BPM (Beats Per Minute),[/caption]
“Get Out,” a smart, hair-raising satire about prejudice and race relations from writer-director Jordan Peele, lead the Washington, D.C. Area Film Critics Association (WAFCA) 2017 honorees winning Best Film.
Frances McDormand’s searing turn as a grieving, unapologetically outspoken mother nabbed the Best Actress award for the darkly comedic “Three Billboards Outside Ebbing, Missouri.” Other acting honors for that film went to Sam Rockwell as Best Supporting Actor and Best Acting Ensemble for the cast as a whole.
Best Supporting Actress was awarded to Laurie Metcalf, as a working-class mother in “Lady Bird.” For their thoughtful adaptation of author Hillary Jordan’s acclaimed 2008 novel about the relationship between two families—one black, one white—living in the 1940s Jim Crow South, Dee Rees and Virgil Williams earned Best Adapted Screenplay accolades for “Mudbound.”
Brooklynn Prince clinched the Best Youth Performance category for “The Florida Project.”
Best Documentary kudos went to “Jane” and “BPM (Beats Per Minute),” Robin Campillo’s touching story of the HIV/AIDS epidemic in 1990s France, took Best Foreign Language Film honors.
The Washington, D.C. Area Film Critics Association comprises 52 DC-VA-MD-based film critics from television, radio, print and the Internet. Voting was conducted from December 5-7, 2017.
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GET OUT, JANE, BPM Named 2017 Best Films by D.C. Film Critics Association
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BPM (Beats Per Minute),[/caption]
“Get Out,” a smart, hair-raising satire about prejudice and race relations from writer-director Jordan Peele, lead the Washington, D.C. Area Film Critics Association (WAFCA) 2017 honorees winning Best Film.
Frances McDormand’s searing turn as a grieving, unapologetically outspoken mother nabbed the Best Actress award for the darkly comedic “Three Billboards Outside Ebbing, Missouri.” Other acting honors for that film went to Sam Rockwell as Best Supporting Actor and Best Acting Ensemble for the cast as a whole.
Best Supporting Actress was awarded to Laurie Metcalf, as a working-class mother in “Lady Bird.” For their thoughtful adaptation of author Hillary Jordan’s acclaimed 2008 novel about the relationship between two families—one black, one white—living in the 1940s Jim Crow South, Dee Rees and Virgil Williams earned Best Adapted Screenplay accolades for “Mudbound.”
Brooklynn Prince clinched the Best Youth Performance category for “The Florida Project.”
Best Documentary kudos went to “Jane” and “BPM (Beats Per Minute),” Robin Campillo’s touching story of the HIV/AIDS epidemic in 1990s France, took Best Foreign Language Film honors.
The Washington, D.C. Area Film Critics Association comprises 52 DC-VA-MD-based film critics from television, radio, print and the Internet. Voting was conducted from December 5-7, 2017.
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Milwaukee Film Festival Announces 2018 Festival Dates
Celebrating a decade in the community, Milwaukee Film today announced that the 2018 Milwaukee Film Festival will take place from October 18 to November 1, 2018. The annual 15-day festival will include feature films, shorts programs, education screenings, post-film conversations, panels, and parties.
“We couldn’t have reached this incredible milestone without the warm embrace of the Milwaukee community,” states Jonathan Jackson, Executive and Artistic Director of Milwaukee Film. “Over the past ten years, we have strived to bring the best independent and international cinema to the city, and our amazing audience, members, donors, and sponsors have repaid us in kind, allowing for this period of unprecedented growth. We look forward to bringing the best in film to you for decades to come.”
Festival organizers hope the later dates will expand programming opportunities to gain access to premieres from such renowned festivals as the Toronto International Film Festival, Festival de Cannes, and Telluride Film Festival.
The Call for Entries for the 2018 Milwaukee Film Festival will open in January 2018.
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American Film Institute Announces AFI AWARDS 2017 – Top 10 Films of 2017
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The Florida Project[/caption]
The American Film Institute (AFI) announced today the Official Selections of AFI AWARDS 2017, celebrating the year’s most outstanding 10 films and 10 television programsdeemed culturally and artistically significant.
In addition to the 20 honorees, AFI also recognizes THE VIETNAM WAR with an AFI Special Award.
AFI AWARDS is a coveted honor for its noncompetitive celebration of collaboration. Honorees are selected based on works that advance the art of the moving image, enhance the rich cultural heritage of America’s art form, inspire audiences and artists alike and make a mark on American society.
“At a time when the world seems defined by division, storytellers bring us together as one,” said Bob Gazzale, AFI President and CEO. “AFI AWARDS is honored to celebrate this community of artists who challenge and inspire us, entertain and enlighten us — ultimately reminding us of our common heartbeat.”
Honorees will gather on January 5, 2018, for recognition at the annual AFI AWARDS private luncheon in Los Angeles, CA.
AFI MOVIES OF THE YEAR
THE BIG SICK CALL ME BY YOUR NAME DUNKIRK THE FLORIDA PROJECT GET OUT LADY BIRD THE POST THE SHAPE OF WATER THREE BILLBOARDS OUTSIDE EBBING, MISSOURI WONDER WOMANAFI TV PROGRAMS OF THE YEAR
BIG LITTLE LIES THE CROWN FEUD: BETTE AND JOAN GAME OF THRONES THE GOOD PLACE THE HANDMAID’S TALE INSECURE MASTER OF NONE STRANGER THINGS 2 THIS IS USAFI SPECIAL AWARD
THE VIETNAM WAR
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ANIMATION SHOW OF SHOWS – 16 Animated Shorts From Around The World Opens in Theaters on December 29th
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Gokurosama[/caption]
The ANIMATION SHOW OF SHOWS returns to theaters across North America and will open at the Quad Cinema in New York on December 29th (with many other cities to follow), presenting 16 exceptional and inspiring animated shorts from around the world.
“Because animation is such a natural medium for dealing with abstract ideas and existential concerns, the ANIMATION SHOW OF SHOWS has always included a number of thoughtful and engaging films,” says founder and curator Ron Diamond. “However, more than in previous years, I believe that this year’s program really offers contemporary animation that expresses deeply felt issues in our own country and around the world.”
These films include Niki Lindroth von Bahr’s Annecy Grand Prix-winning “The Burden,” a melancholy, funny and moving film that explores the tribulations, hopes and dreams of a group of night-shift employees, uniquely capturing the zeitgeist of our time. At the other end of the spectrum, David OReilly’s playful and profound “Everything,” based on the work of the late philosopher Alan Watts, explores the interconnectedness of the universe and the multiplicity of perspectives that underlie reality.
Perhaps the most relevant film in the show is a 50-year-old short that was restored by The ANIMATION SHOW OF SHOWS with grants from ASIFA-Hollywood and The National Film Preservation Foundation. “Hangman,” by Paul Julian and Les Goldman, and based on a poem by Maurice Ogden, explores themes of injustice and personal responsibility in its tale of a town whose residents, afraid to speak up, are methodically executed by the title character.
Other program highlights include “Dear Basketball,” Disney veteran Glen Keane’s animation of a poem by Los Angeles Lakers superstar Kobe Bryant, written on the occasion of his imminent retirement; Academy Award-winning Pixar director Pete Docter’s 1990 CalArts student film “Next Door”; and “Casino,” the latest film from director Steven Woloshen, who, for some 30 years, has been creating award-winning experimental films by drawing directly on film stock.
The 19th ANIMATION SHOW OF SHOWS represents the work of artists from eight countries, including nine women.
16 animated short films presented in order of appearance – Total Running Time: 93 minutes
Can You Do It – Quentin Baillieux, France
Tiny Big – Lia Bertels, Belgium
Next Door – Pete Docter, U.S.
The Alan Dimension – Jac Clinch, UK
Beautiful Like Elsewhere – Elise Simard, Canada
Hangman – Paul Julian and Les Goldman, U.S.
The Battle of San Romano – Georges Schwizgebel, Switzerland
Gokurosama – Clémentine Frère, Aurore Gal, Yukiko Meignien, Anna Mertz, Robin Migliorelli, Romain Salvini, France
Dear Basketball – Glen Keane, U.S.
Island – Max Mörtl and Robert Löbel, Germany
Unsatisfying – Parallel Studio, France
My Burden – Niki Lindroth von Bahr, Sweden
Les Abeilles Domestiques (Domestic Bees) Alexanne Desrosiers, Canada
Our Wonderful Nature: The Common Chameleon – Tomer Eshed, Germany
Casino – Steven Woloshen, Canada
Everything – David OReilly, U.S
https://www.youtube.com/watch?v=pQH9zrb6V9Q
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15 Documentary Feature Films Advance in Oscar Race
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Human Flow[/caption]
The Academy of Motion Picture Arts and Sciences has selected 15 films in the Documentary Feature category that will advance in the voting process for the 90th Academy Awards. One hundred seventy films were originally submitted in the category.
The Academy’s Documentary Branch will now select the five nominees from among the 15 titles.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The 15 films are listed below in alphabetical order by title, with their production companies:
“Abacus: Small Enough to Jail,” Mitten Media, Motto Pictures, Kartemquin Educational Films
and WGBH/FRONTLINE
“Chasing Coral,” Exposure Labs in partnership with The Ocean Agency & View Into the Blue
in association with Argent Pictures & The Kendeda Fund
“City of Ghosts,” Our Time Projects and Jigsaw Productions
“Ex Libris – The New York Public Library,” Ex Libris Films
“Faces Places,” Ciné Tamaris
“Human Flow,” Participant Media and AC Films
“Icarus,” Netflix Documentary in association with Impact Partners, Diamond Docs, Chicago
Media Project and Alex Productions
“An Inconvenient Sequel: Truth to Power,” Paramount Pictures and Participant Media
“Jane,” National Geographic Studios in association with Public Road Productions
“LA 92,” Lightbox
“Last Men in Aleppo,” Larm Film
“Long Strange Trip,” Double E Pictures, AOMA Sunshine Films and Sikelia
“One of Us,” Loki Films
“Strong Island,” Yanceville Films and Louverture Films
“Unrest,” Shella Films and Little by Little Films
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Sundance Film Festival Unveils 2018 New Frontier Lineup of VR, AR, MR and AI
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The Sun Ladies VR[/caption]
The 2018 edition of New Frontier at the Sundance Film Festival will showcase a curated collection of cutting-edge independent experimental media works by creators who are pushing the artistic development of the new mediums of VR, AR, mixed reality (MR) and AI.
Robert Redford, President and Founder of Sundance Institute, said, “Technology-enabled storytelling continues to develop into a thriving industry. It’s essential to protect the creative spaces where creators can develop work and reach audiences independent of commercial pressures. The work that we showcase at New Frontier sets the agenda for the year in creative cross-media storytelling.”
FILMS AND PERFORMANCE
★ / Austria (Lead Artist: Johann Lurf) — This film, compiling shots of clear night-time skies from throughout film history in chronological order, reveals that what humans may regard as an absolute image is actually quite unstable. This instability occurs not only of evolving technological parameters, but also as a result of period-specific trends in culture. A Thousand Thoughts / U.S.A. (Directors and screenwriters: Sam Green, Joe Bini, Producers: Janet Cowperthwaite, Sam Green, Josh Penn) — A live cinema portrait of the legendary classical music group the Kronos Quartet. Green narrates the film and Kronos performs the soundtrack live. A meditation on music itself – the act of listening closely to music, the experience of feeling music deeply, and the power of music to change the world. Cast: David Harrington, John Sherba, Hank Dutt, Sunny Yang. Deep Astronomy and the Romantic Sciences / U.S.A. (Director and screenwriter: Cory McAbee, Producers: Cory McAbee, Daryle Conners, Steve Holmgren, Richard Cole) — A live sci-fi event, presented in the form of two master’s classes, featuring music, animation and artwork. Topics include the colonization of other planets, sentimentality reform, transdimensional drifting, the proper way to view the universe and the reason that humans exist. Cast: Cory McAbee. Organ Player / U.S.A. (Director and screenwriter: Narcissister) — This hybrid performance/documentary film explores how ancestral data is stored in our bodies, impacting the lives we lead. On the personal level, the film investigates how the artist’s complex family history compelled them to create the masked, erotic performance character Narcissister. Cast: Narcissister, Sarah Lumpkin, Oscar Lumpkin, Bernard Lumpkin, Carmine Boccuzzi.NEW TECHNOLOGIES
Experience Realistic Touch in Virtual Reality / U.S.A. (Lead Artists: Andrew Mitrak, Greg Bilsland, Joe Michaels, Jake Rubin, Key Collaborator: Dr. Bob Crockett) — HaptX brings realistic touch to virtual reality for the first time. The innovative technology lets VR users feel the shape, movement, texture and temperature of digital objects. By providing advanced haptic feedback and natural interaction, HaptX enables unprecedented levels of realism in virtual experiences. Awavena / U.S.A, Australia, Brazil (Lead Artist: Lynette Wallworth, Key Collaborators: Nicole Newnham, Tashka Yawanawa, Laura Soriano de Yawanawa) The Yawanawa, an indigenous Amazonian people, see immersive technologies as tools they can co-opt to share their connected worldview. Inviting artist Lynette Wallworth to their community, the Yawanawa share the visions of Hushahu, their first woman Shaman, and our technology renders visible the luminous world they have always known. Cast: Hushahu Yawanawa, Tata Yawanawa, Mutum Community.ARTIFICIAL INTELLIGENCE
Frankenstein AI: A Monster Made by Many / U.S.A. (Lead Artists: Lance Weiler, Nick Fortugno, Rachel Ginsberg, Key Collaborators: Nick Childs, Hunter Owens, Brandon Powers) — By challenging dystopian perspectives around Artificial Intelligence, this immersive experience reimagines Shelley’s seminal work to examine the cultural ramifications of pervasive, ubiquitous technology. Participants interact with an artificial intelligence, co-creating a shared narrative around the implications of unleashing this naive, intelligent “monster,” both mythical and imminent, into the world. TendAR / U.S.A. (Lead Artists: Samantha Gorman, Danny Cannizzaro) — A humorous and provocative installation that combines interactive storytelling, AR and emotion/face recognition technology to promote discussion about current topics in biometric data and artificial intelligence. Your guide: a fish-like creature who amusingly analyzes the partners collaborating in the experience, their emotions and the world around them.VIRTUAL/MIXED REALITY INSTALLATIONS
Zikr: A Sufi Revival / U.S.A. (Lead Artists: Gabo Arora, John Fitzgerald, Matthew Niederhauser, Key Collaborators: Selim Bensedrine, Igal Nassima, Jennifer Tiexiera, Wilson Brown) — This interactive social VR experience uses song and dance to transport four participants into ecstatic Sufi rituals, while also exploring the motivations behind followers of this mystical Islamic tradition, still observed by millions around the world. Elastic Time / Switzerland (Lead Artist: Mark Boulos, Key Collaborators: Robin Mange, Javier Bello Ruiz) — A mixed reality interactive documentary about space-time, narrated by astronomer Tony Stark (Harvard-Smithsonian Center for Astrophysics). A real-time hologram of your body is integrated into the observatory room; using the controllers, you bend space and time to your will, creating black holes, wormholes and time portals. Cast: Tony Stark. Hero / U.S.A. (Lead Artists: Navid Khonsari, Vassiliki Khonsari, Key Collaborators: Brooks Brown, Mark Harwood, Sinclair Fleming) — An immersive, large-scale installation that explores humanity in our modern era of civilian warfare. In this vérité VR experience with multi-sensory engagement, participants embark upon their own primal journey. When everyday life is disrupted by profound crisis only human connection can inspire hope. Cast: Masoume Khonsari, Perla Daoud, Samer Sakka, Sam Sako, Said Faraj, Sue Shaheen. VR_I / Switzerland (Lead Artists: Gilles Jobin, Caecilia Charbonnier, Sylvain Chagué, Key Collaborators: Jean-Paul Lespagnard, Carla Scaletti, Camilo De Martino) — Blending art with technology, VR_I resulted from the encounter between Swiss choreographer Gilles Jobin and the founders of Artanim, Caecilia Charbonnier and Sylvain Chagué. In this contemplative virtual dance piece, five spectators, immersed together and in real time, use avatars to investigate a performance among surprising effects of scale. Cast: Susana Panadés Diaz, Victoria Chiu, Diya Naidu, Gilles Jobin, Tidiani N’Diaye. BattleScar / U.S.A., France (Lead Artists: Martin Allais, Nico Casavecchia, Key Collaborators: Arnaud Colinart, Raphael Penasa, Andrew Geller, René Pinell) — New York City, 1978: When Lupe, a Puerto Rican-American teen, meets fellow runaway Debbie, the Bowery’s punk scene and the Lower East Side are their playground. This coming-of-age narrative explores identity through animation and immersive environments as Lupe’s handwritten journals guide users through her year. Cast: Rosario Dawson. DICKGIRL 3D(X) / United Kingdom (Lead Artist: Sidsel Meineche Hansen, Key Collaborator: James B Stringer) — DICKGIRL 3D(X) is the non-binary version of EVA v3.0, an avatar purchased online and appropriated by the artist. Through DICKGIRL 3D(X), the viewer becomes a post-human pleasure-seeker in an encounter with a submissive clay-like sculpture. SPHERES: Songs of Spacetime / U.S.A. (Lead Artist: Eliza McNitt, Key Collaborators: Darren Aronofsky, Ari Handel, Jess Engel, Arnaud Colinart) — Dive into the heart of a black hole and uncover the hidden songs of the cosmos. In this interactive VR experience, the breakthrough discovery of gravitational waves transforms how we see the Universe. Fall into the darkness, and you will find the light. Wolves in the Walls (Chapter 1) / U.S.A. (Lead Artists: Pete Billington, Jessica Shamash, Key Collaborators: Edward Saatchi, Saschka Unseld, Jennine Willett, Zach Morris) — All is not as it seems when 8-year-old Lucy’s imagination proves to be reality. Help her discover what’s hiding inside the walls of her house in this immersive fable, based on the work by Neil Gaiman and Dave McKean, and choreographed by acclaimed immersive-theater company, Third Rail. Cast: Elisa Davis, Elizabeth Carena, Cadence Goblirsch Chorus / U.S.A. (Lead Artist: Tyler Hurd, Key Collaborators: Chris Milk, Megan Ellison, Justice) — Crystals, lasers, monsters, heroines. Transform into fantastical female warriors in this social virtual reality experience. Six people can band together to battle evil in this epic journey of empowerment, all orchestrated to the song “Chorus” by Justice.MOBILE VR LINEUP
Dinner Party / U.S.A. (Lead Artists: Charlotte Stoudt, Laura Wexler, Angel Manuel Soto, Key Collaborators: Rachel Skidmore, Bryn Mooser, Erik Donley) — A short virtual reality thriller that dramatizes the incredible story of Betty and Barney Hill, who in the 1960’s reported the first nationally known UFO abduction case in America. Cast: Malcolm Barrett, Sarah Sokolovic. Dispatch / U.S.A. (Lead Artist: Edward Robles) — A small-town police dispatcher faces the greatest challenge of his career during an all-night crime spree. Cast: Martin Starr, Julianna Guill, Graham Shiels, Beth Grant, Samuel Stricklen, Kelly Jenrette. Eyes in the Red Wind / South Korea (Lead Artists: Sngmoo Lee, Jongmin kim, Youngsam Jung, Key Collaborators: Jaehyun Park, Myuonggoo Ji, Youngsik Yu) — Friends and family members gather to throw a ‘soul scooping’ ritual, to pacify the soul of a drowned man. When a possessed shaman reveals the murderous truth behind the death on the table, lust and secrets come to the fore. Cast: Sungmi Kim, Jaehyun Kim, Jeongmi Lee, Nara Kim. Masters of the Sun / U.S.A. (Lead Artists: will.i.am, apl de ap, Taboo, Key Collaborators: Pasha Shapiro, Ernst Weber, Sara Ramaker, Eddie Axley) — In 1983, Los Angeles was spared from utter destruction driven by an ancient evil. The ghetto became ground zero for drug epidemic that transformed citizens into soul-sucking zombies through Z-Drops, until a ragtag crew used one weapon to take their city back: hip-hop. Cast: Rakim, Queen Latifah, Jason Isaacs, Stan Lee, KRS-One, Slick Rick. Micro Giants / China (Lead Artist: Yifu Zhou, Key Collaborators: Teng Wang, Shuyi Qiao, Jia Zhang) — A computer-generated VR experience that gives an unprecedented and highly engaging perspective of insect life. When participants enter into the micro world, tiny flowers and insects in normal life now become mighty trees and beasts. Cast: Pantawit Kiangsiri. On My Way / U.S.A. (Lead Artist: Yung Jake, Key Collaborators: Mike Rosenstien, Ari Kuschnir, Andrew Schwartz) — In a Tesla, multiple Yung Jakes rap about money, cars, drugs and things of that nature, among interactive elements. Cast: Yung Jake. Space Explorers: A New Dawn / Canada, U.S.A. (Lead Artists: Paul Raphaël, Felix Lajeunesse, Key Collaborators: Morgan Spurlock, Ryan Horrigan, Stéphane Rituit) Experience the journey of NASA astronauts as they navigate the trials and sacrifices of their training and missions. An immersive VR experience that shines a light on mankind’s most ambitious endeavor to understand our planet, our universe and our origins. Cast: Jessica Chastain, Jeanette Epps, Jessica Meir, Victor Glover, Michael Gernhardt. The Sun Ladies VR / U.S.A. (Lead Artists: Maria Bello, Celine Tricart, Christian Stephen, Key Collaborators: Wesley Allsbrook, Tim Gedemer, Mark Simpson) An in-depth look at the personal journey of Xate Singali: from her roots as a famous singer in Kurdistan, through ISIS sex slavery, and to her new life as a soldier on the front lines as she starts a female-only Iraqi fighting unit called the Sun Ladies. Cast: Maria Bello. The Summation of Force / Australia (Lead Artists: Narelle Autio, Trent Parke, Matthew Bate, Key Collaborator: Anton Andreacchio) — In a moonlit suburban yard, two brothers battle one another in a mythic game of cricket. A study of the motion, physics and psychology of elite sport; a cosmic, dreamlike and darkly beautiful metaphor for life. Cast: Jem Autio Parke, Dash Autio Parke. Your Spiritual Temple Sucks / Taiwan (Lead Artist: John Hsu) — Mr. Chang arrives to his “Spiritual Temple,” a place that represents one’s destiny. To solve his marital crisis and financial problems, he summons his guardian – The Thunder God. They attempt to tidy his life, which turns out to be a big mistake…with hilarious consequences. Cast: Ctwo, Sun Ke-Fang, Han Chang, Andy Tsai, Wei Hao Tseng, Liu Kuan-Ting. Image: A still image from The Sun Ladies VR by Celine Tricart, Christian Stephen and Maria Bello, an official selection of the New Frontier VR Experiences program at the 2018 Sundance Film Festival. Courtesy of Sundance Institute | photo by Lucid Dreams Productions.
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DARKEST HOUR Starring Gary Oldman Wins Whistler Film Festival’s Audience Award
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DARKEST HOUR[/caption]
Joe Wright’s DARKEST HOUR, starring Gary Oldman and Lily James is the winner of the 2017 Whistler Film Festival’s Audience Award. Endorsed by Winston Churchill’s estate, the film tells the story of Churchill’s refusal to engage in peace treaty negotiations with Nazi Germany during WWII, and his determination to fight on against incredible odds.
The WFF Audience Award runner-ups were the Western Canadian premieres of I, TONYA, directed by Craig Gillespie and starring Margot Robbie, about disgraced figure skater Tonya Harding, followed by TULIPANI: LOVE, HONOUR, AND A BICYCLE, from Oscar Winner Mike Van Diem with the Netherlands, Italy, and Canada co-production. The WFF Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
“We were very fortunate to open this year’s fest with the Western Canadian premiere of DARKEST HOUR, a film we are convinced will be a major contender in this year’s awards season race,” said Paul Gratton, WFF Director of Programming. “The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and almost 400 guests who made a point of trekking out to Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2017 represented another step forward towards establishing the Whistler Film Festival as the coolest film fest in the world.”
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TIFF Unveils Top Ten Canadian Films of 2017 + Top Ten Film Festival Lineup
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Adventures in Public School[/caption]
TIFF is toasting the end of Canada’s sesquicentennial with its list of 2017’s best Canadian films for the 17th Canada’s Top Ten Film Festival. The stellar lineup champions emerging directors, including Sadaf Foroughi for her award-winning, Tehran-set drama Ava; Wayne Wapeemukwa’s City of Toronto Award for Best Canadian First Feature Film at TIFF, Luk’Luk’I; Kathleen Hepburn’s heartbreaking Never Steady, Never Still; Simon Lavoie’s striking The Little Girl Who Was Too Fond Of Matches; Kyle Rideout’s charming comedy Adventures in Public School; and, in another example Canada’s genre chops, Les Affamés, Robin Aubert’s unique take on the zombie allegory, which won the Canada Goose Award for Best Canadian Feature Film at TIFF. Social issues are also dealt with directly in Charles Officer’s lyrical documentary Unarmed Verses, winner of Hot Docs’ Best Canadian Feature Documentary prize, and Catherine Bainbridge’s electrifying crowd-pleaser RUMBLE: The Indians Who Rocked the World.
The festival’s popular In Conversation With… series will feature intimate onstage discussions with remarkable talent, including master filmmaker Alanis Obomsawin, who is also part of this year’s lineup with her latest feature, Our People Will Be Healed, a luminous, hopeful ode to the power of action-driven decolonization. The revered filmmaker, musician, and revolutionary artist has been a tireless advocate for Indigenous resistance and she continues to reinvigorate Canada’s Indigenous identities while advocating for truth and reconciliation in her latest feature. In Conversation With… Alanis Obomsawin is co-presented by The Directors Guild of Canada.
In addition, award-winning actor Evan Rachel Wood will discuss her career and role in the psychological thriller Allure, the highly anticipated feature debut from Montreal-based photographers Carlos and Jason Sanchez. Wood began her career as a child in the 1990s and went on to give acclaimed performances in Thirteen (2003) and The Wrestler (2008), before reaching new heights with HBO’s hit series Westworld (2016– ). She is a leading voice in the drive to create lasting change in the film industry, and her brilliant work in such Canadian independent features as Patricia Rozema’s Into the Forest (Canada’s Top Ten 2015) and this year’s Canada’s Top Ten selection Allure has cemented her status as one of the most versatile and adventurous actors working today.
The festival also offers audiences two special screenings: Phillip Borsos’ 1990 political saga Bethune: The Making of a Hero — starring Donald Sutherland as beloved Canadian hero Dr. Norman Bethune — as well as a Canadian Open Vault free screening of Daniel Cockburn’s TFCA Jay Scott Prize winner You Are Here (2010).
Filmgoers in Toronto will once again vote to crown the People’s Choice Award winner.
The Canada’s Top Ten Film Festival is complemented by the 2018 TIFF Industry Forum, a full day of programming on Friday, January 12 tailored exclusively for film professionals. The Forum opens with a special edition of Breakfast at TIFF that explores
programming ethics. In light of recent harassment allegations against prominent industry creatives, panellists will debate whether the art can ever truly be separated from the artist. Another session will celebrate the outstanding work of break-out feature directors and examine how the industry can best support them as they develop their second and third features. The Forum closes with a live onstage recording of the award-winning podcast TIFF Long Take, featuring Canadian film and television director Jeremy Podeswa. He is best known for directing the films The Five Senses (1999) and Fugitive Pieces (2007), and for his Emmy-nominated work on the HBO series Game of Thrones.
Established in 2001, the festival is one of the largest and longest-running showcases of Canadian film. From January 12 to 21, 2018 at TIFF Bell Lightbox in Toronto, the 10-day event boasts a rich offering of public screenings, Q&A sessions and a special Industry Forum, followed by a nationwide tour stopping in Vancouver, Montreal, Regina, Edmonton, Winnipeg, Ottawa and Saskatoon.
The festival will tour select films to major cities across the country including stops at Vancouver’s The Cinematheque (January 12 to 21), Montreal’s PHI Centre (January 12 to 21), Winnipeg Film Group’s Cinematheque (January 12 to February 24), Edmonton’s Metro Cinema (January 26 to February 4), Ottawa’s National Gallery of Canada (March 15 to 17), Regina’s RPL Film Theatre (April 12 to 15) and Saskatoon’s PAVED Arts in collaboration with the Roxy Theatre (dates TBC).
Canada’s Top Ten Film Festival features
Adventures in Public School, Kyle Rideout* .Opening Night Film. Allure Carlos Sanchez, Jason Sanchez Ava Sadaf Foroughi Les Affamés Robin Aubert The Little Girl Who Was Too Fond of Matches Simon Lavoie Luk’Luk’I Wayne Wapeemukwa Never Steady, Never Still Kathleen Hepburn Our People Will Be Healed Alanis Obomsawin RUMBLE: The Indians Who Rocked the World Catherine Bainbridge Unarmed Verses Charles OfficerCanada’s Top Ten Film Festival shorts
The Argument (with annotations) Daniel Cockburn The Botanist Maude Plante-Husaruk, Maxime Lacoste-Lebuis The Crying Conch Vincent Toi The Drop In Naledi Jackson Flood Amanda Strong Milk Heather Young Pre-Drink Marc-Antoine Lemire Rupture Yassmina Karajah The Tesla World Light Matthew Rankin Threads Torill KoveCanada’s Top Ten Film Festival student shorts
Away Home Jana Stackhouse (Ryerson) Blindsided Flytrap Productions (Sheridan College) Hold My Hand Alexandre Lefebvre (Cinéma à l’Université du Québec à Montréal) If You Fall Tisha Deb Pillai (Emily Carr University of Art + Design: Animation) Leila Aziz Zoromba (Concordia University) Meddy Ted Sakowsky (York University) Mustard Seed Lina Roessler (York University) Nana Ali Kellner (Sheridan College) Quarters FIG House (Sheridan College) Waiting for Lou Katerine Martineau (Concordia University)
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Digitally Restored Version of THE ANCIENT LAW to World Premiere at 2018 Berlin International Film Festival
As part of the Berlinale Classics program, the 68th Berlin International Film Festival will be presenting Ewald André Dupont’s silent Das alte Gesetz (The Ancient Law, Germany, 1923) as a special screening with live music. The film, digitally restored under the auspices of the Deutsche Kinemathek, and accompanied by new music by French composer Philippe Schoeller, will have its world premiere on February 16, 2018 in the Friedrichstadt-Palast.
Das alte Gesetz (The Ancient Law) is an important piece of German-Jewish cinematic history; it contrasts the closed world of an Eastern European shtetl with the liberal mores of 1860s Vienna, and tackles the issue of the assimilation of Jews in 19th century Europe.
The Deutsche Kinemathek undertook the first efforts at reconstructing the film in 1984, trying to get as close to the original version as possible, as far as the sources available at the time allowed. When the original censor’s certificate was later uncovered, containing the text of the title cards, it would eventually provide the impetus for renewed research efforts world-wide and finally for a new, digital restoration.
“With its authentic set design and an excellent ensemble of actors, all captured magnificently by cinematographer Theodor Sparkuhl, The Ancient Law is an outstanding example of the creativity of Jewish filmmakers in 1920s Germany”, says Rainer Rother, head of the Retrospective section and artistic director of the Deutsche Kinemathek – Museum für Film und Fernsehen.
The new music by Philippe Schoeller was commissioned by the broadcasters ZDF/ARTE. Schoeller gets to the heart of the film with meticulously composed ensemble music that employs all the techniques of a modern soundtrack. It consciously establishes some historical distance to the film itself and uses a tapestry of translucid sounds to emphasise the visual excellence of the silent classic. The composition will be performed by the Orchester Jakobsplatz München, with Daniel Grossmann at the podium. The orchestra, founded in 2005, focuses on the work of Jewish composers, as well as 20th and 21st century music, making an important contribution to contemporary German-Jewish culture. Its most recent guest appearance at the Berlinale was in 2013.
The new restoration drew upon nitrate prints in five different languages found in archives in Europe and the US. The text of the original German title cards was long thought lost. It was not until the censor’s certificate listing the intertitles was unearthed that the restoration team from the Deutsche Kinemathek could accurately reconstruct them, as well as correcting and finalising the editing. The colour concept was based primarily on two found prints nearly identical in their colourisation. So this is the first time that a version corresponding to the 1920s German theatrical release will be shown, both in its original length, and with the colourisation digitally restored.
The Berlinale screening marks the start of the film’s tour to several cities, mainly in Eastern Europe, that were once hubs of Jewish life, including Vilnius, Budapest, Warsaw, and Vienna. It will also be shown at the Silent Film Festival in San Francisco.
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10 Documentary Short Films Make Oscar Shortlist
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Edith+Eddie[/caption]
The Academy of Motion Picture Arts and Sciences narrowed the field of Documentary Short Subject contenders for the 90th Academy Awards to 10 films, of which 5 will earn Oscar nominations.
Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.
The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT.
The 10 films are listed below in alphabetical order by title, with their production companies:
“Alone,” The New York Times
“Edith+Eddie,” Heart is Red and Kartemquin Films
“Heaven Is a Traffic Jam on the 405,” Stiefel & Co.
“Heroin(e),” A Netflix Original Documentary in association with The Center for Investigative Reporting, A Requisite Media Production
“Kayayo – The Living Shopping Baskets,” Integral Film
“Knife Skills,” TFL Films
“116 Cameras,” Birdling Films
“Ram Dass, Going Home,” Further Pictures
“Ten Meter Tower,” Plattform Produktion
“Traffic Stop,” Q-Ball Productions
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VIDEO: Watch LGBTQ Musical Drama SATURDAY CHURCH Trailer, Opens in Theaters on Jan. 12
Here is the new trailer for LGBTQ musical drama Saturday Church, about a 14-year-old shy and effeminate boy, who finds himself becoming the“man of the house” after the death of his father. The film starring Luka Kain, winner-Best Actor at OUTFEST 2017 will open in theaters, on demand and on all digital platforms on January 12th, 2018.
Saturday Church, written and directed by Damon Cardasis, tells the story of 14-year-old Ulysses, a shy and effeminate boy, who finds himself coping with new responsibilities as “man of the house” after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses’ journey takes a turn for the better when he encounters a vibrant transgender community, who take him to “Saturday Church,” a program for LGBTQ youth. Ulysses manages to keep his two worlds apart; appeasing his aunt and discovering his passion for the NYC ball scene, and voguing, until his double life is revealed. Ulysses must find the courage to be who he truly is, all while risking losing those he cares about most.
The film stars Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher.
https://www.youtube.com/watch?v=IAra4mxDRYs

Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption]
“The Shape of Water” leads the nominations for the 23rd Annual Critics’ Choice Awards with 14 nods including Best Picture, and Best Director for Guillermo del Toro. The winners will be revealed live at the star-studded Critics’ Choice Awards gala on Thursday, January 11, 2018 on the CW Network .
“Call Me By Your Name,” “Dunkirk,” “Lady Bird,” and “The Post” impressed with eight nominations each, and are all in the running for Best Picture and Best Director, among others. “Blade Runner 2049” earned seven nominations, followed by “The Big Sick” and “Three Billboards Outside Ebbing, Missouri” each with six, and “Get Out” and “I, Tonya” with five.