• Women Directed + Horror Themed 3rd Final Girls Berlin Film Festival Announces Lineup, Opens with THE BOOK OF BIRDIE

    [caption id="attachment_24277" align="aligncenter" width="1200"]The Book of Birdie The Book of Birdie[/caption] The 3rd edition of Final Girls Berlin Film Festival will take place in Berlin, Germany from February1st to the 3rd, 2018, showcasing horror films that were directed, written, and/or produced by women and non-binary filmmakers.   The 2018 Final Girls Berlin Film Festival lineup consists of 5 feature films, six curated short blocks, a horror storyboarding workshop, a talk on vampires and women, and a filmmaker panel. Festival co-director Eli Lewy says “this year we have selected a range of unnerving feature films – most of which are also exclusive German premieres!” Fellow co-director Sara Neidorf adds “we’re excited for another three days of communal fear and challenging discussions with filmmakers and spectators. Underground horror cinema is alive and well with the works of women who are steadily reshaping the landscape of the genre.” ​The opening night feature is Anami Tara Shucart and Elizabeth E. Schuch’s offering THE BOOK OF BIRDIE. When a fragile, imaginative teenager is placed in a remote convent, will her unusual obsessions and hallucinations become a mark of sainthood or dark heresy? Reserved teen Birdie is sequestered to a life of religious servitude by her grandmother, in the hope that it will suppress the young girl‘s dark thoughts. Now far from home, her interests remain far from pious, as she develops a fascination with blood and sparks a romance with the groundkeeper’s daughter. This haunting and aesthetically arresting directorial debut of Elizabeth E. Schuch features an all-woman cast. UK, dir. Elizabeth E. Schuch (2017, German Premiere) ​A mother’s grief turns to paranoia when she begins to suspect her eccentric neighbors are involved in a satanic pact. Starring Gaby Hoffmann (Transparent, Girls) and Ingrid Jungermann (WOMEN WHO KILL), and paying homage to ROSEMARY’S BABY, this queer psychological horror LYLE, brings the viewer through a nightmarish journey of gaslighting, loss, loneliness, and mistrust. USA, dir. Stewart Thorndike (2014, Berlin Premiere) ​Iona and her mother are new in town and excited about starting a new chapter in their lives, but things don’t go as they hoped in this off-kilter, heart-wrenching film about two generations of outcasts. This ‘social horror’ film PIN CUSHION world premiered at the 2017 Venice Film Festival. UK, dir. Deborah Haywood (2017, German Premiere) ​A pitch black, wryly British comedy, PREVENGE follows Ruth, a pregnant woman on a killing spree that’s as funny as it is vicious. It’s her misanthropic unborn baby dictating Ruth’s actions, holding society responsible for the absence of a father. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood. UK, dir. Alice Lowe (2016) MOST BEAUTIFUL ISLAND is a psychological thriller set in the world of undocumented female immigrants hoping to make a life in New York City. Shot on Super 16mm with an intimate, voyeuristic sensibility, MOST BEAUTIFUL ISLAND chronicles one harrowing day in the life of Luciana, a young woman struggling to make ends meet while striving to escape her past. As Luciana’s day unfolds, she is whisked, physically and emotionally, through a series of troublesome and unforeseeable extremes. USA, Dir. Ana Asensio (2017, German Premiere)

    Short Film Programs

    Obsession

    PLEASE LOVE ME FOREVER (Dir. Holy Fatma, France, 2016) FRY DAY (Dir. Laura Moss, USA, 2017) NOTHING A LITTLE SOAP AND WATER CAN’T FIX (Dir. Jennifer Proctor, USA, 2017) 🙁 (Dir. Sydney Clara Brafman, USA, 2017) WASTE (Dir. Justine Raczkiewicz, USA, 2016) DON’T EVER CHANGE (Dir. Don Swaynos, US, 2017) DEAD. TISSUE. LOVE (Dir. Tasha Austin-Green, UK, 2017)

    Mind Games

    BBROWN WRECK-LOOSE (Dir. Tristian Montgomery, USA, 2017) LIZ DRIVES (Dir. Mia’kate Russell, Australia, 2017) THE HEAVY ATOMS (Dir. Alice Evermore, Germany, 2017) THE CLIP (Dir. Maria Forslin, Sweden, 2016) TONE DEATH (Dir. Sinnead Stoddart, UK, 2017) HIGHWAY (Dir. Vanessa Gazy, Australia, 2016) BLACK COAT (Dir. Tatiana Vyshegorodseva, Russia, 2017) DON’T OPEN YOUR EYES (Dirs. Adrián García Bogliano & Andrea Quiroz, Sweden, 2017)

    Dark Gatherings

    WHAT METAL GIRLS ARE INTO (Dir. Laurel Veil, USA, 2017) BLOOD SISTERS (Dir. Caitlin Koller, Australia, 2017) SPOTLIGHT (Dir. Joe Savage, UK, 2017) MADDER ISLE (Dir. Laura Spark, UK, 2017) THE PENNY DROPPED (Dir. A D Cooper, UK, 2016) MAB (Dir. Katie Bonham, UK, 2017) PRAYERS (Dir. Edda Manriquez, USA, 2016) THE CONTEST (Dir. Aimee Morgan, USA, 2017) DEVIL IS ON HIS WAY (Dir. Ophelie Neve, Belgium, 2017)

    Metamorphosis

    TALKING HEADS (Dir. Alyx Melone, Canada, 2017) THE DAY MUM BECAME A MONSTER (Dir. Joséphine Hopkins, France, 2017) APOCALYPSE BABIES (Dir. Anabelle Berkani, Canada, 2017) BEAUTIFUL INJURIES (Dir. Judith Beauvallet, France, 2017) NANA (Dir. Yunxuan Wang, China 2017) LE PEAU SAUVAGE (Dir. Ariane Louis-Seize, Canada, 2016)

    Family Dysfunction

    UNBEARING (Dir. Aidan Weaver, USA, 2016) MADAME MACABRE TELLS A TERRIBLE TALE ABOUT RONGUES (Dir. Tracy Rosenblum, USA, 2017) METAMORPHOSIS (Dir. Elaine Xia, USA/China, 2017) HOME EDUCATION (Dir. Andrea Niada, UK, 2017) CRESWICK (Dir. Natalie Erika James, Australia, 2016)

    Serial Killers

    STRANGE AS ANGELS (Dir. Austin Elston, USA, 2017) HOBBY SHOP (Dirs. Stephanie Liquorish & Isabel Stanfield, Australia, 2017) MARTA (Dir. Lucia Forner Segarra, Spain, 2017) DON’T EVER CHANGE (Dir. Don Swaynos, USA, 2017) SHOES (Dir. Ray Kermani, Belgium, 2017) FRY DAY (Dir. Laura Moss, USA, 2017)

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  • DAMSEL Starring Robert Pattinson + More Films Added to 2018 Berlin Film Festival Competition and Berlinale Special Lineup

    [caption id="attachment_26511" align="aligncenter" width="1200"]Mia Wasikowska, Robert Pattinson. Damsel. Regie/director: David Zellner, Nathan Zellner Mia Wasikowska, Robert Pattinson in Damsel.[/caption] Another ten films including Damsel starring Robert Pattinson, have been added to the Competition of the 68th edition of the Berlin International Film Festival.  Three more have also been selected for the program of the Berlinale Special. Joining the eight Competition films and two Berlinale Special titles are 13 productions from Argentina, Australia, Austria, Brazil, Bulgaria, Czech Republic, France, Germany, Hong Kong – China, Iran, Ireland, Luxembourg, Norway, Paraguay, People’s Republic of China, Romania, Sweden, Switzerland, the United Kingdom, Uruguay, and the USA. Further films of the Competition and Berlinale Special programme will be revealed soon.

    Competition

    The following films will be celebrating world or international premieres in the Competition of the Berlinale 2018. 3 Tage in Quiberon (3 Days in Quiberon) Germany / Austria / France By Emily Atef (Molly’s Way, The Stranger In Me) With Marie Bäumer, Birgit Minichmayr, Charly Hübner, Robert Gwisdek, Denis Lavant World premiere Black 47 Ireland / Luxembourg By Lance Daly (Kisses, The Good Doctor) With Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keoghan, Moe Dunford, Sarah Greene, Jim Broadbent World premiere – Out of competition Damsel USA By David Zellner, Nathan Zellner (Kid-Thing, Kumiko, The Treasure Hunter) With Robert Pattinson, Mia Wasikowska, David Zellner, Nathan Zellner, Robert Forster, Joe Billingiere International premiere Eldorado – Documentary Switzerland / Germany By Markus Imhoof (The Boat Is Full, More Than Honey) World premiere – Out of competition Las herederas (The Heiresses) Paraguay / Germany / Uruguay / Norway / Brazil / France By Marcelo Martinessi With Ana Brun, Margarita Irún, Ana Ivanova World premiere – First Feature Khook (Pig) Iran By Mani Haghighi (Modest Reception, A Dragon Arrives!) With Hasan Majuni, Leila Hatami, Leili Rashidi, Parinaz Izadyar, Ali Bagheri World premiere La prière (The Prayer) France By Cédric Kahn (Red Lights, Wild Life) With Anthony Bajon, Damien Chapelle, Alex Brendemühl, Louise Grinberg, Hanna Schygulla World premiere Toppen av ingenting (The Real Estate) Sweden / United Kingdom By Måns Månsson (The Yard, Mr Governor), Axel Petersén (Avalon) With Léonore Ekstrand, Christer Levin, Christian Saldert, Olof Rhodin, Carl Johan Merner, Don Bennechi World premiere Touch Me Not Romania / Germany / Czech Republic / Bulgaria / France By Adina Pintilie (Don’t Get Me Wrong) With Laura Benson, Tómas Lemarquis, Christian Bayerlein, Grit Uhlemann, Hanna Hofmann, Seani Love, Irmena Chichikova World premiere – First Feature Transit Germany / France By Christian Petzold (Yella, Barbara, Phoenix) With Franz Rogowski, Paula Beer, Godehard Giese, Lilien Batman, Maryam Zaree, Barbara Auer, Matthias Brandt, Sebastian Hülk, Emilie de Preissac, Antoine Oppenheim World premiere

    Berlinale Special Gala at the Friedrichstadt-Palast

    Monster Hunt 2 People’s Republic of China / Hong Kong, China By Raman Hui (Monster Hunt) With Tony Leung Chiu Wai, Baihe Bai, Boran Jing European premiere

    Berlinale Special at the Haus der Berliner Festspiele

    Gurrumul – Documentary Australia By Paul Williams International premiere – Debut film In Cooperation with NATIVe Viaje a los Pueblos Fumigados – Documentary Argentina By Fernando Solanas (The Hour Of The Furnaces, Tangos, The Exile Of Gardel, Memoria del saqueo – A Social Genocide) World premiere

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  • “Finding Your Feet” and “Skid Row Marathon” Win Audience Awards at Palm Springs International Film Festival

    [caption id="attachment_26505" align="aligncenter" width="1200"]Finding Your Feet Finding Your Feet[/caption] Finding Your Feet and Skid Row Marathon have been voted the winners of the Audience Awards at the 29th Annual Palm Springs International Film Festival (PSIFF) held from January 2 to 15, 2018. Finding Your Feet (UK), directed by Richard Loncraine received the Audience Award for Best Narrative Feature. When snooty “Lady” Sandra Abbott discovers that her husband of 40 years has been having an affair, she packs her designer bags and flees to the shabby council flat of her estranged older sister. A sterling British cast give their all in this heartwarming romantic comedy. The Audience Award for Best Documentary Feature went to Skid Row Marathon (US) directed by Mark Hayes. Judge Craig Mitchell believes in second chances. This inspiring documentary tracks the running club Mitchell founded for the homeless on L.A.’s Skid Row, hoping that through the discipline of running, these men and women who had lost everything, could reclaim a sense of dignity.

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  • LADY BIRD Saoirse Ronan to Receive Award at Santa Barbara International Film Festival

    Lady Bird by Greta Gerwig Saoirse Ronan will receive the prestigious Santa Barbara Award at the Santa Barbara International Film Festival for her critically acclaimed role in Greta Gerwig’s Lady Bird.  Given to a person in the entertainment industry who has made a great contribution to film, the award will be presented to her at a ceremony on Sunday, February 4, 2018 at the historic Arlington Theatre. “In Lady Bird, Saoirse Ronan has once again proven that she is a force of nature and one of her generation’s most exciting young talents,” stated SBIFF Executive Director Roger Durling. “She embodies her characters with a poignant accuracy and ease every time she appears on screen.” Ronan’s numerous film credits include The Grand Budapest Hotel, Hanna, The Lovely Bones, and The Way Back. She has received Academy Award nominations for her performances in Atonement and Brooklyn, and recently was awarded the Golden Globe for Best Actress in a Motion Picture – Musical or Comedy for her performance in Lady Bird. https://www.youtube.com/watch?v=cNi_HC839Wo Past recipients of the award include Isabelle Huppert, Sylvester Stallone, Jennifer Aniston, Oprah Winfrey, Daniel Day-Lewis, Geoffrey Rush, Julianne Moore, Kate Winslet, Javier Bardem, Bill Condon, and Naomi Watts. The 33rd annual Santa Barbara International Film Festival will take place from Wednesday, January 31st through Saturday, February 10th, 2018. The festival honored Judi Dench with its Kirk Douglas Award for Excellence in Film. The festival will also honor Gary Oldman (Darkest Hour) with its Maltin Modern Master Award, Willem Dafoe (The Florida Project) with its Cinema Vanguard Award, and Daniel Kaluuya (Get Out), Gal Gadot (Wonder Woman), Hong Chau (Downsizing), John Boyega (Detroit), Kumail Nanjiani (The Big Sick), Mary J. Blige (Mudbound), and Timothée Chalamet (Call Me by Your Name) with the Virtuosos Award.

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  • ELVIS PRESLEY: THE SEARCHER, Documentary Exploring His Creative Journey, Debuts April 14 on HBO

    Elvis Presley The new documentary Elvis Presley: The Searcher will debut Saturday, April 14 on HBO.  This three-hour, two-film presentation focuses on Elvis Presley the musical artist, taking the audience on a comprehensive creative journey from his childhood through the final 1976 Jungle Room recording sessions. The films include stunning atmospheric shots taken inside Graceland, Elvis’ iconic home, and feature more than 20 new, primary source interviews with session players, producers, engineers, directors and other artists who knew him or who were profoundly influenced by him. The documentary also features never-before-seen photos and footage from private collections worldwide, and includes an original musical score composed by Pearl Jam lead guitarist Mike McCready. Priscilla Presley, David Porter (legendary Memphis music writer and producer), Thom Zimny (director), Jon Landau (producer) and moderator John Jackson (SVP A&R, Sony Music) will discuss the film, the cultural impact of Elvis’ music and how that impact became the embodiment of rock’n’roll at the 2018 SXSW Festival in March. The panel is expected to cover:
    • how Elvis found inspiration in black and white gospel music of Tupelo
    • his early experience with the great African-American blues and r’n’b of Memphis
    • his evolution as an artist with Sam Phillips
    • the creative impact of his time serving in the U.S. Army in Germany
    • the creative highs and lows of his career in the 1960s, culminating in the triumphant ’68 special
    • an assessment of Elvis as a performing artist in the early ’70s, featuring a discussion of Jon Landau’s seminal 1971 review of Elvis in concert
    • a discussion of the interviews conducted for the film, including insights into the conversations with Scotty Moore, Red West, Bruce Springsteen and Tom Petty, among others
    • insight into the creation of the film’s score by Pearl Jam’s Mike McCready
    • an inquiry into the artistic and personal struggles that preceded his death in 1977
    RCA/Legacy Recordings, a division of Sony Music Entertainment, will release “Elvis Presley: The Searcher”, the musical companion to the HBO/Sony Pictures documentary, on Friday, April 6.  

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  • Documentaries on Martin Luther King, Jr., Arthur Miller and More Set to Debut on HBO

    [caption id="attachment_26489" align="aligncenter" width="1200"]Dr. Martin Luther King Jr. and Stokely Carmichael appear in King In The Wilderness by Peter Kunhardt Dr. Martin Luther King Jr. and Stokely Carmichael appear in King In The Wilderness by Peter Kunhardt[/caption] HBO has confirmed a diverse array of timely and thought-provoking documentaries for the first half of 2018, including: Peter Kunhardt’s KING IN THE WILDERNESS, about the last years of Martin Luther King, Jr.; Judd Apatow’s two-part, four-and-a-half-hour documentary THE ZEN DAIRIES OF GARRY SHANDLING; Rebecca Miller’s ARTHUR MILLER: WRITER, an intimate portrait of one the greatest playwrights of the 20th century; and I AM EVIDENCE, produced by Mariska Hargitay, about the untested rape kit backlog in the U.S. Upcoming HBO documentaries include (in chronological order): THE NUMBER ON GREAT GRANDPA’S ARM (debuts Jan. 27). When ten-year-old Elliott asks his 90-year-old great-grandfather, Jack, about the number tattooed on his arm, he sparks an intimate conversation about Jack’s life that spans happy memories of childhood in Poland, the loss of his family, surviving Auschwitz, and finding a new life in America. Drawing on haunting historical footage, photos and hand-painted watercolor animation, the short film tells a heartbreaking story of Jewish life in Eastern Europe before and during the Holocaust. Debuting on International Holocaust Remembrance Day, this gently powerful documentary centers on Elliott’s love for his beloved great-grandfather and his wish to keep Jack’s memories and lessons from that terrible time alive. Directed and produced by Amy Schatz. MAY IT LAST: A PORTRAIT OF THE AVETT BROTHERS (Jan. 29). From longtime fans Judd Apatow and Michael Bonfiglio, and filmed with extensive access over the course of more than two years, this intimate portrait of the acclaimed North Carolina band charts their decade-and-a half rise, while chronicling the Avetts’ present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.” With the recording process as a backdrop, it depicts a lifelong bond and unique creative partnership, as band members experience marriage, divorce, parenthood, illness, and the challenges of the music business. More than just a music documentary, the film is a meditation on family, love and the passage of time. An Apatow Production in association with RadicalMedia. ATOMIC HOMEFRONT (Feb. 12). This timely film shines an urgent light on the lasting toxic effects nuclear waste can have on communities. Focusing on a group of moms-turned-advocates in St Louis, it follows them as they confront the Environmental Protection Agency, state regulators and the corporations behind the illegal dumping of dangerous radioactive waste in their neighborhoods. Directed by Rebecca Cammisa. ARTHUR MILLER: WRITER (March 19). This intimate portrait of one of the greatest playwrights of the 20th century is told from the unique perspective of his daughter, Rebecca Miller, who filmed interviews with her father over decades. Drawing on a wealth of personal archival material, the film provides new insights into Miller’s life as an artist and explores his character in all its complexity. Directed by Rebecca Miller. THE ZEN DIARIES OF GARRY SHANDLING (March 26 and 27). Judd Apatow’s two-part, four-and-a-half-hour documentary explores the remarkable life of the legendary comedian, who was Apatow’s mentor and friend. It features interviews from nearly four dozen friends, family and colleagues; four decades’ worth of television appearances; and a lifetime of personal journals, private letters and home audio and video footage that reveal Shandling’s brilliant mind and restless soul. KING IN THE WILDERNESS (April). Drawing on stories from the people around him, this film follows Dr. Martin Luther King, Jr. during the last years of his life, from the passage of the Voting Rights Act in 1965 to his assassination in 1968. The documentary provides a clear window into King’s character, showing him to be a man with an unshakeable commitment to nonviolence in the face of an increasingly unstable country. With the U.S. currently in one of the most divided periods in 50 years, King’s words underscore why nonviolence is still vital today. Directed by Peter Kunhardt and produced by George and Teddy Kunhardt. TRAFFIC STOP (April). This film tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic arrest. Caught on police dashcams, King was pulled from her car by the arresting officer, repeatedly thrown to the ground and handcuffed. En route to jail in a squad car, she engaged in a revealing conversation with her escorting officer about race and law enforcement in America. The documentary juxtaposes dashcam footage with scenes from King’s everyday life, offering a fuller portrait of the woman caught up in this unsettling encounter. Directed by Kate Davis; produced by David Heilbroner. I AM EVIDENCE (April). Produced by Mariska Hargitay, this documentary reveals the shocking number of untested rape kits in the United States today. Despite the power of DNA to solve and prevent crimes, hundreds of thousands of these kits, containing potentially crucial DNA evidence, languish untested in police evidence storage rooms across the country. The film tells stories of survivors who have waited years for their kits to be tested, as well as the law enforcement officials who are leading the charge to work through the backlog and pursue long-awaited justice. Directed by Trish Adlesic and Geeta Gandbhir. THE FINAL YEAR (May). This documentary is a unique insiders’ account of President Barack Obama’s foreign policy team during its last year in office. Featuring unprecedented access inside the White House and State Department, the film offers an uncompromising view of the inner workings of the Obama administration as it prepares to leave power after eight years. Directed by Greg Barker.

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  • “The Zen Diaries of Garry Shandling,” Documentary by Judd Apatow on the Legendary Comedian to Debut on HBO

    Garry Shandling When Garry Shandling passed away in 2016, he was widely remembered as a top stand-up comic and the star of two of the most innovative sitcoms in TV history. But to those who knew him, the “real” Garry Shandling was a far more complex person. Now, Judd Apatow has created a remarkable portrait of this iconic comedian in the four-and-a-half-hour documentary The Zen Diaries of Garry Shandling, which debuts in two parts Monday, March 26 and Tuesday, March 27, exclusively on HBO. Epic in scope and intimate in detail, The Zen Diaries of Garry Shandling features conversations with more than 40 of Shandling’s family and friends, including James L. Brooks, Jim Carrey, Sacha Baron Cohen, David Coulier, Jon Favreau, Jay Leno, Kevin Nealon, Conan O’Brien, Bob Saget, Jerry Seinfeld and Sarah Silverman, and four decades’ worth of TV appearances, along with personal journals, private letters and candid home audio and video footage that reveal his brilliant mind and restless soul. “Give what you didn’t get,” wrote Shandling in a journal late in his life, the mantra of a self-proclaimed “spiritual warrior” still challenging himself to transcend his own insecurities, despite achieving so much in the face of loss, betrayal and tragic twists of fate. From childhood tragedy to heartbreak, professional betrayal and unexpected physical trauma, to his emergence as a powerful teacher, friend and guiding spirit for a new generation of talent, Apatow’s documentary not only chronicles one man’s ability to survive the ups and downs of a life in show business, but also offers a profound investigation into the power of comedy to elevate the human spirit. Shandling experienced a normal existence growing up in Tucson until age ten, when his older brother and only sibling, Barry, died from cystic fibrosis. His parents barely discussed their older son’s passing, and his mother, Muriel, began clinging to her younger son, developing an intense and sometimes troubling bond that would later generate some of his comedy material. Shandling’s unlikely path towards success, through an encounter with George Carlin and an impulsive move to Los Angeles after college, took a turn in 1976, when he was involved in a serious traffic accident, resulting in a near-death experience. As he recovered, he noted in his diaries, which he began keeping in 1977, “Do it – you are ready, be a comedian. It is the real me. The secret is to be myself.” Explains Jim Carrey, “I thought of Garry as someone who told the audience, ‘You’re alright, because I have all these problems.’ But he did it in a way that was so incredibly clever, you had to respect him at the same time.” Shandling made the leap from the pinnacle of stand-up success, appearing on “The Tonight Show Starring Johnny Carson,” to develop his comic persona into something that would redefine television comedy. Realizing that one of his strengths as a standup was simply the ability to “talk to people,” he created a show where talking to the audience was the central focus – “a show that allows Garry to be Garry,” as his journals read. “It’s Garry Shandling’s Show” was a decade ahead of its time, the first modern “meta”-sitcom that brought him a new legion of devoted fans and elevated his profile in the industry. “It was kind of a revelation,” remembers Conan O’Brien about the show’s three-season run. “It showed everybody, this is what kind of show can exist.” He also met Linda Doucett, who became his fiancée, began building a new home, and was even rumored to be heir apparent for the host seat on “The Tonight Show.” Part two of The Zen Diaries of Garry Shandling offers an extensive examination of “The Larry Sanders Show,” his landmark HBO comedy series. Colleagues remember the demands of producing material that met Shandling’s high standards, while his diaries reveal an ongoing struggle with complacency and search for authenticity. The impact of “Larry Sanders” was immeasurable. “That show will outlast all of us,” says Jay Leno. But in the wake of the show’s success, soul-wrenching tragedy, fueled at times by Shandling’s own demons, played itself out. Sanders and Doucett broke up and he fired her from the show, leading to a lawsuit, which in turn raised financial questions that led Shandling to sue his manager, Brad Grey, for $100 million, a case that took years to resolve and cost him many friendships, as well as threatening his ongoing pursuit of spiritual peace. “I see him as a tortured person, because he was always trying to rise above,” remembers Kevin Nealon. “I mean, his core was good. I think it was the skin around that core that he was trying to break away from.” After “The Larry Sanders Show” ended, Shandling’s neuroses and insecurities became more evident, as he worked through unexpected emotional, physical and professional crises. The ailing Shandling found solace in community. Sunday morning basketball games on his home courtyard brought friends together and kept him emotionally connected, while a mentorship of younger comics gave his life fresh meaning. “He was a comic angel,” recalls Sacha Baron Cohen. A successful gig hosting the Emmys(R), creating unique extras for the DVD release of “The Larry Sanders Show” and an appearance with his friend Jerry Seinfeld on “Comedians in Cars Getting Coffee” (where Shandling opined about death and mortality) hinted at some of the lessons he’d learned in his lifelong quest for peace. As his friends say farewell and some of Shandling’s most personal, heartfelt letters and thoughts are shared, Apatow’s documentary, like its subject, transcends easy definition, being at once hilarious, sad, fascinating and, above all, completely authentic.

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  • Palm Springs International Film Festival Announces 2018 Award Winners, “Félicité” Wins FIPRESCI Prize

    [caption id="attachment_26480" align="aligncenter" width="1400"]Félicité (Senegal), directed by Alain Gomis Félicité (Senegal), directed by Alain Gomis[/caption] This year’s juried award winners of the 29th Palm Springs International Film Festival (PSIFF) were announced today at a luncheon at the Hilton Palm Springs on Saturday, January 13, 2018. The FIPRESCI Prize for Best Foreign Language Film of the Year went to Félicité (Senegal), directed by Alain Gomis.  Bursting at the seams with energy, Franco-Senegalese filmmaker Alain Gomis’s Berlin festival prizewinner immerses us in the sights and sounds of Kinshasa while loosely chronicling the day-to-day travails of the eponymous single-mom and nightclub-chanteuse (Congolese singer Véro Tshanda Beya, in an unforgettable performance) at the heart of the film. The film is on the shortlist for the Best Foreign Language Academy Award. FIPRESCI Prize for the Best Actor in a Foreign Language Film went to Nakhane Touré from The Wound (South Africa). South African co-writer/director John Trengove’s balanced docudrama explores a clandestine relationship between two Xhosa men, set against the backdrop of a traditional coming-of-age ceremony. The FIPRESCI Prize for Best Actress in a Foreign Language Film went to Daniela Vega from A Fantastic Woman (Chile). Making a living waiting tables in downtown Santiago while pursuing her dream of becoming an nightclub singer, young transgender woman Marina (Daniela Vega in a stunning debut) finds safety and solace from an often cruel world in her relationship with older divorcee Orlando (Francisco Reyes, Neruda). But when Orlando suffers a violent fall and massive injuries in the last moments of a fatal aneurysm, suspicion falls on Marina, causing her to flee the hospital and the eye of a judgmental city. A special jury of international film critics reviewed 45 of the 92 official submissions for the Academy Awards Best Foreign Language Film category screened at this year’s Festival, and all three films that received prizes are on the shortlist for the Best Foreign Language Academy Award. The New Voices New Visions focuses on films that represent the most distinctive new directors to have emerged in the last year. Each of the twelve films in competition represents the filmmakers debut or second feature.  This year’s New Voices New Visions Award went to The Charmer (Denmark), directed by Milad Alami. A searing and topical exploration of the immigrant experience shot through with elements of psychological thriller and erotic drama, Milad Alami’s striking feature debut follows an Iranian man’s increasingly desperate attempts to secure citizenship by seducing a string of Danish women. Léa Mysius for Ava (France) received the Honorable Mention for Exceptional Direction. Thirteen-year-old Ava’s summer vacation gains a new urgency when she learns she is rapidly going blind. In the face of creeping darkness, she squeezes in all the life she can, rebelling against her mother, stealing a dog, and becoming romantically entangled with a mysterious beach rat, sending her on an unpredictable journey of self-realization. The John Schlesinger Award, named after the director, writer, producer and festival supporter, is presented to the director of a debut feature documentary, and this year’s award went to Brimstone and Glory (US/Mexico), directed by Viktor Jakovleski. Equal parts awe-inspiring and anxiety-inducing, Brimstone and Glory’s chronicle of an annual fireworks extravaganza in Tultepec, Mexico, is a visual, jaw-dropping spectacle like no other documentary before it. The Cine Latino Award is presented to the best Ibero-American film screening at the festival. The award aims to highlight the creativity seen in modern Spanish, Portuguese and Latin American films. The Cine Latino Award went to Killing Jesús (Colombia/Argentina), directed by Laura Mora. When university student Paula witnesses her social activist father’s assassination, the inept, uncaring police force drives her to seek justice on her own. But when she finds herself immersed in the killer’s poverty-stricken world she discovers that they might both be victims of the same broken system.  Honorable Mention was given to A Fantastic Woman (Chile), directed by Sebastián Lelio. The HP Bridging the Borders Award that honors the film that is most successful in bringing the people of our world closer together, went to The Insult (Lebanon), directed by Ziad Doueiri. What should have been a trivial altercation, quickly settled and forgotten, instead propels two men (one a local Christian, the other a Palestinian refugee) to the center of a very public scandal in Lebanon, reopening historical and political wounds on both sides.

    The complete list of 29th Palm Springs International Film Festival Award Winners:

    Audience Award for Best Narrative Feature TBA on Sunday, January 14 Audience Award for Best Documentary Feature TBA on Sunday, January 14 FIPRESCI Prize for Best Foreign Language Film of the Year Félicité (Senegal), directed by Alain Gomis FIPRESCI Prize for the Best Actor in a Foreign Language Film Nakhane Touré from The Wound (South Africa) FIPRESCI Prize for Best Actress in a Foreign Language Film Daniela Vega from A Fantastic Woman (Chile) New Voices New Visions Award The Charmer (Denmark), directed by Milad Alami. Honorable Mention for Exceptional Direction: Léa Mysius for Ava (France) The John Schlesinger Award Brimstone and Glory (US/Mexico), directed by Viktor Jakovleski Cine Latino Award Killing Jesús (Colombia/Argentina), directed by Laura Mora Honorable Mention: A Fantastic Woman (Chile), directed by Sebastián Lelio HP Bridging the Borders Award Winner: The Insult (Lebanon), directed by Ziad Doueiri

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  • Justin Benson & Aaron Moorhead’s Mind-Bending Indie Thriller THE ENDLESS to Open in Theaters on March 23rd | Trailer

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    The Endless The mind-bending thriller The Endless directed by Justin Benson and Aaron Moorhead will open in theaters on March 23rd, 2018.   The film stars Justin Benson, Aaron Moorhead, Callie Hernandez, Emily Montague, Lew Temple, Tate Ellington and James Jordan. Following their Lovecraftian modern cult classic Spring, acclaimed filmmakers Moorhead and Benson return with this mind-bending thriller that follows two brothers who receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn’t as young men, they’re forced to reconsider the cult’s beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult. https://www.youtube.com/watch?v=PXB0DK3upGY

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  • LOVE AFTER LOVE Starring Chris O’Dowd and Andie MacDowell, Sets March 30th Release Date | VIDEO

    Andie MacDowell as Suzanne in LOVE AFTER LOVE. Love After Love directed by Russell Harbaugh and starring Chris O’Dowd and Andie MacDowell, takes an unblinking look at a family navigating their way forward in the shadow of a shared loss. IFC Films will release Love After Love in theaters and on demand March 30th, 2018. Suzanne (Andie MacDowell) and Glenn (Gareth Williams) are college theatre professors, enjoying a playful, tempestuous marriage surrounded by students and family. Their two sons are Nicholas (Chris O’Dowd), a successful book editor in a relationship with Rebecca (Juliet Rylance), and Chris (James Adomian), perpetually attempting to find an outlet for his vague, impassioned creativity. When Glenn becomes ill with cancer, the family waits out his last Summer days together. Glenn’s eventual death prompts curious, contradictory reactions: Nicholas jettisons his long-term relationship with Rebecca and becomes haphazardly engaged to his father’s student, Emilie (Dree Hemingway); Suzanne, now displaced as mother and wife, begins to see a series of men; Chris lurches forward, careening from failure to failure while pursuing an artistic career. Ill-equipped to attend to their mounting emotional needs, the family finds release in alternatively abhorrent and joyful ways. https://www.youtube.com/watch?v=EUb2z6yT_bI

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  • Indie Thriller “JOSIE” Starring Sophie Turner, Dylan McDermott Eyes a March 2018 Release Date

    JOSIE starring Sophie Turner, Dylan McDermott Eric England’s thriller “Josie” starring Sophie Turner, Dylan McDermott, and Jack Kilmer will be released day-and-date in theaters in March 2018 via Screen Media Films. The residents of a small, southern town are forever changed when the tattooed, sweet-talking stranger Josie (Sophie Turner) struts into town. Striking up relationships with a local young punk Marcus (Jack Kilmer) and her loner neighbor Hank (Dylan McDermott), she quickly becomes a hot topic of local gossip. But her true intentions for arriving in town are far more sinister when her dark past comes to light. “Anthony’s story is populated with such rich characters and emotions. It was a privilege to explore and create that world with artists like Dylan and Sophie. I’m truly excited for audiences to see their performances,” said director Eric England.

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  • Watch Trailer for Award-Winning Documentary THE PEACEMAKER, Portrait of International Peacemaker Padraig O’Malley

    documentary The Peacemaker The award winning documentary The Peacemaker, directed by James Demo, is an intimate portrait of Padraig O’Malley, an international peacemaker who helps make peace for others but struggles to find it for himself.   The film takes us from Padraig’s isolated life in Cambridge, Massachusetts to some of the most dangerous crisis zones on Earth – from Northern Ireland to Kosovo, Nigeria to Iraq – as he works a peacemaking model based on his recovery from addiction. We meet Padraig in the third act of his life in a race against time to find some kind of salvation for both the world and himself. The Peacemaker will open in New York at Cinema Village on Friday, February 9, 2018 ahead of a wider release.
    DIRECTOR’S STATEMENT – JAMES DEMO In 1971, Padraig O’Malley gambled his college scholarship on the Ali-Frazier fight, lost and dropped out of Harvard. He landed at The Plough and Stars, a pub in Cambridge, Massachusetts, where he met a number of Irish ex-pats. Through those contacts O’Malley eventually got involved in solving The Troubles in Northern Ireland, even famously bringing Nelson Mandela into the Northern Irish peace process. I first heard about Padraig four decades later, while I was having a pint at the Plough, which he now owned. At the time, Padraig was in Iraq, moving in and out of the Green Zone, trying to get warring parties to meet with Northern Irish and South African chief-negotiators who had helped settle major conflicts in the past. It surprised me that the owner of this little corner bar was risking his life to do this kind of work. I had to know more. I got in touch with Padraig and asked him to meet with me. He explained that he never went into his bar because he was a recovering alcoholic, so we agreed to meet late one night in a Boston-area library. He told me the incredible story of his life and how his recovery from addiction informed his current work. I asked him if I could follow him during a new reconciliation effort he was launching in divided cities in conflict zones. As we filmed, and I spent more time with Padraig, it became clear that the conflict I was documenting was more personal, even existential. Four continents and five years later I wrapped production on The Peacemaker, about an extraordinary man who helps make peace for others but struggles to find it for himself. – James Demo

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