDonagh – Three Billboards Outside Ebbing, Missouri ACTRESS OF THE YEAR Frances McDormand – Three Billboards Outside Ebbing, Missouri ACTOR OF THE YEAR Timothée Chalamet – Call Me By Your Name SUPPORTING ACTRESS OF THE YEAR Lesley Manville – Phantom Thread SUPPORTING ACTOR OF THE YEAR Hugh Grant – Paddington 2 BRITISH/IRISH ACTRESS OF THE YEAR Sally Hawkins – The Shape of Water/Maudie/Paddington 2 BRITISH/IRISH ACTOR OF THE YEAR Daniel Kaluuya – Get Out YOUNG BRITISH/IRISH PERFORMER OF THE YEAR Harris Dickinson – Beach Rats BREAKTHROUGH BRITISH/IRISH FILMMAKER: The Philip French Award Francis Lee – God’s Own Country BRITISH/IRISH SHORT FILM OF THE YEAR We Love Moses – Dionne Edwards TECHNICAL ACHIEVEMENT AWARD Blade Runner 2049 – Dennis Gassner, production design EXCELLENCE IN FILM: The Dilys Powell Award Kate Winslet
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Watch Trailer for The Trader (Sovdagari) – A Portrait of a Man and his Minibus
Netflix has released the trailer “The Trader” an official selection at this year’s 2018 Sundance Film Festival and winner of “Best Short Documentary” at the 2017 Hot Docs Documentary Film Festival. Trader debuts on Netflix on February 9, 2018.
A portrait of a man and his minibus. The Trader (Sovdagari) directed by Tamta Gabrichidze, follows Gela as he sells secondhand goods through rural Georgia, where money is meaningless, and potatoes are lucre.
https://www.youtube.com/watch?v=tOauOJg-fCQ
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3 Filmmakers Awarded Inaugural Sundance Institute Open Borders Fellowship Presented by Netflix
Three emerging filmmakers, Talal Derki (Syria), Tatiana Huezo (Mexico), and Chaitanya Tamhane (India) are the lucky recipients of the inaugural Sundance Institute Open Borders Fellowship presented by Netflix.
Designed to support distinctive new voices in world cinema, the fellowship includes a development grant, a trip to the 2018 Sundance Film Festival in Park City to receive the award and attend a curated slate of industry meetings, networking opportunities, panels, and screenings. Further, the filmmakers are eligible to receive year-round creative and strategic support from the Sundance Institute Feature Film and Documentary Film programs for their next feature-length project
The Open Borders Fellowship reflects the Institute’s longstanding commitment to world cinema. Through Labs and Workshops, financial support, and public engagement, the Institute’s Artist Programs strive to support underrepresented voices in regions of the world going through socio-political transitions and where freedom of expression is challenged.
Talal Derki was born in Damascus and has been based in Berlin since 2014. He studied film directing in Athens and worked as an assistant director for many feature film productions and as a director for different Arab TV programs between 2009 and 2011. Talal Derki’s feature documentary Return to Homs won the Sundance Film Festival’s World Cinema Grand Jury Prize in 2014. His most recent film, Of Fathers and Sons, premiered at IDFA, and is currently in the World Cinema Documentary Competition at 2018 Sundance Film Festival.
Tatiana Huezo’s most recent film, Tempestad, was one of the most acclaimed documentaries of 2016. Following its premiere at Berlinale, the film was Mexico’s official submission to the Academy Awards, and won four Ariel Awards, including Best Director and Best Documentary feature. She is currently working on her narrative feature debut, Night On Fire, which was selected for the Sundance | Morelia Screenwriters Lab this past Fall.
Chaitanya Tamhane’s debut feature, the Marathi language courtroom drama, Court, premiered at the 2014 Venice Film Festival, where it won Best Film in the Horizons section, and went on to appear on many best-of lists following its theatrical release last year and served as India’s submission for the Best Foreign-Language Film Oscar. He was selected by Alfonso Cuaron for the Rolex Mentor and Protege Arts Initiative, and is working on his currently untitled second feature.
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See Trailer + Poster Debut for Ted Geoghegan’s Action-Thriller MOHAWK
The official trailer and poster debut today for Ted Geoghegan’s highly anticipated second feature film, the no-holds-barred action-thriller Mohawk. Mohawk will be released in select theaters and on VOD/Digital HD on March 2nd from Dark Sky Films.
After one of her tribe sets an American camp ablaze, a young Mohawk warrior finds herself pursued by a contingent of military renegades set on revenge. Fleeing deep into the woods they call home, Oak and Calvin, along with their British companion Joshua, must now fight back against the bloodthirsty Colonel Holt and his soldiers – using every resource both real and supernatural that the winding forest can offer.
Mohawk stars Kaniehtiio Horn (Hemlock Grove), Justin Rain (Fear the Walking Dead), and Eamon Farren (Twin Peaks: The Return) along with Ezra Buzzington (Justified, The Middle), and including Ian Colletti (“Arseface” from AMC’s Preacher) and Jonathan Huber, WWE Superstar Luke Harper making his big screen debut.
https://www.youtube.com/watch?v=0utooEV8F8o
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2018 New Orleans French Film Festival Announces Lineup + Agnès Varda Retrospective
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Back to Burgundy[/caption]
This year, the 21st edition of the New Orleans French Film Festival will kick off earlier than usual, beginning on February 23 and running through March 1, 2018, and will spotlight 17 feature films, 5 shorts, a retrospective of the magnificent Agnès Varda, French-themed live music performances prior to screenings, and special lectures, all in the historic Prytania Theater.
“The New Orleans Film Society’s French Film Festival was founded to engage and celebrate the French influence on our beloved city,” said Fallon Young, Executive Director of the New Orleans Film Society. “That’s why, in New Orleans’ tricentennial year, we are especially pleased that the French Film Festival features the world premiere of a uniquely New Orleans story. Created by a local director, cast and crew, the short film Le Grande Remix depicts New Orleans as a diverse and vibrant city with global cultural influences.”
Feature length films include the most awarded and sought after French films of the year: Back to Burgundy (opening night), Double Lover (closing night), 4 Days in France, After Love, All That Divides Us, Catch the Wind, Félicité, Ismael’s Ghosts, Marie Curie: The Courage of Knowledge, Montparnasse Bienvenüe, Nocturama, Souvenir, This is Our Land, as well as Jean Luc-Godard’s 1960 classic Breathless. The Agnès Varda retrospective includes three of her films, Le Bonheur (1965), The Gleaners and I (2000), and Faces, Places (2017). The shorts program includes Prestige Ingredients, We Are the Freak Show, The Elusive, Retaliation, and Le Grand Remix.
The only female director of the French New Wave and the only female director to ever receive an honorary Oscar, Agnès Varda (born in Belgium in 1928) has occupied a singular and well-respected role within the film industry since her first film La Pointe Courte in 1956. The French Film Festival presents Agnès Varda: A Retrospective, which includes an under-seen example of her early, formally audacious fiction work Le Bonheur (1965), as well as two of her more recent autobiographical documentaries The Gleaners and I (2000), and Faces, Places (2017) which is a nominee for the Best Documentary at the 90th Academy Awards.
The retrospective program includes a free lecture on Varda (on Sunday Feb 25, at 5pm) from Loyola professor Jean Brager, who will speak on Varda’s journey as a female filmmaker in a male-dominated industry as well as the ways in which her aesthetics paved the way for the Nouvelle Vague. The lecture will be followed by the screening of her latest documentary Faces, Places in which she collaborated with the phenomenal French photographer JR in search of the people and their villages that define rural France and make it what it is.
What’s the connection of Congo and New Orleans? Join a free lecture by Freddi Williams Evans on Wednesday, Feb 28 at 7:15pm which will be followed by a screening of the Congo-set film Félicité. Evans will address the not so well known connections between Congo and New Orleans, as detailed in her essay “Enslaved Africans Perpetuated Cultural and Commercial Practices at Congo Square,” featured in the new book New Orleans & the World: 1718-2018 Tricentennial Anthology.
Louisiana musicians Helen Gillet, Bart Ramsay, Bruce Sunpie Barnes, Thibault, Pascal Valcasara, and George Trahanis will be performing French-themed live music prior to select screenings during the French Film Festival. Performances will begin 30 minutes prior to the start time of the related films.
Opening Night: Back to Burgundy | Friday, February 23 | 7:00-7:30 pm | Bart Ramsay
Shorts Program | Saturday, February 24 | 2:00 – 2:30 pm | Bruce Sunpie Barnes
After Love | Sunday, February 25 | 2:00 – 2:30 pm | Thibault
Ismael’s Ghosts | Sunday, February 25 | 7:15 – 7:45 pm | Pascal Valcasara
All That Divides Us | Tuesday, February 27 | 7:30 – 8:00 pm | George Trahanis
Closing Night: Double Lover | Thursday, March 1 | 7:30 – 8:00 pm | Helen Gillet
FILMS AND SYNOPSES
Back to Burgundy, dir. Cedric Klapisch – Opening Night The latest from French director Cedric Klapisch (L’auberge espagnole) brings together three very different siblings who have inherited their father’s picturesque vineyard in the famous wine region of Burgundy in east-central France. Prodigal son Jean has spent 10 years away in Australia, and he and two siblings, Juliette and Jérémie, are forced to collectively decide if and how to save the family estate. Over the course of four seasons, from harvest through the stages of vinification, they must learn to forgive and trust themselves and one another, blossoming and maturing in step with the wine they make. An absorbing, bittersweet exploration of the complexities of family and winemaking, Back to Burgundy goes down like a fine pinot noir. Double Lover, dir. François Ozon – Closing Night Director François Ozon, French cinema’s “bad boy,” returns to his wild days with this erotic thriller, which screened in competition at Cannes in 2017. The film centers around Chloé, a beautiful young woman at a vulnerable time in her life, who begins therapy with Paul, an attractive and mysterious psychologist. Their charged conversations lead to an inevitable romance, and several months later Chloé is in love and living with her new partner. But she gradually comes to suspect that her lover is not exactly the man she thought he was. Starring Marine Vacth and Jeremie Renier, Ozon continuously deceives and mesmerizes in this this sensual and provocative film about identity, trust, and passion. (Not recommended for younger viewers.) Le Bonheur, dir. Agnès Varda Though married to the good-natured, beautiful Thérèse (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Varda’s most provocative films, Le Bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world. Faces, Places , dir. Agnès Varda Varda, at 89 years old, hits the road in a van with superstar French photographer JR, 55 years her junior, in search of the people and their villages that define rural France and make it what it is. They travel the countryside, inviting villagers to pose for JR’s camera, and the massive prints he produces in the back of the van are then affixed to various buildings. The Gleaners and I, dir. Agnès Varda This delightful documentary is really a self-portrait of Varda, finding her fully embracing the freedom of digital video to craft a personal, political, and casually profound celebration of “gleaners”: those living on the margins of French society who scavenge for its leftovers–taking everything from surplus in the fields, to rubbish in trash cans, and oysters washed up after a storm. 4 Days in France, dir. Jérôme Reybaud On a seemingly ordinary night in Paris, Pierre takes a last look at his lover Paul’s sleeping body, then steals away into the morning light. Where he’s headed, neither of them know. Pierre’s only guide is his Grindr app, leading him on a series of encounters with an indelible cast of characters across the French countryside. Paul sets out after him, using his own phone to track Pierre’s movements in a strange and wonderful game of Grindr cat-and-mouse. A sly and sophisticated take on romance in the 21st century. After Love, dir. Joachim Lafosse Bernice Bejo (Oscar®-nominated for The Artist) and director-turned-actor Cedric Kahn star in this intimate family drama from acclaimed Belgian filmmaker Joachim Lafosse. After 15 years together, Boris and Marie have fallen out of love. After Love depicts the couple’s struggle to divide their assets and sort out custody of their two little girls, a task complicated by the fact that they aren’t married. Bejo and Kahn give unforgettable naturalistic performances in this intelligent and compassionate film. All That Divides Us, dir. Thierry Klifa A bourgeois family in a mansion in the middle of nowhere clashes with slum-dwellers residing in the projects in this engaging film noir starring acting heavyweights Catherine Deneuve and Diane Kruger. Intermingled in the mystery are a possible kidnapping, blackmail, and impossible love. Deneuve plays a mother trying desperately to save her daughter (Kruger) from a questionable relationship. Director Thierry Klifa created “authenticity of place” by shooting the film on location in region of Occitanie. Catch The Wind, dir. Gael Morel Edith, a 45-year-old textile factory worker, sees her life turned upside down by the company’s downsizing measures. Estranged from her son and without any other ties—and desperate to avoid unemployment—she decides to leave her life behind and follow the factory which has been relocated in Morocco. What follows is a revelatory story of immigration told from a new perspective, as Edith leaves France in search of opportunities in Northern Africa. Starring Sandrine Bonnaire from Agnès Varda’s seminal film Vagabond. Félicité, dir. Alain Gomis Félicité is a proud, free-willed woman working as a singer in a bar in the Congo. Her life is thrown into turmoil when her 14-year-old son gets into a terrible accident. To raise the money to save him, she sets out on a breakneck race through the streets of electric Kinshasa, a world of music and dreams. From French director Alain Gomis, Félicité was awarded the Grand Jury Prize at the Berlin International Film Festival and has been shortlisted for the Academy Award for Best Foreign Language Film. Ismael’s Ghosts, dir. Arnaud Desplechin The Opening Night selection at Cannes last year, Ismael’s Ghosts stars French screen regular Mathieu Amalric (The Diving Bell and the Butterfly) as a film director whose real life develops into a complex, Hitchcockian plot. He’s romantically involved with Sylvia (Charlotte Gainsbourg) but still grieving the loss of Carlotta (Oscar® winner Marion Cotillard), an old flame who disappeared mysteriously twenty years prior. When Sylvia attempts to leave, he must choose between the two and find an ending to the story. Marie Curie: The Courage of Knowledge, dir. Marie Noëlle Polish actress Karolina Gruszka stars in this sweeping biography of the legendary scientist Marie Curie. Curie courted controversy with her challenging of France’s male-dominated academic establishment with her unconventional romantic life. A pioneer in the study of radioactivity, Curie spent her life setting precedents: she was the first woman to win the Nobel Prize and the first person to win it twice. Director Marie Noëlle conjures her epic story in turn-of-the-century Europe in beautiful detail. Montparnasse Bienvenüe, dir. Léonor Serraille Thirty-something Paula has been dumped by her boyfriend after ten years together. Refusing to accept the role of the passive victim, she finds herself on an odyssey through Paris to recapture her independence and composure—a journey filled with rage, a fluffy cat, false identities, and a string of bizarre encounters. Recipient of the Caméra d’Or at last year’s Cannes Film Festival, Montparnasse Bienvenüe is both unexpected and funny, while relying on an incredible, explosive performance by Laetitia Dosch. Nocturama, dir. Bertrand Bonello Paris is being stalked by a hidden menace. You’d never recognize them. They have no religion, no affiliation, no shared skin. But they’re there, young and angry, drifting through the streets and subways hunting for weakness. And when they find it, they’re going to bring the city to its knees, and drink champagne and dance until the dawn. A film of daring politics, ravishing style, and sublime soundtracking, Nocturama offers up a grim fantasia of terror and excess that will stay with you for weeks. Souvenir, dir. Bavo Defurne Liliane (Isabelle Huppert) lives a modest and monotonous life. By day, she works in an industrial pâté factory, and by night, she sits on the couch and watches TV. One day, a new worker in the factory named Jean (Kévin Azaïs) arrives, and he grows increasingly convinced that he recognizes Liliane from a European singing contest he saw as a child. Was it her? Souvenir is a touching portrayal of a relationship between two people from different generations, coming together to make a life-changing comeback. This Is Our Land, dir. Lucas Belvaux This Is Our Land is a film for our times. Not so loosely based on French politician Marine Le Pen, the plot follows Pauline, an apolitical nurse frustrated by local politics, who is targeted by a far right-wing group to run for office. As her political star rises, inner turmoil sets in as she becomes increasingly dominated by the political machine. Probing issues of immigration and populism, the film is an incisive look at how the Front National political party operates and how it is perceived by the French. Breathless, dir. Jean-Luc Godard There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du Cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, Breathless helped launch the French New Wave and ensured that cinema would never be the same. French Short Films This 100-minute program includes 5 short films representing bold, new cinematic voices. Prestige Ingredients (26min | France | dir. Danielle + Adrian Rubi-Dentzel) A stifled, young Hollywood actress slips into a world of mouthwatering delicacies, sweet heartache, and bitter tears when she takes an unlikely job with an inspired rebel chef in Paris. We Are The Freakshow (10 min | Canada | dir. Fanny-Laure Malo, Philippe Lupien), A bingo game. An allegorical, wild, and humorous portrait. An homage to eccentricity and entertainment, to those things that remain unchanged. The Elusive (18min | Belgium | dir. Ely Chevillot), A complicated mother-son relationship becomes even more complicated when he acts inappropriately with another kid at the pool. Retaliation (26min I France, Benin I dir. Ange-Régis Hounkpatin) When her father is murdered in Benin, 18-year-old Awa is shaken by the brutal actions taken in her community to avenge his death. Le Grand Remix (17min I USA I dir. Austin Alward) Faced with not being allowed back into America if she leaves the U.S. to attend her sister’s wedding, a young African teacher at a French immersion school in New Orleans attempts to dance away her troubles to music is provided by a teenage Vietnamese-American DJ.
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2018 MidWest WeirdFest Reveals First 7 Films
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FUTURE[/caption]
The MidWest WeirdFest described as ‘a cinematic celebration of all things fantastic, frightening, offbeat, and just plain weird’ revealed the first seven feature films for the upcoming 2nd edition taking place March 9 to 11, 2018 at the Micon Downtown Cinema in Eau Claire, Wisconsin.
“We are delighted to unveil this first glimpse at some of the 2018 festival’s incredible program”, says fest founder and veteran programmer Dean Bertram. “The selection encapsulates MidWest WeirdFest‘s mission of showcasing a heady combination of the latest and most original horror, sci-fi, underground, and documentary films. We can’t wait for the festival’s audience to journey with us on another twisting, terrifying, and at times hilarious journey through the cutting-edge of this season’s weird cinema.”
The first seven feature films announced follow:
3 DEAD TRICK OR TREATERS (dir: Torin Langen)
After stumbling upon the graves of three murdered trick or treaters, a small town paperboy discovers a series of handwritten horror stories tacked to the children’s headstones. Penned by a deranged pulp author driven mad by his craft, the stories chronicle grisly tales of Halloween rites, rituals and traditions. Absent of dialogue and heavy on atmosphere, 3 DEAD TRICK OR TREATERS is a horror chiller unlike any you’ve seen before.
ATTACK OF THE TATTIE-BOGLE (dir: Pete Marcy)
A group of unlikely bunkmates gathers at a mutual friend’s cabin in remote Wisconsin. Armed with all the comforts of urban life, they are ready to celebrate Independence Day; but when the group is attacked, they are sent reeling. Confused, scared, and unprepared to handle real danger, survivors are forced to battle fears, balance egos, and summon their courage – or die. Forget “cabin in the woods” slashers in the style of FRIDAY THE 13TH. This edge of your seat film depicts believable adult characters being killed with unpredictable, rapidly descending, and brutal violence. It feels uncannily real, and is all the more disturbing for it.
BORLEY RECTORY (dir: Ashley Thorpe)
This spine-tingling film chronicles the true story of “The most haunted house in England”. Narrated by Julian Sands (WARLOCK, GOTHIC, LEAVING LAS VEGAS), and starring Reece Shearsmith (THE LEAGUE OF GENTLEMEN, SHAUN OF THE DEAD), BORLEY RECTORY features a stunning combination of live action re-enactments, animated photographs from the period, and eerie visual effects. Be prepared to be mesmerized and chilled in equal portions by the most haunting film of the festival season.
FAKE BLOOD (dir: Rob Grant)
Rob Grant and Mike Kovac receive a disturbing fan video inspired by their previous horror movie MON AMI, motivating them to investigate the responsibility of filmmakers in portraying violence in movies. In their pursuit of the truth they are unwittingly introduced to the real world of violent criminals and their victims. Few films have managed to so successfully examine the blurred lines between real and imagined violence. FAKE BLOOD will keep you engaged and unbalanced until the final frame.
THE FLATWOODS MONSTER: A LEGACY OF FEAR (dir: Seth Breedlove)
Ahead of its official release this April, MidWest WeirdFest proudly presents this special sneak-peak screening of the latest, highly anticipated offering from production company Small Town Monsters. It is a terrifying documentary that revisits one of the earliest and most famous alien encounter reports of American UFO lore. The film’s director, Seth Breedlove (BOGGY CREEK MONSTER, THE MOTHMAN OF POINT PLEASANT, INVASION ON CHESTNUT RIDGE) is the most important documentarian working in the UFO/paranormal/cryptid field today, and was the recipient of 2017’s “Cryptozoologist of the Year” award. Don’t miss your chance to be one of the first people on this haunted planet to see his latest film.
FUTURE (dir: Robert Cousineau, Chris Rosik)
A drunken train-wreck of a time traveler offers a suicidally depressed tea store barista a do-over. The catch is, the do-over comes at a murderous price. FUTURE is a poignant and funny low-fi sci-fi that begs the question: If you only had a few days left to live, and you felt like no one wanted you around, what would you do with that time? Would you climb a mountain, fall in love, invent a world saving device? Or would you eat all the junk you usually don’t let yourself have, and blow off work to get drunk with your old friends?
THE MOOSE HEAD OVER THE MANTEL (dir: Rebecca Comtois, Bryan Enk, Jessi Gotta, Matthew Gray, Shannon K. Hall, Jane Rose)
Lillian Hoffhienze-Bachman and her family move into the previously abandoned Hoffhienze ancestral home, where their hopeful new start becomes tainted by the discovery of a century’s worth of abuse, dysfunction and violence. Lillian becomes consumed by her sordid ancestry, terrified that the past might dictate her son’s future. The grisly events of the past 100 years are revealed through the eyes of the family’s victims… including the moose head hanging on the mantel wall. Influenced and inspired by the notorious real lives of H.H. Holmes, The Bender Family, Lizzie Borden, Carl Panzram and The Fox Sisters, this dark and unsettling anthology chills to the core.
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Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton to Be Honored at 2018 Sun Valley Film Festival
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Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton[/caption]
Kate Bosworth, Yahya Abdul-Mateen II and Lynn Shelton join Gwyneth Paltrow as honorees of the 2018 Sun Valley Film Festival. Kate Bosworth will receive the Pioneer Award, Yahya Abdul-Mateen II will receive the Rising Star Award and Lynn Shelton receive the High Scribe Award and host the Screenwriter’s Lab. In addition, Sir Sly will be the special musical guests performing at the SVFF Awards Bash.
KATE BOSWORTH
SVFF will honor Kate Bosworth with the annual Pioneer Award presented by Nat Geo WILD. She is the first female producer to receive the award following past recipient Mark Duplass. It will be presented at a private reception on Friday, March 16 and she will be participating in the Nat Geo WILD’s Salon Seriesat Festival HQ. Under MAKE PICTURES PRODUCTIONS, her newly formed production company with husband filmmaker Michael Polish, Bosworth executive produced and appeared in NONA, a feature film that sheds light on the brutality of Central America’s sex trafficking industry. The screenplay was written and the picture directed by Polish. Bosworth most recently starred in National Geographic’s The Long Road Home and leads MGM’s upcoming post-apocalyptic drama, The Domestics. Her other film credits include Black Rock, Blue Crush, Big Sur, Homefront, The Horse Whisperer, Still Alice, Straw Dogs and Superman Returns.YAHYA ABDUL-MATEEN
The Festival will also present burgeoning talent Yahya Abdul-Mateen II with the second annual rising star award for breakthrough talent in the film and television industry. He will receive the award in a private reception and will be participating in the Nat Geo WILD’s Salon Series at Festival HQ. Known for his role as Cadillac on Baz Luhrman’s acclaimed series The Get Down, Abdul-Mateen II has also played opposite Dwayne Johnson in Baywatch and Hugh Jackman in The Greatest Showman. He is set to star alongside Jason Momoa as villain Black Manta in DC’s upcoming Aquaman.LYNN SHELTON
Lynn Shelton, award winning writer and director, will receive the High Scribe Award and host the Screenwriters Lab, sponsored by Variety on Saturday, March 17th. Shelton’s work has screened at TIFF, Sundance, Cannes Directors’ Fortnight, Slamdance, SXSW, and Deauville and been honored at several of those including 2009 Sundance Special Jury Prize and two Independent Spirit Awards—the Acura Someone To Watch Award and the John Cassavetes Award. Shelton has directed a number of television shows, including Mad Men, Master of None, Casual, Love, Santa Clarita Diet, The Mindy Project, New Girl, Shameless, Fresh Off The Boat, and GLOW. Academy Award nominated producer Kevin Walsh will attend as judge of the SVFF High Scribe screenplay competition. As the President of Ridley Scott’s production banner Scott Free Films, Kevin has overseen such films as Murder on the Orient Express, Bladerunner, Zoe, and All the Money in the World. Kevin was named one of Variety’s “10 Producers to Watch.”SIR SLY
Indie Pop Band Sir Sly will join the 2018 Festival as the headliners of the SVFF Awards Bash, presented by Tito’s Handmade Vodka, on Saturday, March 17th at Whiskey Jacques. Led by frontman Landon Jacobs and instrumentalists Hayden Coplen and Jason Suwito, Sir Sly has released two full length albums: You Haunt Me in 2013 and Don’t You Worry, Honey just last year. Their hit singles “Gold,” “You Haunt Me” and “High” have spent multiple weeks on Billboard, Sirius, and Rock Airplay charts. The band is currently on tour in the US with scheduled stops at both Coachella and Bonnaroo music festival.


Viaje a los Pueblos Fumigados (A Journey to the Fumigated Towns)[/caption]
This year, for the second time ever, the 2018 Berlin International Film Festival will present the Glashütte Original – Documentary Award. A total of 18 documentary films from the current program of the Competition, Berlinale Special, Panorama, Forum, Generation and Perspektive Deutsches Kino sections and the special presentation Culinary Cinema are nominated for the Glashütte Original – Documentary Award. All nominated films will celebrate their world premiere at the Berlinale 2018.
The Glashütte Original – Documentary Award is endowed with € 50,000, and trophy funded by Glashütte Original. The prize money will be split between the film’s director and producer. The prize will be presented during the official Award Ceremony in the Berlinale Palast on February 24.
A three-member jury will pick the winner: Cíntia Gil (Portugal) – co-director of the Doclisboa, documentary film festival in Portugal ; Ulrike Ottinger (Germany) -director; and Eric Schlosser – (USA)investigative journalist, playwright, screenwriter, and filmmaker.
The following films are nominated for the Glashütte Original – Documentary Award:
Forrest Goodluck, Sasha Lane and Chloë Grace Moretz appear in The Miseducation of Cameron Post by Desiree Akhavan.
Styx[/caption]
The 2018 Berlin International Film Festival has revealed the full lineup of the Panorama program, which will feature a total of 47 films from 40 countries, with 37 world premieres and 16 directorial debuts. 20 films will be screened in the scope of Panorama Dokumente , while 27 fiction features are shown in Panorama Special as well as the main program.
The section takes a look at Wolfgang Fischer’s Styx , which will open Panorama Special on February 16 at Zoo Palace. Nearly dialogue-free, the film tells the story of a female doctor on a sailing vacation.
A Czech production opens Panorama Dokumente. Jan Gebert’s Až přijde válka ( When the War Comes ) is the global trend of a socially acceptable form of nationalism using the example of the Slovak Slovenski Branci Slovak paramilitary organization. Árpád Bogdán’s feature film Genezis ( Genesis ) takes place on the series of attacks on Roma in Hungary in 2008/2009, exposing their effects on the victimized families and the community as well as casting light on the failures of the Hungarian judicial system pursuit of those guilty of crimes perpetrated under the dictatorial Franco regime is depicted in The Silence of Others, produced by Pedro Almodóvar. Former Brazilian president Dilma Roussef’s impeachment can be witnessed firsthand in O processo ( The Trial ).
In Generation Wealth , Lauren Greenfield raises awareness for the self-indulgent quest for luxury and the total surrender to vanity leading to a sort of “ultra-decadence,” while in Lemonade , produced by Cristian Mungiu, the American Dream remains tauntingly out of reach for those who can not afford to buy a piece of it. In the French-German production Game Girls , two women try to escape life on Skid Row, the USA’s “Capital City of the Homeless”. Shakedown immerses the viewer in the Afro-American queer strip club scene of Los Angeles 1990s, relating its protagonists’ search for freedom and self-determination to great immediacy. In the Italian production country, Iranian director Babak Jalali who is defending their cultural identity with dignity.
Family dynamics under the microscope: In Al Gami’ya ( What Comes Around ), the residents of one of Cairo’s poorest districts have developed a bank-free financing system for themselves. Two intimate portraits of rural conflict, set in Central China’s Henan province and the German state of Saxony-Anhalt respectively, are drawn in Jordan Schiele’s The Silk and the Flame and Rosa Hannah Ziegler’s family life ( Family Life ). Yang Mingming’s debut film Rou Qing Shi ( Girls Always Happy ) showcases the verbal duels of an odd mother-daughter duo looking for happiness in style or daydreams of getting rich quick. In La enfermedad del domingo ( Sunday’s Illness ), a mother and her daughter return to one another following years of estrangement. In Jibril , her final work for the Babelsberg University of Applied Sciences KONRAD WOLF, Henrika Kull depicts the isolation and love in the interaction between a single mom and a prison inmate.
The Argentinian production Marilyn and the Brazilian film Tinta Bruta ( Hard Paint ) both show the isolation and the inherent in their protagonists’ search for their place in the world. In the mafia tale La terra dell ‘abbastanza ( Boys Cry ), two young men discover an ostensibly simple way out of a sticky situation. A complex web of responsibilities is included in the two instalments of the miniseries Ondes de choc ( Shock Waves ), directed by Lionel Baier and Ursula Meier.
Three further films serve as reflections on cinema itself: Mes provinciales ( A Paris Education ), which is set in a Parisian millennial student milieu; Depending vois rouge ( I See Red People ), In Which Bojina Payanotova Confronts her parents With Their possible connections to the Bulgarian secret police; and Hotel Jugoslavija , in which director Nicolas Wagnières elevates at abandoned Grand Hotel to the status of contemporary witness to history, acting on his principle of “filming to retain and regain”.
Fluid boundaries between reality and fiction are especially present in four productions. Xiao Mei investigates the enigma surrounding the disappearance of a young woman while the dark fairy tale Koly padayut pereva ( When the Trees Fall ) includes the frightening and enchanting experiences of three generations of women. In a hybrid form between fiction and documentary film, Trinta Lumes ( Thirty Souls ) reimagines the Galician backcountry as a mythical place populated by both the living and the dead. Finally, in the deceptively calm flow of horizon ‘s ( Horizon ) images, a man is at risk of losing his footing in life after a separation.
The hard reality reflected in two productions from India and the Democratic Republic of the Congo was in stark contrast in this context. In Garbage , a young woman’s endures a nightmare of male violence. Kinshasa Makambo on the other hand provides insight into the brutal everyday existence of Congolese resistance fighters.
In addition to their appearance in Yocho , cinematic dystopias and allegories of reality are featured in Kim Ki-duk’s Inkan, gongkan, sikan grigo inkan ( Human, Space, Time and Human ) , in which of the widely differing backgrounds assembled on a warship develop a bestial need for patriarchal domination. From Iran comes the film Hojoom (Invasion ), which adeptly establishes an oppressive mood with its post-apocalyptic science-fiction world devoid of sunlight.
Partisan takes a look back at Frank Castorf’s twenty-five year legacy at Berlin’s Volksbühne theater. Chilly Gonzales, self-proclaimed president of the Berlin Underground, is the subject of Shut Up and Play the Piano . MATANGI / MAYA / MIA The Sri Lankan Resistance artist portrays the controversial star between the labels attached to the music and media industries. In Idris Elba’s directorial debut, Yardie , the score by Dickon Hinchcliffe (“Tindersticks”) accentuates the journey of a young man from Kingston to London .
Al Gami’ya ( What Comes Around ) – Lebanon / Egypt / Greece / Qatar / Slovenia
By Reem Saleh
Documentary
World Premiere
Až přijde válka ( When the War Comes ) – Czech Republic / Croatia
By Jan Gebert
Documentary
World Premiere
La enfermedad del domingo ( Sunday’s Illness ) – Spain
By Ramón Salazar
With Bárbara Lennie, Susi Sánchez, Greta Fernández, Miguel Ángel Solá, Richard Bohringer
World premiere
Familienleben ( Family Life ) – Germany
By Rosa Hannah Ziegler
Documentary
World Premiere
Game Girls – France / Germany
By Alina Skrzeszewska
Documentary
World Premiere
Garbage – India
By Q
With Tanmay Dhanania, Trimala Adhikari, Satarupa The
World Premiere