For it’s first submission ever, Haiti has selected Haiti, My Love (Ayiti Mon Amour) by Guetty Feli Cohen as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Haiti, My Love, an official selection of the 2016 Toronto International Film Festival, is set in post-earthquake Haiti, and invokes the country’s past and present with stories that intertwine and collide.
A grieving young boy discovers he has a superpower. An old fisherman realizes the cure for his ailing wife can be found in the sea. A muse struggles to exit the story her author is penning. In Guetty Felin’s magical neorealist tale, these three stories combine to create a poetic portrait of the island nation Haiti.
Set five years after the devastating 2010 earthquake, Felin’s film eschews the images that saturated screens after the disaster. While the pain of the destruction remains evident — in young Orphée’s grief over the loss of his father, in the rubble of decimated buildings, in ghostly images that float beneath the ocean’s surface — Felin refuses to tell a tale of victimhood. Instead, she places the island’s narrative back in the hands of Haitians whose lives aren’t reducible to headlines. And as her characters begin to heal, Felin suggests that the island will too.
Felin taps into her past work in the documentary field, infusing the realities of modern-day Haiti with a lyrical touch. From its verité-style moments of Jaures the fisherman labouring by the beach to the theatrical scenes between muse Ama and her author, the film makes its fluid tonal shifts at a lulling, rhythmic pace.
Shot on location with local actors and crew, Felin’s film is an important addition to the body of work coming out of Haiti’s burgeoning film scene. Ayiti Mon Amour doesn’t just mark the emergence of a distinct new directorial voice; it’s a key development in the evolution of a national cinema. TIFF
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HAITI MY LOVE is Haiti’s First Entry for Oscar Race for Best Foreign Film | Trailer
For it’s first submission ever, Haiti has selected Haiti, My Love (Ayiti Mon Amour) by Guetty Feli Cohen as its candidate for nomination in the foreign-language category of the 2018 Oscars.
Haiti, My Love, an official selection of the 2016 Toronto International Film Festival, is set in post-earthquake Haiti, and invokes the country’s past and present with stories that intertwine and collide.
A grieving young boy discovers he has a superpower. An old fisherman realizes the cure for his ailing wife can be found in the sea. A muse struggles to exit the story her author is penning. In Guetty Felin’s magical neorealist tale, these three stories combine to create a poetic portrait of the island nation Haiti.
Set five years after the devastating 2010 earthquake, Felin’s film eschews the images that saturated screens after the disaster. While the pain of the destruction remains evident — in young Orphée’s grief over the loss of his father, in the rubble of decimated buildings, in ghostly images that float beneath the ocean’s surface — Felin refuses to tell a tale of victimhood. Instead, she places the island’s narrative back in the hands of Haitians whose lives aren’t reducible to headlines. And as her characters begin to heal, Felin suggests that the island will too.
Felin taps into her past work in the documentary field, infusing the realities of modern-day Haiti with a lyrical touch. From its verité-style moments of Jaures the fisherman labouring by the beach to the theatrical scenes between muse Ama and her author, the film makes its fluid tonal shifts at a lulling, rhythmic pace.
Shot on location with local actors and crew, Felin’s film is an important addition to the body of work coming out of Haiti’s burgeoning film scene. Ayiti Mon Amour doesn’t just mark the emergence of a distinct new directorial voice; it’s a key development in the evolution of a national cinema. TIFF
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Santa Fe Independent Film Festival will Host a Tribute to Actor Wes Studi + Premiere of HOSTILES
Actor Wes Studi will be honored on Sunday October 22nd at Santa Fe Independent Film Festival, followed by the New Mexican premiere of Hostiles directed by Scott Cooper starring Wes Studi, Christian Bale, and Rosamund Pike.
Hostiles, shot in New Mexico takes place in 1892, legendary Army captain Joseph J. Blocker (Christian Bale) undertakes one final mission before retirement: escort Yellow Hawk (Wes Studi) – a dying Cheyenne war chief – and his family back to sacred tribal lands. After 20 years of violent struggle, this gesture of peace is as unthinkable as it is harrowing. Together they battle against a punishing landscape and the brutality of men alike, coming to the rescue of a young widow (Rosamund Pike) amidst the carnage of her murdered family. Two great warriors, once rivals across the battlefield, must learn to trust each other and find peace in an unforgiving land. A heroic odyssey of survival, HOSTILES becomes a story not about the miles traveled nor the battles fought, but the journey towards respect, reconciliation and forgiveness.
https://www.youtube.com/watch?v=8yuxKRZ_KPk
The actor gained attention in 2016 as Kaetenay in Showtime’s “Penny Dreadful”. Wes is perhaps best known for his powerful portrayal of Magua in “The Last Of The Mohicans”, and starring as Det. Joe Leaphorn in Tony Hillerman’s “Skinwalkers”, “Coyote Waits” and “Thief Of Time” on American Mystery! for PBS. His other film credits include the title role in “Geronimo: An American Legend”, Eytukan, the Na’vi chieftain in “Avatar”, “Dances With Wolves”, “Powwow Highway”, “Street Fighter”, “Deep Rising”, “Heat”, “Undisputed”, “Mystery Men”, “The New World”, and “The Only Good Indian”. He has appeared on television in the PBS series “We Shall Remain”, “The Red Road”, “Kings”, “The Mentalist”, HBO’s “Bury My Heart At Wounded Knee”, Larry McMurtry’s “Commanche Moon”, and “Streets of Laredo”, “Into The West”, “Superfire”, American Playhouse PBS “Trial Of Standing Bear”, “Longarm”, “Return To Plum Creek”, and TNT’s “The Broken Chain” and “Crazy Horse”.
Also a musician and songwriter, he plays bass with the band Firecat of Discord. Wes is an expert horse trainer, an accomplished sculptor of stone, and the author of two children’s books for the Cherokee Bilingual/Cross Cultural Education Center. Currently the Spokesman for the Indigenous Language Institute, he is fluent in both spoken and written Cherokee, his native language, and he provided the Cherokee translations for the Pulitzer Prize winning drama “The Kentucky Cycle”. Wes was born in Nofire Hollow, and raised in Northeastern Oklahoma. He currently resides in Santa Fe, NM with his wife, singer-actress Maura Dhu Studi, and their son Kholan.
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UNDER THE TREE, and LOTS OF KIDS, A MONKEY AND A CASTLE Win 2017 Hamptons International Film Festival Awards
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LOTS OF KIDS, A MONKEY AND A CASTLE[/caption]
The 25th Hamptons International Film Festival today announced their award winners, with UNDER THE TREE, and LOTS OF KIDS, A MONKEY AND A CASTLE winning the top awards.
UNDER THE TREE directed by Hafsteinn Gunnar Sigurðsson won the Award for Best Narrative Feature. LOTS OF KIDS, A MONKEY AND A CASTLE, directed by Gustavo Salmerón, received the Award for Best Documentary Feature. DEKALB ELEMENTARY, directed by Reed Van Dyk, and EDITH+EDDIE, directed by Laura Checkoway, received the Award for Best Narrative Short Film and for Best Documentary Short Film, respectively.
COMMODITY CITY, directed by Jessica Kingdon, received an Honorable Mention for Documentary Short Film.
The Tangerine Entertainment Juice Fund Award was awarded to NOVITIATE, directed by Maggie Betts. This award honors an outstanding female narrative filmmaker.
WANDERLAND, directed by Josh Klausner, was awarded the Suffolk County Next Exposure Grant. This program supports the completion of high quality, original, director-driven, lowbudget independent films from both emerging and established filmmakers who have completed 50% of principal photography within Suffolk County. The film was awarded a $3,000 grant.
HONDROS, directed by Greg Campbell, was awarded the 2017 Brizzolara Family Foundation Award for a Film of Conflict and Resolution.
THE LAST PIG, directed by Allison Argo, was awarded the Zelda Penzel Giving Voice to the Voiceless Award. This award is presented to a film that raises public awareness about contemporary social issues, including the moral and ethical treatment and the rights of animals as well as environmental protection.
I AM EVIDENCE was presented with the Victor Rabinowitz & Joanne Grant Award for Social Justice. The award was presented to directors Trish Adlesic and Geeta Gandbhir & producer Mariska Hargitay on Sunday, October 8th. The annual award is handed to a film that exemplifies the values of peace, equality, global justice and civil liberties, and is named after iconic civil rights lawyer Victor Rabinowitz and his wife Joanne Grant, an author, filmmaker and journalist. The award, which is accompanied by a cash prize of $1,500, is named in honor of two people who spent their entire lives fighting for those values.
2017 HAMPTONS INTERNATIONAL FILM FESTIVAL WINNERS
The HIFF Award Winner for Best Narrative Feature UNDER THE TREE, directed by Hafsteinn Gunnar Sigurðsson HIFF Award Winner for Best Documentary Feature LOTS OF KIDS, A MONKEY AND A CASTLE, directed by Gustavo Salmerón The HIFF Award Winner for Best Narrative Short Film DEKALB ELEMENTARY, directed by Reed Van Dyk The HIFF Award Winner for Best Documentary Short Film EDITH+EDDIE, directed by Laura Checkoway Honorable Mention for Best Documentary Short Film COMMODITY CITY, directed by Jessica Kingdon Tangerine Entertainment Juice Fund Award NOVITIATE, directed by Maggie Betts Suffolk County Film Commission Next Exposure Grant WANDERLAND, directed by Josh Klausner The 2017 Brizzolara Family Foundation Award for a Film of Conflict and Resolution HONDROS, directed by Greg Campbell The Zelda Penzel “Giving Voice to the Voiceless” Award: Dedicated to Those Who Suffer in Silence THE LAST PIG, directed by Allison Argo Victor Rabinowitz and Joanne Grant Award for Social Justice I AM EVIDENCE, Trish Adlesic and Geeta Gandbhir & producer Mariska Hargitay
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Niklaus Hilber’s PARADISE WAR Wins 3rd Filmmaker Award at Zurich Film Festival
Niklaus Hilber’s feature film project PARADISE WAR was presented with the third Filmmaker Award at the IWC gala dinner entitled ‘For the Love of Cinema’ at the 13th Zurich Film Festival.
“It’s a real honur for me to be here to present this prize. The Filmmaker Award plays an important role in bringing creative projects by Swiss filmmakers to the big screen,” said actor James Marsden who presented the Filmmaker Award at the IWC gala dinner. “The projects submitted this year were of such high quality and so diverse that it was again difficult for us to choose a winner,” continued CEO of IWC, Christoph Grainger-Herr, at the award ceremony.
This feature film, produced by Valentin Greutert, tells the eventful story of Swiss-born Bruno Manser, who spent many years in Malaysia. Here, he joined the indigenous Penan people in their non-violent battle against deforestation of the rainforest, which is home to many endangered species, including the orang-utan. Manser disappeared without trace during his last visit to the rainforest, and has remained missing to this day. Shooting of PARADISE WAR is scheduled to begin in the next few weeks.
The other nominees for the award were Bettina Oberli’s LE VENT TOURNE, produced by Pauline Gygax and Max Karli, and Simon Jaquemet’s DER UNSCHULDIGE, produced by Aurelius Eisenreich and Tolga Dilsiz. The two winning projects from last year – FORTUNA by Germinal Roaux and DAS BLUE NOTE PROJEKT by Sophie Huber – have since been completed and will soon be released internationally.
Image via Zurich Film Festival
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13th Zurich Film Festival Awards – POP AYE, MACHINES and BLUE MY MIND Win Golden Eyes
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MACHINES by Rahul Jainmac[/caption]
The 13th Zurich Film Festival has awarded their Golden Eyes to POP AYE by Kirsten Tan from Singapore for International Feature Film; MACHINES by Rahul Jain from India, Germany and Finland for International Documentary Film; and BLUE MY MIND by Lisa Brühlmann from Switzerland for Focus: Switzerland, Germany, Austria.
The Emerging Swiss Talent Award for a Swiss film went to AVANT LA FIN DE L’ÉTÉ / BEFORE SUMMER ENDS by Maryam Goormaghtigh (Switzerland, France) and the Critics’ Choice Award goes to BLUE MY MIND by Lisa Brühlmann (Switzerland).
The Audience Award went to A RIVER BELOW by Mark Grieco (Colombia, USA).
2017 Zurich Film Festival Awards
International Feature Film Competition
The 13th Zurich Film Festival’s Golden Eye for Best Film in the International Feature Film Competition category goes to: POP AYE by Kirsten Tan (Singapore) https://www.youtube.com/watch?v=5ku1ZPsWqM0 A Special Mention goes to: JUSQU’À LA GARDE / CUSTODY by Xavier Legrand (France) UNDER THE TREE / UNDIR TRÉNU by Hafsteinn Gunnar Sigurdsson (Iceland, Denmark, Poland, Germany)International Documentary Film Competition
The 13th Zurich Film Festival’s Golden Eye for Best Film in the International Documentary Film Competition category goes to: MACHINES by Rahul Jain (India, Germany, Finland) https://www.youtube.com/watch?v=Vm0gxjao36E A Special Mention goes to: DIE GENTRIFIZIERUNG BIN ICH. BEICHTE EINES FINSTERLINGS / I AM GENTRIFICATION. CONFESSIONS OF A SCOUNDREL by Thomas Haemmerli (Switzerland) AL OTRO LADO DEL MURO / THE OTHER SIDE OF THE WALL by Pau Ortiz (Spain, Mexico)Focus: Switzerland, Germany, Austria
The 13th Zurich Film Festival’s Golden Eye for Best Film in the Focus: Switzerland, Germany, Austria Competition category goes to: BLUE MY MIND by Lisa Brühlmann (Switzerland) https://www.youtube.com/watch?v=sBijdXcd5hkEmerging Swiss Talent Award
The Emerging Swiss Talent Award for Best Swiss Film in the Festival Programme goes to: AVANT LA FIN DE L’ÉTÉ / BEFORE SUMMER ENDS by Maryam Goormaghtigh (Switzerland) A Special Mention goes to: TIERE / ANIMALS by Greg Zglinski (Switzerland, Austria, Poland) https://www.youtube.com/watch?v=TIoHmGiSFvACritics’ Choice Award
The Swiss Association of Film Journalists (SVFJ) award their prize for Best Debut Feature Film in the Competition Section to: BLUE MY MIND by Lisa Brühlmann (Switzerland)Audience Award
Given to the best film from the three competition categories as chosen by viewers, the Audience Award goes to: A RIVER BELOW by Mark Grieco (Colombia, USA) https://www.youtube.com/watch?v=6dm-P9Pi7gIKids Jury Award for Best Children’s Film
The Kids Jury gives their award to: UP IN THE SKY / UPP I DET BLÅ by Peter Lennstrand (Sweden)Audience Award for Best Children’s Film
The Audience Award for best film in the ZFF for Kids section as chosen by our young viewers goes to: DIE HÄSCHENSCHULE – JAGD NACH DEM GOLDENEN EI / RABBIT SCHOOL – GUARDIANS OF THE GOLDEN EGG by Ute von Münchow-Pohl (Germany)Treatment Competition Award
The Award for Best Treatment goes to: Seraina Nyikos for the Project SECONDO (Switzerland)
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Director Brett Morgen and Jane Goodall Attend NYFF Premiere of JANE
Director Brett Morgen and subject Jane Goodall were in attendance to introduce the stunning documentary, National Geographic’s JANE at the 2017 New York Film Festival.
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Jane[/caption]
JANE is the story of how Jane Goodall became Jane Goodall – using footage shot by future husband Hugo van Lawick of her first experiences in Gombe, Tanzinia in the 1960’s. Previously thought to be lost forever, the footage was only recently discovered in a storage unit, and has been now masterfully intercut with interviews of present day Jane Goodall to provide an in-depth portrait of her life.
JANE will be released in select theaters starting October 20.
https://www.youtube.com/watch?v=FRlUJrEUn0Y&feature=youtu.be
Image: NEW YORK – OCTOBER 5: (L-R) Jane Goodall and Director Brett Morgen attend the NY Film Festival screening of National Geographic’s documentary ‘Jane’ at the Walter Reade Theater on October 5, 2017 in New York City. (Photo by Anthony Behar/NatGeo/PictureGroup)
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10 Best Foreign Language Submissions for 2018 Oscars to Compete at Heartland Film Festival
The 26th Heartland Film Festival will debut the inaugural “Foreign Language Best Picture Contender” sidebar featuring 10 films submitted as the respective country’s official entry for the Best Foreign Language Film category at the 2018 Academy Awards®. Each selection will play once during Heartland’s 11-day celebration of international independent film.
“Each year, Heartland Film Festival proudly showcases a healthy percentage of foreign language films which are much admired, roundly discussed and debated by our audiences,” said International Film Programmer Hannah Fisher. “We present this year – for the first time – a section of films submitted to the Academy of Motion Picture Arts and Sciences for consideration in the category known as ‘Best Foreign Language Film.‘
“We anticipate this program will grow and evolve in stature, in much the same way that that Heartland Film Festival continues to gain international recognition and prominence. Heartland is thrilled to be among the first North American film festivals to showcase these foreign language contenders,” concluded Fisher.
Set to award more than $100,000 in cash prizes across various categories, the 2017 Heartland Film Festival will bestow a $5,000 cash prize to one of these 10 films, as selected by the Festival’s foreign language contender jury.
Heartland Film Festival “Foreign Language Best Picture Contender” Lineup
“One Thousand Ropes” (2016) Country: New Zealand, Director: Tusi Tamales, Distributor: Transmission Films Synopsis: When a father reconnects with his estranged teenage daughter, he is given a rare chance to reshape the future of his family in unexpected ways. “Ayla: The Daughter of War” (2017) Country: Turkey, Director: Can Ulkay Synopsis: The true story or a little orphaned girl and the soldier who fell in love with her. “Saawan” (2017) Country: Pakistan, Director: Farhan Alam, Distributor: Kalaker Films Synopsis: A handicapped nine-year old boy who lives in a valley in the mountains of Balochistan is rejected by his father, intimidated by society, harassed by friends and left alone due to his disability. Strengthened by memories and dreams of the love of his mother, he begins a perilous journey back to his family in the main city. “White Sun” (2016) Country: Nepal, Director: Deepak Rauniyar, Distributor: Kimstim Films Synopsis: A former Maoist rebel struggles to reintegrate with his unwelcoming community and move beyond a painful past. “Newton” (2017) Country: India, Director: Amit Masurkar Synopsis: A government clerk on election duty in the conflict ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels. “BPM (Beats Per Minute)” (2017) Country: France, Director: Robin Campillo, Distributor: The Orchard Synopsis: In Paris in the early 1990s, a passionate group of activists goes to battle for those stricken with HIV/AIDS, taking on sluggish government agencies and major pharmaceutical companies. “Divine Order” (2017) Country: Switzerland, Director: Petra Volpe, Distributor: Kino Lorber Synopsis: A bucolic alpine village becomes a battleground for social change in 1970 Switzerland. “Reşeba: The Dark Wind” (2016) Country: Iraq, Director: Hussein Hassan Synopsis: Radical Islamist militants attack a village in Iraq where two young Yazidi prepare for marriage. From that moment onwards their lives are turned into a nightmare. “Pomegranate Orchard” (2017) Country: Azerbaijan, Director: Ilgar Najaf, Distributor: Buta Film Synopsis: Gabil returns home to the humble family farmstead, surrounded by an orchard of venerable pomegranate trees; since his sudden departure twelve years ago he was never once in contact. However, the deep emotional scars he left behind cannot be erased from one day to the next. “Thelma” (2017) Country: Norway, Director: Joachim Trier, Distributor: The Orchard Synopsis: A timid young woman leaves her rural home to study in Oslo. She does not understand her unique ability to manipulate her environment.
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7th Catalina Film Festival Awards – ROCKAWAY and BLACK AND BLUE Win Top Prizes
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Rockaway[/caption]
After screening over 100 films, Rockaway was awarded the prize for Best U.S. Feature Prize, and Black and Blue the prize for Best Documentary at the 7th annual Catalina Film Festival (CFF). Awards were issued in 14 film competition categories selected from the films screened at venues throughout the famed Catalina Island.
The annual film festival also featured career tributes, as well as the annual Film & New Media Summit.
FESTIVAL AWARDS
U.S. Feature — Winner: ROCKAWAY / Excellence: Tater Tot & Patton https://www.youtube.com/watch?v=rBr8khZWxrE Documentary — Winner: Black and Blue / Excellence: A Classy Broad https://www.youtube.com/watch?v=n-1PHhFy1MI Wes Craven Horror — Winner: Matthew 19:14 / Excellence: The Madame in Black Screenplay — Winner: Time Zero / Excellence: The Joyrider Animation — Winner: Alike / Excellence: Catching the L Train U.S. Short — Winner: Chocolate / Excellence: The Visit Conservation — Winner: Manmade Waters / Excellence: Gaviota: The End of Southern California Advanced Student — Winner: Icarus / Excellence: The Transfer High School Student — Winner: Puget Sound / Excellence: Color My Dreams International Short — Winner: Pushing Night Away / Excellence: Girl in White International Feature — Winner: Secret from the Past / Excellence: Generation Wolf Festival Treasure — My Loyal Audience Deb Bauer Unsung Hero — SEARCHDOG Golden Fox Award for Excellence in Directing — Brian Crano, PermissionCAREER TRIBUTE AWARDS
Breaking the Glass Ceiling Award: 91-year-old veteran producer, Marcia Nasatir (The Big Chill, Rocky, Carrie, Apocalypse Now) Maverick Award: Actor and Activist, Matt McGorry (How to Get Away with Murder) Crest Award—Directing: Jordan Vogt-Roberts (Kong: Skull Island, Metal Gear, Destiny 2) Crest Award—Acting: Wyatt Oleff (IT, Guardians of the Galaxy)
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Washington, DC’s Double Exposure Investigative Film Festival Announces 2017 Lineup
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NO STONE UNTURNED – Alex Gibneyno[/caption]
The Double Exposure Investigative Film Festival and Symposium taking place October 19 to 22, in Washington, DC will feature a lineup of 13 documentary films that go beyond the headlines to capture riveting stories and confront matters that have been hidden from the public, until now.
The film program is intertwined with a daytime symposium with topics this year including panels on “the real take” on fake news, protecting sources and subjects in newly hostile environments, immersive and undercover reporting, and conversations with leading filmmakers.
“We are excited to bring these probing, new investigative documentaries to Washington audiences,” said Diana Jean Schemo, Double Exposure’s founder and co-director. “This season’s slate explores timely issues in our nation’s political life just now, including race in America, the drug trade, Latin America, and the media itself.”
“The films in this year’s lineup are not only great works of journalism, but great works of cinematic storytelling that bring vivid and distinct focus to a range of topics and issues otherwise left unseen,” said Sky Sitney, Double Exposure co-director.
COCAINE PRISON
Washington, DC Premiere
Director Violeta Ayala
Australia / France / Bolivia / United States
From inside Bolivia’s most notorious prison a cocaine worker, a drug mule and his younger sister reveal the country’s complex and inescapable relationship with cocaine.
DEVIL’S FREEDOM (LA LIBERTAD DEL DIABLO)
Director Everardo González
Mexico
In searing testimony from both victims and perpetrators, this documentary paints an indelible portrait of violence in Mexico. Using masks to protect the identities of his subjects, filmmaker Everardo González brings a rare candor to their tales.
DID YOU WONDER WHO FIRED THE GUN?
Washington, DC Premiere
Director Travis Wilkinson
United States
Travis Wilkerson sets out to explore the truth behind a family story: that his white supremacist great grandfather killed a black man in his store in lower Alabama in 1946.
END OF TRUTH
World Premiere
Directors Tricia Todd and Eric Matthies
United States
An emotionally powerful investigation into the political and criminal enterprise of kidnappings as ISIS rose to power in war torn Syria. By intercutting exclusive footage with intimate interviews of negotiators, investigators, fixers and even a used car salesman who are caught up in the confusion, the filmmakers examine the leads that led to lies revealing the terrible consequence of misinformation when lives are at stake.
HALL OF MIRRORS
Washington, DC Premiere
Directors Ena Talakic and Ines Talakic
Italy / United States
Edward Jay Epstein has built a career on taking a deeper look at hidden trends and unquestioned scripts that enter mainstream thinking. In Hall of Mirrors, he delves into Edward Snowden’s historic leak of data on U.S. government surveillance, delighting in the absurdities he discovers.
NO STONE UNTURNED
Centerpiece Film – Washington, DC Premiere
Director Alex Gibney
United States
In 1994, six men were gunned down and five wounded in a pub while watching a World Cup soccer match in Loughinisland, Northern Ireland. With a police investigation that was perfunctory at best, the case remained unsolved. In this non-fiction murder mystery, Academy Award-winning documentarian Alex Gibney reopens the original case to investigate why no culprit was ever brought to justice.
ONE OF US
Opening Night Film – Washington, DC Premiere
Directors Heidi Ewing and Rachel Grady
United States
Academy Award nominated filmmakers Heidi Ewing and Rachel Grady follow the lives of three people who have chosen to leave the world of Hasidic Judaism. A Netflix Original Documentary.
THE OTHER SIDE OF EVERYTHING
U.S. Premiere
Director Mila Turajlic
Serbia
A locked door inside a Belgrade apartment has kept one family separated from their past for over 70 years. As the filmmaker begins an intimate conversation with her mother, the political fault line running through their home reveals a house and a country haunted by history. She fights and secures the release of hidden records that the nationalist government had removed from public archives. The chronicle of a family in Serbia turns into a searing portrait of an activist in times of great turmoil, questioning the responsibility of each generation to the next.
THE RAPE OF RECY TAYLOR
Washington, DC Premiere
Director Nancy Buirski
United States
Recy Taylor was gang raped by 6 white boys in Alabama in 1944. Unbroken, she spoke up, and with help from Rosa Parks and legions of women, fought for justice. Entwined through family and social ties with local police, Taylor’s rapists were never tried for their crime. The film explores the largely hidden phenomenon of white men raping black women in the south, a crime all but ignored by law enforcement and the press.
TRUSTWHO
World Premiere
Director Lillian Franck
Germany
Is the World Health Organization sick? The filmmaker and mother Lilian Franck reveals clandestine influences by the tobacco, pharmaceutical and nuclear industries on the organization, charged with protecting global health.
VOYEUR
Closing Night Film – Washington, DC Premiere
Directors Myles Kane and Josh Koury
United States
Voyeur follows journalist Gay Talese as he reports on one of the most controversial stories of his career: a Colorado motel owner, Gerald Foos, who spent decades spying on his guests and recording their private moments. A Netflix original documentary.
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BLACK BEACH/WHITE BEACH, GINGER NATION, KNIFE SKILLS, Among Docs Featured at Cucalorus Festival
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Black Beach/White Beach: A Tale of Two Beaches[/caption]
The 23rd Cucalorus Festival takes over downtown Wilmington, North Carolina, from November 8 to 12 and will feature more than 70 documentaries, including the world premiere of Ricky and Cherie Kelly’s racially-charged motorcycle doc “Black Beach/White Beach: A Tale of Two Beaches” and the international premiere of Shawn Hitchins’ fiery, flamboyant stage show-doc “Ginger Nation.”
One of many films crossing the divide between Cucalorus Film and Cucalorus Connect is Thomas Lennon’s “Knife Skills,” about a French restaurant staffed entirely by men and women just out of prison. Lennon shared, “I knew Cucalorus was a creative festival. What I didn’t know is how deep its roots run in its community, its passion to connect each film to an audience in a way that packs the biggest possible punch. They really go the extra mile, which makes the festival even more exciting for us.”
Other documentary debuts include the U.S. premiere of “Forbidden Games: The Justin Fashanu Story” by Jon Carey and Adam Darke, chronicling the complex and troubled story of a talented (and openly gay) British soccer player. “The Power of Glove,” from Andrew Austin and Adam Ward, presenting the legacy of the notoriously “bad” Nintendo Power Glove, and “True Conviction” from Jamie Meltzer, depicting a detective agency run by exonerated men to free innocent people, both make their southeast U.S. premieres. “ACORN and the Firestorm,” directed by Reuben Atlas and Sam Pollard, will have it’s North Carolina premiere and documents the amateur journalists who posed as a pimp and prostitute hoping to expose America’s largest grassroots community organizing group via hidden-camera.
Cucalorus also includes 55 short documentaries, including the world premiere of Joanne Hock’s “Martin Hill: Camera Man,” honoring a curator of cameras that shot some of the most iconic films in Hollywood’s past. Other key short docs include “Water Warriors” by Michael Premo, “Under the Mask” by Alex Hoelscher, and “Lonnie Holley: The Truth of Dirt” by Marco Williams.
Feature Docs
“No Dress Code Required (Etiqueta no rigurosa),” Cristina Herrera Borquez “True Conviction,” Jamie Meltzer “Rebels on Pointe,” Bobbi Jo Hart “ACORN and the Firestorm,” Reuben Atlas, Sam Pollard “Working In Protest,” Michael Galinsky, Suki Hawley, David Beilinson “The Power of Glove,” Andrew Austin & Adam Ward “Forbidden Games: The Justin Fashanu Story,” Jon Carey and Adam Darke “Motherland,” Ramona S. Díaz “What Lies Upstream,” Cullen Hoback “Knife Skills,” Thomas Lennon “The Road Movie,” Dmitrii Kalashnikov “Ginger Nation,” Shawn Hitchins, Mitch Fillion “Liberation Day,” Morten Traavik, Ugis Olte “The Work,” Gethin Aldous and Jairus McLeary “Purple Dreams,” Joanne Hock “Black Beach/White Beach: A Tale of Two Beaches,” Ricky Kelly

Kedi[/caption]
Lady Bird[/caption]
Actress Greta Gerwig directorial debut