The nominations for the 27th Annual IFP Gotham Awards are out, and Jordan Peele’s Get Out lead with four nods including Best Feature, Breakthrough Director and Screenplay and Best Actor for Daniel Kaluuya. Next up with three nominations each were Call Me By Your Name, The Florida Project, and Lady Bird.
Mudbound scored an early win for the special Gotham Jury Award for ensemble performance (actors Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, and Jonathan Banks).
The Gotham Awards signals the kick-off to the film awards season. As the first major awards ceremony on the calendar, the IFP Awards provide critical early recognition and media attention to worthy independent films.
“This year offered a bountiful array of diverse, creative work that represents the very best from this community. We’re thrilled to celebrate these achievements,” said Joana Vicente, executive director of IFP and the Made in NY Media Center.
In addition to the film awards, Gotham Award Tributes will be given to actors Nicole Kidman and Dustin Hoffman, director Sofia Coppola, producer Jason Blum, cinematographer Ed Lachman, and a Gotham Humanitarian Tribute to Al Gore.
The Gotham Awards ceremony will be held on Monday, November 27th at Cipriani Wall Street.
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2017 Gotham Awards Nominations – ‘Get Out’, ‘The Florida Project’, ‘Lady Bird’ Among Nominees
The nominations for the 27th Annual IFP Gotham Awards are out, and Jordan Peele’s Get Out lead with four nods including Best Feature, Breakthrough Director and Screenplay and Best Actor for Daniel Kaluuya. Next up with three nominations each were Call Me By Your Name, The Florida Project, and Lady Bird.
Mudbound scored an early win for the special Gotham Jury Award for ensemble performance (actors Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Rob Morgan, and Jonathan Banks).
The Gotham Awards signals the kick-off to the film awards season. As the first major awards ceremony on the calendar, the IFP Awards provide critical early recognition and media attention to worthy independent films.
“This year offered a bountiful array of diverse, creative work that represents the very best from this community. We’re thrilled to celebrate these achievements,” said Joana Vicente, executive director of IFP and the Made in NY Media Center.
In addition to the film awards, Gotham Award Tributes will be given to actors Nicole Kidman and Dustin Hoffman, director Sofia Coppola, producer Jason Blum, cinematographer Ed Lachman, and a Gotham Humanitarian Tribute to Al Gore.
The Gotham Awards ceremony will be held on Monday, November 27th at Cipriani Wall Street.
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First-Ever Meet the Press Film Festival Announces Lineup – “Heroin(e)”, “Election Day 2016,” “Osama and Ayman”
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Osama and Ayman[/caption]
The Meet the Press Film Festival in Collaboration with the American Film Institute (AFI) announced its full slate of official selections – 16 short-length political documentaries produced by filmmakers from across the country. The inaugural film festival will be held at the Landmark Atlantic Plumbing Cinema in Washington, D.C. on the evening of November 13. Film screenings will be organized under seven issues and followed by Q&As with the respective filmmakers and an NBC News correspondent.
The #1 most-watched Sunday show first announced its collaboration with AFI this past August, as both institutions joined forces in recognition of their milestone anniversaries — 70th and 50th, respectively — at a time when political documentaries are more popular than ever before.
2017 Meet the Press Film Festival Lineup
Battling America’s New Epidemic
“Heroin(e)“: Once a bustling industrial town, Huntington, WV has become the epicenter of America’s modern opioid epidemic, with an overdose rate 10 times the national average. This flood of heroin now threatens this Appalachian city with a cycle of generational addiction, lawlessness and poverty. But within this distressed landscape, Peabody Award-winning filmmaker Elaine McMillion Sheldon (“Hollow”) shows a different side of the fight against drugs — one of hope, highlighting three women working to change the town’s narrative one person at a time.Love and the Law
“62 Days“: Marlise Muñoz was 33 years old and 14 weeks pregnant with her second child when she died, suffering a pulmonary embolism. Pronounced brain-dead in a hospital in Fort Worth, TX, she had discussed her end-of-life wishes with her husband and did not want to be on life support. Director Sharon Liese tells the story of how, despite this, her family was forced to keep Marlise on mechanical support due to a little-known state law. “Edith + Eddie“: Edith and Eddie, at ages 96 and 95, became America’s oldest interracial newlyweds. Their love story, told by director Laura Checkoway, is disrupted by a family feud that threatens to tear the couple apart. Life After Prison “Knife Skills“: Over 650,000 people are released from prison every year. Director Thomas Lennon follows the launch of an haute cuisine restaurant in Cleveland, staffed by men and women recently released from behind bars to tell the story of re-entry, second chances and the healing power of fine food.Higher (Court) Education
“Fight for the First“: Director Rebecca Haimowitz addresses the freedom of the press in the Trump era through the eyes of journalists-in-training at the world’s oldest journalism school. “Gavin Grimm vs.“: Director Nadia Hallgren tells the story of transgender teen Gavin Grimm suing his local school board in 2016 after its members refused to let him use the bathroom of his choice. He was ready to take his case all the way to the Supreme Court — and then the election happened.The Cost of Justice
“A Debtors’ Prison“: Across the racially segregated landscape of St. Louis County, MO, thousands are routinely sent to jail because they cannot pay local court fines and fees. The vast majority of those fined are poor and black. Directors Brett Story and Todd Chandler follow two plaintiffs in an unfolding court case, as they describe the matrix of controls that subjected them to incarceration for being poor. “Shawna: Life on the Sex Offender Registry“: After having consensual sex with a younger boy while she was still a teenager, Shawna Baldwin found herself one of the 800,000 people on America’s sex offender registries. Director David Feige explores the effects on her life, as she is now in her mid-30s and a mother of three. “219“: A chilling portrait of the inner-workings of the death penalty in America, directed by Ed Hancox and told by the man once known as “the face of executions.” Living in America “Election Day 2016“: After a long and contentious presidential campaign, 10,000 people spontaneously came to pay tribute to Susan B. Anthony’s grave in Rochester, NY. They placed their “I Voted” stickers upon her headstone and expressed their pride and gratitude to America’s most famous suffragette. “Osama and Ayman“: Osama and Ayman are brothers, skateboarders, entrepreneurs, Americans and Muslims. As they skate through the streets of our nation’s capital, they navigate growing Islamophobia with characteristic style and humor in a film directed by Ben Mullinkosson, Sam Price-Waldman and Chris Cresci. “From Aleppo to L.A.“: Director Julia Meltzer tells the story of Dalya and her mother Rudayna fleeing Aleppo for Los Angeles in 2012. Can they hold on to their Islamic traditions in a country that doesn’t embrace them? “Roadside Attraction“: After a very famous airplane arrives at Palm Beach International Airport, an otherwise ordinary stretch of Florida highway attracts an avid cluster of excited onlookers and selfie-takers, directed by Ivete Lucas and Patrick Bresnan.On the Edge
“Ferryman at the Wall“: Originally proposed as an international peace park with Mexico, Big Bend, TX has a unique relationship with its southern neighbor. For the past 40 years, Mike Davidson has been ferrying tourists across the Rio Grande for a little taste of Mexican life — but now, as director David Freid shows, a great big border wall might divide the park. “Los Lecheros“: The fates of undocumented immigrant workers and Wisconsin’s $43 billion dairy industry are closely intertwined, as director Jim Cricchi tells the story of how both are grappling with their options for survival as fears of ICE raids and deportations under the Trump administration grow. “Monument | Monumento“: Director Laura Gabbert tells the story of Friendship Park, a unique meeting place along the US-Mexico border where family members and loved ones from both countries can see and speak to each other through a meshed fence, but cannot touch.
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Ridley Scott’s ALL THE MONEY IN THE WORLD Starring Mark Wahlberg and Michelle Williams to Close AFI FEST 2017
Director and producer Ridley Scott will be honored by AFI FEST 2017 with a Tribute and World Premiere Closing Night Gala screening of his latest film All the Money in the World on Thursday, November 16, at the historic TCL Chinese Theatre. The Tribute will celebrate Scott’s legendary filmmaking career with a moderated discussion of his work followed by the World Premiere screening. Directed by Scott, All the Money in the World stars Michelle Williams, Kevin Spacey, Mark Wahlberg, Romain Duris, Charlie Plummer and Timothy Hutton..
“For five decades, Ridley Scott’s tremendous visions of cities, new worlds, histories and science have transformed and influenced not only film, but our culture,” said Jacqueline Lyanga, AFI FEST Director. “We’re honored to be celebrating the artistry of a director whose work has had an indelible influence on cinema culture, and the lexicon of visual style.”
All the Money in the World follows the kidnapping of 16-year-old John Paul Getty III (Charlie Plummer) and the desperate attempt by his devoted mother Gail (Michelle Williams) to convince his billionaire grandfather (Kevin Spacey) to pay the ransom. When Getty, Sr., refuses, Gail attempts to sway him as her son’s captors become increasingly volatile and brutal. With her son’s life in the balance, Gail and Getty’s advisor (Mark Wahlberg) become unlikely allies in the race against time that ultimately reveals the true and lasting value of love over money.
https://www.youtube.com/watch?v=6x62O8A8qHw
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62nd Cork Film Festival to Open with Irish Premiere of THE MAN WHO INVENTED CHRISTMAS
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The Man Who Invented Christmas[/caption]
Taking place across 10 days from November 10 to 19, 2017, this year’s 62nd Cork Film Festival, will screen more than 200 films, with the majority being Irish premieres.
Opening the 2017 Cork Film Festival is the Irish premiere of The Man Who Invented Christmas on Friday, November 10th. Downton Abbey’s Dan Stevens assumes the role of Charles Dickens in Bharat Nalluri’s film, a festive romp that recounts how Dickens’ iconic A Christmas Carol was created.
The Irish premiere of Alexander Payne’s science-fiction road movie Downsizing will close the Festival on Sunday November 19th. It stars Matt Damon and Kristen Wiig as a husband and wife who decide to shrink themselves to simplify their lives, though things don’t go to plan. Other highlights include Ruben Östlund’s The Square, which won the Palme d’Or at the Cannes Film Festival this year, and Documentary Gala, Promised Land, directed by Eugene Jurecki. The film looks at how America has changed since Elvis Presley died 40 years ago.
Celebrating the best of home-grown talent, some of the most celebrated Irish films of the year feature across the 10 days. The screening of Frank Berry’s acclaimed Michael Inside takes place on 16 November, telling the story of an 18-year-old living in Dublin who is sentenced to three months in prison after he is caught hiding drugs for his friend’s older brother. Following its successful screening at the Toronto Film Festival, the Irish premiere of gothic horror The Lodgers, takes place on November 12.
The Festival will present the world premiere screening of short films produced under the Bord Scannán na hÉireann/the Irish Film Board’s Focus Shorts and Real Shorts schemes. Over 50 Irish short films feature in the program, and for the first time, a selection will be invited to feature on the RTÉ Player post-Festival, as part of RTÉ’s principal media partnership. Shorts submissions, both nationally and internationally, exceeded 3,200 and the Cork Film Festival is the only Irish festival to have two awards with Academy Awards® accreditation. The winner of the Grand Prix Irish Short, presented by RTÉ Supporting the Arts, and the winner of the Grand Prix International Short, will automatically qualify for the Academy Awards® longlist.
Speaking ahead of the launch, Cork Film Festival Producer Fiona Clark said: “The 2017 program is a unique opportunity to see some of the best established and emerging talent working in film today.”
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Watch Bill Pullman in Western Homage THE BALLAD OF LEFTY BROWN Trailer
The official poster and trailer dropped for the Western homage The Ballad of Lefty Brown, directed by Jared Moshé, and starring Bill Pullman, Kathy Baker, Jim Caviezel, Joe Anderson, Diego Josef, Tommy Flanagan and Peter Fonda. The film opens in theaters on December 15th.
When cowboy Lefty Brown (Bill Pullman) witnesses the murder of his longtime partner – the newly-elected Senator Edward Johnson (Peter Fonda) – he strikes out to find the killers and avenge his friend’s gruesome death. Tracking the outlaws across the vast and desolate Montana plains, Lefty recruits a young gunslinger, Jeremiah (Diego Josef), and an old friend, a hard-drinking U.S. Marshall (Tommy Flanagan), to help deliver the men to justice.
After a gunfight with the outlaws leaves Jeremiah wounded, Lefty returns home with the names of Johnson’s killers only to find that he is being accused of his friend’s murder. With the tables turned, and with his friend in the governor’s mansion (Jim Caviezel) refusing to help, Lefty must evade the law and prove his innocence by exposing the powerful men ultimately responsible for Johnson’s death. A thrilling and action-packed Western, The Ballad of Lefty Brown is a story about loyalty, friendship, and the relentless pursuit of justice.
https://www.youtube.com/watch?v=Sv2khM97ylU
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LA Film Festival Moving to September in 2018
The LA Film Festival, previously held in June, will now take place in late September starting in 2018. Submissions for the 24th edition of the Festival will open January 1, 2018, exclusively on Withoutabox, as part of a new multi-year collaboration.
“The secret to dramatically changing something is to change it,” said Jennifer Cochis, LA Film Festival Director. “My passion for this Festival is unwavering and the time for an evolution has come. Film Independent is so proud of the work we’ve done in showcasing new American and international cinema that embraces diversity, innovation and unique perspectives, but the fact is that summer is a challenging time for artist driven films, and fall is where we clearly belong. This shift in our dates is an important step in enacting my aim to further develop the LA Film Festival, I sincerely look forward to better serving filmmakers, film lovers, the city and the industry in the fall of 2018 and beyond.”
“We are proud to be the home of the LA Film Festival. The festival has been a staple for filmmakers and cinephiles in Los Angeles,” said Gretchen McCourt, Executive Vice President at ArcLight Cinemas. “LA is an entertainment mecca and has been home to ArcLight for over 15 years. It is partnerships like this that continue to make our programming unique. We couldn’t be more thrilled to be with them on this journey.”
“Great festivals need great partners, and we couldn’t be happier to be entering a multi-year collaboration with ArcLight Cinema and Withoutabox,” said Film Independent President Josh Welsh. “LA audiences know and love the ArcLight experience, and as our submissions continue to grow, Withoutabox is the ideal service for us to accept and evaluate submissions from filmmakers all over the world.”
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2017 Brooklyn Horror Film Fest Awards – TRAGEDY GIRLS Wins Best Film
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TRAGEDY GIRLS[/caption]
Tyler MacIntyre’s internet-age slasher TRAGEDY GIRLS slashed its way to the top of the 2017 Brooklyn Horror Film Fest, winning the top awards including Best Picture, Best Screenplay and Actress for Brianna Hildebrand and Alexandra Shipp.
Twenty feature films and seventeen short films were in competition, with Best Short going to Robin Comisar’s GREAT CHOICE.
The Brooklyn Horror Film Festival will haunt the borough once again in October 2018.
FEATURES AWARDS
Best Picture: TRAGEDY GIRLS, dir. Tyler MacIntyre Director: José Pedro Lopes, THE FOREST OF LOST SOULS Score: Julien Mineau, GAME OF DEATH Actress: Brianna Hildebrand & Alexandra Shipp, TRAGEDY GIRLS Actor: Steven Yuen, MAYHEM Screenplay: Chris Lee Hill, Tyler MacIntyre, Justin Olson, TRAGEDY GIRLS Cinematography: Konstantinos Koutsoliotas, THE BOOK OF BIRDIE Editing: Tom Sainty, FASHIONISTA Effects: Blood Brothers and Rémy Couture, GAME OF DEATH Audience Award: 1974, dir. by Victor DryereSHORTS AWARDS
Best Short: GREAT CHOICE, dir. Robin Comisar Best Director: Matt Mercer, FEEDING TIME Best Actor: Morgan Spector, GREAT CHOICE Best Actress: Mishka Balilty, INK Best Cinematography: Ellie Smolkin, AMY Best Editing: Alfonso Garcia, iMEDIUM Best Effects: Aislan, A MOTHER OF MONSTERS Best Score: Steve Moore, FEEDING TIME Most Spectacular Location: BESTIA, dir. Gigi Saul Guerrero Special Jury Award: EARWORM, dir. Tara Price
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44th Northwest Filmmakers’ Festival Reveals Lineup, PRICED OUT, LANE 1974, PROOF OF LOYALTY, and More..
This year’s 44th Northwest Filmmakers’ Festival (NWFest44), which takes place November 1 to 5, 2017, will present sixteen features and twenty short form works in the film lineup.
Festival film highlights include Portland-based filmmaker Cornelius Swart’s PRICED OUT, a feature-length documentary exploration of the housing crisis in Portland and its disproportion impact on the African-American community; Lucy Ostrander and Don Sellers’ documentary PROOF OF LOYALTY, which relays the story of Kazuo Yamane, a Japanese Nisei, born in Hawaii to Japanese-born immigrants, who, despite suffering prejudice and discrimination after Pearl Harbor, joined up to fight and valiantly serve the US in World War II ; Julie Perini’s THE GENTLEMAN BANK ROBBER: THE STORY OF BUTCH LESBIAN FREEDOM FIGHTER rita bo brown, a portrait of a white, working-class butch from rural Oregon who joined the George Jackson Brigade, a revolutionary prison abolitionist group operating in the Pacific Northwest in the 1970s, and became known as “The Gentleman Bank Robber”; POW WOW, Robinson Devor’s (ZOO, POLICE BEAT) documentary examining an annual country club party that takes place on former Native American land in the Coachella Valley; director SJ Chiro’s coming-of-age adventure LANE 1974, following life on a commune in Northern California, as witnessed through the eyes of a 13-year-old girl; and Matt McCormick’s BUZZ ONE FOUR, which tells the tale of the director’s grandfather and his involvement in a Cold-War era crash of an aircraft with a thermonuclear payload on board.
In addition to features, the Festival offers up three programs of short films. Shorts I: This is Here and Shorts II: Alliances, comprised of films from makers from across the Pacific Northwest, including festival alums Salise Hughes, Jodi Darby, Vanessa Renwick, Jon Behrens, and others, are joined by Ethnographic Visions: An Extended Shorts Program, which highlights longer, short films by Emily Wahl, Pam Minty, and Lynne Siefert.
Beyond the numerous screenings on offer, the Northwest Filmmakers’ Festival also provides opportunities for aspiring and working filmmakers to interact directly with peers and industry professionals through events at the Northwest Filmmakers’ Summit on November 4. A day of guest speakers, panels, and tech demos, the Summit’s aim is to provide information and discussion of issues and trends in independent filmmaking with a focus on regional opportunities and resources. Subjects explored include a presentation on “The Future of Lighting” by Aputure’s Mark Mathers, a panel discussion on cameras and lenses for professional production use, and a roundtable talk on best practices for sound design, working with composers with post-production in mind.
The Summit will also host a VR presentation by Digital One and a special live filmmaking event entitled Moving Picture Oregon in which five groups of filmmakers shoot a roll of Super 8 film based on an artwork in the Portland Art Museum’s Picturing Oregon exhibit. Later that night, the band Party Killer will perform a live soundtrack to the Super 8 films shot at the Moving Picture Oregon event in the Whitsell Auditorium for an event dubbed Party Killer Vs. Kodak.
This year’s Summit also includes a panel highlighting six Trailblazing Women of Independent Animation in the Northwest. Featuring Joanna Priestley, Rose Bond, Joan Gratz, Ruth Hayes, Marilyn Zornado, and Gail Noonan, the panel directly connects to a NWFest44 showing of the participants work, which in turn serves as a preview for a series of Northwest Tracking screenings focusing on each individual participant in November and December.
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6th Ithaca Fantastik Announces Lineup, LET THE CORPSES TAN, MY FRIEND DAHMER and More..
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LET THE CORPSES TAN[/caption]
With little more than two weeks to go, the 6th Ithaca Fantastik (IF) taking place November 3 to 12 in Ithaca, NY, unveiled its full features and short film lineup of 37 films from 20 countries.
In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.
Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.
Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS – an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.
Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.
IF completes this year’s smorgasbord with the crazies: Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike.
IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope.
Along with this incredible lineup, IF will also present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more.
INTERNATIONAL COMPETITION
THE ENDLESS (Ithaca Premiere) Aaron Moorhead & Justin Benson, USA THE CRESCENT (Ithaca Premiere) Seth A. Smith, Canada I REMEMBER YOU (Ithaca Premiere) Óskar Thór Axelsson, Iceland PIN CUSHION (East Coast Premiere) Deborah Haywood, UK VAMPYR VIDAR (East Coast Premiere) Thomas Aske Berg & Fredrik Waldeland, Norway FREDDY/EDDY (East Coast Premiere) Tini Tüllmann, Germany FRIENDLY BEAST (US Premiere) Gabriela Amaral, Brazil LES AFFAMÉS (East Coast Premiere) Robin Aubert, Canada SNOWFLAKE (East Coast Premiere) With producer Eric Sonnenburg in attendance! Adolfo J. Kolmerer, GermanyOpening & Closing
TRAGEDY GIRLS (Ithaca Premiere) Tyler McIntyre, USA A DAY (East Coast Premiere) Sun-Ho Cho, South KoreaCinema Pur
HAGAZUSSA: A Heathen’s Curse (Ithaca Premiere) Lukas Feigelfeld, Germany INFLAME (East Coast Premiere) Ceylan Özgün Özçelik, Turkey LET THE CORPSES TAN (East Coast Premiere) Bruno Forzani/Hélène Cattet, Belgium NOVEMBER (Ithaca Premiere) Rainer Sarnet, Iceland/Estonia TIGERS ARE NOT AFRAID (East Coast Premiere) Issa López, Mexico TOP KNOT DETECTIVE (Ithaca Premiere) Aaron McCann & Dominic Pearce, Australia/JapanFantastik Documentary: FOREVER LOVE!
BIGHT OF THE TWIN (Ithaca Premiere) Hazel Hill McCarthy III, USA LOVE AND SAUCERS (East Coast Premiere) Brad Abrahams, USAMidnighters
BRAVESTORM (North American Premiere) Junya Okabe, Japan SAMURAI RAUNI (North American Premiere) Mika Rättö, Finland ZOMBIOLOGY (Ithaca Premiere) Alan Lo, Hong KongFestival Favorite
KALEIDOSCOPE (East Coast Premiere) Rupert Jones, UK JAILBREAK (East Coast Premiere) Jimmy Henderson, Cambodia LOWLIFE (East Coast Premiere) Ryan Prows, USA SEQUENCE BREAK (Ithaca Premiere) With director Graham Skipper in attendance! Graham Skipper, USA MY FRIEND DAHMER (Ithaca Premiere) Marc Meyers, USABLUE UNDERGROUND PRESENTS with Bill Lustig in attendance!
DEATHLINE (Ithaca Premiere) With director Gary Sherman in attendance! Gary Sherman, UK 1972 DEAD OF NIGHT 4K Restoration (North American Premiere) Bob Clark, 1974SHUDDER PRESENTS
Mon Mon Mon Monster (New York Premiere) Giddens Ko, TaiwanITALIANO PSICHEDELIKO: Retrospective
AUTOPSY Armando Crispino, 1975 BABA YAGA Corrado Farina, 1973 DEADLY SWEET Tinto Brass, 1967 LE ORME Luigi Bazzoni, Mario Fanelli 1975 SUSPIRIA Dario Argento, 1977 BLOW UP Michelangelo Antonioni, 1966 DANGER: DIABOLIK Mario Bava, 1968SHORT FILMS
Born of Sin William Boodell – USA Jenny Secoma In: The Blind Spot Jack Warner – USA No Man’s Land: A Folktale Ty Turley – USA/Sierra Leone Popsy Julien Homsy – France Night Encounter Ludovic de Gaillande – France Bestia Gigi Saul Guerrero – Canada Sol Carlos G. Gananian – Brazil Oh, Dear Raquel Fogel – USA Evocation of a Nightmare Wally Chung – USA Waiting for Pascale Guillaume Harvey – Canada Breaker Phillippe McKie – Japan Bon Appétit Erenik Beqiri – Albania Zoey And The Wind-Up Boy Marica Petrey – USA I Am The Doorway Robin Kasparik – Czech Republic Miriam is Going to Mars Michael Lippert – USA Ink Ashlea Wessel – Canada It Began Without Warning Jessica Curtright & Santiago C. Tapia – USA Amy L. Gustavo Cooper – USA Killing Klaus Kinski Spiros Stathoulopoulos – Colombia/Netherlands What Comes From a Swamp Tyler Macri – USA Viola vs. The Vampire King Kevin Fermini – USA Standby Daumon Khakpour & Travis Pulchinski – Canada Sherry Eliane Lima – USA Jules D. Norma Vila – Spain Signal to Noise Jarret Blinkhorn – USA Holiday Fear Nicholas Santos – USA A Father’s Day Mat Johns – UK https://www.youtube.com/watch?v=tMxp2BMuHFk
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28th Stockholm International Film Festival Announces Lineup, THE SHAPE OF WATER, DOWNSIZING and More
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Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER.[/caption]
150 films from 60 different countries have been selected to be screened at the 28th Stockholm International Film Festival that takes place from the November 8th to the 19th.
A third of the films in this year’s festival program are directed by first-time filmmakers, the festival is also joined by legends such as this year’s Lifetime Achievement Award-winner Vanessa Redgrave.
After a long and successful Hollywood-career 80 year old Vanessa Redgrave makes her debut as a director with the documentary Sea Sorrow. The film focuses on the global refugee crisis and is a part of this years Spotlight – Change.
This years Visionary Award recipient is the director Pablo Larraín. Larraín is the director behind the Academy Award-nominated Jackie (2016); he is now attending the Stockholm Film festival with his latest film Neruda.
The premiere movie of this year’s film festival is the critically acclaimed film The Shape Of Water by the director behind the Academy Award-winning Pan’s Labyrinth Guillermo del Toro. Del Toro also won the Gold Lion at the Venice Film Festival earlier this year.
A selection of other films that will be screened are: Thelma by Joachim Trier, Call Me By Your Name by Luca Guadagnino, The Party by Sally Porter, Three Billboards Outside Ebbing, Missouri by Martin McDonagh and last but not least Downsizing by Alexander Payne.
Stockholm International Film Festival – Program 2017
Stockholm XXVIII Competition
A Ciambra by Jonas Carpignano (Italy, France, USA, Germany, 120 min) Ava by Léa Mysius (France, 106 min) Beach Rats by Eliza Hittman Co (USA, 95 min) Beast by Michael Pearce (Great Britain, 107 min) Falling by Marina Stepanska (Ukraine, 105 min) Gabriel And The Mountain by Fellipe Gamarano Barbosa (Brazil, France, 127min) God’s Own Country by Francis Lee (Great Britain, 104 min) I Am Not A Witch by Rungano Nyoni (Great Britain, France, 92 min) Insyriated by Philippe Van Leeuw (Belgium, France, Liban, 85 min) Jeune Femme by Léonor Serraille (France, 97 min) King Of Peking by Sam Voutas (USA, Australia, China, 88 min) La familia by Gustavo Rondón Córdova (Venezuela, Chili, Norway, 82 min) Los Perros by Marcela Said (Chile, France, 94 min) No Date, No Signature by Vahid Jalilvand (Iran, 100 min) One Thousand Ropes by Tusi Tamasese (New Zealand, 98 min) The Rider by Chloé Zhao (USA, 105 min) Son of Sofia by Elina Psikou (Bulgaria, France, Greece, 105 min) Where The Shadows Fall by Valentina Pedicini (Italy, 95 min)Stockholm XXVIII Documentary Competition
A Gray State by Erik Nelson (USA, 93 min) Copwatch by Camilla Hall (USA, 99 min) For Ahkeem by Jeremy S. Levine and Landon Van Soest (USA, 89 min) The Force by Peter Nicks (USA, 93 min) Lots of Kids, A Monkey, And A Castle by Gustavo Salmerón (Spain, 90 min) The New Radical by Adam Bhala Lough (USA, 120 min) Step by Amanda Lipitz (USA, 83 min) Tarzan’s Testicles by Alexandru Solomon (Romania, France, 107 min) This is Congo by Daniel McCabe (Democratic Republic of Congo, USA, Canada, 91 min) This Is Everything: Gigi Gorgeous by Barbara Kopple (USA, 91 min) True Conviction by Jamie Meltzer (USA, 84 min) The Venerable W by Barbet Schroeder (France, Switzerland, 100 min)Stockholm Impact
Cardinals by Grayson Moore and Aidan Shipley (Canada, 84 min) The Last Verse by Ying`Ting Tseng (Taiwan, 100 min) My Pure Land by Sarmad Masud (Great Britain, 92 min) Searing Summer by Ebrahim Irajzad (Iran, 83 min) Wild Roses by Anna Jadowska (Poland, 89 min)Open Zone
A Fantastic Woman by Sebastián Lelio (Chile, USA, Germany, Spain, 104 min) A Man Of Integrity by Mohammad Rasoulof (Iran, 117 min) Amant Double by François Ozon (France, 110 min) April’s Daughter by Michel Franco (Mexico, 102 min) Based On A True Story by Roman Polanski (France, 110 min) Call Me By Your Name by Luca Guadagnino (Italy, France, 130 min) Free And Easy by Jun Geng (Honk Kong, 97 minutes) Gisslan by Rezo Gigineishvili (Russian Federation, Georgia, Poland, 103 min) Have A Nice Day by Liu Jian (China, 75 min) Ice Mother by Bohdan Sláma (Czech Republic, Slovakia, France, 105 min) Mr. Long by Sabu (Japan, Hong Kong, China, Taiwan, Germany, 129 min) On The Beach At Night Alone by Hong Sang`Soo (South Korea, 101 min) Our Time Will Come by Ann Hui (Honk Kong, 130 min) Radiance by Naomi Kawase (Japan, France, 101 min) Thelma by Joachin Trier (Norway, France, 109 min) The Shape Of Water by Guillermo del Toro (USA, 119 min) The Wandering Soap Opera by Raúl Ruiz and Valeria Sarmiento (Chile, 80 min) The Workshop by Laurent Cantet (France, 113 min)American Independents
Band Aid by Zoe Lister`Jones (USA, 94 min) The Boy Downstairs by Sophie Brooks (USA, 91 min) Brigsby Bear by Dave McCary (USA, 100 min) Crown Heights by Matt Ruskin (USA, 99 min) The Endless by Aaron Moorhead, Justin Benson ( USA, 111 min) The Florida Project by Sean Baker (USA, 115 min) Gemini by Aaron Katz (USA, 93 min) Ingrid Goes West by Matt Spicer (USA, 97 min) Kings by Deniz Gamze Ergüven (France, Belgium, 86 min Life And Nothing More by Antonio Méndez Esparza (USA, 113 min) The Lovers by Azazel Jacobs (USA, 98 min) Keep The Change by Rachel Israel (USA, 94 min) Most Beautiful Island by Ana Asensio (USA, Spain, 80 min) Permanent by Colette Burson (USA, 97 min) Sollers Point by Matthew Porterfield (USA, France, 101 min) Who We Are Now by Matthew Newton (USA, 99 min)Icons
Battle Of The Sexes by Jonathan Dayton and Valerie Faris (Great Britain, USA, 121 min) Breathe by Andy Serkis (Great Britain, 117 min) Downsizing by Alexander Payne (USA, 135 min) The Final Journey by Nick Baker`Monteys (Germany, 100 min) Final Portrait by Stanley Tucci (USA, 90 min) Hannah by Andrea Pallaoro (France, 80 min) The Hero by Brett Haley (USA, 96 min) Let The Sunshine In by Claire Denis (France, 94 min) The Party by Sally Potter (Great Britain, 71 min) Reinventing Marvin by Anne Fontaine (France, 115 min) Rodin by Jacques Doillon (France, 119 min) Suburbicon by George Clooney (USA, 105 min) Three Billboards Outside Ebbing, Missouri by Martin McDonagh (USA, UK, 115 min) You disappear by Peter Schønau Fog (Denmark, 118 min) Wonder Wheel by Woody Allen (USA, 101 min)Discovery
Axolotl Overkill by Helene Hegemann (Germany, 94 min) Daybreak by Gentian Koçi (Albania, Greece, 85 min) Disappearance by Ali Asgari (Iran, Qatar, 88 min) Don’t Swallow My Heart, Alligator Girl! by Felipe Bragança (Brazil, Netherlands, France, Paraguay, 108 min) If You Saw His Heart by Joan Chemla (France, 86 min) Killing Jesus by Laura Mora (Colombia, Argentina, 100 min) Menashe by Joshua Z Weinstein (USA, 82 min) Oh Lucy! by Atsuko Hirayanagi (Japan, USA, 97 min) The Testament by Amichai Greenberg (Israel, 88 min) Vazante by Daniela Thomas (Brazil, Portugal, 116 min)Documania
Chavela by Catherine Gund and Daresha Kyi (USA, 90 min) Dina by Dan Sickles and Antonio Santini (USA, 101 min) Hondros directed by Greg Campbell (USA, 93 min) The Paris Opera by Jean`Stéphane Bron (France, 110 min) Return Of A President – After The Coup In Madagascar by Lotte Mik`Meyer (Denmark, South Africa, France, Madagascar, 78 min) Rumble: The Indians Who Rocked The World by Catherine Bainbridge and Alfonso Maiorana (Canada, 103 min) Ryuichi Sakamoto: Coda by Stephen Nomura Schible (USA, 102 min) Served Like A Girl by Lysa Heslov (USA, 93 min) Shadowman by Oren Jacoby (USA, 83 min) Take Every Wave: The Life Of Laird Hamilton by Rory Kennedy (USA, 118 min) Walk with me by Max Pugh and Marc J. Francis (Great Britain, 94 min)Twilight Zone
A Day by Sun`Ho Cho (South Korea, 90 min) Blade Of The Immortal by Takashi Miike (Japan, 140 min) The Cured by David Freyne (Ireland, Great Britain, France, 95 min) Double Date by Benjamin Barfoot (Great Britain, 90 min) Les Affamés by Robin Aubert (Canada, 100 min) Jailbreak by Jimmy Henderson (Cambodia, 92 min) Lowlife by Ryan Prows (USA, 98 min) The Merciless by Sung`Hyun Byun (South Korea, 120 min) Ugly Nasty People by Cosimo Gomez (Italy, France, 87 min) The Villainess by Byung`Gil Jung (South Korea, 129 min)Spotlight
An Inconvenient Sequel: Truth to Power by Bonni Cohen and Jon Shenk (USA, 99 min) Human Flow by Ai Wei Wei (Germany, 140 min) More by Onur Saylak (Turkey, 115 min) This Is Our Land by Lucas Belvaux (France, Belgium, 118 min) Wasted! The Story Of Food Waste by Anna Chai and Nari Kye (USA, 85 min) Zagros by Sahim Omar Kalifa (Belgium, 100 min)Stockholm XXVIII Short Film Competition
A Gentle Night by Qui Yang (China, 15 min) Aria by Myrsini Aristidou (Cyprus, France, 14 min) Atelier by Elsa María Jakobsdóttir (Denmark, 30 min) Bonboné by Rakan Mayasi (Lebanon, Palestine, 15 min) Hombre by Juan Pablo Arias Muñoz (Chile, 21 min) Into the Blue by Antoneta Kusijanovic (Croatia, Slovenia, 22 min) Kudzu by Connor Simpson (USA, 15 min) Lost Property Office by Daniel Agdag (Australia, 10 min) Marlon by Jessica Palud (France, Belgium, 19 min) The Ogre by Laurène Braibant (France, 10 min) Retouch by Kaveh Mazaheri (Iran, 20 min) Signature by Kei Chikaura (Japan, 13 min) Superpower Girl by Soo`Young Kim (South Korea, 24 min) Time To Go by Grzegorz Mołda (Poland, 15 min) You Will Be Fine by Céline Devaux (France, 15 min)Special Event
Neruda by Pablo Larraín (Chile, Argentina, France, Spain, USA, 107 min) Varg by Frida Kempff and Erik Andersson (Sverige, 11 min) Sea Sorrow by Vanessa Redgrave (Great Britain, 74 min) Surprise film1 Km Film
Förebilder by Elin Övergaard (Sweden,13 min) In Love by Ville Gideon Sörman (Denmark, 29 min) Intercourse by Jonatan Etzler (Sweden, 10 min) Mephobia by Mika Gustafsson (Sweden, 24 min) Min Homosyster by Lia Hietala (Sweden,15 min) Push It by Julia Thelin (Sweden, 8 min) Skuggdjur by Jerry Carlsson (Sweden, 21 min) Stay Ups by Joanna Rytel (Sweden, 11 min) Stranded by Viktor Johansson (Sweden, 11 min) Turkkiosken by Bahar Pars (Sweden, 7 min) Image: Sally Hawkins and Octavia Spencer in the film THE SHAPE OF WATER. Photo courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved
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30th IDFA to Open with World Premiere of Egyptian Documentary AMAL
The 30th International Documentary Film Festival Amsterdam (IDFA) will open on November 15 with the world première of Amal by Egyptian director Mohamed Siam. This coming-of-age documentary follows an Egyptian teenager during the revolution and its long resonating aftermath until today.
Panning through 6 years, we see how Amal searches for her identity in a country in transition. Amal is fierce and undaunted. But, as a young woman among men, she has to fight to survive and to find her own place in the streets and in all other areas of life. Amal has been selected for the IDFA Competition for Feature-Length Documentary and the focus program Shifting Perspectives: The Arab World.
Artistic director (interim) Barbara Visser: “In its choice of Amal as its opening film, IDFA has been able to combine almost everything it considers important: cinematic depiction of reality, an intimate story, and showcasing work by up-and-coming film talent from all over the world.” Siam (1982) is a fiction and documentary filmmaker from Egypt whose first work Whose Country? (2016) was amongst others selected for the New York Film Festival, the Karlovy Vary International Film Festival and won the Silver Hugo at the Chicago Film Festival. He has previously won the Robert Bosch Film Prize, Durban FilmMart Afridocs Prize and Thessaloniki Award. For Amal, he took on the roles of writer, director, cinematographer and producer.
This film was made with support from the IDFA Bertha Fund (IBF) and attracted finance at the IDFA Forum. This year, 57 projects have been selected from 23 countries, for IDFA Forum Selection 2017, including new projects by Victor Kossakovsky, Nino Kirtadze, Jian Fan and Maite Alberdi.
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NAILA AND THE UPRISING, Story of the Role Women Played in First Intifada, Premieres at DOC NYC
Naila And The Uprising
Directed by acclaimed filmmaker Julia Bacha (Budrus, My Neighbourhood), Naila And The Uprising tells the remarkable story of Naila Ayesh, who played a key role in the First Intifada, the most vibrant, nonviolent mobilization in Palestinian history.
Naila And The Uprising will World Premiere at the eighth annual DOC NYC festival on Sunday, November 12 at the SVA Theatre, 209 East 23rd Street.
When the uprising broke out in the late 1980s, Naila was living in Gaza. Faced with a choice between love, family and freedom, she embraced all three, joining a clandestine network of Palestinian women in a movement that forced the world and Israel to recognize the Palestinian right to self-determination for the first time. The film focuses on the power of women’s leadership in building a united front in the struggle for self-determination, equality and freedom in the Occupied Palestinian Territories. It inventively combines animation with archival footage to explore this hidden history.
Naila And The Uprising premieres in the month leading up to the 30th anniversary of the start of the First Intifada on December 9, 1987 and, following its DOC NYC screening, will launch internationally at IDFA in Amsterdam.
Julia Bacha said the film was a long-anticipated Just Vision production: “The First Intifada is an iconic moment in Palestinian history, when women took the helm of leadership positions at the grassroots and guided a civil resistance effort that was highly strategic, effective and creative and, in many ways, is an example of what civil resistance can achieve in the face of overwhelming repression. It’s a story that the media at the time missed—a trend that continues today as communities organize across the region for equality, freedom and justice—and we’re thrilled to finally bring it to light.”
As part of a newly announced deal with Fork Films and THIRTEEN/WNET, Naila And The Uprising will be included in the four-part Women, War & Peace II series, which is slated to have its exclusive US broadcast premiere on PBS in 2018, as well as broad international distribution. This is the second installment of the Women War & Peace series, which highlights how women in contemporary conflict zones risk their lives and lift their communities in pursuit of freedom and justice. The first installment of the series in 2011—which included groundbreaking films like Pray the Devil Back to Hell—exceeded the expectations of PBS and the series producers.